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某温泉小镇主体建筑设计方案我们为某温泉小镇主体建筑所做的方案设计。
琴台堡效果图：温泉区域内的设计，不进行大的景观构筑物的设计，在铺装材质的选择上则注重质朴与自然，以黄褐色系的天然石材为主。
畅想海泉效果图：引入海景房设计理念，将观景、休闲、泡浴、养生融为一体的温泉洗浴类型，主要有观海池、休闲台、瑜伽房等部分组成。http://www.jianzhu01.com/PublicNewsImage/Club-house1003040003-1.jpghttp://www.jianzhu01.com/PublicNewsImage/Club-house1003040003-2.jpg商务会馆2010-03-04
http://www.jianzhu01.com/SuperMarket1002230007.htm
南昌胜利路商业项目改造 我们认为，该项目的改造设计，首先要在建筑外部形态、文化内涵表现上区别与一般传统商业的建筑设计，在建筑设计中融入最具南昌特色的文化主题，使建筑本身具有鲜活的生命力。
方案的设计秉承南昌深厚的文化底蕴，传承江右商帮的商业精神，贴合动感现代化都市的新风尚，在结合本地商业发展的实际与需求下，通过创意化的设计手法，使商业建筑、景观、业态及内部装修风格等整体体现出南昌特有文化气息。用瑞香绽放时尚的建筑设计手法最终形成南昌胜利路上的“炫酷青年特区”——现代都市青年首选“都市约会地”。
方案之一：花样年华
金边瑞香别名： 睡香、蓬莱紫、风流树、毛瑞香、千里香、山梦花、沈丁花，是世界园艺三宝之一,自古以来金边瑞香就以姿、色、香、韵俱佳而蜚声世界，古人评说：“牡丹国色天香,瑞香金边最良”。1985年10月,南昌市人大常委会八届十七次会议确定月季、金边瑞香为南昌市市花，将金边瑞香作为南昌的市花，体现出南昌越发美丽、时尚、动感的城市精神——动感之都。
此方案取名花样年华，意在让建筑通过瑞香花的变换造型表现出南昌动感、时尚的新城市精神。
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http://www.jianzhu01.com/B1008020745.htm
广州俱乐部（Guangzhou Clubhouse）
Year 2007
Location China
Typology public building
Scale 12,897 sqm
Status Under construction
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http://www.jianzhu01.com/B1008020744.htm
广州俱乐部（Guangzhou Clubhouse）
Year 2007
Location China
Typology public building
Scale 12,897 sqm
Status Under construction
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http://www.jianzhu01.com/B1008020743.htm
蒙古草园俱乐部（Mongolian Meadow Club）
Year 2006
Location China
Typology Housing
Scale 506,930 sqm
Status Under construction
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http://www.jianzhu01.com/B1008020742.htm
新宫会所
新宫会所是两组坐落在公园里的低密度建筑群，一方面要以一种独特的方式与自然和景观融为一体，另一方面这两个建筑群需要插接到城市文脉中，成为城市文脉和自然文脉墓伞?
所以我们必须重新考虑“边界”的问题，“内” 和“ 外”在不同的区域需要被处理成不同的关系；我们在探讨在一个单体上将两者强烈区分和实现模糊性的可能。
新宫俱乐部的设计包括两个主要区域，为温泉疗养等新兴休闲运动场所。这两个区域的主要入口处是一个中心庭院，并有树枝般体系在功能上和建筑实体上将其与后面的自然环境联系起来。
建筑的造型向外延伸，从而形成一个不规则的自然庭院，其中的空间和这个放射状的庭院暗示了内部的独立空间构成。同时在空间的角度上也解决了深层建筑难以满足自然光照射的问题。
每一种造型的单元均有几个不同的分支，从而为客人们在不同的空间展现不同的景色。同时在建筑之间延伸出去的几个有玻璃顶的庭院使整个设计在三维空间上与周围的自然环境容为了一体。建筑的顶部采用三角造型，联系在一起形成一条不规则的屋顶线，并延伸到周围的景观设计当中，丰富了每个独立设计空间与周围环境的关系。
因此，新宫俱乐部的设计体现了一种崭新的自然与建筑之间的关联，并丰富了在自然环境中空间构成的可能性。
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http://www.jianzhu01.com/B1008020741.htm
中海安德鲁斯会所
设计单位：这方建筑 (Zephyr Architects)
所在国家：中国
所在地区：北京
建筑面积：3000 平方米
上传日期：2008-6-16
开工日期：已建成
规模指标：
图片介绍：
建筑方案设计：这方建筑 (Zephyr Architects)
设计日期：2003-2005年
建筑面积：3000 平方米
中海安德鲁斯庄园会所位于北京市朝阳区观音堂中海安德鲁斯庄园的东南位置，紧临高碑店路。建筑面积约3000平方米。作为手法简化的象征，本设计中建筑的主要楼板与外墙的差异被消除，成为一个水平和垂直相结合的连续整体，建筑内部的空间就形成于这一连续折板的每一次转折处。与这一实体相对应的建筑其他部分表皮以通透的大面积玻璃为主，形成强烈的表面虚实对比，同时，折板反复穿透玻璃表面的进出过程模糊了建筑内与外的边界，将内部空间与外部环境更有机地融合到了一起。通过转折在每个楼层分别形成对向主要景观的屋顶平台，可用于观景和举办室外活动。
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http://www.jianzhu01.com/B1008020740.htm
金沙湾乡村俱乐部会所
设计单位：这方建筑 (Zephyr Architects)
所在国家：中国
所在地区：江苏
建筑面积：5000 平方米
上传日期：2008-6-16
开工日期：2007年
规模指标：
图片介绍：
建筑方案设计：这方建筑 (Zephyr Architects)
设计日期：2006~2007年
建筑面积：5000 m2
这是一个建筑面积5000平米的高尔夫俱乐部会所，位于华南道教名山——江?苏茅山。设计的概念是，一方面将建筑融入风景中，另一方面也把自然带入建筑。简单的说,这是一个围绕着道山的光、影、和空气的设计。设计的介质有两个,一是建筑结构体本身,一是竹林。竹林,从空气的流动产生风,其滤过的光影再因风而摇弋,成为另一个空气和光的介质角色。设计的操作很自然的分为两部分,一是处理光和结构体的关系,一是在制造竹林和人的偶遇。
设计有两个主要的方向: 由于基地自然景观资源优越, 如何处理建筑和自然的关系是一个重点;处理支援俱乐部会所功能所必需的复杂动线关系是另一项侧重, 它包含了访客、直接面对客人的服务人员、后勤支援人员、职工以及非人员(物资)。
在应对自然方面,设计考量在于光影的应用和植栽的引入：单体的墙剖面直接反应了阳光入射的方式：夏季,阳光经由遮阳板反射进入室内,再由斜板吊顶漫射入室内深处；在冬季,由于太阳位处较低斜角,可直接穿越遮阳板,沿斜板吊顶射入室内深处。植栽的引入发生在建筑单体和单体之间,在一个单体里面,向内可以看见竹林滤过的光线在另一单体的墙面上产生的光影。树影移墙，在建筑之间穿越,其实是在林中穿行。
金沙湾乡村俱乐部会所的设计操作试图找寻一种意义; 这个意义是形而上的, 这方建筑在追逐一连串的事件, 并试图去设计可以定义这些事件的一组空间。这组空间不是由功能定义的。功能给予空间标签,但不赋予其意义和精神,或者说,这组空间和功能意义上的空间有可能是错位的,事件可以是发生在前厅和更衣室之间,这个“事件”才是关切的所在。
命题有其形成的背景。项目位于道教名山的山脚下, 这方关注的不是在道教胜地旁的建筑应该看起来像什么的问题,而是为何这些道教寺院会修建在此。刨去历史的偶然,便发觉道教徒追求的是平稳、自持、安静的心理,一种趋向无为的状态。而这个山林提供了这样的氛围。这个建筑,便是要提供一个场所，让这个氛围发生,让来到此地的人们参与到这个氛围,这便是我们所定义的事件——让人在此地穿越山林的氛围的机会。
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http://www.jianzhu01.com/B1008020739.htm
北京天星调马术俱乐部整体规划及建筑设计
北京天星调马术俱乐部整体规划及建筑设计
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http://www.jianzhu01.com/B1008020738.htm
青岛海兽馆
青岛海兽馆
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http://www.jianzhu01.com/B1008020737.htm
青岛极地海洋世界展示设计
亿万年后将会有新的大陆产生，现在有成千上万的微生物正在兴建，他们是珊瑚虫。他们兴建了许多岛屿，他们自身产生了石灰，可构建大块的物质和花岗石一样坚硬的岛屿，随着一年一年的堆积太平洋终有一天可形成新的大陆，可供人类开发。
随着环境被逐步破坏，千万年后太阳的温度开始下降，地球内火焰逐渐熄灭,地球将来会越来越寒冷，到时会出现什么情况呢？温带经过相当长的一段时期，将会和现在的北极、南极一样，不再能适合人类居住，人和动物将逐步迁徙到珊瑚虫提前为人类建造好的新大陆，欧洲、中亚、西亚、北美洲等大部分地区，人类生存了几百万年的家园将被放弃，无人的城市留给了那些适应性更强的部分动物。
新大陆产生后，大海将把原有的陆地淹没，在未来会有像哥伦布一样的人发现那些被冰封的“远古”遗迹------当代文明。他带领人类悄悄地从赤道回来，重新回顾和反思今天的世界和行为。
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http://www.jianzhu01.com/B1008020736.htm
台湾阿里山观光通道
原 名 称：Alishan Tourist Routes
2003
面积：3600平米
类型：基础旅游
结构：多层
Taiwan， Republic of China 2003
First Prize International Competition
Size: 3600 sg. m
Type: Tourist， infrastructure
Structure: Multiple
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http://www.jianzhu01.com/B1008020735.htm
社区康乐中心
原 名 称：community recreation centre
Goldsboro， north Carolina
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http://www.jianzhu01.com/B1008020734.htm
慕尼黑UPV
原 名 称：UPV MUNICH
1999－2003
商务公园
Munich Germany
1999-2003
Program: Business park
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http://www.jianzhu01.com/B1008020733.htm
沙发城
原 名 称：CITY SOFA
2005
面积： 27500平米 ，综合电影院，250个停车位
Busan ,South Korea
2005
Program:27500m2 cinema complex+250 parking
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http://www.jianzhu01.com/B1008020732.htm
默西观景台
原 名 称：MERSEY OBSERVATION DECK
Liverpool.2008
2008
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http://www.jianzhu01.com/B1008020731.htm
JVC公司娱乐中心
原 名 称：JVC-Entertainment Center
1998－2001
总面积：333153平米
预算：13600万美元
Guadalajara,Mexico,1998-2001
Floor area:333153m2
Budget 136 Mio USD
http://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009033112003030_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020730.htm
超-结构 – 北京司马台长城香草园会所
超-结构 – 北京司马台长城香草园会所
“超-结构”香草园会所是司马台长城香草园规划的一个建筑设计项目。该项目位于整个带状结构的顶端。经过较为复杂的翻转后，该结构形成了两个主要的空间块。面向香草园的矩形大厅和侧向的三角形后勤中心。矩形空间提供了餐厅，酒会等功能和最佳的香草园视景。三角形空间提供了，屋面的露天剧场和室内的办公，储藏，厨房等功能。在两个空间之间还形成了一个三角小广场的入口空间。多重功能被有效的合为一体，将景观，地形，建筑，视觉结为整体。
http://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg24/2009042313420342_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020729.htm
“光之书法”-成都石田咖啡店
“光之书法”-成都石田咖啡店
“光之书法”-是为成都石田咖啡锦都店所作的设计。在对现场考察之后，场地条件的限制集中在内部空间纵深大，采光暗；空间高度有限； 东面临街有两棵保留古树，西面连接步行公共空间。考虑到内部的开敞框架结构，有必要做出某些空间区格以增加空间中的私密性和亲和力。为了不使这种区格使本就较暗和较矮的空间曾加压抑感，最初的思路是建造一组能通过灯光调节透光度的构造，将空间既分成有效的区域，又强化空间的特质使其整合为一体而不是肢离破碎。最后选定玻璃作为材料，但是使用它的截面叠加，并固定在一起。并在立面上不规则的留洞。在多组灯光的变换下，玻璃墙一时呈现透明，一时半透明，一时又不透明。人影与光线在玻璃墙和开洞中变换不定。构造的设计注重将东西两面的景观要素联系起来，将这些要素带入到空间的内部之中。玻璃构造仿佛是用光在黑暗中的书法，将功能，景色，光调合在一起书写在空间之中。
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http://www.jianzhu01.com/B1008020728.htm
釜山综合电影院
原 名 称：BUSAN CINEMA COMPLEX
Busan, Korea, 2005
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http://www.jianzhu01.com/B1008020727.htm
市场剧院
原 名 称：Theatre Agora
Lelystad，Netherlands
2002-2007
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http://www.jianzhu01.com/B1008020726.htm
曼努埃尔德奥利维拉电影院
曼努埃尔德奥利维拉
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http://www.jianzhu01.com/B1008020725.htm
鄂尔多斯餐厅
原 名 称：Ordos Restaurant
Yazdani工作室和我们分享了他们在内蒙古沙漠上构建的一所新的鄂尔多斯餐厅。Yazdani工作室是一个以实践为主的事务所，它们设计的餐厅还包括一个别墅和音乐厅（快要竣工）。
新建筑位于鄂尔多斯艺术博物馆附近，有着音乐厅和精品酒店的鄂尔多斯餐厅有望成为鄂尔多斯Kaokaoshina新区一个至关重要的元素。餐厅显著的外形特征——一个玻璃盒子轻松地漂浮在一个人工景观体上。这种通透的轻盈感觉要归功于创新的高技彩色玻璃（由内层涂色、双色的半透明薄膜和陶土烧结片技术提供变化的色彩）的使用。从建筑内部看，这种魔幻的玻璃、连续的细微的光线变换和餐厅视觉互补招揽了顾客，并形成三道不同风味的佳肴。
Yazdani Studio shared with us the Ordos Restaurant they are building in the Mongolian Desert. As I told you before on our interview with Mehrdad Yazdani, Yazdani Studio was one of the first practices working on the new city, with one villa finishing construction and also a Concert Hall and this restaurant (also nearing completion), public programs required by this huge development.
Sited adjacent to the Ordos Art Museum, the Ordos Concert Hall, and a boutique hotel, the Ordos Restaurant promises to become a crucial element in the fabric of the Kaokaoshina district of Ordos. The restaurant’s striking appearance - of a glass box floating effortlessly above a shaped landscape - owes its diaphanous presence to an innovative materials palette of high-tech glass that includes colored inner layers, dichromatic and translucent films, and ceramic fritting.
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http://www.jianzhu01.com/B1008020724.htm
安德鲁“男孩”游泳池
原 名 称：Andrew ‘Boy’ Cha rlton Pool
Sydney,Botanical Garedens
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http://www.jianzhu01.com/B1008020723.htm
Cape Kidnappers俱乐部会所
原 名 称：Cape Kidnappers lodge clubhouse
Hawkes bay 2006
2006
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http://www.jianzhu01.com/B1008020722.htm
北京褐石会所方案设计
项目规模建筑面积800平方米
褐石会所，面对圆明园东门，它的外部形象设计涉及的问题很广泛，这也正是吸引我们的地方
一块切了的梦幻般的太湖石，将浮现在“褐石”的主入口与圆明园相对，圆明园、褐石、太湖石。从中我们找到条线索，也可以说是个动作“切”切是个动态的过程是我们对生活的梳理，对自然力和的人工痕迹进行着分离，而不是涂改或消抹，最终表示着我们的文化态度，将多余的部分切掉后隐藏起记忆的褶皱，显露出优雅的曲线将太湖石的人文精神与高尚社区追求的品质感连结起来
将切出的太湖石用在建筑的表面和与外面相连的内部，整体形成扁方的体形。方块体量上形成的丰富的肌理也对传统的趣味进行了有机的过渡。作为建筑必须的采光通风交通等基本问题，根据内部功能的需求，也不动声色地组织在外立面上。从此，它的外部和内部是一个界限模糊且连续的整体表面和自容空间。由于切出了孔洞和以往不为人知的太湖石实体空间，因此当接近这个建筑时，仿佛进入了它实体内部的错觉，透过石头上大小不同的洞口，观看闪现的人流产生了时空倒置的空间。这个错觉漫布在建筑周围的整个广场。作为一个社区会所的建筑，为业主们提供更广阔的生活空间也是这块石头的目的。
将复杂问题简单化的“切”，即是这个项目的规定动作，也是对当代建筑出发点的研究
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http://www.jianzhu01.com/B1008020721.htm
呼和浩特市咱家会所整体设计
项口规模：占地面积2万平方米，建筑面积3万平方米
由于项目位与呼和浩特市的回民区，人们印象里是一个低档区域，项目总占地2500亩，如果前期不能通过设计改变人们的一惯印象，后续工作将无法展开因此一个超级都市化的集顶化、休闲、娱乐的综合建筑的迅速建成成为整体开发工作的当务之急。前期会所及售楼处占地总30亩，建筑面积45000半方米，建筑整体转换当代艺术作品--新太湖石，作品的丰富空间给复杂的使月要求提供了可能，同时摆脱了中国常见的方盒子建筑形式，最大化地整合了城币、社区、功能的需要。煅不锈钢双曲面表皮建筑综合体，一定能为这坐从草原上发展起来的城市带来新的活力。
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http://www.jianzhu01.com/B1008020720.htm
哈尔滨禹舜庄园私人会所整体设计
建筑面积：占地面积1900平方米 建筑面积420平方米
八荒通神艺术工作室是卢禹舜先生在位丁哈尔滨的美馆边设置的艺术工作室和朋友们聚会的会所这是一个体验全方位八荒通神的空间，空间以无表情为宗旨，无特定为表情是尽量不打扰人在场所里面与灵性的沟通，从自我到自己起步与环境的变更反馈开始。空间分上中下三个连续的部分。地上7M的工作室与通过地面的溪流台地过度到开敞下沉7M的音乐和酒窖空间，流利性的空间呼应四季变化和日月的行踪，体验空间分多重维度，使人们参与在时空的互动之中。
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http://www.jianzhu01.com/B1008020719.htm
daewon公园观光塔
原 名 称：daewon park observatory
占地面积：5340平方米
总楼层面积：929.32平方米
site area: 5 340 meters squared
gross floor area: 929.32 meters squared
韩国Kyungam建筑师设计了位于韩国Sungnam的Daewon公园观光塔。灵感来源于漂浮的云，因此该塔命名为“云朵360”。 建筑的首层开敞，两部主要的电梯将观光客直接送上塔上部。餐馆、咖啡厅和媒体设施均分布在云朵一样的观光塔上部。
korean kyungam architects designed daewon park observatory located in sungnam,south korea. with the thought of a floating sky they created cloud 360. the ground level was left as open space and two main elevators transport visitors to the raised building.the restaurant, cafe and mediatech are all located in upper levels of the cloud observatory.
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http://www.jianzhu01.com/B1008020718.htm
Town中堂
甲方 中新集团
1200平方米
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http://www.jianzhu01.com/B1008020717.htm
生态岛会所
甲方 上海朱家角投资开发
7000平方米
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http://www.jianzhu01.com/B1008020716.htm
Graphisoft Park
The opportunity for the project arises from the seeming opposition between the sedentary activity of a conference with the transitory nature of a stroll alongside the Danube. This linear route is delayed and integrated into a system of scribbled trajectories. They intertwine within a performative envelope wrapping around the existing craneway in the river. An intensified urban moment with a direct link to the Graphisoft Park is created.
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http://www.jianzhu01.com/B1008020715.htm
晶森林
此次竞标要求为中国重庆植物园的温室进行创新设计。由于自然环境复杂，内在结构性重复，设计呈一系列互相衔接的波浪造型。温室内设有地球上的各种气候区，让参观者在贫瘠的沙漠展示区欣赏肉质植物和仙人掌，再穿过热带草原，来到温带森林地区享受人工控制的热带雨林环境。还可在其中感受地球“绿色的肺”，三维路线带领参观者到达各处。其中会途经多个“吊桥”穿过园内茂密的森林区。植物园外观采用螺旋钢结构，以支撑ETFE软垫组成的覆层和空中走道。这些走道设计灵活，可在未来展区改建中重新安排。
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http://www.jianzhu01.com/B1008020714.htm
上海之吻
上海正为2010年世博会积极筹备各项工作，计划之一是在黄浦江边的空地上建造一处地标性旅游景点。此景点位于浦西，地处市中心，可俯瞰黄浦江、外滩及浦东商业区。思邦建筑设计公司（原思凯奥斯普）和奥雅纳以及客户 ——上海红叶（音译）投资公司应上海北外滩开发办公室之邀于2004年9月进行投标。 “上海之吻”高度接近埃菲尔铁塔，利用其独特的拱形结构获得了绝无仅有的城市全景鸟瞰，是一般的轮型结构建筑因高度有限而无法企及的。
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http://www.jianzhu01.com/B1008020713.htm
香山国际游艇俱乐部
湛蓝的海水蜿蜒于香山国际游艇俱乐部的西岸，成为位于南面的展览销售中心与北部零售商场的天然连接。宽30米长800米的水街是一条承载水上活动并提供水上出租车的人造运河。这个占地5500平方米，绚丽多姿的零售区域，同时也是这一片水岸带昼夜活动及水上互动项目的承载区域。
特制的天棚延基地伸展开来，树状结构更赋予项目独特的三维空间感。天棚的一部分，或是置于屋顶，或是设于水中，而其余部分便融入建筑及甲板中。
公众可选择乘水上出租车或步行穿梭于架桥及天台间，享受亲水景观的乐趣，同时赏尽游艇俱乐部对岸的美景。
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http://www.jianzhu01.com/B1008020712.htm
顺天国际湿地中心
原 名 称：Suncheon International Wetlands Center
占地面积：33000平方米
建筑面积：8300平方米
参赛：2009
Site Area: 33，000 sqm
Building Area: 8，300 sqm
Competition Year: 2009
韩国的顺天市是全球五大潮汐地之一，2008年这里吸引了约280万游客前来观赏。该设计旨在使得游客通过湿地到达顺天湾，而退潮的印记就成了该项目的设计理念。游客中心位于项目的东北角，蜿蜒的道路引导着游客们感受美丽的湿地，并且可以直接到达室外展馆区。
Suncheon is one of the 5th largest tidal flats in the world， making it an international wetland that attracts approximately 2.8 million visitors in 2008. The methodology for this design began with the concept of leading visitors through the wetlands to the Suncheon Bay. The imprint of the receding tide water becomes the concept for this design. The visitor’s center is placed at the Northeast corner of the site， identified with meandering pathways which encourage and direct visitors to experience the wetlands and outdoor exhibitions.
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http://www.jianzhu01.com/B1008020711.htm
西西里Castelmala游客中心
项目状态：Concept Design (2004 Competition)
在意大利西西里岛东岸，有一个依山傍海而建的小城Taormina。除了希腊时期留下的古剧场废墟，城市的最高处当地人称之为Castelmala，在那里既可以远眺壮美的Etna火山，也可以俯瞰幽蓝深邃的地中海。
Castelmala游客中心设计获得 2004年远东国际数位设计大奖赛Top30。
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http://www.jianzhu01.com/B1008020710.htm
俄罗斯托木斯克水上中心
原 名 称：Aqua Centre Tomsk
Design concept/ feasability study
in progress
概念设计
项目正在进行中
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http://www.jianzhu01.com/B1008020709.htm
香山俱乐部
香山俱乐部
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http://www.jianzhu01.com/B1008020708.htm
Galapagos会所
Galapagos会所
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http://www.jianzhu01.com/B1008020707.htm
Dambia综合中心
原 名 称：Dambia Centres
该综合住宅和商业项目位于联合国科教文组织世界遗产城市拉脱维亚Ganibu Dambis大道，共有350个公寓，7000平方米的零售空间，以及一个巨大的地下停车场。
The mixed residential and commercial project on the Ganibu Dambis Boulevard in the UNESCO world heritage city of Riga (Latvia) houses 350 apartments， 7000 m² retail and a large underground car park.
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http://www.jianzhu01.com/B1008020706.htm
法老温泉与理疗中心
原 名 称：Peter Kneiber
该作品是一学生毕业设计。项目选址埃及西奈半岛法老浴区，那拥有丰富的天然温泉和天然桑拿浴的石窟。
该项目的目标是全面发展该地区。它将成为促进发展的旋风，引起前来洗浴的游客的注意，刺激投资者。
设计者对场地以及沐浴的概念进行了一个全面的研究，涉及到：1）西奈文化和人类生活； 2）沐浴和涤罪的理念 3）建筑的感性经验对游客感受产生的作用，将这些融合到一起，建筑变得尊重场地，文化与人文科学。
脊柱状的加热器穿过建筑，从温泉的主要源头（充满活力的热源）开始，至项目入口处结束。
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http://www.jianzhu01.com/B1008020705.htm
电子媒体表演艺术中心
原 名 称：Electronic Media Performing Arts Center
Troy， New York， 2001
电子媒体表演艺术中心是为该城的艺术家学者之类的准备，是一个多功能的多媒体设施大厦。它的目的是方便和扩大其在校园西边的感知力，从哈得逊河流域可看到其惊人的外观。
the Electronic Media Performing Arts Center is a multi-dimensional facility for the city as much as for the academic community. It was designed to be easily accessible and to extend the perception of the campus to its westernmost edge， which is strikingly visible from the Hudson River down below.
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http://www.jianzhu01.com/B1008020704.htm
芬兰音乐厅
1962年，阿尔托负责赫尔辛基音乐厅和国会大楼的设计，这是城市中心规划的第一部分。音乐厅于1967~1971年建造，是斯堪的纳维亚半岛上最大的音乐中心与会议中心。
严格的说音乐厅是阿尔托规划中的核心部分。它的主立面面向特拉斯广场，背后是海斯佩里亚公园和国会大楼。汽车入口与地下层统一标高，像一个通道与特勒湖边上其他文化建筑连在一起。在这一层，汽车可以直接驶到每个部分的入口处。上层或者入口层的大门直接面向赫尔辛基公园，包括入口大厅、衣帽间等服务空间。
详细情况见中国电力出版社
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http://www.jianzhu01.com/B1008020703.htm
亚琛剧院
剧院位于德国亚琛市中心，莱茵河的西岸。基本方案没有改变，还是依照阿尔托早先的想法。建筑基本是由两个错落的体块组成，都罩在倾斜的单坡屋顶下，用波浪形外墙围合起来。剧院主题部分是一个可容纳1100个座位的观众席。阿尔托本想使用卡拉拉大理石作为建筑立面，但是由于空气污染的原因最终决定使用铸铝，但是在建筑即将建成之前改成了一种新型的轻质大理石。此外建筑技术的进步也使声学顶棚成为现实。
详细情况见中国电力出版社
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http://www.jianzhu01.com/B1008020702.htm
巴塞罗那斗牛场改造
罗杰食建筑事务所将巴塞罗那第二斗牛场Las Arenas——一座19世纪的建筑，改造成一座多功能的休闲娱乐综合建筑。巴塞罗那斗牛场位于Montjuic 和Placa Espanya两座城市主要公路的交结处，是城市的一个入口。
场内的空间都是相互联结的，中间是一个活动区域，包括电影院和会议设施。整个建筑能够灵活地进行多种形式的活动。这就体现了他对建筑内部空间的理解——灵活的空间，高利用率。活动区域的面积估计为10万平方米，7万平方米的建筑规划为商业、娱乐及休闲提供了广阔的空间，其中3万平方米的空间用来停放1250辆汽车和670辆摩托车。
详细情况见中国电力出版社
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http://www.jianzhu01.com/B1008020701.htm
布里斯班会展中心
布里斯班会展中心将会议和展览结合在一起，不仅可以用来举办贸易和会议，而且中心还经常举行舞台演出，包括马戏、摇滚和古典音乐会、篮球赛乃至军乐演出。这种建筑要求很高的技术，当然，同时还得与城市文化设施的地位保持一致。布里斯班中心被认为是世界上通用性最好的建筑，它拥有许多可移动的升降看台，可以在展览和演出时根据需要进行交换。
该文章摘录自中国电力出版社出版的《特里·法雷尔的作品与思想》
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http://www.jianzhu01.com/B1008020700.htm
世界金融中心冬季花园
世界金融中心创造的公共空间，在曼哈顿传统街区和世贸中心大厦之间起到了中介的作用。冬季花园是一处了不起的休闲娱乐公共场所，它具有16世纪意大利广场的功能和社会特征。
它是由四座摩天大楼组成的建筑群，从世界贸易中心由相连的空中走道可以直接进入，空中走道上经常有免费的艺术作品展览，可以看到当今一流的摄影作品。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/B1008020699.htm
拉·维莱特公园
公园位于巴黎东北角，由原为公巴黎城生活的肉禽屠宰场改造而成。当时，场地的北侧有已建成的高技派的科学与工业城，以及一个闪闪发光的球体环形影城，而场地的西南面是由19世纪铁和玻璃建造的屠宰场改建的音乐会堂。
为了要处理这个计划的不确定性与复杂性，又要掌握整个错综复杂的基地，屈米在公园放进几个层层铺设的建筑系统，每个系统都在公园中扮演一定的角色。
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/B1008020698.htm
瓶子中的酒吧
瓶子中的酒吧——now & wow,1785个酒瓶装饰的外墙。
吧台上用混凝土桩支撑着5304 品牌酒瓶，其中包括1170 年可口可乐瓶1785 年smirnoff酒瓶
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http://www.jianzhu01.com/B1008020697.htm
欧洲迪斯尼娱乐中心
欧洲迪斯尼娱乐中心
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http://www.jianzhu01.com/B1008020696.htm
波斯猫酒吧设计----绿松石DESIGN WORKS
波斯猫酒吧设计----绿松石DESIGN WORKS
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http://www.jianzhu01.com/B1008020695.htm
挪威奥斯陆Savoy饭店EIK餐厅
2003年3月建成的EIK 餐厅是奥斯陆Savoy饭店的附属餐厅，由一道磨沙玻璃推拉门与饭店的门厅相连。室内地面和墙壁颜色深厚古朴，以次反衬餐台和沙发椅的鲜亮。墙上挂着老板珍藏的照片，间接的照明方式使室内气氛明亮而雅静。
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http://www.jianzhu01.com/B1008020694.htm
德国海洋馆
Behnisch设计的德国海洋馆（German Oceanographic）
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http://www.jianzhu01.com/B1008020693.htm
BOMI日本餐馆
PLY作品－BOMI日本餐馆
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http://www.jianzhu01.com/B1008020692.htm
Club Lux俱乐部
Club Lux俱乐部
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http://www.jianzhu01.com/B1008020691.htm
Supper Club餐厅俱乐部
The urban condition is characterized by constant change, renewal and incidental encounters. The physical urban fabric reflects this state of transformation. Our project takes advantage of the inherent qualities accumulated by accretion over time by incorporating existing features, conceiving our intervention as an overlay of change onto an existing structure.
The site for this project is within a post-war industrial zone that is slowly transforming into a vital center for creative production. Our client desired a vacant warehouse to be made into a Restaurant with multiple functions. Over the course of the day the same dining area and bar should be used in many different ways. The space should be able to accommodate corporate private events, a supper club with dining and live performance or cinema, as well as a dining room that can change size. A space that feels full of activity independent of the number of guests.
Our design strategy for a multi-functional space was adaptable elements. We imagined a series of panels with the ability to pivot about a fixed axis. The resultant spatial variations proved significant in defining unique conditions for use, while simultaneously animating a space intended for live audience.
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http://www.jianzhu01.com/B1008020690.htm
克瓦拉姆海滩度假村
克瓦拉姆海海滩是一个风光秀丽，但并不为人所知的海滩。印度政府修建这个度假村的目的就是要振兴当地的旅游业。度假村总体规划包括客房、餐饮、娱乐、疗养等几大部分。为了给将来的进一步发展留下更多的空间，这几大部分被分散在海滨的不同位置。
三种客房均采用了当地的传统建筑风格；白色的抹灰墙面，配以红色瓦屋顶，室内还选用了当地盛产的竹制座椅、席铺地板和极富特色的地方手工艺品。
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http://www.jianzhu01.com/B1008020689.htm
奇达得德戈沃酒店
酒店位于戈沃帕纳吉附近的一个海湾。建筑沿斜街而建，从客房就可俯看整个海湾。柯里亚试图通过建筑来隐射戈沃城市的历史。酒店通过一条贯穿东西的步行街来串联建筑的所有的功能。平面格局以“村镇”的形态出现，商店与酒店被布置在步行街两侧。漫步在带有拱廊的步行街上，人们可以看到南北两侧客房的连桥和通往上层客房的楼梯。
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http://www.jianzhu01.com/B1008020688.htm
世博会大屋顶
建于汉诺威世界博览会中心位置的是一个巨大的、舒展的屋顶结构，其造型有力而幽雅，由此界定出可容纳大量观众的开敞的户外空间，可以用于音乐演出、各种表演、艺术展示及其他活动，同时也在天气变化时为观众提供庇护。这个极富创意的木结构建筑由10个边长40mX40m，高度超过20m的大不伞组成，如同巨大的雕塑构成了一个水路网络和人工岛屿之上的复杂建筑组群的一部分。
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http://www.jianzhu01.com/B1008020687.htm
國家歌劇院(Opera House, 或Staasoper)
國立歌劇院是全世界公認第一流的歌劇院，全世界最著名的作曲家、指揮家、演奏家、歌唱家、舞蹈家，無不以在國家歌劇院表演為畢生的榮幸。每年有將近300場演出，包括古典歌劇中的所有劇目，最了不起的是，節目沒有一天是重複的。
新文藝復興風格的國立歌劇院，是改建後的環城大道上第一個完成的建築，1869年5月25日首場演出是莫札特的「堂璜」〈Don Giovanni〉，從此揭開炫麗的音樂聖殿時代。
這座聖殿的建築背景可以說相當坎坷，負責設計的兩位設計師均未能親眼目睹作品完成，其中的凡努爾〈Van der Null〉因無法承受維也納人對其設計的刻薄批評，於1868年自殺，而另一位建築師西卡斯堡〈Sicardsburg〉竟然在2個月後意外中風，而悲慘的命運仍未停止，1945年在二次大戰中遭炮火攻擊，重建工作持續了10年。終於，在1955年11月5日重新開幕，以貝多芬的歌劇「費德里歐」〈Fidelio〉重返樂界。從Oper大街的入口進入，登上樓梯後，即進入維也納歌劇廳。
地址：Opernring 2,A-1010
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006060215001835_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020686.htm
倫敦眼(London eye)
"倫敦眼"是倫敦最吸引的觀光點，座落在倫敦泰晤士河畔的世界最大摩天輪"倫敦眼"將會永久成為倫敦的地標。
高135米的"倫敦眼"是為了慶祝公元2000年而興建的，原定獲准運作5年，但是"倫敦眼"的擁有者希望讓它繼續運作下去。
擁有"倫敦眼"部分權益的英國航空公司說，倫敦地方當局批准讓它成為永久地標。這項決定還需要等待倫敦市長利文斯通和英國政府的批准。自2000年3月開放之後，已經有超過850萬人次乘坐"倫敦眼"升上半空，鳥瞰倫敦。"倫敦眼"也是英國最受歡迎的付費觀光點。英航說，這個1500噸重的建築可以維持至少50年。
不過，"倫敦眼"是世上最大摩天輪這項榮譽將維持不了多久。美國消閑城市拉斯維加斯和中國的經貿中心上海已經計劃興建更巨型的觀光摩天輪。
它被譽為數學上的奇蹟；工程師透露，建造這座摩天輪所需的電腦計算能力，超過世界上最大、最複雜的建築。
「倫敦之眼」重一千六百噸，橫躺在浮於河面的一個平台上建造，原本預定九月初立正就位，並於明年一月開放大眾搭乘。直到現在接近完工階段，負責建造的工程師才有信心揭露，他們在設計建造時比原先估計多做了幾百萬次的計算，以確保其安全性。
摩天輪在建造過程中出現多次障礙，使批評者稱其為「不幸之輪」。首先是高度比原先預定的減低了四十五英尺，以減少興建時間；最近各種技術問題與安全上的隱憂，使得直立的工作被迫順延。
然而，這些問題與設計及建造上的成就相比，顯得微不足道。令人難以想像的是，這樣一個史上最大技術最艱難的摩天輪，竟然在十六個月內就完成了設計與興建工作。
設計經理湯姆森說：「任何這麼龐大的東西都會受到風力與溫度的影響，更何況它還要旋轉，使得金屬疲勞的問題也要列入考量。當這些因素隨著摩天輪的長度寬度而持續改變，產生了你無法想像的史上最複雜建築問題。」
「倫敦之眼」的構想可回溯至一九九三年星期泰晤士報所舉辦的一場競賽，該報要求參加者提出慶祝千禧年最具野心的計畫，兩名建築師異想天開的率先提議建造全球最大的摩天輪。這項計畫激發了英國航空公司董事長艾林的想像力，決定出資使其付諸實現。
對摩天輪的設計者而言，除了體積，最美妙的是這個龐然大物竟可以穩固的矗立在泰晤士河河面上。兩支從陸地延伸過來的支架，將承擔摩天輪大部分的重量，另外加上六條巨型鋼索防止其倒塌；這些支架與鋼索的地樁將打入地底一百八十英尺的深處，確保安全無虞。
這類建築物理論上會受到一些潛在的破壞性力量影響，例如摩天輪可能滿載八百名遊客卻突然遭遇強風，這些變數都要列入計算並加以補強防範。在一般靜止的建築物中，這類的計畫已經極其複雜，再加上摩天輪會週而復始的旋轉，使得計算上的困難度真是前所未聞。
相關網站http://www.londoneye.com/
地址：Greater London ENG United Kingdom
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金沙休閒購物中心或金沙百貨大樓(Golden Plaza)
樓高178米的金沙休閒購物中心，曾經是台中市的地標，截至2005年仍是該市第二高建築物，全台灣排名第七。
坐落台中火車站旁的金沙休閒購物中心，內設百貨公司、補習社、辦公室，頂樓還有兩層高旋轉餐廳。大樓頂部的外觀恍如機場的控制塔，每晚在台中市夜空亮起迷人的燈光。遊人從頂樓的旋轉餐廳，可眺望整個台中市區。
大樓在99年開幕時，曾引起哄動，吸引大量人流，生意滔滔。不過在同年「九二一」大地震後，生意一落千丈，原有的百貨公司已結束營業，目前以分租形式經營。
建築設計
這家百貨公司的外型及旋轉餐廳都很獨特，象牙白的磁磚讓人感覺柔和，但營業額卻不太理想，但這家百貨公司仍然佇立在火車站前，從上面旋轉餐廳可眺望台中市區，值得大家到此一遊！
重要記事：2005年2月26日下午發生火警，十八樓冒出熊熊烈火，滾滾濃煙下，驚慌失措的市民爭相逃命，儼如九一一恐怖襲擊重演，雖然大火約在一個半小時後被撲滅，但仍造成至少四人死亡。
圖片：火警圖片(2005年2月26日)
地址： 台中市建國路105號
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“空中花园”赌场（MARINA BAY SANDS）
博彩公司Las Vegas Sands将投资36亿美元在新加坡建造当地的第一座赌场。而赢得这个项目的设计是Moshe Safdie and Associates。这个沿河的建筑项目MARINA BAY SANDS将成为人们的活动中心，一个小世界。主建筑是50层高的塔楼，看上去” 像三个晾衣夹”。最能吸引人的应该就是这个巨大的空中花园了吧，如果说常见的小型空中花园让你有一种“躲进小楼成一统”自作姿态的感觉，这个更有一种“开窗放入大江来”的优越感，来自于高度和宽度。
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香港艺术中心
香港艺术中心包括各种展出获得各表演场所、建筑师等实现灵活计划跨越间酒吧(康乐)、零售设施(购物)展览(美术)不得破坏完整的多层次的空间
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维克斯纳视觉艺术中心
时间：1983～1989
地点：俄亥俄州，哥伦布市
该中心座落在现有建筑与其他相关场地之间的空隙内，而并非占据整块的校园建筑场地。这可以被形容为非建筑或一个考古工程，其基本元素是脚手架和景观美化。
脚手架由两个有趣的三维网格组成，该展廊将新的展廊和艺术用房与原有的建筑相连。脚手架的一部分与哥伦布市的街道相平行，另一部分与校园的网格相平行。该建筑无论在具体形式上还是象征意义上都将校园和城市相连。该中心起着一定意义上的艺术象征作用，这与当初设想的情形是一样的。
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美国芝加哥千禧公园露天音乐厅
美国芝加哥千禧公园露天音乐厅
设计：Frank Gehry
完工时间：2004
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格兰德波恩歌剧院
建造地点：英国，苏塞克斯郡
建造时间：1989—1994年
建筑风格：高科技现代
从20世纪30年代开始，每一年的夏天，在英国格兰德波恩苏塞克斯村的一座乡村建筑里，都要举行为期六个星期的歌剧节。这是一个盛大的节日，虽然只能容纳800人的老歌剧院的情况并不尽如人意，但是优秀的表演和可供野餐的美丽花园足以吸引众多热情的歌剧爱好者。彼得．戴雷形象地描述到：“欢快庆典在一座乡村建筑式的野炊用歌剧院里开始了。”
随着人们需要的日益增长，约翰?克里斯蒂先生——格兰德波恩歌剧院处地产的主人一希望再建造一座供歌剧表演用的场馆——新格兰德波恩歌剧院。这是一类在别的地方几乎看不到的建筑，它具有一种特殊的英格兰色彩，这座建筑代表了建筑设计上的一种二元性，即正式与非正式风格的兼容。它最为复杂的地方不是某些高科技的使用，而是体现在必须设计出可以毫无障碍地进入环抱剧院的自然环境中的格局，并仔细平衡好建筑上的技术要求。
迈克尔?霍普金斯设计团队把歌剧院的座位席设计为朝南向，以此来着重强调这一平衡设计的手法，从而使人们能更直接地进人到这样一块田园牧歌般的土地中。
整个建筑群散布在林荫之间，体量均匀配套，这种布局能为这样规模的剧院所需要的后勤服务设施场所创造出宽阔的场地来。这里有必要的布景场地、排练舞台和辅助场所，还有新的中央广场剧院和瓦洛普餐厅。休息场馆位于一处宗教场地内部，那里原来是作为中心要素的大教堂，现在被表演艺术所取代了。霍普金斯沿着剧院四周修建了大块砖砌墙，这种具有强烈质感的材料突出了辅助区与被教堂所围着的中型市镇式建筑群的对比。
剧院的声音顶棚采用一个椭圆形可转动式结构，在马蹄形的座位席上方环绕而建。这些座位席都是在建筑的框架完成之后才安置在第二层内部服务区的，包括楼梯和电梯也是如此，这些服务设施进一步将剧院内部这块圣地与外部空间隔离开来，以便能达到一个更好的声音效果。而马蹄形的构型正好符合这样的教堂式建筑。正如德莱克?萨格登所说的那样：欧洲的歌剧院传统自佛罗伦萨的“卡摩罗”开始发源，它在受了教堂音乐和戏剧的影响之后形成了功能主义。正如“卡摩罗”产生于一种目的在于发掘出希腊戏剧精髓的智能活动一样，追溯到远古时代，这座歌剧院其实源自于古典的圆形剧院。我们可以想象一下：观众被包围其中，剧院墙体把声音传到耳边，配合着“U”型场地的戏剧表演，这样就达到了视觉与听觉的和谐统一。有了这种构思，接着便有了意大利式马蹄形建筑的建设，这种建筑形式保持了300多年仍经久不衰。
然而，这里的建筑师们反对任何的刻意追求某种特定风格的设计思路，他们最关心的问题是：如何才能使新歌剧院与原来拥有800个座位席的剧院达到建筑风格上的和谐与连续。新建的剧院拥有1200个座位，而看上去它似乎要比其本该有的规模小得多，这种感觉首先来自于建筑材料和外形设计。整座建筑的墙体使用自然砖块砌成，因而从一开始就给人视觉上的缩小化感受。选用的砖块都是手工制作出来的，并都按照一种传统的英国度量衡尺寸大小制造，以便能与这座剧院相匹配。所有的外部墙体都使用这种坚实的负重砖砌物建造，并使用传统的石灰泥浆，没有伸缩接缝。外围墙体是一排逐渐变细的砖砌支柱，经过精确计算的平直弓架结构搭建于其间。周边办公室和流动区的中间楼层使用的是预制混凝土大梁和嵌板。屋顶结构使用木质和钢筋桁架支撑木质的隔离镶板，屋顶结构的外层使用传统的细工铅。这座剧院外观尺寸的缩小，继续体现在剧院内部材料的使用上，尤其是包厢正面和墙体镶板所使用的可循环利用的北美油松木，它们大部分都使用了超过一个世纪之久，从而更加增强了该剧院作为一种能与其内部演奏声音产生共鸣并受观众喜爱的乐器的形象。
这座新建剧院的声音效果极其清晰，其体积和所选用的材料产生了美妙的回响
和柔和的低音效果。同原来的那座剧院比较起来，这里每一位观众所分得的空间要多出50％，原来剧院所达到的回响时间是0．8秒，而现在这里达到了1.4秒之久，难怪过去观众常抱怨在老剧院内欣赏音乐总是有一种单调乏味的感觉。整个剧院的音效设计是霍普金斯设计团队和来自阿勒普事务所的音效工程师们合作完成的，这个剧院也成为了建筑师和工程师成功合作的典范。
整个建筑物，大范围混和使用了混凝土、砖砌墙、钢构架、木料等性能特征和质感都对比非常强烈的材料，它们和它们实现的功能是如此和谐，内部有一种严谨的表达逻辑，似乎注定了每一种材料应该出现的位置。通过对每种材料性能和表达内涵的深入理解，通过各种创造性组合，实现了功能和审美的统一——这也是霍普金斯一直以来的追求和最为出众的表现。
剧院的附属设施部分，是一个具有高精密度的支持系统。附属设施剧院内设有舞台、后台和排练舞台，这样，在一天之内就可以进行多种交换使用安排。舞台设计成长18.5米，宽22米，并带有宽10米、高7米的开放式前台。在舞台的后部紧接着是一处宽敞洁净的储存区，可以用来贮存四套歌剧表演的设备，占地面积650平方米，高9.25米。后台区的巨大声音控制门将舞台分隔开来，当这些门关闭的时候，可以充当两小时的防火墙功能，并能够用作声音防护墙，可以将声音的细微程度控制在63Hz 34dB到4kHz 68dB标准。后台直接与载荷架间和服务区连通。贮存区再往外是排练舞台，设有不同的入口并建有指挥专用区。排练舞台是按照声学效果要求来设计的，通过一个巨大的依靠绞索转动的厚重声音控制门与后台隔开。这里通过玻璃屋顶天窗自然地通风换气。通过载荷间架能够直接到达后台区，再乘坐电梯就可以到达台下的贮存室和发电室。升降机连通着两架索具，从而可以进人到两个边台区。升降设备是一个电动装置，通过控制中心微处理器触摸屏便可以控制其进行32种变速或者匀速运行。该系统可以移动一个起重梯--载重1400公斤，以每秒1.2米速度上升，误差精确到不会超过2毫米。该剧院内最大的门要属竖直立起的后台大门，宽17米，高9.24米，重达20吨。新剧院的舞台及其附属设施与其选用的新材料形成了鲜明的对比，着重反映出其作为一部“机器”来使用的功能。在这部“机器”里，任何事情都不能延误整个系统的运作，也不能有任何疏忽。
总而言之，建筑师们在成功地建造了这座形式和功能都十分卓越的歌剧院同时，继续探讨了当代建筑界所面临的几个重要问题。比如说，如何运用现代手法来使用当地出产的建筑材料，这已经成为解决建筑全球化趋势和保持地方文化和特色这个世界性问题的有益思路之一。以及，为了保证工程质量而大量采用的预制构件如何有效地融入既有的空间和历史环境中。
在提到格兰德波恩歌剧院时，建筑师们和声效工程师们都会自然一致认为：新的歌剧院为每年夏季在这里举行的精彩夺目的表演提供了一流的场所，这座歌剧院也是众多杰出的剧院建筑中的佼佼者，这是一件共同合作而成的艺术品。
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http://www.jianzhu01.com/B1008020679.htm
古德伍德赛马场
建造地点：英国，当郡
建造时间：1997年
古德伍德赛马场是英国最有名的赛马场，随着越来越多的赛事和文化活动，赛马场决定在此基础上进行扩建，主要包括阅马场、领奖台和用于赛前称重的建筑。霍普金斯的方案里，强调了中轴线，加强了建筑的逻辑性。比较特别的一点是，整个场地被设计为阶梯形，阅马场和领奖台低于地面整整一层高。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014091748_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014091748_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014091748_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014091748_4.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020678.htm
汉普郡乡村板球俱乐部
建造地点：英国，汉普郡
建造时间：1994年
汉普郡乡村板球俱乐部成立于1863年。俱乐部位于南安普敦的场地从1885年起开始使用，现在已变得非常拥挤，不能提供足够的停车位和扩展空间。在郊区的新场地兴建的这个俱乐部占地150英亩(约600000平方米)，可以提供优秀的比赛场地、10000个观众席和一系列辅助设施。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014322631_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014322631_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014322631_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072014322631_4.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020677.htm
The Deep世界海洋探索中心
这个2.45公顷的世界海洋探索中心对于特里及其事务所可以算是一个里程碑的项目。该项目是因为一份城市复兴工程而产生的，城市规划家们希望通过The Deep的改造工作，令赫尔重新成为欧洲的一流城市。
这个工程以两个建筑为基础，位于场地西南角的建筑，包括参观区、学习中心、总环境模拟室及赫尔大学的研究机构。靠近西角的另一座建筑是一个有助于为本工程提供资金和捐助的商务中心。TFP还设计了一座横跨赫尔河的天桥，将城区和正处于发展期的东岸联系起来。
特里希望能设计出一种没有阶级观念，受民众喜爱和支持的建筑。作为一个标志性的建筑，他采用了如同凌霄阁或是国际生命中心的设计手法，利用地形和海景的自然隐喻，在外观上强调了波浪和冰川的形状。如此自由和丰富的创造力使The Deep有了像德国的浪漫主义画家Casper David Friedrich的《冰海》中的意境。
在内部空间设计上，类似的自然侵蚀效果也被充分地体现。三维的空间中，特里以同样的隐喻手法，通过建筑断面密实部分和空隙部分来体现水与走道，使参观者有一种置身于海洋的感觉。
正如现在所看到的，在这次城市改造后，由于TheDeep对整个城市的冲击效应，赫尔再次焕发了活力，并被世界重新认识。
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http://www.jianzhu01.com/B1008020676.htm
Schwartzsilver作品－新英格兰水族馆
Schwartzsilver设计的新英格兰水族馆（New England Aquarium）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072716472233_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072716472233_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006072716472233_3.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020675.htm
Bcj作品-Shelly山女童子军中心
Bcj作品-Shelly山女童子军中心
Bohlin Cywinski Jackson设计的Shelly Ridge Girl Scout Center
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http://www.jianzhu01.com/B1008020674.htm
Behnisch作品－德国海洋馆
Behnisch作品－德国海洋馆
Behnisch设计的德国海洋馆（German Oceanographic）
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http://www.jianzhu01.com/B1008020673.htm
福岛县海洋馆(Fukushima marine Museum)
福岛县海洋馆(Fukushima marine Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006081117091051_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020672.htm
音乐体验工程(Experience Music Project)
音乐体验工程(Experience Music Project)
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http://www.jianzhu01.com/B1008020671.htm
Millennium音乐公园和大草平(Millennium Park Music Pavilion and Great Lawn)
Millennium音乐公园和大草平(Millennium Park Music Pavilion and Great Lawn)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082109355941_16.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020670.htm
游戏帐蓬(CAROUSEL PAVILION)
游戏帐蓬(CAROUSEL PAVILION)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082214071531_10.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020669.htm
矿泉浴场(Mineral Bath Extension and Renovation)
矿泉浴场(Mineral Bath Extension and Renovation)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082310403557_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020668.htm
Youl Chon Chemical福利中心(Youl Chon Chemical Welfare Center)
Youl Chon Chemical福利中心(Youl Chon Chemical Welfare Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006082508393357_39.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020667.htm
UGC电影城——斯特拉斯堡(UGC Cine-Cite Strasbourg, France)
UGC电影城——斯特拉斯堡(UGC Cine-Cite Strasbourg, France)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510203953_17.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020666.htm
UGC电影城-贝尔西(BERCY)巴黎12区(UGC Cine-Cite Bercy,Paris)
UGC电影城-贝尔西(BERCY)巴黎12区(UGC Cine-Cite Bercy,Paris)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006090510293651_15.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020665.htm
慕尼黑德国宝马汽车公司活动中心（Bmw event and delivery centre,munich）
慕尼黑德国宝马汽车公司活动中心（Bmw event and delivery centre,munich）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_44.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_45.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_46.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_47.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_48.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_49.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_50.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_51.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_52.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_53.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092614071758_54.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020664.htm
Raaks中心影院
“城市的形象”与“形象的城市”现在越来越成为一对矛盾体，就算在被保护得再好的城市也是如此。城市的瞬息万变瓦解了城市。哈勒姆市曾有着悠久的历史，现在“历史”与“现代”在这里混和，显得模糊不清。影院的设计模糊了内外界限，造成一种混沌的假象，似乎是对城市特征的一种回应。建筑的内外表皮上都悬挂着大大的屏幕——外部的是一个16m×30m的倾斜屏幕，上面显示着哈勒姆市17世纪时的城市地图。建筑由两个错动的体块组成，两个体块之间形成一个奇特的入口空间——像一张巨大的口吸引着无数的观众；也是这个错动使影院打破了惯有的封闭模式。从功能上考虑，影院设了多个放映厅，且有旅馆和娱乐休闲空间的设置，满足了综合性和多样性的需求。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092709370934_13.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020663.htm
游乐园（Festival park）
游乐园（Festival park）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716005144_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716005144_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716005144_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716005144_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716005144_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020662.htm
"天堂24"电影院（Muvico "paradise 24" theater）
"天堂24"电影院（Muvico "paradise 24" theater）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716033343_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716033343_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716033343_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716033343_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716033343_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020661.htm
Dreamland shopping resort
Dreamland shopping resort
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716144457_12.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020660.htm
Unicentro ei marques
Unicentro ei marques
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716203559_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020659.htm
Menlyn park
Menlyn park
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092716230948_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020658.htm
牛津滑冰场
时间：1984年
地点：牛津
这座公共建筑具有一些了不起的特点，无论儿童还是成年人都喜欢滑冰这项运动，自从人们开始在这里活动以来，事实上再也没有发生过破坏艺术的行为。
这项工程的指导原则是由一个地方权力组织——牛津城市委员会所提出的，他们想要在城市西边的草地上建造一座活动场所。这座新建筑必须起到广而告之的作用，并且能够吸引大量的使用者。考虑到财政预算和运营费用，这座建筑还应尽可能地实现自盈利。
这座建筑所处的位置场地情况极为复杂，因此桩基工程是不可避免的。针对这一点，建筑师决定加大建筑物的重量并采用大跨度的屋顶，同时用两根高高的柱子支撑起主梁。这样就形成了一个柱支撑的空间，大约长72m，宽：38m，可以安放一块56m×26m的冰场。这两根30m高的柱子就如同罗伯特·文丘里(Robert Venturi)和丹尼斯·斯科特·布朗(Denise Scott Brown)所说的“高高的标签”一样；它们已经成为了一种标志，即使在很远的地方，也可以看到它们。
这个滑冰场由面板组成的外壳所包围，并因此而具有它自己的特点，整个北面是一堵玻璃墙，外面的人可以透过这堵玻璃墙看到滑冰场以及里面的活动。
这座建筑就像两根高桅杆的帆船一样，即使没有达到完全的平行也没有关系。事实上，这座建筑在当地非常出名，被人们称为“短衬衣”。通往滑冰场的道路更是加强了这种航海式的印象——游客先是进入一个略有倾斜的坡道，就好像要经由此处去到船的甲板一样。当然，所有的外部结构都是根据功能的需要而调整的。
从使用者的角度看，最重要的是一块足够大的、干净连续的冰场。格雷姆肖很聪明地抓住了这个成功的基点。在这座建筑内部，最显著的就是冰场。格雷姆肖的设计计划本身就意味着一切以冰场为核心——换冰靴处、观众席、看台——所有这些都紧挨着冰场。在内部，除了视觉的欢愉之外，还增加了听觉的处理，钢制冰刀在冰面上摩擦的声音可以传遍整个建筑。
结构的解决方案采用主梁承受主要的屋顶荷载，然后通过主梁将荷载传递到建筑两边的柱上；在每根柱下面是四根桩组成的组合基础。主梁采取的是长方形截面，通过拉杆悬吊固定，而拉杆则在建筑物两端产生很大的压应力荷载和拉应力荷载。肋梁则以4．8m的间距遍布整个建筑。
这座牛津滑冰场是一座美观的结构性建筑，它在经济上所取得的成就也部分地得益于它建筑上令人兴奋的表达方式。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092809531954_13.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020657.htm
休闲中心
时间：1986～1988年
地点：斯托克布里奇
很显然，这座社区休闲中心与牛津的滑冰场之间存在着某种联系。在这两项工程中，客户都是地方性组织并且都要求在造价较低的前提下建造一座具有较高建筑水准的、满足使用要求的建筑物。
从年代顺序来看，休闲中心比牛津滑冰场晚几年；但是在结构上，这两座建筑是非常相似的。为了给游泳池和其他室内活动创造足够的空间，大跨度的结构是必然的选择，而在外部构造上，休闲中心更是像极了牛津滑冰场。一根中柱支撑起外部的三角构架，从拱跨处悬吊起屋脊，支撑起建筑物的外覆层。
完整的建筑设计包括社交和管理用房，提供“水上”和“非水上”的活动项目。设计提纲中要求这座建筑应尽可能地禁得起破坏——但是又不要使它看上去好像刻意强化了一样。这一点得到了完美的解决。混凝土的底座强有力地约束了建筑，同时又不显得残酷；外覆层很显然也被设计得更加耐久。
设计师实现了客户希望创造一座热带天堂的愿望，这座建筑中提供完美的服务，具有精致的细节，同时又显得和谐而统一。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092810323850_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020656.htm
巴尔的摩国际帆船中心（The baltimore international yachting center）
巴尔的摩国际帆船中心（The baltimore international yachting center）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092811143235_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092811143235_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092811143235_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092811143235_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092811143235_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020655.htm
皇家公园(Park royal)
皇家公园(Park royal)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092814325658_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092814325658_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092814325658_3.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020654.htm
卡布高尔夫俱乐部（Pantai indah kapuk golf clubhouse）
卡布高尔夫俱乐部（Pantai indah kapuk golf clubhouse）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006092916274453_9.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020653.htm
B018夜总会(b018 nightclub)
B018夜总会(b018 nightclub)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006100916434533_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020652.htm
长城俱乐部(commune by the great wall,clubhouse)
长城俱乐部(commune by the great wall,clubhouse)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101016393332_8.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020651.htm
红色年代娱乐中心(red era entertainment centre)
红色年代娱乐中心(red era entertainment centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101017190530_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101017190530_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101017190530_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101017190530_4.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020650.htm
华人高尔夫球俱乐部(adonis golf club clubhouse)
华人高尔夫球俱乐部(adonis golf club clubhouse)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117364950_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117364950_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117364950_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117364950_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117364950_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020649.htm
游客中心及游泳池(public swimming pool and visitor centre)
游客中心及游泳池(public swimming pool and visitor centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117410138_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117410138_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117410138_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117410138_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101117410138_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020648.htm
希尔顿——科威特度假区
时间：2001
地点：科威特，科威特城
SOM最引人注目的一项设计，就是“希尔顿——科威特度假区”旅游规划计划，目的是把这个度假区建设成为中东最令人流连忘返的度假区。该度假区位于阿拉伯海湾，旅馆总共可为游人提供150个房间，此外还有员工宿舍、别墅和VIP套房。SOM利用当地的自然优势——中东地区酷热的阳光和干燥的沙漠地形，为游人提供了一种与众不同的度假情调。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101214221347_11.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020647.htm
R.E.N俱乐部(R.E.N.club)
R.E.N俱乐部(R.E.N.club)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215051558_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215051558_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215051558_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215051558_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215051558_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020646.htm
现代陶艺馆、陶瓷公园(museum of modern ceramic art,ceramics park)
现代陶艺馆、陶瓷公园(museum of modern ceramic art,ceramics park)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215461257_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215461257_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215461257_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215461257_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101215461257_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020645.htm
河滨剧院大楼(esplanade theatre complex)
河滨剧院大楼(esplanade theatre complex)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101317161134_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020644.htm
karmoy钓鱼馆(karmoy fishing museum)
In recent years, new industries have begun to replace the traditional forms of labour, such as fishing, that sustained small rural communities in Norway. These traditional industries provided more than just money and resources; they fused together the everyday subtleties of life into a distinctively Norwegian culture. Situated on the rocky west coast of Norway, the Karmoy Fishing Museum represents and celebrates the longstanding seafaring and fishing culture of this part of the country. Sponsored by a private foundation, it is intended to be a personal institution, relevant to the people of the area. The site itself is relatively free of other buildings; it overlooks a small saltwater inlet and a collection of traditional coastal structures. Rather than recreating a traditional building solely for the purpose of display, the new museum becomes a more neutral, sculptural form delicately placed in the landscape. While dominating the site to indicate its importance as an institution, its scale and related landscape features keep the building from overpowering its surroundings. Wooden screens, woven using a traditional technique from a native coastal bush called Einer, help further integrate the contemporary form with its surroundings. The interior is flexible and open, allowing the exhibitions to be rearranged as necessary. The entrance is on the land side of the long rectangular structure, with the far end acting as a large viewing window overlooking the sea. The simple and elegant design is reminiscent of the vernacular structures developed by the local people, yet articulated in a contemporary and sophisticated architectural language.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101616484255_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020643.htm
西贝演唱及国会大厅(sibelius concert & congress hall)
This project, won by competition in 1998, ingeniously converts and extends a series of old industrial buildings by the waterside in Lahti into a world-class concert hall. An old joinery factory, the oldest industrial building in the city, has been transformed into the entrance lobby of the concert hall, and houses a restaurant, exhibition space and information points. The spectacular laminated timber structure of the Forest Hall links the old and new at the core of the building, and acts as a banqueting hall, opening out on to the water‘s edge. The exterior is glazed, giving spectacular views into the building at night. The new 1,100-seat concert hall has a shoebox form for optimum acoustic quality, a design that includes large echo chambers on either side of the hall, allowing the acoustics to be adjusted to suit individual performances. Materials inside are the expressed timber structural elements combined with birch plywood wall finishes. Representing another victory for Finnish architectural culture, this is an immensely assured building by young architects who were given their chance by the city‘s progressive procurement policy and an enlightened client.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101617185331_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101617185331_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101617185331_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101617185331_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101617185331_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020642.htm
musholm湾度假娱乐中心(musholm bay vacation and recreation centre)
This centre was designed for people with muscular dystrophy. Wheelchair accessibility was central to the design, and much was done to avoid the feeling of an institution. The centre‘s situation on a hill with views to the sea, a mere 100 metres (328 feet) away, created the additional challenge of providing sheltered outdoor space. The central building forms a spine embracing the square. Housing units lie to the seaward side, screening off the gardens and playgrounds behind, and are tied to the central building by means of a glass-covered pathway. Single villas and duplex units are arranged in groups across the rest of the site. The breakwaters which can be found along the Danish shoreline inspired the high thuja-wood parting walls which jut into the air like wings. This system of slabs is used to dictate movement inside the housing while at the same time creating private outdoor space. The conical bathroom units resemble the local Ice-Age boulders and were decorated by a group of 16 artists. Turf was used as the main roofing element, linking clusters of units. Interior walls are covered with light wood panelling. Earth moved during the excavation process was used to form a hill which now serves as an observation spot, with an elliptical assembly hall underneath.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101717262651_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020641.htm
香港之峰俱乐部
中国,香港,1982-1983
这是标志着哈迪德崛起的一个设计，在1982～1983年“香港之峰俱乐部”竞赛中，她获得了一等奖。方案的获奖与日本建筑大师矶崎新有很大的关系。正是矶崎新的慧眼，把她的方案从初审淘汰的名单中拣了回来，这之后一跃获得首奖。矶崎新在评价这个方案时说： “我被她那独特的表现和透彻的哲理性所吸引”。
这座建筑被设计成一系列巨大而抽象的花岗岩几何体。4个巨大的管状物抽象自山下的摩天楼形象，被躺倒戳入削去山尖的山头。这件作品的惊人之处在于这些线形的管和人工地形之间体量的剧烈冲击。4个管状物相互扭曲，每个都带有与它者冲突的意象。内部功能单元结构因此被打乱，墙被折叠或弯曲，封闭的空间被打开，原有的正交格网崩溃。每个冲突都不尽相同，所以每个部分都以不同的方式破碎。上面的一对管状物与下面的一对竖向拉开，产生一个深深的空洞。在这个空洞处悬浮着入口的甲板、游泳池、浮动平台、小吃柜台和图书馆等建筑单元。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101910503241_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020640.htm
城市礼堂和剧院(city hall and theatre)
This City Hall and Theatre, located between the new and old parts of Usselstein, provides the town with a new civic focus. The building is on a kite-shaped site and is tied to its surroundings by its arrangement around sightlines from two neighbouring churches. The alignment of various wings, a series of courtyard gardens and even the seating in the theatre with these sightlines results in eccentric angles in the plan. Visitors enter at the narrow end of the site through the lobby, from where there are views into the courtyard and up to the marriage room and council chamber, making the interior a clear continuation of the public realm. Beyond the lobby, the plan splits into cultural facilities on one side and civic functions on the other. The building is clad in vertical beams of recycled glass, doubled up in places to increase opacity, which produce a delicate play of ghostly shapes inside when viewed from the outside. This unifies the wings of the building, while different types of window signal the different functions of the spaces behind. The narrow front facade is signalled by a cantilever, with a space below allowing views to the adjacent park. The glass cladding reflects the green of the park; on the town side, these reflections are fragmented by concrete frames.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006101918023357_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020639.htm
d‘eclat剧场(theatre d‘eclat)
Pont-Audemer‘s original theatre was built by Maurice Novarina in the late 1960s. Jakob & Macfarlane‘s intervention adds important new components to the programme, whilst also working to integrate a formerly discrete structure within its urban context, creating a powerful transitional public forum space between town and auditorium. The concept is simple: the insertion of a new theatre within the fabric of an existing theatre. All the primary concrete structure of Novarina‘s building is sandblasted but left intact, whilst the secondary materials - infill walls, paint and plaster - are removed. A new skin of galvanized steel and glass panels is wrapped around the cleaned skeleton of the original structure, the vertical field of the reworked elevations picking up the scale of nearby Gothic timber buildings. The result is a showcase for the dramatic volume of the new theatre. Jakob & Macfarlane‘s orange box is created by a long wall whose folds demarcate the interior space of the auditorium. Both visually thick and materially light, this wall reads as the primary part of the new intervention and is designed to give the auditorium space the correct acoustic, climatic and spatial qualities. The wall defines three categories of public territory -the auditorium, the two levels of the ambulatory and the terrace - its vivid colour reinforcing the ubiquitous sense of theatre.
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http://www.jianzhu01.com/B1008020638.htm
展览中心音乐厅(concert hall and exhibition centre)
The new Concert Hall and Exhibition Centre outside Rouen was intended to combat provincial stagnation and aid the city‘s economic expansion and cultural development. The site, a former airfield, is visible from the motorway, allowing the building to become a bold landmark and gateway to Rouen. An elliptically-sectioned, semicircular wall of corrugated steel denotes the extent of the concert hall, while the Miesian exhibition space extrudes from behind. The steel wall stops short of the ground, allowing a panoramic view of the foyer, a space formed in between the shell of the auditorium and the exterior steel wall, with both skins being needed for acoustic separation. Concrete ramps and cantilevered, visually porous, open-riser stairways form a dramatic environment which shows visitors glimpses of happenings on other floors, becoming the stage for Tschumi‘s ‘event‘ architecture, where people bring life to the space. Flexibility of use is a fundamental consideration in the arrangement of both major spaces: theauditorium, by virtue of its asymmetry, can be sub-divided, as can the exhibition hall, with its 42-metre (140 feet) span. A very restricted palette of materials has been used throughout the building, which is composed of poured concrete, steel and glass. Simply joined elements emphasize the craft of construction and allow clarity of form to come to the fore.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102017213457_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020637.htm
音乐厅(concert hall)
The concert hall occupies a site squeezed in to a large formal square in the centre of Leon, where relics of the city‘s past, such as the monastery of San Marcos, make for powerful and intimidating neighbours. The short facade on the square is developed as a formal front and states its urban presence with a sculptural, white, three-dimensional wall, articulated on five increasing levels as a composition of slanted, recessed windows. Shaded on its southern exposure, with patches of sunlight animating the foyer and a ramp leading up to the exhibition space, one wing is placed at an angle to the rest of the building, and the main entrance occupies the gap between the two. White walls enhance the multiple reflections that cross the otherwise starkly austere spaces, re-creating a quality present in the Iberian vernacular. The auditorium stretches along the rear wing, with moveable partitions and seats at both ends allowing for more flexible usage. Clad in dark timber, it reveals a luxurious interior with subdued lighting and warm, soft surfaces. Inspired by local architecture and their previous experience in Rafael Moneo‘s office, the Mansilla and Tuhon duo have developed a strong work of architecture deeply embedded in its context.
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http://www.jianzhu01.com/B1008020636.htm
电影院(cinema house)
The Cinema House in Porto was commissioned by the Town Hall in order to conserve and promote the work of filmmaker Manoel de Oliveira. an important figure of world cinema who is considered to be a precursor of neo-realism. This building represents a change in Souto de Moura‘s architecture, partly because of its programme; it is not quite a public building nor a real house. It stands as a celebration of cinematography, above all dependent on light, its presence and absence as well as the whole range of subtleties within shadows and filters. The Cinema House seemed an appropriate project for the architect to use to question his customary style and to experiment with new tools: sharp angles, extruded windows, darkness. The building resembles a camera with a double lens in the form of two large extruded windows opening to the exterior, and it contains a library and archive with a small auditorium. The generating concept - a building that sees -came from the splitting in two of the view towards the sea, in order to avoid looking at the 15-storey towers about 30 metres (99 feet) away. The directed view allows a partial editing of the reality outside, and places the building within a semi-fictional setting, somehow related to the films it contains.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416492930_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020635.htm
edel音乐总部(edel music headquarters)
With a well-documented history in the design of furniture, Antonio Citterio used his penchant for geometric abstraction when designing this record company headquarters. Given ample freedom in matters concerning architectural design, he was duly challenged by the restrictions brought by the site. An existing and untouchable car-park, the area‘s strict zoning restrictions and the close proximity of the river Elbe were the main factors to be reckoned with. The resulting building is a collection of shapes reminiscent of the modernist tradition. Citterio has applied this apparent simplicity to the exterior, creating a constantly changing image and interaction between symmetry and asymmetry. Glass is the primary material on three of the building‘s facades, enabling the visitor to view the river at the back of the building while entering from the front. The pressure created by the water meant that a glazed facade hung on an internal metal frame was necessary on the waterfront side. A sunken garage is topped by a ground floor containing reception, bar, restaurant and auditorium, with three levels of offices above. These three upper levels cantilever over the riverbank. Complementing the glass but also contrasting with it, wood, concrete and metal finish the building.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416564548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416564548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416564548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006102416564548_4.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020634.htm
引用多媒体阶段(cite multimedia phase 8)
The Cite Multimedia, on the edge of Old Montreal and facing the highway which links the city to the St Lawrence River, is clad with a huge glass screen. The idea for the screen grew out of the client‘s wish to have an electronic billboard to promote the development. Appropriately, the end result is a serigraphed pattern that resembles a computer chip, as a significant proportion of the building‘s tenants are software and other technology businesses. Cite Multimedia is a public-private enterprise in a dilapidated but historical downtown area, comprising eight office buildings, all designed by different architects. The architects of Phase 8 connect the structure to the city by carefully coordinating a palette of grey over a butterfly-shaped ground floor plan. A concrete-framed building, Phase 8 is divided into two parts that are separated by a glazed entrance atrium. The eastern section is a five-storey brick building made from iron oxide-impregnated brick, with large vertical windows proportioned to correspond to the old architecture of the area. A ten-storey west wing clad in zinc-titanium panels features the glass screen and horizontal strip windows. Both wings are rectangular in plan, but with their ends cut off at an acute angle, making the smaller wing into a dynamic ‘ship‘s prow‘ and drawing pedestrians towards the entrance atrium.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110109224835_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110109224835_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110109224835_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110109224835_4.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020633.htm
媒体之家(media house)
This eighteenth-century farmhouse belonging to a collector of modern art has been substantially renovated and extended to suit the client‘s needs. A series of shifting masks slowly reveals elements of the interior and exterior as one moves through the house, offering glimpses and then full views of the art collection. In the new design, the house is entered through a pivoting steel door, into a small foyer. Inside, each element maintains its own identity: a small, cedar- clad kitchen, an abstract sculpture in its own right; the stone farmhouse accommodating a gallery on the ground floor and a bedroom and closet above; and finally the larger addition with its bulging, lead-coated copper facade. This contains a large living area and a gallery space that rises to a height of 5.5 metres (18 feet) on the ground floor, designed specifically for a large Anselm Kiefer painting. On the first floor, the loft-like master bedroom looks out over the Koi pond and the forest. The front facade forms a virtually solid composition, with just a small band of windows. In contrast, the rear elevation is generously glazed with views over the pond. Respecting the identity of the stone farmhouse, Wei uses a contrasting palette of materials: Cor-ten steel, lead-coated copper, concrete and cedar planks.
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http://www.jianzhu01.com/B1008020632.htm
sony 音乐娱乐中心
sony 音乐娱乐中心
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311365139_11.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020631.htm
夏多 shatto 娱乐休闲中心
夏多 shatto 娱乐休闲中心
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311390948_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311390948_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311390948_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311390948_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006110311390948_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020630.htm
goldrush赌场
原 名 称：goldrush casino
Fentress Bradburn‘s design for the Goldrush Casino captures the essence of Central City‘s heyday as a 19th-century gold-mining town. Since then it had become almost a ghost town， until recently revitalized by the Colorado gaming industry. In the wake of tremendous growth have come such urban problems as congestion， inadequate parking and lack of architectural focus. This purely regional design addresses many of these issues.
Proper siting reduces congestion， and adjacent parking will alleviate some of the town‘s traffic problems. Additional architectural focus is given to the town through the casino‘s elevation， which mimics the area‘s historic mining buildings. This concept ties the building more closely to its regional neighbors than to the new entertainment industry construction in the town. Several historic buildings on the site are also preserved and restored.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111310100847_9.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020629.htm
karijini国家公园游客中心（Karijini National Park Visitor Center）
karijini国家公园游客中心（Karijini National Park Visitor Center）
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006111408523440_20.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020628.htm
心爱的海港娱乐场(darling harbour casino)
心爱的海港娱乐场(darling harbour casino)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112211181432_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112211181432_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112211181432_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112211181432_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112211181432_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020627.htm
henley一流赛舟会总部(henley royal regatta headquarters)
The site was sensitive, adjacent to a listed 18th century bridge at the entrance to a town in greenbelt land. The brief was to house the disparate functions of the Regatta organisation in one building. River-level accommodation was required for storage of the timbers used to mark the course of the annual Regatta. These are transferred to their storage positions from a central wet dock, which penetrates almost the full length of the building and constitutes the key organising axial spine. The main level contains offices, storage and reception spaces, and a double-height committee room, with a balcony, which commands magnificent views over the River Thames, as does the Secretary‘s flat in the roof space.
The architectural conception was a formal, even "civic", building, given the importance of the Regatta in the life of Henley, combining the influence of English building traditions and the typology of the Thames boathouse with that of the Venice Arsenale.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112311040631_15.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020626.htm
karijini国家公园游客中心（Karijini National Park Visitor Centre）
The Karijini National Park in the Pilbara region of Western Australia is set in one of Australia‘s most extraordinary landscapes. Ancient weathered hills, draped in native grass-like spinifex, are slashed through by cliffs and gorges of black ore and deep red ochre. The project brief was to create a building for the interpretation of the park‘s geology, flora, fauna, people and history. The cultural symbol for the form of the building, chosen by its Aboriginal stakeholders, is a Kurrumanthu (goanna/lizard!. The objectives of the building design were to represent, through the built form, respect for the aspirations and preoccupations of Ihe Aboriginal stakeholders and to stimulate interest in a reappraisal of our collective past, our place in the landscape and the relationship between Aboriginal and non-Aboriginal people.
The building, embedded in the landscape, is defined by an assembled collection of freestanding weathered steel wall panels, emerging directly from the red brown earth and arranged in plan to provide an abstract representation of the Kurrumanthu. Entry into the building is through glass doors set between two of the steel wall panels. The dark interior of the building is lit by frameless glass windows placed between the walls and provides a contemplative setting for the interpretive displays.
Conventional building cues, roofs, gutters, downpipes, windows and doors are either concealed from immediate view or subverted. A series of T columns (split UBs! linked by horizontal plate stringers, support and form the steel plate walls. Major spaces are enclosed by curving walls, raised coloured concrete floors and ceilings of expanded metal lathe stepping down to frameless glazing. Water falls directly between the walls, turned down into steel plate gutters that are an integral part of the walls.
The result is an ambiguous form that is absorbed by the landscape and open to interpretation on a number of levels.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006112908501437_8.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020625.htm
henley一流赛舟会总部(henley royal regatta headquarters)
The site was sensitive, adjacent to a listed 18th century bridge at the entrance to a town in greenbelt land. The brief was to house the disparate functions of the Regatta organisation in one building. River-level accommodation was required for storage of the timbers used to mark the course of the annual Regatta. These are transferred to their storage positions from a central wet dock, which penetrates almost the full length of the building and constitutes the key organising axial spine. The main level contains offices, storage and reception spaces, and a double-height committee room, with a balcony, which commands magnificent views over the River Thames, as does the Secretary‘s flat in the roof space.
The architectural conception was a formal, even "civic", building, given the importance of the Regatta in the life of Henley, combining the influence of English building traditions and the typology of the Thames boathouse with that of the Venice Arsenale.
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http://www.jianzhu01.com/B1008020624.htm
karijini国家公园游客中心（Karijini National Park Visitor Centre）
The Karijini National Park in the Pilbara region of Western Australia is set in one of Australia‘s most extraordinary landscapes. Ancient weathered hills, draped in native grass-like spinifex, are slashed through by cliffs and gorges of black ore and deep red ochre. The project brief was to create a building for the interpretation of the park‘s geology, flora, fauna, people and history. The cultural symbol for the form of the building, chosen by its Aboriginal stakeholders, is a Kurrumanthu (goanna/lizard!. The objectives of the building design were to represent, through the built form, respect for the aspirations and preoccupations of Ihe Aboriginal stakeholders and to stimulate interest in a reappraisal of our collective past, our place in the landscape and the relationship between Aboriginal and non-Aboriginal people.
The building, embedded in the landscape, is defined by an assembled collection of freestanding weathered steel wall panels, emerging directly from the red brown earth and arranged in plan to provide an abstract representation of the Kurrumanthu. Entry into the building is through glass doors set between two of the steel wall panels. The dark interior of the building is lit by frameless glass windows placed between the walls and provides a contemplative setting for the interpretive displays.
Conventional building cues, roofs, gutters, downpipes, windows and doors are either concealed from immediate view or subverted. A series of T columns (split UBs! linked by horizontal plate stringers, support and form the steel plate walls. Major spaces are enclosed by curving walls, raised coloured concrete floors and ceilings of expanded metal lathe stepping down to frameless glazing. Water falls directly between the walls, turned down into steel plate gutters that are an integral part of the walls.
The result is an ambiguous form that is absorbed by the landscape and open to interpretation on a number of levels.
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http://www.jianzhu01.com/B1008020623.htm
娱乐中心
娱乐中心
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http://www.jianzhu01.com/B1008020622.htm
stockley公园（Stockley Park）
Set in an extensively Landscaped office park, thf three-building complex is located on an uneven triangular site bordered by a raised highway to the east and a canal to die south. The basic architectural plan adopted for all three buildings uses a 3<M‘oot-square bav. This is logically expressed in an identical square plan for two ot the buildings, while the third incorporates the same bay si/e bur is irregular due to site constraints.
A white painted aluminum curtain wall, glazed with a combination oi clear and fritted glass, is used for the two upper floors, with the ground Doors clad in precast concrete. The exterior wall at the top floor is set back to expose the perimeter steel columns, and to emphasize the root structure. Mechanical rooftop units, concealed behind colorful metal screens and skvlighls capping the central ligbtwells, result in an overall sculprural qualm.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121108542337_6.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020621.htm
环球影城总部(universal studios inc.divisional headquarters)
This project is located in the Beverly Hills Industrial District where zoning restrictions limit the height of buildings to three stories. The typical cornice line along Third Street is reinterpreted bv a barrel-vaulted, translucent Kalcurve skylight running the length of the building and incorporating the third-floor executive offices.
Site and program variants are exploited to create a complex, hierarchically asymmetrical building. The screening room marks the garage entry and ramp: conference rooms occupy a tower at the corner, adjoining a plaza and a reflecting pool and fountain. The four-story conical atrium is the central volume in the building, accommodating entry, reception, and vertical circulation.
The primary rectilinear mass is clad with a combination of smooth gray limestone and textured green granite in contrast to the zinc panels of the screening room, conference tower, and elevator core. The industrial steel window system has a powder-coated finish and is glazed with gray tinted and ceramic frit glass. Entrance railings and miscellaneous trim are in stainless steel.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121409250045_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121409250045_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121409250045_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121409250045_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121409250045_5.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020620.htm
irvine光谱娱乐中心(the entertainment center at irvine spectrum)
irvine光谱娱乐中心(the entertainment center at irvine spectrum)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2006121509300259_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020619.htm
京都音乐厅(kyoto concert hall)
The Kyoto Concert Hall, the result of a limited competition, was built to commemorate the 1,200th anniversary of the city‘s founding.
The site is an area of 9,000 square metres {96,880 square feetl, located :n the Kitayama district of Kyoto. The brief called for facilities centred on a shoe-box shape hall, capable of seating 1,800 people, with a second hal- able to seat 500.
The final design placed three basic geometric forms-— a rectangular prism, a cylinder, and a lattice of cube structures—corresponding ro the large hall, small hall and foyer, along the three urban axes drawn from- the unique character of the city of Kyoto—true north, north-northwest and magnetic north. The large hall was fixed at 25 metres (82 feet) wide, with a floor plan based on the golden mean, and the small hall was given an hexagonal floor plan As a means to improve the acoustics while remaining within the existing height imitation of 20 metres (65 feet), a proposal was selected in which the wal‘s leaned outward at 15 degrees.
Lighting systems were chosen for the two halls, with moving lights located in the large hall that would be concealed within the walls when not in use, and a truss-frame lighting assembly that would remain exposed in the smaller hall.
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http://www.jianzhu01.com/B1008020618.htm
哈利-戴维森咖啡(harley-davidson cafe)
Competing for attention on the world-famous strip of illuminated gambling joints and casinos in Las Vegas, the new Harley-Davidson Cafe is a three-dimensional celebration in Pop Art form of the mythical all-American motorcycle and pivots on high-octane visual messages drawn from the studies on the urban landscapes of Las Vegas carried out by Robert Venturi. To some extent the city‘s usual razzle-dazzle of brightly lit animated invocations to enjoy!, to gamble big, eat hearty, and be entertained until dawn are toned down in order to achieve a more direct message that also conveys the telescoping effect of landscapes as seen while traveling a high speed, A large illustrated marquee jutting from the corner of the building loudly heralds the place‘s presence, soaring high over the discreet hedgerows, including one trimmed in the shape of a motorbike, in a variation on the topiary theme. Shrinking behind this explosive signage the building housing the restaurant itself seems an almost self-effacing architectural entity. The brand logo is emblazoned large along the side fascias of the building overlooking the roadway, with string lines strongly marked in the signature Harley-Davidson red. But it is the corner of the building that noses its way vigorously into the intersection and out of the building, where a triangular marquee boasts an overscale chopper rearing into the air as if about to take off. Preceding the transverse entrance below the marquee are two glistening pillars designed as outsize shock-absorbers. The idea is to transform certain standard attributes of the motorcycle into bona fide architectural features, and if the trick works on the outside of the building, the same applies to the interiors, where the floor is emblazoned with the biker‘s credo: "Run wild, run free." To the right lies the in-house store, also accessible from the outside, but before reaching the main hall one reaches the Eagle Bar, with its eye-catching barstools with modeled bike-style seats in black leather, and a ceiling plastered with a map of the legendary Route 66, an obligatory highway of the true Harley biker, In the main split-level dining room overlooked by the balconied upper floor, the black upholstered furniture with studs and rivets are complemented by an overhead factory-type conveyor track with a continuous parade of the latest Harley-Davidson models, Rear mudflaps protrude from the columns, mudguards emerge from the Racing Bar service counter on the first floor, and a gigantic American flag made from colored chain mail adorns an entire wall, while slung from the ceiling a huge metal eagle hovers above the tables.
Affacciato sulla luminosa ed esuberante Strip della citta del gioco e del divertimento per eccel-lenza, Las Vegas, I‘Harley-Davidson Cafe, celebrazione tridimensionale in chiave pop-architetto-nica del mito motociclistico made in Usa, segue nelle scelte compositive d‘insieme le modalita espressive e di comunicazione studiate da Robert Venturi nel suo famoso studio dedicato al paesaggio urbano della citta del gioco d‘azzardo. Una grande insegna luminosa a bordo strada annuncia la presenza del ristorante svettando dalle aiuole in cui si trovano motociclette-siepi che reinventano la tradizione dell‘ars topiaria, Ecco allora che il semplice edificio che ospita questo locale ‘a tema‘ e annullato dal punto di vista volumetrico dai ‘segni‘ che ne cancellano ogni pre-tesa architettonica. II marchio e riportato in grande dimensione nelle scritte rosso acceso poste tra dei forti marcapiani dello stesso colore che corrono lungo i due fronti affacciati sulla strada; ma e nell‘angolo dell‘edificio, corrispondente all‘incrocio stradale, che I‘insegna vera e propria esplode‘ dal corpo di fabbrica. Si tratta di una colossale classica Harley che sembra voler parti-re come un razzo verso il cielo. segnando I‘ingresso ubicato sotto il portico d‘angolo, sostenuto da due colonne cromate pensate come una coppia di ammortizzatori in scala gigante. II gioco, ironico e riuscito, della trasposizione di frammenti motociclistici in chiave architettonica e di arre-do prosegue nell‘interno: nell‘ingresso, dove a pavimento e riportato il credo del motociclista Harley ("Vivere per correre, correre per vivere"), si apre sulla destra il negozio merchandise (accessibile anche dall‘esterno) e prima di entrare nella sala principal si sviluppa ‘TEagle bar" caratterizzato dagli sgabelli-selle da moto in cuoio nero, sotto un soffitto che disegna la mappa della mitica Route 66, percorso obbligato di ogni vero uomo-Harley. Nella sala da pranzo a dop-pia altezza, su cui si affaccia la balconata del piano soprastante, gli arredi neri sono accompa-gnati da sedie rivestite di pelle nera borchiata; un binario sospeso, tipo catena di montaggio industriale, sostiene un carosello ininterrotto di modelli esclusivi di Harley-Davidson che ‘arreda-no‘ in modo dinamico il locale. Parafanghi posteriori usati come appliques, parabrezza fissati al banco del "Racing bar" del primo piano, si affiancano a un‘enorme bandiera a stelle e strisce in maglie di catena colorata e a una grande aquila metallica sospesa sui tavoli. Due icone indi-spensabili alia celebrazione del mito on the road made in Usa.
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http://www.jianzhu01.com/B1008020617.htm
北京植物园展览温室
占地5.5公顷，是目前亚洲规模最大的植物展览温室。在热带雨林、沙生植物、四季花园和专类植物四大景区内，展示了世界上不同生态环境中生长的珍稀植物五千余种。
北京植物园展览温室的设计方案荣获北京市98年"建筑艺术创作优秀设计’一等奖’"。建筑师以"绿叶对根的回忆"为构想意象，设计出迄今为止国内外建筑造型最独特、结构最复杂的大型玻璃公共建筑，只有采用科技含量极高的点支式玻璃技术才能实现它！由8000多片尺寸、形状各异的中空钢化玻璃和钢结构巧妙地组成"根茎"交织的三维曲面流动的造型，
设计和施工难度如此之大的点支式玻璃工程，KGE还承包了复杂的生态环境控制系统、清洗检修系统，光照遮阳系统等一体化的设计和施工。
休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020616.htm
深圳新世纪广场
深圳新世纪广场
设计时间：1998年
建成时间：2000年
建设地点：深圳市
建筑面积：188000m2
层数：52层
高度：177m
(得到陈世民先生的指导)
深圳新世纪广场位于深圳市深南东路和文锦路交界的西南侧，东临200r1]高的鸿昌广场．是深圳市标志性建筑之一。
新世纪广场为大型综合性超高层建筑．由4层地下室、7层裙楼和两幢46层的东、西塔楼组成．其中东塔楼的下部为酒店．拥有300多间商务客房和一套总统套房．上部为高级公寓，包含各种户型的公寓共90套，西塔楼为5A级写字楼。裙楼设有商业、银行、餐饮、娱乐及酒店大堂等多种功能．游泳池和网球场设在七层屋顶地下室为设备用房和停车库，有停车位560个。
建筑设计采用了双塔造型。在总体风格协调的基础上，顶部进行了大胆变化——东塔是三段逐步向上内收．顶部设有直升机停机坪。西塔则是逐步向上内收到顶，呈现单向尖顶。两塔既有反差又相互协调。外饰面采用铝板和玻璃相间的金黄色隐框复合幕墙．勾勒出各自的体形。裙楼以花岗石饰面(磨光板和火烧板相间)．与玻璃幕墙形成强烈的虚实对比。设计突出简洁与时代感，凸显城市广场的个性。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2007093009353349_7.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020615.htm
北京太阳城
北京太阳城
设计时间：2000年
建成时间：2004年
建设地点：北京市
规划建设用地面积：125507m2
总建筑面积：155495m2
建筑容积率：1．11
建筑覆盖率：19．92％
绿化覆盖率：37.72％
北京太阳城是着眼于老年人这个庞大的夕阳红群体而投资开发的国内首家示范性大型老年居住社区。
北京太阳城地处京都北部著名的小汤山疗养区．西接立汤路．北临温榆河。这里北眺燕山，南望古都．近山临水，绿树繁茂。宁静安谧的郊外、清新自然的环境、安全舒适的居所和完善的综合服务设施，是老年人安居乐业的理想居住地。
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http://www.jianzhu01.com/B1008020614.htm
国立健身中心（national gymnasium kenzo tange）
国立健身中心（national gymnasium kenzo tange）
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http://www.jianzhu01.com/B1008020613.htm
Fulguro设计的雀巢咖啡屋
瑞士设计师Fulguro为 Montreux Jazz Festival活动设计的临时咖啡屋
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http://www.jianzhu01.com/B1008020612.htm
剧院咖啡厅（Food Theater Cafe）
Greatbuildings设计的剧院咖啡厅（Food Theater Cafe）
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http://www.jianzhu01.com/B1008020611.htm
乌托邦咖啡馆(Cafe Eutopia)
乌托邦咖啡馆(Cafe Eutopia)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2008043009270150_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2008043009270150_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2008043009270150_3.jpg休闲商业建筑2010-08-02
http://www.jianzhu01.com/B1008020610.htm
南加州大洋高尔夫俱乐部
位于南加州基洼岛(Kiawah Island)东端的大洋高尔夫球场是全美顶级球场之一，这次为俱乐部设计的新房屋有一个挑战是不能破坏四周美丽而又脆弱的自然环境。
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http://www.jianzhu01.com/B1008020609.htm
纽约州Anglebrook高尔夫俱乐部
纽约州Somers的一家高尔夫俱乐部。
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http://www.jianzhu01.com/B1008020608.htm
伦敦Pottersfields公园咖啡馆凉亭设计
建筑师DSDHA在英国伦敦Pottersfields公园设计的咖啡馆凉亭，把咖啡馆外部延伸成为凉亭，以木材建筑而成，有着与众不同的特色，成为当代城市建筑和公共形式的研究典型。
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http://www.jianzhu01.com/B1008020607.htm
集装箱里的illy咖啡厅
集装箱里的illy咖啡厅
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http://www.jianzhu01.com/B1007300606.htm
亚运新新会所
亚运新新会所
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http://www.jianzhu01.com/B1007300605.htm
巴塔哥尼亚arrebol旅社
the arrebol patagonia hotel located in peurto varas,chile has been designed by chilean architect harald opitz. the hotel is located in a forest amongst native trees and lagoons and spans 14 000 square metres. the building is divided into two sections one for private and the other for public. the public area has a main entrance hall, hotel bar,
restaurant and meeting room。
keeping with the native surroundings opitz decided to use wood as a primary material and build the hotel on a slope, allowing for panoramic views of both the city and lake. the building is constructed from steel and reinforced concrete.native trees were used for the wooden panelling that is both inside and outside of the building. the wood for the inside and outside of the building were cut into brick like shapes and over time hey will have a weathered affect.
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http://www.jianzhu01.com/B1007300604.htm
加利福尼亚 水+生活博物馆
加利福尼亚 水+生活博物馆，在加利福尼亚特有的沙漠气候条件下兴建的这个占地72,000平方英尺耗资4千万美金的项目，压倒加利福尼亚科学院和数十个其他项目成为使用绿色能源的第一个博物馆。
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http://www.jianzhu01.com/B1007300603.htm
英国设计师Thomas Heatherwick的东岸咖啡厅
非凡的结构实际是在heatherwick工作室的第一个完整的建设。刚刚35岁的特伦斯? conran的protégé已经重新设计，纽卡斯尔和longchamp的旗舰产品在纽约，但东湾咖啡厅无疑是他最雄心勃勃的项目。形如这块辽阔的driftwood ，洗涤行动岸边，生锈的金属外壳undulates节，像戒指，木材已被平滑大海。规模和物质的结构，加上其独特的外形和设置，使不平凡的对比中有机及工业，自然灾害和人为造成的。
内部设计已通过梁家杰克莱顿，负责另外的堡垒，英国海边别致，15个餐厅。简单设计的弯曲木家具和宽敞的座位为60 ，已优先把重点放在海边的看法。菜单中增加了一个点睛之笔，提供怀旧英国食品，取得了质量和当地材料：鱼和芯片， 盆花虾，清蒸蛳蚶和crumpets 。soggy热狗在任何一天都提供。
Seaside restaurant
East Beach Cafe
Littlehampton, UK
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http://www.jianzhu01.com/B1007300602.htm
普利茅斯咖啡屋(Plymouth café)
普利茅斯咖啡屋(Plymouth café)
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http://www.jianzhu01.com/B1007300601.htm
联邦俱乐部（Union Club）
联邦俱乐部（Union Club）
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http://www.jianzhu01.com/B1007300600.htm
大都会私人会所(Metropolitan Club)
第五大道及其周围星罗棋布的是为（传统男子）服务的俱乐部，同时仍然为富人服务。当摩根，威廉和科尼利厄斯范德比尔特及他们的朋友在19世纪90年代来到这里，建立的上流社会充满了非议，被银行家和金融家们嗤之以鼻。此时，市中心的俱乐部被关闭。永远不要轻视或者不甘示弱，摩根委托斯坦福设计了他自己的俱乐部，比其他所有更大，更漂亮宏伟——因此，大都会俱乐部在东六十街1号诞生了，令人惊奇又满意。
Fifth Avenue and its environs are dotted with the (traditionally men‘s) clubs which serviced, and still cater to, its mainly wealthy population. When J.P. Morgan, William and Cornelius Vanderbilt, and their pals arrived on the social scene in the 1890s, established society still looked askance at bankers and financiers, and its Downtown clubs were closed to Morgan and anyone else it considered less than up to snuff. Never to be slighted or outdone, Morgan commissioned Stanford White to design him his own club, bigger, better and grander than all the rest – and so the Metropolitan Club at 1 East 60th St was born, an exuberant confection with a marvelously outrageous gateway.
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http://www.jianzhu01.com/B1007300599.htm
大学私人会所(University Club)
该设计是围绕一个商用的铁柜将其改造成为一个相互交替的楼梯，作为一个完整的一楼柱廊，在第二层作为一个三边的柱廊，在三楼做为一个缩小的四个桥墩使用。该方案的设计，适合俱乐部学习，二楼是个图书馆，没有幸免任何费用。
The plan was organized around an enclosed cortille that received different treatment on alternating floors, beginning as a full colonnade on the first floor, becoming a three-sided colonnade on the second floor and shrinking to four piers on the third floor.The centerpiece of the design, appropriate for a club of learning, is the library on the second floor, and here no expense was spared.
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http://www.jianzhu01.com/B1007300598.htm
哈佛私人会所(Harvard Club)
1894年，哈佛俱乐部小会所设计由McKim建筑设计公司的查尔斯邓巴和米德设计，由建筑师怀特构建于纽约西44街27到29号。这一地区的小镇迅速成为会所的中心。在短短几年内，纽约游艇俱乐部，新世纪俱乐部，耶鲁及其他俱乐部也建在附近。会馆与相邻俱乐部相比相对较小，前半部仅有25×100英尺大小。
In 1894, the Harvard Club had the small clubhouse designed by Charles F. McKim of the firm McKim, Mead, and White constructed on the recently acquired property at 27 and 29 West 44th Street. This area of town was quickly becoming a center for clubhouses. In just a few years, the New York Yacht Club, the Century Club, The Yale Club and others also were built in the neighborhood. The Clubhouse was small compared to its neighbors, filling only the front half of the two 25-by-100-foot lots.
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http://www.jianzhu01.com/B1007300597.htm
纽约运动员俱乐部(New York Athletic Club)
纽约运动员俱乐部(New York Athletic Club)
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http://www.jianzhu01.com/B1007300596.htm
纽约网球私人会所(Racquet and Tennis Club)
由建筑师McKim, Mead和White设计引用文艺复兴时期的风格而建——建立在意大利宫殿的基础上——自从19世纪俱乐部开始在美国变得中具足轻重后，开始成为英格兰流行的男子俱乐部。这种风格的一个早期的例子是印度风格建筑（前汉诺威银行），坐落在汉诺威广场上。
Designed as a Renaissance Revival building, architects McKim, Mead and White used a style -- based on the Italian palazzo -- that was popular for men‘s clubs in England ever since it was imported to the United States in the 19th century. An early example of this style is India House (the former Hanover Bank) located at Hanover Square.
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http://www.jianzhu01.com/B1007300595.htm
Montauk俱乐部(The Montauk Club)
一个威尼斯哥特式宫殿，其运河由一条狭窄的草坪用铁栅栏分割开来。这里有赤褐色砂石，砖，土，陶，铜和铜绿。他不愧有地方部落的美称，这也解释了为什么第八大道建在第三和第四层，是为了纪念当地的土著人。
A Venetian Gothic palazzo, whose canal is the narrow lawn separating it from its cast-iron fence. But here in brownstone, brick, terra-cotta, and verdigris copper. It bears the name of a local tribe, which explains the 8th Avenue friezes at the 3rd and 4th stories, honoring these former local natives.
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http://www.jianzhu01.com/B1007300594.htm
荷兰籍纽约人俱乐部(Knickerbocker Club)
这件设计院经常整合美洲殖民地和英国新古典主义风格，创建简单大方的建筑，荷兰籍纽约人俱乐部就是这样的一座早期作品。1992年完成了恢复重建。
This firm often combined historic American Colonial and English Neo-classical forms, creating deceptively simple buildings, as which the Knickerbocker is an early masterpiece. A meticulous restoration was completed in 1992.
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http://www.jianzhu01.com/B1007300593.htm
世纪协会(Century Association)
世纪协会建于1896年，由威廉库伦科比建立的精英俱乐部，由其100个成员命名。建筑师查理森至少参与了部分设计环节，使之成为他唯一的一个曼哈顿建筑——尽管这不适最令人兴奋的那
Built in 1869 for the Century Association, an elite club founded by William Cullen Bryant and named for its 100 members. Noted architect H.H. Richardson had at least some input into the design, making this his only Manhattan building--albeit not a terribly exciting one.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2008112409142837_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2008112409142837_2.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300592.htm
三星世界健身俱乐部（SAMSAN WORLD GYMNASIUM）
三星世界健身俱乐部（SAMSAN WORLD GYMNASIUM）
韩国，仁川
Incheon,korea
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http://www.jianzhu01.com/B1007300591.htm
议会分局（Parliamentary Precinct）
位置：加拿大渥太华
加拿大联邦政府议会分局是一个组合建筑物，位于自然和城市环境设施独特的加拿大。许多不多层次的政治，社会和文化历史植根于它。这些层次为国会议员，游客和无处不在的加拿大人建立了一个强有力的协会。
Location: Ottawa, ON
The Parliamentary Precinct of Canada’s Federal Government is an assemblage of buildings arranged in a natural and urban setting unique in Canada. Many layers of political, social and cultural history are embedded in its make-up. These layers have created a strong association of place for parliamentarians, visitors and Canadians everywhere.
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http://www.jianzhu01.com/B1007300590.htm
Birkerød 体育及康乐中心(Birkerød Sports and Leisure Centre )
设计师：丹麦SHL建筑师事务所
体育场建筑
位置：丹麦 Birkerød, Bistrupvej,
建筑年限：2005-2008
建筑面积：9200平米
新建筑面积 8000平米
翻修：1200平米
SHL Architects
Selected , Sports Architecture , Concrete, Denmark, Glass
Location: Bistrupvej, Birkerød, Denmark
Construction Year: 2005-2008
Constructed Area: 9,200 sqm / New build 8,000 sqm - Refurbishment: 1,200 sqm
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http://www.jianzhu01.com/B1007300589.htm
奥古斯塔/里奇蒙县文娱中心
奥古斯塔/里奇蒙县文娱中心
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http://www.jianzhu01.com/B1007300588.htm
贝尔格莱德Wellness Sky健身中心（Wellness Sky ）
建筑师：4 of 7建筑师设计工作室
建筑面积：51100平方米
地点：塞尔维亚 贝尔格莱德
设计团队：Djordje Stojanovic、Vlada Pavlovic、Slavko Milanovic
这栋建筑被称为“多瑙河之花”，修建于35年前，当时是贝尔格莱德滨水地区的地标性建筑，之前是一家大型休闲娱乐中心所开设的高级餐厅，是由当时的政府主持并由J.B.Tito主席批准建设的，他是于1973年11月22日开张的这家高级餐厅的第一个客人。
该建筑许多方面都很特别，尤其是其建筑与结构之间的协调。大楼主体成三角形布局，架空于河上约有50米，主靠中央一根柱子支撑着，共有两部电梯和一个螺旋梯。
它有一个悬臂结构从大楼上延伸出去12米左右，给大楼一种轻盈的感觉。另外，结构处理的巧妙之处在于其内、外空间之间的无缝连通，玻璃幕墙使得整个大楼变得连续了。长达150米的玻璃没有任何连接点，将大楼外墙整个包覆起来，使得这里的观景视野无限的延伸开去。
Wellness Sky健身中心以其高端的健身和水疗设施而闻名遐迩，设计师们同他们一起在这座建筑里创建了一个充满活力的健身房。其室内采用浅色调设计，空间布局相当宽敞，这样给客人们一种在云端漫步的感觉。地面使用反光树脂材料进行了处理，可将这个开阔空间里的各种高级健身设备反射进来。
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http://www.jianzhu01.com/B1007300587.htm
Morton H. Meyerson 交响乐团中心（The Morton H. Meyerson Symphony Center）
Morton H. Meyerson 交响乐团中心
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http://www.jianzhu01.com/B1007300586.htm
富山县儿童未来馆(Toyama Childrens Center)
富山县儿童未来馆(Toyama Childrens Center)
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http://www.jianzhu01.com/B1007300585.htm
爱知县儿童综合中心(Aichi Childrens Center)
爱知县儿童综合中心(Aichi Childrens Center)
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http://www.jianzhu01.com/B1007300584.htm
滨松儿童馆(Hamamatsu Childrens Center)
滨松儿童馆(Hamamatsu Childrens Center)
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http://www.jianzhu01.com/B1007300583.htm
野中保育院(Nonaka Day Nursery)
野中保育院(Nonaka Day Nursery)
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http://www.jianzhu01.com/B1007300582.htm
旭川春光台（Asahikawa Shunkodai Park Kazenoko-Kan）
旭川春光台（Asahikawa Shunkodai Park Kazenoko-Kan）
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http://www.jianzhu01.com/B1007300581.htm
Moku Moku Yu
Moku Moku Yu 洗浴中心坐落在Risonare Resort松林，是2006年Klein Dytham 事务所设计的木制洗浴中心。在日本，公共洗浴是一个古老而神圣的传统。为了脱衣服和洗澡，游泳者在入口按性别分离，但是，在外面的公共浴池他们还可以在一起洗浴。
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http://www.jianzhu01.com/B1007300580.htm
RELAXX运动和休闲中心（RELAXX sport and leisure center）
设计师：AK2建筑事务所
性质：休闲 体育建筑
位置：斯洛伐克共和国
项目年限：2008
占地面积：5418平米
建筑面积：9271平米
爱因斯坦街算几乎是布拉迪斯拉发市交通最繁忙的街道之一，建筑位置不利，就像对Petržalka镇进行了一个四分之一切割。但是有些建筑师可以将这种繁忙的交通情况变为有利条件。新的RELAXX体育中心坐落在这个交通高峰的地点，对噪音和混乱进行协调引导。这座建筑就像是一个雕塑，象征着不安静之下的美丽和速度表现的诗学。
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http://www.jianzhu01.com/B1007300579.htm
威斯敏斯特长廊和AMC电影院(Westminster Promenade and AMC Theaters)
美国,科罗拉多州，威斯敏斯特，
设计师：GouldEvans
Westminster,Colorado,USA
GouldEvans
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011009110351_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300578.htm
Sadlers Wells剧院(Sadlers Wells Theatre)
英国 伦敦 伊斯灵顿
设计师：Arts Team@RHWL
Islington,London,UK
Arts TeamRHWL
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http://www.jianzhu01.com/B1007300577.htm
昆士兰科技大学花园剧院(QUT Gardens Theatre)
澳大利亚 昆士兰州 布里斯班
设计师：澳大利亚柏涛墨尔本建筑设计公司
Queensland University of Technology
Brisbane,Queensland,Australia
Peddle Thorp ARCHITECTS
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http://www.jianzhu01.com/B1007300576.htm
英国皇家地理学会Ondaatje剧院
原 名 称：The Ondaatje Theatre
美国，纽约，布法罗，西斯学院
设计师：景隆设计工作室
Canisius College,Buffalo,New York ,USA
Cannon Design
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http://www.jianzhu01.com/B1007300575.htm
国家海洋中心(Nauticus,The National Maritime Center)
orfolk,Virginia,USA
Centerbrook Architects and Planners
美国 弗吉尼亚州诺福克
设计师：Centerbrook建筑设计与规划中心
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http://www.jianzhu01.com/B1007300574.htm
哈可桑吧(Hakkasan)
London,UK
Christian Liagre with JESTICO WHILES
英国伦敦
设计师：Christian Liagre ，JESTICO WHILES
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http://www.jianzhu01.com/B1007300573.htm
花岗岩俱乐部(Granite Club)
Toronto,Ontario,Canada
Kuwabara payne McKenna Blumberg Architects
加拿大，多伦多
设计师：桑佩恩麦肯纳布隆伯格建筑事务所
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011213513050_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300572.htm
盖亚餐厅(Gaia Restaurant)
Hong Kong,SAR,PR of China
Leigh&Orange Ltd
中国香港
设计师：利安顾问有限公司
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http://www.jianzhu01.com/B1007300571.htm
伦敦圣马丁街酒店(St Martins Lane Hotel)
London,UK
Harper Mackay Architects with Phillipe Starck
英国伦敦
设计师：Harper Mackay 建筑事务所 ，菲利浦斯塔克建筑师
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http://www.jianzhu01.com/B1007300570.htm
蓝色捷克餐厅(BlueJacket Restaurant)
Lawrence ,Kansas,USA
GouldEvans
美国 卡萨斯州 劳伦斯
设计师：GouldEvans
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011214264551_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011214264551_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011214264551_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011214264551_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300569.htm
庄严咖啡厅(Majestic Cafe)
Alexandria,Virginia,USA
Mclnturff Architects
美国 维吉尼亚 亚历山大大帝
设计师： Mclnturff 建筑事务所
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http://www.jianzhu01.com/B1007300568.htm
帕特里克体育中心(kilpatrick Athletic Center)
Simons Rock College of Bard,Great
Barrington,Massachusetts,USA
巴德西门罗克学院
美国 马萨诸塞州
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http://www.jianzhu01.com/B1007300567.htm
兵库县田岛圆顶屋(Hyogo Prefectural Tajima Dome)
日本兵库县
满森达 环境设计研究所
Hyogo Prefecture,Japan
Mitsuru Senda Environment Design Institute
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http://www.jianzhu01.com/B1007300566.htm
仓吉公园广场(Kurayoshi Park Square)
Tottori,Japan
Cesar Pelli Associates in association with Jun Mitsui
日本鸟取
设计师：西萨佩里 日本三井军
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http://www.jianzhu01.com/B1007300565.htm
电影城(Cinema Multiplex)
Prague,Czech Republic
JESTICO whiles with ATP
捷克共和国，布拉格
设计师：JESTICO whiles with ATP
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http://www.jianzhu01.com/B1007300564.htm
英国皇家地理学会Ondaatje剧院(The Ondaatje Theatre)
Royal Geographical Society(with IBG)
Kensington Gore,London,UK
studio Downie Architects
英国伦敦，肯辛顿戈尔
设计师：唐尼建筑师工作室
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http://www.jianzhu01.com/B1007300563.htm
Poculuster
Tilburg,The Netherlands
Benthem Crouwel Architecten
荷兰,蒂尔堡
设计师：本斯姆 克劳威尔建筑事务所
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http://www.jianzhu01.com/B1007300562.htm
巴提斯蒂酒吧(Battisti Bar)
Marina di Ravenna,Italy
Bruno Minardi
意大利 Marina di Ravenna
设计师：布鲁诺·米纳迪
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http://www.jianzhu01.com/B1007300561.htm
汉堡速食连锁餐厅(IN N OUT BURGER Restaurant)
Los Angeles,California,USA
Kanner Architects
美国 加州 洛杉矶
设计师：美国洛杉矶坎纳建筑事务所
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http://www.jianzhu01.com/B1007300560.htm
Fusebox 餐厅(Fusebox Restaurant)
Altanta,Georgia,USA
Cooper Carry
美国 乔治亚州 亚特兰大
设计师：库珀·加里
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http://www.jianzhu01.com/B1007300559.htm
季风餐厅(Monsoon Restaurant)
Lebanon,New Hampshire,USA
Arrowstreet,Inc. in association with Paul Lukez Architecture
美国,新罕布什尔州，黎巴嫩，
设计师：Arrowstreet有限公司， Paul Lukez 建筑事务所
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http://www.jianzhu01.com/B1007300558.htm
vau餐馆(Restaurant Vau)
Berlin,Germany
gmp von Gerkan Marg und Partner
德国 柏林
设计师：德国gmp建筑师事务所
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http://www.jianzhu01.com/B1007300557.htm
T3Com公司总部咖啡馆(he Crossover Cafe at 3com Headquarters)
Santa Clara,California,USA
STUDIOS Architecture
美国 加州 圣克拉拉
设计师：法国建筑工作室ARCHITECTURE STUDIO
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http://www.jianzhu01.com/B1007300556.htm
哈利法克斯公司总部咖啡厅(Halifax plc Headquarters cafe)
Halifax,UK
BDP
英国，哈利法克斯
设计师：英国BDP建筑事务所
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http://www.jianzhu01.com/B1007300555.htm
BT北爱尔兰总部(BT Northern Ireland Headquarters)
Belfast,Ireland
BDP
背尔法斯特，北爱尔兰
设计师：英国BDP建筑事务所
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http://www.jianzhu01.com/B1007300554.htm
星城铝波尔图意大利餐厅
原 名 称：Al Porto Italian Restaurant,Star city
Sydney,Australia
Cox Architects
澳大利亚 悉尼
设计师：Cox建筑事务所
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http://www.jianzhu01.com/B1007300553.htm
曼谷小酒馆(Bangkok Bistro)
Washington,DC,USA
STUDIOS Architecture
美国 华盛顿
设计师：Studios事务所
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http://www.jianzhu01.com/B1007300552.htm
3Com公司的总部小咖啡厅(The Bistro at 3com Headquarters)
Santa clara,california,usa
STUDIOS Architecture
美国 加州 圣克拉拉
设计师：STUDIOS建筑事务所
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http://www.jianzhu01.com/B1007300551.htm
网路咖啡(Cyberia Internet cafe)
Bangkok,Thailand
Bernhard Blauel Architects
泰国曼谷
设计师：Bernhard Blauel建筑事务所
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http://www.jianzhu01.com/B1007300550.htm
星城礁湖酒吧(Lagoon Bar Star city)
Sydney,Australia
Cox Architects
澳大利亚 悉尼
设计师：cox建筑事务所
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011310064848_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011310064848_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011310064848_3.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300549.htm
马可尼通信53号音乐咖啡厅(Marconi Communications 53 Bites Cafe)
Warrendale,Pennsylvania,USA
STUDIOS Architecture
美国 宾夕法尼亚州 Warrendale
设计师：STUDIOS 建筑事务所
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http://www.jianzhu01.com/B1007300548.htm
汉堡速食连锁餐厅(IN-N-OUT BURGER Restaurant)
Los Angeles,California,USA
Kanner Architects
美国 加州 洛杉矶
设计师：美国洛杉矶坎纳建筑事务所
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http://www.jianzhu01.com/B1007300547.htm
Hoyts电影院(Hoyts Cine 12 at Abasto)
Buenos Aires,Argentina
Arrowstreet Inc.
阿根廷 布宜诺斯艾利斯
设计师：Arrowstreet设计有限公司
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http://www.jianzhu01.com/B1007300546.htm
皇后公园剧院(Queens Theatre in the Park)
Queens New York, USA
Alfredo De Vido Architects
美国 纽约 皇后区
设计师: 阿尔弗雷多.D.维多建筑师事务所
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http://www.jianzhu01.com/B1007300545.htm
布鲁克林音乐学校罗斯电影院(Brooklyn Academy of Music,BAM Rose)
Cinemas and BAM cafe
Brooklyn,New York,USA
Hardy Holzman Pfeiffer Associates
美国 纽约 布鲁克林
设计师：HHPA建筑师事务所
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http://www.jianzhu01.com/B1007300544.htm
星城娱乐场
原 名 称：Star City Casino
Sydney,Australia
Cox Architects
澳大利亚 悉尼
设计师：Cox建筑事务所
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http://www.jianzhu01.com/B1007300543.htm
環球影城街市（Universal Citywalk）
Los Angeles,California,USA
The Jerde Partnership International
美国 加州 洛杉矶
设计师：美国捷得国际建筑师事务所
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011313284655_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011313284655_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011313284655_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009011313284655_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300542.htm
活橡树社区中心(Live Oak Community Center)
anta Cruz, California,USA
ELS Elbasani & Logan Architects
美国加利福尼亚州,圣克鲁斯
设计师：ELS Elbasani和Logan
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http://www.jianzhu01.com/B1007300541.htm
九州高尔夫俱乐部(Kyushu Golf Club)
Fukuoka,Japan
Kisho Kurokawa Architect Associates
日本 福岗
设计师：黑川纪章建筑师事务所
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http://www.jianzhu01.com/B1007300540.htm
奥兰多村中心公园(Orland Park Village Center)
美国,IIIinois ，奥兰多公园
设计师：帕金斯 威尔 合作事务所
Orland Park ,IIIinois,USA
Perkins Will
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http://www.jianzhu01.com/B1007300539.htm
远东橡树高尔夫球场(Far Oaks Golf Course)
Fairview Heights ,IIIinois,USA
Mackey Mitchell Associates
美国,锦绣高地， IIIinois
设计师：麦基米切尔合伙人事务所
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http://www.jianzhu01.com/B1007300538.htm
朱美拉海滩度假村野生河水上公园(Wild Wadi Water Park
Dubai,United Arab Emirates
WS Atkins Consultants Ltd
沙特阿拉伯 迪拜
设计师：阿特金斯顾问有限公司
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http://www.jianzhu01.com/B1007300537.htm
沙漠绿洲公园(Oasis Park)
日本，岐阜，羽县
设计师：环境设计研究所
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http://www.jianzhu01.com/B1007300536.htm
穆迪花园水族馆(Moody Gardens Aquarium)
Galveston Island,Texas,USA
Morris Architects
美国 得克萨斯州 加尔维斯顿岛
设计师：美国休士顿Morris Architects建筑师
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http://www.jianzhu01.com/B1007300535.htm
艾弗里水上运动中心(Avery Aquatics Center)
Stanford University ,California,USA
ELS Architecture and Urban Design
美国，加利福尼亚，斯坦福大学
设计师：ELS建筑和城市规划事务所
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http://www.jianzhu01.com/B1007300534.htm
剑桥画廊(CambridgesSide Galleria)
Cambridge,Massachusetts,USA
Arrowstreet Inc.
美国 马萨诸塞州 剑桥
设计师：Arrowstreet建筑有限公司
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http://www.jianzhu01.com/B1007300533.htm
神秘的海洋生物水族馆(Mystic Marinelife Aquarium)
Connecticut ,USA
Cesar Pelli Associatecs Inc
美国康涅狄格州
设计师：贝利合伙人事务所
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http://www.jianzhu01.com/B1007300532.htm
密苏里植物园日本花园(Japanese Garden Missouri Botanical Garden)
St.Louis,Missouri,USA
Mackey Mitchell Associates
美国，密苏里州，圣路易斯
设计师：麦基米切尔合伙人事务所
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http://www.jianzhu01.com/B1007300531.htm
星港城赌场
原 名 称：Star City Casino
Sydney,New South Wales,Australia
The Cox Group
澳大利亚 南威尔士 悉尼
设计师：Cox组合
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http://www.jianzhu01.com/B1007300530.htm
圣贝纳迪诺文娱中心 Superblock广场(Superblock Plaza San Bernardino Civic Center)
San Bernardino,California,USA
Katherine Spitz Associates and DMJM Keating
美国加利福尼亚州，圣贝纳迪诺
设计师 ：凯瑟琳施皮茨合作事务所 ，DMJM设计事务所
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http://www.jianzhu01.com/B1007300529.htm
伊斯顿Towen中心(Easton Towen Center)
Columbus,Ohio,USA
Development Design Group,Inc.
美国俄亥俄州哥伦布市
设计师：设计发展有限公司
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http://www.jianzhu01.com/B1007300528.htm
Salon O白色发型屋（Salon O）
设计师：日本塩冢隆生工作室(Takao Shiotsuka Atelier)
地点：日本大分市
工程年份：2008年
建筑面积：119平方米
这间坐落于日本大分市郊区的名为Salon O的新式发型屋是由日本日本塩冢隆生工作室设计的。在Salon O项目中，塩冢隆生工作室将大V形房顶的特色屋子变成贯穿整个项目的设计核心。原本只是一个正方形的平凡仓库，却因为这个有趣的剪影概念，让一切也都生动起来。不仅在建筑的四个外立面如此，就连入口的方式、立面的窗户和室内的设计也都处处体现这个设计核心。这不仅延续了日本文化中特有的“卡通文化”，让建筑成为一个拥有卡通感的幻想体验空间，也让这个特色的剪影设计成为Salon O的一个形象签名，一个鲜明的品牌标识，同时还颠覆了传统发型屋惯常的设计形式。
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http://www.jianzhu01.com/B1007300527.htm
商务会所
美丽哈！
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http://www.jianzhu01.com/B1007300526.htm
洛杉矶萨尔瓦多塞瑞诺娱乐中心
原 名 称：El Sereno Recreation Center
City of Los Angeles
Los Angeles, CA
加州 洛杉矶
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http://www.jianzhu01.com/B1007300525.htm
Loyola Marymount University
Fritz B. Burns Recreation Center
Los Angeles, CA
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009020315283945_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009020315283945_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009020315283945_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009020315283945_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300524.htm
Esquimalt镇区娱乐中心扩建
原 名 称：Recreation Centre Expansion
Township of Esquimalt
Esquimalt BC
加拿大 大不列颠哥伦比亚省 Esquimalt
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http://www.jianzhu01.com/B1007300523.htm
缅因大学学生休闲和健身中心
原 名 称：University of Maine Student Recreation and Fitness Center
Orono, ME
缅因州 Orono
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http://www.jianzhu01.com/B1007300522.htm
十五餐厅
原 名 称：Fifteen Restaurant Melbourne
Woods Bagot has designed the latest restaurant for the Fifteen Foundation， started by chef Jamie Oliver in the UK.
墨尔本
伍兹为十五基金会设计了最新的餐厅，这个基金会最开始在英国由厨师吉米奥利弗成立。
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http://www.jianzhu01.com/B1007300521.htm
三一广场
原 名 称：Trinity Square London
Woods Bagot was commissioned to restore this building to its former glory by removing a number of 1970s “insensitive” extensions and adding a new state-of-the-art addition， converting the property into an exclusive hotel.
伦敦
伍兹被委托重建这座建筑，以换回过去的辉煌时代。消除一些上个世纪七十年代的印记，增加一些新的时代艺术元素，将之转换为一个高级的酒店建筑。
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http://www.jianzhu01.com/B1007300520.htm
条形码
原 名 称：Barcode London
Regenerating a disused brick Victorian railway arch， Barcode is designed to bring a vibrant venue to the London club scene.
伦敦
一个废弃的砖拱维多利亚火车站重建，条码的目的是把伦敦俱乐部现场设计为一个充满活力的场所。
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http://www.jianzhu01.com/B1007300519.htm
外滩3号
原 名 称：Three on the Bund
Date:2001-2004
Location:Shanghai，China
Size:12422sf
日期：2001－2004
位置：中国上海
面积：12422平米
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http://www.jianzhu01.com/B1007300518.htm
NovaCare家庭专业互利保健公司
原 名 称：NovaCare
Date:2001
Location:Philadelphia ，pennsyivania
Size:110000sf
日期：2001
位置：宾夕法尼亚州 费城
面积：110000平米
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http://www.jianzhu01.com/B1007300517.htm
Broadgate公共空间扩建
原 名 称：Broadgate Public Space Enhancements
英国 伦敦
竣工年限：2002
项目面积：5278平米
London, United Kingdom
Completion Year: 2002
Project Area: 5,278 m2
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http://www.jianzhu01.com/B1007300516.htm
树莓岛舒伯特俱乐部乐队造型
原 名 称：Raspberry Island Schubert Club Band Shell
明尼苏达州圣保罗
竣工年限：2002
项目面积：1500平方英尺
St. Paul, Minnesota
Completion Year: 2002
Project Area: 1,500 ft2
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http://www.jianzhu01.com/B1007300515.htm
赖德水上康乐中心
原 名 称：Ryde Aquatic leisure centre
日期：2000
位置： 澳大利亚 悉尼
成本：￥1900万澳元
Date:2000
Location:Ryde,Sydney,Australia
Cost:$19million(Australia)
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http://www.jianzhu01.com/B1007300514.htm
斯卡斯代尔高尔夫俱乐部
原 名 称：Scarsdale Golf Club
美国纽约
Hartsdale, NY
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http://www.jianzhu01.com/B1007300513.htm
桂宝高尔夫俱乐部
原 名 称：Quaker Ridge Golf Club
纽约 斯卡斯代尔
Scarsdale, NY
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http://www.jianzhu01.com/B1007300512.htm
燃烧的树乡村俱乐部
原 名 称：燃烧的树乡村俱乐部
康涅狄格州 格林威治
Greenwich, CT
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http://www.jianzhu01.com/B1007300511.htm
教育署苏利文剧场“大卫深夜秀”
原 名 称：The Ed Sullivan Theater "Late Show with David Letterman"
New York, New York
纽约
400座 1993
400 seats
1993
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http://www.jianzhu01.com/B1007300510.htm
荷兰表演艺术中心
原 名 称：Holland Performing Arts Center in collaboration with HDR Architecture
内布拉斯加州 奥马哈
450座
2005年
Omaha, Nebraska
2,000 and 450 seats
2005
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http://www.jianzhu01.com/B1007300509.htm
彼得诺顿交响乐团空间
原 名 称：Peter Norton Symphony Space
纽约
175座
2002
New York, New York
827 and 175 seats
2002
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http://www.jianzhu01.com/B1007300508.htm
013, Tilburg
总面积：6400平米 设计：1994
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http://www.jianzhu01.com/B1007300507.htm
Confiserie Bachmann
原 名 称：Confiserie Bachmann
Blumenrain 1, Basel, Switzerland
名称：Confiserie Bachmann
位置：瑞士 巴塞尔 Blumenrain 1
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http://www.jianzhu01.com/B1007300506.htm
三影摄影艺术中心餐厅
原 名 称：Restaurant Three Shadows Photography Art Center
Caochandi, Chaoyang District, Beijing, China 2008 –
中国 北京 朝阳区 2008
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http://www.jianzhu01.com/B1007300505.htm
Sjakket青年俱乐部
原 名 称：Sjakket Youth Club
建筑面积：2000平米
项目年限：2007
预算：3880000美元
通过将一个倒闭的工厂改装为一个露营地，为移民青年提供了一个代替街道的聚集地。Sjakket作为一个社区中心，移民以青年为主，因此这座建筑在这个区域中扮演了重要的角色，它使得之前闹事的街道安静下来，同时也为年轻人提供了接受教育的地方。Sjakket座落在哥本哈根郊外一个工业区，地势低洼，此处的居名主要是低收入家庭和外来移民家庭。周围密集了许多老旧建筑，同时也被许多工业化企业环绕。
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http://www.jianzhu01.com/B1007300504.htm
安迪冰冻蛋奶专营店
原 名 称：Andys Frozen Custard
建筑面积：137平米
安迪的冰冻蛋奶新专营店，位于美国密苏里州斯普林菲尔德的坎贝尔街，突出表现了其以一种创新性和前瞻性的特征构建了一种直接而真诚的美学建筑。
设计简单而大胆。它代表了安迪冻结蛋奶专营店新的身份，既维护了原来商店的精神，又包含了一种新的进步的设计。一个大的屋顶将专营店统一，同时增加了机动车驶入道。此外，设计师还未商店提供了一个醒目而显著的商标在门口。悬挂成一排的霓虹灯为商店夜晚增加了活力。
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http://www.jianzhu01.com/B1007300503.htm
私人媒体中心
原 名 称：Private medical center in Croatia
南斯拉夫成员共和国 克罗地亚
这座媒体中心选择围绕在Firule地区的一个历史遗迹周边，享有典型的斯普利特式的生活，工作和娱乐环境。特别的，坐落在周边的综合医院也是私人媒体中心地理位置的一大优势。总而言之，这座建筑靠近Firule,地区现有医院，靠海的环境和新鲜空气给这座建筑带来了更大的意义。
项目确定的程序和功能，需要极大的务实精神和尊重的竞争程序，以及最大的技术和工艺设备和功能。
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http://www.jianzhu01.com/B1007300502.htm
混合风格餐厅
原 名 称：Mestizo Restaurant
项目年限：2005
施工年限：2007
施工面积：652平米
这个项目赢得了2005年圣地亚哥的Vitacura自治市政府为设计Las Americas公园的一个餐厅而召集的公共竞赛。该餐厅座落在公园东北端，现在仍在建设中。
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http://www.jianzhu01.com/B1007300501.htm
Osguthorpe谷仓会议/接待中心
原 名 称：Osguthorpe Barn Conference/Reception Center
面积：7000平方英尺
性质：会议中心
竣工：1999
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http://www.jianzhu01.com/B1007300500.htm
公园城银矿冒险游客中心
原 名 称：Park City Silver Mine Adventure
面积：34500平方英尺
性质：历史博物馆 游客中心 娱乐场所
竣工：1996
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031714242541_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031714242541_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031714242541_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031714242541_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031714242541_5.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300499.htm
阿卡迪亚暑期大型艺术计划
原 名 称：cadia Summer Arts Program-Kamp Kippy
日期：1996
Date:1996
Location: Mount Desert Island, ME
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031813484836_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031813484836_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031813484836_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009031813484836_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300498.htm
卡姆登儿童花园
原 名 称：Camden Childrens Garden
日期：1999
成本：7500000美元
面积：4英亩
Date:1999
Cost:$7500000
Area:4acres
Location: Camden,NJ
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http://www.jianzhu01.com/B1007300497.htm
Citadellbadet
原 名 称：Citadellbadet
Citadellbadet
Bath plant
Landskrona,Sweden
Nominated for Kasper Salin Award 2007!
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http://www.jianzhu01.com/B1007300496.htm
新西兰黄色树上餐厅
原 名 称：Yellow Treehouse Restaurant
树房子的概念是对童年的回忆，梦想、童话、魔法和幻想。它是从自然界的许多食物中获得灵感——保护着正在形成蝴蝶的蛹、或者葱。它也被看作是晚上微微发光的灯笼，而白天，它可能是一个半伪装的堡垒。由于盘旋向中心的开放式尾部而更像海贝。
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http://www.jianzhu01.com/B1007300495.htm
银杏树酒吧
原 名 称：Ginkgo Lounge
Tiago Rosado建筑师在葡萄牙设计了Portimão的这个酒吧。最初，它只是假定的一个池畔酒吧，但是完工后的空间却比想象的要大的多。
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http://www.jianzhu01.com/B1007300494.htm
关之琳酒吧
关之琳投资的酒吧
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http://www.jianzhu01.com/B1007300493.htm
氩里奥酒吧广场
原 名 称：Ar de Rio Bar Esplanade
施工面积：108平米
项目年限：2007
施工年限：2008
外形在我们事务所里不时一个新的主题，也不是一个诸如标准化或者灵活性一样的概念问题，但是这个氩里奥酒吧广场设计提出了一种新的方式处理这些问题。虽然它可被视为是向前迈出的一步，但它确实是Bares de Gaia最初概念的一个合乎逻辑的后续行为。该广场位于葡萄牙维拉诺瓦盖亚日，杜罗河对岸，我们设计的ares de Gaia酒吧是一套紧凑的钢铁展览馆。
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http://www.jianzhu01.com/B1007300492.htm
墨西哥城La Capital餐厅
原 名 称：La Capital
La Capital，由建筑师Dellekamp提供的餐厅设计，并即将在墨西哥城开幕。高高的，狭窄的建筑，并有一个与街道水平的玻璃幕墙，而该玻璃幕墙的最大特点是上面的图案屏风和不透明的混凝土外墙的结合。混凝土外墙的作用是，将娱乐场所隐蔽。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009032611161844_9.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300491.htm
Oijared乡村俱乐部
原 名 称：Oijared Club
高尔夫俱乐部
Golf Clubhouse
Lerum,Sweden
Kasper Salin award 1988
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http://www.jianzhu01.com/B1007300490.htm
瑞士瓦尔斯温泉浴场
原 名 称：Thermal Baths Vals
位于瑞士瓦尔斯的温泉浴场，使石材变得登峰造极 。而且卒姆托的设计概念，空间的组织规律和空间划分特征，光的运用，堪称炉火纯青。
建筑一半埋入地下，采用了当地的石材，进行整体式的石块板构造，感觉又如迷宫，他把石材切割成薄板，用混凝土作好构架后置于事先砌筑好的石板墙上，精确的确定相互间的距离，并留出空隙让阳光直接进入，比安藤还纯粹。石块层层叠上，经过精确的划线量准，加上还要设计功能和气流的关系，使建造远远超出一般意义上的建造，变的矛盾和困难。这种建立在对建造充分了解之上的再创造，让人惊叹。
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2009041415422052_68.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009041415422052_69.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009041415422052_70.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300489.htm
Pathé-ArenA综合电影院
原 名 称：Pathé-ArenA multiplex cinema, Amsterdam Zuidoost
施工年限：1998－2000
总面积；10500平米
体积：50500立方米
costs: 10.437.000,- (ex. V.A.T.)
date of commission: 1995
date of construction: 1998 - 2000
gross surface: 10.500 m2
volume: 50.500 m3
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109482847_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300488.htm
赌场
原 名 称：Holland Casino, Scheveningen
成本：36400000欧元（不含增值税）
建筑年限：1994－1995
总面积：7200平米
programme: Casino, 640 parking spaces
costs: 36.400.000 (ex. VAT)
date of commission: 1993
date of construction: 1994-1995
gross surface: 7.200 m2
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042109513258_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300487.htm
Kromann Reumert
原 名 称：Kromann Reumert
面积：14000平米
施工期限：2001－2002
Kalkbrænderihavnsgade, Copenhagen, Denmark
Area:14,000m2
Construction period:2001 - 2002
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042309331240_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042309331240_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042309331240_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042309331240_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009042309331240_5.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300486.htm
ZENITH
原 名 称：ZENITH
2008
总面积：8100平米
France, Amiens
Total area : 8100 m2
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713240234_15.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300485.htm
伯尔尼购物和娱乐中心
原 名 称：BERN-MALL AND ENTERTAINMENT CENTER
2000 Switzerland, Bern
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713281457_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713281457_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713281457_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713281457_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009050713281457_5.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300484.htm
室内高尔夫练习场
原 名 称：Indoor Golf Arena
The Worlds Largest Indoor Golf Centre
Design:2007 | 2010
世界上最大的室内高尔夫中心
设计：2007-2010
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http://www.jianzhu01.com/B1007300483.htm
北京紫金剧院
竣工：2008-10
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051511343740_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300482.htm
澳门最大的赌场室内人工天空和人造河流
澳门最大的赌场室内人工天空和人造河流
http://www.jzt8.cn/bbs/index.asp
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051920055736_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051920055736_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051920055736_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009051920055736_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300481.htm
清水会馆
清水会馆
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009053116005636_13.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300480.htm
云中之塔
原 名 称：Cloud Tower
性质；文化建筑
版本：2009
Grafenegg / Austria
Programme Cultural
Edition 2009
2009欧洲建筑密斯•凡•德•罗奖提名作品
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060211324156_8.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300479.htm
红螺会所
红螺会所
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060213365758_9.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300478.htm
南京高新区国际俱乐部
南京高新区国际俱乐部
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060214054346_6.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300477.htm
华盛顿互动餐厅
原 名 称：washington Mutual
华盛顿互动餐厅(washington Mutual)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060310035153_10.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300476.htm
盈科中心商务会所
盈科中心商务会所
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009060514124437_11.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300475.htm
Estacao Ciencia咖啡厅
原 名 称：Estacao Ciencia Cafe
坐落在Lapa，以其周边沿托斯-俊迪埃铁路开发的工业领域为特色，Estação Ciência咖啡厅这附近，位于中环街市，公共汽车和火车站周边。
建筑的意图是尽可能避免和现有建筑物发生任何形式的干扰。因此，一个独立的钢结构，17米长，3.4米宽，2.4米高的设计构想出现了。
Located in Lapa, a neighborhood ch aracterized by its former industrial occupation developed along Santos-Jundiaí railroad, Estação Ciência sits nearby important urban sites such as a Central Market, a bus and a train station.
The constructions main attempt was to avoid, as much as possible, any kind of interference with the existing buildings. Therefore an independent steel structure, 17 meters long, 3.4 meters wide and 2.4 meters height was conceived.
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http://www.jianzhu01.com/B1007300474.htm
北京当代集团万万树别墅区会所
原 名 称：Modern Group Forest Forever Club House , Beijing
业主：Client: 当代集团 Modern Group
建筑师：Architect:
负责设计合伙人：董功
负责管理合伙人：张宏宇
项目团队：Project Team:
项目建筑师：陈嘉俊
建筑师：郭鹏宇，王晓磊
结构工程师：栾敬
机电工程师：吕建军，钟小辉，连康龙
结构构造特点与运用材料：
混凝土框架结构, 混凝土预制掛板
建筑范围：Building Area: 5000m2
设计时间：Design Period: 02/2008-present
建造时间：Construction Period: 03/2009-10/2010
我们希望通过一个连续性的公共空间，将所有功能组织在一起，在这里，人们可以在尽情享受空间中各种功能的同时，体会变化着的阳光，空气，和室外的景观视野。
空间的组织逻辑¬是通过对太湖石的理解，从自然界中抽象出概念的原¬型。树木的枝干是树的主架，通过连续的主干把枝叶联系在一起并提供能量,内与外的相互渗透创造出一种延续的游移空间。
这个连续空间在各个朝向上和建筑外墙重叠的部分被混凝土这种材料限定，以强调该建筑内外界面相互界定的设计逻辑¬。
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http://www.jianzhu01.com/B1007300473.htm
幻影舞厅
原 名 称：Mirage Dancehall
参赛年：2006
设计年：2006-2008
施工年：2008-2009
Competition year: 2006
Design year: 2006-2008
Construction year: 2008-2009
2006年Kjellgren Kaminsky建筑事务所的Fredrik Kjellgren与Joakim Kaminsky赢得了瑞典Falsterbo城一座新舞厅的国际竞赛设计权。现在，这座新的“幻影舞厅”正式落成。
该建筑位于一个最然风景保护地，周边是松树林。由木甲板组合的露台和小径将建筑连接起来，这些灵感来自于附近海滩的码头。一条小的砾石路用来装载运输，位于建筑东侧。
In 2006 Fredrik Kjellgren and Joakim Kaminsky won the international architecture competition for a new dancehall in Falsterbo, Sweden, and started their studio; Kjellgren Kaminsky architecture. Now the building “mirage” is to be inaugurated.
The building is situated in a nature reserve. The pine tree grove surrounding the building is kept unaffected. The terraces and paths connected to the building are made out of wooden boards taking there inspiration from the jettys on the nearby beach. A small gravel road for deliveries is lade out on the east side of the site.
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http://www.jianzhu01.com/B1007300472.htm
水上公园
原 名 称：The Water Park
ALDAYJOVER ARQUITECTOS
ZARAGOZA / SPAIN
Programme SOCIAL WELFARE
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061813382743_8.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300471.htm
斯特拉塔树梢通道，基尤花园
原 名 称：Xtrata Treetop Walkway, Kew Gardens
MARKS BARFIELD ARCHITECTS
LONDON / UNITED KINGDOM
Programme SPORT/RECREATION
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061814083459_8.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300470.htm
布鲁克菲尔德社区和青年中心
原 名 称：Brookfield Community and Youth Centre
性质：政府 市政建筑
Hassett Ducatez Architects
Dublin / Ireland
Programme Government/Civic
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914155355_9.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300469.htm
伊冈咖啡酒吧及屋顶阳台
原 名 称：Egans Coffee Bar & Roof Terrace
性质：混合建筑
Architecture53seven
Portlaoise / Ireland
Programme Mixed use
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009061914193737_8.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300468.htm
卡洛登战场游客中心
原 名 称：Culloden Battlefield Visitor Centre
GARETH HOSKINS ARCHITECTS LTD
INVERNESS / UNITED KINGDOM
Programme CULTURAL
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http://www.jianzhu01.com/B1007300467.htm
挪威地质公园
原 名 称：Geopark
HELEN & HARD
STAVANGER / NORWAY
Programme SPORT/RECREATION
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http://www.jianzhu01.com/B1007300466.htm
艾伯特赛跑长俱乐部翻修和扩建
原 名 称：Reconstruction and Extension Clubhouse Stade Albert Kongs
性质：体育 娱乐
BRUCK + WECKERLE ARCHITEKTEN
Hesperange / Luxembourg
Programme Sport/Recreation
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http://www.jianzhu01.com/B1007300465.htm
荷兰多功能大厦
原 名 称：Roosendaal Pavillion
施工面积：620平米
Constructed Area: 620 sqm
2001年，荷兰西南部Roosendaal省决定通过构建一座巨大的两层楼高的地下停车场
，禁止汽车从市中心新市场穿行。为了创建一个新的公共广场，Roosendaal要求城市设计办公室提出主张。在他们的规划中，他们提出在广场铺设红色和灰色的砖体，种植15颗树，这三种元素是地下停车场的一个重要的视觉标志和元素，同时他们提出了构建一个卵圆形的餐厅和咖啡厅。
In 2001 the city of Roosendaal (a provincial town in the southwest of the Netherlands) decided to ban cars from the New Market in the centre of town by building a huge two storey underground parking. In order to create a new public square the city of Roosendaal asked the urban design office Quadrat to make a proposition. In their scheme they proposed to pave the square with red and brown brick, plant 15 trees, make three exits for the underground parking and as the most visible and important element they proposed a restaurant and coffee pavilion in the form of an oval.
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http://www.jianzhu01.com/B1007300464.htm
哈尔滨娱乐城
哈尔滨娱乐城
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062514074051_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062514074051_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062514074051_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062514074051_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062514074051_5.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300463.htm
济南剧院
济南剧院
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http://www.jianzhu01.com/B1007300462.htm
济南动物嘤鸣馆
济南动物嘤鸣馆
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062913574847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062913574847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062913574847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009062913574847_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300461.htm
博阿·诺瓦餐厅
原 名 称：Boa Nova Restaurant
博阿·诺瓦餐厅
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http://www.jianzhu01.com/B1007300460.htm
茶室
原 名 称：Teahouse
表面积：3.75平米
建筑面积：7平米
Surface Area: 3,75 sqm
Construction Area: 7 sqm
在Hloubetin和Aloisov山脚下有一个小花园。这座小花园是朴素的，微风拂过，非常优雅，每年春天，都会有苹果树和樱桃树绽放出花朵，当夏季来临的时候，就会有片片云层拂过草坪。
茶室是一个典型的日本传统的小空间设计，是一个会客厅。
At the foot of the hill dividing Hloubetin and Aloisov you’ll find a small garden. The garden is unostentatious, slightly wild but even so graceful, each spring apple and cherry trees blossom and when summer swiftly blows upon us our sight of the passing clouds is surrounded by slim blades of grass.
The Teahouse as a typological kind follows the Japanese tradition of minimizing space and is intended as place the meet with guest at a cup of tea.
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http://www.jianzhu01.com/B1007300459.htm
里斯本伊甸园电影院
原 名 称：eden cinema
里斯本伊甸园电影院(eden cinema)
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009070909134953_13.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300458.htm
帕洛马迎宾中心
原 名 称：Palomar Welcome Center
项目面积：372平米
竣工日期：2008 5
Project Area: 372 sqm
Completion Date: May 2008
预示着LEED认证大规模的开发，帕洛马迎宾中心利用一个废旧的一层仓库改建而成，位于密尔沃基东部开发区公园边缘。该地区之前是一处未被充分利用的城市沙漠地带，预计将转化为帕洛马区，一系列多功能建筑，连接市中心和邻近街道。
As the harbinger of a large-scale development slated for LEED certification, the Palomar Welcome Center utilizes an abandoned one-story warehouse building on the edge of Milwaukee’s Park East redevelopment corridor. The area, an urban desert formerly occupied by an underused freeway spur, is slated to be transformed into the Palomar District, a series of mixed-use projects that will connect downtown to the adjacent neighborhoods.
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http://www.jianzhu01.com/B1007300457.htm
SOS儿童村Lavezzorio社区中心
原 名 称：SOS Childrens Villages Lavezzorio Community Center
SOS儿童村社区中心是综合寄养家庭服务和社区的家庭两种功能的一个社区。SOS儿童村是一个国际性的非营利机构致力于培训寄养父母和让孩子们生活在一起。
多层公共场所建筑鼓励孩子们参加各种学习机会和社会互动。一个宽敞的双跑楼梯可作为教室和即兴表演座位。二楼大型社区房间可作为教室、运动室和会议空间。一层的日托教室对着户外游乐场。预算方面的限制使得建筑设计必须直接表现材料，不能有太多装饰。
SOS community center combines services for foster care families and neighborhood families in one building. SOS is an international not-for-profit agency committed to training foster parents and reuniting siblings.
Multi-faceted public spaces in the building encourage a range of learning opportunities and social interaction. An extra-wide stair in the lobby doubles as classroom seating and an impromptu stage for performance. A large community room on the second floor serves as classroom, exercise room and meeting space. Daycare classrooms on the ground floor are oriented around and have direct access to a sunlit outdoor play area. Working with budget constraints led to a design that expresses its materiality in a direct way. Concrete is layered in bands with color variation to reveal its liquid nature.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009071510530844_8.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300456.htm
娜塔莎皮肤护理中心
原 名 称：Natasha Skin Care
业主：私人
结构工程师：Habitat
灯光设计：TWS合伙人事务所
主要合作者：Habitat
施工面积：1000平米
设计年限：2006
施工年限：2007
Client: Private
Structural engineers: Habitat
Lighting design: TWS & Partners
Main contractor: Habitat
Constructed area: 1,000 sqm
Design year: 2006
Construction year: 2007
这座建筑大约有1000平米，位于万隆城市中心地带。业主要求建筑带有地标性色彩，因为这将是他们第一家概念店铺。该项目包括一个极大的休息厅，也可用来接待和等候，还有一个药店，医生室和22间护理室。业主的另外一个要求是服务区和储藏区必须考虑到交通因素。
The building is about 1,000 square meter building coverage and located at the heart of the city in Bandung. The client want to make something iconic for the architecture as it will be launch as their first new building concept. The program will consist of huge lobby which also serve as a reception and waiting area, a drug store, doctor’s room and twenty two treatment room. The other requirement is service and storage area which have to be attached to the reception due to very high traffic between that two particular area.
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http://www.jianzhu01.com/B1007300455.htm
阿根廷马普切乡村俱乐部
阿根廷马普切乡村俱乐部
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http://www.jianzhu01.com/B1007300454.htm
宠物农场
原 名 称：Petting Farm
成本：150000欧元
施工面积：126平米
施工年限：2005-2008
Budget: 150.000 EURO
Constructed Area: 126 sqm
Project start: 2005
Project finished: 2008
阿米尔是个拥有190000人口的城市，在这个城市的很多地方，都设有宠物农场。在‘den Uyl’公园曾经有一个宠物农场，但在上个世纪80年代的时候被烧毁，只留下混凝土结构的地基。在2005年初，70F事务所受阿米尔市政府的委托，在原址上重新设计了一个新的宠物农场。该建筑于2008年末竣工，建设基金来源于社会各界捐款。
设计师设计了一个木结构体块，上层建筑有一个开敞的立面系统，通风环境良好。建筑一半是固定的，另一半包括厕所，储藏室和二层办公储藏室。固定的一半没有二层空间。纵向穿行建筑，你会通过左侧的宠物区，右侧是栅栏。这个建筑没有门，但是有六个百叶窗一样的结构，两个为公共准备，四个为宠物准备。
Most city parts of Almere, a city with almost 190.000 inhabitants, have a petting farm. In the den Uyl park there used to be one, but it burned down in the early 80s, leaving only its concrete foundation. Early 2005 we were commissioned by the municipality of Almere to design a new petting farm on the exact location and the remaining foundation. The building was finally built using almost only sponsored money, and finished late 2008.
We designed a wooden box with an open facade system for the upper half of the building, allowing the wind to ventilate the whole farm continuously. Half of the building is stable; the other half consists of toilets, storage and on the second floor an office and storage. The stable itself has no second floor. As you walk lengthways through the building, you will pass the animals that are contained to the left and to the right behind fences. There are no doors in the building, but there are six shutters, two for the public on the short ends of the building and four for the animals, two on either long side of the building.
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http://www.jianzhu01.com/B1007300453.htm
观景塔
原 名 称：Viewing Tower
占地面积：约100平米
Footprint: appr. 100 sqm
在荷兰，有超过50处的地方在地图上被标注为娱乐性田园景区出发点。人们把车停在这里，开始通过徒步，骑山地车，骑马等方式接触自然，探索自然。在荷兰小镇Reusel，由一个当地体育商人提名构建了这样一个户外运动乐园。
这是一个高25米的塔楼，有着诸如攀岩和索道速滑等的体育项目，这些都是主要的吸引点。这座塔包括6个立方体，以一个混凝土圆柱体为核心排列悬挂。
其中有2个立方体是可到达的。第3个立方体是启动平台下滑的高绳轨道。最顶端的立方体，人们可以一览周边全景，同时也是索道速滑的平台。住在邻近酒馆的人们可以观察到运动员在13米高的攀岩墙上攀爬。
In the Netherlands over 50 spots are marked on the map as starting points for recreational use of the rural landscape. People are encouraged to park their cars at these locations instead of at other, more preserved, areas. From here they can explore nature by foot, mountain bike, horse etc. In the small town Reusel, the nomination motivated a local sports merchant to found an outdoor sports park.
A tower, 25 meters high, with sport facilities like climbing and abseiling is the main attraction. It consists of six cubes, hanging on a core of steel columns.
Two of the six cubes are accessible. The third one is the start platform for a rope slide and a high rope track. In the top box people can enjoy a panorama view of the surrounding landscape and there is a starting platform for abseiling. The athletes on the 13 meters high climbing wall are observed by visitors of the adjacent bistro.
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http://www.jianzhu01.com/B1007300452.htm
千禧公园麦当劳自行车中心
原 名 称：McDonalds Cycle Center at Millennium Park
业主：芝加哥城市运输部
项目：300辆自行车，自行车修理和停车场，芝加哥自行车警察局 便携式咖啡厅 自行车租赁
项目面积：1486平米
成本：3000000美元
Client: City of Chicago Department of Transportation
Program : parking for 300 bikes / bike repair and parts shop / showers and lockers / Chicago bicycle police station / portable cafe / bike rental
Project Area: 1,486 sqm
Budget: US $3,000,000
该项目有3层空间，位于芝加哥千禧公园东北角。项目包含300个自行车安全存储空间，独立锁扣区，私人展销厅和自行车修理区。这座新的自行车中心是为鼓舞芝加哥市民使用自行车往返而建。该建筑同样涵盖了芝加哥湖滨地带自行车巡逻以及小时租赁业务。
This project was constructed on three levels on top of and below the northwest corner of Chicagos Millennium Park. The facility includes secure storage space for 300 bicycles, individual day use lockers, private shower stalls, and a bike repair area. The purpose of the new facility is to encourage and promote commuter bicycle transit into downtown Chicago. The building also houses the Chicago lakefront bicycle patrol and rents bikes for hourly use.
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http://www.jianzhu01.com/B1007300451.htm
北方俱乐部冬季花园
原 名 称：winter garden at the northern club, Auckland
北方俱乐部冬季花园 winter garden at the northern club, Auckland
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http://www.jianzhu01.com/B1007300450.htm
迈克山高尔夫俱乐部会所
原 名 称：The Michael Hill Clubhouse
面积：1200平米
Area: 1.200sqm
这个 Michael Hill Clubhouse（迈克山俱乐部）就被优美的环境所环绕，因为它位于一个高尔夫球场，这个建筑就是高尔夫俱乐部的房子。Michael Hill Clubhouse 在新西兰的 Wakatipu Basin，即新西兰南阿尔卑斯所在地，这个建筑设计来自新西兰著名的建筑设计事务所 Patterson Associates。
通常的高尔夫俱乐部都是建造在球场的边界外的，与场地和环境没有呼应关系，Patterson Associates 将其重新定义。人们通常将这个建筑比作“Wedge”——一种高尔夫的特殊球杆，叫做沙杆或劈起杆，在杆头有更大的角度，后部设计得光滑，用作从沙坑处非常短而高的击球 。因为这个高尔夫俱乐部200吨的混凝土屋顶只使用了3个强健的钢架，屋顶采用了整合了供热以及声音系统设计的 GRC 板，屋顶从草地上探头露出，如同悬浮于清新的高山空气之中。不到1/4的建筑是露出在草地外的，诸如服务区之类都在地下室。整个建筑融入在高尔夫场地之中，草地一直延伸到屋顶，是球场的一部分，人们可以在上面开球。俱乐部的内饰是豪华的，丰富的材质应用。这个“ultimate Private Box”让宾客找到对运动、自然以及他们的客人的归属和亲密感。
Patterson Associates 的设计理念就是“belong naturally”（自然而然），如同自然塑造大地一样塑造建筑，土地是土地，木头是木头，石头是石头。“自然”也是我看到这个建筑几张图首先感受到的，或许其中有摄影以及环境的原因
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http://www.jianzhu01.com/B1007300449.htm
La Baita聚会厅
原 名 称：La Baita Lodge
总面积：30公顷
建筑面积：500平米
项目年限：2006
施工年限：2006-2008
Site Area: 30 ha.
Constructed Area: 500 sqm
Project year: 2006
Construction year: 2006-2008
At the Chilean South, 700 kilometers from Santiago, and 110 kilometers of the city of Temuco, towards the Andes Mountains, the Conguillío National Park is found at the bottom of the Llaima volcano. In the heart of the park, is located “La Baita”, a small meeting place for guests of an ecotourism center of the same name.
位于智利南部，距离圣地亚哥700千米，距离Temuco城110千米，面朝安第斯山脉，有一个Conguillío国家公园，它位于Llaima火山底部。在公园的中心部位，有一个名为“La Baita”的建筑，这是为这个生态旅游中心的游客准备的小型会客和聚会室。
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http://www.jianzhu01.com/B1007300448.htm
冰岛肯德基快餐店
原 名 称：Fast Food Restaurant - KFC / PK Arkitektar
业主：冰岛肯德基店
建筑面积：530平米
Design team: Pálmar Kristmundsson and Fernando de Mendonça
Consultants: VSB Engineers
Constructed area: 530 sqm
Project year: 2005
诸如肯德基这样的炸鸡快餐店都有其固定的设计模式。然而，建筑师在冰岛设计这个快餐店的时候，似乎并没有考虑到这个特别的位置和周边环境因素。在Keflavík，设计师旨在构建一个建筑可以打破之前的这些标准。
建筑整体是一个黑色的盒式建筑。外部以不光滑的黑色瓷砖包裹，垂直方向设置带状窗户，其中强调冷静和成熟的外观。
Fast food restaurants like Kentucky Fried Chicken are usually known for the standardized look. The architecture in these places seems to never take much consideration on the specific location and surroundings. In Keflavík the intention was to make a design that would brake with these aspects.
The building volume is a play with black boxes. The outside is clad with semi matte black tiles sparingly cut out for vertical ribbons of windows, which underlines the cool and sophisticated appearance.
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http://www.jianzhu01.com/B1007300447.htm
瑜珈馆
原 名 称：Yoga Deva
项目面积：260平米
Project Area: 260 sqm
瑜珈是创建一种内部系列空间，将来访者每天对外部视觉环境条件的感知转换成一种原始的动力。该瑜珈馆座落在一个商业区内，周边是沥青停车场，有一些非原生植被装饰，所有建筑几乎没有任何区别。这个新的室内环境提供了一种建筑上的连续和对外部典型建筑的明暗搭配，同时为游客准备了实践和沉思冥想的空间。
Yoga Deva (deva is a Sanskrit word, meaning deity) creates an internal sequence of spaces whose primary impulse is to remove the visitor from the exterior visual environmental conditions in every way. Sited within a commercial condominium complex, the building is surrounded by asphalt parking, minimal planted islands of non-native decorative vegetation, and other buildings that are nearly indistinguishable from one to the next. This new internal environment offers an architectural and sequential chiaroscuro to the external strip-mall type reality and prepares the visitor for practice of inward meditation and contemplation.
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http://www.jianzhu01.com/B1007300446.htm
ArenA个性餐厅
原 名 称：Restaurant in Villa ArenA
ArenA个性餐厅 Restaurant in Villa ArenA
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http://www.jianzhu01.com/B1007300445.htm
泡泡游客中心
原 名 称：Bubbletecture H
日本建筑师远藤秀平新作泡泡游客中心
由日本建筑师远藤秀平设计的第二个“泡泡筑（Bubbletecture H）”在位于大阪与广岛之间的一个山间揭开面目，这个与自然完美融合的游客中心再次展示他一贯提倡的“非组合建筑”的空间解构美学。
远看像几个巨大的泡泡，近看却有着钻石一般的精致切面，这就是日本建筑师远藤秀平（Shuhei Endo）的最新作品：泡泡游客中心（Bubbletecture H）。这个坐落在大阪和广岛之间一个山区里的球体建筑，从远处看恍若飘落在林间的气泡，从近处看则似从红土里伸展出来的岩石，总以一种满是自然气息的情状，吸引过往行人注目。这个形象地表达自然界生态平衡系统的游客中心，旨在让来访者从踏入这个地方时就领悟到环保的重要意义，而这样的设计是出自建筑学或环境科学还是几何学的灵感呢？反正你能想到的都在里面。
这个面积968 平方米的“泡泡房子”由三部分组成，一个演讲厅（可作剧场），一个会议室，还有一个书店（可作画廊），三个球体之间贯通连接，仿佛即将汇合的水滴。其中两个球体建在较为平坦的山路边，另一个则顺着山坡的走势“悬浮”于地上，所谓“悬浮”是指它并没有直接打地基建在地面，而是靠16 根直径1.5 米的混凝土柱子支撑起来，与另两个球体的水平高度保持一致的同时，又减少对土壤和地貌的破坏。
任何人都会觉得如果“泡泡”的表面换成闪闪发光的玻璃一定会更惊艳，但设计师却摒弃了这种“山谷珍珠”的效果，用木材和锈钢做材料，让建筑与大自然紧密贴合。木材选用日本当地的雪松原木，原木被捆扎成一块块的三角形再用钢架串联起来，这种材料的应用以及整个建筑的球型结构带来了良好的通风效果，正好弥补了小窗户的不足，充分考虑到透氧性，同时因为没有横梁，令整个空间显得异常开阔，少了压抑感，而屋顶的储水系统可用来收集雨水作灌溉之需，处处皆有环保。建筑外壁选用经过处理的锈钢（rustedsteel），厚度只有1.2 毫米，却能抵抗风雨侵蚀。原木墙壁和锈钢外壳都是事先在工厂做好，以避免现场施工对周围环境的影响。锈钢的颜色与大自然相当吻合，不显疏离，在建筑外壁的角角落落都看似不经意地种上了苔藓和草皮，来加强整个建筑与自然环境的和谐。
其实Bubbletecture H 还有一个兄弟，那就是远藤秀平在六年前建的被命名为“泡泡筑”的Bubbletecture M，是现代建筑史上很有代表性的作品。非常擅长设计与自然结合的建筑的远藤秀平提倡“非组合性建筑”，即建筑应该是一个完整的个体，而不应由各种墙体、梁柱等分割成各自独立的功能区，所以远藤秀平的作品总是不断尝试新的材料，将各种材料融为一体，空间也都没有生硬的分割，各建筑组合构件之间的界限相当模糊，这也是他所定义的“半建筑风格（halftecture)”，他也因此而被称为建筑解构主义者。
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http://www.jianzhu01.com/B1007300444.htm
葡萄牙银杏树酒吧
Tiago Rosado建筑师在葡萄牙设计了Portimo的这个酒吧。最初，它只是假定的一个池畔酒吧，但是完工后的空间却比想象的要大的多。
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http://www.jianzhu01.com/B1007300443.htm
赌场站
原 名 称：Station Casinos
Las Vegas, Nevada
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http://www.jianzhu01.com/B1007300442.htm
2000年明星大道
原 名 称：2000 Avenue of the Stars
Los Angeles, California
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http://www.jianzhu01.com/B1007300441.htm
美国电影学会银剧院和文化中心
原 名 称：AFI Silver Theatre and Cultural Center
Silver Spring, Maryland
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http://www.jianzhu01.com/B1007300440.htm
英联邦基金会酒店酒廊
原 名 称：The Foundation Lounge
Boston, Massachusetts
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http://www.jianzhu01.com/B1007300439.htm
北京老胡同建造“泡泡”建筑物
设计师MAD最近在北京的老胡同里完成了一个泡泡系列建筑作品，该建筑外表圆润如金属泡泡；放置这些泡泡的胡同，被称为泡泡胡同32号。
在２００６年威尼斯建筑双年展期间， MAD的城市概念作品＜北京２０５０＞首次亮相于威尼斯个展MAD IN CHINA中。其中如同水滴一样散落在北京老城区的胡同泡泡，在三年之后，开始出现在位于北京老城区的北兵马司胡同３２号的小院里。
＜北京２０５０＞描绘了三个关于北京城市未来的梦想——一个被绿色森林覆盖的天安门广场，在北京CBD上空漂浮的空中之城，和植入到四合院的胡同泡泡。经济发展所推动的大规模城市开发，正在逐步逼近北京传统的城市肌理。陈旧的建筑，混乱的搭建，邻里关系的变迁，必要卫生设施的缺乏，导致这种原本美好安详的生活空间变成了很大的城市问题——四合院正在逐渐成为了老百姓的地狱，有钱人的私密天堂，游客们的主题公园。
面对这种源自城市细胞的衰退与滥用，需要从生活的层面去改变现实。并不一定要采取大尺度的重建，而是可以插入一些小尺度的元素，象磁铁一样去更新生活条件、激活邻里关系；与其他的老房子相得益彰，给各自以生命。同时这些元素应该具有繁殖的可能，在适应多种生活需求的基础上，通过改变局部的情况而达到整体社区的复苏。由此，世代生活在这里的居民可以继续快乐地生活在这里，这些元素也将成为历史的一部分，成为新陈代谢的城市细胞。
出人意料的是，这种微观乌托邦的理想，在展览的三年之后便开始出现在了北京的四合院里。第一个<３２号泡泡>是一个加建的卫生间和通向屋顶平台的楼梯，它看上去仿佛是一个来自外太空的小生命体，光滑的金属曲面折射着院子里古老的建筑以及树木和天空；让历史、自然以及未来并存于一个梦幻的世界里。
胡同泡泡真正的城市理想是把北京的古城与每个人的梦想连接在一起， 在大刀阔斧的城市巨变中，我们必须重新思考北京长期的目标和想象力在哪里。也许我们可以把目光的焦点从那些大型的纪念碑式建筑移开，而开始关注人们日常生活的改善和社区生活的重建。
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http://www.jianzhu01.com/B1007300438.htm
Cowshed酒吧
原 名 称：Cowshed
119Portland Road，London，United Kingdom
2006
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http://www.jianzhu01.com/B1007300437.htm
cafe la miell咖啡馆
原 名 称：Cafe la Miell
由Suppose Design Office设计的Cafe La Miell位于日本新居滨(Nihama)的中心地带。旧的Cafe La Miell咖啡厅座位有限，不足以容纳大量的客人。因此，客户计划在街对面建一栋可容纳80个座位的新的Cafe La Miell楼，周围有更多的停车区域，同时更希望这栋新的建筑可以成为此区域的一个地标。
新的咖啡厅为错层式设计，一层位于地下一米处，另一层与街面平行，这种设计也是客户所要求的。建筑的横梁由钢和混凝土柱子支撑，形成了一种空间和结构对话的格局。外部梁砖上铺的鹅卵石与周围景观相呼应，同时映衬出了建筑独特的外形。
Located in Niihama in Ehime, Japan, the Café la Miell lacked the space needed to accommodate the number of daily customers. To combat this shortcoming, the client wished to open a new café across the street that would be able to hold 80 customers. To create the new Café la Miell, Suppose Design Office utilized the one meter drop of the site so that instead of having a standard two story café, as the client requested, the café would become a split level space with one floor at the buildings base level, and one at street level.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2009092310404342_12.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300436.htm
日本花窗餐厅
原 名 称：Tori Tori Restaurant
项目面积：629平方米
设计年限：2008
施工年限：2010年
Location: Mexico City, Mexico
Project Area: 629 sqm
Design year: 2008
Construction year: 2010
墨西哥建筑师Rojkind Arquitectos和工业设计师 Hector Esrawe为墨西哥一起设计了一家日本餐厅。
Considered one of the best Japanese restaurants in Mexico City and due to its remarkable success, Tori-Tori is now moving to a bigger location in the same area of Polanco, Mexico City, where Architect Michel Rojkind and Industrial Designer Hector Esrawe teamed up to make it happen.
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http://www.jianzhu01.com/B1007300435.htm
图森餐馆
原 名 称：Restaurant Tusen
类型：度假休闲类
CategoryHoliday
LocationRamundberget, Sweden
Architect Murman Arkitekter ab, Stockholm, Sweden
WAF Entry2009
该餐馆位于Helags和Skars山的滑雪场附近，是由当地桦树原木建造而成。斯德哥尔摩总部的Murman Arkitekter承担了餐馆的设计工作。圆形的构造使得餐馆稳固得令人难以置信，能够抵抗瑞典冬天那严酷的气候条件。即使是凛冽的寒风袭来，在其背后，一个备受保护的庭院持续着它的温暖。此餐厅荣获了假日类别奖。
The restaurant is situated in Ramundberget on a small hill where the tree line meets the mountains.
The building finds its place between slow growing birch trees, brooks and rocks. A location that emphasises the buildings relation to the nature, summer and winter. From this site you have a wide view over well-known mountains in Sweden as Helags and Skars. You see no other buildings from the site where you have easy access to the ski slopes.
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http://www.jianzhu01.com/B1007300434.htm
发型设计沙龙
原 名 称：Hairstyle Interface
这个发型设计沙龙位于城市繁华的购物中心附近的一条宁静的街道上，设计师对其外立面进行了翻修，为了吸引更多的顾客。
整体外观现在作为一个有效的招牌，通过三维建筑波浪式结构沿外立面而建。同时，这个充满活力的设计满足了另一个重要的功能：垂直，它像一对玻璃幕墙沿立面而建，提供了一定程度上的隐私，从而符合美发厅的性质和气氛。
For the redevelopment of the façade of the Hair Couture Salon, which is situated in a quiet side street near the busy shopping axes of the city, the function of the hairdresser’s was to be transferred to the exterior to attract attention.
The entire façade now acts as an effective store sign through a three-dimensional architectural (hair) wave which runs along the exterior. At the same time, this dynamic design fulfils another important function: vertically, it runs like a curtain over the glazed façade, offers a degree of privacy, and thus supports the atmosphere and the cha racter of the salon.
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http://www.jianzhu01.com/B1007300433.htm
河北石家庄蓝郡会所
项目规模·建筑面积3500平方米
这个3500m2的建筑是为一个20万平方米社区配套的休闲会所，位于社区的西南角，两面紧贴市政路一面与社区内住宅面对，一面相连，会所自己的安静和社区的安静的需求同时摆在面前，“挡”和“自”成为一个必须的手段，而面对城市大环境，建筑的造型和表皮材质的选择被列为重要同题。渐变彩色陶板的朴素气质和稳健的属性最终被定为外立面材料的首选，在造型方面，结合现场的环境需求和陶板的工艺要求，最终完成了外观混圆微微反光的综合面貌。有时不需要道理的漂亮，在这个时代很重要。建筑的内部要求必须是奢华的，常见的各项娱乐功能也要齐全。在大堂，我们将两种大理石月水切割工艺处理，拼出了绚丽的“地毯”，有些发展到墙和柱子上，部分延伸到了室外广场，固为开发商在这时看起来绝对不能是个小气鬼。
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http://www.jianzhu01.com/B1007300432.htm
“明暗”投影咖啡店
原 名 称：Coffee Shop + Shading Surface
该项目位于葡萄牙里斯本郊区Sacavém镇的一条道上，属于城市限制性规划。项目设计到三个问题，现在只解决了两个。拟建楼宇有幸成为公共场所，在建筑物之间起到决定性作用，而在这之前这些建筑都准备被遗弃和没有公共资格。
This intervention is part of an urban requalification plan for one avenue at Sacavém, on the outskirts of Lisbon, promoted by Loures City Hall. Our project held three interventions, but only two were completed. The proposed buildings had the common goal of playing the decisive role at the qualification of public spaces in between buildings, formerly abandoned and disqualified.
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http://www.jianzhu01.com/B1007300431.htm
连云港大沙湾海滨浴场
连云港是中国海岸线中部正在崛起的一座海港城市，基地位于连云港北部连岛度假区的东海岸。这片“江苏省最好的沙滩”面积不大，但在夏季高峰时每天吸引2万名泳客。我们的设计为不断增加的客流量提供了新的更衣设施，餐饮，酒廊，健身中心，娱乐及住宿场所。
这座建筑朝东面向太平洋，由3块搁置在沙滩后方山坡上的“Y”型板体组成。板体之间的叠层和退台将来自南侧入口的人流引导到不同的楼层，并为所有楼层提供了壮丽的海景视线。“Y”型板体的上下斜坡形成了多样化的户外开放空间，为不同的功能空间提供了交流的机会。这些80–120米长的板状建筑与自然界的山坡和海浪同时建立了尺度上的关系，并表达了这座城市崛起的雄心。
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http://www.jianzhu01.com/B1007300430.htm
埃米利奥餐厅
原 名 称：RESTAURANT EMILIO Y C
面积：1500 M2
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http://www.jianzhu01.com/B1007300429.htm
安托卡西诺娱乐中心
原 名 称：CASINO ENJOY ANTOFAGASTA
面积：11000 M2
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http://www.jianzhu01.com/B1007300428.htm
波士顿BanQ餐厅
原 名 称：BanQ
项目面积：446平方米
Project Area: 446 sqm
波士顿BanQ餐厅位于一家古老的银行建筑底层大厅，酒店分为两个部分，前部分位于华盛顿大街上，是一个酒吧，酒吧后边是酒店餐厅。
餐厅空间用暖色调的木头和竹子做的条纹，对整个空间起到了视觉放大的效果。条纹地板，家具及吊顶共同营造出一个引人瞩目的餐厅。
Located in the old Penny Savings Bank, Banq is a new restaurant located at the base of the old banking hall. Divided into two segments, the front area on Washington Street is programmed as a bar, while the larger hall behind serves as the dining area.
Below the ceiling, the functional aspects of a dining space are fabricated with warm woods and relaminated bamboo amplifying the striping affect already at play throughout the space. Striations of the ground, the furnishings, and the ceiling all conspire to create a total effect, embedding the diners into the grain of the restaurant.
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http://www.jianzhu01.com/B1007300427.htm
孟买Tote餐厅
原 名 称：The Tote
Serie建筑师事务所的Chris Lee和Kapil Gupta将一个孟买殖民时代的废弃建筑改造成这个叫Tote的宴会厅和酒吧。场地被茂密的雨树所覆盖。树木宽大的叶子为建筑物提供了常年遮蔽，使得大部分的新活动都能在室外进行。
受雨树的启发，新结构系统在创造出色美学形象的同时也覆盖了大片空间。整体结构设计成钢树式样，其挑战在于如何将整个建造流程与当地的技术相结合。整个建筑施工体系不是采用钢材弯曲技术，而是采用高温预热成型技术已达到高水平的施工精度。
Chris Lee and Kapil Gupta from Serie Architects have converted a disused building from Mumbais colonial past into a banquet hall, restaurant and bar called The Tote. The site was covered with mature rain trees whose wide spread leaves shaded most of the spaces throughout the year, permitting almost the entire new program to occur outdoors.
Inspired by these rain trees, a new structural system creates a stunning aesthetic that runs throughout the space. Designed as a steel truss, the challenge lay in working through the construction system compatible with local skills. Rather than looking at steel fabricators within the building construction sector, the architects sourced boiler fabricators for high precision work.
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http://www.jianzhu01.com/B1007300426.htm
敦州岛餐厅
甲方 深圳市规划局滨海分局
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http://www.jianzhu01.com/B1007300425.htm
清华科技园会所装修
甲方 清华科技园
1500平方米
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http://www.jianzhu01.com/B1007300424.htm
儿童户外壁炉
原 名 称：Fireplace for Children
在这个标准的操场上，我们希望建造一个封闭的空间，在这里孩子们可以生火，讲故事以及玩耍。
因为预算非常有限，所以只能使用周围建筑工地中的剩余材料来建造这个户外壁炉，因此建筑的设计以短木件为基础。这个建筑的设计灵感来源于挪威的一个草坪小屋和旧式的原木建筑，它的尺寸为5.2x4.5米。木制结构由80个圈组成，每个圈由28片松木构成，松木与松木之间形成了自然的缝隙，自然的光线透过这些缝隙进入到空间内部，整个的木制结构看起来像是一个烟囱。户外壁炉有一个双层的曲线形滑动门。
The office was invited by the municipality of Trondheim to suggest an outdoor project for a kindergarten. Although the region is ch aracterized by predominantly maritime climate and the weather varies considerably throughout the seasons, there is a popular saying ‘there is no such thing as bad weather only bad clothing, and all seasons are equally attractive to the Norwegian children that enjoy outside activities all year round.
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http://www.jianzhu01.com/B1007300423.htm
巢蜂餐馆
原 名 称：Honeycomb
建筑面积：1300平方米
预算：18650欧元
Building area: 1,300 sqm
Total floor space: US $18,650
蜂巢里的客人是谁？目标客人是单身年轻人或是夫妻。主要20-35岁。有很多包厢吗?
在中国，人们喜欢和朋友与家庭一起吃。“蜂巢”位于一个商业建筑内，其中包括剧院、商店和溜冰场等。在周末很多夫妻和家庭在这个建筑中活动，餐馆里有很多包厢容纳这些人。
特色菜和亮点：
盘子看起来像是被蜜蜂包围的花朵，与室内设计的主题呼应；具经过精心挑选，以适应室内设计。 椭圆形的碟子放在桌子上象花一样；有的项目，如标志，菜单餐厅，休息筷子，餐巾，名片，工作人员制服，火柴，雨伞，板是专门设计的。
The target of guest in Honeycomb?From young family to couples. Mainly for people from 20 to 35 years old.
Are there a lot of private rooms (VIP room)?People like to eat in group such as with friends or family in China. Honeycomb is located in a commercial complex building that includes a movie theatre, shops and a skate rink etc.
In the weekend, there are a lot of couples and families in this complex.This restaurant has a lot of private rooms to accept those people.
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http://www.jianzhu01.com/B1007300422.htm
克拉克码头
思邦建筑设计公司在亚洲的首个大型项目是对新加坡克拉克码头水岸区的全新改造，以吸引游人和当地居民重返具有历史意义的水边胜地。这一耗资8800万新加坡元的大型综合项目由凯德置业开发，旨在增加商业和休闲活动，将克拉克码头水岸区重新打造为生机勃勃、魅力无限的场所。该项目的成功得益于建筑师对于场地微气候的独特处理，通过新颖的精密凉棚和冷却系统，为码头周围和街道提供了绝妙的可观赏性和生态平衡。
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http://www.jianzhu01.com/B1007300421.htm
拉科鲁尼亚社区中心
原 名 称：CENTRO SOCIAL Y DEPORTIVO CAROL URZUA
面积2373 M2
RAIMUNDO LIRA ARQUITECTOS
2008
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http://www.jianzhu01.com/B1007300420.htm
板栗树上的Takasugi-an茶馆
原 名 称：akasugi-an
茶室是建立在板栗树干上，从附近的山上砍伐，运送到现场。只能通过一个独立的梯子到达。传统上的茶艺大师建立自己的茶室，Fujimori设计了自己独自使用的茶室。室内使用石膏和竹席。茶室名字的意思是“高处的茶室”。Terunobu Fujimori是学者也是建筑师,他认为，此茶室是“绝对个性的设计”。茶室极其紧凑，只有4个席子的面积（2.7平方米）。地板只有2个席子的面积（1.8平方米）。如此小的空间似乎是一个人身体的延续，好像一件衣服。
The tea house is built atop two chestnut trees, cut from a nearby mountain and transported to the site, and is accessible only by free-standing ladders propped against one of the trees. Following the tradition of tea mas ters, who maintained total control over the construction of their tea houses, Fujimori designed and built the structure for his own use. The interior is covered with plaster and bamboo mats. The name Takasugi-an means, “a tea house [built] too high.”
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http://www.jianzhu01.com/B1007300419.htm
Nu Asia餐厅
原 名 称：Nu Asia Restaurant
Nu Asia餐厅(Nu Asia Restaurant)
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http://www.jianzhu01.com/B1007300418.htm
密西西比蓝色餐厅
原 名 称：Mississippi Blues
项目面积：167平方米
Project Area: 167 sqm
密西西比蓝色餐厅是一家位于旧金山菲尔莫尔爵士区的灵魂食物餐厅。就像潺潺流过的河水一样，这里有着蜿蜒的餐桌缓缓流过整个空间——来餐厅的人们就像一家人一样围坐在一起吃饭。餐桌的上方用黄铜色小管作为照明和声音装饰。墙壁上是酒柜，另一侧是开放式厨房，为来此就餐的顾客准备，可以边吃边观看出厨艺表演。
Mississippi is a soul food restaurant in the Fillmore Jazz District of San Francisco. Like the river， a single table meanders through the space – here everyone sits around and eats as a family. Oxbows and curves allow parties to cluster. Above the table is an echo of brass pipes that cast light and deflect sound. One wall is the bar， the other an open kitchen with seating for diners to watch the theatre of cooking.
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http://www.jianzhu01.com/B1007300417.htm
终极木屋
占地面积：89，3 平方米
建筑面积：15，13 平方米
设计年份：2005-2006
建造年份：2007-2008
这个由原木搭建的小屋是Sou Fujimoto建筑事务所的作品。
如果说木建筑仅仅是由木材制造，并通过其特性构造而成的一个“让人们居住的所在”，那 么，终极木屋（Final Wooden House）可以说超越了木建筑的这种一般意义。在满足建筑具体功能之前，它更是一个接近原始条件的存在。因此，与其说它是一座新建筑，不妨说是一个新起 点、一种崭新的生存方式。
日本熊本市山郊的一片密林中，隐藏着一个小小的木屋，它总是躲在绿色的后面，让人难以发现，只有偶尔的夜晚中透露出的点 点灯光才能将它暴露出来。小屋建成时间不长，却仿似在从这篇密林存在起就出现了一般，一切都是那样和谐。除非走进，没有人能够窥视其全貌，你只能在想象中 构造其外部轮廓，幻想它内部的温馨。它还有一种魔力，牵引你走进它，一探究竟。
这个作品对材料的处理是很新颖的，完全舍弃了木头的传统架构方法，虽然这种堆砌的方法有些浪费材料，但因为没对材料做过多处理，还可以作为原木再次使用。从功能性来说，我想不会有人愿意把它当日常住宅使用，做为临时的度假小屋或玩耍的地方还是能让人接受。
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http://www.jianzhu01.com/B1007300416.htm
Paladares大金塔餐厅
原 名 称：Paladares da Quinta Restaurant
面积：26500平方米
Area: 265，00 sqm
该餐厅和面包店坐落在一个由不同物种组成的古老的农场。该餐厅的主要目的是为来访的游客提供享受大自然的机会，让他们在此逗留的时候游玩尽兴。因此，建筑尊重了该地区的历史和现有物种，并且可以和周边的自然环境对话，与自然共同进化。
The restaurant and bakery is located in a farm composed of different arborean species of a certain age. Its main purpose was for the visitors to enjoy nature’s changeable and irreverent environment during their stay. For this reason， the area’s history and the existing species’ location was respected and a building was drawn so that it coexists and dialogs with its surroundings， allowing for the present and human experience’s concept and language evolution to be revealed.
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http://www.jianzhu01.com/B1007300415.htm
Cha Cha Moon餐厅
原 名 称：Cha Cha moon
英国 伦敦 Queensway Whiteleys
2009.2
面积：417平方米
Whiteleys， Queensway， London W24YN UK
2009.02
Restaurant
417m2
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http://www.jianzhu01.com/B1007300414.htm
寿安开化亭餐厅
原 名 称：KAIKA-TEI sou-an
2008 1
性质：餐厅
面积：378.40平方米
３-９＊２１，Chuou， Fukui-city， Fukui
2008.01
Restaurant
378.40m2
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http://www.jianzhu01.com/B1007300413.htm
SAKENOHANA餐厅
原 名 称：SAKENOHANA
英国 伦敦 圣詹姆斯街23号
2007 10
性质：餐厅
面积：680平方米
23 St James’s street London， UK
2007.10
Restaurant
680m2
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http://www.jianzhu01.com/B1007300412.htm
宝来温泉澡堂
原 名 称：Horai Onsen Bath House
2003 3
性质：公共浴室
面积：20平方米
Izusanhigashidani， Atami， Shizuoka
2003.03
extention of public bath
20.00m2
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http://www.jianzhu01.com/B1007300411.htm
Fujitsobo 美容院
原 名 称：Fujitsobo
占地面积：67.88平方米
施工面积：108.31平方米
Site Area: 67.88 sqm
Constructed Area: 108.31 sqm
这座美容院坐落在东京表参道地区，代表了这个大都市中心建筑的趋势之一。建筑有3个屋顶，用来引入室内自然光，可以直接进入底层空间，墙体上像裂缝一样的窗体结构，可透过玻璃看到外部街道。
This beauty parlor stands in the Omote-sando area of Tokyo， which represents one of the trend setting centers for this metropolis. The building has three roof openings which pours light into the interior and， which， by slit-like openings in the floor is led into the floors below， reaching the ground floor， which in turn can be seen from the street level through its large glass windows.
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http://www.jianzhu01.com/B1007300410.htm
VQ - VENTIQUATTRO RADISSON SAS酒店健身中心
原 名 称：VQ - VENTIQUATTRO RADISSON SAS
2008 6
设施：20层，153个公寓，休息大厅，宾馆，咖啡厅，零售，2个健身中心，3个游泳池
ubai， United Arab Emirates - Realized June 2008
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http://www.jianzhu01.com/B1007300409.htm
赫尔辛基海员中心
原 名 称：Helsinki Seafarers’ Centre
该地块是为赫尔辛基海员中心而设，位于Vuosaari海港的主入口处，靠近北边角落。事实上，该建筑物在整个海港地区是唯一一个囊括自然形式和元素的地方。作为海港地区唯一一个公共区域，建筑扮演的角色是作为一个暂缓的地方存在；这是一个小型的多功能建筑，为远行的海员们停港时候准备。
The plot for the projected Helsinki Seafarers´ Centre is situated by the main entrance to the Vuosaari harbour， on the northern corner of the area. In practice the building location is the only point in the whole harbour area that contains any natural forms and elements. As the only public building in the area， its role is to serve as a place of respite; a small multipurpose building for the seamen that arrive at the harbour form afar.
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http://www.jianzhu01.com/B1007300408.htm
乌德勒支Anansi儿童游乐园
原 名 称：Anansi Playground Building
荷兰阿姆斯特丹Mulders vandenBerk建筑事务所设计了这座最新的儿童游乐园，位于乌德勒支，这里有着来自世界各地的童话形象雕刻。该建筑的设计灵感来自于孩子们充满兴奋和刺激的好奇心和创造力。
该游乐场分为两部分。一部分供十几岁儿童玩耍，一部分供幼儿玩耍。室内空间分为三个游乐场地，根据明快的颜色，简单的家具及不同的元素而区分。
Mulders vandenBerk Architecten of Amsterdam designed this playground building in a park in Utrecht， the Netherlands， with a Corian façade engraved with images of fairytales from around the world. The idea of the building is to excite and stimulate curiosity and creativity of the children.
The pavilion splits the playground in two. One side is used by teenagers， the other by young children. The interior is divided into three separate playrooms featuring bright colors， simple furniture and elements to interact with.
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http://www.jianzhu01.com/B1007300407.htm
BIT Bogstadveien 快餐厅
原 名 称：BIT Bogstadveien
项目面积：150平方米
位置：挪威 奥斯陆 Bogstadveien 48
Project Area: 150 sqm
Location: Bogstadveien 48， Oslo， Norway
在挪威奥斯陆，BIT在很长一段时间内以其美味的三明治和烤乳酪馅饼而闻名，同样的，其装饰富有特征的开放式厨房以及室内设计，也是由快餐厅老板自己设计制作。
但是，在过去的一年里，BIT快餐想要改换一种新的身份，以更加友好和受到大众欢迎。因此，事务所与广告公司Dinamo合作，将其打造成为一个现代版本但又非常经典的欧洲小酒馆。设计师将焦点集中在英国和法国酒馆上，并且设法与奥斯陆当地酒馆风格相互结合。所有的家具类型，内部详细构造，都是在这一概念的基础上构建而成。
BIT-chain has been well known for a long time in Oslo for their delicious sandwiches and calzone， as well as for a cool industrial open kitchen interior design that the owner did himself.
But during the past year， BIT decided that they want a new identity that would be more friendly and welcoming. Together with an advertisement company Dinamo we developed a modern version of the classic European bistro. We had a focus on English and French bistros and tried to make a new fusion version for Oslo’s inhabitants- Norwegian bistro. All items of graphical profiling， furniture and details are built under this concept.
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http://www.jianzhu01.com/B1007300406.htm
日本荞麦面店
原 名 称：Noodle Shop
我们来自Abitare的朋友和我们分享了这家很酷的面条店，由ISSHO建筑事务所设计，位于日本东京中央区。这家荞麦面店，设计师应用了町屋式木百叶天窗，这是一种传统的日本联排住宅形式。每个天窗不同的深度构建出立面不同的质感。
Our friends from Abitare shared this cool noodle shop designed by ISSHO Architects with us. Located in central Tokyo， the ‘soba’ noodle shop has Machiya-style wooden louvers， invoking a traditional Japanese townhouse. The varying depth of each louver creates a textured sensation across the facade.
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http://www.jianzhu01.com/B1007300405.htm
Varshiva夜总会
原 名 称：Varshiva Nightclub
建筑面积：15400平方英尺
业主需要将一个老旧的俱乐部返修成一个更具吸引力的夜总会，因此设计师设计了这个Varshiva夜总会。在考虑扩建区域的时候，发现两株巨大的，长势不好的树。这两株树成为了该项目的设计核心，也成了室内外相互关联的纽带。
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http://www.jianzhu01.com/B1007300404.htm
Grijalva餐厅
原 名 称：Grijalva Restaurant
建筑面积：5896平方英尺
植物成为该项目设计的一个主题，现有3株树将作为设计挑战整合到了整个餐厅空间中去。设计师将这座老旧结构的住宅，翻修成一个百分之百的正在“成长”建筑。为了努力保留其中的一棵树，设计师最后决定将部分室内空间合并，并用其他4棵小型的橡树作为空间的补充。剩余的两颗尺寸较大的树，被构建成一个花园，与周边喧嚣的街道隔离。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2010031211244149_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010031211244149_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010031211244149_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010031211244149_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010031211244149_5.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300403.htm
美发沙龙
原 名 称：Lodge
总楼层面积：83.99平方米
Total Floor Area: 83.99 sqm
当设计师开始设计时，希望空间布局摆脱一成不变的陈旧模式，因此将一切常规感删除并引入新的空间理念是设计的关键所在。这家美发沙龙共有两个空间，一个开放一个封闭，这是为了满足顾客以及工作者的共同需求。建筑空间被镜子和架子分成三个部分，并没有使用传统的墙体分割。
When I design， I think about space without any stereotypes. To del ete the all common sense in my mind is a key for me to bring up new or beyond ideas of spaces.
The hair salon， Lodge， was designed through the process to remove the general ideas. The hair salon offers two spaces， one is close and the other is open， to meet demands both of customers and workers. The place is divided in three spaces with a mirror and shelves， and there are no walls just as dividers.
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http://www.jianzhu01.com/B1007300402.htm
Indemann了望塔
原 名 称：Indemann
项目面积：860平方米
预算：2500000欧元
设计年限：2004-2008
施工年限：2009
Project Area: 860 sqm
Budget: 2，500，000
Design Year: 2004-2008
Construction Year: 2009
在德国因登市，有一个褐煤露天矿，为了挖掘矿产，附近几个村庄都进行了全市范围内的整体搬迁。该矿目前占地面积4500公顷，开挖面积创造了一个不寻常的景观。这一幕在2030年之后将会改变，到时停止挖掘工作，因为该地块将成为一个水上运动及其他娱乐中心。因登市在这个位置竖立一个了望塔和里程碑，澳洲海事工会决定利用一个巨大的，36米高的机器人形状：Indemann。
In the municipality of Inden， in Germany， there is a brown coal open cast mine and in order to excavate the mineral resources several entire villages were relocated within the municipality. The mine currently covers an area of 4，500 hectares and excavation has created an unusual landscape. This scene will change after 2030 when the excavation work stops since the site will be transformed into a large area for water sports and other recreation called ‘Der Indische See’. The municipality Inden wanted to erect a watchtower and landmark at this location. MUA decided on using the shape of an immense， 36 m tall robot: the Indemann.
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http://www.jianzhu01.com/B1007300401.htm
Oceanscope观景平台
原 名 称：Oceanscope
总面积：350平方米
建筑面积：91平方米
Site area: 350 sqm
Building area: 91 sqm
建筑和室内设计师AnL工作室在韩国仁川的松岛新城设计了一个公共观景平台，叫做“Oceanscope”。整个观景平台由各种再循环利用材料构建而成，包括一些旧的集装箱在内。Oceanscope位于韩国最大的港口市之一仁川市，构建这个观景平台是由市长提出的建议，旨在为公共空间找寻废旧集装箱的再利用潜力，为这些丢弃了的集装箱找寻一种新的功能，并且可以和当地的田园风光融入一起。
Architecture+Interior Designers， AnL Studio(Keehyun Ahn & Minsoo Lee) have designed a public observatory deck， called Oceanscope， in Incheon， Korea made of recycled materials， including old shipping containers. OceanScope is an initiative from the Mayor of Incheon City， which has one of the biggest ports in Korea. OceanScope aims to find unused containers’ potential of practical re-use for public space and to provide the bleak containers with new functional aesthetics that can be assimilated within rural landscapes.
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http://www.jianzhu01.com/B1007300400.htm
Boca del Lobo餐厅
原 名 称：Boca del Lobo Restaurant
项目面积：258平方米
Project Area: 258 sqm
该餐厅位于厄瓜多尔基多。底层空间不仅是用餐的地方，同时也是一个平台，观景和休息的平台。从外看，餐厅由一个金属框架构成，一棵树嵌入其中，成为了这家餐厅的一个标志性景观。该项目对现有周边环境以及结构进行完全回收和在利用。
The intervention gives continuity to the restaurant and it is shown as a showcase to see and be seen. The floor works as the same time as platform， scenery and a place to sit. Outwards， a metal box frame the indoor activities that are crossed by an existing tree， a tree that becomes an object with an iconic presence. The project intensifies all the existing， as the tree， or recycles itself almost entirely.
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http://www.jianzhu01.com/B1007300399.htm
金沙湾乡村俱乐部会所
金沙湾乡村俱乐部会所
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http://www.jianzhu01.com/B1007300398.htm
Kinepolis电影院
原 名 称：Kinepolis
Ostend 2007
Kinepolis电影院位于奥斯坦德市中心，靠近皇家画廊和皇家温泉酒店以及跑马场。对建筑本身来说，是一次新的挑战。
In Ostend， the Kinepolis Group took on the challenge of building a new cinema complex in the city centre， near the Royal Galleries， the Thermae Palace Hotel and the racecourse.
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010042313250851_9.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300397.htm
另类观景台
人们总喜欢爬的更高、看的更远，但总归这需要一个落脚的地方。 当建筑和结构技术达到如今的水平时，各类观景台本身也成了一道 风景。来看看世界各地的另类观景台。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050609444246_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050609444246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050609444246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050609444246_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300396.htm
公园小建筑
这是一个小公园设施，位于分隔兵库县山峦的规划良好的地段。该设施由管理人员休息室和男、女盟洗室三个空间组成。
由波形钢板构成的圆柱形侧面伸展成几何学的轨迹，并尝试把这种轨迹作为一种建筑形式。
结构的内部和外部成为连续结构，使柱、梁等的建筑形式的限定和解除。这是一种开放和封闭并存的半建筑，显示了新的可能性。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050611314544_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050611314544_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050611314544_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010050611314544_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300395.htm
PANTAGES剧院
原 名 称：PANTAGES THEATER
Hollywood，CA
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http://www.jianzhu01.com/B1007300394.htm
Spectacles Jeux餐厅
原 名 称： Spectacles Jeux Restaurant
该项目位于一块空地上，旧时用作盐田，现在这个地方已经被破坏掉。餐厅靠近法国Salins-les-Bains博物馆，这个博物馆最近正在复建过程中。
2007年3月，这里发生了一起火灾，盐田上的主要建筑物被摧毁，包括一个餐厅，一个礼堂和一个棋牌室。很快的，这个事件被认为是一个整合这个地区的机会，增加了世袭的一致性。
This project is located in the space that was left free in the ancient saline， a place that was partially destroyed. It is situated in Salins-les-Bains near the museum， which is being restored (see the museum fact sheet).
In March 2007， a fire took place in the former and major building of the saline called « pardessus ». It included a restaurant， an auditorium and a gambling room. This event has been rapidly perceived as an opportunity to give a better unity to the buildings of the ancient saline， and to increase the coherence of the patrimonial and museum offers.
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http://www.jianzhu01.com/B1007300393.htm
国家公园中心
原 名 称：National Park Centre
面积：1780平方米
Project Area: 1，780 sqm
展览是在一处新的游客中心进行。这个国家公园的行政中心是一座古老的城堡建筑：有着坚固的大厅，休息室和研讨会办公室。
这座建筑从外部看来极端规整，可以这么说，没有任何的情感表达。室内空间以对立的法则出现：隐蔽和展示，沉重和轻盈，规则以及不规则性。
The exhibitions are held in the new visitors centre. The administration is in the old castle building; the hall， foyer and seminar space are in the stables.
From outside the new building seems extremely regular， it has no emotional expression， so to speak. The inner spatial development is the product of antitheses: of concealing and revealing， heaviness and lightness， regularity and irregularity.
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http://www.jianzhu01.com/B1007300392.htm
诺威奇大教堂餐厅
原 名 称：Norwich Cathedral Refectory
英国 诺威其
成本：315万英镑
面积：991平米
Norwich Cathedral Refectory
Norwich， UK 2004
value £3.15m
Size 991m2
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http://www.jianzhu01.com/B1007300391.htm
阿尼克花园馆
原 名 称：Alnwick Garden Pavilion
阿尼克花园馆
英国 诺森伯兰郡，阿尼克， 2006年
成本：720万英镑
面积：2000平米
lnwick Garden Pavilion
Alnwick， Northumberland， UK 2006
value 7.2m
Size 2000m2
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http://www.jianzhu01.com/B1007300390.htm
酒店公园
原 名 称：Inn the Park
酒店公园
英国 伦敦，圣詹姆斯公园球场，2004年
成本：500万英镑
面积：575平米
Inn the Park
St James' Park， London， UK 2004
value £5m
Size 575m2
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http://www.jianzhu01.com/B1007300389.htm
Naturum Laponia游客中心
原 名 称：Naturum Laponia
这是一个位于瑞士Laponia世界遗产地的游客中心。该建筑从地面上升，从侧面看有一个独特的外轮廓，使得游客中心一直蜿蜒连续到瑞典北部山区。建筑物的设计灵感来自于萨米人为他们的游牧民族生活而开发的再生材料及自然材料的使用。
Naturum Laponia， visitor centre for the Laponia world heritage area， weden.The building rises from the ground into a distinct silhouette that enables the visitor centre to both stand out， and connect to， the vast north Swedish mountain region. Construction is inspired by the use of natural and recyclable materials developed by the Sami people for their nomadic lifestyle.
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http://www.jianzhu01.com/B1007300388.htm
吉山茶室
原 名 称：Tea-house in Jishan
吉山茶室位于南京市江宁区一片风光秀丽的丘陵中，是为38幢小办公楼所组成的商务园区提供的配套设施。
茶室的设计结合基地的起伏地形，将一个小型变电站嵌入坡地内，在地面的可见部分则作为茶室使用。茶室由一道从主体建筑上出挑的外廊围绕，外廊或顺应地形，或远离地面，将原本地形的起伏经验以建筑的语言重新表达了出来。
这条外廊采用8mm直径的尼龙线作为外围护材料，其柔软和半透明特性所营造的与外部景观之间的朦胧情境是设计者对江南特质的一次当代描述。
http://www.jianzhu01.com/ColumnImages/ArticleImg10/2010052623490944_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010052623490944_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010052623490944_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg10/2010052623490944_4.jpg休闲商业建筑2010-07-30
http://www.jianzhu01.com/B1007300387.htm
西尾楼男孩女孩俱乐部
原 名 称：West End House Boys&Girls Club
西尾楼男孩女孩俱乐部
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http://www.jianzhu01.com/General-hospital1007300383.htm
医疗门疹大楼
医疗门疹大楼
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022711030045_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022711030045_2.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300382.htm
丹东第一人民医院
丹东第一人民医院
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008022810000148_10.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300381.htm
无锡市福利院
无锡市福利院
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008030409313038_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008030409313038_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008030409313038_3.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300380.htm
大连吉尔森国际医院
大连吉尔森国际医院是在大连市中心设立的综合性国际医院。以国际化医院功能分区及工艺流程为设计出发点，并充分考虑用地状况，及当地医疗体系及文化背景，与新的理念和元素有机结合，以期提高当地医疗设施水平。
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515353942_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515353942_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515353942_3.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300379.htm
广州市疾病控制预防中心
形态上采用塔楼与裙楼相结合。裙楼部分为三层门诊楼。塔楼部分为12层的综合业务楼，裙楼为门诊楼、附楼和实验楼。 综合业务楼与门诊楼，围合成相对内聚的空间，呈现出欢迎态势；三个实验楼平行布置，与综合业务楼扭转19度，与南侧规划道路平行，显示出其特殊性，有很强的标识感。理化检测实验楼、生物检验实验楼间距24米，生物检验实验楼、动物实验楼间距32米，满足生物安全准则。 综合业务楼谦虚后退，中心前形成开阔的广场，是对城市设计的完善，综合业务楼成为中心区建筑轮廓线的高潮。
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515365857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515365857_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515365857_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515365857_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300378.htm
廊坊国际医疗城
该项目计划在中国廊坊建立一家高水平的国际医疗健康中心，创建出一套全新理念的医疗健康设施规划服务管理模式，并把高水平医院设计规划和现代医疗管理相结合，设计着眼于提供国际上先进设计理念，将之有效的应用于建筑设计中，为业主提供优质的服务。
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515381130_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515381130_2.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300377.htm
深圳市疾病控制预防中心
疾控中心的建设与周围环境相融合，充分利用基地内地形的高差，将行政办公区设置在基地南部地势较低处，主导风向的上风口，实验区位于基地北侧地势较高处，主导风向下风口，培训及景观中心位于基地东侧，面临主要干道，创造一个优美的沿街景观。培训中心局部覆土，尊重自然环境。 建筑的整体外观设计：建筑整体采用多层形态，建筑高度不超过24m，业务楼沿道路方向布局，迎着主导风方向，有利于中庭自然通风；三个实验楼平行布置，与南侧门诊楼平行，三个实验楼的间距满足生物安全准则。
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515413551_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515413551_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515413551_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515413551_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515413551_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300376.htm
天津第一中心医院
新扩建工程根据医院及实验室建筑的特性，并结合现代化城市设计的理念，以简洁的几何构图强调整体形象，并适当考虑今后的发展余地，设计出一组新颖美观、高效便捷的现代化医用设施建筑群。
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http://www.jianzhu01.com/General-hospital1007300375.htm
天津疾病控制预防中心
新扩建的天津疾病控制和预防中心由 15,000平方米的应急指挥楼建筑群和8,000平方米的病原院实验楼组成。在借鉴国际先进的CDC设计理念并结合国内建设标准的基础上，采用模块化布局，并充分考虑实验室的安全性设计。前瞻高效、安全便捷，是本项目的设计目标。
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http://www.jianzhu01.com/General-hospital1007300374.htm
天津市中心妇产医院
天津市中心妇产医院位于天津市中心繁华地带，是一座集妇科，产科，女性康复为一体的现代化的妇产医院。根据用地东西向狭长的特点，方案在中间组织中庭空间，形成交通，功能，景观，绿化的轴线。它以医院街(MALL)的形式连接了医院的不同部分，并沟通了用地西侧的公共绿地和保留的复兴公—即原英租界时期皇后公园绿地，保持了城市景观的连续性，形成富有生机的医院内环境。通过该项目的实施，在解决好自身的交通，环境，功能的同时，将给该地区周围地块带来积极的影响和良好的互动交流。
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http://www.jianzhu01.com/General-hospital1007300373.htm
厦门圣玛利国际医院
由于厦门市天使妇女儿童医院(圣玛利医院)的重要地理位置，本设计在充分满足医院功能的同时，力求尊重城市规划，延续建筑文脉，创造一所提升厦门市松柏K小区整体空间形态的现代化妇女儿童综合医院。规划中充分尊重人文环境，利用轴线的强调地位，在建筑形态的选择上延续城市的建筑文脉。借鉴原有建筑造型特征，建筑形态上采用模块式的布局形式，并绿化环绕。创造空间丰富的、灵活多变的中国园林建筑空间形态。
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2008060515530256_6.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300372.htm
厦门市第二医院
本设计在充分满足医院功能的同时，力求尊重城市规划，延续建筑文脉，创造一所提升厦门市第二医院整体空间形态的现代化海景综合医院。
本项目规划中充分尊重人文环境，利用轴线的强调地位，在建筑形态的选择上突出海景、延续城市的建筑文脉。借鉴原有建筑造型特征，建筑形态上采用模块式的布局形式，并绿化环绕。创造空间丰富的、灵活多变的中国园林建筑空间形态。
形态上采用塔楼与裙楼相结合。裙楼部分为四层门诊医技楼，分布在整个新建用地的西侧，便于与老院区的联系。塔楼部分为 12层的住院楼，住院楼与原有综合病房楼相对，围合成相对内聚的空间，二栋塔楼在空间上形成了新老院区的对话，并成为本院区建筑轮廓线的高潮。
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http://www.jianzhu01.com/General-hospital1007300371.htm
燕达医院
该项目位于北京东部京哈高速路南侧（102国道旁），河北三河市燕郊开发区，距北京东三环29公里。项目总建筑面积为262,200平方米，规划建设总规模为1200张床位，老年医疗养护中心规划建设总规模为3000张床位。该项目旨在建成为一所具有国际先进水平的三级甲等综合性医院和老年医疗养护中心。考虑到用地条件和周边环境现状，根据医院和老年医疗养护中心的特点，把整个地块分为东西两个区域：东部为医疗区，西部为老年医疗养护中心区。方案充分考虑了医疗机构和老年养护的特殊性，力求满足现代化医院的功能要求，创造人性化老年养护社区。
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http://www.jianzhu01.com/General-hospital1007300370.htm
云南省传染病医院
由于受特殊的地理、环境、气候等自然条件以及经济、文化等社会因素的制约，云南省历来是全国各种传染病的高发省份之一。因此云南省传染病预防控制和急救治疗任务迫在眉睫。在此特定背景下云南省政府决定投资兴建云南省传染病医院 /艾滋病关爱中心。 该项目在设计上力求充分满足现代化医院的功能，且充分考虑目前的急迫需求形势、并为医院的发展留有余地。设计者利用特定的基地提出了最佳的规划方案设计，按现代化医院标准进行设计,并采用了先进的医疗设备，建筑系统和信息管理技术，以便提高整个医院高效率的医疗服务质量。
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http://www.jianzhu01.com/General-hospital1007300369.htm
中国国家疾病控制中心
国家CDC的规划设计以象征生命信息的基因组序图谱为出发点，最大限度的尊重基地自然环境，以合理的流线设计，将建筑群按使用功能及安全要求分区排布。总体布局强调建筑群内在的逻辑关系及空间秩序，力图以建筑的形式来传达生命的信息。
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http://www.jianzhu01.com/General-hospital1007300368.htm
萨拉托加通道退休会（Saratoga Passage Retreat）
主设计师：斯科特 艾伦 美国建筑师协会会员
位置：华盛顿，惠德贝岛 建于2008年
项目类型：住宅/公寓 正在建设中
LEAD ARCHITECT
Scott Allen, AIA (view bio)
LOCATION & YEAR
Whidbey Island, WA, 2008
PROJECT TYPES Houses/Apartments In Progress
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http://www.jianzhu01.com/General-hospital1007300367.htm
应急和传染病单位
原 名 称：Emergency and infectious diseases unit
Architect ：Arkitektfirmaet C. F. Møller in collaboration with
SAMARK Arkitektur & Design
建筑师：C. F. Møller建筑事务所和SAMARK建筑事务所合作
Landscape ：Arkitektfirmaet C. F. Møller
景观设计：C. F. Møller
Address ：Malmö， Sweden
地点：瑞典 马尔默
Size ：18000 m2 new building and 4000 m2 rebuilding
面积：18000平米新建筑，4000平米改建
Year ：2006-2011
建筑建筑年限：2006－2011
Competition year ：2006
参加竞赛年：2006年
Prizes ：2006 1st prize in international architectural competition
奖项：2006国际建筑竞赛一等奖
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http://www.jianzhu01.com/General-hospital1007300366.htm
Gentofte医院
原 名 称：Gentofte Hospital
Address :Gentofte
地点：丹麦
Size ：15000 m2
面积：15000平米
Year ：2006-2009
建筑年限：2006－2009年
Competition year ：2005
参与竞赛年：2005年
Prizes ：2005 1st prize in competition
奖项：2005竞赛一等奖
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http://www.jianzhu01.com/General-hospital1007300365.htm
辛辛那提儿童医院医学中心-自由校区总体规划
原 名 称：Cincinnati Childrens Hospital Medical
俄亥俄州辛辛那提
竣工年限：正在进行
占地面积：59英亩
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http://www.jianzhu01.com/General-hospital1007300364.htm
丹佛退伍军人管理局医疗中心
原 名 称：Denver Veterans Administration Medical Center
科罗拉多州 奥罗拉
竣工年限：正在进行
占地面积：31英亩
项目面积：1819545平方英尺
层高：4
Aurora, Colorado
Completion Year: ongoing
Site Area: 31 acres
Project Area: 1,819,545 ft
Number of Stories: 4
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http://www.jianzhu01.com/General-hospital1007300363.htm
西乃山科学和医学中心
原 名 称：Mount Sinai Center for Science and Medicine
纽约
竣工年限：2011
New York, New York
Completion Year: 2011
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http://www.jianzhu01.com/General-hospital1007300362.htm
杰西布朗退伍军人管理局医疗中心
原 名 称：Jesse Brown Veterans Administration Medical Center
竣工年限：2008
项目面积：52000平方英尺
建筑高度：170英尺
层数：8
Chicago, Illinois
Completion Year: 2008
Site Area: 52,000 ft2
Project Area: 253,000 ft2
Building Height: 170 ft
Number of Stories: 8
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http://www.jianzhu01.com/General-hospital1007300361.htm
郑州郑东颐和医院
原 名 称：郑州郑东颐和医院
郑州郑东颐和医院
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http://www.jianzhu01.com/General-hospital1007300360.htm
芝加哥大学医学中心新馆
原 名 称：University of Chicago Medical Center New Hospital Pavilion
2011
111483平米
Chicago, Illinois, 2011
111483sqm
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http://www.jianzhu01.com/General-hospital1007300359.htm
台湾疾病控制综合中心
原 名 称： Taiwan Center for Disease Control Complex
主要的策略，从大的尺寸方面来讲，是为了使得将公园和该地整体融合。该项目是朝向东南方的绿色长廊的延伸，同时城市东北部出现一个大广场。在场地内部，我们试图构建一个在建筑和周边空间之间的相互平衡，来协调工作空间和一系列庭院以及花园之间的相互联系，以促进科学家和研究员与自然之间的互动。
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http://www.jianzhu01.com/General-hospital1007300358.htm
乌尔姆大学门诊中心
原 名 称：ULM UNIVERSITY CLINICAL CENTRE
施工期限：2007-2011
占地面积：336.250平方英尺
总面积:740.826平方英尺
KSP ENGEL UND ZIMMERMANN ARCHITEKTEN
Period of realisation:2007-2011
floor space:336.250sq.ft
gross floor area:740.826sq.ft
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http://www.jianzhu01.com/General-hospital1007300357.htm
莱比锡大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE LEIPZIG
施工期限：2003-2009
WOERNER UND PARTNER
period of realisation:2003-2009
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http://www.jianzhu01.com/General-hospital1007300356.htm
核心医院
原 名 称：CORE-HOSPITAL
参赛日期：2004
占地面积：303432平方英尺
总面积：441160平方英尺
Competition period:2004
floor space:303432sq.ft
gross floor area:441160sq.ft
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http://www.jianzhu01.com/General-hospital1007300355.htm
德国NURTINGEN区医院
原 名 称：NURTINGEN DISTRICT HOSPITAL
施工期限：2007-2010
占地面积：199060平方英尺
总面积：407804平方英尺
HSP HOPPE SOMMER PLANUNGS GMBH
period of realisation:2007-2010
floor space:199060sq.ft
gross floor area:407804sq.ft
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http://www.jianzhu01.com/General-hospital1007300354.htm
爱尔福特门诊中心
原 名 称：ERFURT CLINICAL CENTRE
施工期：1996-2000
占地面积：302431平方英尺
总面积：631612平方英尺
ROSSMANN+PARTNER
Period of realisation:1996-2000
floor space:302431sq.ft
gross floor area:631612sq.ft
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http://www.jianzhu01.com/General-hospital1007300353.htm
米里茨医院
原 名 称：MURITZ HOSPITAL,KLINK
THOMAS SCHINDLER
Period of realisation:1995-1997
floor space:122169sq.ft
gross floor area:220525sq.ft
施工期：1995-1997
占地面积：122169平方英尺
总面积：220525 平方英尺
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http://www.jianzhu01.com/General-hospital1007300352.htm
新加坡国家心脏中心
原 名 称：National Heart Center in Singapore
Broadway Malyan是一个国际建筑公司，设在英国，欧洲，中东和亚洲，最近他们为新加坡国家心脏中心设计新的作品。这个医院是总体规划的一部分，他们还将用一种更加先进和科技环保友好的方式，重建Outram校园国家总医院。
Broadway Malyan事务所设计的十层医院规格以尽量减少病人的移动距离为主 。前6层是医院的活动区，包括实验室，器械室，外科，放射科等。7-10层，主要以免费病人和职员培训为主。
Broadway Malyan an international firm with offices in the UK, Europe, M iddle East and Asia, recently presented their design for the National Heart Center in Singapore. This hospital is a part of a larger mas ter plan that will redevelop the co untry s General Hospital Outram Campus in a more technologically advanced and environmentally friendly way.
Broadway Malyan s ten story hospital is formatted to minimize travel distances for patients. The first six floors house the active zone of the hospital, with labs, facilities for surgery, radiology, and similar programs. The upper part of the building, floors 7-10, focus on portions that are patient-free, such as facilities for staff training.
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http://www.jianzhu01.com/General-hospital1007300351.htm
儿童医院原型设计
原 名 称：Children s Hospital Prototype
Visiondivision建筑事务所是一个国际化的年轻的建筑公司，与我们分享了他们为卢旺达儿童医院原型设计竞赛准备的参赛作品。竞赛，以“为儿童设计”为标题，要求建筑师和设计师开发可持续的，响应文化的，东非儿科门诊。
该设计的概念是一个撑开来的倒伞形。伞充当医院的遮蔽元素，此外还收集雨水或露水供应医院清洁用水。在这个原型里，伞形元素用光感材料和钢铁表现。雨水收集设备位于中心，医院空间分布其周围。
Visiondivision an international young practice, shared with us their competition entry for a childrens hospital prototype for Rwanda. The competition, entitled “Design for the Children”, asks architects and designers to develop a sustainable, culturally responsive, pediatric clinic model for East Africa.
The concept for the prototype is an upscaled upside down umbrella. The umbrella serves as a shading element for the hospital in addition to gathering rainwater or dew to supply the hospital with clean water. In the prototype, the umbrella element is made from light felt and steel. The water gathering device is centralized and the hospital rooms are placed in clusters around the tank.
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http://www.jianzhu01.com/General-hospital1007300350.htm
药物学研究试验室
药物学研究试验室
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http://www.jianzhu01.com/General-hospital1007300349.htm
Asemic Scapes疗养院
原 名 称：Asemic Scapes
Asemic Scapes疗养院
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http://www.jianzhu01.com/General-hospital1007300348.htm
阿勒马克图姆事故和急诊医院
原 名 称：Al Maktoum A&E Hospital
来自Perkins Eastman的朋友给我们发来了阿勒马克图姆（迪拜皇室名）事故和急诊(A&E)医院，它是阿联酋最新最复杂的同类型医院。
迪拜卫生局及卫生署和医疗服务（DOHMS）机构选择了Perkins Eastman去设计一个先进的事故和急诊(A&E)医院，该医院能治疗各种级别的创伤。救护车区域直接联系手术室和诊断成像单（包括：MRI，CT和X射线）。医院有300床， 85,000种设施，5楼护理单位提供专门的治疗和手术。
Our friends from Perkins Eastman sent us their design for Al Maktoum Accident and Emergency (A&E) Hospital-the newest and most sophisticated Accident and Emergency Hospital of its kind in the UAE.
Chosen by the Dubai Health Authority and the Department of Health and Medical Services (DOHMS) to create an advanced A/E hospital, Perkins Eastman designed a facility capable of providing immediate care for minor- to high-level trauma. An ambulance receiving area is directly linked to a surgical trauma operating suite and a diagnostic imaging unit with MRI, CT, and X-ray capabilities. The 300-bed, 85,000 facility includes a large, five-floor nursing unit providing specialized treatment and care for patients recovering from surgery.
http://www.jianzhu01.com/ColumnImages/ArticleImg22/2009062911410050_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2009062911410050_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2009062911410050_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg22/2009062911410050_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300347.htm
裕廊综合医院设计竞赛
原 名 称：Jurong General Hospital Competition
Institution+Public Space
公共机构＋公共空间
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http://www.jianzhu01.com/General-hospital1007300346.htm
Champalimaud基金会研究所
原 名 称：Champalimaud Foundation Research Institute
Champalimaud Foundation Research Institute, Portugal
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http://www.jianzhu01.com/General-hospital1007300345.htm
杜克-新加坡大学医学研究院
原 名 称：Duke-NUS Graduate Medical School
杜克大学医学院和新加坡国立大学在新加坡中部的保健园区联合创立了美式风格的医学研究院,学校设计完成每年收生由50名增至100名医学系学生.2.3万平方米、10层高的建筑好似一个"垂直的校园",内部分为学术、研究和行政区.中庭的设计主旨是要促进协作和建立校园的核心,首层的图书馆和学术区以及上面研究楼层的项目负责人和博士后及博士研究生通过中庭获得便捷的联系.
The RMJM designed Duke-NUS Graduate Medical School (Duke-NUS), the first collaboration of its kind in Singapore between two of the worlds top higher education institutions – Duke University in the U.S. and National University of Singapore – was opened yesterday, September 28th, by the coun trys Prime Minister Lee Hsien Loong.
The new school building designed by international architects RMJM, will significantly boost the number of highly trained doctors in the coun try, demonstrating Singapore’s commitment to becoming a world leader in healthcare and biomedical research.
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http://www.jianzhu01.com/General-hospital1007300344.htm
新癌症康复中心
原 名 称：NORD Architects wins new healthcare center competition
丹麦年轻的NORD建筑师事务所赢得了丹麦哥本哈根新癌症保健中心的竞赛。该获奖方案依据康复建筑标准设计，同时采用了一个与传统康复惯例截然不同的美学形式。
该方案对醒目的建筑外轮廓和尺度进行了精心设计。同时该设计的每个小房子通过雕塑化的屋顶结构彼此相连，极具图案标识性。新中心设计了一个室内庭院、一些露台和主题花园，从而丰富了与周围景观的亲密关系。
The young office NORD Architects has won the competition for a new healthcare center for cancer patients in Copenhagen, Denmark. The winning design is founded by principles of healing architecture and at the same time it suggests aesthetics which are in contrast with that of a conventional health institution.
The design is an elaboration on the recognizable contour and scale of a house. At the same time the design becomes an iconographic building, as the small individual houses are interconnected by a sculptural roof structure. The building is enriched by the close relation to the surrounding landscape consisting of an inner courtyard, several terraces and themed gardens.
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http://www.jianzhu01.com/General-hospital1007300343.htm
阿波罗娜疗养建筑群
原 名 称：Abrona Care Cluster
位于谢朋泽尔（Scherpenzeel）的阿波罗娜疗养建筑群（Abrona Care Cluster）是一个专为残疾人朋友设计的住宅区。居民中有许多高度残疾人士并略有智力障碍。四个公共住宅区共有24个与乡村环境完美融合的住宅单元。
对于这样的居民来说简洁明了的房屋布局非常重要，应避免出现“死角空间”。任何设计都应最大限度地为住户提供方便，同时又不会给周边居民带来任何的不便。通过中控系统对居民采取必要的限制措施，这样居民现有居住环境使用状况得到确保。
交通的便利性与良好的居住环境密不可分。目标居住群体决定这些公共住宅区的类型（开放型、半封闭型或封闭型）及安装哪些生活设施。中心通道将公共住宅区相互连通。这样，居民可以很快地得到帮助，同时保证了居民和工作人员的安全。
许多大楼在建筑设计时都考虑了未来改扩建时的简易性与廉价性。这就需要最初的设计应具有精巧合理的结构及巧妙的服务概念。
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http://www.jianzhu01.com/General-hospital1007300342.htm
移动的医院
原 名 称：Mobile Hospital
所有卫生设施面积：55380平方英尺
入口大厅，等待室，礼品店：3015平方英尺
值班套房：5025平方英尺（包括男士女士淋浴套间，值班室，医生休息室）
咖啡厅，厨房和备餐室：4020平方英尺（不包括2190平方英尺餐厅）
急性护理住院服务：10050平方英尺（48个病床）
急救部：5025平方英尺（包括2个外伤包扎，8个急救护理病床）
药房部：1005平方英尺
行政部：2010平方英尺
实验室/放血：2010平方英尺
ICU套房：3015平方英尺（包括8个病床）
影像套房：5025平方英尺（包括核磁共振，CT扫描，X -射线）
外科套房：7035平方英尺
中央无菌室：3845平方英尺
公共走廊：2330平方英尺
Overall Healthcare Facility: 55，380 SF
Entry Lobby， Waiting， Gift Shop: 3，015 SF
On-Call Suite: 5，025 SF- includes mens and womens shower units， mens and womens on-call rooms， and a doctor’s lounge.
Cafeteria， Kitchen and Servery: 4，020 SF- does not include 2，190 SF dining patio.
Acute Care In-Patient Services: 10，050 SF- services 48 patient beds.
Emergency Department: 5，025 SF- includes two trauma bays， and 8 urgent care beds.
Pharmacy: 1，005 SF
Administration/Admitting: 2，010 SF
Labs/Phlebotomy: 2，010 SF
ICU Suite: 3，015 SF- includes 8 patient beds.
Imaging Suite: 5，025 SF- includes an MRI， CT Scan， Mammo.， and X-Ray (Radiology).
Surgical Suite: 7，035 SF- includes 4 O.R.s， 4 Pre-Op beds and 4 Recovery beds.
Materials Mgmt / Central Sterile: 3，845 SF
Ambulance Entry: 725 SF
Restricted Corridor: 1，245 SF
Public Corridors: 2，330 SF
这是一个新型的医院，由Hord Coplan Macht + Spevco设计团队设计，这个设计跟标准的医院模式不同。在这所医院设计中，58个拖车提供一套全方位的移动设施服务，共有48张病床。该拖车包括医院的方方面面：等候礼品店，4个手术室，药房和实验外科套房。
A new hospital typology has been designed by the team of Hord Coplan Macht + Spevco that eliminates the need for a standard hospital. In their design， 58 trailers provide a fully operational， fully mobile 48-bed hospital. The trailers include every aspect of a hospital – from waiting gift shops， to surgical suites with 4 O.R.s， pharmacies and labs.
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http://www.jianzhu01.com/General-hospital1007300341.htm
Knokke-Heist医院
原 名 称：Hospital
该医院占地20英亩。新的健康护理中心将包括一个医院，一个复原中心，一个门诊所，演讲厅，公共活动空间和直升机降落平台。
The grounds where the hospital will be built， is 20 hectares large. The new health care facility contains a hospital， a rehabilitation centre， a care hotel， an outpatients clinic， lecture halls， public events spaces and a helicopter landing platform.
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http://www.jianzhu01.com/General-hospital1007300340.htm
圣约瑟夫安老院
原 名 称：Sint-Jozef Residential Care
该安老院位于比利时Woumen，由于其功能，技术和安全原因，需要对其进行一次革新处理。BURO II建筑事务所赢得了这次概念设计竞赛，并且授予该项目新的开发设施，增加100张床位。
The residence and care campus Sint-Jozef in Woumen must be urgently renovated due to functional， technical and fire safety reasons. BURO II was the winner of the concept competition， and was awarded the project for the new development of facilities for some 100 beds.
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http://www.jianzhu01.com/General-hospital1007300339.htm
Hainburg看护之家
原 名 称：Hainburg Nursing Home
景观设计：Franz Grossauer， Gmünd
面积：3821平方米
Landscape design: Franz Grossauer， Gmünd
Project Area: 3，821 sqm
新建筑是一个双层结构，外立面用简洁的栅格形式表达——垂直安置在现有历史建筑之上。这具有双重效果：一方面，通过釉面联合的方式将新旧建筑相互连接；另一方面，形成了它前庭院的外观框架，同时在后庭院最大限度的保存了停车场和树木。
The new building’s volume – a double-storey， compact bar – is positioned perpendicularly to the existing historic building. This has a twofold effect: on the one hand， it only touches the old building punctually through a glazed joint， on the other hand it frames the exterior front yard while preserving a maximum of the park and trees in the back.
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http://www.jianzhu01.com/General-hospital1007300338.htm
Cedars-Sinai心电图研究中心
原 名 称：Cedars-Sinai Cardiac Imaging Research Center
Cedars-Sinai心电图研究中心是一个面积22000平方英尺的“智囊团”设施，旨在通过研究心电图，希望通过世界范围内的物理技术，能够更加清晰的观察心电图，构建创新诊断及医疗形态。新的研究中心将包括两个国际认证团队，临床和技术研究设备等。
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http://www.jianzhu01.com/General-hospital1007300337.htm
帕米欧肺结核病疗养院
帕米欧肺结核病疗养院，芬兰，1929-1933 Tuberculosis Sanatorium ，Pamio，Finland 建筑师：A、阿尔托 Architect：Alvar Aalto 这是芬兰建筑师阿尔托（1898-1976）早年的著名作品，疗养院位于广阔的树海中，设计者可以自由地布置建筑物，阿尔托把病人的休养需求放在首位，主体部分是7层的病房大楼，单面走廊，病室全部朝向东南；有良好的光线、通风与视野；连结的休息敞廊面向正南，其它服务、医疗、交通部分全放在大楼之后，便利使用而不干扰病人休养，建筑设计细致合理，造型清新明快，是北欧早期现代建筑的名作之一，有力的推动了现代建筑运动的扩展。
该文章摘录自中国电力出版社出版的《阿尔瓦·阿尔托的作品与思想》
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006021515264535_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300336.htm
圣卢克诊所塔楼
25层的圣卢克诊所塔楼是德克萨斯州艺术性的医疗机构和教学医院，跨越了市中心两条主要的大街。该设计照应着大厦前面的两条街道，这个八角形的塔楼重新定义了市区的环境，并改善了市区的医疗服务设施的面貌。该诊所塔楼也是乐观向上鼓舞人心的休斯敦地平线建筑群的重要的标志建筑之一。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/General-hospital1007300335.htm
克莱尔诊所大楼
该医疗大楼在克利夫兰医院绿地的东端。医院绿地是供医护人员和病人使用的一片开阔的空间。该大楼包括门诊部、住院部。这些设施在设计中被独立地安排，每个单元由两间大厅来区分。大楼朝西，可以在这里看到全市和医院绿地的美景。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/General-hospital1007300334.htm
凡托夫特养老院
凡托夫特养老院的结构宛如一个乡村，建筑群沿着社区弯曲的轴线而建。入口处是乡村广场和养老院管理处，往西有3幢二层的公共住宅和六个病房区，每个病房区有10间病房和一个公共活动室；往东有48套供服务人员使用的两室公寓，最东边是8套为重症残疾人使用的住房。整个建筑群呈扇形面朝南方，并设有户外场地。而公共住宅区拥有相对独立的户外活动场地并带有可燃篝火的群体活动空间。其设计特点是在平面上形成多个疏密适度的半围合式公共空间，但又各自独立。
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http://www.jianzhu01.com/General-hospital1007300333.htm
Kaiser Vallejo 医疗中心
SOM建筑设计事务所设计的Kaiser Vallejo 医疗中心（Kaiser Vallejo Medical Center）。
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http://www.jianzhu01.com/General-hospital1007300332.htm
东大医学中心住院
东京大学医学部附属医学中心(以下简称“东大医学中心”)住院楼,占地面积4,943平方米,建筑面积65,630平方米,钢结构(地下2、3层是钢筋混凝土结构),地下3层、地上15层,有塔楼3层,病床数为1,046床。东大医学中心位于日本东京都文京区的东京大学本乡校园内,总占地面积约41万平方米。
从第1期的中央医技楼(1988年竣工),第2期门诊楼(1994年竣工),直到最近建成的第3期住院楼(2001年竣工),东大医学中心花了近20年时间,完成了周期性改建。
建筑物的设计进行了如下尝试:
① 设立多数收容急性重病患者、恶性肿瘤末期患者的住院场所,为疑难病治疗研究及在临床中确立新的诊断、治疗方法的医疗人员提供研究教学的场所。
② 实现既适合急性期医疗又充满居住气氛的病房环境。
③ IT化(信息技术化),即引进医护人员使用的便携式终端,在病床周围可进行医疗信息、画像信息的输入和输出。
④ 完成中型自动搬运系统和物流式物品供给系统。
⑤ 研究探讨患者用餐的配餐过程和全自动电器厨房。在减少污染的同时,又可减少二氧化碳的排出量。
⑥ 可调节作业领域范围的开放式的医·护·职员工作站,建立起治疗和被治疗方之间最可接近的空间。
和医院主干道空间相接的住院楼一层大厅既是一个滞留空间又是一个功能转换的节点,在干道中引入市场和地理学的概念及要素,沿一侧布置了若干日常性的功能空间,如商店、餐厅、美容室、邮局等。它们和大厅一起构成了一个公共性的空间,改变了干道的单调气氛。
病房由单床间、2床间和4床间构成。一个护理单元是44床。一层有2个护理单元。单床间和2床间的窗口侧布置了一体式的浴室、厕所,里面还配有全自动便盆冲洗器和自动检尿装置。
改变过去护士站的概念和运作方法,建成了一个医生、看护、药剂师、营养师及相关工作人员相互协作、帮助,共同作业的开放式工作据点。运用设施管理的基本概念,对空间场所及使用的设备、物品进行数量化系统评价性设计。内容包括作业空间领域的自由组合；人流、物流的合理、便捷性的构筑；造型和生产的系统化关系；色彩在作业活动中的效率试算等。该方案使投资(家具、物品的制作)比其他方案节约了29.5%,同时提高3%的使用面积。
这个医学中心的建设,可以称为是日本最现代化的医疗建筑了。由于其各个方面的特征已经相继被日本多家有影响的杂志如《新建筑》、《近代建筑》、《病院建筑》、《病院》介绍。
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http://www.jianzhu01.com/General-hospital1007300331.htm
日本国彦根市立医院
日本国彦根市立医院—建筑面积约3万8千平米。工程项目的投资约1.32亿美元。该项目2002年4月竣工。荣获2003年全日本建设技术协会奖(建筑部门)。获奖理由主要有三个。首先是“与环境协调的外形和内观设计”;其次是“积极使用自然环境能源的设计”;最后是“采用保护周围自然环境的施工方法”。在环境世纪的今天，一个设计作品的评价，不仅包括设计内容本身，其建造的过程和方法也被列入评分项目。因为现在不仅要考虑最终产品这一结果，同时也要考虑到产生过程中的能源消耗和环境保护等与我们生存相关的问题。
若干设计主题的实践
1．自然环境能源的利用—屋顶面是由太阳能蓄电晶体板材构成。
2．建筑物侧面光影效果—尝试立面的剖面式表现。
3．建筑物全体的时代性—大悬挑的直升飞机平台是高度建筑技术的体现，并给建筑物表面以
雕刻般的光影效果。
4．公共室内空间的气氛—以清洁为主题的入口及门诊等待空间。
5．个人室内空间的气氛—以温暖、明快为主题的病房空间。其墙角设有被建筑化的立式医疗
设备控制调节板。
6．周围环境特征的借用—有广角镜式长窗的病房餐厅。不仅仅是医院的患者或职员，一般市
民也爱来此用餐。从这里可将日本最大的湖泊――670平方公里的琵琶湖一览无余。
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http://www.jianzhu01.com/General-hospital1007300330.htm
日本国立嬉野医院
日本国立嬉野医院改建·新建工程（建成案）
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http://www.jianzhu01.com/General-hospital1007300329.htm
帕米欧肺结核病疗养院
帕米欧肺结核病疗养院，芬兰，1929-1933 Tuberculosis Sanatorium ，Pamio，Finland 建筑师：A、阿尔托 Architect：Alvar Aalto 这是芬兰建筑师阿尔托（1898-1976）早年的著名作品，疗养院位于广阔的树海中，设计者可以自由地布置建筑物，阿尔托把病人的休养需求放在首位，主体部分是7层的病房大楼，单面走廊，病室全部朝向东南；有良好的光线、通风与视野；连结的休息敞廊面向正南，其它服务、医疗、交通部分全放在大楼之后，便利使用而不干扰病人休养，建筑设计细致合理，造型清新明快，是北欧早期现代建筑的名作之一，有力的推动了现代建筑运动的扩展。
该文章摘录自中国电力出版社出版的《阿尔瓦·阿尔托的作品与思想》
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006040215581649_1.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300328.htm
德丸儿童诊所
这座五层的多功能建筑按如下功能划分：一层是儿童画廊；二层是医疗诊所；三层为临床辅助科室及护理人员生活区；四层和五层为业主的家庭住所。此混合结构系统由下面三层混凝土结构和止面两层钢结构组成。这两种结构系统的使用，是以厚重的混凝土实墙和轻质的铝质屋顶来表现的。为了保护儿童的交通安全，业主还要求沿街砌一道独立式的混凝土墙。
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http://www.jianzhu01.com/General-hospital1007300327.htm
产科与儿科医院
这项产科与儿科医院设计，是莫尼欧的诸多代表作品之一，在这里他的研究重点从解决城市问题转移到建筑思想的探索上。这座医院是格雷格利欧医院的一个组成部分。
一个庞大的花岗岩露天广场，连接着这一超级区域内的素有传奇的新建筑。新的医院，事实上是一对互相呼应的建筑，占据着整个新街区。
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http://www.jianzhu01.com/General-hospital1007300326.htm
精品艺术博物馆
博物馆的这座新建筑，为收藏品提供了新的展览空间，它将通过一个地下的展览通道连接到原有的真实的博物馆。但是，这座新建筑完全没有原有的建筑语言，不能简单地称之为一个扩建工程。它坐落在城市的主干道上，这条街道连接着郊区和医疗中心，奥黛丽·琼斯·贝克大厦是座独立的建筑，是这里的一个分隔点。
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http://www.jianzhu01.com/General-hospital1007300325.htm
聖十字及聖和平醫院(Hospital de la Santa Creu i de Sant Pau)
1902年，多梅內切(Lluis Domenech i Montaner,1850-1923)開始設計新的市立醫院，構思完全創新，計劃包括花園中26座穆廸哈爾風格的分棟式建築。他厭惡龐大的病房大樓，堅信病人在新鮮空氣和綠意環境下的復原狀况較佳，因此銜接走廊和服務區皆隱於地下。
他也相信藝術和色彩具有療效，故不吝裝飾分棟病房：角樓屋頂飾以彩色磁磚，接待處飾有葛加悠(Pau Gargallo)的雕刻與嵌壁畫。
1930年大功告成時多梅內切已去世多時，由其子佩雷(Pere)接手完成。
交通：乘地鐵於Hospital del Sant Pau站下車前往是最便捷的方法
地址：Carrer de Sant Antoni Maria Claret 167
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http://www.jianzhu01.com/General-hospital1007300324.htm
帕米欧结核病疗养院
时间：1929～1933
地点：帕米欧
20世纪20～30年代，芬兰在医疗卫生设备方面有了巨大的进步。在国际医疗组织监督下，芬兰建起很多中央和地方性医院，肺结核疗养院和心理医疗机构如雨后春笋遍及全国。通常这些机构的服务对象是城镇、自治区以及一些地方性组织。
早在20世纪20年代初，阿尔托就开始关注这种公共建筑，例如阿拉耶尔维市立医院和珊纳特赛罗的老年人之家。那个年代，治疗肺结核研究的结果颇令人满意，新的医疗手段和设备使得这种可怕的疾病渐渐消声匿迹。在这些新建的医院中绝大多数是由JussiPaatela设计的。阿尔托只在一次医院设计比赛中获奖，那就是帕米欧疗养院，他也因此成为了国际建筑大师。在设计中，阿尔托把柯布西耶和格罗皮乌斯的激进与荷兰建筑师约翰尼斯?达克的思想结合起来，形成具有自己特色的设计风格。这位标准的功能主义者在设计中使光、空气以及阳光都尽量符合治疗肺结核病人的需要。
阿尔托认为治疗环境是医师和建筑师共同作用的结果，他们都对治疗起直接的作用。阿尔托总是把“小人物”的利益作为衡量建筑的标准。在设计中每一个细部处理都是从环境与生活出发，尊重医生的意见和心理学的研究成果，同时结合自己在医院的亲身体验。因此他在设计著名的帕米欧椅时没有
按照工业生产的标准或者审美的要求，而是从如何使病人的呼吸更顺畅更舒服的角度设定椅子的弯曲程度。
整个建筑依地势起伏铺开，与周围环境和谐统一。平面大致成长条状由通廊连接，各条之间不相互平行，表现出功能和自由结合的风格。最前排是病房，共七层，朝南略偏东，可容纳290张床位，每间病房住两人。公共走廊则朝北。东端是日光室和治疗区，朝向正南与主楼成一定角度。主楼屋顶是平屋顶，一部分作为花房。第二排建筑高四层，为了不受前排的光线遮挡，不与主楼平行，其一层为行政区，二三层为医务院，四层是餐厅和文娱阅览室。第三排是单层，设有厨房、锅炉房、备餐间和仓库等。整体采用钢筋混凝土框架结构，线条简洁。长条玻璃窗重复排列，形成干净简洁的韵律。最底层采用黑色花岗岩，和白色墙面形成强烈对比。阳台的玫瑰色栏板使得建筑简洁的线条充满跳跃的动感。室内采用淡雅的色彩，细节充分考虑到病人的起居需要，而不是单纯追求理想化和抽象化的造型模式，大大扩展了功能主义的含义。
1956年，在意大利的一个演讲中，阿尔托如此描述帕米欧疗养院：“建造这座建筑的主要目的是作为治疗的工具。治疗的基本条件之一是有一个完全安静和平的环境……房间的设计完全考虑到病人的感受：顶棚的颜色温馨；布置灯光照明时，避免病人在卧床时产生眩目；在顶棚上设置暖气；自然风通过高窗进入室内；水从水龙头里流出时没有噪声，确保不会影响到隔壁。”
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http://www.jianzhu01.com/General-hospital1007300323.htm
艾维利娜儿童医院
建造地点：英国，伦敦
建造时间：1999年
这是霍普金斯及其合伙人事务所设计的第一个医院。整个建筑最引人注目的是一个四层楼高的玻璃墙活动大厅。在这里可以进行各种活动，有咖啡厅、等待室、图书馆、小型电影院；这里还可以玩耍、上课、展览。这是整个建筑的心脏，从这里还可以远眺旁边风景优美的朗伯斯宫花园和公园。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072013575246_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072013575246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072013575246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072013575246_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300322.htm
卡尔特养老院扩建
卡尔特养老院扩建
建造地点：英国，伦敦
建造时间：1994—2000年
这个养老院得名于建于1371年的卡尔特修道院，此修道院后来辗转改建成了救济院、学校等，现在是养老院。这一地区保存了500多年来的各种建筑。霍普金斯扩建的任务是两栋独立的建筑物，它们挡住围墙和庭院的西南角，使庭院形成一个封闭的空间，并和周围的建筑物保持协调一致。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006072014352049_9.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300321.htm
犹太养老院
建造地点：英国，伦敦
建造时间：1993一1996年
这是一座位于伦敦北部郊区的乡村旅馆。规则的长方形建筑有四层高，中间围出一个庭院，这样的设计具有较高的经济性和可操作性，并且提供了非常好的社区交流空间。底楼提供各种公用服务设施，包括理疗设施、水疗设施、康复治疗中心、厨房、洗衣店、咖啡厅、图书馆、办公室等。上面三层是几乎完全相同的卧室。这个建筑成为乡村养老院的一个模型。
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http://www.jianzhu01.com/General-hospital1007300320.htm
零售及门诊大楼
零售及门诊大楼作为两个建筑，是一个汉城大公司机构综合规划项目的一部分。它体现着法雷尔一贯的设计理念，即建筑与环境的协调统一。
该建筑用地位于汉城Nonhyon—dong地区的一个山坡上，同期还有库哈斯、努韦尔、马里奥博塔参与规划的其它建筑——博物馆、体育馆——的设计。该项计划希望创建一个集艺术、健身、商业、零售和休闲于一体的场所。
其中诊所大楼是该公司内科、神经科医疗中心的附属机构；而零售商业建筑是作为一个多功能商业中心而设计，在这里既可以展览一些艺术品，也可以出售韩国艺术家及专业人员的原创作品。
这两栋建筑位于整个场地的最前端。作为整个场地的入口，法雷尔把它设计成了一种门的形态。零售大楼的立面被做成了一个广告牌的形式，四层镶嵌玻璃的墙壁将内部开敞的展室与斜直的过道暴露出来；而诊所的形态被设计成了阶梯式，不仅与地形相适应，还与山顶的建筑形成了呼应，同时，可上人的绿化屋顶以其独特的形式形成了一个舒适的公共空间并且还造就了一个通往山顶建筑的引导空间。
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http://www.jianzhu01.com/General-hospital1007300319.htm
Kyoritsu综合医院(Kyoritsu General Hospital "Minato Medical Cooperative Society)
Kyoritsu综合医院(Kyoritsu General Hospital "Minato Medical Cooperative Society)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081509044657_9.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300318.htm
大阪中央医院(Garden City Towers)
大阪中央医院(Garden City Towers)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081510454032_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300317.htm
岸川整形外科医院(Kishikaawa Orthopedic Surgery)
岸川整形外科医院(Kishikaawa Orthopedic Surgery)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006081610433633_10.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300316.htm
布尔多纳（BRETONNEAU）老年人医院(Bretonneau Hospital for Geriatric Treatment)
布尔多纳（BRETONNEAU）老年人医院(Bretonneau Hospital for Geriatric Treatment)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006090510314143_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300315.htm
北大医院第二住院部
北大医院第二住院部
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http://www.jianzhu01.com/General-hospital1007300314.htm
卡姆登医疗中心(Camden medical Center)
卡姆登医疗中心(Camden medical Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006091508522556_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300313.htm
Twisted schinkel (towards a new typology of art consumption)
Twisted schinkel (towards a new typology of art consumption)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006092113411557_25.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300312.htm
地中海医院(A mediterranean hospital for the generation zero(med))
地中海医院(A mediterranean hospital for the generation zero(med))
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http://www.jianzhu01.com/General-hospital1007300311.htm
阳光医院重建(sunshine hospital redevelopment)
阳光医院重建(sunshine hospital redevelopment)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100814381634_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100814381634_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100814381634_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100814381634_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100814381634_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300310.htm
心理咨询空间(consultation space for a psychologist)
心理咨询空间(consultation space for a psychologist)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100916580230_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100916580230_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100916580230_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100916580230_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100916580230_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300309.htm
妇女儿童医院 (shiddhartha children and women‘s hospital)
妇女儿童医院 (shiddhartha children and women‘s hospital)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100917400754_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100917400754_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100917400754_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100917400754_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006100917400754_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300308.htm
痴呆门诊部(dementia clinic)
痴呆门诊部(dementia clinic)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101117291552_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101117291552_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101117291552_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101117291552_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300307.htm
社会福利综合护理院(saitama prefectual university of nursing and social welfare)
社会福利综合护理院(saitama prefectual university of nursing and social welfare)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101214531431_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101214531431_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101214531431_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101214531431_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300306.htm
养老院(day-care centre for the elderly)
养老院(day-care centre for the elderly)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101215363551_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101215363551_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101215363551_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101215363551_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101215363551_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300305.htm
雪松西奈山癌症综合中心
作为一所医疗建筑，雪松西奈山医院提出了很多必须的要求：24小时门诊部要与现有的地下放射治疗设施结合在一起，公共和私人区域要有明显划分，各科室的诊断、治疗和咨询的活动场所要有良好安排等等。
因为地下状况的独特性，建筑师把重点放在建筑的内部，尤其是照明。按照项目标准的要求，主要病区都被安置在地下7．3m(约24英尺)的地方。屋顶高13．7m(约45英尺)，可通过半筒状拱顶的天窗照明。光线的射入因为分层以及分割开的墙体得到了加强。癌症中心的另一个主要空间是化疗室的中庭，侧面是一个单独的治疗室，接受化疗的病人的隐私通过这样可以得到保护。方形的嵌入式窗户在筒状拱顶的天窗外起到照明作用。整个中庭里惟一露在地面上的部分就是这些窗户，通过它们，美丽的户外景色一览无遗。
这个项目得到多方面的批准才得以实施，包括加利福尼亚州、洛杉矶市、医院集团、病人代表和医院董事会。它的设计给病人带来了生存的希望和战胜病魔的决心。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101613145348_11.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300304.htm
火葬场太平间(mortuary at asker crematorium)
This small building is a dignified addition to Asker crematorium and chapel, which were designed in the 1950s by celebrated Norwegian architects Eudolf Blakstad and Herman Munthe-Kass. The mortuary consists of two rooms, one for ceremonies and receiving the coffin and one for the preparation of the body, both of which open on to a courtyard. A small entrance area links the new mortuary to the old building. The entire construction is of loadbearing masonry. The ceremony room has a brick vault, with horizontal concrete slabs used for the rest of the construction, to resist the forces from the vault. Interior brick surfaces which are exposed to water are clear-glazed, producing an uneven grey colour from salts in the clay. Floors are of ground concrete, and doors and window-frames are of oiled pine. Light-fittings are of sandblasted stainless steel. Outside, a wild cherry tree planted in the court will eventually provide a roof of branches. Both the exterior and interior of the complex are simple and restrained, a necessity arising from their small size which, but for the simplicity and precision of joints and surfaces, would become oppressive. Without using any of the familiar forms and symbols of sacred architecture, this quiet building provides fitting surroundings for final farewells.
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101616502938_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101616502938_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101616502938_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101616502938_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300303.htm
alborg南方医院教堂(alborg south hospital chapel)
The firm of Friis & Moltke is legendary in Danish architecture. Founded in 1957 by Knud Friis and Elmar Moltke, the practice gave rise to a school of Danish architecture that was influenced by Japanese design and British New Brutalism. The interaction of landscape and building was always vital to the firm‘s work, and, although the original partners are no longer at the helm, rustic modernism still holds sway. This hospital chapel provides a return to a more intimate scale for the practice, and therefore a return to its roots. Built in the tradition of northern European Protestant sacred spaces - cool, white and rendered - its form is very simple. The exterior is a hermetic white triangle, containing a serene courtyard occupied | largely by a calming pool of water, along with some trees. There are views out through louvred openings, but mostly this is a space for contemplation, almost like the work of Japanese architect Tadao Ando in its restraint and natural references. Internally, the chapel is rectangular, with one glowing wall of semi-opaque glass to the right of worshippers. The altar is lit naturally from above, and hexagonal lamps hung from the double-height ceiling provide artificial light. This is a modest project in some ways, but achieves remarkable clarity and beauty through an experienced restraint.
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101716580550_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101716580550_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101716580550_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101716580550_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006101716580550_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300302.htm
癌症中心医院(maggie‘s cancer caring centre,ninewells hospital)
The first building completed by Frank Gehry in the United Kingdom, and one ot his smallest commissions, Maggie‘s Dundee is a therapy centre for cancer patients, built in the landscaped grounds of Dundee‘s Nmewells National Health Service Hospital. It is the second centre to be built from a list of ten commissions from signature architects including Zaha Hadid and the Richard Rogers Partnership. This single-storey building‘s roof of irregular folded plates reflects the surrounding hills and is constructed from laminated timber, finished in stainless-steel shingles with a soft matt finish. All the Maggie‘s centres are intended ‘to help people affected by cancer address the impact of the disease on their lives‘. The building contains little more than a common room, a kitchen, a dining room and a library, with a family room upstairs in the rendered and white-painted tower. The curving glass facades look out over the Firth of Tay, creating pools of warm daylight on the interior surfaces. Gehry donated his design services for the building as a personal tribute to Maggie Keswick Jencks who set up the charity before she died of breast cancer in 1995.
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http://www.jianzhu01.com/General-hospital1007300301.htm
LEONARD MORSE医院（LEONARD MORSE HOSPITAL AND ITS OFFSPRING）
Leonard Morse Hospital in Natick, Massachusetts, and the five healthcare projects presented with it were some of the first projects completed by our firm. They set a tone of architectural invention in the context of our New England practice, which sought to infuse contemporary design with a regional character. (We might call it "Yankee Modernism.") The work is distinguished by a simple, spare material palette of exposed concrete, mahogany, and glass. The use of the concrete frame allows for flexible interior layouts and the ability to expand the building either horizontally or vertically. These six projects also reflect a new sensibility in hospital design, one centered on the experience of the patient.
LEONARD MORSE HOSPITAL Leonard Morse Hospital‘s goals are to better serve a growing population and to accommodate the skills of local doctors, many of whom also practice at nearby Boston teaching hospitals. We were retained for master planning and a major renovation and addition to the hospital.
The hospital‘s New England site is heavily wooded, with irregular terrain and an exposed ledge. It made economic and aesthetic sense to use the more level parts of the site for parking and to fit the multilevel hospital addition into the ledge, with a link to other functions in the converted existing buildings.
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http://www.jianzhu01.com/General-hospital1007300300.htm
JORDAN医院(JORDAN HOSPITAL)
Jordan Hospital sits amid historic Plymouth, site of the first permanent European settlement in New England, and now a fishing and tourist center with ship-related industries and cranberry-packing houses. The new hospital addition with its expressive concrete superstructure gives Jordan Hospital a commanding presence, shifting the building‘s center of gravity to the new main entrance. The addition is carefully sited across a rolling hill, its saw-toothed layout containing patient rooms with views toward Plymouth Bay.
The building‘s inner life is expressed on the facades, and the structure derives from its configuration. Projecting concrete overhangs and vertical fins provide summer shading for this south-facing addition. Wards are raised on concrete piers, freeing the area beneath for vehicular circulation and the major public entry.
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http://www.jianzhu01.com/General-hospital1007300299.htm
JOSLIN糖尿病研究中心(JOSLIN DIABETES FOUNDATION /MEDICAL RESEARCH FACILITY)
The Joslin Diabetes Foundation is dedicated to improving the lives of people with diabetes and its complications through innovative care, education, and research that will lead to prevention and cure of the disease. The planning objective of this project was to meet immediate and long-term needs. Designed and constructed to accommodate three additional floors in the future without interruption to daily operations, the building integrates healthcare and research within a tight urban site.
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208503642_9.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300298.htm
HOULTON地区医院(HOULTON REGIONAL HOSPITAL)
This new hospital, sited in a potato field in Maine‘s Aroostook County, is the culmination of a long effort to merge the strengths of two small hospitals in the town into one large healthcare institution.
A major design determinant was the harsh winter climate. Temperatures often dip to as low as -40°F for days. For protection, the building was conceived as an "inside-out refrigerator," with insulation wrapping it like a parka. The "light-house" floor‘s high color bands visually tie the building wings together and make a striking counterpoint to the rolling fields of green or blankets of snow.
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006110208521833_12.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300297.htm
雅典地区体检中心(ATHENS REGIONAL MEDICAL CENTER)
The development of a master plan for Athens Regional Medical Center takes the form of a family of projects. These projects restore the hospital‘s main entrance to historic Prince Avenue (the old Atlanta Highway) and integrate it with the Athens neighborhood.
A new tower addition to the north wing includes a 24-bed ICU complex above an LDR/intensive care nursery. Other spaces include a Physical Therapy/Occupational Therapy department, a ground floor coffee/ gift shop, and a new linear accelerator suite. A new Substance Abuse Treatment Center (SATC) is located in a renovated brick veneer garden apartment building south of the hospital, which once housed nurses and interns. The new center contains space for recreation, dining, meeting, counseling, administration, new fireproof sleeping units, and a detox unit.
The east end of the hospital now includes a new emergency department with separate entrances for ambulances, walk-ins, and outpatients. Adjacent existing spaces were remodeled for imaging, endoscopy, and cardiac catheterization.
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http://www.jianzhu01.com/General-hospital1007300296.htm
约翰斯·霍普金斯医院门诊中心（THE JOHNS HOPKINS HOSPITAL/OUTPATIENT CENTER）
The intent of the master plan was to integrate land west of Broadway with the original hospital site, doubling the size of the campus and placing historic buildings at its center. Materials found in the original buildings—red brick, gray-black mortar, and stone trim—are brought to the west campus. The facades, walls, and fences along Broadway and McElderry streets extend the foreground for the three original buildings.
As developed, the Outpatient Center occupies an area west of Broadway directly across from the original hospital. It is divided into two wings in order to reduce the mass of a large building. The Broadway Wing contains related research space and faculty offices, and the McElderry Wing provides the outpatient clinics. Entry to the complex is from Caroline Street to the west. The McElderry turnaround allows access to the McElderry garage, the Outpatient Center, and the new pedestrian mall that is on axis with the dome. Patients simultaneously see the front door, a place to park, and how the two are connected. The covered walkway from the garage to the Outpatient Center first extends an internal concourse through the McElderry Wing,
then reaches under Broadway (where one can enter the Hopkins Metro station), and finally rises via escalators between the Dome and Wilmer Buildings to connect to the hospital‘s existing concourse system.
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http://www.jianzhu01.com/General-hospital1007300295.htm
红十字会总部(red cross headquarters)
This headquarters building for the Red Cross is part of the reconstruction plan for the city of Armenia following the 1999 earthquake, and consolidates the centre of the neighbourhood, relating it to the existing institutional buildings on the block. The project was placed to one side of the site, creating two access points so that the centre of the block can be reached via a square used for public events, with access to a theatre. The building itself is entered through a gate nine metres (30 feet) high, and accommodates new consulting rooms and laboratories for the Red Cross, as well as two training rooms. The plan is split into two areas connected by a covered central space from which a ramp originates, linking the ground and first floors. A blood bank and training room are located at ground level, and medical consulting rooms with another extra training room on the first floor. The building has a rigid steel-frame structure, reinforced by external cladding of beige concrete screens which stiffen the building against seismic activity, as well as giving solidity to its outer appearance, in keeping with the architectural context of the neighbourhood.
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http://www.jianzhu01.com/General-hospital1007300294.htm
HENRIETTA D. GOODALL医院(HENRIETTA D. GOODALL HOSPITAL/AMBULATORY SURGICAL UNIT)
This addition to a 1920s hospital in rural Maine includes an underground ambulatory surgical unit and a new entrance lobby. The project is part of a larger plan that shifts the main entrance from the side of a nondescript 1960s addition back toward the geometric center of the campus. The new addition works to heighten the importance of the original 1920s-era structures, recapturing the symbolic heart of the campus.
The sculpting of form to bring light into the patient spaces is the central theme of the design. The existing below-grade location of the surgical suite and the need for an immediately adjacent ambulatory surgical unit called for an innovative approach to give the building an above-ground presence and to bring natural light into patient recovery rooms.
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http://www.jianzhu01.com/General-hospital1007300293.htm
退役军人体检中心(VETERANS AFFAIRS MEDICAL CENTER AMBULATORY CARE ADDITION AND RENOVATION)
Located on the outskirts of Providence, this project‘s immediate surroundings include residential and industrial buildings. The existing Medical Center is a seven-story brick building with several rambling additions, woven together by meandering circulation routes. The new design creates a hierarchy of circulation, providing a clear sense of entry, accessed by a new arrival sequence from the major road that bounds the site.
A new drive leads to a two-story entry pavilion clad in pre-oxidized copper panels. Visually separate from the rambling brick masses of the hospital campus, the contemporary use of the material suggests the time-honored tradition of using copper cupolas, domes, and dormers to announce the entry to important civic and collegiate buildings. The addition‘s hilltop location and prominence provide a distinguished entry without resorting to a symmetrical composition.
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http://www.jianzhu01.com/General-hospital1007300292.htm
剑桥医院设计方案(CAMBRIDGE HOSPITAL/R.E.A.C.H. PROJECT)
The Cambridge Health Alliance, dedicated to community health, is a unique model that integrates public health, clinical care, training, and research. Cambridge Hospital, the core facility of the alliance, was a traditional city inpatient hospital with its last major update in the 1970s. The growth in programs for ambulatory care, teaching and research, outreach to community health, and the need to integrate these programs into an expanded community network were a mismatch with the existing infrastructure.
The Renewal and Expansion As a Center for Community Health (R.E.A.C.H.) shifts the focus of the hospital‘s program from inpatient care and diagnostics to one more fully centered on ambulatory and emergency service.
The scope of work includes a new wing for all ambulatory services, a new emergency department, and a new main entrance with a completely new campus landscape. A new addition to the inpatient tower connects two isolated wings, allowing staffing flexibility and additional beds. Parking problems were solved with a four-story underground structure.
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http://www.jianzhu01.com/General-hospital1007300291.htm
退役老兵体检中心(VETERANS AFFAIRS MEDICAL CENTER/AMBULATORY CARE ADDITION)
The existing Medical Center, a 14-story white metal-panel-clad tower, was built in the 1950s adjacent to Boston‘s Frederick Law Olmsted-designed Emerald Necklace and a low-scale neighborhood of primarily residential brick buildings. Scattered institutional buildings have brick perimeter walls that also face the main street edge. The design solution reorders the entire campus by placing the addition along the primary street wall and improving pedestrian and vehicular access. A new turnaround/drop-off/pick-up area is now located centrally among the four major buildings of the complex with the medical center tower to the upper left of the site, a new parking deck on the upper right, a hostel on the lower right, and the new ambulatory care building on the lower left of the site. The turnaround is the intersection of two tree-lined axes, which provides a new visual order to the campus.
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http://www.jianzhu01.com/General-hospital1007300290.htm
退役老兵体检中心(VETERANS AFFAIRS MEDICAL CENTER/AMBULATORY CARE ADDITION)
The existing Medical Center, a 14-story white metal-panel-clad tower, was built in the 1950s adjacent to Boston‘s Frederick Law Olmsted-designed Emerald Necklace and a low-scale neighborhood of primarily residential brick buildings. Scattered institutional buildings have brick perimeter walls that also face the main street edge. The design solution reorders the entire campus by placing the addition along the primary street wall and improving pedestrian and vehicular access. A new turnaround/drop-off/pick-up area is now located centrally among the four major buildings of the complex with the medical center tower to the upper left of the site, a new parking deck on the upper right, a hostel on the lower right, and the new ambulatory care building on the lower left of the site. The turnaround is the intersection of two tree-lined axes, which provides a new visual order to the campus.
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http://www.jianzhu01.com/General-hospital1007300289.htm
健康科学中心(health sciences center)
The decision to move the University of Colorado‘s Health Sciences Center (UCHSC) from a cramped urban location to a former United States Army medical base has become the catalyst for creation of a $5 billion biomedical research park in Aurora, Colorado. Research Complex I is one of the first components of that move—a 600,000-squore-foot facility slated to open in 2004.
In building Research Complex I, UCHSC‘s goal is to continue to enhance its position as a nationally prominent research institution. Fentress Bradburn, working in association with Kling Lindquist of Philadelphia andGPR Planners of Purchase, New York, has designed a complex that encompasses two interconnected buildings: one 1 2 stories high, the other 9 stories. The two feature articulated aluminum and glass curtainwall front facades, which evoke the scientific activities within while also offering occupants panoramic views of the Rocky Mountains. The basic laboratory design is based on an open, generic module, providing enhanced flexibility for the life of the complex. The two buildings are connected by pedestrian bridges at the second, fifth and sixth levels. Similar bridges will link the structures to other buildings on the UCHSC campus, Housed within the complex will be facilities for research and medical education, including wet labs, dry labs, office space, and support space.
Acquired from the United States Department of Education following the shutdown of the former Fitzsimons Army Medical Base, the University‘s extensive land holdings at the site will allow for future expansion. Location was also an asset. The site is adjacent to an interstate highway exchange and is relatively close to Denver International Airport.
The University of Colorado Health Sciences Center will eventually need 1.8 million square feet of laboratory and laboratory support space in order to relocate its research campus—a move that the University is planning over a period of 10 to 12 years. At full build-out, approximately 3,5 million square feet of new and/or renovated facilities will be located at the Fitzsimons site, integrating the University‘s medical school with basic research and health care facilities.
At full development, the 217-acre UCHSC campus is expected to employ 1 8,000, and to attract $ \ 00 million annually in research funds. It will exist in tandem with a 147-acre campus of privately funded and commercial bio-science research facilities currently in design.
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http://www.jianzhu01.com/General-hospital1007300288.htm
斯科茨代尔纪念医院北院
因斯科茨代尔中心医院的发展受到基地条件的限制，为满足市中心东北部约9英里处迅速发展的休闲阶层的就医需要，需兴建一所新的医院。
新医院基地占地面积为38.5英亩，一条干涸的河壑横穿基地并将其一分为二。为了达到在若干年内分期建造的目的，同时也为了使每期的建设都具有其自身的完整性，新医院的设计需满足灵活性设计的要求。
SMH北院曾被《进步建筑》杂志评论为“巧妙的文脉主义”设计之作，它呈现给人一种使人无拘无束的甚至近似于娱乐建筑风格式的立面，而这其中运用的形式和色彩均来源于沙漠文化本身所具有的特质。建筑东立面的玻璃窗凹入墙面许多，以使其室内免受早晨强烈阳光的照射，同时营造出了 种十分丰富多样的光影投射效果。建筑的西立面则采用无窗的宴墙面设计，以抵挡下午灼热的阳光。
医院室内配备有先进的康复设施。内外空间之间一段门廊的设置，将主入口掩映在凉爽宜人的阴影之中，并以此强调了从室外沙漠阳光地带向室内诱人的接待空间之间的过渡和转换。一条中央交通枢纽将三角形的医院综合体组织在一起；护理单元沿着这条南北向的廊道成组布置，从而确立了通往不同科室的入口空间．其中这些科室均可以根据其工作量负荷变化的需要进行近期的或远期的扩建。
一期工程建造了一个主要的康复医院，其中包括120张病床位，4个手术室及x光室，一个急救室，以及一个带自助餐厅的食品服务部。
单间病房的设计尤其注重室内空间的舒适度、气氛、景观及采光的设计，这使得大多数医院病房所具有传统式的典型空间气氛在这里几乎看不到。在整个医院的设计中，设计者尽可能地突出周围沙漠及远山的景观效果，同时在三角形内庭院中引入了太阳光及令人赏心悦目的景色。
医院二期工程在一期工程的南面直接进行扩建，其规模超出一期工程的一倍以上，含262张病床位及14间手术室。依据医院建设的总体规划，SMH北院将再次呈双倍规模地进行扩建，以达到500张拥有综合性护理设施病床位的规模。
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http://www.jianzhu01.com/General-hospital1007300287.htm
华盛顿中部医院加建及改建
这所地区医院为华盛顿东部水果产区的四个区县提供医疗服务。医院平均每30年规模扩大一倍以上。NBBJ承接了该医院进一步扩建的设计任务，其中包括对医院两大主要组成部分的加建设计，以及对原医院一处主要建筑的改建设计。
在一个楼层为一层，面积为9，500平方英尺的流动外科诊疗区(ASW)的建筑内部，装备有全天性的多项康复治疗设施(医疗服务的一种发展趋势，病人可以在一天内经历治疗、康复的整个过程，然后回家)。ASW紧邻紧急治疗区(ETF)而建，而ETF又位于原医院建筑的西北角。Asw围绕一中央大厅组织成一个中央护理区域，该护理区拥有22个单人床的康复病房．所有的病房均面向两个内庭院空间设置。
这些单人病房比典型的康复病房小而具有家庭般的温暖感，它确保病人在获得舒适感的同时，能够使他们十分便利地抵达监护区域。与此同时，这些病房可以使病人充分享受到令人愉悦的山地景观，使他们充分感受到当地植物及阳光对康复的辅助疗效。
ASW和ETF两部分建筑的候诊空间，均由高净空的楔形空间组成，这两处空间都是由新扩建医院的一片外墙边界与呈斜向布局的入口墙体之间界定的空间所形成。人口门厅的三个垂直界面均采用从地面到天花板的整片落地玻璃窗．以此营造出一处阳光充足的公共空间，它使人们能够透过特征鲜明的入口墙体欣赏到外部优美的自然景观及邻近环境中的地标类建筑。
层数为二层，面积为7，500平方英尺的紧急治疗区建筑(ETF)，是在原医院建筑的北面进行扩建的，其规模相当于中部华盛顿医院急救区的三倍之多，其中包括12个治疗站，4间大型外伤住院病房，两间小的急救室，以及位于主楼层的坚固的办公空间。位于上一层的紧急救护服务区分为二个部分：即设于北翼供可步行患者启用的治疗服务区，以及设于南翼的急救患者治疗服务区。同时护理站及相应的供应区设于中央部位，以使医护人员能够高效地从事工作，使他们最大限度地实施监护管理。在主要的一层空间内，从办公室、接待处及等候区，人们均可以观赏到庭院景观。
基地内最具戏剧性变化效果的是三片34英尺高的入口粉饰灰泥墙体的设计，这些墙体突出了加建的两翼及医院的主体建筑；这里的建筑元素通过鲜明的建筑符号，向人们展示了统一感．以及娴熟的新意象。
这几片生气勃勃的墙体的色彩，取材于韦内奇地区水果的颜色。它使人们能清晰地辨别出医院的三个主要人口，同时也为整个医院综合体提供了具有鲜明识别性的形式特征。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513244433_11.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300286.htm
波莫纳山谷医院及医疗中心.妇女诊疗中心
波莫纳山谷医院的更替和扩建的总体规划分五期进行，作为第一期工程设计的妇女诊疗中心构筑起了该医院的建筑性的框架，并为妇女和新生儿提供了完整的住院及门诊服务。该中心以最佳的医疗服务，为一种家庭式的生育环境创造了可供人们选择的生育观及现代化的技术条件。具有挑战意义的是，为了使不同类型的病人都能享受到舒适宜人的就医环境，“中心”的设计采用了一种非常规的外观设计，同时为人们提供了直接的环形结构。
红色的砂岩石基座使整座建筑乳白色的预制混凝土板显得更为突出。窗户都带有巨大的预制混凝土窗框构件，这些构件具有冷绿色的涂层表面，局部以白色点缀。主要的公共交通路线沿建筑的外墙延伸，这种布局既加强了建筑的方向性，又为室内空间提供了充足的自然光。
总建筑面积为190，000平方英尺的这座医院，设计中特别考虑到内庭院的设置能在晴朗的季节里为病人的休息提供凉爽通透的空间环境，同时为病房提供自然光线。26个婴儿室中的每一间都留有一处供家属休息的空间，还设置了一张装备完善却并不显眼的产床。当有私密性和紧急救护需要时，可用帘幕分隔这些空间。滑动的窗帘之上的墙体及樱红色的装饰墙板，将新风口、暖气口及遥控装置隐藏起来，但又能使这一切对病房产生直接效应。
供家属休息的空间内，都设有大而开敞的窗户，内置沙发床和可折入周围木制家具中的折叠桌，这种适宜的布置使得家庭成员的聚集不会对产妇造成干扰，同时也为喜庆性聚餐提供了一处舒适的环境。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513275454_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300285.htm
儿童医院及健康中心.病员护理大楼
这座面积为187．000平方英尺的新建筑，是为圣迭戈市极负胜名的儿童医院所作的加建设计。该设计同时解决了几个关键性的问题。除了缓解了这座已有40年历史的儿童医院严重的拥塞状况，提出了儿科护理所具有的特殊需求，同时向公众展现了一个全新的医疗建筑的形象之外，这座拥有114张床位的病员护理大楼的设计，营造出一种特别注重病人的情感的医院环境．体现了对康复护理认识上的独特视角。
大楼的设计融合了活泼的建筑造型和细部处理手法，修正了那些传统式的医院所具有的令孩子们望而生畏的环境特征。占地29.5英亩的医院环境建设中，引入了尺度宜人的造型要素,这些要素正是周围环境中所拥有的人们已熟悉的建筑造型要素，其中包括在有着沙质拉毛水泥饰面的造型生动的立面上(建筑底部是深色的带图案的砖石)开设大大的窗洞，在腰色的陶瓷基调上构筑起金属屋顶(它使人联想到具有标志性含义的科罗拉多旅馆的形象)。还有烟囱状的通风筒体，一座60英尺高的外形生动活泼的钟塔，休息凉台及8个景观庭院的设计。为了使来到医院的孩子们能获得舒适亲近感，设计中一些生动的细节处理贯穿了整座建筑。如：一层门厅内的一张圆形接待桌(以不锈钢及塑料饰面)，看上去更像一个玩具鼓。
儿童医院及健康中心的主席说： “我们的观点是：快乐的孩子恢复得更好更快，这正是这座大楼的意义所在。”他叉说： “这是一个体现治愈观念的地方，在这里，孩子们的家长知道．他们正获得他们有可能获得的最好的治疗。”
建筑的一层包括门诊医疗室，玩具店和一处饰有斑驳色彩的儿童用餐区。建筑的二层则围绕30床位的护理区，并以每10床一组的“住宅组团”划分不同的病区，位于每个病区中央的护理站，均具有接近每个病童的最短的路线，这样的设计强调了大楼宜人的尺度设计，同时也突出了其中的居住氛围，这种氛围能够激发孩子们治疗过程中所必需的轻松感和与他人的交往欲望。
每一个独立的护理站都是由一个带接待处和管理部分的花园式内院组成，管理部分面向一个“住宅”式的办公室空间，其上部是高高的屋顶和具有烟囱状造型的设备问。每一楼层的天花板上都装有闪烁发光的“群星”般的球形灯具，这些灯具产生出冷冷的类似月光式的照明效果。病区的划分与布局有助于减小建筑的体量感。同时确保整栋大楼获得良好的自然光。二楼的露天嬉戏庭院为孩子们提供了一处通过户外活动恢复体质的场所。每一间房间都配备了先进的医疗设施，但这些设备均被巧妙地隐藏了起来。例如：顶部墙体内隐藏着供氧设施及其他必需设施，这部分造型看上去更像冰淇淋蛋筒。
单人病房内采用明亮的色彩装饰，使其更具居家式的气氛(每个房间的门都与众不同，以使人们易于识别)，几何形的专用壁柜和工作台使设计更具整体感，计数板和经过挑选的装饰性工艺品使每间房间更具个性化特征。嵌入柱与柱之间的电视和录像机，与大楼钟塔的造型形成了呼应关系。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513305251_13.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300284.htm
哈里森纪念医院挂号部及外科诊疗部扩建
原哈里森医院日益拥挤，可供该医院扩建的唯一一块基地，是由原医院建筑的三翼围合成的一处庭院空间。原有建筑各部分之间风格迥异，整个建筑缺乏整体感。设计早期，在与医院管理层的沟通过程中，设计人员了解到医院一方对富有生气与活力的具有整体感造型特征的关注，丝毫不亚于对建筑功能扩建的兴趣。随后扩建的三层的挂号部及外科诊疗部，包括对地下室(设备层)、一层以及二层平面的改建。改建后的医院大大提高了运作效力，建筑外观和交流通线也得到了统一。
在功能方面，该方案设计包括一处新的患者挂号大厅和等候区，以及七间新的手术室。新手术室的服务性空间包括病人接待室和等候区．门诊病人术前检查室，外科人员工作室，装卸及贮物空间。
医院的室内气氛反映了医务人员的承诺，即要以舒适的、以病人为中心的环境迎接人们的到来。光线充足、以壁炉为中心的候诊区域，营造出了一种与当地任何一家医院的候诊区所不同的非同寻常的氛围。大型屋顶景观平台与门厅毗邻而建，为人们提供了一处有别于露天环境的室外候诊区。从这里，人们可以观赏到自然的山光水色。而日光，自然景色，与被导人室内的新鲜空气的结合，更强化了医院以病人为中心的指导思想。
扩建部分具有强烈的视觉基调，它以一种统一的建筑组合形态，即通过一系列曲线形的景观墙面使整个建筑统一为一个整体。通过对一系列相关景观要素的运用，该设计与医院的原有部分取得了呼应关系，获得了所要求的空间扩展效果，同时削减了扩建部分的巨大体量感。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006111513333656_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300283.htm
阿拉斯加地方医疗中心
ANMC是美国公共健康组织承担过的最大的工程项目。该设施共有380，635平方英尺。它作为阿拉斯加当地居民的地区医疗中心，替代了原有设施，由150个急症护理床位、一座59床位的宿舍楼和疾病控制中心北极调查实骑室组成。ANMC满足了高级医疗护理的严格要求．同时具有易让人接受的合适尺度。并且在设计中，非常重视建筑与自然的亲和，以及当地文化的独特价值。考虑到当地许多居民从未见过如此巨大的构筑物．同时也为了准确把握公众的深层感受，NBBJ的设计者们在开始设计构思之前，对阿拉斯加当地的生活和艺术研究了18个月。
在整个设计的过程中，通过社区中心设计委员会的沟通，确保村民和部落成员们参加了所有正式的方案讨论，并提出他们的意见。设计者在构思的整个过程中邀请当地的社团提供一些办法，以使最终建成的建筑能满足居民的特殊要求。
ANMC通过创造一系列贯穿整个设施的温暖而友好的聚集空间来呼应当地的文化特征。(其特征表现为各空间区域围绕一个中心焦点来展开。)因此，医院的主门厅采用了公共大堂或大厅的形式和氛围。人们在这样的公共厅堂里可以与家人团聚，与朋友会面、交往。医院上层的大厅设计强调了聚集空间和当地壮观的山野风光，以使所有病人产生视觉上的愉悦。由于当地的阿拉斯加人常常偏爱自然之物，因而对他们而言，视觉愉悦尤为重要。
该综合体的造型呈阶梯状，由南至北逐渐升高，这样可以使日光充分照人室内。这种型体处理弱化了建筑的尺度感和颇惹眼的体量感。一系列单层坡顶廊架沿医疗中心的正面排成一列．创造了一个在尺度和外观上为大多数阿拉斯加居民更熟悉的村落式场景。这个重要的设计理念的形成直接参考了特林基特人传统的“韦尔住宅”，使建筑物少了威压之感。
该设计避免直接模仿阿拉斯加本土建筑艺术、美术及手工艺的传统形式和风格，而选择了另一种方式。即通过在设计中理解性地诠释那些最本原的东西，来求得人们的认同感。例如．人口处雨篷的那种结构框架的运用，使人想起讲伊努皮克语的社区那种鲸骨框架的建筑物。ANMC外表的彩色砖工图案将建筑从体块到形式都统一成一体。这种手法借鉴了阿萨巴斯卡人的传统。在他们的服饰上，衣缝的密不漏水是生存必不可少的。他们使用了复杂的装饰图案来重点处理衣服的接缝部位。此外，砖墙和坡顶也使人联想起阿留申人的那种人字形的、草砖制成的“巴拉巴拉斯”。
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http://www.jianzhu01.com/General-hospital1007300282.htm
瑞典医疗中心东南翼扩建
该设计根据场地条件将医疗中心的东南冀处理成曲线造型。(这块场地是连接西雅图中心区与弗斯特希尔地区的一条纽带。)塔楼的主要立面向外凸，呈月牙形，使之在这座山城的天际线上体现出一种坚定的姿态。底部三层向内环抱的曲线造型则欢迎着病人、家属和医院员工。这座综合大楼的中心由一个圆顶直径达24英尺的人口大厅形成，其内部的照明给人以一种难以忘怀的热忱。
该建筑包括人口和圆形大厅，流动护理区．一间药房，一个深切护理单元，24间带有术后康复、介入疗法和拍片等功能的手术室，特别护理室，产妇病房，180张护理床位，中心供应站，和有600个车位的地下停车库。
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http://www.jianzhu01.com/General-hospital1007300281.htm
马山三星医院
面积为800，000平方英尺的这所医院，将为马山的其它医院提供医疗诊断服务，并接受由这些医院转院来的病人。医院拥有700张供急性病症和深切护理使用的病床，同时还作为地区性的护理教育中心。
这所医院的设计，从功能布局与协调一致的整体关系上，从建筑的形体与景观的关系上，表达了医院的所有者对于清晰、简洁及秩序所持的总的哲学态度。建筑坐落于一处窄窄的峡谷之中，这里山风袭袭。双曲面形的医院塔楼以飞机机翼式的造型拔地而起，十分引人注目，同时也有利于疏导建筑两翼的山风。
这座医院将成为在此就诊过的患者在这一地区就诊的首选医院。病人将踏着洁净的庭院小径，通往布局井然有序的各诊疗区域环境。
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http://www.jianzhu01.com/General-hospital1007300280.htm
Kangbuk 三星医院设计
Kangbuk三星医院克服了复杂的设计因素．清晰地表达了有关场所、秩序以及现代康复治疗的理念。在一个十分拥挤的城市区域环境中，该医院以其简洁明晰的视觉形象阐明了它的目的性和重要性。同时，医院将其三个造型优美的建筑形体与原有的Bovoung大厦结合在一起。另外，在为病人和来访者提供能通往不同的诊疗区域环境的优雅的入口和洁净的通道的同时，该医院进一步提供了一种复杂的功能布局。
医院的外部形象特征表达了其内部各功能性分区的组合关系以及通往每部分的途径。这四幢塔楼清晰地连接在一起，在每两部分体量的交接处，日光被导人到室内同时渗透到两部分空间之中。
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http://www.jianzhu01.com/General-hospital1007300279.htm
Salk学会动物癌症研究建筑加建
由于建筑师的努力，该研究机构(美国最杰出的研究机构之一，其建筑是路易斯·卡恩建筑作品中最受人们喜爱的作品)的主要加建部分，选址于路易斯·卡恩设计的建筑之南面较低一级的基地上。仅从加建部分的服务内院，种植的草坪，周边的院墙以及位于东南角的双塔(常被当作原有建筑的一部分)来看，就足以说明该加建部分的设计对本世纪最受人推崇的建筑名作，采取的是一种谦逊，礼让的姿态。
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http://www.jianzhu01.com/General-hospital1007300278.htm
加利福尼亚大学戴维斯医疗中心，医学研究大楼一期和二期工程
NBBJ为加利福尼亚大学戴维斯医疗中心占地20英亩的教育与研究区所做的总体规划包括以下内容：建筑基地的建设和分期建造的策略，以及确定一个学术区和城市野生生物保护区的建筑地点，随后设计、建造出来的两幢大楼分别用于生物医学和临床研究。
这两栋大楼所形成的灵活的空间环境既是一个公众性场所，同时也能满足私密性的要求。设计运用砖体、烟囱和院落空间强调出一个传统的学院形象。简洁的外形、有力的屋顶轮廓和深重的立面阴影传达了中部峡谷地区的农业文脉。钢制花饰窗格构件和工厂化的幕墙则突出了研究本质所含的工业性质。
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http://www.jianzhu01.com/General-hospital1007300277.htm
犹太护理中心（Jewish Care）
Like country hotels, residential homes lor the elderly are often conversions of large houses in extensive grounds The country hotel therefore suggested itself as a possible model for this new residential home on an open site in a leafy part of north London, not far from the North Circular Road. After early studies exploring the potential of a dispersed plan with single-storey pavilions, it soon became clear that a unilied, four-stoiey, rectangular building with a central courtyard offered a greater sense of community, as well as greater economy and operational efficiency. The three upper floors are almost identical; each has forty bed/sitting rooms, double banked along a continuous corridor with lifts and stairs at the corners. The ground floor accommodates a variety of shared facilities, including physiotherapy, hydrotherapy, recreational therapy, kitchen, laundry, cafe, library, offices and a synagogue.
The layout is formal, rational and symmetrical, but various subtle spatial devices ensure that it is not institutional or hospital-like. For example, corridors widen at intervals to form lobby spaces serving sub-groups of four rooms, and are aligned with windows in the re-entrant, diagonal corners so that daylight is visible, even in the heart of the building. Open dining and sitting areas on the south side of the building increase communal interaction Individual rooms have an en-suite shower room and a projecting bay window which deals with all the heating, ventilating and daylighting for the room and doubles as a window seat.
What gives the building poise, on its plateau at the top of the sloping site, is the differentiation of the ground-floor level. Lightweight external walls of timber and glass are set back from the line of the redbrick walls above to form a recessed walkway The main corridor is pushed nr.v.ml-. I. ■ Hum oiuly.iiil, where il bet omes a fully-glazed cloister, while leaving room for the deeper spaces required by the various treatment and service rooms. Many of these rooms are private and must be screened from passers-by, but a sense of openness is maintained with high-level windows.
The effect of a brick box hovering, apparently unsupported, above the ground is achieved by means of a very unusual composite brick, concrete and steel structure. Aligned pairs of loadbearing brick fms at 8-metre centres are set back from the external walls at ground-floor level. Each pair supports a precast concrete beam which cantilevers out to the perimeter of the building. The slightly upturned ends of the cantilevers are connected by exposed steel members, like shallow king-post trusses turned upside down. The first floor is made of special precast concrete units spanning between the beams with an exposed soffit. On the upper levels, the structure becomes a straightforward, loadbearing, cross wall system.
The courtyard, with its raised planters and large areas of wheelchair-friendly paving, provides a secure and sheltered space, a perfect setting for outdoor festivals and activities.
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http://www.jianzhu01.com/General-hospital1007300276.htm
医院厨房
该竞赛要求在一个大型首都医院建座可容纳30个服务员，每天供3000人次进餐的新厨房，该医院位于巴黎中心区，采取分期建设的方式，如同医院已有的所有设施就曾经历了一百多年的建设周期样。
厨房坐落在西多街的北边位于城市人口密集区，总体设计要协调相邻两建筑互相冲突的比例一侧是具有巴黎临街典型尺度的高大公寓楼，另一侧是医院本身它是个两层高的新古典主义建筑，后来加建了第三层．该建设月地约30m见方，所有出口都位于医院底层背面由于没有必要在临街面设置出人口因而有条件来强调建筑的“立面”形式。
厨房的自由布局体现了现代主义理念的本质：空间开放、流通，该项目的服务部分（储藏空间，备料间，烹饪操作间）的基本构想是固定在厨房平面的一角，这样就能使其他的剩余空间自由灵活。服务与被服务空间(进餐分布点)的对比是该平面组织的基础服务空间形成面墙，限定了自由平面的两侧，形成方形空间，在这方形空间中食物分盛在个个盘中。
这一服务空间呈倾斜状向医院与日出的方向敞开厨房的室内设计融入了现代建筑自由平面的理念，原本平淡无奇的医院厨房在某种程度上仿佛是沐浴在阳光中的工人俱乐部，以简单线型展开的各层平面平滑的混凝土曲线以及网格状的柱矩支撑着屋顶花园--达是对当代建筑构造方式的台理演进。
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http://www.jianzhu01.com/General-hospital1007300275.htm
市幼儿护理中心
市幼儿护理中心的用地为45m见方，沿对角线方向倾斜的坡地，对角线高差多达5m。顶层是一30个车位的停车场，中间层为公共人行通道，雇层为服务入口，南面是一个14m宽双折线型楼梯，通向一个小广场，西面8m宽的通道将场地与一个三层高的居民楼分开。入口面向城市公共花园，视野开阔，形成中心公共空间轴线的一部分。
奇里亚尼的首要目的是强调东北两边形成的夹角，北边沿城市公共空间，以90°夹角偏转，形成建筑的东侧部分，中心入口就设在东倒。建筑体量强调了这个角度。
这个三层高的建筑向城市公共花园敞开，南面开窗使建筑处于逆光中，体量内两层高的建筑空间以重点强调的立面突出了建筑的尺度。建筑体量向东延续，上部采月连续的屋际线。屋顶在最东面断开，衬托出入口的虚空间。为了支撑建筑转角处为实体。在太广场的尽端，楼梯通向平台以及沿场地呈对角线起坡的空中花园。
为确保设计的整体性屋顶平板在竖直方向一直延至地面成为花园的围墙建筑“带状体”使口周墙体形成连续整体成为外观的重要特征。富有表现力的混凝土“带状体”为冷灰色，赋予建筑清爽的气息。
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http://www.jianzhu01.com/General-hospital1007300274.htm
皇家墨尔本医院
原 名 称：royal melbourne hospital
Health planning is now a demanding Held in its own right—balancing capital costs materially affect medical procedures. But hospitals are also expected to symbolise care and offer hospice. Chased redevelopment of the 1940s Modern hospital demanded new facilities for emergency- cardiology, radiology and coronary care departments, operating theatres and the sterile processing imii. The new work evidences an urban attachment, to the old, so forming a continuity and expressing the inherent interdependencies. While enamelled steel panels, cream brick and white cement render strike up a dialogue to offer resemblance without replication.
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valley儿童医院(valley children‘s hospital)
The new Valley Children‘s Hospital transports kids and tlieir parents and
siblings into ;i world of healing, raring, and learning. From the entry‘s lile-si/c topiary animals to the starlit patient rooms, the hospital‘s focus is dear; children come first. From the colorful, village-like exterior to Lhe playful, earthy interior, the facility promotes healing through a menially stimulating environment. Innovative and creative design strategies were utilized, calling upon color and nature to promote a healing atmosphere for children while meeting llic medical and lerhnolngiral needs of physicians and heal ill can-professionals.
The three-sloii, 214-bwd facilily‘s design is broken into three areas including paiienl bed pods, clinical space, and ancillary areas. More Llian 270,000 square feel of the space are dedicated to ambulatory care services. Patient rooms are located in a series of three-story pods on the facility‘s south side, allowing a landscaped view from every room. The center of these pods house support seniles such as nursing stations, storage and office space.
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健康中心(health central)
The interior and exterior of Health Central are blended to create a holistic design lor the building. Like the outside, the interior of the facility is designed to create a feeling of hospitality rather than an institutional impression, and it incorporates many of the exterior‘s dramatic colors, shapes and forms. A four-story atrium lobby features retail space, a lounge area, and wailing areas on every balcony. All floors present a liglil-lllled. cheerful and non-institutional image. The atrium is designed to hosts a variety of community events ranging from art shows mid i hildien‘s choir concerl.s (<> health fairs and screenings. The replacement medical center is programmed to house outpatient-oriented activities In both the integrated medical office building and diagnostic treatment areas, as well as inpatient services within the hospital. The health center‘s service is focused on ambulatory care, inpatient care, and education. The medical center components are convenietilly grouped around one central, organizing atrium. Both hospital offices and physicians‘ offices are found on each of the center‘s six floors. In some areas, doctors‘ offices are located directly across from hospital departments.
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http://www.jianzhu01.com/General-hospital1007300271.htm
桂冠岭精神病院(laurel ridge psychiatric hospital)
The Laurel Ridge Psychiatric Hospital, organized around a village square, is designed as an integrated treatment community. The facility is designed to actommodale flexible care programs and a continuum of psvi hialr it treatment for children, adolescents and adults. The complex includes 1611 free-standing inpatient hospital beds and a comprehensive outpatient clinic that supports after care as well as clay and evening treatment programs. The campus accommodates varied populations and functions. It is designed to provide a gradual transition Train public to private spaces. The patient living areas relied residential neighborhoods, clustered around landscaped courtyards and a central education building. Warm, natural stucco, red tile roofs and arcades were used to blend with the region‘s traditional Spanish colonial architecture. Arched colonnades connect the various buildings within the complex. Bands of walls. A 670-foot-iall bell tower provides a focal point within the complex and beyond. Throughout the interiors, traditional detailing is complemented by glued-lamtnalcd beams ,nid wood ceilings. Cupolas are provided, allowing clerestory light into central public spaces.
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http://www.jianzhu01.com/General-hospital1007300270.htm
犹他谷区域妇女和儿童医疗中心(utah valley regional medical center,women‘s and children‘s addition)
Expanded maternal and childcare needs in the region resulted in the design of a major addition and renovation for [lie Utah Valley Regional Medical Center. The new facility now accommodates a labor and delivery unit, a mother-baby women‘s and children‘s outpatient l.mphasis was placed on the creation of a healing environineni by .surrounding patients with the most up-to-date technology as well as concerned physicians and caregivers, family and friends, A wide expanse of windows, maximizing natural light, and comfortable wailing areas for family members and friends promote and enhance this environment. The labor and delivery unit consists of 18 large rooms affording i he mother and family members a comfortable birthing experience. Additional post pai‘lum care is provided in 36 private rooms, and the hospital‘s pediatric acute care unit capacity has increased from 2(i to 33 patients. In addition to women‘s and children‘s services, the second floor allows for needed adult critical care expansion space. Eight surgical beds, nine medical beds and eight coronary care beds make up the new adult 1CU. The nurses‘ stations are located lor easy visibility of patients in each room, allowing nurses to respond quickly to critical needs.
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http://www.jianzhu01.com/General-hospital1007300269.htm
kahi mohala精神病院(kahi mohala psychiatric hospital)
The Kahi Mohala Psychiatric Hospital was the first piiv.iu-, free-standing psychiatric hospital to he constructed in Hawaii. The 88-bed facility ofTcrs comprehensive psychiatric services for children, adolescents and adults. The hospital is designed to support a wide range of programs including ambulatory care, emergency psychiatric care, short-term psychiatric hospitalization, intensive care, intermediate- to long-term inpatient treatment, and discharge planning and referral. Five separate one-story buildings create a campus-like selling on 14.5 acres. The facility‘s design emphasizes a supportive environment for patient treatment. The space takes maximum advantage of open spaces, with patient dav rooms stretching unimpeded into lustily landscaped interior garden courts. The patient units are small and non-open-air living area that adds to the homelike setting. A nursing station supports each patient unit. The stations are located nearhy to control access to the unit and permit patient supervision. The site is lustily landscaped, incorporating planting material indigenous to the Hawaiian Islands.
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http://www.jianzhu01.com/General-hospital1007300268.htm
柏龄纪念医院(parkland memorial hospital)
The Parkland Memorial Hospital complex was translonncd with the design and construction of a new building and major renovations. The building program changed the hospital‘s image from institutional to progressive, reflecting Parkland‘s leadership role in the provision ol cutting-edge health care. The expansion and renovation program consists of a new nine-story patient care tower housing ‘20-1 beds, including three intensive tare units. A separate 38-bed surgical intensive care unit doubles as a triangular canopy over die new hospital entrance. The seven-story outpatient clinic-houses an addiiional S3 treatment rooms as well as laboratory, pharmacy and radiology space. The expansion also includes ancillary services: a central laboratory, radiology, general stores, receiving, dietary, laundry, central supply, medical records, and physical medicine.
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http://www.jianzhu01.com/General-hospital1007300267.htm
卫理公会教派医院(methodist hospital)
The Methodist Hospital of Southern California provides a drama tit view of the San Gabriel Mountains. The five-story replacement bed tower consists of 138 private rooms, including 10 cardiac surgery ICU beds. The tower creates a new hospital entrance and two-story circulation spine. The new building is designed to associate existing areas with new preadmission testing, admitting and registration areas, and new patient beds via a lobhy, comfortable public wailing space and new, high-speed elevators. The fust floor provides a mall-like space linking the new entrance to existing areas for outpatient surgery, imaging, and clinical laboratory. The garden level provides outdoor courtyard access to accommodate future cafeteria dining and meeting areas for the public and staff. Elements of the existing buildings as well as the surrounding residential community are incorporated into the design. Design features also include oversized windows to admit light into the interior and a curvilinear facade of the patient tower, which softens the form and provides a panoramic view of the mountains to the north. The overall effect is a timeless blend of existing and new facilities.
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http://www.jianzhu01.com/General-hospital1007300266.htm
查尔顿-退休中将及护理中心（Carleton-Willard Village Nursing & Retirement Center）
The revitalization of the nursing center included a reduction of the existing 120-bed skilled nursing facility by 20 beds in order to accommodate new, vital program spaces. The first floor was transformed from a 40-bed SNF into a 30-bed special care Alzheimer‘s unit, with direct access to a large new sensory garden. Central nurse‘s stations and bathing rooms were relocated within each residential wing, as they were also on the second floor, providing a closer relationship between staff and residents. New resident lounges were created opposite each nurse‘s station, infusing the corridors with natural light. New activities rooms in a redesigned core area recapture the simple pleasures of the 1950s, and encourage and reassure residents. The second floor was transformed from two 40-bed units to 34 and 36-bed units, with new dining room and rehabilitation services created on the same level, eliminating the need to transport residents to programs previously located on the first floor.
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http://www.jianzhu01.com/General-hospital1007300265.htm
高级疗养院（Summit Nursing Home）
The Summit Nursing Home provides four residential communities under one roof, while retaining a sense of shared township. Based on a similar facility that this team had pioneered, the architects found that investing in a sense of place paid off untold dividends. Residents can rest in their rooms or commit the day to capitalizing on the many features that the town has to offer. Residents can walk in and around the landscaped court and develop their own gardens in individual plots of ground. The Summit provides social spaces, activity pods, eating environments, and hair salons, leaving the resident with a sense of pride, dignity, and most importantly, a feeling of home.
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http://www.jianzhu01.com/General-hospital1007300264.htm
纽约presbyterlan医院(new york presbyterlan hospital)
The expansion and modernization of New York Presbyterian Hospital required a cost-effective solution and minimal disruption to the local community and hospital activities. The design captures the unique identity of this htispiial on its prominent but constricted Manhattan site. The most visible component is the Maurice and Connie P. Greenberg Pavilion, a new 12-story building rising above a two-level platform that spans FDR Drive along the East River.
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http://www.jianzhu01.com/General-hospital1007300263.htm
卫生系统智能化(bjc health system)
The vision for the BJC Health System campus integration plan is for the development of a patient-centered, world-class medical campus that integrates St, Louis‘ Barnes Hospital, Jewish Hospital, and Children‘s Hospital. As part of the first phase, the HOK/Cannon/Christner team has designed an ambulatory care center, a cancer center, diagnostic and treatment ancillaries. and administrative space on the north campus. Focusing on acute inpatient care, the south campus includes a new emergency department, pathology laboratories, and related spare.
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http://www.jianzhu01.com/General-hospital1007300262.htm
西班牙佩德罗医院(pedro hispano hospital)
Pedro Hispauo Hospital is a general hospital commissioned alter an international competition. Located not far from the Porto airport, the hospital was designed to follow a horizontal pattern. The complex, made up of three large zones, is organised around a central axis common to all levels. The western zone is composed of the reception and admissions area, the physiology and radiology sections. The central zone, in the form of a decentralised ‘H‘. hrings together;
- emergency and special examinations on the lower level
- administration and daycare clinic on the ground level
- four hospitalisation units each on the upper level.
The eastern zone consists of the logistical services on the lower level, while major medical services such a* laboratories, operating theatres, obstetrics and neonatalogy are on the upper levels.
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http://www.jianzhu01.com/General-hospital1007300261.htm
ULB大学校医院大厅(ULB university，erasme campus:erasme hospital admissions hall)
In order to improve the hospital reception area, the new Admissions Hall was designed lo enhance communication and, at the same time, to introduce a more human touch in a hospital created in the early 1970s.
The cylindrical shape was chosen to harmonise with the other buildings in the immediale vicinity. Covered by a gluss skvliglit, the cylinder is where the major pedestrian traffic flow occurs. The horizontal slone hands on the facade accentuate the cylindrical shape of the building.
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http://www.jianzhu01.com/General-hospital1007300260.htm
zeckendorf健康科学中心(zeckendorf health sciences center)
The Health Sciences Center provides new classrooms, laboratories, faculty offices, and administrative spare for the College of Pharmacy ami 1 leallb Sciences, and the College of Nursing of I ong Island University, ‘n addition, several large lecture rooms for use by the entire university are located in the building. The corner site serves as a major pedestrian and vehicular entrance to the campus. The new building, a southern gateway to the campus, is flanked by a new gate and guard kiosk. Included in the program are six stories of programmed space, a rooftop penthouse, and a partial basement which contains mechanical systems.
University lecture rooms are located on the first floor, with the building lobby, primary entrance, and elevators at the north, facing the courtyard. Administrative areas on the upper floors overlook the courtyard. Fatuity offices are arranged along the west sit It: of ibe building facing ihe pedestrian corridor.
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http://www.jianzhu01.com/General-hospital1007300259.htm
银色山谷医院及医学中心的妇女中心(pomona valley hospital and medical center women‘s center)
As the first of five phases in Pomona Valley Hospital‘s replacement and expansion master plan, the Women‘s Center establishes Che facility‘s architectural framework and provides integrated inpatient and outpatient services for women and newborns. Die center weds alternative birthing rone epts and modern technology for a home-birth ambience with optimal medical support Challenged to provide a gracious, comfortable environment accessible to a diverse clientele, the plan adopts a non-institutional appearance and straightforward circulation pattern,
A red sandstone base underlies the building‘s cream-colored precast concrete panels. Windows include large precasl surrounds with cool green patina finishes and white accents. Main public circulation routes follow perimeter walls, enhancing orientation and providing abundant natural light.
The 190.000-square-foot facility lakes special account of the sunny climate with interior courtyards that provide cool.
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http://www.jianzhu01.com/General-hospital1007300258.htm
三星公司kangbuk医院(kangbuk samsung hospital)
Kangbuk Samsung Hospital overcomes complexity to create a clear statement about place, order, and access l.o modern health care. It makes a single, clear visual statement of its purpose and importance in a dense urban neighborhood, and it combines three elegant building forms with the existing Boyoung Tower. It further accommodates a complex functional program while offering patients and visitors graceful access and clear paths to their destinations.
The external form of the hospital expresses the integration of its functional parts, and the means of access to each. The four bundled towers are clearly joined, yet at the point of connection invite daylight to pass between.
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http://www.jianzhu01.com/General-hospital1007300257.htm
佛罗里达医院心脏医学中心(florida hospital,heartland medical center)
佛罗里达医院心脏医学中心(florida hospital,heartland medical center)
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http://www.jianzhu01.com/General-hospital1007300256.htm
医生诊所
诊所是为一名内分泌科医师和三名儿科医师建在阿利特医生和弗朗索瓦一格札维埃’萨利医生的住宅花园里。诊所建筑与相似的俯瞰马恩河的低层建筑相适应。
业主所提出的限制条件仅仅是要求维护诊疗室和住家的私密性。与周围低层住宅显明不同，我们的办法在于占据和构建全部可以利用的土地。有效形体被循对角线分成二部分，一部分是建筑物区，另一部分没有任何建筑，为了保存现有的树木。
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http://www.jianzhu01.com/General-hospital1007300255.htm
马斯特里赫特2°老人公寓（2°Apartments for the Elderly,Maastricht）
Situated in a working area that dates back from the 1930‘s, the black brick building with the steel portico is a complex of 20 apartments, 11 m wide and 7m deep, stacked into a four-storey building oriented towards the south-east in order to enjoy a large green public common.
On this very public side there is a perforated aluminum screen with a mediating space behind. The galleries and the screen act as a filter between the street and the private interior.
The elderly people inhabit a 3m deep space which functions as a circulation, communication, arid soc:3i arena that is visually connected to the surrounding through the perforated screen, although they are hidden from view of the outside. The brick facade with individual balconies and western red cedar window frames faces north-west where the building‘s garden is designed as a collective outdoor space.
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http://www.jianzhu01.com/General-hospital1007300254.htm
康复医学研究院(institute for human performance,rehabilitation and biomedical research,state university of new york at syracuse)
This facilitv for education, research, and patient care is a four-story structure accommodating a 19,000-square-foot gymnasium and track, a 75-foot-long medical research and rehabilitation swimming pool with a hvdraulic floor, a full-service orthopedic treatment center, and 100 state-of-the-art flexible laboratory modules.
The building is divided into three parallel laboratory wings joined bv two skvlit atriums. The wings house research units grouped into laboratory modules and designed for maximum efficiency and flexibility in mechanical and utility configurations.
The two atriums bring controlled natural light into the main entrance and circulation space at ground level, the public gymnasium at the second level, and the laboratories at the third and fourth levels. They also establish the major public volumes by articulating the entrance and the gymnasium. Mews from the laboratory windows across to the opposite wings and below to public spaces enhance a sense of community and create a collegiate atmosphere.
The design, which evolved from precise and extensive technical criteria, provides climate-controlled spaces for multiple medical and recreational functions. Public and private domains are expressed bv manipulation of the light and the solid-void relationships.
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http://www.jianzhu01.com/General-hospital1007300253.htm
丽贝卡女子医院内科中心(rebecca m. clatanoff women‘s hospital, anne arundel medical center)
丽贝卡女子医院内科中心(rebecca m. clatanoff women‘s hospital, anne arundel medical center)
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http://www.jianzhu01.com/General-hospital1007300252.htm
圣安妮arundel医学中心(anne arundel medical center)
圣安妮arundel医学中心(anne arundel medical center)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810533652_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300251.htm
尔夏皮罗临床中心(carl j.shapiro clinical center)
尔夏皮罗临床中心(carl j.shapiro clinical center)
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2006121810553750_14.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300250.htm
康涅狄格儿童医院(connecticut children‘s hospital)
This project is the result of a merger at three children‘s hospitals—Newington Children‘s Hospital, Hartford Hospital and University of Connecticut‘s John Dempsey Hospital—into a new 138-bed, 26,940 square metre (290,000 square foot) facility located on an urban site of 3.5 acres within the Hartford Hospital Campus.
The new hospital reflects all significant trends in children‘s healthcare facilities including an emphasis on ambulatory outpatient care, the development of a friendly, relaxed environment, maximum staff efficiency and the provision of a design that will facilitate future growth and expansion Allowances had to be made for the limited site area, the fact that the site slopes 4.6 metres (15 feet) from one side to the other, and the need to provide both bridge and tunnel connections to Hartford Hospital. Multiple entrances were needed—the main formal entrance, ambulatory, emergency and service entrances—as well as retaining access from the boulevard to Hartford Hospital. Finally, and perhaps most importantly, it was necessary for the new facility to have a prominent profile against the Washington Avenue elevation and Hartford Hospital.
The new hospital is comprised of four major building blocks: diagnostic and treatment services and ambulatory clinics; patient care services; elevator tower and mechanical interstitial mezzanine.
The patient care tower is a half cylinder configuration reflecting the functional consideration of minimising walking distance from the elevator cove The patient unit fans out from the elevators. This functional goal determined the half drum shape. A second patient care tower is planned to fan out in the opposite direction, in the future.
The diagnostic and treatment services—including the ambulatory clinics—are provided in a simple rectangular base of four floors. The elevator tower penetrates this base at a false angle, empnasising the core of the bui.ding. The patient care tower connects to the elevator cove but is separated by an undulating floor. The bay windows on the patient care tower provide texture and a play of light on the otherwise smooth reflective surface of the cylinder.
Overscaled geometric icons mark the principle entrances to the building, "he geodesic sphere identifies the main entry, the cube represents the ambulatory care entrance and the eccentric cove signifies the walk-in emergency entrance. *he bright colours and distinctive patterns of the facade aim to avoid a typical institutional hospital and appeal to children.
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http://www.jianzhu01.com/General-hospital1007300249.htm
deaconess医院临床中心(the clinical center,deaconess hospital)
The mission of this new flagslvp building in downtown Boston is to be a place "where science and kindliness unite in the care of patients". As designers, SBRA .nterpreted these objectives to mean an approachab‘e environment where patients have easy access to care, where there is clear wayfinding and where patient destinations are comfortab‘e and attractive.
Tns heart of this building and the medical campus "s the outdoor garden. Conceived as a series of pavilions within this garden setting, the building creates a new sense of place that encourages people to thcnk aoout their community.
The project included special attention to the needs of the elderly: floor patterns are muted; materials are g are-free; ceilings are detailed and indirectly lit to create soft highlights which reinforce the patient‘s pathwav for cleat and comfortable wayfinding.
The ability to bring natural light into spaces is an important contribution to the health and well-being of both staff and patient. The aluminium and fritted glass used for the entry canopy and exterior facade speaks of a refined technology in the service of people, gently letting light through and protecting them from the elements. As important, the designer creates a new artistic medium in which glass becomes a transparent and translucent palette of light and colour.
Level 3 was developed as a public concourse—a primary wayfinding element throughout the Deaconess campus. Th‘e concourse is located at the exterior of the building, overlooking a garde/i and the main entry below. Designed for patient comfort, it provides built-in fabric benches every 20-30 feet for people to pause, rest ana enjoy the view.
Planning and des:gn was a collaborative process with staff, administrators and designers involved in developing design solutions.
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http://www.jianzhu01.com/General-hospital1007300248.htm
玛丽卫生院急诊中心(emergency room,st.mary‘s health center)
Completion cf the new emergency department marked the first major milestone in St. Mary‘s health Center‘s Project 2000 master facility plan to expand and modernise.
The program called for replacement of an undersized, outdated emergency room. Design elements included preservation of a park and views to the green space. The 2-storey addition has 18 larger, more private treatment rooms with access to private bathrooms. It also includes specialised heart care, OB-GYN, orthopaedics and psychiatric patient areas, and a decontamination room.
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http://www.jianzhu01.com/General-hospital1007300247.htm
vaasa中心医院(vaasa central hospital)
vaasa中心医院(vaasa central hospital)
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http://www.jianzhu01.com/General-hospital1007300246.htm
望京医院门诊楼
项目类型：医疗
建设地点：北京
总建筑面积：26000m2
设计年份：2006年
综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300245.htm
上海中冶职工医院改扩建工程
项目类型：医疗
建设地点：上海
总建筑面积：28369m2
设计年份：2006年
综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300244.htm
浙江省疾病控制中心
项目类型：医疗
建设地点：浙江杭州
总建筑面积：44986m2
设计／竣工年份：2006年／在建
综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300243.htm
上海仁济医院(一期)
项目类型：医疗
建设地点：上海
总建筑面积：41200m2
设计／竣工年份：1994年/1998年
综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300242.htm
解放军301医院
项目类型医疗
建设地点北京
总建筑面积：20万m2
设计年份：2005年
综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300241.htm
北京太阳城医院
北京太阳城医院
设计时间：1999年
建成时间：2004年
建设地点：北京市
建筑面积：9970m2
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http://www.jianzhu01.com/General-hospital1007300240.htm
北京藏医院
北京藏医院
设计时间：2001年
建成时间：2003年
建设地点：北京市
用地面积：15031m2
建筑面积：12590m2
北京藏医院是国家投资在首都北京兴建的以藏医为主，医疗、科研、教学相结合的国家级民族医院，它的建设对提高民族医疗水平、展示我们多民族国家的形象、弘扬民族文化有着重要的意义。
藏医是中国民族医学的代表，其理论规范、思维方式、技术手段、医德伦理都蕴含着藏民族传统文化的特征。北京藏医院，既是一座现代化的医疗机构，同时也是向世界展示民族文化的一个场所。民族医药特色与现代技术的结合是北京藏医院的基本特征，现代感与藏民族特色相结合成为北京藏医院设计的主题和灵魂。 北京藏医院设计在功能上以满足藏医药的特殊治疗手段如药浴的需要与现代医学诊疗技术相结合的要求为原则．功能分区明确、洁污分区明确、动静分区适宜、相互联系紧密，为病人创造一个优美舒适的就医环境．为医护人员提供安全方便卫生的工作条件。
在建筑造型和立面处理上为了体现藏式建筑的方形单元组合、门窗做重点装饰、色彩奔放等艺术特点，同时与21世纪的首都北京环境相协调，采用方形体块组合．墙面采用浅黄色面砖．顶层作深红色带配装饰檐口，局部窗户采用梯形窗框，利用现代材料及虚实对比的手法，塑造了一个庄重、自然、简洁而又不失民族特色的建筑，与相隔不远的西藏大厦、藏学研究中心、西藏中学等藏式特色建筑相呼应。
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http://www.jianzhu01.com/General-hospital1007300239.htm
公共医疗卫生服务局办公楼(Department of Health Services Office Building)
公共医疗卫生服务局办公楼(Department of Health Services Office Building) 美国
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http://www.jianzhu01.com/General-hospital1007300238.htm
山谷医疗中心(Valley Medical Center)
山谷医疗中心(Valley Medical Center)
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http://www.jianzhu01.com/General-hospital1007300237.htm
派米奥结核病疗养院（Paimio Tuberculosls Sanatorium）
位 置：芬兰 派米奥
建造时间：1929～1932年
阿尔瓦·阿尔托（Alvar Aalto）
19世纪20年代和19世纪30年代，芬兰健康方案以一种特殊的方式促进了地方当局发起创建范围广的结核病疗养院网和精神卫生机构。从一开始，阿尔托就对这些建筑项目感兴趣，并在许多竞赛中提交了作品，但只在派米奥疗养院的项目中胜出。他对病人护理的特殊理解建立在医术和建筑师的密切合作之上，他们的共同目的就是医治病人。建筑与医学艺术互动的一个很好例子就是派米奥的主席，他将靠
背中的某个角度进行调整来帮助病人呼吸。尽管这种在医疗界的新概念几乎没有说服管理部门。派米奥疗养院由于它的建筑风格而成为有名的康复中心。整个建筑的一翼是病房，另一翼是咖啡厅、厨房和其他常用房间。在两翼之间的交叉点集中体现了垂直运动。
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http://www.jianzhu01.com/General-hospital1007300236.htm
佛罗里达医院Celebration Health
佛罗里达医院的Celebration Health专为健康教育、疾病预防和早期干预而设计。
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http://www.jianzhu01.com/General-hospital1007300235.htm
密歇根州立大学艺术博物馆
由设计师Zaha Hadid(扎哈·哈迪德)设计的密歇根州立大学伊莱和伊迪特 布罗德（Eli and Edythe Broad）艺术博物馆方案。该大楼有三个层次上，包括一个地下室，将有18万平方英尺的展览空间。因此也将是一个教育中心，博物馆，商店，咖啡厅和工作人员的办事处。
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http://www.jianzhu01.com/General-hospital1007300234.htm
AA Hijmans van den Bergh医学院设计
AA Hijmans van den Bergh医学院设计
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http://www.jianzhu01.com/General-hospital1007300233.htm
Tla‘Amin社区卫生服务与多功能中心
原 名 称：Tla‘Amin Community Health + Multipurpose Centre
该Tla‘Amin原住民社区卫生服务与多功能中心设有初级综合医疗，牙科，社会服务和传统医疗设施。该社区位于北部鲍威尔河阳光海岸，原住民保护区。该建筑是一个多功能活动中心，为原住民提供理事会会议场所，社区卫生和文化以及其他会议设施。
The Tla‘Amin Community Health & Multi-purpose Centre houses the integrated primary medical， dental， social services and traditional healing programs for the Sliammon First Nation. The facility is located on the Sliammon Reserve， north of Powell River on the Sunshine Coast. The building is a multipurpose centre that will also house the Sliammon Band Council meetings and provide flexible space for the development of community health and cultural programs， as well as a conference facility.
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http://www.jianzhu01.com/General-hospital1007300232.htm
基斯皮奥克斯健康中心
原 名 称：Kispiox Health Centre
基斯皮奥克斯健康中心由一个小社区发展成为吉特克桑健康协会。该建筑提供了基本医疗，牙科，咨询和传统医疗设施，同时为协会会议提供空间。
The Kispiox Health Centre is a small facility developed for the Gitxsan Health Society. The building provides primary medical， dental， counseling and traditional healing programs as well as community meeting space.
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http://www.jianzhu01.com/General-hospital1007300231.htm
Broadmoor布罗德莫精神病院
2005西雅图美国建筑师联合会荣誉奖
2005年华盛顿建筑荣誉奖
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http://www.jianzhu01.com/General-hospital1007300230.htm
BANNER ESTRELLA医疗中心
BANNER ESTRELLA医疗中心
亚里桑那州凤凰城
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http://www.jianzhu01.com/General-hospital1007300229.htm
旗帜门医疗中心(BANNER GATEWAY MEDICAL CENTER)
旗帜门医疗中心(BANNER GATEWAY MEDICAL CENTER)
亚利桑那州 凤凰城
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http://www.jianzhu01.com/General-hospital1007300228.htm
华盛顿西南医疗中心(SOUTHWEST WASHINGTON MEDICAL CTR.)
华盛顿西南医疗重心(SOUTHWEST WASHINGTON MEDICAL CTR.)
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http://www.jianzhu01.com/General-hospital1007300227.htm
基督教医院心脏中心(CHRIST HOSPITAL HEART CENTER)
基督教医院心脏中心(CHRIST HOSPITAL HEART CENTER)
俄亥俄州，辛辛那提
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http://www.jianzhu01.com/General-hospital1007300226.htm
瑞典医学中心(SWEDISH MEDICAL CENTER)
瑞典医学中心(SWEDISH MEDICAL CENTER)
西雅图
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http://www.jianzhu01.com/General-hospital1007300225.htm
阿克斯胡斯大学医院
原 名 称：Nye Ahus(Nye Ahus， Akershus Universtiy Hospital)
Address :Akershus， Oslo
地址：挪威，奥斯陆
Size :137000 m2 (118000 m2 new building)
面积：137000平米（118000平米新建筑）
Year :2004-2008 (2011)
建筑年限：2004－2008（2011）
Competition year :2000
参与竞赛年：2000年
Prizes :2000 1st prize in international competition - after prequalification
奖项：2000国际竞赛资格预审一等奖
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http://www.jianzhu01.com/General-hospital1007300224.htm
Skejby科学公园
原 名 称：Science Park Skejby
Address ：Skejby， Aarhus， Denmark
地址：丹麦 奥尔胡斯
Size ：5500 sqm (when completed: 18000 sqm)
面积：5500平米（全部竣工18000平米）
Year ：2002-2004
建筑年限：2002－2004
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http://www.jianzhu01.com/General-hospital1007300223.htm
Skejby 医院
原 名 称：Skejby Hospital
Address :Skejby， Århus
地址：丹麦 奥胡斯
Size :148000 m2
面积：148000平米
Year :1982-2006
建筑年限：1982－2006
Prizes :1996 Århus Municipality Architecture Award
奖项：1996年奥胡斯市政建筑奖
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http://www.jianzhu01.com/General-hospital1007300222.htm
Vejle医院
原 名 称：Vejle Hospital
Address Vejle
地址：丹麦Vejle
Size 18000 sqm (new buildings)
面积：18000平米（新建筑）
Year 1985 - 2003
建筑年限：1985－2003
Prizes 1991 Vejle Countys Vejle Award
奖项：1991年Vejle市Vejle奖
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http://www.jianzhu01.com/General-hospital1007300221.htm
阿克胡斯青年精神病诊所
原 名 称：Youth Psychiatry clinic， Akershus
Address Akershus， Norway
地址：挪威，阿克胡斯
Size 2500 sqm
面积：2500平米
Year 2001-2002
建筑年限：2001－2002
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http://www.jianzhu01.com/General-hospital1007300220.htm
Rønne医院扩建
原 名 称：Hospital in Rønne， extension
Address Rønne， Bornholm
地址：丹麦 博恩霍尔姆
Size 5300 sqm (new buildings)
面积：5300平米（新建筑）
Year 1999-2001
建筑年限：1999－2001
Prizes 1996 Best offer in competition - after prequalification
奖项：1996最佳办公室资格预审竞赛奖
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http://www.jianzhu01.com/General-hospital1007300219.htm
Marselisborg centret
Address Århus
地址：阿胡斯
Size 1046
面积：1046平米
Year 1999
建筑年限：1999
Competition year 1996
参加竞赛年：1996
Prizes 1996 1st prize in competition - after prequalification
奖项：1996年资格预审一等奖
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http://www.jianzhu01.com/General-hospital1007300218.htm
Frederikshavn医院扩建
原 名 称：Frederikshavn Hospital， extension
Address Barfredsvej， Frederikshavn
地址：弗雷德里克斯 Barfredsvej
Size 8900 sqm
面积：8900平米
Year 1998-2000
建筑年限：1998－2000
Prizes 1997 1st prize in competition - after prequalification
奖项：1997资格预审第一名
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http://www.jianzhu01.com/General-hospital1007300217.htm
海宁医院教堂
原 名 称：Chapel ，Herning Hospital
Address Gl. Landevej， Herning
地址：丹麦 Herning
Size 360 sqm， plus 400 sqm renewal.
重建面积：360×400平米
Year 1999
建筑面积：1999
Prizes 2001 Herning Town Council Building Award
奖项：2001 Herning市议会建设奖
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http://www.jianzhu01.com/General-hospital1007300216.htm
奥胡斯市立医院
原 名 称：Aarhus Municipal Hospital
Address Nørrebrogade， Finsensgade， Nørre Boulevard， Trøjborgvej， Århus
地址：丹麦 奥胡斯
Size 170000 m2
面积：170000平米
Year 1931-1994
建筑年限：1931－1994
Prizes 1931 1st prize in open competition
奖项：1931年公开竞赛一等奖
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http://www.jianzhu01.com/General-hospital1007300215.htm
罗斯基勒州医院
原 名 称：Roskilde Amts Hospital in Koge
Address Køge
地址：丹麦Køge
Size 57000 m2
面积：57000平米
Year 1983-88
建筑年限：1983－1988
Prizes 1981 1st prize in invited competition
奖项：1981年邀请赛一等奖
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http://www.jianzhu01.com/General-hospital1007300214.htm
Hospicee Djursland
Address Følle Strand， Djursland
位置：Følle Strand， Djursland
Size 1900 m2
面积：1900平米
Year 2006-2007
建筑年限：2006－2007
Competition year 2006
参赛年：2006
Prizes 2006 1st prize in competition
奖项：2006建筑竞赛一等奖
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http://www.jianzhu01.com/General-hospital1007300213.htm
Kongebrocentret
Address Christiansfeld
位置：丹麦 克里斯钦斯菲尔德
Size 3000 m2
面积：3000平米
Year 2006-2007
建筑年限：2006－2007
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http://www.jianzhu01.com/General-hospital1007300212.htm
Musvagevej 护理院
Address Musvågevej 50， København NV
地址：丹麦 哥本哈根
Size 4444 m2
面积：4444平米
Year 2001-2002
建筑年限：2001－2002
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http://www.jianzhu01.com/General-hospital1007300211.htm
Plejehjemmet Aalholmhjemmet
Address Maribovej， Valby
位置：丹麦 Valby
Size 3512 m2
面积：3512平米
Year 2002-03
建筑年限：2002－2003年
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http://www.jianzhu01.com/General-hospital1007300210.htm
索非亚花园家庭和日间护理中心
原 名 称：Sofiegarden ，care home and day centre
Address Vejle
位置：丹麦 Vejle
Size 5500 m2
面积：5500平米
Year 2002
建筑年限：2002
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009010410442246_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009010410442246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009010410442246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009010410442246_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300209.htm
贝尔维尤医院中心门诊服务设施(Bellevue Hospital Center)
Ambulatory Care Facility
New York, New York
Completed 2005
美国纽约，2005年竣工
Lead Designer: Ian Bader
主设计师：Ian Bader
Gross Floor Area
210,000 s/f new construction; 138,000 s/f renovation
总面积：210000平米新建筑，138000翻新建筑
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http://www.jianzhu01.com/General-hospital1007300208.htm
雅可比医疗中心现代化建设二期（Jacobi Medical Center Phase II Modernizations）
Bronx, New York Completed 2008
纽约，布朗克斯 2008年竣工
Lead Designer: Ian Bader
主设计师：Ian Bader
Gross Floor Area
127,000 s/f new construction; 45,000 s/f renovation
总面积：127000平米新建筑，45000平米革新
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http://www.jianzhu01.com/General-hospital1007300207.htm
圣路易斯儿童医院 奥尔森家庭花园(The Olson Family Garden St.Louis Children s Hospital)
St.Louis, Missouri,USA
Mackey Mitchell Associates in association with EDAW,Inc.
美国,密苏里州，圣路易斯
设计师：麦基米切尔合伙人事务所 EDAW设计有限公司
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http://www.jianzhu01.com/General-hospital1007300206.htm
西班牙毕尔巴鄂Basque健康局( Basque Health Department Headquarters)
西班牙毕尔巴鄂 Basque 健康局( Basque Health Department Headquarters)的新总部大楼，Kool！来自 Coll-Barreu 建筑事务所的设计。
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http://www.jianzhu01.com/General-hospital1007300205.htm
Gleichenber温泉理疗中心(Gleichenberg Thermal Bath)
设计师：Jensen & Skodvin Arkitektkontor 建筑师事务所
健身休闲建筑
位置：澳大利亚 Bad Gleichenberg
设计期限：2005-2007
建筑期限：2005-2008
预算：1000000欧元
建筑面积：17500平米
该温泉理疗中心坐落在奥地利Gleichenber市一个受保护的公园内，设计来自于Jensen & Skodvin Arkitektkontor。这家温泉理疗中心大约包括50个不同的药物治疗房间，并且还提供了四星级温泉酒店，其中包括提供给客人的几个不同的餐馆，咖啡馆以及一个可供治疗区域患者和其他客人公开使用的温泉浴。
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http://www.jianzhu01.com/General-hospital1007300204.htm
圣保罗济科私人休养所
原 名 称：São Chico Private Retreat
设计师：Paralelo工作室
性质：住宅建筑
位置：巴西 圣保罗
占地面积：1610平米
建筑面积：82平米
项目年限：2006
建筑年限：2007
一个周末休闲的场所，这就是这座休养所承建的目的。它坐落在圣弗朗西斯科丝卡德保，山区地区的南里奥格兰德州，距离阿雷格里港100公里以外。这座建筑位于中心区域，周围森林环抱，建筑本身克服了角度倾斜的问题，地面用钢筋混凝土稳固，同时避免房屋底部受潮。
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http://www.jianzhu01.com/General-hospital1007300203.htm
阿卡迪亚医院
原 名 称：Acadia Hospital
Bangor ME
Healthcare
AIA New England Healthcare Facilities Design Honor Award for Design Excellence
卫生保健类建筑
美国建筑师协会新英国卫生保健设施设计奖－设计荣誉奖
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011710542132_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011710542132_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011710542132_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011710542132_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300202.htm
美国亚利桑那州立医院
原 名 称：Arizona State Hospital
Civil Adolescent Behavioral Health Hospital
Phoenix, AZ
公民与青少年行为健康医院
亚利桑那州 菲尼克斯
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711063438_6.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300201.htm
BJC华盛顿大学医学中心
原 名 称：BJC Washington University Medical Center
Center for Advanced Medicine and Siteman Cancer Center
St. Louis, MO
Modern Healthcare AIA Academy of Architecture for Health Honorable Mention
高级医疗和定点癌症中心
美国 密苏里州 圣路易斯
现代医疗保健/美国建筑师协会建筑科学荣誉题名奖
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http://www.jianzhu01.com/General-hospital1007300200.htm
巴尔的摩华盛顿医疗中心
原 名 称：Baltimore Washington Medical Center
Tate Cancer Center
Glen Burnie, MD
AIA Baltimore Chapter - AIA Honorable Mention
塔特癌症中心
美国 马里兰州 巴尔的摩 Glen Burnie, MD
美国建筑师协会巴尔的摩建筑题名荣誉奖
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711153445_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300199.htm
浸信医学中心
原 名 称：Baptist Medical Center
Heart Hospital at Baptist
Jacksonville, FL
Modern Healthcare AIA Academy of Architecture for Health Citation for Design Excellence
浸信医学中心
浸会心脏医院
佛罗里达州，杰克逊维尔
现代卫生保健/美国建筑师协会建筑科学院——设计引用杰出奖
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711173054_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300198.htm
巴塞特医疗卫生中心
原 名 称：Bassett Healthcare
Mary Imogene Bassett Hospital, Ambulatory Care Center
Cooperstown, NY
巴塞特玛丽伊莫金医院，门诊中心
纽约 Cooperstown
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711193041_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711193041_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711193041_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711193041_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300197.htm
波士顿医疗中心
原 名 称：Boston Medical Center
Boston, MA
AIA New England Healthcare Facilities Design Honor Award for Design Excellence
马萨诸塞州 波士顿
美国建筑师协会英国卫生保健设施设计荣誉奖
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711301146_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711301146_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711301146_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009011711301146_4.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300196.htm
布里格姆妇女医院
原 名 称：Brigham Womens Hospital
Shapiro Cardiovascular Center
Boston, MA
夏皮罗心血管中心
马萨诸塞州 波士顿
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http://www.jianzhu01.com/General-hospital1007300195.htm
新奥尔良研究和教育大厦儿童医院
原 名 称：Childrens Hospital of New Orleans Research and Education Building
New Orleans LA
New Orleans Magazine Best of New Orleans Architecture
洛杉矶 新奥尔良
新奥尔良的杂志评最好的新奥尔良建筑
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http://www.jianzhu01.com/General-hospital1007300194.htm
以色列儿童医疗中心
原 名 称：Childrens Medical Center of Israel
Childrens Medical Center of Israel
Petah Tikva, Israel
以色列 Petah Tikva
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http://www.jianzhu01.com/General-hospital1007300193.htm
仁爱女慈善健康系统全国总部
National Headquarters
美国圣路易市
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http://www.jianzhu01.com/General-hospital1007300192.htm
新泽西州精神健康研究治疗所
埃塞克斯县医疗中心
美国新泽西州 锡达格罗夫
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http://www.jianzhu01.com/General-hospital1007300191.htm
米拉德菲尔莫尔郊区医院
原 名 称：Millard Fillmore Suburban Hospital
Kaleida Health System
Buffalo, NY
Kaleida 卫生系统
纽约 布法罗
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http://www.jianzhu01.com/General-hospital1007300190.htm
Karmanos癌症研究所
原 名 称：Karmanos Cancer Institute
Weisberg Cancer Center
Detroit, MI
维斯贝格癌症研究中心
美国密歇根州，底特律
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http://www.jianzhu01.com/General-hospital1007300189.htm
圣母玛利亚医院
原 名 称：Mount St Marys Hospital
Our Lady of Peace Skilled Nursing Facility
Lewiston, NY
AIA Western New York Design Excellence Award
和平圣母技术互利处
纽约 刘易斯顿
美国建筑师协会纽约——杰出设计奖
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http://www.jianzhu01.com/General-hospital1007300188.htm
安大略省卫生部心理健康惠特中心
原 名 称：Ontario Ministry of Health Whitby Mental Health Centre
Whitby, ON
Modern Healthcare/AIA Academy of Architecture for Health - Citation for Design Excellence
加拿大 安大略省
现代医疗卫生/美国建筑师协会建筑健康——设计杰出引用奖
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http://www.jianzhu01.com/General-hospital1007300187.htm
南拿骚社区医院北区扩建
原 名 称：South Nassau Communities Hospital
North Addition
Oceanside NY
纽约 欧辛塞德
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http://www.jianzhu01.com/General-hospital1007300186.htm
圣安东尼医学中心
原 名 称：St Anthonys Medical Center
Heart Surgical Pavilion and Pediatric Emergency
St Louis MO
心外科和急救中心
密苏里州 圣路易斯
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http://www.jianzhu01.com/General-hospital1007300185.htm
健康联盟
原 名 称：The Health Alliance
Lindner Center of HOPE Behavioral Health Hospital
Cincinnati OH
林德纳希望中心行为健康医院
俄亥俄州 辛辛那提
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http://www.jianzhu01.com/General-hospital1007300184.htm
女性健康中心(Women Health Centre)
女性健康中心(Women Health Centre)
设计师：FARE
设计年限：2005
建筑年限：2006-2007
占地面积：1600平米
建筑面积：500平米
预算：267067美元
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http://www.jianzhu01.com/General-hospital1007300183.htm
Skanderborggade日间护理中心(Skanderborggade Day Care Centre)
Skanderborggade日间护理中心(Skanderborggade Day Care Centre)
设计师：Dorte Mandrup建筑事务所
教育建筑
位置：丹麦 哥本哈根
项目年限：2005
该日托中心位于一座于1957-1972年间建立的住宅区内，是哥本哈根市建筑密集区中的一块“绿洲”。这一住宅区为富人区，建筑质量很高，这里生活了许多富有学时的当代艺术家。所有住宅楼的相似性使得这里显得更加统一和谐。在路的一边有一座宫殿式建筑，另一边则是一排多功能的平房，南边是另一个高密度的住宅区Naestvedgade。
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http://www.jianzhu01.com/General-hospital1007300182.htm
INCS ZERO FACTORY
日本 长野
性质：展示工厂
面积：86021平方英尺
名称：INCS ZERO FACTORY
SPECS FACILITY Showroom factory
SIZE 86,021 sq. ft / 7,991 sq. m
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http://www.jianzhu01.com/General-hospital1007300181.htm
费城儿童医院（THE CHILDRENS HOSPITAL OF PHILADELPHIA）
美国 宾州 费城
性质：医院扩建
面积：500000平方英尺
PHILADELPHIA, PA, USA
SPECS FACILITY Hospital expansion and reclad
SIZE 500,000 sq. ft
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http://www.jianzhu01.com/General-hospital1007300180.htm
威斯康星大学工程中心大厦（UNIVERSITY OF WISCONSIN ENGINEERING CENTERS BUILDING）
性质：学术设施
面积：205000平方英尺
竣工：2002
MADISON, WI, USA
SPECS FACILITY Mixed-Use academic facility
SIZE 205,000 sq.f / 19,045 sq.m
STATUS Completed 2002
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http://www.jianzhu01.com/General-hospital1007300179.htm
国王县医院中心-二期
竣工年限：2005
占地面积：44英亩
项目面积：245000平方英尺
建筑高度：85英尺
层数：5
Brooklyn, New York
Completion Year: 2005
Site Area: 44 acres
Project Area: 245,000 ft2
Building Height: 85 ft
Number of Stories: 5
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http://www.jianzhu01.com/General-hospital1007300178.htm
萨瑟兰医院重建
原 名 称：Sutherland hospital redevelopment
日期：2004
位置：澳大利亚 悉尼
成本：￥7900万澳元
Date:2004
Location:Surtherland Hospital,Caringbah,Sydney,Australia
Cost:$79million(Australian)
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http://www.jianzhu01.com/General-hospital1007300177.htm
杜克大学医学中心和健康系统
原 名 称：Duke University Medical Center and Health System
美国北卡罗来纳州 达勒姆
Durham, NC
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http://www.jianzhu01.com/General-hospital1007300176.htm
纪念斯隆凯特琳癌症中心
原 名 称：Memorial Sloan Kettering Cancer Center
New York, NY
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311411639_8.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300175.htm
纽约大学Langone医学中心
原 名 称：NYU Langone Medical Center
纽约
New York, NY
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311434349_9.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300174.htm
皇后医院中心门诊馆
原 名 称：Queens Hospital Center Ambulatory Care Pavilion
纽约
New York, NY
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http://www.jianzhu01.com/General-hospital1007300173.htm
西奈山医疗中心高级医学中心
原 名 称：Mount Sinai Medical Center Center for Advanced Medicine
纽约
New York, NY
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022311555438_6.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300172.htm
纽约市办公室体检报告生物学DNA取证实验室
原 名 称：New York City Office of the Chief Medical Examiner (OCME) DNA Forensics Biology Laboratory
美国 纽约
New York, NY
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009022314262241_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300171.htm
圣伊丽莎白基督医院门诊馆
原 名 称：Christus St.Elizabeth Hospital Outpatient Pavilion
251000平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213380253_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213380253_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213380253_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213380253_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213380253_5.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300170.htm
巴恩斯犹太医院高级医学中心
原 名 称：Barnes-Jewish Hospital Center for Advanced Medicine
100平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213420547_6.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300169.htm
健康网络大学临床服务大厦，多伦多总医院
原 名 称：Clinical Services Building for the university Health Network, Toronto General Hospital
健康网络大学临床服务大厦，多伦多总医院（Clinical Services Building for the university Health Network, Toronto General Hospital）
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009031213432753_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007300168.htm
西北纪念医院
原 名 称：Northwestern Memorial Hospital
210万平方英尺
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http://www.jianzhu01.com/General-hospital1007300167.htm
洛杉矶县+南加州大学医学中心
原 名 称：los Angeles + University of Southern California Medical Center
150万平方英尺
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http://www.jianzhu01.com/General-hospital1007300166.htm
蒙特里半岛社区医院
原 名 称：Community Hospital of the Monterey Peninsula
270000 平方英尺
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http://www.jianzhu01.com/General-hospital1007300165.htm
圣伊丽莎白基督教医院日间护理中心
原 名 称：Christus St.Elizabeth Hospital Ambulatory Care Center
251000平方英尺
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http://www.jianzhu01.com/General-hospital1007300164.htm
美国俄亥俄州立大学生物医学研究大楼
原 名 称：Ohio State University, Biomedical Research Tower
日期：2006
成本：98900000美元
面积：400000平方英尺
Date:2006
Cost:$98900000
Area:400000sf
Location: Columbus,OH
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http://www.jianzhu01.com/General-hospital1007300163.htm
LVH-CAH肝炎心脏病专家
原 名 称：LVH-Cedar Crest, CAH, Heart Specialists
Date:2008
Area:29785sf
Location: Allentown,PA
日期：2008
面积：29785平方英尺
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http://www.jianzhu01.com/General-hospital1007300162.htm
利哈伊谷医院
原 名 称：Lehigh valley Hospital-Cedar Crest
日期：2008
成本：154000000美元
面积：542000平方英尺
Date:2008
Cost:$154000000
Area:542000sf
Location: Allentown ,PA
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http://www.jianzhu01.com/General-hospital1007300161.htm
海德堡大学医务室
原 名 称：MEDICAL CLINIC OF UNIVERSITY OF HEIDELBERG
占地面积：269000平方英尺
总面积：572.432平方英尺
建筑期限：2000-2004
Floor space :269000sq.ft.
gross floor area:572.432sq.ft
period of realisation:2000-2004
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http://www.jianzhu01.com/General-hospital1007300160.htm
德国Munsingen市白蛋白医院
原 名 称：ALB HOSPITAL MUNSINGEN
德国Munsingen市白蛋白医院
占地面积：65636平方英尺
总面积：129658平方英尺
ALB HOSPITAL MUNSINGEN
Floor sapce:65636sq.ft
gross floor area:129658sq.ft
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http://www.jianzhu01.com/General-hospital1007300159.htm
ASCHAU整形外科医药门诊中心
原 名 称：ASCHAU ORTHOPAEDIC PADEIATRIC CLINICAL CENTRE
施工期限：2002-2004
占地面积：26900平方英尺
总面积：64560平方英尺
NICKL&PARTNER ARCHITECKTEN
Period of realisation:2002-2004
floor space:26900sq.ft
gross floor area:64560sq.ft
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http://www.jianzhu01.com/General-hospital1007300158.htm
Agatharied医院
原 名 称：AGATHARIED HOSPITAL
建筑期限：1994-1998
占地面积：241024平方英尺
总面积：497117平方英尺
NICKL&PARTNER ARCHITECKTEN
Period of realisation:1994-1998
floor space:241024sq.ft.
gorss floor area:497117sq.ft.
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http://www.jianzhu01.com/General-hospital1007300157.htm
纽伦堡北门诊中心
原 名 称：NUREMBERG NORTH CLINICAL CENTRE
Period of realisation:1999-2003
floor space:194756sq.ft.
gross floor area:408880sq.ft
施工期限：1999-2003
占地面积：194756平方英尺
总面积：408880平方英尺
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http://www.jianzhu01.com/General-hospital1007300156.htm
上普法尔茨地区市政门诊中心
原 名 称：MUNICPAL CLINICAL CENTRE WEIDEN IN DER OBERPFALZ
施工期限：25824平方英尺
总面积：34432平方英尺
NICKL PARTNER ARCHITEKTEN
Period of realiasaiton:1997-1998
floor space:25824sq.ft.
gross floor area:34432sq.ft
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http://www.jianzhu01.com/General-hospital1007300155.htm
符兹堡大学门诊中心
原 名 称：UNIVERSITY OF WURZBURG CLINICAL CENTRE
符兹堡大学门诊中心
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http://www.jianzhu01.com/General-hospital1007300154.htm
太阳神门诊中心
原 名 称：HELIOS CLINICAL CENTRE BERLIN-BUCH
施工期限：2004-2006
占地面积：484200平方英尺
总面积：968400平方英尺
TMK ARCHITECKTEN INGENIEURE
Period of realisation:2004-2006
floor space:484200sq.ft.
gross floor area:968400sq.ft.
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http://www.jianzhu01.com/General-hospital1007300153.htm
VIVANTES门诊中心
原 名 称：VIVANTES CLINICAL CENTRE NEUKOLLN,BERLIN
施工期限：2003-2005
占地面积：63613平方英尺
总面积：132456平方英尺
Period of realisation:2003-2005
floor space:63613sq.ft
gross floor area:132456sq.ft.
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http://www.jianzhu01.com/General-hospital1007300152.htm
勃兰登堡/哈维尔市政门诊中心
原 名 称：MUNICIPAL CLINICAL CENTRE BRANDENBURG/HAVEL
施工期限：1999-2003
占地面积：77138平方英尺
总面积：155557平方英尺
period of realisation:1999-2003
floor space:77138sq.ft
gross floor area:155557sq.ft.
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http://www.jianzhu01.com/General-hospital1007300151.htm
马尔堡菲利普大学门诊中心
原 名 称：MARBURG PHILIPPS UNIVERSITY CLINICAL CENTRE
施工期限：2002-2005
占地面积：18292平方英尺
总面积：333560平方英尺
ARCHITEKTEN GRUPPE EGGERT+PARTNER
Period of realisation:2002-2005
floor area:182920sq.ft
gross floor area:333560sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114165937_7.jpg综合医院2010-07-30
http://www.jianzhu01.com/General-hospital1007290150.htm
波罗的海医院
原 名 称：BALTIC SEA HOSPITAL,DIERHAGEN
占地面积：100186平方英尺
总面积：157096平方英尺
THOMSA SCHINDLER
Floor space:100186sq.ft
gross floor area:157096sq.ft
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http://www.jianzhu01.com/General-hospital1007290149.htm
里布尼茨-达姆加滕湾门诊中心
原 名 称：BODDEN CLINICAL CENTRE,RIBNITZ-DAMGARTEN
占地面积：80700平方英尺
总面积：156558平方英尺
Floor space:80700sq.ft
gross floor area:156558sq.ft
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http://www.jianzhu01.com/General-hospital1007290148.htm
克雷菲尔德门诊中心
原 名 称：KREFELD CLINICAL CENTRE
施工期限：2002-2005
占地面积：49496平方英尺
总面积：130734平方英尺
Period of realisation:2002-2005
floor space:49496sq.ft
gross floor area:130734sq.ft
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http://www.jianzhu01.com/General-hospital1007290147.htm
卡尔古斯塔夫卡鲁斯德累斯顿大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE CARL GUSTAV CARUS DRESDEN
施工期限：2000-2003
占地面积：152921平方英尺
总面积：323198平方英尺
Period of realisation:2000-2003
floor spcae:152921sq.ft
gross floor area:323198sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040114314957_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290146.htm
罗伯特科赫门诊中心
原 名 称：ROBERT KOCH CLINICAL CENTRE,LEIPZIG
施工期限：2001-2004
占地面积：50125平方英尺
总面积：104619平方英尺
Period of realisation:2001-2004
floor space:50125sq.ft
gross floor area:104619sq.ft
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http://www.jianzhu01.com/General-hospital1007290145.htm
莱比锡ST.GEORG门诊中心
原 名 称：MUNICIPAL CLINICAL CENTRE ST.GEORG LEIPZIG
施工期限：1999-2002
占地面积：128786平方英尺
总面积：252860平方英尺
Period of realisation:1999-2002
floor space:128786sq.ft
gross floor area:252860sq.ft
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http://www.jianzhu01.com/General-hospital1007290144.htm
奥伊廷东部荷斯坦医院
原 名 称：EASTERN HOLSTEIN HOSPITAL EUTIN
施工期限：1999-2002
占地面积：115864平方英尺
总面积：228833平方英尺
SCHNITTGER ARCHITEKTEN
Period of realisation:1999-2002
floor space:115864sq.ft
gross floor area:228833sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210431959_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210431959_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210431959_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210431959_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210431959_5.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290143.htm
Schleswig - Holstein州吕贝克大学门诊中心
原 名 称：SCHLESWIG-HOLSTEIN UNIVERSITY CLINICAL CENTRE
建设期限：1980-2006
占地面积：484200平方英尺
总面积：1506400平方英尺
LUBECK CAMPUS
TONIES+SCHROETER+JANSEN
Period of realisation:1980-2006
floor space:484200sq.ft
gross floor area:1506400sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210483337_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290142.htm
罗伯特科赫医院
原 名 称：ROBERT KOCH HOSPITAL,APOLDA
施工期限：1999-2003
占地面积：118059平方英尺
总面积：254108平方英尺
Period of realisation:1999-2003
floor space:118059sq.ft
gross floor area:254108sq.ft
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http://www.jianzhu01.com/General-hospital1007290141.htm
ST.JOHANN NEPOMUK 天主教医院
原 名 称：CATHOLIC HOSPITAL OF ST.JOHANN NEPOMUK,ERFURT
施工期限：1999-2003
占地面积：199060平方英尺
总面积：462680平方英尺
Period of realisation:1999-2003
floor area:199060sq.ft
gross floor area:462680sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040210564850_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290140.htm
赫利俄斯区医院
原 名 称：HELIOS DISTRICT HOSPITAL GOTHA/OHRDRUF
施工期限：1998-2001
建筑面积：145400平方英尺
总面积：311373平方英尺
WOERNER UND PARTNER
Period of realisation:1998-2001
floor space:145400sq.ft
gross floor area:311373sq.ft
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http://www.jianzhu01.com/General-hospital1007290139.htm
席勒大学临床中心
原 名 称：CLINICAL CENTRE OF THE FRIEDRICH SCHILLER UNIVERSITY OF JENA
施工期限：1999-2004
占地面积：322800平方英尺
总面积：725224平方英尺
WPA WORSCHECH PARTNER ARCHITEKTEN
Period of realisation:1999-2004
floor sapce:322800sq.ft
gross floor area:725224sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211170648_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290138.htm
SOPHIEN及HUFE土地门诊中心
原 名 称：SOPHIEN AND HUFELAND CLINICAL CENTRE WEIMAR
施工期限：1994-1998
占地面积：301581平方英尺
总面积：622132平方英尺
Period of realisation:1994-1998
floor space:301581sq.ft
gross floor area:622132sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211200551_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290137.htm
布鲁克/穆尔国立医院
原 名 称：BRUCK/MUR STATE HOSPITAL
施工期限：1990-1993
占地面积：172160平方英尺
总面积：309888平方英尺
DOMENIG EISENKOCK GRUBER ZINGANEL
Period of realisation:1990-1993
floor space:172160sq.ft
gross floor area:309888sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211233452_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290136.htm
格拉茨西部州立医院
原 名 称：GRAZ-WEST STATE HOSPITAL
施工期限：1998-2002
占地面积：191528平方英尺
总面积：335712平方英尺
DOMENIG EISENKOCK GRUBER
Period of realisation:1998-2002
floor space:191528sq.ft
gross floor area:335712sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211324434_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290135.htm
HARTBERG州立医院
原 名 称：HARTBERG STATE HOSPITAL
施工期限：1996-1999
占地面积：121588平方英尺
KLAUS KADA
Period of realsation:1996-1999
floor space:121588sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211365450_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211365450_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211365450_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211365450_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211365450_5.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290134.htm
因斯布鲁克大学门诊中心
原 名 称：INNSBRUCK UNIVERSITY CLINICAL CENTRE
施工期限：1998-2001
占地面积: 165898平方英尺
总面积：315645平方英尺
Period of realisation:1998-2001
floor space:165898sq.ft
gross floor area:315645sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211395557_8.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290133.htm
萨尔茨堡DIAKONIE中心
原 名 称：SALZBURG DIAKONIE CENTRE
施工期限：1991-1993
占地面积：61504平方英尺
总面积：102231平方英尺
period of realisation:1991-1993
floor space:61504sq.ft
gross floor area:102231sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211423948_8.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290132.htm
维也纳索菲医院
原 名 称：SOPHIE HOSPITAL VIENNA
设计师：施工期限：1997-1999
占地面积：50572平方英尺
总面积：60794平方英尺
ARCHITEKT MARTIN KOHLBAUER
Period of realisation:1997-1999
floor space:50572sq.ft
gross floor area:60794sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040211482438_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290131.htm
明爱医院
原 名 称：CARITAS HOSPITAL BAD MERGENTHEIM
施工期限：1993-2001
占地面积：205516平方英尺
总面积：441160平方英尺
arcass freie architekten
period of realisation:1993-2001
floor space:205516sq.ft
gross floor area:441160sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212020233_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290130.htm
德国BOBLINGEN区医院
原 名 称：BOBLINGEN DISTRICT HOSPITAL
施工期限：2002-2006
占地面积：74244平方英尺
总面积：177002平方英尺
FREUDENFELD+KRAUSEN+WILL ARCHITEKTEN
period of realisation:2002-2006
floor space:74244sq.ft
gross floor area:177002sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040212052255_10.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290129.htm
AALEN OSTALB门诊中心
原 名 称：AALEN OSTALB CLINICAL CENTRE
施工期限：2002-2004
占地面积：104641平方英尺
总面积：96668平方英尺
IAP ISIN ARCHITEKTEN GENERALPLANER
Period of realisation:2002-2004
floor space:104641sq.ft
gross floor area:96668sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213235749_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/nopic2.gif综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290128.htm
斯图加特DIAKONIE门诊中心
原 名 称：DIAKONIE CLINICAL CENTRE STUTTGART
施工期限：2001-2007
占地面积：250708平方英尺
总面积：494960平方英尺
ARCASS FREIE ARCHITEKTEN
period of realisation:2001-2007
floor space:250708sq.ft
gross floor area:494960sq.ft
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http://www.jianzhu01.com/General-hospital1007290127.htm
斯图加特罗伯特博世医院
原 名 称：ROBERT BOSCH HOSPITAL,STUTTGART
施工期限：2002-2007
占地面积；355080平方英尺
总面积：774720平方英尺
ARCASS FREIE ARCHITEKTEN
Period of realisation:2002-2007
floor space:355080sq.ft
gross floor area:774720sq.ft
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http://www.jianzhu01.com/General-hospital1007290126.htm
德国ERDING区医院
原 名 称：ERDING DISTRICT HOSPITAL
施工期限：1999-2006
占地面积：167426平方英尺
总面积：412033平方英尺
RRP ARCHITEKTEN+INGENIEURE
period of realisation:1999-2006
floor space:167426sq.ft
gross floor area:412033sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213422857_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290125.htm
德国KEMPTEN-OBERALLGAU 门诊中心
原 名 称：KEMPTEN-OBERALLGAU CLINICAL CENTRE
施工期限：1997-2009
RRP ARCHITEKTEN+INGENIEURE
Period of realisation:1997-2009
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213461833_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290124.htm
慕尼黑ISAR河右侧门诊中心
原 名 称：CLINICAL CENTRE RIGHT OF THE ISAR RIVER,MUNICH
施工期限：2003-2006
占地面积：112980平方英尺
总面积；241024平方英尺
freudenfeld+krausen+will architekten
period of realisation:2003-2006
floor space:112980sq.ft
gross floor area:241024sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040213543434_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290123.htm
慕尼黑红十字医院
原 名 称：MUNICH RED CROSS HOSPITAL
建筑期限：1989-2009
占地面积：117219平方英尺
总面积：294243平方英尺
RRP ARCHITEKTEN+INGENIEURE
Period of realisation:1989-2009
floor space:117219sq.ft
gross floor area:294243sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040214064432_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290122.htm
柏林VIVANTES门诊中心
原 名 称：VIVANTES CLINICAL CENTRE SPANDAU,BERLIN
施工期：1996-1999
占地面积：161615平方英尺
总面积：342706平方英尺
period of realisation:1996-1999
floor space:161615sq.ft
gross floor area:342706sq.ft
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http://www.jianzhu01.com/General-hospital1007290121.htm
弗里德里希柏林VIVANTES门诊中心
原 名 称：VIVANTES CLINICAL CENTRE,FRIEDRICHSHAIN BERLIN
施工年限：2000-2002
占地面积：110828平方英尺
总面积；225960平方英尺
STEPHAN HOHNE ARCHITEKTEN
Period of realisation:2000-2002
floor space:110828sq.ft
gross floor area:225960sq.ft
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http://www.jianzhu01.com/General-hospital1007290120.htm
赫利俄斯门诊中心
原 名 称：HELIOS CLINICAL CENTRE EMIL VON BEHRING,BERLIN-ZEHLENDORF
施工期：1992-1998
占地面积：167856平方英尺
总面积：137728平方英尺
Period of realisation:1992-1998
floor space:167856sq.ft
groos floor area:137728sq.ft
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http://www.jianzhu01.com/General-hospital1007290119.htm
德国红十字会医院
原 名 称：GERMAN RED CROSS HOSPITAL LUCKENWALDE
施工期限：1994-2005
占地面积：105125平方英尺
总面积：327104平方英尺
TMK ARCHITEKTEN INGENIEURE
Period of realisation:1994-2005
floor space:105125sq.ft
gross floor area:327104sq.ft
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http://www.jianzhu01.com/General-hospital1007290118.htm
MUNICH-NEUPERLACH医院
原 名 称：HOSPITAL MUNICH-NEUPERLACH
施工期限：2002-2005
占地面积：44331平方英尺
总面积：86876平方英尺
Period of realisation:2002-2005
floor sapce:44331sq.ft
gross floor area:86876sq.ft
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http://www.jianzhu01.com/General-hospital1007290117.htm
纽伦堡玛莎玛丽医院
原 名 称：MARTHA MARY HOSPITAL,NUREMBERG
建筑期限：2000-2007
占地面积:69940平方英尺
总面积：139880平方英尺
Period of realisation:2000-2007
floor space:69940sq.ft
gross floor area:139880sq.ft
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http://www.jianzhu01.com/General-hospital1007290116.htm
罗森海姆门诊中心
原 名 称：ROSENHEIM CLINICAL CENTRE
构建期限：1991-2009
RRP ARCHITEKTEN+INGENIEURE
Period of realisation:1991-2009
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http://www.jianzhu01.com/General-hospital1007290115.htm
施韦因福特ST.JOSEF医院
原 名 称：ST.JOSEFS HOSPITAL,SCHWEINFURT
构建期：1989-2001
占地面积：127345平方英尺
总面积：254431平方英尺
LUKAS ARCHITEKTEN
Period of realisation:1989-2001
floor space:127345sq.ft
gross floor area:254431sq.ft
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http://www.jianzhu01.com/General-hospital1007290114.htm
BERLIN-TREPTOW医院
原 名 称：HEDWIGSHOHE HOSPITAL,BERLIN-TREPTOW
构建期：1998-2006
占地面积：129120平方英尺
总面积:250708平方英尺
period of realisation:1998-2006
floor sapce:129120sq.ft
gross floor area:250708sq.ft
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http://www.jianzhu01.com/General-hospital1007290113.htm
汉堡大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE HAMBURG-EPPENDORF
施工期限：
整形外科门诊：2000-2002
中央接待中心：2000-2003
神经外科：1996-1998
整形外科：24533平方英尺
神经外科：50572平方英尺
TONIES+SCHROETER+JANSEN
period of realsiation:
orthopaedic clinic:2000-2002
central admission:2000-2003
neurosurgery:1996-1998
floor space:
orthopaedic clinic:24533sq.ft
neurosurgery:50572sq.ft
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http://www.jianzhu01.com/General-hospital1007290112.htm
卡塞尔门诊中心
原 名 称：KASSEL CLINICAL CENTRE
建造期：1991-2005
占地面积：172268平方英尺
总面积：361590平方英尺
period of realisation:1991-2005
floor sapce:172268sq.ft
gross floor area:361590sq.ft
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http://www.jianzhu01.com/General-hospital1007290111.htm
REIFSWALD大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE REIFSWALD
REIFSWALD大学门诊中心
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http://www.jianzhu01.com/General-hospital1007290110.htm
KARLSBURG门诊中心
原 名 称：KARLSBURG CLINICAL CENTRE
占地面积：126430平方英尺
总面积：202288平方英尺
RAUH DAMM STILLER PARTNER
MIT GUTH JAHNS
Period of realisation:1994-1997
floor space:126430sq.ft
gross floor area:202288sq.ft
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http://www.jianzhu01.com/General-hospital1007290109.htm
KARLSBURG门诊中心
原 名 称：ROSTOCK CLINICAL CENTRE SOUTH
施工期限：2000-2004
占地面积：285140平方英尺
总面积：511100平方英尺
INROS LACKNER AG
Period of realisation:2000-2004
floor space:285140sq.ft
gross floor area:511100sq.ft
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http://www.jianzhu01.com/General-hospital1007290108.htm
罗斯托克大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE OF ROSTOCK
施工期限：2000-2004
占地面积：70650平方英尺
总面积：147950平方英尺
Period of realisation:2000-2004
floor space:70650sq.ft
gross floor area:147950sq.ft
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http://www.jianzhu01.com/General-hospital1007290107.htm
汉诺威亨丽埃特基金会
原 名 称：HENRIETTE FOUNDATION,HANOVER
施工期限：1999-2002
占地面积： 59180平方英尺
总面积：116208平方英尺
ARCHITEKTENGRUPPE SCHWEITZER+PARTNER
Period of realisation:1999-2002
floor space:59180sq.ft
gross floor area:116208sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713163940_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290106.htm
沃尔夫斯堡临床中心
原 名 称：CLINICAL CENTRE OF THE CITY OF WOLFSBURG
施工期：2003-2005
占地面积：94688平方英尺
总面积：189376平方英尺
Reriod of realisation:2003-2005
floor space:94688sq.ft
gross floor area:189376sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713215359_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713215359_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713215359_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713215359_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040713215359_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290105.htm
杜塞尔多夫大学门诊中心
原 名 称：UNIVERSITY OF DUSSELDORF CLINIACL CENTRE
施工期：2004-2005
占地面积：20014平方英尺
总面积：36810平方英尺
Period of realisation:2004-2005
floor space:20014sq.ft
gross floor area:36810sq.ft
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http://www.jianzhu01.com/General-hospital1007290104.htm
埃森大学门诊中心
原 名 称：UNIVERSITY OF ESSEN CLINICAL CENTRE
LUDES ARCHITEKTEN NIGENIEURE
Period of realisation:1999-2003
floor space:74567sq.ft
gross floor area:151963sq.ft
施工期：1999-2003
占地面积：74567平方英尺
总面积：151963平方英尺
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http://www.jianzhu01.com/General-hospital1007290103.htm
圣灵宾格医院
原 名 称：HOSPITAL OF THE HOLY SPIRIT,BINGER
构建期：1991-2006
占地面积：132423平方英尺
总面积：267171平方英尺
FAUST CONSULT
Period of realisation:1991-2006
floor space:132423sq.ft
gross floor area:267171sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714102236_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290102.htm
路德维希/莱茵工人补偿险诊所
原 名 称：WORKMENS COMPENSATION CASUALTY CLINIC,LUDWIGSHAFEN/RHINE
施工期：1995-2005
占地面积：285947平方英尺
总面积：560058平方英尺
Period of realisation:1995-2005
floor space:285947sq.ft
gross floor area:560058sq.ft
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http://www.jianzhu01.com/General-hospital1007290101.htm
路德维希/莱茵门诊中心城
原 名 称：CLINICAL CENTRE OF THE CITY OF LUDWIGSHAFEN/RHINE
施工期：1996-2002
占地面积：350776平方英尺
总面积：457300平方英尺
SANDER.HOFRIchter architeketen
period of realisation:1996-2002
floor space:350776sq.ft
gross floor area:457300sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714305735_8.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290100.htm
约翰内斯古滕贝格大学临床中心
原 名 称：CLINICAL CENTRE OF THE JOHANNES GUTENBERG UNIVERSITY ,MAINZ
占地面积：186847平方英尺
总面积：360987平方英尺
STEFAN LUDES ARCHITEKTEN
Floor space:186847sq.ft
gross floor area:360987sq.ft
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http://www.jianzhu01.com/General-hospital1007290099.htm
HALLE-KROLLWITZ大学临床中心
原 名 称：UNIVERSITY CILNICAL CENTRE OF HALLE-KROLLWITZ
施工期：1999-2003
占地面积：301538平方英尺
总面积：693912平方英尺
Period of realisation:1999-2003
floor space:301538sq.ft
groos floor area:693912sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040714430151_10.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290098.htm
德国SCHMALKALDEN区医院
原 名 称：SCHMALKALDEN DISTRICT HOSPITAL
施工期：2004-2007
HKS ARCHITEKTEN+GESAMTPLANER
Period of realisation:2004-2007
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040715151342_8.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290097.htm
费尔德基希州立医院
原 名 称：FELDKIRCH STATE HOSPITAL
占地面积：137728平方英尺
总面积：156020平方英尺
ERCH GUTMORGETH
floor space:137728sq.ft
gross floor area:156020sq.ft
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http://www.jianzhu01.com/General-hospital1007290096.htm
KNITTELFELD国立医院
原 名 称：STATE HOSPITAL KNITTELFELD
构建期：2002-2005
占地面积：47398平方英尺
总面积：98626平方英尺
FASCH&FUCHS MIT LUKAS SCHUMACHER
period of realisation:2002-2005
floor sapce:47398sq.ft
gross floor area:98626sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040811584745_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040811584745_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040811584745_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040811584745_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040811584745_5.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290095.htm
拉斯国家医院
原 名 称：LAAS STATE HOSPITAL
施工期：1997-1998
占地面积：80700平方英尺
总面积：100068平方英尺
ARCHITEKTEN RONACHER
Period of realisation:1997-1998
floor sapce:80700sq.ft
gross floor area:100068sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813094345_7.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290094.htm
萨尔茨堡西部诊疗室
原 名 称：SALZBURG SURGERY WEST
施工期：1998-2001
占地面积：101983平方英尺
总面积：202579平方英尺
ARCHITEKT MARKUS PERNTHALER
Period of realisation:1998-2001
floor space:101983sq.ft
gross floor area:202579sq.ft
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http://www.jianzhu01.com/General-hospital1007290093.htm
巴塞尔大学医院
原 名 称：UNIVERSITY HOSPITAL BASLE
施工期：2000-2003
ARCHITEKTURBURO SILVIA GMUR+LIVIO WACCHINI
period of realasation:2000-2003
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813211841_6.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290092.htm
RHAETIAN州区域医院
原 名 称：RHAETIAN CANTON AND REGIONAL HOSPITAL ,CHUR
施工期:1998-2000
占地面积:88232平方英尺
总面积:185266平方英尺
Period of realiation:1998-2000
floor sapce:88232sq.ft
gross floor area:185266sq.ft
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http://www.jianzhu01.com/General-hospital1007290091.htm
奥格斯堡老年康复医院
原 名 称：GERIATRIC REHABILITATION HOSPITAL AUGSBURG-GOGGINGEN
施工期:1994-1997
占地面积:53445平方英尺
总面积:108697平方英尺
Period of realisation:1994-1997
floor space:53445sq.ft
gross floor area:108697sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813331449_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813331449_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813331449_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813331449_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813331449_5.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290090.htm
德国GABERSEE区医院
原 名 称：GABERSEE DISTRIC HOSPITAL
NICKL&PARTNER ARCHITEKTEN
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813593336_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813593336_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813593336_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813593336_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040813593336_5.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290089.htm
雷根斯堡区门诊中心
原 名 称：DISTRICT CLINICAL CENTRE OF REGENSBURG
施工期：2001-2004
占地面积：26997平方英尺
总面积：483124平方英尺
HAID+PARTNER ARCHITEKTEN+INGENIEURE
period of realisation:2001-2004
floor space:26997sq.ft
gross floor area:483124sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814072237_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290088.htm
圣约瑟医院
原 名 称：ST.JOSEPH S HOSPITAL,BERLIN-WEIBENSEE
施工期：1997-2000
占地面积：69101平方英尺
总面积：118252平方英尺
JOACHIM GANZ
Period of realisation:1997-2000
floor sapce:69101sq.ft
gross floor area:118252sq.ft
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http://www.jianzhu01.com/General-hospital1007290087.htm
歌德大学临床中心
原 名 称：CLINICAL CENTRE OF THE JOHANN WOLFGANG GOETHE UNIVERSIYT OF FRANKFURT/MAIN
WOERNER UND PARTNER
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http://www.jianzhu01.com/General-hospital1007290086.htm
ST.VINZENZ医院
原 名 称：ST.VINZENZS HOSPITAL HASELUNNE
设计期限：2002-2004
占地面积：22596平方英尺
总面积：46268平方英尺
ARCHITEKTENGRUPPE SCHWEITZER+PARTNER
Period od realisation:2002-2004
floor space:22596sq.ft
gross floor area:46268sq.ft
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2009040814254736_9.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290085.htm
波恩大学门诊中心
原 名 称：UNIVERSITY CLINICAL CENTRE OF BONN
施工期：2000-2001
占地面积：21843平方英尺
总面积：36046平方英尺
MARTINI ARCHITEKTEN
Period of realisation:2000-2001
floor space:21843sq.ft
gross floor area:36046sq.ft
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http://www.jianzhu01.com/General-hospital1007290084.htm
卡尔古斯塔夫卡鲁斯德累斯顿技术大学医学系
原 名 称：FACULTY OF MEDICINE,CARL GUSTAV CARUS TECHNICAL UNIVERSITY DRESDEN
施工期：1997-2000
占地面积：134780平方英尺
总面积：270506平方英尺
Period of realisation:1997-2000
floor sapce:134780sq.ft
gross floor area:270506sq.ft
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http://www.jianzhu01.com/General-hospital1007290083.htm
精神病学和神经病学临床中心
原 名 称：SPECIALIST PSYCHIATRY AND NEUROLOGY CLINIC UCHTSPRINGE
构建期：1995-2000
占地面积：83390平方英尺
总面积：207108平方英尺
STEFAN LUDES ARCHITEKTEN
Period of realisation:1995-2000
floor sapce:83390sq.ft
gross floor area:207108sq.ft
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http://www.jianzhu01.com/General-hospital1007290082.htm
弗里德理西－席勒-耶拿大学临床中心
原 名 称：CLINICAL CENTRE OF THE FRIEDRICH SCHILLIER UNIVERSITY JENA
施工期：2000-2003
占地面积：20100平方英尺
总面积：33571平方英尺
GERBER ARCHITEKTEN
Period of realisation:2000-2003
floor sapce:20100sq.ft
gross floor area:33571sq.ft
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http://www.jianzhu01.com/General-hospital1007290081.htm
老年专科医院
原 名 称：GERIATRIC SPECIALIST HOSPITAL,MEININGEN
Period of realisation:2000-2003
floor space:45192sq.ft
gross floor area:111904sq.ft
施工期：2000-2003
占地面积：45192平方英尺
总面积：111904平方英尺
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http://www.jianzhu01.com/General-hospital1007290080.htm
MARIA EBENE医院
原 名 称：MARIA EBENE HOSPITAL,FRASTANZ
构建期:1990-2002
占地面积:36046平方英尺
总面积:50357平方英尺
ARCHITEKTEN STEINMAYR,MASCHER&DUNSER
Period of realisation:1990-2002
floor space:36046sq.ft
gross floor area:50357sq.ft
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http://www.jianzhu01.com/General-hospital1007290079.htm
皇帝弗朗茨约瑟夫医院
原 名 称：EMPEROR FRANZ JOSEF HOSPITAL,VIENNA
施工期：1999-2003
占地面积：331408平方英尺
总面积：376600平方英尺
ANTON SCHWEIGHOFER
period of realisation:1999-2003
floor sapce:331408sq.ft
gross floor area:376600sq.ft
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http://www.jianzhu01.com/General-hospital1007290078.htm
巴塞尔康复中心
原 名 称：REHAB BASLE
施工期：1999-2002
占地面积：157096平方英尺
总面积：246296平方英尺
HERZOG&DE MEURON
Period of realisation:1999-2002
floor space:157096sq.ft
gross floor area:246296sq.ft
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http://www.jianzhu01.com/General-hospital1007290077.htm
苏瓦援外康复中心
原 名 称：SUVACARE REHABILITATION CENGRE,SION
建造期：1996-1999/2003
占地面积：172160平方英尺
总面积：305584平方英尺
Period of realisation:1996-1999/2003
floor space:172160sq.ft
gross floor area:305584sq.ft
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http://www.jianzhu01.com/General-hospital1007290076.htm
萨拉姆心脏外科手术中心
原 名 称：Salam Centre for Cardiac Surgery
项目年限：2007年
萨拉姆心脏外科手术中心的设计遵循三个主要原则：
1 “山谷”空间的创意以亭子作为设计基础；
2 结合上下文选择最好的技术；
3 找寻这种建筑类型的民族语言。
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http://www.jianzhu01.com/General-hospital1007290075.htm
年长者家园
原 名 称：Homes for Senior Citizens
年长者家园 Homes for Senior Citizens
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http://www.jianzhu01.com/General-hospital1007290074.htm
洛杉矶西奈综合癌症中心
原 名 称：Cedars-Sinai Comprehensive Cancer Center
设施：24小时日间客房医院， 12个测验室， 3个放射治疗室和9个医生办公室
设计：1986－1988
施工：1987－1988
Location: 120 George Burns Road Los Angeles, California, United States of America 90001
Client: Dr. Bernard Salick, Salick Health Care Size: 53,000 gross sq ft / 4,924 gross sq m
Program: 24 day hospital rooms, 12 exam rooms, 3 radiation therapy rooms and 9 physician offices
Design: 1986 - 1987
Construction: 1987 – 1988
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http://www.jianzhu01.com/General-hospital1007290073.htm
Salick保健办公楼
原 名 称：Salick Health Care Office Building
设施：计划行政办公用地，其中包括两层的停车场（一层和二层 ） ，行政办公室（三层到五层） ，和行政办公室的相关功能室
Location: 8201 Beverly Blvd Los Angeles, California, United States of America 90048
Client: Dr. Bernard Salick / Salick Health Care Size: 58,000 gross sq ft / 5,388 gross sq m Program: Program Administrative office space, including two levels of parking (floors 1 and 2), administrative offices (floors 3-5), and exe
cutive offices with their related support functions (floor 6)
Design: 1990 – 1991
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http://www.jianzhu01.com/General-hospital1007290072.htm
小儿心脏临床科和急救站
原 名 称：CLINICA PEDIATRICA E CARDIOLOGICA EMERGENCY
2008
Repubblica Democratica Centrafricana- Bangui
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http://www.jianzhu01.com/General-hospital1007290071.htm
莱昂医院
原 名 称：OSPEDALE DI LEÓN
项目类型：公共建筑
设计年份：2008
NICARAGUA, 2008
Nicaragua
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http://www.jianzhu01.com/General-hospital1007290070.htm
萨拉姆脏外科中心
原 名 称：HEART SURGERY CENTRE SALAM
2004-2007
Federal Republic of Sudan – City of Khartoum
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http://www.jianzhu01.com/General-hospital1007290069.htm
妇女临床医院总部技术附属医院
原 名 称：addition of a technical and a clinical floor on the top of the existing women- and head-clinic
性质：医院 卫生保健类
Innsbruck / Austria
Programme Hospital/Health care
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/General-hospital1007290068.htm
海南省人民医院门诊大楼
海南省人民医院门诊大楼
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http://www.jianzhu01.com/General-hospital1007290067.htm
德国汉堡临床医院实验室
原 名 称：Laboratory Building on the Eppendorf University Clinic Campus, Hamburg
GMP – VON GERKAN, MARG AND PARTNERS ARCHITECTS
HAMBURG / GERMANY
Programme HOSPITAL/HEALTH CARE
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http://www.jianzhu01.com/General-hospital1007290066.htm
塔柏之家
原 名 称：Tupper Home
ANDRÉS JAQUE ARQUITECTOS
MADRID / SPAIN
Programme SOCIAL WELFARE
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http://www.jianzhu01.com/General-hospital1007290065.htm
SYV塔
原 名 称：SYV Tower
RUBIO ÁLVAREZ-SALA ESTUDIO DE ARQUITECTURA
MADRID / SPAIN
Programme SOCIAL WELFARE
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http://www.jianzhu01.com/General-hospital1007290064.htm
湖北医学院附一医院住院部
湖北医学院附一医院住院部
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http://www.jianzhu01.com/General-hospital1007290063.htm
白求恩医科大学中日联谊医院
白求恩医科大学中日联谊医院
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http://www.jianzhu01.com/General-hospital1007290062.htm
北大医院妇幼医院
北大医院妇幼医院
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http://www.jianzhu01.com/General-hospital1007290061.htm
巴西圣保罗阿南达诊所
原 名 称：Ananda Clinic
这家诊所于2008年10月竣工，随后进行了刷新，于2009年1月份正式开业。该项目在三个不同的领域：正牙医生，临床医学和心理学方向为年轻的患者提供服务。
该项目旨在为主要适用人群（儿童）提供工作和娱乐空间，该建筑的设计避免了常规的概念性医疗项目设计方案。
The clinic construction was completed in December 2008 and subsequently refurbished and officially opened in January 2009. The project was originally planned as a space to accommodate young patients in three different specializations: orthodontist, physiotherapist and psychologist.
The main idea behind the project was to provide space for work and amusement for the main users (children), avoiding the conventional concept building fit program.
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http://www.jianzhu01.com/General-hospital1007290060.htm
勒纳研究所
原 名 称：Lerner Research Institute
Cleveland, Ohio, USA
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http://www.jianzhu01.com/General-hospital1007290059.htm
梅奥 贡达实践一体化大厦
原 名 称：Mayo Gonda Practice Integration Building
Rochester, Minnesota, USA
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http://www.jianzhu01.com/General-hospital1007290058.htm
科尔眼科研究所
原 名 称：Cole Eye Institute
Cleveland, Ohio, USA
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http://www.jianzhu01.com/General-hospital1007290057.htm
斯普利特综合医院
原 名 称：Polyclinic
我们来自3LHD建筑事务所的朋友和我们分享了他们为一个私人医疗中心设计的参赛作品，该项目位于克罗地亚斯普利特，靠近海岸，旁边是一个现有的综合医院。
由于该项目主题和功能的需要，建筑师“对现有功能直接开发，以满足服务，门诊，实践和实验室功能。”公共领域位于底层和2层，病人门诊和行政办公室位于顶层。
Our friends from 3LHD shared their awarded competition proposal for a private medical center for Firule in Split, Croatia. The Polyclinic is situated close to the sea and its fresh air, near an existing hospital complex.
Due to the programmatic and functional demands of such a project, the architects “developed acquired functions vertically in order to place all the services, diagnostics, practices and laboratories as requested.” Public spaces are located on the ground and first floors while the patient clinic and administration are on the upper floors.
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http://www.jianzhu01.com/General-hospital1007290056.htm
杜克大学医学中心和卫生系统
原 名 称：DUKE UNIVERSITY MEDICAL CENTER AND HEALTH SYSTEM
DURHAM, NORTH CAROLINA
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http://www.jianzhu01.com/General-hospital1007290055.htm
纽约大学兰贡医学中心
原 名 称：NYU LANGONE MEDICAL CENTER
NEW YORK
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http://www.jianzhu01.com/General-hospital1007290054.htm
女王医院中心门诊馆
原 名 称：QUEENS HOSPITAL CENTER:AMBULATORY CARE PAVILION
NEW YORK.
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http://www.jianzhu01.com/General-hospital1007290053.htm
长岛犹太医疗中心卡茨妇女医院
原 名 称：Long Island Jewish Medical Center Katz Womens Hospital
竣工年限：2011年
占地面积：4.50英亩
建筑高度：140英尺
层高：7
New Hyde Park, New York
Completion Year: 2011
Site Area: 4.50 acres
Project Area: 295,000 ft2
Building Height: 140 ft
Number of Stories: 7
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http://www.jianzhu01.com/General-hospital1007290052.htm
拉宾医学中心大卫杜夫综合癌症中心
原 名 称：RABIN MEDICAL CENTER:DAVIDOFF COMPREHENSIVE CANCER CENTER
PETACH TIKVA,ISRAEL
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http://www.jianzhu01.com/General-hospital1007290051.htm
北京大学国际医院
原 名 称：BEIJING UNIVERSITY INTERNATIONAL HOSPITAL
BEIJING,CHINA
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http://www.jianzhu01.com/General-hospital1007290050.htm
阿勒马克图姆医院急症室
原 名 称：AL MAKTOUM ACCIDENT AND EMERGENCY HOSPITAL
DUBAI,UNITED ARAB EMIRATES
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http://www.jianzhu01.com/General-hospital1007290049.htm
哈利法专科医院
原 名 称：SHEIKH KHALIFA SPECIALIST HOSPITAL
RAS AL KHAIMAH,UNITED ARABA EMIRATES
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http://www.jianzhu01.com/General-hospital1007290048.htm
乐善好施医疗办公大楼
原 名 称：Good Samaritan South Medical Office Building
Downers Grove, Illinois
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http://www.jianzhu01.com/General-hospital1007290047.htm
路德中心高级护理总医院
原 名 称：Lutheran General Hospital Center for Advanced Care
Park Ridge, Illinois
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http://www.jianzhu01.com/General-hospital1007290046.htm
Froedtert医院及威斯康星医学院临床肿瘤中心
原 名 称：Froedtert Hospital & Medical College of Wisconsin Clinical Cancer Center
Milwaukee, Wisconsin
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http://www.jianzhu01.com/General-hospital1007290045.htm
撒马利亚人医学中心专业大厦
原 名 称：Banner Good Samaritan Medical Center Specialty Building
Phoenix, Arizona
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http://www.jianzhu01.com/General-hospital1007290044.htm
Froedtert医院东停车场和空中连廊
原 名 称：Froedtert Hospital East Parking Deck and Bridge
Milwaukee, Wisconsin
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http://www.jianzhu01.com/General-hospital1007290043.htm
西北社区医院文艺复兴项目病人护理和急诊部
原 名 称：Northwest Community Hospital Renaissance Project: Patient Care Addition and Emergency Department
Arlington Heights, Illinois
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http://www.jianzhu01.com/General-hospital1007290042.htm
华盛顿大学癌症中心
原 名 称：UW Cancer Center at Johnson Creek
Johnson Creek, Wisconsin
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http://www.jianzhu01.com/General-hospital1007290041.htm
谷西社区医院总体规划和一期医疗大楼
原 名 称：Valley West Community Hospital Plan and Phase I Medical Office Building
Sandwich, Illinois
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http://www.jianzhu01.com/General-hospital1007290040.htm
Maggie癌症患者中心
原 名 称：Maggies Centre
RIBA（英国皇家建筑师协会）的斯特林大奖每年授予一个建筑物。2009年10月下旬，斯特林大奖授予了理查德.罗杰斯事务所（Rogers Stirk Harbour + Partners）设计的麦琪中心。
这个小建筑有着卓越的内外空间的整合，这得益于多个透明面和独立屋顶的运用。
The RIBA Stirling prize is given each year to one sel ected building. And this year’s prize went to the Maggie Center by Rogers Stirk Harbour + Partners.
This small buildings has a great inside/outside integration, given by the combination of several transparent planes and the independent roof, as you can see on the photos.
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http://www.jianzhu01.com/General-hospital1007290039.htm
斯科茨代尔牙科中心
原 名 称：The Scottsdale Center for Dentistry
Scottsdale, Arizona
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http://www.jianzhu01.com/General-hospital1007290038.htm
美国纽约红十字会
原 名 称：American Red Cross of Greater New York
New York, New York
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http://www.jianzhu01.com/General-hospital1007290037.htm
新泽西癌症中心医学和牙科大学
原 名 称：University of Medicine Dentistry of New Jersey Cancer
University of Medicine Dentistry of New Jersey Cancer , USA
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http://www.jianzhu01.com/General-hospital1007290036.htm
加弗努尔医疗保健服务大厦
原 名 称：Gouverneur Healthcare Services
Gouverneur Healthcare Services, USA
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http://www.jianzhu01.com/General-hospital1007290035.htm
乡村医疗俱乐部
1996
尤金市,OR
Medical office building
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http://www.jianzhu01.com/General-hospital1007290034.htm
阿克斯胡斯高等学院校医院
原 名 称：Akershus University Hosptial
施工面积：137000平方米
C.F.Møller Architects
Location: Oslo, Norway
Project year: 2000-2008
Constructed Area: 137,000 sqm
新的校医院并非是一个传统的医院建筑，它是一个友好的，不拘泥的，开放式的建筑，周边环境良好，对于患者和他们的家属来说，这里更像是一个礼物。
医院在设计时候重点强调了安全和透明性，具体表现在其周围丰富的周边环境上，其中，日常所需的医疗功能和器械和建筑合为一个整体。
The new university hospital is not a traditional institutional construction; it is a friendly, informal place with open, well-structured surroundings which present a welcoming aspect to patients and their families.
Akershus University Hospital has been designed to emphasize security and clarity in experientially rich surroundings, where everyday functions and well-known materials are integrated into the hospital’s structure.
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http://www.jianzhu01.com/General-hospital1007290033.htm
日本吴市门诊部
原 名 称：T-Clinic
总面积：228.74平方米
建筑面积：172.50平方米
总楼层面积：498.33平方米
Site area: 228.74 sqm
Building area: 172.50 sqm
Total floor area: 498.33 sqm
设计师摒弃了传统的移动封闭式电梯和楼梯模式，取而代之的是一种开放的模式，将光线由上而下的收集起来。当光线穿过天井，到达外部条纹式的立面使得内部底层的光线充足，同时也能降低上层光线的亮度。这种照明设计，采用建筑物的正面，内部和外部之间的相互联系，使得对每一层的照明统一。
Instead of keeping places normally used for movement such as an elevator shaft or stair wells closed, we wanted to open them up to collect light, using them as lightwells to maintain the lighting coming- in from above. As light travels downward through the lightwells, exterior bar- graph- like apertures- maintain lighting on the lower levels, and gradually decrease in number towards the upper levels.This- lighting design,using the buildings positive-negative relationship between interior and exterior,makes- uniform lighting on each floor possible.
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http://www.jianzhu01.com/General-hospital1007290032.htm
紧急医疗终端大厦
原 名 称：Emergency Terminal Zagreb
紧急医疗终端大厦 Emergency Terminal Zagreb
类型：市政和团体建筑
项目面积: 15,000 平方米
预算: 1500万欧元
CategoryCivic and community
Location Zagreb, Croatia
ArchitectProdukcija 004, Zagreb, Croatia
WAF Entry2009
AwardWorld Architecture Festival 2009 - Category Winner
该紧急医疗终端具有多种功能（医院，诊所，车库，行政，教育等）。它是城市中安全，能力和速度的新标志。建筑高8层，其中的设施包括一个接待和电信服务，复苏诊所，门诊，萨格勒布市的医疗用品仓库，演讲室，教室，实验室，管理服务，技术服务和可容纳170名医务车辆的多层车库。
该建筑达到了当前建筑的高标准，大约有14,000平方米的面积，可以服务200万人。钢结构的柱板体系给室内以良好的光线，并具有空间的可变性。立面采用了有效、合理的大面积膜网状结构。
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http://www.jianzhu01.com/General-hospital1007290031.htm
巴黎儿童医院
原 名 称：Paris children Hospitals cases
项目面积：360平方米
Project Area : 360 sqm
最初的计划是要求安装到Trouseau儿童医院主楼3座应急疏散楼梯，这座位于巴黎市中心的儿童医院是一些建筑堆积：一些展览馆建于19世纪，主要建筑物建于疯狂的70年代，最近新增加一座妇产医院。现在3个新的应急楼梯将被很快附加在这座70年代的老建筑物上。
The initially program ask to install 3 emergency staircases on the Trouseau Children Hospital main building. The context of this children hospital in the center of Paris is an extraordinary accumulation of architectural layers some pavilions dating back from the end of the 19th century, a main building dating back from the crazy 70s, a recent additional maternity hospital, new fronts for the 70s building. And now 3 new emergency staircases which were to be plug quickly on the 70s building.
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http://www.jianzhu01.com/General-hospital1007290030.htm
精神残疾人日托中心
原 名 称：Daycare Island Craeyenburch
项目面积：1140平方米
成本：2050000欧元
Project Area: 1,140 sqm
Budget: 2,050,000 Euro
精神残疾人日托中心位于一座小岛上，小岛成为新城市的扩展空间。从城市的角度来看，应该采用多层建筑体块，但是由于使用功能的需求，客户要求一层。为了解决这个矛盾，建筑的体块看上去符合城市的要求。小岛和建筑一起被开发，建筑的屋顶和外墙完全一体化。
这里的病人有重大的精神疾病，他们的心智等于1-18个月的婴儿。并且，他们大部分有肢体和视力的残疾。这要求特别注意建筑的感官效果。光，色彩和质感直接影响患者。最后，建筑成为感官的盛宴。
This daycare Centre for mentally disabled people, occupies the last island in row. The row of islands forms the spatial backbone of a newly developed city expansion. From an urban point of view, a multi-storey volume was prefereable. However, the client asked for a single-storey building due to the nature of its use. To solve this contradiction, a shape was designed in such a way that the urban requirement for a visual accent was met. The island and building were developed together to form a fully integrated sculptural landscape of the roof and facades.
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http://www.jianzhu01.com/General-hospital1007290029.htm
荷兰阿姆斯特丹善奎因血库
原 名 称：Sanquin
在阿姆斯特丹新建的西北血库 (Northwest Blood Bank) 将成为善奎因 (Sanquin) 在荷兰的四大分支机构所在地之一。该项目包括一个献血中心、一些化验室、血库职工和监理会办公室及一个礼堂。这些功能区均位于礼堂四周，血库的总建筑面积为8，500平方米。
现有的血库综合楼将沿斯洛特瓦特（Slotervaart）进行扩建，扩建包括三个部分：新建一个献血中心、一些实验室和办公室。在现有建筑的一侧增建一个L型实验室，这样就形成一个新内庭空间。在新建的献血中心内可欣赏到新内庭里的美景。斯洛特瓦特方向一面是一幢办公室及礼堂大楼。
在两幢大楼的中间是一个与全部公共功能区相通的中庭。设在不同楼层的办公室和实验室在中庭内通过步行桥和楼梯相连。人们可以在不同的楼层欣赏到多个平台上的美景。
善奎因阿姆斯特丹在2月2日（周五）举行了首桩动土仪式。该工程的施工期为15个月，此后该组织和前来献血的人将同时享受新的建筑景观带来的惬意和美感。
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http://www.jianzhu01.com/General-hospital1007290028.htm
格罗宁根大学医疗中心（UMCG）配套建筑
原 名 称：UMCG
作为先前格罗宁根大学医疗中心委托完成的项目（前格罗宁根学院型医院 (AZG)）的后续项目，荷兰高柏伙伴公司接受委托开始为其设计配套综合楼。综合楼内设有该医院的多个功能区，如药房、建有讲座大厅的医学院、多个实验室、放射X光室、员工休息室及一个餐厅，同时还安排了第三方区域，如善奎因东北区血库、格罗宁根透析中心及学院医师外科手术功能区。
几条比较重要的通道分别为：通往先前建成的中心医疗综合楼天井结构的通道及通向医院地面层新主入口的通道。该综合楼中较为重要的大空间是一个巨大的隐蔽天井，所有功能区都按一定的逻辑顺次安排在其中。地下设计有三层停车场、通向医院物流区的地下通道及一个新物流中心。
如果不考虑建筑规模，其建筑结构显的有些平淡保守。绿化景观的使用，使该规划将小型住宅和医院融为一体。大楼的中间部分与新格罗宁根大学医疗中心的规模及格罗宁根的医学技术实力十分相配。这就明显呈现出一个关节式连接的建筑概念，在东新格尔一侧建有凉亭式的建筑；越靠近格罗宁根大学医疗中心地界深处，建筑就越高。不同建筑的外观和特征各具特色。
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http://www.jianzhu01.com/General-hospital1007290027.htm
格罗宁根大学医疗中心学院医师外科手术区和疗养中心
原 名 称：UMCG Doctors surgery and Home care
格罗宁根学院医师外科手术区由数十个实习区构成，这里将临床实习和大学校内的实习及研究相结合。实习区分为两组，都设在 UMCG 配套大楼的中心入口大厅内。
实习区的外观与医院的造型理念一致，是一个开放且别致的外观。两组实习区的特点不同，但结构设计相同。实习区可通过宽敞、高大、通透的通道从中心候诊区进入，医生和患者都可使用这一通道，大大提高了空间利用率。这样就大大弱化了其他医院给人的隔离感。通过增加日光、风景和摆放艺术品进一步减弱这种隔离感。
在宽大的外科手术/治疗室中，研究部门是这一空间中不可缺少的一部分，可通过门帘隔开。房间仍然宽敞明亮，不会出现“小房间”。
患者、全科医生和工作人员均表示他们对新的门诊区很满意。新奇的色彩、形状和图形营造出令人愉快的氛围和宽敞的感觉，在这样的环境中工作心情格外舒畅，候诊的患者在这样的环境中也不会感到乏味。这样的气氛使人放松，尽管空间很大，人们还是会感到家一样的感觉。
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http://www.jianzhu01.com/General-hospital1007290026.htm
沃尔城伦医院
原 名 称：Walcheren
位于弗利辛恩市 (Vlissingen) 的沃尔城伦 (Walcheren) 医院希望新的总体规划能为医院的未来开发提供指导方向，并且希望新的规划方案可解决医院多年来扩建过程中形成的瓶颈问题。
该规划给沃尔城伦医院换上了全新的外部形象：新入口在街道上看非常显眼。该建筑群不仅与周围环境融为一体，同时还将未来的扩建规划考虑在内。建筑内部新建了一个环形的快速通道，这样的通道结构非常清楚且容易辨认。通过环形快速通道可以到达医院的各个诊室或部门。在一系列天井式的庭院中，绿色植物使人倍感轻松，这些庭院又与建筑结构融为一体。停车场设在医院地面层较大的一块空地上。该划给人感觉建筑结构紧凑，步行的距离大大缩短。灵活性是布局的显著特征，即为新建筑预留空间。
该医院的改造工程可分阶段进行，从而可以保证医院能够持续运营。
http://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg8/2010011316410439_12.jpg综合医院2010-07-29
http://www.jianzhu01.com/General-hospital1007290025.htm
泽霍斯皮特姆康复之家
原 名 称：Zeehospitium
泽霍斯皮特姆 (Zeehospitium)为多重残疾人士提供住宅。座落在卡特维吉克安泽（Katwijk aan Zee）沙丘间新综合楼的建成，使这里成为真正的封闭式活动场所。高柏伙伴公司提出的城市总规划图彻底改变了过去的生活模式。
原有的功能都被整合到一幢独立的建筑中，而在总体规划中，将这一建筑做了延伸，在沙丘之间和街道旁新增了多处凉亭，并在一个广场周边规划了一些小型建筑。该规划的指导思想是为居民营造一种住宅区的感觉，居民使用其中的功能设施时又会倍感便捷。通过增加无障碍设施、健身器材（对于卡特维吉克安泽的其它居民来说同样重要）及可出售或出租的房屋以强化住宅区的特征。
在该城市开发规划中，高柏公司在设计其它建筑的同时还为泽霍斯皮特姆 的现有居民设计规划了新家。五幢大楼将分为8个单元（每单元有6户居民）和32套独立的住宅。此后，还将建造占地800平米的日间活动设施。
考虑到预算资金有限，大楼的建筑风格简约大方。略微倾斜的薄荷绿鞍背屋顶和漂亮的混合面砖使大楼独具特色，并且与四周沙丘浑然一体，相互呼应。
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http://www.jianzhu01.com/General-hospital1007290024.htm
德里夫健康中心
原 名 称：De Reef
德里夫（De Reef）健康中心位于禹盆博格(Ypenburg) 郊区边缘位置，是这里的地标建筑。该大楼矗立在一条与高速公路相通的大道边，显得优雅大方。提灯女人雕像造型—现代版的弗洛伦斯-南丁格尔 (Florence Nightingale)，这个雕像上的灯给我们清晰地指出内庭的入口，未来我们将在内庭中建一所学校和一所体校。
大楼设计时非常慎重，主要由于规模大小、色彩和组成均与邻近的建设区相仿，很显然大楼符合这里的特殊功能要求。该健康中心不仅为医生提供门诊诊室，同时还为门诊部、市政医疗 (GGZ)、牙科、药房及其它方面的医疗服务提供了必要的空间，这在荷兰是非常少见的设计布局。
浑然一体的外立面造型如一条蜿蜒的丝带围绕在这个两层小楼上。在地面层的一角，这层丝带式的外立面被掀起，自这一角落进入可直接通往药房。狭长开口的里面是外科手术室和治疗室。低矮的窗户保证了室内的私密性，我们在大房间顶部设计了足以保证照明的照明系统。大楼的候诊室我们为其特别设计了正方形的大窗户，这些窗户看起来也是一道美丽的风景。大楼内的候诊室看起来好似一个平台。
入口大厅的装饰用料和设计与外立面完全不同。色调柔和的弧线形“翡翠墙”带您通向各个功能区的走廊。我们在这里采用了温暖、平和的材料和色彩，如天然石材、玻璃马赛克及木质外形的铺面材料，这样的内部装饰与健康中心经典、无菌的基调形成强烈反差。
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http://www.jianzhu01.com/General-hospital1007290023.htm
格罗宁根大学医疗中心
原 名 称：UMCG
该学院型医院最初的通道设计概念是设计一些分散的入口，在高柏伙伴公司威策-帕泰恩的新设计中变为只有一个独立中心主入口的设计概念。
内部通道可通向医疗综合楼的各个部分。
中心通道位于易辩认的入口大厅中，与医院的两条主干道巧妙相连。空间上，大厅与内部通道紧密相连，这样进入大厅的任何人都可以立刻看出这里的通道结构，清晰明了。
在这些建筑的内部有各式各样的广场和通道。
这一区域变成了城中城。
这里社区明显的变化之一是附近的居民可以轻松地走进医院喝杯咖啡。在大厅的平台上，患者、访客和路人可以相互接触和交流。
日光沿着木质的天花板照射进来，一直照到大厅最重要的定位点上：信息台和内部通道的地面。木质天花板反射出温暖的日光。挂号处和总信息台在材质和外形上融为一体。圆形的信息台非常抢眼。接待处的后侧是一个木质墙柜和大型灯饰。为接待处的工作人员在工作时提供了必要的私密空间。
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http://www.jianzhu01.com/General-hospital1007290022.htm
格罗宁根大学医疗中心太平间
原 名 称：UMCG
新太平间和验尸区（验尸房）是荷兰高柏伙伴公司为格罗宁根医院（简称AZG）最后设计的建筑。建造太平间的通常做法是在冷冻间和冷冻区域使用大量的钢材、玻璃和白色面砖，以达到无菌环境的目的。考虑到这一区域也有一定的形象要求，首先将这一区域分为公众可到达的区域和封闭的工作区。其次，通过增加有色材料和木料的使用将公众区变为一个令人感觉温馨平和环境，而不只是医院的一个单纯技术层面的临床区域。
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http://www.jianzhu01.com/General-hospital1007290021.htm
格罗宁根大学文克巴氏学院医疗中心
原 名 称：UMCG Wenckebach Institute
造型独特且富有时尚内涵的的文克巴氏学院（Wenckebach Institute）是格罗宁根大学医疗区中心医疗建筑群的组成部分。医师们在大楼内进行外科手术、各种医疗方法及微生物医疗领域的培训。他们在高仿真的环境（包括手术室和护理室等）下进行培训。
手术在计算机控制的体模身上进行，另外还使用了一些人类和动物的组织。为方便在培训过程中使用这些组织，我们在地下室设有一个与医院的地下物流运输通道相连的解剖区。专用电梯将这些组织运送到生物实验室。电子材料和假肢的培训及试验将在物理实验室内进行。
大楼的外观与附近历史悠久的电站很协调：红/黄砌砖组成一个别致、层次分明的美丽图案。大楼主入口将通过一个封闭、隐蔽的走道与医院的天井相连。
与格罗宁根大学医疗中心的其它门诊部一样，文克巴氏学院的入口十分显眼，与候诊区相连的中间通道是一个巨大的椭圆形空间，在多层楼上均设有这样的椭圆形空间。
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http://www.jianzhu01.com/General-hospital1007290020.htm
食盐健康中心
原 名 称：SALT HEALTH CENTRE
面积：1344平方米
成本：2134931欧元
Project 2004 • Completed 2008 • 1.344 m2 • 2.134.931
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http://www.jianzhu01.com/General-hospital1007290019.htm
特拉萨市停尸间
原 名 称：TERRASSA CITY MORGUE
面积：3000平方米
成本：240404040欧元
Project 2001 • Completed 2002 • 3.000 m2 • 240.404.040
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http://www.jianzhu01.com/General-hospital1007290018.htm
国贸城停尸间
原 名 称：LEÓN CITY MORGUE
面积：3200平方米
成本：1803000欧元
Project 1997 • Completed 2001 • 3.200 m2 • 1.803.000
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http://www.jianzhu01.com/General-hospital1007290017.htm
Kemang医疗护理中心
原 名 称：Kemang Medical Care
业主：私人
总楼层面积：6500平方米
施工：2006-2009
Aboday Architects
Location: Jakarta， Indonesia
Client: Private
Gross Floor Area: 6，500 sqm
Construction: 2006–2008
2007年该项目开始启动，原先2600平方米的土地仅够建立一座妇女和儿童诊所及52间病房。建筑方案比较复杂，也包括一层专设的体外治疗空间。5层高的建筑坐落在一个细长的地块上，位于雅加达南部Jalan Ampera Raya交界处，宽6米。建筑内部是个锥形形状，外立面仅20米宽，建筑严格的设计方针使得最后建筑有一个曲面的立面并且非常薄，面对一个仅7米宽的道路。
When this project started in 2007， the original land size of 2600 sqm is barely enough to build a women and children clinic with 52 wards. The building programme is complex， which include one floor dedicated for in vitro treatment. The 5 storey building sits on an elongated site， located in a junction of Jalan Ampera Raya in South Jakarta， and 6 m width neighbourhood alley. It has an inward tapered shape with a frontage of only 20 meter in width. Strict guideline of building setback results in a curvilinear building so thin that the part facing the road only has 7 meter of width.
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http://www.jianzhu01.com/General-hospital1007290016.htm
D.视觉牙科诊所
原 名 称：D.Vision Dental Clinic
项目面积：150平方米
Project Area: 150 sqm
在对这座19世纪布拉格的公寓进行翻修后，新的D视觉牙科门诊开始营业。除了常规牙科治疗，D.视觉还设有口腔外科，按照这样的建筑设计的主要目标是是突破了保健中心的环境压力以及令人寒冷的刻板印象。
New space for Dental Clinic D.VISION was opened after refurbishing ground floor at 19th century apartement house in Prague. Beyond the regular dental treatment D.VISION practice also oral surgery， according to such a sensitive theme one of the main goals of architectural design was to break-through the stereotype of cold and often stressful enviroment of health care centres.
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http://www.jianzhu01.com/General-hospital1007290015.htm
Luz医院
原 名 称：Luz Hospital
建筑面积：110000平方米
预算：75000000欧元
Location Avenida Marechal Teixeira Rebelo， Lisboa
Date2001 – 2007
Build Area110.000 m2
Cost75.000.000
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http://www.jianzhu01.com/General-hospital1007290014.htm
儿童日间护理中心
原 名 称：Child day care centre
该多功能护理中心包括一个学校，一个西方佛兰德人青少年护理中心，一些私人住宅，和未来拥有63张床的儿童护理中心。
The Stella Maris site in the Pottelberg in Kortrijk now houses a multiplicity of functions: a school， a department of the West-Flemish Youthcare， a nunnery， some private residences as the start of a new residential neighbourhood and in the near future a child care centre with 63 beds.
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http://www.jianzhu01.com/General-hospital1007290013.htm
加州脊骨中心
原 名 称：CALIFORNIA SPINE CENTER
面积：35000平方英尺
Thousand Oaks，CA
Type: Medical Facility
Size: 35000SF.
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http://www.jianzhu01.com/General-hospital1007290012.htm
Diderot d Alembert学校医务室
原 名 称：Diderot d’Alembert School Infirmary
面积：154平方米
Project Area: 154 sqm
该医务室位于法国巴黎郊区Aubervilliers 地区Diderot d’Alembert高中操场内部。整个项目分为两部分结构，根据功能和通道来划分。一边你可以去到医务室和卫生间，另一边可以去到办公室。建筑的划分同样从颜色上也可以看出，一边是绿色一边是红色。
The infirmary is located inside the playground of the highschool Diderot d’Alembert in Aubervilliers， in the suburbs of Paris. The construction is separated in two， by both its fonctions and acces. On one side you can get to the infirmary and the toilets， on the other to the office. he separation also appears in the colors used on each side of the building， green and red.
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http://www.jianzhu01.com/General-hospital1007290011.htm
2010年上海世博会葡萄牙国家馆
上海世博会葡萄牙馆效果图展馆用大量环保天然的软木筑成外立面幕墙和展区墙壁贴面。展示区以专题划分成四大“时刻”，配套设施区包括餐饮区、品酒区等。通过门厅、柱廊、电子屏幕和主题展区展示葡萄牙的历史、文化、经济和国民生活，展现五个世纪以来葡萄牙与中国的联系及其对现代葡萄牙的影响
上海世博会葡萄牙馆是占地2000平方米的租赁馆，展馆拥有一个以软木建成的外立墙。软木是一种具有葡萄牙特色的材料，不仅环保而且可以回收。选取这个有创意的环保范例，旨在在世博会上推广葡萄牙的形象。里斯本的商业广场作为葡萄牙人津津乐道的一个城市空间，也将在此亮相。此外，展馆不仅将展示现代城市中可持续发展的概念，也将强调此概念在葡萄牙经济和环境政策中扮演的重要角色。
这个有创意的环保范例，可以在世博会上推广葡萄牙的形象。里斯本的商业广场作为葡萄牙人民津津乐道的一个城市空间，被选中在世博会上对外介绍。此外，展馆不仅将展示现代城市大楼可持续发展的概念，也将强调此概念在葡萄牙经济和环境政策中扮演的重要角色。
“第一时刻”展区展出“葡萄牙--中国五百年之会”。“第二时刻”展区播放短片《葡萄牙--一个面对世界的广场》。“第三时刻”展区以“葡萄牙——一个能源世界”为内容来展现葡萄牙人在可持续发展方面所作的努力。“第四时刻”展区设有“今日葡萄牙”广场，广场上有咖啡区、品酒区、礼品店等。[1]
据悉，6月6日已被确定为葡萄牙馆日，届时参观者将可欣赏到具有葡萄牙特色的文化节目。葡政府部长级官员将前往上海出席葡萄牙国家馆日的活动。在世博会期间，葡萄牙著名的民歌歌手玛丽莎将在上海一展歌喉。
葡萄牙馆分四大主题：一是通过部分物品如瓷器等展示葡中两国500年交往史；二是以一个广场向世界展现葡萄牙首都里斯本商业广场风貌；三是展示葡萄牙在开发利用可再生能源领域取得的成就；四是介绍葡萄牙丰富多彩的旅游产品、特色传统农副产品、食品以及文化艺术品。
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http://www.jianzhu01.com/Museum1007292158.htm
宁波图书馆
宁波图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008013108334857_12.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292157.htm
石家庄人民广场博物馆
石家庄人民广场博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022109581058_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022109581058_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022109581058_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022109581058_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022109581058_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292156.htm
歌剧院
歌剧院
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http://www.jianzhu01.com/Museum1007292155.htm
获奖作品2
获奖作品2
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022209215245_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022209215245_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022209215245_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022209215245_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292154.htm
中国国家大剧院设计方案
中国国家大剧院设计方案
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http://www.jianzhu01.com/Museum1007292153.htm
图书馆
图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022209574954_1.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292152.htm
中国电影博物馆
中国电影博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022210232838_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292151.htm
大兴图书馆
大兴图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022708591649_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022708591649_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022708591649_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022708591649_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292150.htm
文物博览馆
文物博览馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022710384957_11.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292149.htm
长兴县龙山新区大剧院
长兴县龙山新区大剧院
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022809522637_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292148.htm
江阴天华文化中心规划设计
江阴天华文化中心规划设计
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909003458_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292147.htm
金华市人民广场
金华市人民广场
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http://www.jianzhu01.com/Museum1007292146.htm
南海艺术中心设计方案
南海艺术中心设计方案
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008022909214856_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292145.htm
平顶山市博物馆、文化艺术中心设计方案
平顶山市博物馆、文化艺术中心设计方案
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http://www.jianzhu01.com/Museum1007292144.htm
山东博物馆新馆
山东博物馆新馆
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http://www.jianzhu01.com/Museum1007292143.htm
许昌文化中心
许昌文化中心
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http://www.jianzhu01.com/Museum1007292142.htm
苏州水族馆
业主：
苏州市规划局
项目地址：
苏州市
占地：
12,800 m2
竞赛时间：
2004
我们延续了苏州园林运用“湖石”和“黄石”这一传统的手法，利用岩石的肌理，形状，孔洞以及坚硬等等趣味盎然的特性，赋予水族馆巨石的特征，使它成为一件雕塑，从而锚固馆外的自然“园林”空间。岩石虚与实的特性运用到了水族馆的设计上，在其服务功能上表现为 “实”和紧密性，在公共空间上则表现为“虚”和开放性。公共空间和展厅是我们从公众无法到达的“实”的服务功能空间里凿出的一个“虚”的空间。水族馆的外墙被一个个玻璃水箱镶嵌的“孔”以及室内公共空间的窗口分割，展示了一种“多孔实体”的特性。
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http://www.jianzhu01.com/Museum1007292141.htm
东京歌剧院（Tokyo Opera House）
Design 1985 Tokyo, Japan City of Tokyo
This competition entry for the design of the new National Theater of Japan includes three theaters (a black-box theater, a 1,000-seat. performance space, and an 1,800-seat opera house), a rehearsal space, office space, and underground parking.
This projeci attempts to establish an analogical relationship between die proposed site of a new center for culture and the old center of culture in Tokyo, which was traditionally the Noh Theater, located in the courtyard of the Emperor‘s realm. To symbolize this, a series of analogous relationships between old and new were established that ultimately refer back to the Emperor‘s realm in Kyoto.
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http://www.jianzhu01.com/Museum1007292140.htm
大学艺术博物馆（University Art Museum）
Design 1986
Long Beach, California
University of California, Long Beach
67,500 square feet
The master plan and museum design is the result of a history given to the project, compiled from a series of significant dates: the settlement of California in 1849; the creation of the campus in 1949; and the rediscovery of the museum in 2049.
The building consists of four major exhibition spaces: an audiovisual installation gallery, a black-box theater/ auditorium, a cafe, a conference space. a library, administrative offices and storage areas, and a series of exterior terraced sculpture courtyards. The arboretum will contain a 2-acre artificial pond, botanical gardens, terraces, and seating areas. An elevated walkway provides a link between the northern and southern portions of the arboretum.
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http://www.jianzhu01.com/Museum1007292139.htm
Aronoff艺术设计中心（Aronoff Center for Design and Art）
Design/Completion 1988/present Cincinnati, Ohio University of Cincinnati 273,000 square feet
Design disciplines must assume a more important role in our media-dominated age of information than ever before. The Aronoff Center for Design and Art is programmed to he a model for this kind of leadership. For this project, we had to reconceptualize what a building has to he in order to house such inventive, contemporary activity.
The vocabulary of the building derives from the curves of the land forms and the chevron forms of the existing building; the dynamic relationship between these two forms organizes the space between them. We worked with the students, faculty, administrators, and friends of the College so that the building was an evolutionary process of work which everyone can say "was created by us."
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http://www.jianzhu01.com/Museum1007292138.htm
Emory Center for the Arts
Design 1991 Atlanta, Georgia Emory University 160,000 square feet
The Center for the Arts at Emory University accommodates four major performance spaces (a 1,100-seat music hall, and a recital hall, studio theater, and cinema each seating 200), and is designed to be a national and international center for scholarship and performance in the fields of theater, music, and film.
The four performance halls are linked by an expansive, multi-level lobby traversing the length of the building and functioning as a link between the campus boundary and a new open-air amphitheater. Academic spaces are located to the east of the lobby over the parking garage, and rehearsal and support space is provided adjacent to the performance halls.
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http://www.jianzhu01.com/Museum1007292137.htm
二战纪念馆
由于现在的纪念馆要静静的怀念那些献出了生命的公民而不仅仅是祭奠几个孤寂的英雄建筑师便要保持二战纪念馆场地的开放特征．该场地设在华盛顿林阴道中部的林肯和华盛顿纪念堂轴线上的彩虹池上．水池象征着大洋分隔开大西洋和太平洋两个纪念场所并围以圆形大斤高度与现存的树林厦华盛顿和林肯纪念堂的基座等高圆厅的外墙采月华盛顿地区的石灰岩材料内墙是钢材即战争材料．光通过内墙通过刻满战争阵亡名单的金属表面洒进圆厅的交通井内
重建的彩虹池铺满玻璃砖镂刻着几个重大战役的名称网格上的水柱喷着水雾 个静谧光亮彩虹般的场所水池只能被该处的精神和自然元素所占有．纪念馆的参观者可上下走动4个主要盟国的旗帜分布在边缘每个人口对应着4个开口中的个形成自然的出入处．纪念大厅和二战博物馆安置在玻璃砖水池的下方
这里的室内沐浴在光影变幻的自然光中
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http://www.jianzhu01.com/Museum1007292136.htm
威廉斯伯格社区中心
环链状的建筑围绕着沥青铺地的场地限定了球场和室内运动场这种联排形式为威廉斯伯格社区中心所采用．1932年设计威廉斯伯格狭长平屋顶住宅的建筑师受欧洲的同行所影响他们在10年前就已开始建设国际式风格的住宅．
环链形式对于建筑来说既是手段又是隐喻．在这里安全性不仅涉及到使用建筑的邻里居民而且也包括在90年代晚期的全城住宅项目中建造社区中心的纽约住房管理委员会．意思就是说在空旷的场地上建造社区中心以便把年轻人的能量引向体育和艺术项目上
在威廉斯怕格场地不是问题在那里与街区网格成角度水平展开的住宅区占据着大部分地方社区中心就坐落在这个公园内环链形式既造成围台的感觉也便于观看到内部的活动．因此社区中心将成为公园中的部分墙体由系列用于车库和飞机库库门的强化玻璃组成当它们打开时内外空间便连成一片．当仅有少数几人使用时这些透明且可移动的室内墙体便可关闭某些空问同时也提供了各活动空间之间的视觉联系创造了种社区内内共享活动的场所的氛围
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http://www.jianzhu01.com/Museum1007292135.htm
哈萨克斯坦和平与复和之殿
国际顶尖建筑大师Norman Forster为哈萨克斯坦首府阿斯塔纳设计的一座金字塔型的建筑物，作为促进宗教与种族和谐的国际交流中心，名为“和平与复和之殿”（Palace of Peace and Reconciliation）。
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http://www.jianzhu01.com/Museum1007292134.htm
上海世博会的阿联酋展馆设计方案
建筑师Foster及合作伙伴为阿拉伯联合酋长国在上海的世博会展馆做出了设计方案。主题是“更好的城市，更好的生活”，展览馆的灵感所依据的原则是传统的阿拉伯城市规划。它整合了最新的技术，及尽量变被动为主动的环境概况，展现一个富有精神，人道的城市，阿联酋阐明了其致力于建立一个可持续发展的城市未来的设想。设计体现出传统的阿拉伯和现代都市相结合，技术创新与传统元素的阿拉伯文化并存。
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http://www.jianzhu01.com/Museum1007292133.htm
音乐中心（Music Center）
Pacific Lutheran University, Tacoma, Washington 1983
This project was designed lo consolidate Pacific Lutheran University‘s music department into one new facility
containing a 600-seat concert hall and a variety of smaller instructional spaces. Tin; site for the Music Center was a wooded slope at the university‘s western edge, where a 40-foot grade separates the upper and lower campuses. The proposed design connected the upper and lower campuses and created new gateways lo hoth campuses from the west.
Four elemental architectural forms contain the major components of the Music Center and respond lo the unique site: a pavilion (concert hall), a rotunda (puhlic lobby), a linear repetitive structure (practice rooms), and an open-air colonnade. These components are aligned along two major axes. The colonnade runs along a line perpendicular lo views of Mount Rainier lo llie east and connects the two campuses. The colonnade frames views of the mountain, forms a visual filter lo the complex, and modulates its scale.
The practice rooms, aligned with the north-south orthogonal campus grid, form a strong landscape element terminating llie western edge of the campus. The pavilion also aligns with this axis. Locating the rotunda al the intersection of the two axes gives it symbolic importance as the building‘s major public interior space. Openings in the rotunda also frame views of Mounl Rainier.
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http://www.jianzhu01.com/Museum1007292132.htm
岳敏君艺术馆
在山清水秀的青城山上建一个现代艺术馆，对设计师们最大的考验是如何把现代的美和古代的美结合起来，把现代的艺术馆融入到青山绿水之中。面对这个问题，朱锫建筑事务所的建筑师们巧妙地把艺术馆设计成一块经历河水长年累月打磨的鹅卵石，静静地躺在河边。他们让我们看到了古代和未来和平相处，也让我们看到了中国建筑设计的希望。
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http://www.jianzhu01.com/Museum1007292131.htm
山西晋城乡村教堂
这是我设计的第一所教堂，不知是否能建起来。那天和远道而来的神父谈了许多。其间，我一直有一种按奈不住的激动，虽然他告诉我只有三十几万的善款，可我还是禁不住加入了他的憧憬。我们都坚信，面包会有的，那个小小的教堂会矗立起来，成为上帝的财产，成为鲜花盛开的地方。然后，虽然我不是基督徒，却临时向神父告解起来：我希望这辈子能有机会设计一个教堂、一个消防站、一个监狱、一个小警察局，一个火葬场、一个小寺庙、一个孤儿院、一个纪念碑、一个私人小画廊…………。 那样，我会感到很幸福！
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008060209481149_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292130.htm
长沙文化公园(Changsha Culture Park)
在长沙滨水走廊的尽头，长沙新文化平台像一个流动起伏的水面, 将音乐厅，博物馆，图书馆连接成一个连续的整体，以一种开放的姿态漂浮在基地之上，沿江景观在这个立体的平台上最大程度地呈现给了市民。单体建筑的概念淡化了, 三个文化建筑所组成的新文化平台利用它水平巨大的城市尺度，将文化园一期的整体形象推向了极至。这是一个立体的组织方式，音乐厅，博物馆，和图书馆在基地北侧被一个浮游的新文化平台连接在一起，不但在平面上实现了各自的独立和室外公共空间的共享，而且在立体空间关系上创造了两个层面：地面的半室内景观系统和上层的城市尺度的新文化平台。市民任何时间都可以在这里享用所有的文化设施，也可以在不同标高和气氛的室外空间畅游，无论是白天的交流展示，文娱活动，还是夜间的大型演出集会，都可以在这里举行。
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http://www.jianzhu01.com/Museum1007292129.htm
迪拜中东现代艺术博物馆建筑设计
迪拜中东现代艺术博物馆建筑设计
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http://www.jianzhu01.com/Museum1007292128.htm
维尔纽斯古根汉姆博物馆
Zaha Hadid 赢得了在立陶宛的维尔纽斯 Guggenheim Hermitage Museum 的设计，Zaha Hadid 以前和古根汉姆基金会（Guggenheim Foundation）有过合作，比如在中国台湾的台中古根汉姆博物馆的提案（中国台湾是古根汉姆基在亚洲的第一个分馆）。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070908581252_8.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292127.htm
英格兰Walsall的Bentley图书馆设计
位于英格兰Walsall的Bentley图书馆，图书馆和研究中心附近，都是低层建筑物，在顶部留一可以观看背后的景观的地盘。 建筑物外墙材料，提除用砖，但由于建设的关系，所以它是看起来像石头或混凝土书架上的书本。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292126.htm
德国Ingolstadt博物馆
德国巴伐利亚州Ingolstadt市艺术与设计博物馆。
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http://www.jianzhu01.com/Museum1007292125.htm
利物浦Mersey天文台设计方案
入围的mersey天文台的方案设计为Duggan Morris Architects设计的。比赛要求设计成为一个眺望利物浦，英格兰的观察哨，在于创造一个设施将给当地居民和游客从更远的新的，令人兴奋的地方看麦西河(Mersey River)以及它周围更广大的地区。天文台将必须符合高标准的可持续性，包括使用可再生能源的来源。对在这些地盘上的重要的野生动物栖息地，必须不产生消极影响。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071708471536_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071708471536_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071708471536_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071708471536_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071708471536_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292124.htm
沙漠中的水上博物馆
法国建筑师让·努维尔（Jean Nouvel）在阿联酋首都阿布扎比的Saadiyat岛文化区设计了一座“古典艺术博物馆”，用来展示从卢浮宫借出的藏品。
“沙漠上的卢浮宫”所在位置是一片未开发的岛屿地带，占据的博物馆空间为26万平方英尺，其中6000平方公尺为永久展览厅。Jean Nouvel设计了一座以小型单间展馆组成的“展馆村落”，它们多位于一座雨伞状的屋顶下。屋顶宽590英尺、高80英尺。屋顶用伊斯兰风格装饰，给地面留下斑斑点点的阴影。这个水上的白色城堡在阳光下星星点点，如梦似幻。
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http://www.jianzhu01.com/Museum1007292123.htm
Wuensdorf Church-融入大自然的多功能教堂
Wuensdorf Church是一座融入了社交聚会和歌剧院职能的多功能教堂。和老式的教堂比较，这个通透的教堂没有压迫感，让人有融入大自然的感觉。信徒们能在大自然的怀抱里放松自我，向神祷告。作为歌剧院，大自然成为了演员们的舞台，歌剧和自然美景互相辉映。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080408223451_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292122.htm
Ningbo Tower：宁波的冰川美景
Ningbo Tower位于宁波最重要的景观带（三江口沿河景观带）。在如此特殊的位置上的建筑必然要与众不同，而且应与周边的环境相融合。故此，朱锫建筑事务所的建筑师们在推敲之后确立了这个拥有冰川景观的方案。整个建筑就像河中三个巨大的冰块，竖立在众人面前。同时全玻璃的外墙反映了周围的环境，让建筑更好地和环境相融。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292121.htm
洛杉矶自然历史博物馆
洛杉矶自然历史博物馆
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http://www.jianzhu01.com/Museum1007292120.htm
青城山中心美术馆赏析
在山清水秀的青城山上搭起一座普普通通的美术馆并不是一件难事，但要设计出一座能与周围优美的自然环境相融的美术馆就不是一般建筑设计师能做到的了。朱锫建筑事务所的设计师们把从层叠起的山石和富于变化的地质结构中得到了让建筑和环境相互融洽的提示，于是有了这座青城山中心美术馆。整座建筑就像是冲出地表的山石，充满了力量和速度，却凝于自然之中。
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http://www.jianzhu01.com/Museum1007292119.htm
邢台博物馆
位与河北邢台，面积7500平方米。私立服务配套于即将建成的社区用现浇彩色混凝土弧形外包面,可以体现商国博物馆的内涵与外延。内部将观众和消费者及日常消费者身份互换是解决国内文化项目经营不善的突破口。利用楼板错层形成自然分区，文物和咖啡分别陈列，相互提供观众和客源。建筑的外立面与未来的前广场自然形成城市文化活动的集合场。
这是一个在销售期没有建成的售楼处，它对未来引导作用，大大提高住宅的销售进度。
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http://www.jianzhu01.com/Museum1007292118.htm
中科院动物博物馆
1, 这个设计针对人和动物的关系提出了新的观念。一般性的动物博物馆主要是人对动物的观看，人和动物都以一种固定的模式和固定的线路安排在同一个位置上。我们这个设计将人和动物的关系设计成一个动态的关系。在动物博物馆这个建筑物中，我们在各层楼里都设计了形状不一的玻璃建筑，这些玻璃建筑分工不一致，有些供游客行走，有些用于动物标本陈列，有些既可以供游客行走，又可以供动物标本陈列。人在玻璃中可以看到玻璃外的动物，他也可以在玻璃外看到玻璃内的动物。这样，这些玻璃建筑，就让人和动物的关系变得灵活起来。人的观看角度和视野也变得多样化了。人和动物，就不是按照一种固定模式展开的看和被看的关系。而是一种更加和谐、互为观照的伙伴关系。这种关系，表达了这种态度：人和动物位置是平等的，不存在人主宰动物和优越于动物的情势。
2, 这些玻璃建筑是开放的，一段一段的，没有封口。而且，总起来看，它们的伸展遵循着类似螺旋式的上升曲线。这样可以达到这样的效果：在每个玻璃建筑中，游客决不仅仅只是看到它所在展厅的一部分，而是能够看到整个动物博物馆中的一个局部性场景。比如可以在南边的楼中看到北边的楼内景观。随着他进入不同位置的玻璃过道（有玻璃甚至伸出了楼体范围），他就不断地变化着他的视角，看到博物馆中不同的标本场景。观光电梯也起到同样的效果。这样，游客的视野被充分扩大了。这也是在运动中对整个博物馆的观看。他可以同时既看到眼前的细部，也可以看到宏观的博物馆内的大型场景，可以细细地观看眼前的标本，也可以粗略地观看远处的一片动物标本。
3, 由于这些玻璃，使楼内的各个单元处于一种透明状态。这样，动物标本在博物馆内也处于一种透明状态，双眼所及，到处都是动物，它们形态各异，物种多样，惟妙惟肖，让游客能够有充分的视觉享受。这同时还造成一种动物世界的感觉。动物就不是一个个的沉睡在黑暗的角落里，供人观看，而且彼此没有关联。相反，现在，在一个空间透明的环境中，动物似乎在彼此呼应，它们和人也在彼此呼应。这就大大地增加了博物馆内的生机。也增加了游客的兴趣和好奇心。
4,每个展厅有自己的区域，但是其界线尽可能淡化，展厅和展厅之间的过渡流畅，顺利，而且在过渡地带保持一个模糊的区域。曲线性的玻璃建筑能够起到这个效用。这也强调了这整个展厅的总体性，强调不同动物之间的链接关系和有机关系，不要将每个分类展厅强行分割开来。
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http://www.jianzhu01.com/Museum1007292117.htm
长沙文化公园(Changsha Culture Park)
在长沙滨水走廊的尽头，长沙新文化平台像一个流动起伏的水面, 将音乐厅，博物馆，图书馆连接成一个连续的整体，以一种开放的姿态漂浮在基地之上，沿江景观在这个立体的平台上最大程度地呈现给了市民。单体建筑的概念淡化了, 三个文化建筑所组成的新文化平台利用它水平巨大的城市尺度，将文化园一期的整体形象推向了极至。这是一个立体的组织方式，音乐厅，博物馆，和图书馆在基地北侧被一个浮游的新文化平台连接在一起，不但在平面上实现了各自的独立和室外公共空间的共享，而且在立体空间关系上创造了两个层面：地面的半室内景观系统和上层的城市尺度的新文化平台。市民任何时间都可以在这里享用所有的文化设施，也可以在不同标高和气氛的室外空间畅游，无论是白天的交流展示，文娱活动，还是夜间的大型演出集会，都可以在这里举行。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062510565657_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292116.htm
当代艺术博物馆
nuragic and contemporary art museum in cagliari, italy (to be completed 2007)
Zaha Hadid has won a presitgious international competition to design the new Nuragic and Contemporary Art Museum in Cagliari, Italy. Envisioned as a project to be completed in three phases, the structure will cover some 12,000 square metres, comprised of Nuragic and Contemporary Art exhibition spaces, a library, a congress hall, offices and retail space. The aim of the project is to create a node of cultural exchanges that can simultaneously serve as a landmark announcing the arrival to Cagliari from the sea, and answer the five challenges proposed by the brief. Through the interconnection of the inner circulation with the public paths and the alternation of open spaces and cavities, the building shares its public dimension with the city. Moreover, it geometrically aligns along the axis of the sea, and extends its arms towards the quarter and the stadium of S.Elia, connecting and assimilating itself to the site.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008062514454036_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292115.htm
lilja便携式小教堂
lilja是一种便携式小教堂，提供了一个安静的场所，由设计师VESA oiva 设计，该教堂是分成三部分：前庭，礼拜堂和一个室外礼拜堂。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008070209242655_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292114.htm
迪拜中东现代艺术博物馆建筑设计
迪拜中东现代艺术博物馆建筑设计
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http://www.jianzhu01.com/Museum1007292113.htm
维尔纽斯古根汉姆博物馆
Zaha Hadid 赢得了在立陶宛的维尔纽斯 Guggenheim Hermitage Museum 的设计，Zaha Hadid 以前和古根汉姆基金会（Guggenheim Foundation）有过合作，比如在中国台湾的台中古根汉姆博物馆的提案（中国台湾是古根汉姆基在亚洲的第一个分馆）。
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http://www.jianzhu01.com/Museum1007292112.htm
迪拜海事博物馆
安藤忠雄设计的形状类似船帆的海事博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071011154735_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071011154735_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071011154735_3.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292111.htm
迪拜前卫博物馆
如今的阿联酋迪拜正在变成一个世界艺术建筑的大都会。世界上许多著名的建筑师都云集到迪拜这座沙漠中的城市,并设计了各种前卫的博物馆
世界著名设计师扎哈·哈迪德设计的表演艺术中心像一个科幻世界里的变形虫,这个建筑的外面装饰了网状的玻璃窗结构。
这是哈迪德设计的表演艺术中心内的表演厅景观图,它让人想起被锯断的动物骨头形状。
表演艺术中心能看到迪拜附近美丽的海天一色的波斯湾大海。
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http://www.jianzhu01.com/Museum1007292110.htm
英格兰Walsall的Bentley图书馆设计
位于英格兰Walsall的Bentley图书馆，图书馆和研究中心附近，都是低层建筑物，在顶部留一可以观看背后的景观的地盘。 建筑物外墙材料，提除用砖，但由于建设的关系，所以它是看起来像石头或混凝土书架上的书本。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071410134555_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292109.htm
德国Ingolstadt博物馆
德国巴伐利亚州Ingolstadt市艺术与设计博物馆。
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http://www.jianzhu01.com/Museum1007292108.htm
利物浦Mersey天文台设计方案
入围的mersey天文台的方案设计为Duggan Morris Architects设计的。比赛要求设计成为一个眺望利物浦，英格兰的观察哨，在于创造一个设施将给当地居民和游客从更远的新的，令人兴奋的地方看麦西河(Mersey River)以及它周围更广大的地区。天文台将必须符合高标准的可持续性，包括使用可再生能源的来源。对在这些地盘上的重要的野生动物栖息地，必须不产生消极影响。
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http://www.jianzhu01.com/Museum1007292107.htm
邹平文化中心
邹平文化中心
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071709381448_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071709381448_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008071709381448_3.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292106.htm
音乐剧场
Unstudio设计的剧场室内。建筑物组成，横向定向螺旋系统，其两端是相互交织，对各方案部分创建缓冲区之间的职能以及实现不同空间的需要，螺旋组织构成的过渡地带，让演员通过的道路，起到连接内部的，私人的职能。在中央的概念就是大会议室，可以灵活运用作为工作场所，音乐会室及音乐剧场。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072109001753_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292105.htm
Maribor电影院
Maribor电影院多重中心是一个基础设施建设，即它的内部基础设施，连接到市政基础设施，提供行人，自行车和机动车交通。整个空间分为八个 ，一个七八米宽的安全带。电影院类似于一个主题公园。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008072208133142_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292104.htm
沙漠中的水上博物馆
法国建筑师让·努维尔（Jean Nouvel）在阿联酋首都阿布扎比的Saadiyat岛文化区设计了一座“古典艺术博物馆”，用来展示从卢浮宫借出的藏品。
“沙漠上的卢浮宫”所在位置是一片未开发的岛屿地带，占据的博物馆空间为26万平方英尺，其中6000平方公尺为永久展览厅。Jean Nouvel设计了一座以小型单间展馆组成的“展馆村落”，它们多位于一座雨伞状的屋顶下。屋顶宽590英尺、高80英尺。屋顶用伊斯兰风格装饰，给地面留下斑斑点点的阴影。这个水上的白色城堡在阳光下星星点点，如梦似幻。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008073009014833_11.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292103.htm
Wuensdorf Church-融入大自然的多功能教堂
Wuensdorf Church是一座融入了社交聚会和歌剧院职能的多功能教堂。和老式的教堂比较，这个通透的教堂没有压迫感，让人有融入大自然的感觉。信徒们能在大自然的怀抱里放松自我，向神祷告。作为歌剧院，大自然成为了演员们的舞台，歌剧和自然美景互相辉映。
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http://www.jianzhu01.com/Museum1007292102.htm
Ningbo Tower：宁波的冰川美景
Ningbo Tower位于宁波最重要的景观带（三江口沿河景观带）。在如此特殊的位置上的建筑必然要与众不同，而且应与周边的环境相融合。故此，朱锫建筑事务所的建筑师们在推敲之后确立了这个拥有冰川景观的方案。整个建筑就像河中三个巨大的冰块，竖立在众人面前。同时全玻璃的外墙反映了周围的环境，让建筑更好地和环境相融。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080508263336_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292101.htm
洛杉矶自然历史博物馆
洛杉矶自然历史博物馆
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http://www.jianzhu01.com/Museum1007292100.htm
青城山中心美术馆赏析
在山清水秀的青城山上搭起一座普普通通的美术馆并不是一件难事，但要设计出一座能与周围优美的自然环境相融的美术馆就不是一般建筑设计师能做到的了。朱锫建筑事务所的设计师们把从层叠起的山石和富于变化的地质结构中得到了让建筑和环境相互融洽的提示，于是有了这座青城山中心美术馆。整座建筑就像是冲出地表的山石，充满了力量和速度，却凝于自然之中。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080709202339_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292099.htm
西班牙加里西亚文化城
西班牙最新的疯狂
两大迷团供讨论:
(1)埃森曼声称的核心思路是: 建筑的设计强烈地结合了加里西亚的文脉和传统---这和建筑的超现代形式非常矛盾---他是怎么做的?
(2)整个建筑纵向上没有屋顶和外墙之分. 前所未有的:纵向上,整个建筑的外墙和屋表皮是连续为一体的曲面, 屋顶一直延伸到地面成为外墙,没模板,直接在斜面板上喷结构混凝土, 怎么不让混凝土滑下来?
每块玻璃都是特制!
每块石头尺寸都不同!
不用模板,混凝土直接浇在垂直面!
整个加里西亚文化城分7大区:
(1)中央服务区
(2)图书馆
(3)挡案馆
(4)加里西亚历史博物馆
(5)剧院
(6)科技中心
(7)HEJDUK塔楼
下列图片将分区展出, 每区图片各自包括CAD图,3D和施工现场
两大迷团供讨论:
(1)埃森曼声称的核心思路是: 建筑的设计强烈地结合了加里西亚的文脉和传统---这和建筑的超现代形式非常矛盾---他是怎么做的?
(2)整个建筑纵向上没有屋顶和外墙之分. 前所未有的:纵向上,整个建筑的外墙和屋表皮是连续为一体的曲面, 屋顶一直延伸到地面成为外墙,没模板,直接在斜面板上喷结构混凝土, 怎么不让混凝土滑下来?
面积: 约100,000 平方米
本土历史博物馆区: 17,000 平方米
科技中心: 13,200 平方米
剧院区: 22,000 平方米
本土图书馆区:12,000 平方米
档案区: 8,300 square 平方米
中央服务区 4,800 平方米
总占地: 173 公顷
项目启动: 2000年
计划完工: 2010-2011
分阶段开放: 2006起
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2008080714384435_68.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080714384435_69.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008080714384435_70.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292098.htm
上海博物馆(SHANGHAI MUSEUM)
建设地点：上海黄浦区
建筑面积：38000平方米
1995年竣工
通过“上博”草图、手稿，透出了构思立意的用心并引发比较。其中长达5米以上的手卷，是我在美国边考察博物馆，边修改设计方案的原始手稿。
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http://www.jianzhu01.com/Museum1007292097.htm
鲁迅纪念馆
建设地点：上海虹口区
建筑面积：4000平方米
1995年竣工
最早由陈植、汪定曾两位大师设计。由于房屋年久已损，新做了三个比较方案。如今建成的新馆，还保存了最早的一幢经典建筑。新老构成整体，而且增添了入口的院落。其中情景交融的一笔，是构思的最精彩之点。
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http://www.jianzhu01.com/Museum1007292096.htm
包头博物馆
建设地点：内蒙古包头
建筑面积：25000平方米
2002年方案设计
包头博物馆的构思，抓住了“草原上的巨石，巨石上的草原文化”的主题。其时，正在美国出访，在儿子恩戈的家里画草图。回国后，十分顺利，方案一
次通过。但是建造的时间跨越较长，已达三年，尚未建成。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308321135_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292095.htm
邓小平故居陈列馆
建设地点：四川广安
建筑面积：3600平方米
2004年竣工
有漫笔草稿以及几轮比较方案的过程草图．这次都收集了一些．以作为原创过程的真实反映。外国的建筑师曾问我为什么做那么多个方案7我回答这是中国式建筑创作方法——多方案比较。如果真有方案能够实施，那已经是幸运之极了!
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http://www.jianzhu01.com/Museum1007292094.htm
扬州博物馆
建设地点：江苏扬州
建筑面积：21240平方米
2004年设计在建
或者苦思冥想的写照，更是对地域环境的憧憬。从第一轮的“山水画意”式方案，到第二轮的自我否定，“方匣子”、“盆景”、“大屋面”感觉不是扬州特色，更缺乏引人联想的寓意。推倒原来的草图，呈现我追求的清秀自然和凝聚文化的、自由开放的意境。大写意的曲线型新方案，也是与自然环境共生共长的构思。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308354555_12.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292093.htm
敦煌舞剧院
建设地点：甘肃敦煌
建筑面积：20000平方米
2002年方案设计
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308360930_16.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292092.htm
上海青浦博物馆
建设地点：上海青浦区
建筑面积：8000平方米
2004年设计竣工
构思的历程一直延续到访问英国，创作思想的线是连贯的。这几张在英国的草图值得纪念，因为其中之一，最终还是真的建造了起来。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308413838_13.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292091.htm
上海大世界
建设地点：上海黄浦区
建筑面积：43479平方米
2004年方案设计
大世界的设计，贵在创意，巧在构思。充溢有情景时空转换、动静统一而汇聚的历史与现代的对话，功能与审美的和谐。这里有我童年、青年、中老年各个时期对大世界的回忆，更有对明天大世界的新生命的浇灌，城市绿化的延伸，地下开发的探求。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308463831_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292090.htm
上海音乐学院
建设地点：上海徐汇区
建筑面积：60000平方米
2004年方案设计
我追求用音乐谱成的饱含抒情的构思、富于联想的创意。似乎教室、琴房、排演厅……都写成了流动的诗、舞动的歌、传媒的乐曲。又完全交融在绿色之中，用草图来寻求一所极不普通的大学。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008081308473258_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292089.htm
陈云纪念馆(CHENYUN MEMORlAL)
建设地点：上海青浦区
建筑面积．6000平方米
1998年竣工
水乡之情连结对伟人之情。从草图中显示我的深情、怀念，更是激励、创造动力。
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http://www.jianzhu01.com/Museum1007292088.htm
Jaroslavska广场设计
来自斯洛文尼亚的Ofis Arhitekti设计了莫斯科集综合办公楼、家园、酒店及运动设施的一项工程。
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http://www.jianzhu01.com/Museum1007292087.htm
超现代的建筑设计
一个超现代的建筑设计，拥有一个可供选择维度的全方位电梯，二辆喷气机汽车车库等只在科幻片里见过的设施。
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http://www.jianzhu01.com/Museum1007292086.htm
guggenheim博物馆
新的solomon r. guggenheim博物馆的建筑学设计比赛在立陶宛维尔纽斯举行。英国建筑师zaha hadid 压倒领先者丹尼尔libeskind的项目获奖。
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http://www.jianzhu01.com/Museum1007292085.htm
二七剧场
二七剧场
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http://www.jianzhu01.com/Museum1007292084.htm
河北省博物馆
河北省博物馆
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http://www.jianzhu01.com/Museum1007292083.htm
河北省图书馆
河北省图书馆
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http://www.jianzhu01.com/Museum1007292082.htm
吉林农业大学图书馆
吉林农业大学图书馆
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http://www.jianzhu01.com/Museum1007292081.htm
内蒙古文化中心方案
内蒙古文化中心方案
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http://www.jianzhu01.com/Museum1007292080.htm
平顶山市博物馆
平顶山市博物馆
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http://www.jianzhu01.com/Museum1007292079.htm
台州市文化艺术中心
台州市文化艺术中心
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http://www.jianzhu01.com/Museum1007292078.htm
泰山博物馆
泰山博物馆
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http://www.jianzhu01.com/Museum1007292077.htm
天桥剧场翻建工程
天桥剧场翻建工程
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http://www.jianzhu01.com/Museum1007292076.htm
徐州两汉博物馆
徐州两汉博物馆
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http://www.jianzhu01.com/Museum1007292075.htm
云南茶文化博物园
云南茶文化博物园
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http://www.jianzhu01.com/Museum1007292074.htm
云南省自然博物馆
云南省自然博物馆
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http://www.jianzhu01.com/Museum1007292073.htm
中国传媒大学图书馆
中国传媒大学图书馆
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http://www.jianzhu01.com/Museum1007292072.htm
中国国家博物馆国际方案竞赛
中国国家博物馆国际方案竞赛
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http://www.jianzhu01.com/Museum1007292071.htm
迪拜剧院
Zaha Hadid迪拜剧院设计
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http://www.jianzhu01.com/Museum1007292070.htm
菊地宏建筑设计事务所作品欣赏
菊地宏建筑设计事务所是日本一级建筑设计机构,菊地宏1972生于,1998毕业于东京理科大学東京理科大学大学院建筑学专业.
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http://www.jianzhu01.com/Museum1007292069.htm
密苏里州堪萨斯城“自由纪念堂和博物馆” （The Liberty Memorial Restoration and Museum）
密苏里州堪萨斯城“自由纪念堂和博物馆” （The Liberty Memorial Restoration and Museum）
建筑师：ASAI Architecture建筑事务所
美国建筑师协会AIA2008建筑荣誉奖第九名
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http://www.jianzhu01.com/Museum1007292068.htm
威灵伯勒总公共图书馆(Willingboro Master Plan & Public Library)
地点：新泽西州 威灵伯勒
建筑类型：图书馆，社区，70%新建筑，30%翻新，
占地面积：48700平方英寸
项目范围：郊区独立式建筑
竣工时间：2004年9月
建筑师：克罗斯顿合作建筑事务所（Croxton Collaborative Architects, PC）
Location: Willlingboro, NJ
Building type(s): Library, Community
70% new construction, 30% renovation of a 1959 building
48,700 sq. feet (4,520 sq. meters)
Project scope: a single building
Suburban setting
Completed November 2004
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http://www.jianzhu01.com/Museum1007292067.htm
贝类研究中心(Centre for Shellfish Research - Field Station)
贝类研究中心(Centre for Shellfish Research - Field Station)
地址：马拉斯宾那大学贝类研究中心。
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http://www.jianzhu01.com/Museum1007292066.htm
沙特阿拉伯科技大学
原 名 称：technical university
与弗兰克巴滋尔设计于1980年
Saudi Arabia designed 1980 with frank e. basil
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http://www.jianzhu01.com/Museum1007292065.htm
金沙遗址博物馆
金沙遗址博物馆
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http://www.jianzhu01.com/Museum1007292064.htm
辽宁朝阳古生物化石博物馆
辽宁朝阳古生物化石博物馆
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http://www.jianzhu01.com/Museum1007292063.htm
青岛大剧院
青岛大剧院
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http://www.jianzhu01.com/Museum1007292062.htm
大庆油田石油博物馆
大庆油田石油博物馆
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http://www.jianzhu01.com/Museum1007292061.htm
东营大剧院
东营大剧院
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http://www.jianzhu01.com/Museum1007292060.htm
首都博物馆方案竞赛
首都博物馆方案竞赛
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http://www.jianzhu01.com/Museum1007292059.htm
烟台张裕酒文化博物馆
烟台张裕酒文化博物馆
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http://www.jianzhu01.com/Museum1007292058.htm
中国科学技术馆新馆方案竞赛
中国科学技术馆新馆方案竞赛
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http://www.jianzhu01.com/Museum1007292057.htm
稳定的艺术空间(Art Stable)
主建筑师：汤姆·昆迪 美国建筑师协会会员
位置：华盛顿 西雅图
项目类型：住宅/公寓 正在建造中 混合功能商务概念/计划
LEAD ARCHITECT
Tom Kundig, FAIA (view bio)
LOCATION
Seattle, WA
PROJECT TYPES Houses/Apartments In Progress Mixed Use/Commercial Conceptual/Planning
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http://www.jianzhu01.com/Museum1007292056.htm
巨浪斯科特海洋教育中心和水族馆
原 名 称：J.L scott marine education center and aquarium
巨浪斯科特海洋教育中心和水族馆( J.L scott marine education center and aquarium )
Biloxi， Mississippi ，usa
美国，密西西比州，Biloxi
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http://www.jianzhu01.com/Museum1007292055.htm
瑞士Waterflux艺术博物馆(Waterflux )
设计师：法国R&Sie(n)数码建筑设计工作室
博物馆和图书馆建筑
位置：瑞士 évolène
创意团队：弗朗西斯·霍(Fran·ois Roche)、Stéphanie Lavaux、Jean Navarro
工程师：日内瓦Guscetti & Tournier
室内设计：R&Sie(n)、Mathieu Lehanneur(家具设计)
面积：1000平米
R&Sie(n)
Featured , Museums and Libraries , Switzerland
Location: évolène, Switzerland
Key dimensions: 1,000 sqm
Waterflux是一个位于阿尔卑斯山的艺术博物馆与高山冰研究站：
1)是对传统围合式居住场所的数字化表现；
2)该建筑是中空的，就像是是一个冰窟，只不过它是用五轴钻孔机连接起来的全木结构的；
3)储水与水流将随着季节的变化而变化：冰块流动后又结冻，冰枪结冻后再融化在该建筑前面形成一个池塘；
4)通过人工降雪而使得这里冬天的气候更为恶劣；
5)整个修建过程使用了电脑数控机床设备、五轴钻孔机，共使用了2，000立方米的木材(大约需1，000棵树)，再用切割好的180块拼接而成；
6)激活了当地经济。
预计这个无定形的艺术博物馆将与209年完工。法国R&Sie(n)数码建筑设计工作室似乎将对建筑真实度的评价转化为一定尺寸的塑料模块，再将他们拼接成美观的建筑物。
该博物馆有着大自然中最有机的外形设计，体现了R&Sie(n)设计团队的前卫设计理念，这也是他们通过一些互相影响的相关参数来探索极端建筑体验的独特方法。
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http://www.jianzhu01.com/Museum1007292054.htm
名族文化中心
名族文化中心
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http://www.jianzhu01.com/Museum1007292053.htm
创意媒体中心
原 名 称：Creative Media Centre
Hong Kong Under Construction 2010
香港 正在建造中，2010年竣工
Building Area:265，000 sq.ft.
建筑面积：265000平米
Structure: Steel and concrete structure with ceramic tile cladding
结构：钢筋混凝土结构与瓷砖熔覆
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http://www.jianzhu01.com/Museum1007292052.htm
大运河广场剧院及商业开发
原 名 称：Grand Canal Square Theatre and Commercial Development
Dublin， Ireland Under Construction 2009
爱尔兰 都柏林 正在建造中 2009年竣工
Building Area (Mixed Use): South Office Block: 18，000 sq.m (193，750sq.ft)
Theatre:10，882sq.m (117，000sq.ft)
2，000+ Seating
North Office Block:27，500sq.m (296，000sq.ft)
建筑面积：南厅座： 18000平方米 剧院：10882平米 2000个座位 北厅：27500平米
Structure: Reinforced concrete skeleton， steel structure. Facade with pre-fabricated modular glass and metal elements.
结构：钢筋混凝土骨架，钢结构，门面与预制组合式玻璃，金属元素
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http://www.jianzhu01.com/Museum1007292051.htm
索尼表演艺术中心重建
原 名 称：The L Tower and Sony Centre for the Performing Arts Redevelopment
Toronto Canada
加拿大 多伦多
Building Area:566，000 sq. ft. (137，500 Cultural， 428，500 Residential)
建筑面积：566000平方英尺
Number of Floors:57 Floors
层数：57层
Number of Units:470
单元数：470
Structure: Concrete structure with glass curtain wall and window wall cladding
57 Floors
结构：混凝土结构，玻璃幕墙和窗墙熔覆
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http://www.jianzhu01.com/Museum1007292050.htm
9 / 11纪念馆
原 名 称：Memoria e Luce， 9/11 Memorial
Padua Italy Completed 2005
意大利 帕多瓦 2005年竣工
Area:2，500 sq ft.
Height:56 ft.
面积：2500平方英尺 高度：56英尺
Structure: Steel Structure with glass cladding
结构：钢结构玻璃包覆
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http://www.jianzhu01.com/Museum1007292049.htm
儿童和青少年之家(Home for Children and Adolescent)
儿童和青少年之家(Home for Children and Adolescent)
设计师：J. Mayer H.建筑师事务所，建筑师Sebastian Finckh
教育建筑
位置:德国 汉堡
项目年限：2007-2008
这是德国J. Mayer H.建筑师事务所和建筑师Sebastian Finckh的最新建成作品，位于德国汉堡，专们提供给寄养家庭的儿童或青少年。
它位于一个森林旁边，自然环境得天独厚。它的设计特点是独特的双色设计和紧凑的结构，而中央楼梯贯穿楼层之间的设计，更有利于沟通，以建立一个开放的中央空间。
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http://www.jianzhu01.com/Museum1007292048.htm
公园港口塔（PARKHAVEN TOWER）
荷兰 鹿特丹
性质：混合用途高层
面积：1022571平方英尺
情况：可行性研究
ROTTERDAM
, THE NETHERLANDS
SPECS FACILITY Mixed-Use High-Rise
SIZE 1,022,571 sq. ft / 95,000 sq. m (392m height)
STATUS Feasibility Study
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http://www.jianzhu01.com/Museum1007292047.htm
阿尔哈姆拉塔
原 名 称：Al Hamra Tower
竣工年限：2010年
占地面积：10000平米
项目面积：195000平米
建筑高度：412米
层数：74
Kuwait City, Kuwait
Completion Year: 2010
Site Area: 10,000 m
Project Area: 195,000 m
Building Height: 412 m
Number of Stories: 74
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http://www.jianzhu01.com/Museum1007292046.htm
201大教堂和Broadgate塔
原 名 称：201 Bishopsgate and The Broadgate Tower
竣工年限：2008
占地面积：2.30英亩
项目面积：106409平米
建筑高度：585英尺
层高：35
London, United Kingdom
Completion Year: 2008
Site Area: 2.30 acres
Project Area: 106,409 m2
Building Height: 585 ft
Number of Stories: 35
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http://www.jianzhu01.com/Museum1007292045.htm
基督大教堂
原 名 称：Cathedral of Christ the Light
竣工年限：2008
占地面积：2.50英亩
项目面积：226000平方英尺
建筑高度：135英尺
层数：1层
Oakland, California
Completion Year: 2008
Site Area: 2.50 acres
Project Area: 226,000 ft2
Building Height: 135 ft
Number of Stories: 1
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http://www.jianzhu01.com/Museum1007292044.htm
白玉兰广场
原 名 称：White Magnolia Plaza
竣工年限：2008
占地面积：56591.50平米
建筑高度：319.50米
层数：66
Shanghai, China
Completion Year: 2008
Site Area: 56,591.50 m2
Project Area: 396,772 m2
Building Height: 319.50 m
Number of Stories: 66
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http://www.jianzhu01.com/Museum1007292043.htm
阿尔法公园中心
原 名 称：Alfa Park Center
竣工年限：2006
项目面积：162640平米
Moscow, Russia
Completion Year: 2006
Project Area: 162,640 m2
Building Height: 160 m
Number of Stories: 30
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http://www.jianzhu01.com/Museum1007292042.htm
英国约克郡文艺复兴馆竞赛方案之一——“约克夏钻石”(The Yorkshire Diamond / Various Architects)
英国约克郡文艺复兴馆竞赛方案之一——“约克夏钻石”(The Yorkshire Diamond / Various Architects)
设计师：Various Architects建筑事务所
这个项目名叫“约克夏钻石”，有一个非常特殊的结构，充气管形成金刚石晶格结构，内部形成一个一个小方格，每个都有不同形状的结构。
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http://www.jianzhu01.com/Museum1007292041.htm
基督教大教堂（The Cathedral of Christ the Light）
施工过程中的基督教大教堂
设计师：SOM建筑事务所
正在构建过程中的由som建筑事务所设计的基督教大教堂，清晰的展现了令人印象深刻的建筑及其外表。
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http://www.jianzhu01.com/Museum1007292040.htm
昆明湖畔花园总体规划
原 名 称：昆明湖畔花园总体规划
日期：2001年
位置：中国 昆明
Date:2001
Location:kunming,china
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009022011063031_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009022011063031_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009022011063031_3.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292039.htm
兰讷斯艺术博物馆
原 名 称：Randers Museum of Art
3XN建筑事务所与我们分享了他们的获奖作品：兰纳斯艺术博物馆，一个“雕塑花园”，一个同时向城镇居民开放的蜿蜒曲折的建筑景观。红砖瓦的正面外观成为屋顶，内部的地板成为墙体，随后墙体成为天花板。
在丹麦兰纳斯镇上沿Guden流域，兰纳斯艺术博物馆将成为一个杰出的新的地标性的建筑。它占地7550平方米，博物馆有3个展览画廊，一个观众席，咖啡厅，精品店和其它一系列的管理设施。主展展览画廊将收集大量的丹麦艺术藏品——将景观描述和众多作品连接在一起。临时展览厅将结合国家重点发挥其国际潜力；画廊之间通过达尔斯高区域，此区以丹麦的超现实主义画家斯文达尔斯高命名——达尔斯高区域收藏了实际上最重要的收藏品。
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http://www.jianzhu01.com/Museum1007292038.htm
帝国战争博物馆北外观景观设计
原 名 称：Competition finalists: Imperial War Museum North Exterior Design
竞赛决赛：帝国战争博物馆北外观景观设计
帝国战争博物馆建筑位于英国曼彻斯特，由丹尼尔•利伯斯金德于2001年设计完成。博物馆周边草地环绕，是一个停车场。此运河边上想要重新构建一组新型的周边景观，在这次竞赛中收集了大量的意见和建议。该项目的入围者一共5名，决赛将于今年3月揭晓。
决赛入围者是：
美国 KLA建筑事务所
瑞士White arkitekter ab
美国 帕特尔泰勒建筑事务所
德国 Topotek 1建筑事务所
美国 Field Operationes
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http://www.jianzhu01.com/Museum1007292037.htm
AD未来四号
HiDrone
HiDrone是一个由液压活塞组装而成的可调整的建筑装备，实质上是一个泰晤士河河水回收和循环再利用系统。它有两个状态：系统关闭时，它呈现三维屏幕；系统打开时，它呈现出运行空间状态。活塞运作明显有各种不同的比例，从显示装置到家具，在工作空间里，所有的道路封闭。这些活塞应用弹簧，当内部充满水时，呈现出关闭状态。通过控制水量释放，获得不同体积的配置。在关闭状态，光纤发光器件作为像素程序产生一个三维视觉效果。
Cutting Edge
Cutting edge是一个用51不锈钢“刀刃”相互堆积在一起的一座雕塑。Cutting edge表明，在金属结构中，坚硬边缘物质和柔软体积物质之间的一种相互作用的关系。
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http://www.jianzhu01.com/Museum1007292036.htm
阿姆斯特丹新市立博物馆
原 名 称：New Stedelijk Museum, Amsterdam
阿姆瑟特丹市立博物馆将被翻修和扩建。主设计师是A.W. Weissman。此项建筑由其宏伟的楼梯，豪华的空间装饰和自然采光而著名于世。
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http://www.jianzhu01.com/Museum1007292035.htm
构思和建筑博物馆的家具和设计
原 名 称：FURNITURE DESIGN CENTRE
PROJECT Conception and construction of the museum of furniture and design
LOCATION Neufchateau (88)
DATE 2007
BUDGET 1 790 900
PROJECT SIZE 1200mq
PHASE PRO
家具设计中心
位置：Neufchateau (88)
日期：2007
预算：1 790 900 欧元
面积：1200平米
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http://www.jianzhu01.com/Museum1007292034.htm
圣保罗双年展
原 名 称：biennale sao paulo
时间：2007.06——2007.07
位置：巴西 圣保罗
年限：2007
类型：文化建筑
Time: 06/2007 - 07/2007
Location: sao paulo (brasil)
Client: swiss architecture museum
Year: 2007
Type: culture
Status: competition
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http://www.jianzhu01.com/Museum1007292033.htm
什切青爱乐音乐厅
原 名 称：SZCZECIN PHILHARMONIC HALL
状态：正在进行
什切青是波兰最大最有趣的城市之一。在这个大城市里，数年来被忽略了美学路线。现在，这座城市有机会进入欧洲对当地居民及游客开放，而全然不用担心面临的新的挑战。
新的建筑完成了现有旅游路线的重建和城市的新生。这是一个当代的“图标”，一个新的“大教堂”城市。建筑同时也是一个地区历史遗产的继承。
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http://www.jianzhu01.com/Museum1007292032.htm
萨尔瓦多达利博物馆
原 名 称：Salvador Dali Museum
50000平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030313474159_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292031.htm
台北表演艺术中心
原 名 称：Taipei Performing Arts Center proposal by NL Architects
这是由NlL事务所设计的台北表演艺术中心。建筑包括三个剧院，其中一个是1500座的大型剧场，另外两个800座。古堡风格，和现代尺度和形状结合。内部错落的地形，俨然满足人们层次感的需求和个人位置的不同视界。内部三大剧场，电影，歌剧，戏剧都可以同时演出。行在内部，在空中穿梭，很有哈利波特城堡的感觉。便捷的交通，可以满足拥挤的客流。但是有批评家认为，这样一个巨构，可能会有很大的噪音污染，同时由于封顶广场四个桌脚的不规则，会有回声。
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http://www.jianzhu01.com/Museum1007292030.htm
aquipark
原 名 称：aquipark
Time: 11/2005 - 11/2005
Location: Zurich
Client:genossenschaft migros zürich
Year: 2005
Type: bodyculture
年限：2005
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http://www.jianzhu01.com/Museum1007292029.htm
东河滨水广场项目总体规划
原 名 称：East River Waterfront Project
plan Esplanade and piers
Location new york
Phase schematic design plan completed may2005
Size 14000000sf
2005年竣工
面积 14000000平方英尺
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http://www.jianzhu01.com/Museum1007292028.htm
Dunescape at P.S.1 MoMa
原 名 称：Dunescape at P.S.1 MoMa
Summer Courtyard Installation
Yong Architects’ Competition Winner
Location long island city ，ny
Phase completed june 2000
Size 12000sf
竣工：2000 7
面积：12000平方英尺
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http://www.jianzhu01.com/Museum1007292027.htm
米切尔公园
原 名 称：Mitchell Park
Carousel house， Harborfront Park， Amphitheatre，Ferry Terminal，Marina and Greenways
Location Greenport ，NY
Phase 1 Completed june 2001
Size 5 acres
性质：木马屋，Harborfront公园，露天剧场，码头，滨海和林荫道
一期竣工：2001 7
面积：5英亩
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http://www.jianzhu01.com/Museum1007292026.htm
米切尔公园暗箱
原 名 称：Mitchell Park Camera Obscura
Camera obscura
Location greenport，ny
Phase II completed august 2005
Size 350sf
二期：2005 8
面积：350平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030511233145_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292025.htm
国立国会图书馆
原 名 称：Kansai National Diet Library
1996
面积：城市复合
类型：图书馆
结构：预应力钢屋盖，挂混凝土楼板
KYOTO, JAPAN 1996
Size: Urban Complex
Type: Library
Structure: Pre-stressed steel roof, hanging concrete floor slabs
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http://www.jianzhu01.com/Museum1007292024.htm
斯堪的维亚半岛最大的公共图书馆
原 名 称：largest public library in Scandinavia
SHL建筑事务所最近荣获了一项国际竞赛大奖“城市媒体空间”——斯堪的维亚半岛最大的公共图书馆设计项目。这座耗资228万欧元的计划，设在丹麦奥胡斯，将成为一个新的视觉和文化联络点，同时开拓城市的下一代图书馆设计。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030611053255_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030611053255_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030611053255_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030611053255_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292023.htm
巴顿学院工作室剧场
原 名 称：Barton College Studio Theater
Wilson， North Carolina
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009030613045048_8.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292022.htm
天津城市博物馆
原 名 称：Tianjin Urban Planning Museum
建筑由3个独特的部分组成：城市规划博物馆和办公室，新年绘画画廊和工作室，会议中心和停车场，总面积达29000平米。
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http://www.jianzhu01.com/Museum1007292021.htm
挪威图书馆和音乐厅
原 名 称：library and concert hall in Norway
DRDH建筑事务所荣获位于挪威Bodo的新挪威图书馆和音乐厅设计的一等奖。
这座新的建筑包括两个公共建筑：一个新的城市图书馆（5500平米），和一个三层观众席的音乐厅（7350平米），为挪威这座沿海城市构建了一座新的文化中心。
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http://www.jianzhu01.com/Museum1007292020.htm
台北表演艺术中心(提案)
原 名 称：Taipei Performing Arts Center proposal
台北表演艺术中心设计最后的冠军获得者是OMA建筑事务所。现在，我们为您带了一个在竞赛过程中的提案，由洛杉矶Morphosis事务所设计。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009031912071737_15.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292019.htm
挪威图书馆和音乐厅设计
原 名 称：proposal for library and concert hall in Norway
Langdon reis建筑事务所是挪威BODO图书馆和音乐厅设计竞赛进入决赛的获奖作品之一，他们与我们分享了他们的设计作品。
BODO图书馆和音乐厅包含两大公共建筑：一个新的约5500平米的图书馆和一个7350平米的音乐厅/剧院，建筑预算大约在800000000挪威克朗。经过评审团的第二轮评审，DRDH建筑事务所已经被选定作为挪威bodo图书馆和音乐厅的主设计师。
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http://www.jianzhu01.com/Museum1007292018.htm
沈阳图书馆
沈阳图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032410494648_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032410494648_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032410494648_3.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292017.htm
新加坡市民文化中心
日期：建设中
建筑面积：54000平方米
正在建设的新加坡市民文化中心，由国际建筑师事务所Aedas 设计。中心设在新加坡Vista Xchange 北面，面积54000平方米，提供市民文化区和顶级娱乐、时尚生活和零售一体的空间。
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http://www.jianzhu01.com/Museum1007292016.htm
深圳市梅林文体活动中心
深圳市梅林文体活动中心
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411075130_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292015.htm
珠海音乐学院效
珠海音乐学院效
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032411224046_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292014.htm
Slussen市中心改造
原 名 称：Slussen
市中心改造
Remodeling of urban Centre
Stockholm, Sweden
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http://www.jianzhu01.com/Museum1007292013.htm
RVU
原 名 称：RVU
荷兰
1994－1997
面积：1500平米
Hilversum, Thethe Netherlands
1994-1997
Program:1500m2
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http://www.jianzhu01.com/Museum1007292012.htm
智利瓦尔帕莱索文化中心一等奖设计方案
原 名 称：Valparaiso Cultural Center
智利瓦尔帕莱索文化中心设计竞赛的获奖者名单刚刚宣布。文化中心将建立在之前150多年的监狱之上。
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http://www.jianzhu01.com/Museum1007292011.htm
智利瓦尔帕莱索文化中心二等奖设计方案
原 名 称：Valparaiso Cultural Center
智利瓦尔帕莱索文化中心设计竞赛的获奖者名单刚刚宣布。文化中心将建立在之前150多年的监狱之上。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032614394146_13.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292010.htm
智利瓦尔帕莱索文化中心三等奖设计方案
原 名 称：Valparaiso Cultural Center
智利瓦尔帕莱索文化中心设计竞赛的获奖者名单刚刚宣布。文化中心将建立在之前150多年的监狱之上。
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http://www.jianzhu01.com/Museum1007292009.htm
书山
原 名 称：BOOK MOUNTAIN
2003-2007
施工年限：2007
面积：10000平米，图书馆和地下停车场
Spijkenisse, Rotterdam, the Netherlands
2003-2007
Competition 2003 1st prize
2007 start construction
Program:10000m2library and underground parking
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009032713093150_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292008.htm
巴黎爱乐乐团
原 名 称：PHILHARMONIE DE PARIS LES TRIBUNES
2007
面积：26000平米（音乐厅，音乐厅，教育中心，博览会的空间，餐厅，大堂）
Park la villette, Paris, France
2007
Program:26000m2(concert hall, educative center, exposition space, restaurant, foyer)
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http://www.jianzhu01.com/Museum1007292007.htm
合肥国际会议展览中心
合肥国际会议展览中心
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010275733_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010275733_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010275733_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010275733_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010275733_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292006.htm
深圳龙岗规划楼
深圳龙岗规划楼
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010341957_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292005.htm
深圳市南山区艺术博物馆
深圳市南山区艺术博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010373258_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292004.htm
扬州新博物馆 中国雕版印刷博物
扬州新博物馆 中国雕版印刷博物
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http://www.jianzhu01.com/Museum1007292003.htm
松兹瓦尔表演艺术剧院
原 名 称：SUNDSVALL PERFORMING ARTS THEATER
Sundsvall,2008
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033012572541_14.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292002.htm
淡水广场
原 名 称：FRESHWATER PLAZA
Abu Dhabi,2008
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013042655_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292001.htm
绿宝石广场
原 名 称：EMERALD PLAZA
UAE,2008
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013103657_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013103657_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013103657_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013103657_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007292000.htm
BATWING艺术空间展览
原 名 称：BATWING
Matters of sensation Exhibition Artist space 2008
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013115844_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291999.htm
欧洲团结中心
原 名 称：EUROPEAN SOLIDARITY CENTER
Gdansk,2007
2007年
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http://www.jianzhu01.com/Museum1007291998.htm
西伯利亚夏季馆
原 名 称：NOVOSIBIRSK SUMMER PAVILION
Novosibirsk, 2007
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http://www.jianzhu01.com/Museum1007291997.htm
深圳当代艺术博物馆
原 名 称：SHENZHEN MUSEUM OF CONTEMPORARY ART
Shengzhen, 2007
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013325455_14.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291996.htm
斯德哥尔摩市图书馆
原 名 称：STOCKHOLM CITY LIBRARY
Stockholm,2007
2007
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013430737_13.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291995.htm
海啸纪念景观
原 名 称：TSUNAMI MEMORIAL LANDSCAPE
Kho Lak,2005
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033013543430_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291994.htm
韩国表演艺术中心
原 名 称：SEOUL PERFORMING ARTS CENTER
Seoul,2005
2005
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014035956_12.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291993.htm
MOMA P.S.1城市海滩
原 名 称：MOMA P.S.1 URBAN BEACH
New york,2003
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014100152_13.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291992.htm
MICROMULTIPLE HOUSE
原 名 称：MICROMULTIPLE HOUSE
Los Angele,2001
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033014125548_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291991.htm
利物浦国家野花中心竞赛奖
原 名 称：National Wildflower Centre International Competition
Ian Simpson建筑事务所和Adams Kara Taylor工程师以及Hoare Lea工程师已被宣布为利物浦Knowsley市国家野花中心设计竞赛奖获得者，事务所要求设计一个创新的，杰出的，集教育，会议和种子生产为一体的综合野花中心，旨在建立利物浦市中心第一“杰出”建筑。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111203253_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291990.htm
釜山电影中心
原 名 称：Busan Cinema
城市广场
总面积：57981平米
预算：超10000万欧元
AN URBAN PLAZA
Busan, South Korea,2005-2011
Floor area:57981m2
Budge:100 mil eruo
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033111134340_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291989.htm
Cloud Roof-Fari扩建
原 名 称：Cloud Roof-Fari Extension
Cloud Roof-Fari Extension
Riva del Garden,Italy,2006-2011
Floor area:56500m2
Built-up Area:25154m2
2006－2011
总面积：56500平米
建成区面积：25154平米
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http://www.jianzhu01.com/Museum1007291988.htm
阿克伦艺术博物馆
原 名 称：Akron Art Museum
2001－2007
总面积：6045平米
预算：2000万美元
Akron ,Ohio,USA,2001-2007
Floor area:6045m2
Budget: 20Mio,USD
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http://www.jianzhu01.com/Museum1007291987.htm
高级航天飞行气球仓
原 名 称：Astro Balloon 1969 Revisited
反馈空间
2008
总面积：166平米
Feedback space
Venice,Italy,2008
Floor area:166m2
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http://www.jianzhu01.com/Museum1007291986.htm
塞浦路斯文化中心
原 名 称：Cyprus Cultural Center
2007
总面积：22322平米
预算：7990300万欧元
Nicosia Cyprus 2007
Floor area: 22322m2
Budget 79903 Mio Euro
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http://www.jianzhu01.com/Museum1007291985.htm
大埃及博物馆
原 名 称：Great Egyptian Museum
2002－2003
总面积：86200平米
占地面积：460000平米
Cairo,Egypt,2002-2003
Floor area:86200m2
Site area:460000m2
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http://www.jianzhu01.com/Museum1007291984.htm
格罗宁格艺术馆东馆
原 名 称：Groninger Museum
1993－1994
总面积：900平米
预算：200万美元
EAST PAVILION
Groningen,Netherlands,1993-1994
Floor area:900m2
Budget 2Mio USD
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033113270141_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291983.htm
知识博物馆
原 名 称：Musee des Confluences
2000-2013
正在施工
总面积：26700平米
预算：10000万欧元
MUSEUM OF KNOWLEDGE
Lyon,France,2000-2013
Under construction
Floor area: 26700m2
Budget:100Mio Euro
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http://www.jianzhu01.com/Museum1007291982.htm
现代博物馆中心
原 名 称：Museum La Reunion
2006/2007
总面积：10939平米
预算：4800万欧元
Center of The present time
St.Paul,France 2006/2007
Floor area : 10939m2
Budget:48Ｍio EUR
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http://www.jianzhu01.com/Museum1007291981.htm
音乐之云
原 名 称：Music Cloud
新爱乐乐团 巴黎的帕洛阿尔托研究中心
2007
总面积：29800平米
预算：11800万欧元
NEW PHILHARMONY PARIS-PARC DELA VILLETTE
Paris,France,2007
Floor area:29800m2
Budget:118Mio Euro
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http://www.jianzhu01.com/Museum1007291980.htm
上海文化广场改建
业主：
上海文化广场有限公司
项目地址：
上海市永嘉路36号
占地：
54,000 m2
建筑面积：
34,300 m2
设计时间：
2003年5月
项目状态：
投标评选中
设计人员：
张宏伟、刘琨鹏、Martin Goldberg、Vanesa Rabotnicoff
以轻松活泼的手法创造一处文化性绿化公园，浓缩老上海和新上海的文化生活。设计以非规则的线、面、块来统一各种景观及建筑元素，重构地块的肌理，表述一种休闲的气氛。基地由南北缓缓升起，以容纳商业空间和缩小剧场的视觉体量，西北角老建筑加以改造，形成高档休闲商业区，整个地块将依然延续原功能并突出新的文化价值。
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http://www.jianzhu01.com/Museum1007291979.htm
广州歌剧院
广州歌剧院
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http://www.jianzhu01.com/Museum1007291978.htm
韩国Gyeonggi-do Jeongok史前博物馆
原 名 称：GYEONGGI-DO,JEONGOK PREHISTORY MUSEUM
INTERNATIOANL COMPETITION MERIT AWARD GYEONGGI,SOUTH KOREA,2006
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http://www.jianzhu01.com/Museum1007291977.htm
新国家图书馆
原 名 称：NEW NATIOANL LIBRARY OF THE CZECH REPUBLIC
INTERNATIONAL COMPETITION,PRAGUE,CZECH REPUBLIC 2006
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http://www.jianzhu01.com/Museum1007291976.htm
JUZGADOS DE GUARDIA
原 名 称：JUZGADOS DE GUARDIA
INTERNATIONAL COMPETITION, MADRID 2008
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009040111511247_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291975.htm
广州文化中心
日期：2011年
建筑面积：1.95万平方米
占地面积：8.58万平方米
该文化中心位于中国广州，是日本建筑师修平远藤先生的最新项目。建筑面积1.95万平方米，总建筑面积占8.58万平方米，预计将在2011年完工。
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http://www.jianzhu01.com/Museum1007291974.htm
贝鲁特新艺术和文化馆
原 名 称：New Arts and Culture House in Beirut
几天前我们展示了贝鲁特阿尔贝托卡塔兰诺的新艺术和文化馆的获奖作品。今天我们带给您一个来自葡萄牙建筑事务所Kaputt!的设计竞赛提案，他们获得了这项国际竞赛荣誉奖。
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http://www.jianzhu01.com/Museum1007291973.htm
贝鲁特新艺术和文化馆
原 名 称：New Arts and Culture House in Beirut
印度建筑师Alberto Catalano近期获得了黎巴嫩贝鲁特新艺术和文化馆国际设计竞赛一等奖。Catalano赢得了75000美元的奖金。艺术和文化馆将是黎巴嫩第一个阿曼苏丹伊斯兰教出资2000万资助的项目，新馆将于2013年竣工。
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http://www.jianzhu01.com/Museum1007291972.htm
荷兰女作家安妮MG施密特住宅改造
原 名 称：Annie MG House
今天阿姆斯特丹城市规划议员Maarten van Poelgeest公布了阿姆斯特丹Zeeburg地区的前污水处理井的再利用设计竞赛获奖作品：安妮•M•G•施密特住宅。安妮•M•G•施密特（1911-1995），使荷兰一个著名的儿童文学女作家。
获奖作品是一个多功能文化中心，包括各种活动设施，其中引人注目的是一个由污水处理井改建的天台游乐场，Praq op ‘t daq餐厅建在另一个处理井的屋顶。
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http://www.jianzhu01.com/Museum1007291971.htm
克罗地亚希贝尼克历史中心重建
原 名 称：Reconstruction of the historical center of Sibenik, Croatia
巴塞罗那建筑师Josep Lluís Mateo获得了克罗地亚希贝尼克历史中心重建竞赛的一等奖。
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http://www.jianzhu01.com/Museum1007291970.htm
西溪会馆
杭州的西溪被列为国家湿地公园，其中的两期已向公众开放，有着开阔的半人工化湿地植被和一些仿古建筑。在三期里，策划者想引进面向未来的建筑，招来十二名国产、半国产建筑师参与设计，内容无非是一些类似宾馆的休闲设施。
据说早在明、清时代，西溪湿地便被文人墨客们相中，有一搭没一搭地在此愤世嫉俗，吟诗作画。苏东坡、唐伯虎、郁达夫、徐志摩等前赴后继，留下早已消失了的足迹。当建筑师们考察现场时，看到的是散布的鱼塘和农舍。农庄的形态在统一中蕴含着变异，不土不洋，或既土又洋，散发出清爽的庸俗。
题目似乎清晰了：建筑与自然（可能更强调自然，淡化建筑）；建筑与历史（可能更偏重历史上的历史）。然而，建筑是否隶属自然？再者，何为历史？
人类启动了回归自然的征程¬，与祖祖辈辈愚公移山的事业大相径庭。但人在自然界里盖房子的本意是抵御自然，并非亲近自然。无论在东西方，自然界中的建筑历来都旗帜鲜明地标榜几何，与自然对抗。更何况，会所之类的建筑需要私密。因此，面对自然，采取“不回避但把控” 的策略要远比“回避或妥协”更自然。
历史是一条延续的长河，她同属于昨天、今天和明天。当我们排除了厚古薄今的年龄歧视，客观审视文人墨客和当代村民的“遗产”时，发现二者间的共性在于：平面是简单的矩形，体型上切出了斜坡做屋顶，但简单的单元在组合中发酵，孕育出变化。对暂时幸免遇难之农舍（短短一个月后，新农舍集体沦丧，倒是有一两间老房子得以幸免）的抽样调查显示，建筑进深在10至13米间徘徊。
于是，我们便踏着前辈们的足迹，将建筑类型定义成最简单的矩形平面：面宽=进深 =12米，两坡顶，自由组合。为了跟简单较劲，甚至还锁定了“一个基本平面+一个基本立面”的目标。
当12x12米的单元平面相互纠缠到炽热状态时，咬合的部位生成出天井，它同时承担着采光与通风的使命，从而解放了外墙开窗的义务，或只在想开的地方开窗。
走到这一步，建筑开始自信，从容而轻松地坐在水塘边，树荫下，开始与自然推心置腹，促膝谈心：你是自然，我就不是么？我是建筑，你就不是么？这时自然忽然有所领悟：发现镜面瓷砖以破镜重圆的方式为建筑蒙上了一张魔幻般的外衣，它将天空、树木、水面乃至可恶的游人纳入本体，打碎，重组，然后再将升级版的客体影像释放出来，回归自然。
随着朝夕轮转、秋去冬来，建筑与自然已磨合到了难舍难分、交相辉映的境界，同呼吸，共甘苦。
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http://www.jianzhu01.com/Museum1007291969.htm
重庆生态绿谷
重庆生态绿谷
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http://www.jianzhu01.com/Museum1007291968.htm
上海世博会韩国馆
原 名 称：Korean Pavillion for Shanghai Expo 2010
海世博会韩国馆的主题为“魅力城市 多彩生活”，面积6000平方米，上下共三层，是上海世博会面积最大的展馆之一，也是韩国参加在本国之外举办的历届世博会规模最大的一个展馆。
韩国馆的设计意在诠释出技术与文化融合在一起的未来城市，这与上海世博会提倡的主题“城市，让生活更美好”相得益彰。引领城市发展的信息、生物、纳米、普适、宽带技术以及韩食、韩服、韩文、韩屋、韩纸、韩国音乐都将是展示的亮点。而在历届世博会上大放异彩的多媒体影像技术，更是将真实、摩登的韩国酣畅淋漓地展现在参观者面前。
韩国馆亮点：韩文字母组合成展馆造型
韩国的时尚业一直是亚洲人的风尚标，精心打造的韩国馆自然是出类拔萃的精品了。银白色的韩文字母镶嵌着彩色的像素画，文字的艺术化表现的方式和盛载众多人信息的画作提升了韩国馆的艺术价值，韩国政府参加中国2010年上海世博会筹备组组长张准祥曾经表示，韩文作为韩国最优秀的发明，通过其独创性和重要性体现了韩国国家整体性和文化独立性。
韩国馆地面大部分都是开放的户外空间，借此可以体现出融合城市的概念。等候区域被称为“我的街道”，参观者宛若置身于首尔街头。首尔具有600年的悠久历史，市内的建筑古老和现代共存，地势北高南低，韩国的第一大河——汉江自东向西穿城而过，把首尔分为江南和江北两部分。细心的参观者在这里可以发现，展馆格局恰似一个微缩的首尔，将首尔按1：300的比例“移到”上海，通过尖端数码和普适技术使两个城市间能够实现直接交流，一步一景。馆内缓缓流淌的水景，将文化演出空间和观众等候区分开，透过水幕，依稀可见舞台上灯光璀璨。
韩国馆是面积最大的展馆之一，为了应付当年全球性的金融危机，大韩贸易投资振兴公社向政府和企业界积极申请、筹集新的资金来源，以保证参展上海世博会的规模不缩减。韩国馆于2009年上半年动工兴建，2010年初竣工，现在每天有两万多人进来参观。
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http://www.jianzhu01.com/Museum1007291967.htm
艺术与科技博物馆
艺术与科技博物馆
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http://www.jianzhu01.com/Museum1007291966.htm
富基渔港
富基渔港
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http://www.jianzhu01.com/Museum1007291965.htm
艺术之塔
艺术之塔
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http://www.jianzhu01.com/Museum1007291964.htm
GwanJu设计中心一等奖
原 名 称：GwanJu Design Center Turn-key,1st Prize
2003
Location:OrYongDong,Bukgu,GwangJu
Site area:33056.9m2
总面积：33056平米
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http://www.jianzhu01.com/Museum1007291963.htm
白南准博物馆
原 名 称：The Nam June Paik Museum
2003
占地面积：33000平米
International competition
2003
Location: Kiheung-eup, Yongin-si, Kyonggi-do
Site area:33000m2
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http://www.jianzhu01.com/Museum1007291962.htm
城市图书馆
原 名 称： City Library, Rijeka
总面积：5949平米
date of commission: 2005
gross surface: 5.949 m2
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http://www.jianzhu01.com/Museum1007291961.htm
Domplatz Hamburg
原 名 称：Domplatz Hamburg
面积：30533平米
Domplatz Hamburg (DE)
Domplatz, Hamburg, Germany
Area:30,533m2
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http://www.jianzhu01.com/Museum1007291960.htm
贝鲁特艺术和文化中心（NRJA事务所方案）
原 名 称：NRJA proposal for Beirut s House of Arts and Culture
NRJA事务所最近与我们分享了他们参赛黎巴嫩贝鲁特艺术和文化中心的方案作品。
该艺术和文化中心（黎巴嫩，阿曼中心）的设计提案以竞赛为指导方针，与建筑原则相结合。该中心致力于成为黎巴嫩第一艺术和文化中心，并且受到了政府的支持，可以自由创意。这个建筑在历史上第一次将各文化内容整合到一个独立的区域，给那些开放交流，互相合作的作出贡献的黎巴嫩人而建。
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http://www.jianzhu01.com/Museum1007291959.htm
美国国家儿童博物馆
原 名 称：National Childrens Museum
你知道美国有4800万的儿童吗？近期，美国为儿童准备了一个新的儿童博物馆，旨在激发孩子们关注世界，提升意识，促进世界发展。建筑师佩里•克拉克前几天公布了设计结果，包括一个150000平方英尺的永久展厅，这是由三个著名的设计公司合作设计的，分别是——Amaze 设计事务所, Roto 工作室, 和 Aldrich Pears事务所。
这个占地150000平方英尺的，经过LEED认证的建筑将采用循环可持续开发的环保材料构建，在建筑结构中应用一系列绿色节能设施，包括：风涡轮，太阳能反射板，绿色屋顶，再生材料等。
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http://www.jianzhu01.com/Museum1007291958.htm
海宁艺术中心
原 名 称：HERNING CENTER FOR THE ARTS
设施：临时展厅， 150个座位的演艺厅，音乐排练室，餐厅，图书馆和媒体行政办公室
面积：5600平米
状态：施工阶段
Herning, Denmark, 2005-Sep 9, 2009
PROGRAM: temporary exhibition galleries, 150 seat auditorium, music rehearsal rooms, restaurant, media library and administrative offices
CLIENT: Herning Center of the Arts
SIZE: 5600 sm
STATUS: construction phase
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http://www.jianzhu01.com/Museum1007291957.htm
纳尔逊阿特金斯艺术博物馆
原 名 称：THE NELSON-ATKINS MUSEUM OF ART
1999-2007 6 9
设施：博物馆扩建和翻修
面积：165平方英尺
建筑成本：85900000美元
状态：已竣工
Kansas City, MO, United States, 1999-June 9, 2007
PROGRAM: museum addition and renovation
CLIENT: Nelson-Atkins Museum of Art
SIZE: 165,000 sf
CONSTRUCTION COST: $85,900,000
STATUS: completed
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http://www.jianzhu01.com/Museum1007291956.htm
克兰布鲁克科学研究院
原 名 称：CRANBROOK INSTITUTE OF SCIENCE
1993-1998
设施：现有的科学博物馆和教育设施扩建和翻修
扩建面积：30000平方英尺 翻修面积：64000平方英尺
状态：已竣工
Bloomfield Hills, MI, United States, 1993-1998
PROGRAM: addition to and renovation of existing science museum and educational facility
CLIENT: Cranbrook Educational Community
ADDITION & RENOVATION: 30,000 & 64,000 sf
STATUS: completed
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http://www.jianzhu01.com/Museum1007291955.htm
台北表演艺术中心（提案）
原 名 称：Taipei Performing Arts Center
早些时候，我们展示了台北艺术中心参赛作品，Morphosis事务所，NL事务所以及Abalos+Sentkiewicz事务所的提案，包括最终获奖作品OMA的设计方案。
今天，我们将为您展示Francois Blanciak建筑事务所的提案。作为台湾土著的一种文化传承，该建筑使用了板石结构（包括3个电影剧院，1个行政空间）。为了强调建筑的公共性质，在底层有一个人行道基座，从广场平面升起。
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http://www.jianzhu01.com/Museum1007291954.htm
临时艺术展览馆
原 名 称：Temporary Art Pavillion
我们来自Sponge建筑事务所的朋友为我们传来了他们近期设计的一个临时艺术展览馆效果图，并且获得了奥斯汀艺术联盟的荣誉提名奖。
这个项目是为一个今年3月份名为“临时室外画廊空间设计竞赛”而做，有来自世界各地近200个参赛作品。临时展览馆为享有盛誉的画廊提供展览空间。
该艺术展览馆由SPONGE事务所设计，是一个可拆分的木制隧道构架。通过这种方式，可以根据需要改变展区面积。当馆封闭的时候，它的职能是一个封闭的太空舱，用来保护艺术品。当将木结构拆分后，一个透明的玻璃和金属的PVC金属薄壁外壳出现，可提供光源，并且从外部保护了艺术作品。将空间设置最大化，这里有足够的展览空间，和画展开幕前的小电影院。“户外舞台”是临时展馆的入口，同时也是一个作为时装表演或公共设备的展示舞台。
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http://www.jianzhu01.com/Museum1007291953.htm
意大利国会中心
原 名 称：CONGRESS CENTER ITALIA
2008
设施：国会和展览中心，宾馆 550间
国际竞赛奖（1998－2010）
总面积：51000平方米
2008
Rome, Italy
Program: Congress and exposition centre, hotel with 550 rooms
International competition: winning project (1998-2010)
Total Area: 51.000 sqm
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http://www.jianzhu01.com/Museum1007291952.htm
佩雷斯和平中心
原 名 称：THE PERES CENTER FOR PEACE
2008
面积：7000平米
2008
Jaffa, Israel
Area 7.000 Mq
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http://www.jianzhu01.com/Museum1007291951.htm
DES国家档案中心
原 名 称：CENTRE DES ARCHIVES NATIONALES
2006/2011
Pierrefitte-sur-Seine and Saint-Denis, France
2006/2011
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http://www.jianzhu01.com/Museum1007291950.htm
维尔纽斯博物馆
原 名 称：THE HERMITAGE GUGGENHEIM VILNIUS MUSEUM
2008
性质：现代和当代艺术博物馆
总面积：14000平米
Lithuania, Vilnius
2008
Program: Modern and Contemporary Art Museum
Total Area: 14,000 square meters
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http://www.jianzhu01.com/Museum1007291949.htm
wolfe艺术中心
原 名 称：Wolfe Center for the Arts
wolfe艺术中心将是挪威snohetta建筑事务所在美国的第一个作品，它位于俄亥俄州的bowling green市的bowling green州立大学校区内。它由snohetta建筑事务所的craig dykers设计。建筑面积93,000平方英尺，该项目最近开展了一个独特创意的庆祝活动，精选了60件陶瓷艺术学生制作的管乐器和建筑模型。建筑师力图使学习不同种类艺术的学生相互交流，促进学生和教师沟通。让该中心成为校园的公共空间，打破不同人群之间的壁垒。
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http://www.jianzhu01.com/Museum1007291948.htm
丹麦“城市媒介空间”——公众图书馆竞赛一等奖
原 名 称：Urban Mediaspace Competition
丹麦SHL事务所近期公布了其设计竞赛“城市媒介空间”获奖作品—— 斯勘的纳维亚半岛最大的公共图书馆。 这座耗费22800万欧元的建筑坐落在丹麦奥胡斯，是近期唯一一个历史博物馆。
SHL事务所旨在再次对传统概念的图书馆设计进行审查。设计师的重点不是放在图书上，更多是建筑本身，是一个包括室内外的社会集成娱乐空间，同时也是学习，社交和休闲区域。该图书馆占地30000平米，“城市媒介空间”位于奥胡斯古老的船货码头区。建筑外貌呈七角形，采用玻璃正面。
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http://www.jianzhu01.com/Museum1007291947.htm
纽卡斯尔美术馆
原 名 称：Newcastle Art Gallery
Location Newcastle NSW
Floor area 8000sqm
总面积：8000平米
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http://www.jianzhu01.com/Museum1007291946.htm
白南准博物馆竞赛方案
原 名 称：Nam June Paik Museum
Competition Nam June Paik Museum, Korea
Design:2003
设计：2003
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http://www.jianzhu01.com/Museum1007291945.htm
伦敦艺术展览馆
原 名 称：Art Pavillion
我们来自Cre8建筑事务所的朋友Pierre Forissier和我们分享了伦敦2009年艺术基金会展览馆设计竞赛入围作品。
展览馆的概念是：试验开发一个有机体的格局演变中，让自发的力量不用调解。这一成果转化为一个有机的结构，有一个保护膜包装本身。皮肤（即细胞膜）揭示生命的骨架。
Our friend Pierre Forissier, from Cre8 Architecture, shared with us their entry for the Art Fund Pavillion Competition London 2009.
The concept of the pavilion is to experiment with a developmental pattern in the evolution of an organism, to let spontaneous forces go without mediation. This results into an organic structure that wraps itself with a protective membrane. The skin (i.e. membrane) reveals life from the skeleton.
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http://www.jianzhu01.com/Museum1007291944.htm
新奥尔良全国爵士中心
原 名 称：New Orleans National Jazz Center
面积：150000平方英尺
设施：表演艺术中心 900座的表演厅 350座的剧院工作室 排练室 教室 博物馆 餐厅 休息室
设计：2006－2008
New Orleans, Louisiana, United States of America 70112
Client: Strategic Hotel Capital / New Orleans Jazz Orchestra Site Area: 1.5 acres / 0.6 hectares Size: 150,000 gross sq ft / 13,935 gross sq m
Program: Performing arts center with 900-seat performance hall, 350-seat studio theater, rehearsal spaces, classrooms, museum, restaurant, and event lobby
Design: 2006 – 2008
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http://www.jianzhu01.com/Museum1007291943.htm
滕斯贝格大会堂
原 名 称：TOWNHALL TONSBERG
面积：约8000平米
状态：正在开发中
年限：20072011年
location: Tønsberg, Norway
size: ca 8000 m2
commission type: Invited competition 1st. prize
with Ola Roald Architects AS
status: Under development
year: 2007-11
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http://www.jianzhu01.com/Museum1007291942.htm
民族博物馆
原 名 称：FOLK MUSEUM ROMSDALEN MOLDF
面积：约3500平米
状态：规划阶段
年限：2002-2011
location: Molde, Norway
program: Exhibition and administration building
size: ca 3500 m2
commission type: Invited competition 1st. prize (2007)
status: Planning phase
year: 2007-11
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http://www.jianzhu01.com/Museum1007291941.htm
新塔马约博物馆
原 名 称：New Tamayo Museum
建筑面积：3500平米
新塔马约博物馆坐落在墨西哥最大的城市郊区陡峭的Atizapan山坡上。该建筑将作为地域性和国际教育及文化的中心，同时继承美术家鲁菲诺塔马约（1899-1991）的名称作为博物馆命名。强壮和具有象征意义的十字交叉形状是对客户预备程序研究的直接解释，为塔马约博物馆的游览者和管理者定义了一种积极的组织模式。
Set upon a steep hillside in Atizapan on the outskirts of Mexico s largest metropolis will soon sit the New Tamayo Museum. The building will serve as a nucleus of education and culture - locally, regionally, and internationally - and continue to carry the name of the Oaxacan born artist Rufino Tamayo (1899-1991). The very strong and symbolic shape of the cross is a direct interpretation of the client s preliminary program studies, defining an optimized organizational scheme for the Tamayo s visitors and administrators.
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http://www.jianzhu01.com/Museum1007291940.htm
日本图书馆
原 名 称：Japan Library
日本图书馆 Japan Library
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http://www.jianzhu01.com/Museum1007291939.htm
塞福德LS俱乐部
原 名 称：Seaford LS club
塞福德LS俱乐部 Seaford LS club
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009052514122151_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291938.htm
鄂尔多斯博物馆
原 名 称：Erdos Museum
占地面积：27760平米
建筑面积：41227平米
鄂尔多斯博物馆位于内蒙古鄂尔多斯，目前正在日以继夜的施工中。
受到蓬勃发展的经济的驱动，鄂尔多斯市确立了一个新的市中心，距离现在城市十公里外。在2005年，那儿什么都没有，只有延绵不断的戈壁滩。一个城市规划方案出台，题名为“草地上永远的旭日”。这一设计规划了完美的景象，满足了政府的愿望，却不知道到底有多少人可以真正在这里生存。
鄂尔多斯博物馆将建在这个新的城市中心。设计师的概念是总体规划的映射。设计以自然，不规则为核心，提供相对于外界完全独立的内部景观。
Erdos Museum is located in a city that is currently being built, almost overnight.
Driven by a booming economy, the Municipal Government of Erdos has determined to build a new city centre, dozens of kilometers away from the current city. There was nothing but the Gobi Desert on this site in 2005. An urban mas terplan was created, entitled Ever Rising Sun On The Grass Land. This plan drew a beautiful but empty image, one which fulfills the wishes of the government, but doesn’t hold much for the people who will have to live there.
Erdos Museum will be created at the centre of this new city. Our concept is a reflection and a reaction to the mas terplan. The design is a natural, irregular nucleus, to contrast with the planned city; to provide interior scenery completely separate to that which is outside.
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http://www.jianzhu01.com/Museum1007291937.htm
蒙特利尔天文馆
原 名 称：Planetarium de Montreal
加拿大Saucier + Perrotte建筑事务所最近和我们分享了他们为蒙特利尔天文馆设计竞赛所做的最后参赛方案——一个黑色的斗篷将所有不同的部分连接起来。
悬浮的两大世界：大的部分，是空间和星球；接近地球的是，人类与存在问题，提出了天文馆的未来。它传输给和邀请我们发现演变进化快照，塑造一个国家发展的寓言，从粗糙到精致。
Canadian architects Saucier + Perrotte shared with us their finalist proposal for the Planetarium de Monteral competition, a black mantle connecting the different programatic pieces.
Suspended between two worlds: on a large scale, that of the space and stars; and closer to Earth, that of man and matter, rises the future Planetarium. It transports us elsewhere and invites to discover a snapshot of Evolution, an allegory of the matter in shaping, of a state in evolution, from rough to precious.
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http://www.jianzhu01.com/Museum1007291936.htm
中东现代艺术博物馆(MOMEMA)
原 名 称：The Museum of M iddle Eastern Modern Art (MOMEMA)
Khor Dubai,UAE,2008-2011
2007 - 2011年
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http://www.jianzhu01.com/Museum1007291935.htm
纽约富兰克林广场
原 名 称：Five Franklin Place
New York ,USA
2007
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http://www.jianzhu01.com/Museum1007291934.htm
法兰克福剧场
原 名 称：The Theatre of Immanence
Portikus,Frankurt am Main
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http://www.jianzhu01.com/Museum1007291933.htm
Spijkenisse剧院
原 名 称：Theatre Spijkenisse
Spijenisse，The Netherlands 2008
2008
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http://www.jianzhu01.com/Museum1007291932.htm
帕多瓦城市礼堂
原 名 称：Auditorium della citta di Padova
Padova,Italy,2006
2006年
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http://www.jianzhu01.com/Museum1007291931.htm
宽容博物馆
原 名 称：Museum of Tolerance
宽容博物馆的体现的主题是：宽容，人权和多样性。博物馆旨在提高和促进这些问题之间的相互对话，同时坏以相互促进的方式传递下去。该建筑在此基础上对博物馆进行重新布置，使其从一个经验中心变为一个洛杉矶西部的文化中心。设计分为两个阶段，第一阶段——完成博物馆的室内设计；第二阶段，完成博物馆的扩建程序。
The Museum of Tolerance (MOT) focuses on issues of tolerance, rights and diversity. The Museum aims to confront and promote a dialogue on these issues in a hands-on interactive manner. To build upon it initial success the MOT aimed to reposition the Museum from an experiential learning center into a cultural center for the Westside of Los Angeles. Designed in two phases - the first completed phase focuses on the interior spaces of the Museum while the second phase, in progress, expands the Museum.
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http://www.jianzhu01.com/Museum1007291930.htm
江潭水案会所
江潭水案会所
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http://www.jianzhu01.com/Museum1007291929.htm
冯喆纪念馆
冯喆纪念馆
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http://www.jianzhu01.com/Museum1007291928.htm
秦皇岛市汤河滨河公园设计
秦皇岛市汤河滨河公园设计
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http://www.jianzhu01.com/Museum1007291927.htm
武汉华润中法艺术中心
武汉华润中法艺术中心
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http://www.jianzhu01.com/Museum1007291926.htm
安仁文革票证馆
安仁文革票证馆
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http://www.jianzhu01.com/Museum1007291925.htm
拉奥罗塔瓦生态公园
拉奥罗塔瓦生态公园
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http://www.jianzhu01.com/Museum1007291924.htm
新卢克索剧院
新卢克索剧院
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060513424847_19.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291923.htm
经典圣诞广场
原 名 称：Iconic Christmas Square
巴西纳塔耳成立了一个国家标志性圣诞广场设计竞赛。这一竞赛组织受到了巴西建筑学会的支持，计划开发一个独特的城市空间，作为旅游特色景点。zerOgroup是一个国际多学科方向的建筑事务所，位于巴西马瑙斯，在这次设计大赛中赢得了第一名。
Natal, Brazil created a national competition for the design of an iconic Christmas Square. The objective of the competition, which was organized with the support of the Brazilian Institute of Architects and Rio Grande do Norte Department, was to develop a specific area of the city as a tourism attraction feature. zerOgroup, an international and multi-disciplinary firm, collaborated with Unique, a Brazilian architecture practice based in Manaus, to win the competition.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060910265439_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060910265439_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060910265439_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060910265439_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060910265439_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291922.htm
米拉格罗萨教堂
米拉格罗萨教堂
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http://www.jianzhu01.com/Museum1007291921.htm
新梅林斯基戏院
新梅林斯基戏院
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http://www.jianzhu01.com/Museum1007291920.htm
庞特德利马宫
庞特德利马宫
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http://www.jianzhu01.com/Museum1007291919.htm
盒子建筑
盒子建筑
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013313447_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291918.htm
广岛忠雄博物馆
广岛忠雄博物馆
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http://www.jianzhu01.com/Museum1007291917.htm
花园式礼拜堂
花园式礼拜堂
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http://www.jianzhu01.com/Museum1007291916.htm
开罗城市博览会展馆
原 名 称：Cairo Expo City
我们刚刚获知扎哈哈迪德建筑事务所将设计埃及开罗城市博览会展馆，经过两个阶段的竞争，与Buro Happold多学科环境顾问事务所合作共同设计。
新的埃及开罗城市博览会展馆将提供一个便捷舒适的国际化会议展览中心，使得开罗在国际化的竞争中更具有竞争实力。
We were just informed that Zaha Hadid Architects will be designing the Cairo Expo City, together with multi-disciplinary engineering consultancy Buro Happold, after a two phase competition.
The new Cairo Expo City will provide a facilities suitable for the international conference and exhibition industry, making Cairo more competitive in a global scale.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013372032_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013372032_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013372032_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013372032_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061013372032_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291915.htm
圣玛丽亚德格利安格利小礼拜堂
圣玛丽亚·德格利·安格利小礼拜堂
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http://www.jianzhu01.com/Museum1007291914.htm
俄罗斯新犹太人宽容博物馆
原 名 称：New Russian-Jewish Museum of Tolerance
组委会决定启用德国Graft建筑事务所作为俄罗斯新犹太人宽容博物馆的主设计师。Graft建筑事务所创新性的将1927年康斯坦丁梅尔尼科夫巴士车厂改造成为世界上最大的犹太人博物馆。
The committee for the Russian-Jewish Museum of Tolerance finalized the German-based Graft Architects design for the new museum. Grafts renovation and expansion of the 1927 Konstantin Melnikovs bus depot will transform the space into the worlds largest Jewish museum.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061110553036_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291913.htm
简—玛丽蒂巴尤文化中心建筑
简—玛丽蒂巴尤文化中心建筑
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http://www.jianzhu01.com/Museum1007291912.htm
光明教堂
光明教堂
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061114074038_14.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291911.htm
近津-飞鸟历史博物馆
近津-飞鸟历史博物馆
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http://www.jianzhu01.com/Museum1007291910.htm
多哈现代阿拉伯艺术博物馆
原 名 称：The Museum of Modern Arab Art in Doha
多哈现代阿拉伯艺术博物馆 The Museum of Modern Arab Art in Doha
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513122245_7.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291909.htm
巴基斯坦文化综合设施
巴基斯坦文化综合设施
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513521536_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513521536_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513521536_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009061513521536_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291908.htm
帝国战争博物馆北立面周边景观规划选定Topotek 1景观设计所作为主创设计
原 名 称：Topotek 1 for Imperial War Museum North
经过国际竞赛，帝国战争博物馆北立面周边景观设计选定Topotek 1景观设计所作为设计团队主导，开发博物馆外部空间。全体陪审员认为：Topotek 1的规划，将思考创新结合最优结合，同时补充了Daniel Libeskind建筑。
Following an international design competition, Imperial War Museum North (IWMN) se lected Topotek 1 as the preferred design team to develop the external spaces of the museum in Trafford. The se lection panel felt that Topotek 1’s scheme, Camouflage Strategy, best addressed the need for zones of contemplation, creativity and play which would complement the Daniel Libeskind building.
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http://www.jianzhu01.com/Museum1007291907.htm
奥斯卡尼迈耶礼堂（正在构建中）
原 名 称：Oscar Niemeyer auditorium under construction
拉维罗，意大利南部的海岸，被认为是地球上最美丽的景点之一。巴西建筑师奥斯卡尼迈耶全白色曲线礼堂位于繁茂的岩石山坡上，以阿马尔菲海岸城市灿烂的蓝色海洋和无尽的天空为背景。
Ravello, off South Italys coast, is said to be one of the most beautiful spots on earth. And Brazilian architect Oscar Niemeyers all-white curvaceous auditorium is set amongst its luxuriant rocky hillsides and against the backdrop of the refined Amalfi coastal town’s trademark awe-inspiring brilliant blue sea and endless open skies.
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http://www.jianzhu01.com/Museum1007291906.htm
上海2010世博会丹麦馆（备选方案）
原 名 称：Danish Pavilion for Shanghai
面积：3000平米
Area: 3,000 m2
3XN 建筑事务所为上海世博会丹麦馆设计了主展馆，使用了他们传统的旗帜创建一个生机勃勃的空间环境。建筑师说：展览的窗口是一个邀请，表示欢迎来到丹麦。并在2010年全球化的时代，更重要的是告诉大家：丹麦是世界的一部分。
3XN Architects proposal for the Danish pavilion for the Shanghai expo 2010 uses their national flag to create a dynamic spatial environment. ”An exhibition window is an invitation that says: Welcome inside a little piece of Denmark. And in 2010, in the age of globalisation, it is important to add: Welcome to a Denmark that is part of the world,” stated the architects.
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http://www.jianzhu01.com/Museum1007291905.htm
新疆博物馆计方案设计
新疆博物馆计方案设计
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http://www.jianzhu01.com/Museum1007291904.htm
塔林新城市礼堂
原 名 称：BIG wins International Competition to design Tallinns new City Hall
BIG建筑事务所赢得塔林新城市礼堂设计大赛冠军
BIG wins International Competition to design Tallinns new City Hall
爱沙尼亚塔林新城市礼堂国际设计大赛的最终获奖者是，来自丹麦的BIG建筑事务所以及来自英国的Adams Kara Taylor建筑事务所。
该国际设计竞赛的目的是为市政府行政大楼找寻最优的建筑解决方案，以适应这座占地35000平米，位于Linnahall大厦附近的新建筑物。该设计竞赛吸引力了81家建筑事务所，送出了参赛作品。
An international idea competition was held for Tallinn’s new City Hall in Estonia and the best concept was presented by the Bjarke Ingels Group from Denmark together with Adams Kara Taylor of the UK.
The purpose of the international idea contest was to find the best architectural solution for the new administrative building of the city government that will be situated on a 35,000 m2 plot near the Linnahall building. The contest for the new city was met with a great interest, 81 architects and their teams were willing to present an entry.
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http://www.jianzhu01.com/Museum1007291903.htm
国家野花中心
原 名 称：National Wildflower Center
Ginseng Chicken建筑事务所是一个新锐的设计公司，为利物浦国家野花中心设计提交了这一方案。该科学中心，提供各种各样的活动，如植物生产领域和种子处理设施，建筑师说：“该中心能够激发人们访问欲望，以了解数学和物理.之间的关系和性质，这将提供一个创造性的保护学习和创新业务中心。”
Ginseng Chicken Architecture a promising new firm, has proposed a design for the National Wildflower Center in Liverpool. The science center, which provides a variety of activities such as plant production areas and facilities for seed processing, “will inspire people to visit the center to learn about the relationship between nature, mathematics and physics…it will provide an operational hub for creative conservation, learning and innovation,” explained the architects.
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http://www.jianzhu01.com/Museum1007291902.htm
伊朗德黑兰设计竞赛
原 名 称：Designing in Teheran
国际德黑兰设计竞赛旨在追求将现代伊朗城市现有文化区域和更多当代环境融合为一体。这个竞赛的设计内容包括两个塔楼，A 座和B 座，将提供流行服装零售区域。
Grzegorz Witold Woronowicz事务所的提案，作为A座的获奖方案，感谢事务所的队友akub Piotr Kalinowski, Piotr Kus和Krzysztof Rewski，他们试图为使用者努力构建一种新的购物模式和综合空间。
The international competition Designing in Teheran seeks to modernize the Iranian city by fusing the existing cultural area with a more contemporary environment. This competition is comprised of the design for two towers, Tower A and Tower B, which will provide retail space for the popular clothing store the United Colors of Benetton.
Grzegorz Witold Woronowicz s proposal, which was se lected as a winner for Tower A thanks to his teammates Jakub Piotr Kalinowski, Piotr Kus, Krzysztof Rewski, attempts to create a new kind of shopping experience for users within the complex.
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http://www.jianzhu01.com/Museum1007291901.htm
德黑兰设计竞赛作品
原 名 称：Design for Teheran
德黑兰国际设计竞赛要求设计师创造性地重新考虑潜在零售领域后，可以有一个不断发展的大都市环境。它的目的是建立一个架构，“将调查的社会，政治，文化功能，并成为一个内容不同文化之间的对话，因此承担平衡西部和东部之间文化的调解作用。”
As we shared earlier this week, the Desiging in Teheran international competition urged designers to creatively rethink the potential a retail area can have upon an evolving metropolis (Grzegorz Witold Woronowiczs won as we reported earlier on AD). Giuseppe Iodices proposal placed third as it aimed to create an architecture that ”would investigate a social, political, cultural function and become an element of dialogue between different cultures…thus assuming a role of balanced mediation between western and eastern culture without renouncing its expressive identity.”
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http://www.jianzhu01.com/Museum1007291900.htm
河姆渡遗址博物馆竞赛方案
河姆渡遗址博物馆竞赛方案
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http://www.jianzhu01.com/Museum1007291899.htm
现代罗马式圆形大剧场
原 名 称：Modern Colosseum
荷兰Cepezed建筑事务所近期被海牙文化之都办事处任命帮他们设计一个临时剧场。该市力争成为2018年欧洲文化之都，因此，建筑师创造了一个现代版的罗马斗兽场，作为其一个重要的图标区。
该剧院可容纳5000名观众，位于海牙城市入口处10公顷的位置。
The Netherlands-based Cepezed Architects were recently appointed by the offices of the Hague Capital of Culture to design a temporary theater. The city strives to be named the European Capital of Culture in 2018, so the architects have created a contemporary version of the Roman Colosseum to become an important icon for the area.
The theatre, which should accommodate approximately 5000 visitors, will sit in the Malieveld in the Hague, a stretch of lawn measuring ten hectares and positioned along the entrance of the city.
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http://www.jianzhu01.com/Museum1007291898.htm
珠海歌剧院
原 名 称：Zhuhai Opera House
来自加州Culver城的SPF建筑事务所，为中国广东省珠海设计了这个歌剧院。设计灵感来自于该地传统的原则，歌剧院的外形像一个个小鹅卵石婀娜多姿的堆积在一起。这种概念来自于中国五行学说，建立一种视觉平衡。歌剧院有三层，提供不同方案的活动，如1500座的演艺厅，大型广场集会空间，排练厅，餐馆和其他公共设施。该建筑背景是一个森林，给人留以深刻可持续的印象。
SPF architects, based in Culver City, California, have created an design for the Zhuhai Opera House in Guangdong Province, China. Learning from the traditional principles of the region, the opera houses form gives the appearance of stacked pebbles. Such an idea was conceived as a way to create a visual balance based on the Chinese principle from the five element theory. The opera house has three stacked levels that provide varying programmatic activities, such as a 1500 seat auditorium, large plaza gathering space, rehearsal hall, restaurants and other public amenities. A forest behind the structure gives the impression of growth and sustainability.
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http://www.jianzhu01.com/Museum1007291897.htm
曼切斯特美术馆的音乐厅
扎哈·哈迪德事务所、曼切斯特国际音乐节、曼切斯特美术馆以及三位世界顶尖的独奏者，将联手为2009年的音乐节做贡献。哈迪德事务所将从视觉和音响上改造曼切斯特美术馆的一个展览空间，使其成为一座音乐厅，可欣赏巴赫的独奏作品。
钢琴家Piotr Anderszewski、大提琴家Jean-Guihen Queyras和小提琴家Alina Ibragimova将在每次可容纳200人的小型演出中演奏巴赫的作品。新的表演空间在通常的美术馆开放时间也同时开放。
哈迪德说：“就像巴赫音乐中的节奏和协调一样，我们的设计将在正式和结构化的逻辑中找到符合其音乐多样性的要素。”
音乐节负责人Alex Poots说：“我们的目标是创造一个近乎完美的视觉和音响环境，为观众欣赏世界上最受欢迎的音乐提供体验的空间。哈迪德事务所迎难而上，找到创新性的想法。我们很期待看到他们设计的作品。”
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http://www.jianzhu01.com/Museum1007291896.htm
塞维利亚图书馆
原 名 称：Seville library
尽管一个法院裁定支持反对建设“塞维利亚图书馆”（Seville library）的当地居民，扎哈·哈迪德建筑事务所（Zaha Hadid Architects）继续进行这个400万欧元的工程的工作。
2006年，在西班牙的安达鲁西亚，扎哈·哈迪德赢得了为“塞维利亚大学”（University of Seville）设计一个10,500平方米的图书馆的竞争。
按照扎哈·哈迪德的描述，这个项目是一个160米长的“浮动的图书馆”，它建设在一个非常浅的基座之上。
安达鲁西亚的居民反对这个项目占用Prado de San Sebastian停车场的一部分地盘。安达鲁西亚高等法院根据当地居民的诉讼，命令停止这个项目的建设工作。
但扎哈?哈迪德建筑事务所说，安达鲁西亚政府、塞维利亚市议会和“塞维利亚大学”将对这个决定提出上诉。这意味着，在进一步的法律裁定作出之前，建设工作能继续进行。
扎哈·哈迪德在最近发表的一个声明中说：“在塞维利亚大学图书馆的工地上，建设工作继续进行。这个建设项目将为塞维利亚的居民和外来游客提供一个现代化的公共图书馆，它有阅览室、展览厅和会议设施。”
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http://www.jianzhu01.com/Museum1007291895.htm
利物浦新博物馆
利物浦的博物馆将被建造在城市的最突出的发展场所之一，在艾伯特码头和仅次于’ 3 恩惠’的码头之间。站点属于去年被联合国教科文组织写上的利物浦的世界遗产站点。 大楼被认为是倾斜或者提高平台，逐渐形成一个雕刻的结构。大楼将完全可达到并且将有助于公众海滨沿着码头道散步。位于码头，博物馆将在这条河和城市上清晰可见。
利物浦的博物馆将成为世界的主要城市历史博物馆，展示社会历史和通俗文化，并通过利物浦的眼睛看英国和世界。
新博物馆希望将在每年的基础上吸引750.000 参观者，利物浦博物馆作为一座灯塔，可以被复活到非常壮丽，幻想大楼并且将吸引创造力，产生新议程并沿着路创造城市的一幅新的有吸引力图像。
当利物浦成为文化的欧洲首都时，博物馆将是2008年的焦点。 博物馆的第一个阶段有动力一定在庆祝年的10月完成。在文化年，二阶段的首都之后，展览会装备将从博物馆完成开始实行2010年4月计划。
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http://www.jianzhu01.com/Museum1007291894.htm
贝纳通竞赛作品
原 名 称：Benetton Competition
贝纳通竞赛作品
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http://www.jianzhu01.com/Museum1007291893.htm
Bibliosphere 新图书馆和办公大厦
原 名 称：Bibliosphere
Greeen!建筑事务所和我们分享了他们的一个参赛作品，为德国杜伊斯堡大学设计的一个新图书馆和办公室大厦。年轻的事务所团队特别的将焦点集中在了生态和可持续发展的设计方式上。他们的目的是，构建一个大型的生态综合大厦，旨在“创建一个城市和大学相互编织互动发展的场所”。
Greeen! Architects Architects shared their competition proposal for a new library and office building for the University Duisburg-Essen, in Germany. The young architectural practice specifically focuses on ecological and sustainable design approaches. For their proposal, a large ecological complex intends to “create a place where city and university are woven together.”
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http://www.jianzhu01.com/Museum1007291892.htm
天津艺术画廊
原 名 称：Tianjin Art Gallery
KSP Engel und Zimmermann建筑事务所获得了天津艺术画廊设计的一等奖。中国政府通过投资这一新文化建筑力求抵制经济危机。这座面积33000平米的艺术画廊将是该城市90公顷文化和休闲广场的一个组成部分，同时也包括一个歌剧院和其他娱乐中心。
KSP Engel und Zimmermann Architekten was awarded first prize for their Tianjin Art Gallery proposal. The Chinese government has been investing in new cultural buildings in an effort to battle the economic crisis by creating this new form of investment plan. The 33,000m2 art gallery will be one component in the city’s 90 ha cultural and leisure quarter, which will also include an opera house and other recreational centers.
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http://www.jianzhu01.com/Museum1007291891.htm
圣彼得堡舞蹈剧院设计竞赛一等奖
原 名 称：UNStudio wins competition to design dance theatre in St. Petersburg
UN工作室赢得了俄罗斯圣彼得堡舞蹈剧院设计竞赛一等奖，该剧院面积21000平米，位于圣彼得堡历史中心。这个新的综合剧院将为圣彼得堡芭蕾舞剧团提供场地，由Boris Eifman作为舞蹈指导。
UNStudios design has won a competition to build a 21,000 square meter dance theatre in the historic centre of St. Petersburg, Russia. The new complex houses the Eifman Ballet of St. Petersburg, headed by choreographer Boris Eifman.
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http://www.jianzhu01.com/Museum1007291890.htm
Penang全球城市中心
原 名 称：Penang
Penang全球城市中心
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http://www.jianzhu01.com/Museum1007291889.htm
体育名人堂和区域历史博物馆
原 名 称：Sports Hall of Fame and Regional History Museum
新路易斯安那州体育名人堂和区域历史博物馆的建筑设计刚刚进入施工阶段，该项目由Trahan建筑事务所执笔设计。博物馆的捐赠纪念体现了对“路易斯安那州和墨西哥湾南部，不同文化的塑造，国家以及独特传统和遗产至关重要的理解。”
The new Louisiana State Sports Hall of Fame and Regional History Museum designed by Trahan Architects has just entered its construction phase. The museums donated memorabilia embodies “the contributions of the diverse cultures that have shaped the state and are crucial to understanding the unique traditions and legacy of Louisiana and the Gulf South.”
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http://www.jianzhu01.com/Museum1007291888.htm
福特沃期现代艺术博物馆
福特沃期现代艺术博物馆
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http://www.jianzhu01.com/Museum1007291887.htm
木偶剧院
原 名 称：Puppet Theater
木偶剧院 Puppet Theater
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http://www.jianzhu01.com/Museum1007291886.htm
比马城市行为健康馆和危机处理中心
原 名 称：Pima Behavioral Health Pavilion and Crisis Response Center
Cannon设计事务所和我们分享了他们最近的一个项目，为比马城设计的一个精神健康中心。该项目创建了一个“完整的治疗康复学院”，为不同的行为医学服务。通过将原始的索诺拉沙漠景观和现有建筑物结合，该项目“平衡了各学科项目，独特的环境条件，倾斜的施工预算等带来的挑战。”
Cannon Design shared with us their latest mental health center for Pima. The project creates a “holistic healing campus” to serve various facets of behavioral medicine. By integrating the architectural design with the raw beauty of the Sonora Desert, the project “balances the challenges of a complex interdisciplinary program, unique environmental conditions, and a lean construction budget.
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http://www.jianzhu01.com/Museum1007291885.htm
Atelier imagen艺术馆设计
原 名 称：Atelier imagen
Atelier imagen艺术馆设计
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http://www.jianzhu01.com/Museum1007291884.htm
民族音乐中心
原 名 称：National Music Center
位于加利福尼亚Culver城的SPF建筑事务所近期发表了他们的一个概念设计：为加拿大卡尔加里设计的一个民族音乐中心。该项目受到许多著名设计师的关注，是一个充满雄心和重要的城市设计项目，位于卡尔加里中心区，新的音乐中心将不仅仅集中在表演区，还将增加许多文化空间，作为“博物馆和教育区”。
Culver City, California based firm, SPF Architects recently presented their design concept for the Cantos National Music Center for Calgary. The project is “seen by many as one of the cou ntrys most ambitious and important urban-design projects.” Located in the center of Calgary, the new music center will not only focus on performance areas but will become more of a cultural space as it will be “part museum and part education.”
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http://www.jianzhu01.com/Museum1007291883.htm
上海世博会比利时馆
占地5250平方米的比利时馆将包括1000平米的欧盟展厅，展馆采用“脑细胞”为主体结构，表现欧洲和比利时的丰富艺术内涵以及凝聚了人类文明发展和智慧结晶的科学成就。
比利时馆的主题为“运动和互动”，展馆的一面外墙将采用透明的玻璃材料，另三面将采用延展的金属板形成封闭幕墙，展馆不仅是欧洲厅、比利时厅及其各共同体和地区展厅的所在地，更提供各类社交和会晤场所，包括餐厅、酒吧和贵宾中心，展板将悬在滑轨上，在展厅内移动，表现馆中所展示的不同地区，塑造比利时对外开放的形象和态度和多文化的和谐共存，展馆内部呈现一种广场氛围，没有内外界线，表现比利时人“懂得享受生活”的理念。
比利时以巧克力和钻石闻名于世，因此在上海世博会期间，顶级钻石展将亮相比利时馆，届时，来自世界各地的钻石设计师们将带来他们的作品，其中更包括了十几位来自中国的设计师，两国的时尚模特也将登场助兴，他表示钻石展不用于商业目的，接下来他们将与中国相关部门沟通，通过钻石展为建设希望小学募集资金，当记者提到保险问题时，他表示比利时已经在“认真考虑这一问题”。
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http://www.jianzhu01.com/Museum1007291882.htm
lukishkiu广场
原 名 称：lukishkiu
由L. Tuleikis, R. Antinis, K. Vaiknoras, K. Lanauskas, 和 P. Vaitiekūnas组成的团队和我们分享了他们参加立陶宛维尔纽斯Lukishkiu广场竞赛的作品。竞赛突出自由的主题，因为这个广场曾经作为纪念空间而建造。该团队的设计方案包括了一个由雕塑物环抱的缓慢向中心凹陷的“自由之地”，和场地周边的外部丛簇空间组成。
自由之地是一个巨大的凹陷入地面的盆地，承载着穿梭在记忆广场中的人们。设计团队解释道：“这个盆地穿透了所有的历史与文化层，直达我们国家的根基。它同时也到达了维尔纽斯的起源。”
当人们步行往下进入广场时，周围的建筑物被“抹去”了。四周能看到的只有环绕的大树，人们可以专心于记忆的长河，而不会分神。广场在纷乱的城市中创造了一个隔绝、宁静的空间。
主要的道路带领人们来到自由之地。这条路代表了立陶宛为维持自由而经历的漫长岁月。当人们步行于这条或上升或下降的道路时，周边的雕塑作品勾画出了立陶宛的四个历史时期。
白墙也即这条路，就像这个国家历史的一个时间轴，而墙里的空间展示了曾经的重大事件。在这条墙内开敞的天井中穿行，就像穿越立陶宛历史上重要的时期。天井中的墙壁能反射驻足观看的人影。“这条路给予参观者以现在和历史的交融。”
这个方案与另外七个方案被获准进入下一轮评审，同时也获得了特别奖项。
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http://www.jianzhu01.com/Museum1007291881.htm
诺亚——新奥尔良生态建筑栖息地
原 名 称：new orleans arcology habitat
新奥尔良生态建筑栖息地或者“诺亚”大厦，是一个由建筑师e. kevin schopfer.设计的城市生态建筑。该大厦能容纳40000人，包括：住宅单元，3个宾馆，3个娱乐场所，零售空间，8000个停车位，文化设施，公共场所，以及学校和健身机构。
The new orleans arcology habitat or NOAH is a proposed urban arcology by architect e. kevin schopfer. in its built capacity the design will house 40,000 persons within a triangulated floating platform that includes: residential units, three hotels, three casinos, retail space, parking for 8,000 cars, cultural facilities, public works, a district school system and health care facility.
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http://www.jianzhu01.com/Museum1007291880.htm
简芬奇青年中心
原 名 称：Jane & Finch Youth Centre
面积：254平米
状态：正在施工
Area: 254 m2
Location: Toronto, Canada
Status: Ongoing
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http://www.jianzhu01.com/Museum1007291879.htm
阿斯坦纳国家图书馆
原 名 称：National Library in Astana, Kazakhstan
面积：33000平米
Size: 33.000 M2
BIG最近获得了位于设在首都阿斯塔纳的哈萨克斯坦国家图书馆的国际公开竞赛一等奖。
新建筑3.3万平方米，分布在一个连续循环的莫比乌斯环上。整个建筑由两部分相扣的结构组成：完美的圆形和公共的盘旋空间。下面的剖面能够能清楚的说明该建筑的水平功能空间是如何转换成竖直空间的，这其中包括了竖直空间等级、水平连接和斜向穿插的视线。这听着似乎相当复杂，但是BIG的剖面和图解却给出了很好的解释过程。并且你可以从渲染图上清楚了解到空间和视线穿插的效果来。简言之，一个清晰的线性功能空间（对档案和图书非常理想）被揉合在一个无限循环空间中。
“图书馆不过是一个有充足书籍的地方，是公众获得图书的一个途径而已。”（项目负责人，Thomas Christoffersen）这个建筑造型有可能成为这个国家的一个象征：“园、圆形大厅、拱形和圆顶帐篷被整合到了莫比乌斯环中来。整体清晰的圆形、圆形的庭院、入口的拱形和帐篷柔软的轮廓合并在一起，创造出一个新的国家标志物。它不仅仅本土而且国际化；它是当代的产物却必将永恒；它如此的个性鲜明，却饱含着历史的传承。”
BIG was recently awarded with the first prize on an open international design competition for Kazakhstan’s new National Library in Astana.
The new building has an area of 33.000 sqm, arranged as a continuous circulation on a Möbius Strip, as the result of 2 interlocking structures: the perfect circle and the public spiral. The sections (see below) clearly show how the horizontal program shifts to a vertical configuration, combining vertical hierarchy, horizontal connectivity and diagonal view lines. The skin, which changes from wall to roof as the strip develops. It sounds a bit complicated, but the sections and diagrams explain this pretty well, and you can get the idea on how the spaces and diagonal views relate on the renderings. In short words, a clear lineal organization (ideal for an archive, library) is mixed with an infinite loop.
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http://www.jianzhu01.com/Museum1007291878.htm
上海世博会匈牙利馆
匈牙利馆是从世博会举办方租赁下来的一个单独的建筑物，占地面积1000平方米。从效果图上看，匈牙利馆的四周将被悬挂的木条包围。“这些木条会动，动起来就像波浪一样，”胡斯蒂说。
在展馆的内部，也少不了木头装饰。胡斯蒂介绍说，在地面上有固定的木杆，在头顶上有悬挂的木条，这些木条也会动。他说：“走进那里，如同走进森林里，在大自然里散步。”
据胡斯蒂介绍，匈牙利馆将隆重展示匈牙利数学家的新发明“格姆伯茨”。在匈牙利语里“格姆伯茨”的意思是“像球一样的物体”。有的中文刊物根据这个词的英文发音，将其翻译成“攻不克”，也有人干脆叫它“魔球”。
“格姆伯茨”是两名匈牙利数学家根据俄罗斯数学家弗拉基米尔•阿尔诺德的猜想制作出来的一个形状奇特的物体。从形状看，它酷似乌龟。它只有一个稳定的平衡点和一个不稳定的平衡点，受到外力作用倾斜或翻倒后，它会自动恢复到原平衡点。
胡斯蒂说，“格姆伯茨”是继魔方之后匈牙利人的又一项世界级发明创造，它集科学性与趣味性于一体，在上海世博会上一个重达一吨的“格姆伯茨”将被布置在展馆的中央。“格姆伯茨”目前仅作玩具使用，科技方面的用途有待进一步开发。
据胡斯蒂介绍，匈牙利对参加世博会的预算投入在1100万至1200万欧元之间。目前，匈牙利对世博会的准备工作已进行了近两年时间，预计8月份开始对展馆进行装修施工。
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http://www.jianzhu01.com/Museum1007291877.htm
上海世博会泰国馆
泰国政府近日在首都曼谷正式发布参加中国2010年上海世博会泰国展馆方案。
据泰国社会发展和人力安全部介绍，上海世博会泰国馆将以“泰国人：可持续生活方式”为主题，在建筑上展现浓郁的泰式风格。泰国馆预计占地3117平方米，共分为三个展厅：第一展厅名为“和谐的历史之旅”，以中央的悬空水幕为特色，巨幅电子屏将透过水幕描绘绚烂多彩的泰国历史；第二展厅名为“不同声音的和弦”，体现泰国本土与整个世界的经济和文化的融合；第三展厅名为“和谐的泰国人”，展现泰国各民族、各阶层共同繁荣的景象。上海世博会期间，泰国展馆共可接待约600万人次的参观者。
泰国社会发展和人力安全部长伊沙拉·颂猜说，参加上海世博会是进一步促进泰中友好的良好机会，也将有助于提升泰国旅游业、工业和农业，活跃泰国经济。
中国驻泰国大使管木在接受记者采访时说：“泰国建筑艺术本身在东南亚地区来说有其独特的魅力，我相信这些建筑出现在上海世博会的现场会引起全世界人民的关注和重视。”
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http://www.jianzhu01.com/Museum1007291876.htm
上海世博会墨西哥国家馆
主题：传承历史，面向未来， 追求更加美好的生活
展馆类型：自建馆
造型亮点：风筝广场
展馆位置：世博园区C片区
占地面积：4000平米
签署合同时间：2009年2月18日
建馆时间：2009年8月6日
国家馆日：2010年9月16日
墨西哥馆将展示墨西哥的历史、文化和梦想。进入墨西哥馆，参观者就好似开始了一段从史前时代到未来的墨西哥历史旅程。展览的第一部分为“回顾过去”，投影到地板上的三个屏幕将分别反映墨西哥史前城市、殖民地城市和19世纪城市的风貌；第二部分为“了解现状”，空间中充满了不断运动和投映的元素，代表着城市的现实动态。在这里，就好像站在现实的窗口前，参观者能够看到墨西哥的现状；第三部分则为“展望未来”，主办方为参观者提供了一些互动表格，其中列出了一些信息，用于交流与创设更好的墨西哥发展计划、未来项目以及可持续环境计划。在整个旅程的终点，参观者将通过一个有三个屏幕的狭小空间，看到位于展厅顶部的风筝广场的实时图像，图像将显示正在广场进行的活动，随后参观者会被邀请登上广场，成为广场活动的一部分。
风筝广场是墨西哥馆的核心。风筝在nahuatl语（民族方言）的名称是“papalotl”，也就是西班牙语中的蝴蝶。风筝是连接墨西哥文化和中国文化的一个要素。参观者可以在墨西哥馆里购买风筝，或者亲手做一个风筝，然后在风筝广场上放飞。由风筝组成的森林代表着墨西哥人对未来的期待，广场上的人造绿草表达了墨西哥人对城市绿地的关注。人们可以在绿地上进行各种活动，诸如读书、野餐或是在阴凉处随意地休憩；绿地上空，风筝在飞翔。
墨西哥馆内还将设有地道的墨西哥餐厅，让参观者能品尝到精致、传统的墨西哥菜肴；馆内还将陈列传统的墨西哥手工艺品和书籍。
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http://www.jianzhu01.com/Museum1007291875.htm
上海世博会马来西亚馆
今年正值中马建交35周年，与中国的“和谐社会”、“以人为本”发展理念相似，马来西亚提出了“和谐马来西亚，以人为本，行动为先”的全新理念，以此促进民族团结、国泰安康、和平稳定——马来西亚馆的主题“和谐城市生活，融洽马来西亚”就来源于此，同时也正呼应了上海世博会“城市，让生活更美好”的主题。
占地面积3000平方米的马来西亚馆，将采用可循环利用的油棕、塑胶等材料建筑而成，重点展现马来西亚的独特风情和团结的民族精神。展馆的设计灵感源自马来西亚传统建筑。整个建筑由两个高高翘起的坡屋顶组成，线条优美而极具动感，屋顶尖端的交叉构架是马来西亚本土建筑的一个符号。
展馆一层，外廊和入口部分以伊斯兰教清真寺为原型，体现伊斯兰教作为马来西亚国教的重要地位;屋顶被柱廊架起，在表现手法上模拟传统长屋的模式。展馆外墙则借鉴了马来西亚传统印染的纹理，由蝴蝶、花卉、飞鸟和几何图案组成。
来到马来西馆，参观者不仅可以领略马来西亚槟城、马六甲等世界文化遗产的魅力，还可以通过迷你高尔夫球和马来西亚传统的室内游戏感受马来西亚的城市生活。此外，每逢马来西亚重大节日和中马建交纪念日，主办方还准备了抽 奖活动，幸运的观众将有机会获得来自马来西亚的神秘礼物。
而馆内最大的亮点，黄燕燕介绍说，就是展馆中央的舞台。世博会期间，这里每天都将有2场马来西亚特色的民族舞蹈表演，舞蹈集合了马来西亚47个民族的元素，每场表演预计可接待100名观众。
另悉，马来西亚馆的投资预算约为2000万马币(折合人民币近4000万元)，计划于2010年1月开始展馆内外装修及布展;2010年4月底之前完成全部布展工作。
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http://www.jianzhu01.com/Museum1007291874.htm
墨西哥城Soumaya博物馆
原 名 称：Soumaya Museum
由LAR + Fernando Romero设计的Soumaya博物馆，是为2010年的竞赛准备的，该博物馆可容纳从14世纪到现在的国际绘画，雕塑及各种收藏和艺术对象，包括世界上第二大罗丹雕塑集合。作为一个雕塑建筑，该博物馆的不定形外形将是墨西哥城的当代新图标，同时也是一个功能性场馆空间。
Designed by LAR + Fernando Romero, the Soumaya Museum, slated for completion in 2010, will house a diverse collection of international painting, sculpture, and object art from the 14th century to the present, including the world’s second largest collection of Rodin sculptures. Conceived as a sculpture, the museum’s amorphous form will be a contemporary icon for Mexico City that is also a functional curatorial space.
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http://www.jianzhu01.com/Museum1007291873.htm
阿斯塔的金字塔
阿斯塔的金字塔
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090809165243_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291872.htm
坎皮纳斯大学探索科学博物馆二等奖
原 名 称：Unitydesign, Starburstar and ASA
日本的联合设计、Starburstar 和ASA为“坎皮纳斯大学探索科学博物馆”的国际公开设计竞赛提交了一个设计方案。该项目位于巴西的坎皮纳斯大学校园内。
他们的设计方案概念来源于项链。设计由通透的圆环或者叫“锁链”组成，而旁边的众多体块就像项链“珠宝”或“玉石”一样点缀其间。穿孔的双层锁链砖墙体组成了展览空间外围的人流空间。
基于项链和圆环的“锁链”概念为观众提供了围绕博物馆自由活动的空间。圆环作为该建筑的中枢，并非通过电能来控制空调、通风、照明和除湿等功能，而是通过人工操作的简单机械控制。这包括利用弯曲的穿孔墙面控制自然光线和风的进出量。砖墙均来自场地内的泥土。
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http://www.jianzhu01.com/Museum1007291871.htm
底特律文艺复兴创新走廊开发
原 名 称：Detroit Renaissance Creative Corridor Development
Detroit, Michigan
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009090911555951_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291870.htm
Munch + Stenersen博物馆设计竞赛（参赛作品）
原 名 称：Munch + Stenersen
博物馆设计竞赛（参赛作品）
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http://www.jianzhu01.com/Museum1007291869.htm
约克郡文艺复兴馆
原 名 称：Yorkshire Renaissance Pavilion
Cultural
SITE: Yorkshire, UK
SIZE: 400m2
面积：400平米
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http://www.jianzhu01.com/Museum1007291868.htm
Wroclaw控制博物馆
原 名 称：Wroclaw Cont. Museum
Cultural
SITE: Wroclaw, Poland
SIZE: 23,000 m2
位置：面积：23000平米
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http://www.jianzhu01.com/Museum1007291867.htm
大学城图书馆
原 名 称：The University Town Library, China
大学城图书馆
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http://www.jianzhu01.com/Museum1007291866.htm
艾恩会展中心
原 名 称：Al Ain Convention Centre,
Al Ain Convention Centre, Abu Dhabi
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http://www.jianzhu01.com/Museum1007291865.htm
上海世博会巴基斯坦馆
原 名 称：Pakistan Pavillion for Shanghai World Expo
占地2000平方米的上海世博会巴基斯坦，将以“基于城市多样化的和谐”为主题展现巴基斯坦文化、传统、现代和历史等多方面的融合。
巴基斯坦国家馆坐落于中国馆的西面，两国展馆仅一步之遥，设计源自于巴基斯坦著名的拉合尔古堡，这座古堡始建于1025年，又在1566年经历改造后呈现出现在的面貌。拉合尔是巴基斯坦的文化中心，拉合尔古堡从其建立之初就见证了历史的变迁，也成为了这个城市极具象征力的地标，这座美丽而著名的古堡已被列入联合国教科文组织的世界遗产名录。
巴基斯坦拥有近5000年的古文明历史，著名的历史名城不胜枚举。巴基斯坦国家馆将通过声效和多媒体手段将当地城市和农村居民的生活传递给参观者，而巴基斯坦馆还将表现巴中两国亘古不变的友好情谊，始于丝绸之路的商贸关系将两国人民紧紧联系在一起。
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http://www.jianzhu01.com/Museum1007291864.htm
奥斯陆歌剧院设计竞赛
原 名 称：Oslo opera House Design Competition
Oslo,Norway
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http://www.jianzhu01.com/Museum1007291863.htm
白云新城文化建筑群
2009年9月21至22日，白云新城文化中心区建筑群设计竞赛专家评审会在我市举行。此次评审会，邀请了国内外知名专家名家，共同评审白云新城文化中心区建筑群设计方案。白云新城文化中心区建筑群位于白云新城核心区中北部，东侧为已建成的白云国际会议中心，南侧为规划的白云公园，西侧规划为商业用地，北侧为居住用地。白云新城文化区建筑群设计竞赛包括整体环境景观设计和单体建筑设计两个层次。单体建筑设计包括广州博物馆新馆、广东画院、广州画院和岭南文化演艺中心四个建筑。整体环境景观设计范围南起横三路、北至白云二线、西起云城西路、东至云城东路白云国际会议中心西广场，总面积33.5公顷。
一、设计方案评审及公众展示的时间、地点
白云新城文化中心区建筑群设计竞赛时间于2009年5月27日至2009年8月27日进行，设计单位于8月27日提交了参赛设计成果。所有参赛成果将于2009年9月23日下午至9月29日进行为期一周的公众展示。市民可以通过对各个方案进行现场投票或者在公示网站提出意见和建议。市规划局将对市民投票结果和提出的意见和建议进行汇总。评审专家将针对整体环境景观及广东画院、广州画院、广州博物馆新馆项目等各选出1个优胜方案。
二、设计方案评审会的背景
(一)贯彻落实“文化强市”战略，提升城市文化软实力。集思广益，精心筹划，高水准打造重大文化设施精品。高品质的文化是城市魅力的重要底蕴和城市持续创新的动力源泉。广州是国家历史文化名城，也是海上丝绸之路的发祥地、岭南文化的中心地、近现代中国革命的策源地和改革开放的前沿地。充分利用广州宝贵的历史文化资源，弘扬岭南文化，发挥广州岭南文化中心的作用，是广州实现更好地为岭南地区政治、经济、文化发展服务，进一步推动“文化强市”战略和实现打造“世界文化名城”目标的重要基础。为进一步落实《珠江三角洲地区改革发展规划纲要(2008-2020)》和《广州2020：城市总体发展战略规划》中关于“加快培育以创新、科技和活力为核心的城市现代文化区域”，“打造富有岭南文化特色、鲜明时代特点和国际化特色的文化名城;建设现代城市特色景观风貌区域、树立区域性现代都市文化中心地位;完善现代文化产业体系与文化设施，强化广州文化中心职能;加快国内国际文化交往，提升广州的文化影响力”的要求，市政府决定开展白云新城文化区建筑群设计竞赛。
(二)建设生态“宜居”示范区，突出山水、生态、文化、和谐、宜居理念。提升白云新城作为主城区北部文化中心的地位，立足打造广州“宜居”城市建设的新亮点和标志性建筑。《珠江三角洲改革发展规划纲要》中明确将广州定位为国家级中心城市、综合性门户城市和区域文化中心，在这三个新定位下，白云新城文化中心区建筑群是市委、市政府着眼提升广州城市形象、完善城市功能、打造“文化”精品的一项重大决策部署，是我市今后几年城市建设的重点和亮点，更是全市人民最为关注的大型公建项目，能有效满足广大群众精神文化需求的迫切需要，是一项实实在在的民生实事工程。文化公共建筑群在前期规划设计过程中，邀请了国内外知名规划设计机构参与，总体设计方案层次较高，在规划和建设能够真正展示符合广州城市风貌和规划的建设水准，实现功能与形象的有机统一。同时，还拟通过专家评审和市民现场投票等多种方式，对设计方案进行评选，广泛征求了各个层面的意见建议，充分体现群众意愿与专家意见的协调统一，为市委、市政府决策提供了依据和参考。
三、设计原则
(一)白云新城文化中心区建筑群应与广州“国家中心城市、综合性门户城市、南方经济中心，努力成为世界文化名城和现代国际城市”的城市定位吻合，充分利用现代技术和设备，塑造空间与技术相结合的建筑艺术品，使之成为世界一流的文化中心区;(二)广州市属亚热带季风气候，设计方案应充分考虑本地气候特征，体现节能环保和可持续发展的要求，并应与白云山脉互相呼应，充分体现该区域特征;(三)设计方案应充分尊重与利用现状条件，考虑规划的未来环境，分析周边已建和待建建筑物之间的空间关系，结合建筑功能分区的需要布置室内外空间与活动场地，合理安排建筑内外空间序列、功能布局和环境景观设计;(四)整体考虑文化中心区内各单体建筑之间的关系，建筑群风格整体协调，单体建筑各有特色;(五)设计方案应满足各项使用功能的要求，合理布局，创造较大的适应性和灵活性;(六)采用合理的结构选型，考虑工程造价和施工难度，保证合理的建设周期;(七)设计方案应与该地区的规划相协调，并遵守国家、广东省和广州市相关行业的有关法规和规范。
四、整体环境景观设计要求
整体环境景观设计应综合运用城市设计的空间要素、环境要素、建筑要素等，对建筑布局、功能构成、流线组织、空间形态、环境景观等进行合理的安排和塑造，并使环境和建筑能融为一体，充分体现出宜居新城的示范作用。方案能达到修建性详细规划方案深度。设计重点是文化区中央的市民广场，广场东侧能容纳5万人集散和活动。结合本区地理特色进行环境设计，合理组织空间景观脉络，并对本地区总体的城市边缘界面进行研究，尤其是城市主要道路等城市界面，形成连贯的空间序列，塑造文化、商业、交通等不同功能自然融和、高效的一体化城市空间。处理好建筑与公共空间、交通设施之间的关系，对影响城市环境景观的主要要素，如标识系统、城市家具、灯光夜景等进行重点设计。有针对性地进行交通分析和研究，有效组织人车、客货交通，并与城市道路和轨道交通相衔接;合理设置各类车辆出入口。根据地块设计条件，市民广场应配套地下社会停车场20000平方米(其中包括设置于地铁站点附近的自行车停车场1100平方米)等。
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http://www.jianzhu01.com/Museum1007291862.htm
上海世博会土耳其馆
原 名 称：Turkey Pavillion for Shanghai Expo 2010
土耳其馆占地面积2000平方米，是上海世博会的租赁馆之一。土耳其馆的外观设计灵感来源于世界上最古老的村落之一Catalhoyuk(现位于土耳其安纳托利亚地区的中心)。安纳托利亚是文明的发源地，Catalhoyuk(土耳其语：分叉的小山丘)则是新石器时代(公元前7400—6000年)文明的中心。在这座村庄的墙上有一副壁画，这幅壁画被看作世界上最古老的地图或规划图。土耳其馆将沿用8500年前的建筑风格，显示土耳其古代文明与现代建筑的融合，展现安纳托利亚有着“城市，让生活更美好”的悠久历史。
土耳其馆的内部展厅分为梦想过去、孕育现代、拥抱未来三个部分。走进土耳其馆，映入观众眼帘的是古代土耳其的地图，地图通过不太明确的文字方法绘制而成，显示出过去人类绘制大自然复杂地形的不易。土耳其展区总代表Sencar Ozsoy介绍说，在土耳其馆，“过去”被想象成“梦”，通过图片和实物来表现。当参观者穿越安纳托利亚的记忆长廊时，许多个第一将会依次呈现，包括土耳其博物馆内珍藏的世界上第一份两国协议(公元前1295年)、8500年前的雕塑，以及第一面镜子、第一个热水瓶、第一次经过规划的城市等，这些都是鼓励人们进一步探索和研究的痕迹。
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http://www.jianzhu01.com/Museum1007291861.htm
上海世博会以色列馆
原 名 称：Israel Pavillion for Shanghai World Expo 2010
海世博会以色列馆中充满了中国的元素，它的建筑师哈伊姆•多顿（Haim Dotan）的母亲，便是降生在上海。它的展厅内部，将特设一个区域，展示犹太人在中国的历史，以色列副总代表Yaffa说：“许多人都知道二战时期犹太人在中国的故事，但其实，早在19世纪40年代，就有犹太人迁徙来到中国。我们将用最尊敬最崇敬的态度对待这一个区域。”
以色列馆面积大约1200平方米，展馆由两座如同环抱在一起的双手的流线型建筑体组成，像一个“海贝壳”，安详而和谐，体现了中国传统文化中的阴阳之道。整个展馆分为“低语花园”、“光之厅”、“创新厅”三个体验区。在建筑材料上，由天然石块搭建而成的创新厅象征着与地球、历史的联系以及对自然资源的循环利用；而采用透明PVC及玻璃材料的光之厅象征着科技、透明、轻盈和未来。
“低语花园”种植着54棵树，54这个数字有着其特殊的涵义。Yaffa解释说，“54是18的3倍，在希伯来语中，18代表着生命（life）。”在这座充满以色列特产植的花园内，展馆方为排队等候参观的游客安排了会中文的以色列工作人员，“这些工作人员将负责引导游客进入展馆，同时与他们对话，我们希望通过这样一种对话，达到中以两个古老文明的交流”。
除了展示犹太人在中国的故事，以色列馆着重介绍的是他们的科技。“以色列是一个缺乏资源的国家，我们的土地大部分都被沙漠所覆盖，这就决定了我们必须靠脑子而不是资源来生存。这也是为什么以色列的科技如此发的原因。”Yaffa说，每个以创新为主题的国家馆都会告诉所有人，我们这里展示的是最尖端的科技，整个以色列馆的高潮部分就是“创新厅”。一场由漂浮在动态空间里的灯球所呈现的360度视听演出将在这里演绎。据悉，演出将展现以色列在其各领域中科技创新所带来的崭新局面。这也突出了“创新让生活更美好”的以色列馆主题，以及中以两国在未来的紧密联系。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101011140756_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101011140756_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101011140756_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101011140756_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291860.htm
桃花渊洛阳城市休闲广场
客户：洛阳市政府
项目性质：建筑规划设计
设计面积：37,600 平方米 设计时间：2009
工作进度：方案设计
建筑师：李豪/ 马超
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http://www.jianzhu01.com/Museum1007291859.htm
上海世博会震旦馆
原 名 称：Aurora Pavillion for Shanghai World Expo 2010
震旦集团位于上海世博会浦西园区，建设占地面积3000平方米，主题为“中华玉文化•城市新风格”，是一个独立企业馆。
玉器是中国独特的自然材料和生活器物，是世界上唯一绵延六千年的器物文化，记录着中华民族生活风格变迁，中华玉器工艺就是一部文化缩影。从中华文化的角度对世博会“城市，让生活更美好”的主题切入思考，六千年的中华玉文化蕴含着中国人独特的，思想、生活、器物三位一体的有机文化系统。
震旦馆的展馆形态和主题是希望传达城市发展中重要的人文基因，表达城市是人创造的，有生产者和消费者，玉器恰如城市，也是人创造的，有治玉者和用玉者。通过向全世界展示中华玉文化与城市生活的美好关系，可以进一步发展玉文化的形纹创新应用，让古典文饰与现代生活结合，提升现代文化生活质量，并带动两岸的文化创意产业，表达企业对社会的文化责任，以及企业对城市的生活梦想。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101211572535_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101211572535_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101211572535_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101211572535_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291858.htm
北京儿童博物馆
一个好的设计,必须是可以打动人心的设计,它是可以触动人心灵深处的.做设计时我们总是秉持这个理念,想让自己的设计能够打动别人,必须先打动自己.
儿童博物馆是这样一个载体，它不仅仅是一种博览建筑，更是鼓励学习、 激励好奇的儿童乐园。对于我们而言，也不只是一个设计，也是我们实现创造更多美好生活的一份努力。
此案对我们来说是一个崭新的挑战,虽然博览建筑是我们的长项,但是儿童博物馆具有它在博物馆类建筑中的特殊性.我们最初接到这个项目的时候,整个团队都兴奋了起来.大家激烈的谈论着,充满激情的交流,大家都有对于这次设计的属于自己的灵感和构思.也许为了给孩子做一个好的建筑,我们把自己也变成了孩子,或者说心中的孩子气又跑了出来.我们不断地回忆着,童年给我们带来感动得东西和事件.这不是一件容易的事情,就好像你打开了大坝的闸门,水喷涌而出,但是想要控制或阻止它们确并不容易。弹弓,跳绳,魔方,陀螺,自制枪,纸牌,玻璃球,甚至到上树掏鸟蛋,还有无数的昆虫,或者螃蟹也成了我们的玩具,一切都是那么好奇,每个人心中都有自己难以舍弃的美好回忆,是这些记忆造就了今天的我们.每个人都有自己的偏爱,一时间大家也很难达成共识.
有些东西是在一个人生命中最初接触到的事物。非常简单，由单一的元素构成，却可以包含丰富的变化。启迪了我们的创造力，也许是我们生命中的第一把钥匙。也会成为我们的深层回忆，或许你已经忘记，但是在你的心中它确埋下了一颗种子。
无论你有怎样的经历和偏好,有两样东西是你无法回避的.折纸与积木,他让我们具备了创造能力的雏形,这两样简单的玩具,却可以产生丰富的变化.只要你的想象力足够，你可以用纸折出任何的造型，甚至空间的概念也是在这一时刻扎根于我们的心中。积木则是代表了我们想创造世界的梦想的原型。
我们设计的北京儿童博物馆，其中一部分主题造型是全球最大的积木船，他的外皮是能够让儿童兴奋的表皮迷宫。折纸的作用是造成与积木的平衡。积木高耸、折纸平缓；积木简单、折纸变幻；积木宜远观、折纸宜近看；积木为标志、折纸占场地。
北京儿童探索博物馆建设工程预计建筑面积12万平方米。一期建筑面积4万平方米；二期建筑面积8万平方米。
世界上第一家儿童博物馆为1899年开幕的纽约布鲁克林儿童博物馆，现今在美国有约350家儿童博物馆，每年吸引超过4000万人次观众，在日本大阪有Kids Plaza ，每年有300万人次访问。
我国专业的儿童博物馆起步较晚，目前上海市和广州市都已建成了儿童博物馆，儿童博物馆正以其勃勃生机迅速成为帮助儿童健康成长的重要机构。但是我国这一领域仍处于萌芽阶段.甚至很多人无法想象去儿童博物馆要做什么.
按照博物馆的功能要求计有：1.角色扮演空间系统； 2.陈列展览活动空间系统；3.藏品库房及库房管理中心； 4.观众综合服务空间系统；5.行政、办公及会议空间系统； 6.附属设施空间系统； 同时全馆进行数字化智能化建设。总投资4.99亿元。
儿童博物馆是真正属于孩子们的博物馆，主要为0—12岁孩子服务。 通过愉快的游戏和亲身体验激发孩子们的好奇心、求知欲、培养孩子们积极向上的个性，是一个让孩子快乐欢笑、享受学习、融合群体、关怀世界的乐园以及让全家人欢度快乐时光的温馨场所。
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http://www.jianzhu01.com/Museum1007291857.htm
贵州省博物馆新馆
项目建设地点：贵州省博物馆新馆位于贵阳市金阳新区ó宾路南侧，市行政中心东南侧观山公园东北角地块，西南临观山湖，新馆占地4.74公顷。
项目建设规模及主要内容：项目总建筑面积42996平方米，其中：陈列展览用房16610平方米，文物库房及文物库房管理用房9500平方米，教育及综合服务用房3280平方米，行政办公及业务用房1860平方米，附属设施用房1957平方米，地下室工程9789平方米
项目总投资：总投资38553万元，其中建筑工程费约28135万元。
规划设计条件：容积率≤1.0，建筑密度≤40%，绿地率≥40%，建筑限高≤50米，停车位数量300辆，需增加环湖通道。
二、构思理念
总体构思：“菱石虽小，内蕴贵州文化千山千岛”
“织锦龙纹，解码夜郎人群遗传基因”
多元一体的菱石理念：
理念一：响应山地环境能量
远古贵州曾属浩瀚的“特提斯洋”，是世界古生物最早的家园。?过10亿年前从“武陵回旋”开始的18次升降运动和3次褶皱运动，最终形成了贵州今天山地占97%的地理环境。不平凡的环境自然蕴含了不平凡的能量。
菱形巨石—载体切削—吸纳自然能源—坚固永恒的精神象征
理念二：功能革新
博物馆功能的革新使新馆从单一的收藏展览功能转变为社会活动中心。为此将其构架和形态相应转变，新馆复杂的活动功能压缩、重组为七大功能板块，其中收藏、展示、停车和管理四大组团为固定板块，而城市客厅及礼仪大厅、教育与培训、消费与公众服务三大组团为活动板块，这些组团通过室内的街道和室外的“非遗栈道”相连，形成一个吸纳环境能量的有机共生的未来博物馆。
理念三：信息载体
由于采用了鱼腮式外墙构造，因此新馆表皮可行使生态呼吸功能，由于在外墙中嵌入LED光电二极管灯，因此外皮可实现灯光效果的变幻和控制；由于外墙石材采用图案化电脑辅助切割，因此贵州自然历史文化图像信息可以保存在外墙中供人发掘。
理念四：由传统“人类学”→主体人类学
增设的民俗表演人员常住四层
部分神圣之器物只向内部长者和特殊贵宾开放
聘请民间民俗人士成为馆员
常设民俗活动，部分向观众开放
富于环境能量的山地贵州，早在宋朝就有王阳明的“龙场悟道”；抗战时中华民族曾来此“山地”寻求复兴的柱石；毛主席也曾在贵州发出“苍山如海、残阳如血”的感悟。这些是功能革新的源泉，也是设计理念的源泉。
三、主要设计依据
1.依据性文件
1）《贵州博物馆新馆竞赛文件》（2008-6-9）
2）《可行性研究报告的批复》（2008-12-29）
3)《贵阳市城市规划技术管理规定》2008
2. 地形图依据
贵州省博物馆依据贵阳市测绘院2008年7月绘1:1000地形图.该地形图采用1956年黄海高程系,1956年黄海高程系,等高距为1.0米。
3.主要法规和标准
1)．《高层民用建筑设计防火规范》 GB50045-95
2)．《博物馆建筑设计规范》 JGJ 66-91
3)．《公共建筑节能设计标准》 GB 50189-2005
4)．《民用建筑设计通则》 GB50352-2005
5)．《城市道路和建筑物无障°设计规范》 JGJ50-2001、J114-2001
6)．《人民防空地下室设计规范》 GB50038-2005
7)．《人民防空工程设计防火规范》 GB 50098-98
8)．《汽车库建筑设计规范》 JGJ 100-98
9)． 《汽车库、修车库、停车场设计防火规范》 GB 50067-97
10)． 国家有关建筑设计规范及法规
4.设计基础资料
贵州省博物馆新馆建设用地位于贵阳市金阳新区观山公园东北角，用地面积4.74公顷，呈不规则地形，东西方向长约220米，南北方向长约260米。场址为浅丘地形，由北至南逐渐降低，北侧道路标高1284.38米，南东侧洼地最低点标高约1276米，南北高差约8米。西南侧有一山体，为用地最高点，海拔1294.2米。
用地北临60米宽城市主干道ó宾路，该道路在用地范围内高差约3.5米，根据金阳新区规划，临ó宾路一侧退让20米绿化带为建设用地；用地南部、西部临观山湖水库，水库洪水位高程为1277.7米；东侧为自然山体。
建设场址气候温和，雨量充沛，全年平均气温13.4℃，高气温32℃（7月份），最低气温-5℃（1月份）；降雨量平均1200MM，无霜期230天左右，场区风力以东北风最巨，正南风次之，无西北风及西风，年平均风速2.7米/秒，东北风最大时风速为10米/秒。
5. 工程规模和设计标准
贵州省博物馆新馆的建设标准：省级大型综合性地志博物馆，建筑耐火等级一级；结构设计使用年限为100年，按七度地震烈度计算，在抗震措施上，按八度进行设计；地下室人防标准按六级要求。
四、总平面设计
1．区位与环境
场地北接ó宾路，西临观山湖，东面城市绿化山体，南俯小水湾。区内有小山头一座，地势平坦，北高南低，没有人工障°物。场地西北地块为市级行政中心。西南和西向湖景为最佳景观方向，东南向山景亦佳。
2．总体布局
地块北边开始向地块中心缓坡升起，直到中央部分高出地块北边界4米。这个台地成为贵博入口平台层，可俯视四面景观。观众从北广场入口进出，西侧-8米标高设小广场供临展观众疏散，贵宾从西侧高地入口，服务辅助从东侧出入。南广场连接公园和屋顶室外表演场地，提供公众观赏观山公园的高位平台，该平台在新馆闭馆后仍向公众开放。
3．竖向设计
竖向设计采用以ó宾路海拔1284作为基准面，建筑依小山而建，主平台设在1288米标高，形成高台庄重平稳。
4．道路与交通
1、场地外部入口：进出入场地的外部主要出入口设置在ó宾路上。北广场有车道进入供观众上下车。西侧环路设小广场辅助车行出入口。
2、车行组织：车辆进入场地后有周边环路到达场地内各功能区，此外其它路面交通均受到严格的限制，有组织地进入各车行入口：观众下落处、大客下落处、贵宾下落处、临展下落处，服务车辆如临展货运入口、文物货运入口、其它服务下落处直接进入半地下层。
3、步行流线：步行人流主要从北侧主广场进入，临展可从西广场出入。由于采用了微地形屋顶广场手法，人流在观赏屋顶景观和表演后可以缓步下行到南侧的观山公园。
4、静态交通：主要的公众地下停车库设于场地北侧角部，由地下车道进入。北广场西北角设大巴停车场，西部高地设贵宾停车区，西南侧设内部停车场。停车方式以地下停车为主，地面停车为辅。地面停车均采用嵌草式停车场。
五.建筑设计
（一）方案构思特点
1．形体生成
?过多方案优化比较，在斜向的场地上放置100米边长的巨型菱石，对场地取得最大限度的占领和控制，这样的控制将是决定性的和永久性的，不因周边建设条件的改变而改变。菱石在某种神秘力量的雕琢下由西南而东北，自下而上消减切削，获得间隙和空间，并完成最终造型。
这样一个简洁的菱石造型，在中国省级博物馆中是响亮而独一无二的。
2．载体外墙
生态载体——除了传统的结构和维护功能之外，贵博新馆外墙还行使呼吸生态功能。采用地方页岩片石垂直叠放形成20至200毫米间隙，其内设置自动开关控制系统，类似鱼鳃?理，在BA系统控制下进行生态呼吸。
光电载体——配合图案在建筑内层设置发光二极管LED灯，在早晨、黄昏和夜间，配合光色变化、配合节庆需要为建筑带来令人耳目一新的富于图案和色彩变化的新感觉。该技术在“水立方”等建筑运用中获得成功，其强大的技术潜力将为贵博新馆带来惊喜。
信息载体——简洁的菱形体块配合地方传统图案，在整体格律控制的基础上，局部突出或显现造型形成?龙点睛的效果，为整体增添一种庄重感，又强化了博物馆建筑的身份。
3．陈列设计
基本陈列和主题陈列的展厅被分解为大小不等的空间单元，将连续的主体陈列划分布展节奏，提高参观效果。沿两层展厅的周边设置2米宽的检修走道和具有独立知识产权的“光资源容器”，为每个展厅都争取到宝贵的自然采光，。该容器通过导光井将自然光直接引入到展柜和展台等用光点，?过计算的通光量保证处理后的光照能够满足正常冬日日照下的展出需要，从而节省了白天的多数照明电耗。?过窗外遮阳片、安全防护网、紫外线过滤片、红外线
过滤片、及其它有害射线过滤片，自动或人工监视实际采光照度，并进行自动或手工调节控制，从而保证展品得到最佳照明效果。不仅节能，全光谱自然光可以更好的还?展品从而提高展出质量，更好适应人的视觉生理从而消除“博
物馆疲劳症”
临时陈列放置于沿街层的上下各四米高度，让观众既可以从微地形的缓坡上进 入临时展厅，也可以从下沉4米的半地下通道进入临时展厅，提高使用效率。临时展厅有一半的面积可以得到自然采光。
4．室内设计
室内设计分为展厅库房等功能用房和公共开放空间两大部分。前者严格按照各自功能要求和展藏要求进行设计，后者将页岩片石特色引入室内，创造隐喻贵州喀斯特地貌的环境特色。利用屋顶花园引进自然采光，创造出独特的效果。增设独立通高的“仪式大厅”，可以胜任举办正式的国家级政府接待的任务。
5．屋顶露天表演场地
来源于古生物化石，服务于提升功能，指向于环境景观。
（二）方案技术设计
1．建筑消防设计
新馆为二类高层建筑，地上和地下室耐火等级均为一级。
地块内部设消防车环形通道，消防控制中心设在首层，有直接对外出口。
建筑为菱形建筑，建筑西面和北面两个边为消防登高面。建筑内部层与层各自划分为防火分区。地上每个防火分区小于2500平方米，每防火分区不少于两个安全出口，设双向疏散通道、满足消防疏散距离要求。半地下室防火分区小于1500平方米，每个分区有一个直接出入口。地下车库防火分区小于4000平方米。设置室外消火栓系统。
2．建筑环保节能设计
光资源容器：自主知识产权的“光资源容器”，使得新馆充分利用自然采光。
呼吸式通风外墙：利用地方页岩层叠得到呼吸式外墙，采用鱼鳃?理与外界交换新鲜空气。加上检修道及双层采光夹墙，引进自然通风，充分享受贵阳“四季如春”的独特优势。同时设置独立的空调系统确保展柜和展品的物理环境。
雨水收集系统：花园屋顶的雨水100%收集，作为绿化用水，节约资源，而且减少不必要的排放。
太阳能利用：采用第三代太阳能技术将薄膜太阳能电池喷涂在钢板和钢化玻璃上，不但采集光能，而且形成外观图案。或者将第二代太阳能技术将光电板封装到钢化玻璃中，达到功能与审美的统一。
按公共建筑50%节能设计标准对围墙、外门窗、地面及屋顶采取合理的保温节能措施。
3．防空地下室设计
本方案人防部分考虑平战结合，平时作为车库使用，防护等级为核武器六级。
4．安防设计
新馆设置独立的安防系统和监控中心：包括闭路电视监控系统、防盗自动报警系统、门禁系统和巡更管理系统。系统执行四层防侵入探测功能，即场地周界监视、建筑物周边防范、建筑内公共区域防范、以及藏品库和展品陈列柜防范。
5．无障°设计
主要出入口设置无障°坡道，公共卫生间设置无障°专用卫生间，各楼层之间设无障°电梯供残障人士使用。
六．景观绿化与休憩空间
生态植物园——种植并展示贵州珍稀植物物种，完善综合性地志博物馆功能，充分满足观众文化休闲需求。利用植物造景，林木之间，体现季相变化特色生态空间，展示当地多样性的植物景观。借鉴“步移景异”形成动线和视线上的变化多样，运用现代材料和设计手法，塑造贴近大自然气息的生态公园。
公共艺术——创造一种快乐和愉悦感、刺激游人的活动，同时促进观看者之间的交流。
可体验的雕塑，即人们可坐在它周围、攀爬它甚至改变其造型。
室外照明系统——强调实用性与观赏性于一体，创造独具特色的夜景灯光照明效果。
七．工程投资估算
总投资估算人民币38553万元，其中工程土建及安装（不含地价及布展等费用）总造价约人民币28135万元。设计上下弹性不超过工程总造价的5 %。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310014957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310014957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310014957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310014957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310014957_5.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291856.htm
云南省博物馆新馆
建筑表现
建筑表现的最后一张总图上说明“项目概况”
项目概况：云南省博物馆新馆位于昆明市广福路与关宝路交汇处东南侧，西北临宝象河。新馆占地150亩，总建筑面积 平方米，另设地下停车库及人防设施 平方米，总投资约5亿元人民币，其中建筑工程费约3.3亿元。本次总图设计与新馆东侧的文化艺术中心地块总体设计，统一规划。
构思理念
设计原则：永久性：作为“文物最后的归宿”的博物馆，永久性体现了其独特的象征性。
标志性：巨大的投入、显要的位置和自身的公众性决定了新馆的标志性。
地域性：“彩云之南”，地域特色浓郁。
先进性：在百年近代史上，不断“开风气之先”的云南，必然要其新馆具备先进性。
合理性：新馆要求自身的使用属性与超越意义达成恰到好处的平衡，实现合理性。
互动性：时代要求新云博具有与观众和社会的良好互动性，成为一座广受欢迎的城市热点，从而站在二十一世纪新博物馆学的前列。
总构思：“云南看云”的格律和诗意。
为何“云南看云”：一个最能代表云南的地域意象，一个也只有博物馆建筑才能淋漓尽致表达的地域意象。
历时性的“彩云之南”以其概念之久远足以表达云博的永久性，共时性的“彩云之南”则以其形态上的冲击与震撼形成地标。
外观的历时性想象可以追溯到云南远古的铜鼓和贮贝器，外观的共时性成就于最新的建筑表皮技术和光电科技成果。
“云南看云”的格律：1、150米直径的正圆体将丰富的体量约束；2、均匀的空间网格将自由流动的曲面体型量化并形成格律；3、规律变化的立面控制（包括光电控制）生成的白天和黑夜不同的彩云图案；4、严格控制的功能流线将复杂丰富的功能关系高效连接形成严整格律。
“云南看云”的诗意：诗意来源于想象与美感。一个出人意外的空间在给人一个惊喜的第一印象之后开启众人的想象力，这种想象力由于与云南之云这种无穷尽的自然资源的共享而产生无穷尽的变化，将上演无穷尽的云舒云卷，给人无穷尽的美的享受。
理念解析： 1、“云南看云”是两极碰撞产生的第三极：外与内、圆与直、正圆与曲体、高耸与舒缓，这些黑白分明的两极体在交融与沟通中发生变异，终于在雨林花园和博物馆室内界面之间产生了内外融合的“露天展厅”空间。
2、这个露天空间没有顶，属于室外，但有墙，利于展出；虽有墙，又不是一般的墙，而是三维变化的曲面墙体，其指向具有多义性，为展示提供多种可能；虽说多义，但最终的指向是天空，一个传奇般的、充满了形状和色彩变化的、彩云之南的天空。终极指向的结果不言而喻：云南看云。
3、“云南看云”超出了文物的概念，新云博也超出了普通文化建筑的制约。设计拓展了省博在当代社会中的生存空间，还原了省级地志性综合博物馆作为一方精神结构组成要素的本意。云博也将因此而成为云南旅游的出发地。
理念发展：1、“云南看云”理念提供的是一个包容性极强的建筑复合体，在这个复合体中，随着理念的发展，首先得到的是一座功能性极强的博物馆。
2、因为，“云朵飘浮在山坡上”的发展理念将博物馆的两大功能区自然分开，一个是采光要求很高、展示性很强的展厅、休息厅、以及科研学术区等功能区升起放置于“云朵”之中，充分表现其功能性；
3、另一方面将临时展厅、观众服务区、文物库房区、警队及综合服务区、地下停车库和机房等功能区设置于一层或地下一层的“山坡”之中，以最大限度满足其方便安全的功能要求；
4、在上述两者的结合部，设置观众入口和接待区。当观众步行或乘车来到舒缓的“山坡”之上时，他在广场与宝象河优美景观的背景中步入云博新馆，步入一个新奇和探索的非日常空间。
5、这个“非日常空间”在观众心目中能够强化，得益于围合空间的内外三层表皮的处理。外表皮使用新科技表达“云南看云”的意象，内表皮在展厅内严格支持展出陈列的需要、在休息厅和信息廊采用半透明处理。出人意外的第三层表皮创造性地围合第三极。
因此，设计不但提供一个功能性极强的博物馆，也将产生一座作为城市地标的建筑艺术品；
设计解析
区位与环境：场地北接广福路，西临宝象河，东临文化中心广场，南俯回迁小区。区内地势平坦，没有障碍物。场地西北对角地块为刚刚整修完工的官渡古镇。景观方向为东侧规划广场、西侧宝象河景和西北角官渡古镇景观。
总体布局：
1、 文博中心规划：将文化艺术中心和博物馆用地统一规划，在其间设置贯穿南北
的文博广场，形成云博和中心共用的入口人流聚散地，增大入口气势。两地块用统一的形式语言规划设计，将云博入口抬高四米，并由场地周边向上采用微地形处理形成缓坡；同时将文化中心地块反向下沉，从而在文化中心主体建筑周边形成水面，两地块高低相映、阴阳相抱，形成一个气势宏大的统一整体。
2、 云博总体布局：从地块周边开始向地块中心缓坡升起，直到中央部分高出地块
周边4米。这个台地成为云博入口平台层，可俯视四面景观。在缓坡的中间挖出采光庭院不但满足功能，也界定了场地方位。经过这样的安排，观众从入口广场、文化广场的东入口，贵宾从东南高地入口、临展观众从西北角缓坡入口，服务辅助有背面的南侧入口，并将东侧的观众引导至西侧的宝象河岸，保证在新馆闭馆时仍有部分广场和公共空间向公众开放。
交通组织：1、场地外部入口：进出入场地的外部主要入口设置在广福路上两地块相交的共用入口广场。沿共用文博广场有车道进入场地南侧环路。西侧环路向北在广福路设辅助车行出入口。主要步行广场设于东侧角部，西侧角部设辅助步行广场。
2、车行组织：车辆进入场地后有周边环路到达场地内各功能区，此外其它路面交通均受到严格的限制，有组织地进入各车行入口：观众下落处、大客下落处、贵宾下落处、临展下落处，服务车辆如临展货运入口、文物货运入口、其它服务下落处直接进入地下层。
3、步行流线：步行人流主要从东侧和北侧的主次两个入口广场进入，也可从文博广场和宝象河岸广场进入。由于采用了微地形坡形屋广场绿地手法，将公众人流从中部和北部完整相连。
4、静态交通：主要的公众地下停车库设于场地北侧角部，由地下车道进入。主入口文博广场设大巴停车场，东南高地设贵宾停车区，南侧设内部停车场。
形体生成：（放其它比较方案的模型或电脑体块图）
经过多方案优化比较，在基本正方的场地上放置150直径的超大尺度正圆，对场地可以取得
最大限度的占领和控制，这样的控制将是决定性的和永久性的，不因周边建设条件的改变而改变。由于
功能的需要，约一半的面积放置于地面层或半地下层，经过屋面绿化微环境处理后，形成新的景观台地。
而这个台地上的正圆也因为功能的需要而被局部掏空，“云南看云”的自由体也被安置期间，空间正负
反转，避免了是否“像”云的问题，而激发了观众的想象力。
这样一个简洁的正圆体量，在中国省级博物馆中是响亮而独一无二的。
表皮肌理：
简洁的正圆配合简洁而现代的彩云图案，为博物馆奠定一个大气新颖的形象基调。配合图案
在建筑内层设置的发光二极管LED灯在夜间将为建筑带来令人耳目一新的富于图案和色彩变化的新感
觉。在整体格律控制的基础上，局部突出或显现的青铜“浮云”造型形成画龙点睛的效果，为整体增添
一种庄重感，又强化了博物馆建筑的身份。
功能分析：
针对博物馆和云博的需要进行恰当的布局。
功能分析图：基本陈列、临时陈列、专题陈列、文物收藏、培训教育、文物科研、学术研究、
观众服务、安防警队、
功能流线图：21种流线
陈列设计：
二层、三层的基本陈列和主题陈列的4000平米展厅被分解为大小不等的四个空间单元，正
好将连续的主体陈列划分布展节奏，提高参观效果。
沿两层展厅的周边设置2米宽的检修走道和具有独立知识产权的“光资源容器”，为每个展厅都争取到宝贵的自然采光，并恰到好处的运用与云博的综合陈列展览。该容器通过导光井将自然光直接引入到展柜和展台等用光点，经过计算的通光量保证处理后的光照能够满足正常冬日日照下的展出需要，从而节省了白天的多数照明电耗。经过窗外遮阳片、安全防护网、紫外线过滤片、红外线过滤片、及其它有害射线过滤片，自动或人工监视实际采光照度，并进行自动或手工调节控制，从而保证展品得到最佳照明效果。不仅节能，全光谱自然光可以更好的还原展品从而提高展出质量，更好适应人的视觉生理从而消除“博物馆疲劳症”
临时陈列放置于沿街层的上下各四米高度，让观众既可以从微地形的缓坡上进入临时展厅，也可以从下沉4米的半地下通道进入临时展厅。此外，半地下通道还可以让临时陈列的货柜车直接驶入展厅，提高使用效率。
临时展厅有一半的面积可以得到自然采光。
室内设计：
室内设计最大的亮点来自于“云南看云”第三极空间的引入。将所有的室内公共走道增加采光层次而实现自然采光照明。独立的“仪式大厅”通高31米，可以胜任举办正式的国家级政府接待任务。从高处周边4米的缓坡顶上进入博物馆后，缓步来到“浮云”之下的宽大的序厅，周边是一个茂密的“云南雨林”园林，给人独特的地域感受。
安防设计：
新馆设置独立的安防系统和监控中心：包括闭路电视监控系统、防盗自动报警系统、门禁系统和巡更管理系统。系统执行四层防侵入探测功能，即场地周界监视、建筑物周边防范、建筑内公共区域防范、以及藏品库和展品陈列柜防范。
分区上首先将不涉及文物的教育和观众服务的部分置于朝外的东、西、北侧，不但方便使用，而且有利安防。第二，将地下车库中的公共停车库远离文物库房单独设置，使得来源混杂的公众人流远离安防敏感地带，进一步从分区上确保安全。最后，博物馆的完形设计有利于安防安全。
景观设计：
新馆
环保节能设计：
1、 自然采光系统：利用自主知识产权的“光资源容器”，新馆充分利用自然采光。
2、 自然通风系统：利用检修及采光双层夹墙，引进自然通风，充分享受昆明“四季如
春”的独特优势。同时设置独立的空调系统确保展柜和展品的物理环境。
3、 雨水收集系统：圆形屋顶的雨水100%收集，作为雨林花园和缓坡草地的绿化用水，
节约了资源，而且减少了不必要的排放。
4、 太阳能利用：采用第三代太阳能技术将薄膜太阳能电池喷涂在钢板和钢化玻璃上，
不但采集光能，而且形成外观图案。或者将第二代太阳能技术将光电板封装到钢化玻璃中，达到功能与审美的统一。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009101310131230_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291855.htm
汽车博物馆
原 名 称：Drive-in car Museum
你如果看到这个博物馆，你肯定会非常的惊讶，这是意大利建筑工作室（3GATTI）参加中国南京汽车博物馆的设计竞赛获奖作品。采用了摺纸概念，打造这间彷彿会飞翔的博物馆，并且让参访车子可以直接开进去，建筑放弃了连接楼层的阶梯，墙壁，电梯等以人类为主要思考对象衍生的产物，而代之以旋转上升、一路绵延的大型坡道，具有很好的空间流动感。该坡道在功能上保证了车辆可以自由抵达该建筑的任何一个垂直位置，同时还设置了人行的线路，建筑的主要结构部分是一条由玻璃划分为内外区域的坡道，内部区域设为人行区域，因此坡度较小。外部设为车行区域，坡度较大。
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http://www.jianzhu01.com/Museum1007291854.htm
中国花卉博览会主场馆
10月展会结束后，近20万平方米花博会场馆将成为北京永久的“城市花园”。
花博会室外展区占地404亩，是一座没有围墙的大花园。届时将集中全国31个地区的珍贵植物和园林景观。展会结束后，全部展园都将无偿捐献给北京，成为永久“城市花园”。
市园林绿化局表示，今后，花博会场将成为北京国际鲜花港，是全国最大的花卉展览、交易专业场所，汇聚全世界顶级花卉。计划于7月进行试运行。
据悉，第七届中国花博会将于今年9月26日至10月5日在北京顺义举行。
主场馆分室内、室外两大展区。其中，主展馆总面积16.8万平方米，由36个大“花伞”组成。
“花伞”借用“鸟巢”、“水立方”的钢结构和膜结构设计，最高点39.3米，绽放的“花冠”面积达576平方米。并且，“花伞”位于首都机场飞机起降线可视区，将成为空中俯瞰北京的新地标。
同时，“花伞”膜结构上还安装了大“海碗”，能最大限度收集雨水。
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台中会展中心
受台中市政府和台湾土地开发公司委托，北京MAD事务所最近完成了他们在台湾的第一个项目，台中会展中心的方案设计。
这是一组连绵起伏的建筑群落，褶皱状的“山体”模糊了建筑、景观和城市公共空间的界限，构成一幅展现东方自然精神的未来世界。方案传承了中国对建筑群体和空间序列追求的传统，并把东方文化中与自然和谐相处的精神气质贯穿于其中。在这个规模庞大的建筑群中, 重要的不再是某个建筑单体本身，建筑物的形象是统一化的, 而他们所围合的空间则成为主体, 那是一种在空气、风、光线之间形成的自然秩序，以及由此建立起来的人与自然之间的情感共鸣。
台中所需要的是一件超越地域，重新定义城市文化景观和社会生活的大型都市艺术品，以独特的建筑观和全新的建筑宣言，使台中跃升成为世界文化先锋。
当今地标式建筑的特征已经由对高度的原始追求转为面向未来和自然的文化述求。地标不仅仅是视觉上的冲击，更应该是一个聚集城市活力，激发交流和想象力的戏剧性生活场景。
这块基地本身就有着她丰富的生命力——平静的表皮下蕴藏的能量渴望被表现出来，地形本身就是一件具有潜力的自然艺术品。建筑物好像当地的“环形山”，相互之间牵动，围合，转化为连绵起伏，具有中心汇聚点的建筑形体，形成建筑与自然地景的对话。
包裹“群山”的建筑表皮，是由一系列的绿色技术构成的复合生态皮肤。褶皱状的连续外表皮为建筑提供自然的空气流动，收集太阳能并维持最低的能耗。
由“群山”围成的院落相互连接，构成了室外空间的自然序列。正如传统的紫禁城和中国园林中对于人与自然和谐共生的追求一样，这个建筑群落的意义更多表现在其非物质的属性，即围合空间极其自然的精神——一棵树，一片竹林，一潭池水成为了空间的主体。这是基于传统哲学和美学的可持续发展观，而不是基于技术的。
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http://www.jianzhu01.com/Museum1007291852.htm
泰晤士河可变艺术展廊
泰晤士河可变艺术展廊
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http://www.jianzhu01.com/Museum1007291851.htm
丹麦音乐中心
原 名 称：House of Music
Coop Himmelb(l)au事务所设计的音乐中心位于丹麦奥尔堡，是一个综合的共享空间，同时也是一个灵感中心，它“将协同行为合建筑表现形式达成共享”。文化和教育功能散布在这座公共和表演空间内，构建一种公众，艺术，学生和教育交互的空间网络模式。坐落在都市繁华网格中的音乐中心，全面扩展了城市，将城市特征与音乐厅带来的新的机遇充分结合。
Coop Himmelb(l)aus House of Music in Aalborg, Denmark is a shared hybrid space that becomes a center of inspiration, “both of the shared-synergetic behavior and of the form and expression of the architecture.” Cultural and educational functions are interspersed between shared public and performance spaces, creating a network of interaction among the public, artists, students and educators. Situated in a dynamic urban grid, the House of Music becomes a full extension of the city, linking the cha racter of the city with the new opportunities the Music Hall provides.
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http://www.jianzhu01.com/Museum1007291850.htm
上海世博会尼泊尔馆
原 名 称：Nepal Pavillion for Shanghai World Expo 2010
尼泊尔国家馆位于世博园区A片区，占地面积3600平方米，该馆的桩基工作现已完成。充满艺术色彩的尼泊尔馆将以大型佛塔形式为主体，周围环绕有数个具有代表性的不同历史时期的尼泊尔民间房舍，述说几个世纪以来尼泊尔工匠们展现的杰出的建筑和艺术才华。
尼泊尔馆的主题为“加德满都城的故事——寻找城市的灵魂；探索与思考”，它将回顾加德满都的发展历程，展现其两千余年历史中作为建筑、艺术、文化中心的几个辉煌时刻，展现加德满都古都正在发生的城市的发展与扩张，以及自然与环境保护方面的机遇与挑战。与上海世博会的主题相呼应，尼泊尔馆也将通过对过去历史的总结和对现代城市化发展的思考，探索将来城市发展的蓝图，突出尼泊尔在环保、可再生能源和绿色建筑等方面所做出的努力，并探求未来建筑的发展和方向。2000余年以来，尼泊尔不断发展完善的追求自然的建筑艺术和空间概念，以及加德满都的城市活力也将在尼泊尔馆一一展现。
尼泊尔馆将被命名为“阿尼哥中心”，以纪念阿尼哥在建筑方面以及为增进古代中尼两国友好交往而作出的杰出贡献。阿尼哥是尼泊尔的国家英雄，也是一位在中国有着较高声誉的尼泊尔古代杰出建筑工匠，他有生之年建造了众多的佛塔，北京也留下了他的伟大杰作——白塔。由阿尼哥改进和提升的古老建筑技术，将在尼泊尔馆的建筑过程中加以利用。尼泊尔馆将仿照11世纪之后的尼泊尔阿尼哥时代的建筑形式，通过建筑形式来体现城市化的发展，比较对尼泊尔阿尼哥时代的城市和当代城市的不同理解。
据尼泊尔馆馆长Binayak Shah介绍，由木料、金属、砖片、瓷料和石料经过艺术加工而成的约500吨的展品和门窗等建筑部件已在尼泊尔当地基本完成，尼泊尔馆的展品和装饰品都是纯手工工艺制作的，由约350户尼泊尔家庭耗时近两年完成，尼泊尔将在下月把这些部件运往上海。一些尼泊尔的能工巧匠还将赴工地，亲手为尼泊尔馆添上艺术之笔。
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http://www.jianzhu01.com/Museum1007291849.htm
Baton Rouge图书馆
原 名 称：Baton Rouge Library
路易斯安娜Trahan建筑事务所，一个以宗教设计实践为主的事务所，近期公布了他们设计的Baton Rouge图书馆翻修和扩建的设计概念图。
该项目位于城市艺术环境区和公民区之间，俯瞰一座新的城镇广场。这座新的建筑将成为城市的一部分，有着半透明的外立面，充分展示内部空间。同时，图书馆非常注意外部空间的处理，设置了阅读区和休息庭院。
Louisiana based Trahan Architects, a firm with expertise in institutional design and religious architecture (check the Holy Rosary Church Complex, remarkable project), recently unveiled conceptual design for the renovation and expansion of the River Center Branch Library.
The project stands at the intersection between civic buildings and the city’s arts and entertainment district, overlooking a new town square. This new building becomes an urban piece, exposing the interior activity to the outside with a rippled translucent skin. But also the library takes care of the exterior, with reading areas and a urban patio.
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http://www.jianzhu01.com/Museum1007291848.htm
“红色钻石”舞蹈表演中心
原 名 称：Red Diamond
位置：中国 北京 东城区
性质：表演厅 排练厅 沙龙
Chiasmus Partners
Location: Beijing, China
Program: Performance Hall, Practice Hall, Saloon
Project years: 2008-2009
该项目座落在中国北京富有历史文化韵味的东城区，是一个废旧的工厂改建而成，由一个表演厅，一个排练厅和一个沙龙室组成。
设计师为了强调新舞蹈中心作为公共领域这一特征概念，将庭院改建为一个室外“剧场”——一个公共空间，将胡同概念和周边环境得以复兴。
通过用平坦的钢筋管道对老建筑外立面进行包装，表演厅的外立面呈现为一个真正的剧场舞台。同时，建筑师对老建筑中间白色的门未做任何改动，这白色的门讲述了这座建筑从旧到新的巨大转变。
Located in the historic DongCheng district of Beijing, the project calls for a conversion of old factory complex into a dance center with a performance hall, a practice hall and a saloon.
With the intention to emphasize the public cha racter of the new dance center, the concept was to make the courtyard an outdoor “theater” – a public space that would revitalize the complex, the hutong and its neighborhood.
By wrapping the old factory building with evenly-spaced-out steel tubing, the façade of the performance hall was perceived as a theater stage. The old white door in the m iddle was kept and untouched, telling the history of the building’s transformation.
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http://www.jianzhu01.com/Museum1007291847.htm
台湾流行音乐中心
原 名 称：Taiwan Pop Music Center
Visiondivision的最新作品参加了台湾流行音乐中心设计竞赛，作品的目的旨在“用音乐使人忘掉现实”。作品中设计师通过中心主塔和主塔上特殊的灯光角度，在音乐中心的不同区域中产生了不同的效果。从表面上来看，这种设计方式使得中心被扩大了很多。从远处看，中心只是个相当矮的建筑，而一旦走近，在灯光的作用下，它便变成了一座宏伟的高楼。
在中心内部，星光区中主要是办公室和彩排工作室，这一区域的设计灵活，空间可以根据需要进行调整。所有办公室和彩排工作室都可通过周围的入口进入。在这一街区中街道和小型广场是客座艺人、当地艺人及随从工作人员和中心工作人员工作的重要区域。星宫殿和酒店是这一区域的附加建筑，酒店有一个高层的阁楼套房以及一个碗状的水池，水池在灯光的照射下更加的夺目。
Visiondivision latest entry for the Taiwan Pop Music Center competition aims to “transcend its visitors into a total escapism of pop.” With different districts that use the effect of the main tower and specific angles of light, the whole building expands dramatically in appearance, from a rather low key building in the distance to a spectacular body of light once approached.
Inside the pop center, the Star District includes office space and rehearsal studios in a flexible large space that can be easily modified to accommodate specific needs. All office space and rehearsal studios can be reached internally through the surrounding walls. The streets and the small squares in these blocks will be an important area for intermingling for the guest artist and entourage with the local artists and office personnel working in the building. An additional star palace incorporates a hotel setting for the featured artist with an upper level penthouse suite and an exclusive pool formed as a glass bowl that can be illuminated by the tower.
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http://www.jianzhu01.com/Museum1007291846.htm
2010年上海世博会国际红十字与红新月馆
2010年上海世博会国际红十字与红新月馆位于世博园区B02-Z01，毗邻国际气象组织馆、联合国展馆。展馆建筑面积500平方米，展览面积324平方米。展馆的设计主题为“生命无价，人道无界”，由“入口等候区”、“黑色记忆”（时空长廊）、“人道之光”（环幕剧场）、“行动你我”（互动区域），以及“出口”五个区域组成。每一批观众的参观时间约为15分钟，旨在使其从触动到感动，理解和支持国际红十字与红新月运动，预计展览期间可接待观众70万人。
“国际红十字与红新月馆”的入口造型被创意成一个帐篷，作为战争与自然灾害中最常见的人道救援物资，帐篷营造了一种“在现场”、“在行动”的真实感，使观众在入馆之前，便已经被人道救援行动的力量所震撼。
当观众在入口等候区排队进入时，工作人员会给每位参观者派发一条红手链。一方面，红手链作为一个悬念与伏笔，使观众产生好奇与联想。另一方面，红手链具有“连接人心”的寓意，它将作为整个展馆的一个视觉符号。
观众步入展馆，经过主题墙之后，就进入展馆内的第一部分：黑色记忆。这部分内容主要是由一个狭长的“时空长廊”所组成，主色调为黑色，以营造一种在战争与灾难阴影下的压抑气氛。在时空长廊的一侧，展馆通过多媒体的手段，表现由国际红十字与红新月运动创始人亨利?杜南先生记载的从1859年索尔弗里诺战役至今，人类所遭遇的一系列重大战争与灾难。所有这些内容，都将通过原子镜面幕墙后的数码显示屏呈现。镜面的反射制造出亦真亦幻的效果，“无界”的视觉感染力将使观众产生身临其境、时空交错的感觉，感染观众产生强烈的震撼与悲悯的情绪。
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http://www.jianzhu01.com/Museum1007291845.htm
上海世博会国家电网馆
它是能让观众沉浸其中并获得720度感官体验的神奇展馆。它更是上海世博会“智能电网”中的重要一环，为其他场馆、设施提供清洁电能。
这就是将亮相上海世博会的国家电网馆。在人们眼中，“电网”不过是硬邦邦的变电站、输电线，毫无美感可言；但国家电网馆的建设方却表示，要在展馆中用“写意”的手法表现电力科技，同时又要让观众亲身体验到“智能电网”、“绿色能源”这些新科技，在世博会上发挥的作用。
中国山水画中的“写意”，在国家电网馆的外形和内部设计中淋漓展现。设计方案中，国家电网馆核心是一个光影幻动、流光溢彩的透明晶体“魔盒”，“魔盒”两侧由两栋布满网格的建筑撑起。展馆建筑本身就意味深长：两侧建筑网格状的肌理粗细交错、虚实相间，暗喻着安全、优质、清洁、可靠供电的电网创新之路；核心的“魔盒”将在夜晚被突然“点亮”，在世博的夜空中耀眼生辉，演绎着一个关于光与电的梦想。整体建筑虽是静态，却鲜活地演绎出“创新，点亮梦想”的展馆主题。
在漫长的黑暗中，人类怀着巨大的渴望，探求光和亮，是电的发明，让人类实现点亮夜晚的梦想。在国家电网馆中，设计师要让观众体验一次“在黑暗中寻觅光明”的历程。刚开始，观众将走进一片漆黑的展馆，顺着稀疏的点点灯光，走向透明的悬浮平台。忽然间，脚下变得明亮起来，脚底下出现大屏幕，可以看到水正慢慢涌上来，四周和头顶的屏幕随之亮起，一场繁华绚丽的720度视听盛宴包围观众。通过大屏幕，人们将经历一次电力发现之旅，体验清洁能源的应用和展望。
建设方国家电网公司介绍，国家电网馆的展示空间整体分地上和地下两部分。地上空间有两层，用一条“电流隧道”连接，主要通过创意和艺术手段，让电网馆与观众“来电”，帮助人们感性地认识清洁能源，憧憬未来美好、先进的电力生活场景。而在地下，将展示目前电力中的最新技术，如特高压技术和智能电网技术。地下的展示方式不但使用多媒体等虚拟手段，还包括一个实实在在的地下变电站，人们将在这里看到我国电力新技术的集中应用。国家电网公司表示，电网馆中的变电站，同时也是整个世博电网工程中的重要环节，一个个数字化、节能环保智能的变电站，将一起为上海世博会提供清洁、稳定的能源。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915374138_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291844.htm
上海世博会宁夏馆
“天赋宁夏，融合之城”是此次宁夏参与上海世博会的主题。“围绕上海世博会‘城市，让生活更美好’这一主题，我们紧扣宁夏实际，将塞上回乡的伊斯兰风情、神奇独特的地理风貌、融合博大的多元文化等元素融入了宁夏馆的设计方案中。”张杨强表示。
上海世博会宁夏馆将以“朔色长天”、“凤鸣塞上”、“宁静致远”为主线，展现宁夏城市发展与人们生活的过去、现在和未来。宁夏馆以明快简洁的白色为主色调，在具有伊斯兰风情的绿色门拱的映衬下，由一条发光的玻璃阵形成的黄河，在一架大型流光的黄河水车带动下，把参观者带入展馆。古人类遗迹、石窟艺术、波斯银壶、鎏金铜牛等代表宁夏变迁的历史踪迹，将通过环绕四周的影像设备，栩栩如生地映入参观者眼帘，生动演绎宁夏的千年传奇。在这里，参观者可以喝着盖碗茶，品茶着油炸果果，一边欣赏有民族特色的舞蹈，一边聆听宁夏优美的民歌。“我们在馆内还设计了一组流水荧幕互动游戏，参观者可以看到黄河之水流入沙漠、流入城市、流入人们生活，使沙漠变绿、城市变美、人民生活变好的神奇力量。”张杨强说，“在二楼未来展区内的大型互动影像墙上，参观者还可以感受到黄河金岸城市的发展愿景，同时参观者的笑容也将通过实时影像捕捉技术展现在馆内。”
此次宣传周活动之后，9月10日在银川市还将举办以“黄河金岸建设与城市发展”为主题的世博会宁夏城市论坛，围绕打造“黄河金岸”，以促进宁夏沿黄河城市带发展为主要内容，探讨如何促进区域资源整合、提升整体竞争力等问题。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915393842_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915393842_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915393842_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009110915393842_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291843.htm
上海世博会香港馆
特区政府计划以“无限城市--香港”为主题，建造一个能够凸显香港特色的展览馆，作为中国馆的组成部分之一。为网罗本地相关专业人士最好的创意和构思，政制及内地事务局和建筑署在今年年初主办了香港馆概念设计比赛，共收到八十份参赛作品，其中冠军的作品名为“无限空间”，是一个三层建筑结构。
根据设计者的构思，香港馆的中层会尽量通透，利用上下镜面的反光物料制造成倒影，将建筑外的景象反射到建筑内，构成独特的视觉效果，象征香港蕴藏的无限想象和创意空间。特区政府计划以胜出的设计作为蓝本，详细设计和建造香港馆。
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http://www.jianzhu01.com/Museum1007291842.htm
美国芝加哥大学洛根创作和表演艺术中心
原 名 称：Logan Center for the Creative and Performing Arts, University of Chicago
纽约市的夫妻档Tod Williams Billie Tsien事务所将为芝加哥大学设计新的艺术中心。他们是战胜了对手Fumihiko Maki and Associates、Hans Hollein、Morphosis以及丹尼尔•利贝斯金德工作室后赢得这一项目的。
芝加哥大学的Reva and David Logan创新和表演艺术中心坐落在校区南角的Mi dway Plaisance。这块地方原来是芝加哥1893年世界博览会的场址，在上世纪中叶承载了现代派作品如密斯•凡•德罗和Eero Saarinen的建筑。
尽管Williams和Tsien曾经成功地设计过博物馆和校园建筑，但他们认为此次任务还是最具挑战性的，因为要从设计上促进艺术之间的协作。Tsien解释说：“我们试图打破这些创造艺术的不同途径之间的成规，创造一个鼓励艺术完全打破界限的地方。”
具体的规模现在还没有确定，不过他们设计了5个相互联结的盒子结构，用玻璃包裹，为各种艺术提供了独立但又相连的空间。玻璃包裹的大厅成为一个“多功能盒子”，剧院、工作室和展区都可以从这里进入。项目核心处的一座6层建筑将容纳演讲厅和排练室以及娱乐设施包括瑜伽室、乒乓球桌和半个篮球场地。建筑顶部是部分可伸缩的屋顶，可以改成观赏芝加哥天际线和密歇根湖的平台。
正如曼哈顿美国民俗艺术博物馆一样，Williams and Tsien十分注意材料的选择。主体建筑的基座和6层楼用大块的石板做覆面，凸显出建筑的高贵。玻璃幕墙在夜晚点亮，使之成为灯塔，并让外面的人一睹内部的活动。这个项目耗资约1亿美元，计划在2011年开放。
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http://www.jianzhu01.com/Museum1007291841.htm
弗柯望博物馆
原 名 称：Muesum Folkwang
总楼层面积：26360平方米
作为这所博物馆的建筑传统，新的展览区仍旧会沐浴在自然光线之中。其他部分的设计所表现出来的创意也是突出的，比如，从俾斯麦大街到新入口大厅的华丽的敞开楼梯，末端设计为一个带有咖啡厅和餐馆的开放式内院，还有一个博物馆书店，玻璃门面的使用还可以让大街的景色尽收眼底。
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http://www.jianzhu01.com/Museum1007291840.htm
上海世博会四川馆及黑龙江馆
四川馆：
水润天府：生命之舟、流水、青苷、青竹、曲径通幽的多层次空间，将自然、城市；人有机的融合在一起，营造“天府之目”的独特气质
黑龙江馆：
冰雪，让城市更美好，通过造冰，全息投影，光纤雪，黑图墙，冰上芭蕾等方式，生动呈献出“冰之国目”的美丽
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http://www.jianzhu01.com/Museum1007291839.htm
Gimpo艺术厅
原 名 称：Gimpo Art Hall
项目面积：8150平方米
参赛年限：2009
施工年限：2010
Project area: 8,150 sqm
Competition Year: 2009
Construction Year: 2010
座落在汉江南岸，Gimpo是一个正在由农业经济向消费经济转变的城市。韩国建筑事务所G.Lab和他的合伙人在提出这个建筑方案的同时，体现出城市作为区域枢纽和现代设计反映了这一地区的历史。
Gimpo艺术厅位于这座城市东部末端，艺术厅强调了步行区的重要性，同时将散布道融入设计中。该建筑群同时也提升了街道层面，创建出一个步行广场。
Situated on the southern bank of the Han River, Gimpo is a city in the process of transforming from an agricultural economy toward a consumer-based economy. Seoul architects G.Lab*’s, of Gansam Partners, proposal for the Gimpo Art Hall embraces the fact that the city is emerging as a contemporary regional hub and the design also reflects upon the region’s history.
Located on the eastern end of a city block, the art hall emphasizes pedestrian access by incorporating a friendly walk into the design. The building mass is also lifted above the street level to create a covered pedestrian plaza.
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http://www.jianzhu01.com/Museum1007291838.htm
上海世博会罗马尼亚馆
原 名 称：Romania Pavillion for Shanghai World Expo 2010
一位28岁的罗马尼亚女建筑设计师为上海世博会罗马尼亚馆设计的外观独特、清新，令人印象深刻，一个巨大的青苹果和一个向这个苹果“倾斜”的半个青苹果，入夜，随着灯光变幻，青苹果还会变成红苹果、黄苹果。
罗马尼亚馆位于世博园C片区，占地面积2000平方米，毗邻克罗地亚馆、奥地利馆、卢森堡馆及荷兰馆。罗马尼亚国家馆的建筑理念为“绿色城市”，该馆外形是一只巨大的青苹果，其标志文字“GREENOPOLIS”体现了健康生活方式的重要性、对可持续发展理念的关注以及针对现代社会普遍存在的问题以知识为本的解决方案。这一生动的视觉体验将彰显当代罗马尼亚风采。
苹果外形的罗马尼亚馆由两部分组成：苹果主体部分及苹果切块部分。建筑分为五层，包括各综合多功能区域；主楼通道向内自然延伸，免去参观者在区域之间来回穿梭的麻烦，便于访问各展区。
步入苹果展馆，一层是个舞台，将全天上演罗马尼亚从古典到现代的各种文艺节目，纳吉说，穿着传统服装演出的民族舞蹈会非常精彩，各国参观者不需要语言，通过音乐舞蹈，就可以了解罗马尼亚的文化。参观者可以上二层品尝罗马尼亚美食和葡萄酒。三层是罗马尼亚和中国企业进行商业对话、举办论坛的地方。此外，展馆内还会放映中国参观者喜爱的罗马尼亚精彩电影。
那半个苹果内是个展厅，将展示罗马尼亚的历史、首都布加勒斯特和罗马尼亚一些主要城市的情况和未来的发展。在“倾斜”的半个苹果的顶层斜坡上，参观者可以进行各种活动。
纳吉说，罗马尼亚馆想要告诉参观者，我们还有很多任务要去完成，我们需要更多清新的空气，更多的公园，更多的树木，也许，这就是上海世博会主题的一部分：“城市，让生活更美好。”
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http://www.jianzhu01.com/Museum1007291837.htm
炎帝广场
120000平方米
甲方 株州规划局
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http://www.jianzhu01.com/Museum1007291836.htm
广陵新城城建展览馆
甲方 南京新城发展股份有限公司
6000平方米
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http://www.jianzhu01.com/Museum1007291835.htm
Railyards文化中心
原 名 称：Railyards Cultural Centre
3XN建筑事务所获得了丹麦奥尔胡斯港市前货运列车大厅设计竞赛奖，3XN事务所将其转换为一个充满活力的文化中心。这里有部分图片可以充分展示这个新的文化中心场景设计，视觉艺术和文学理念。
A few weeks ago, we featured a competition won by 3XN to transform the former freight train halls in Aarhus, Denmark into a new and dynamic cultural center. After the break, several more images and diagrams about this new cultural hub for scenography, visual arts and literature.
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http://www.jianzhu01.com/Museum1007291834.htm
迪拜Zabeel公园新月设计
尽管迪拜目前正在经受着债务危机，但是Zabeel公园的中心工程仍在有序的进行着，这也是迪拜最大的工程项目之一。新月（New Moon）是Varabyeu Partners设计公司特别为一个国际设计竞赛而设计的作品，它将成为Zabeel公园一个新的中心景观。新月形的结构在东方国家中被认为是一种权利和能量的象征，设计师希望通过这一形状体现出阿拉伯联合酋长国目前的繁荣昌盛。
这个新月建筑由五层楼构成，每层楼上都设有观测台，这种设计象征着伊斯兰教的五大支柱：信仰（Shahadah）、礼拜（Salat）、施天课（Zakaat）、斋戒（Sawm）和朝觐（Hajji）。建筑中设有会议室、团体活动室、咖啡厅、儿童图书馆和服务台。
建筑的外立面用阿拉伯文进行装饰，外立面的一侧由钢架进行固定，上面是镂空的阿拉伯文。新月内部每层都不受日光的直接照射，但其的空间流通良好。各种被动式的保护措施在建筑内部区域创造出了一个特殊的小环境，并降低了供电系统的负担。该工程的设计完全符合LEED绿色建筑的标准要求。太阳能电池和收集器安装在建筑的外部，更大程度上降低了能量的消耗。
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http://www.jianzhu01.com/Museum1007291833.htm
墨西哥Uabjo大学美术学院
原 名 称：Fine Arts School
位置：贝尼托华雷斯自治大学
ROW工作室和我们分享了他们为墨西哥瓦哈卡省贝尼托华雷斯自治大学设计的新美术学院。他们的提议是，要和公立学校形成对比，这座美术学院已经投入施工。该学院旨在构建一个满足教学，技术研究，艺术学习等多重功能的空间，并且提供给校园足够多的绿色区域。
ROW Studio shared with us their new Fine Arts School design for the Universidad Autonoma Benito Juarez de Oaxaca. Their proposal in posed as an alternative to contrast the actual project for the state school， which is already under construction. For ROW’s proposal， the school aims to create all the necessary spaces for the teaching the varying techniques and fields of artistic study， while preserving the green areas of the campus.
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http://www.jianzhu01.com/Museum1007291832.htm
韩国中心
原 名 称：Korea Center
总部设在韩国汉城的纽约SAMOO建筑和环境工作室，获得了纽约韩国中心国际设计竞赛的一等奖。这个中心有8层楼高，占地33000平方英尺，提供展览，表演，演讲和行政管理空间。设计师说“体现了创新性的现代与传统和谐的韩国情感”。
SAMOO Architecture， the New York studio of SAMOO Architects and Engineers based in Seoul， Korea， was awarded first prize in an international competition for the design of The New York Korea Center. Set to begin construction at the end of this year， the 8 story， 33，000 square foot facility will provide space for exhibitions， performances， lectures， and administration. The design is said to “embody the modern Korean sensibility of innovation in harmony with tradition.”
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http://www.jianzhu01.com/Museum1007291831.htm
欧地中心
原 名 称：EUROMED CENTER
性质：宾馆 会议厅 电影院 办公室 餐厅 零售 酒吧 停车场
面积：75000平方米 3.5英亩停车场
2006 France，Marseille
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http://www.jianzhu01.com/Museum1007291830.htm
英国“非洲之心”生态博物馆设计
Proctor and Matthews事务所受邀做了一份博物馆设计方案，其是在切斯特动物园建造一个“非洲之心”的自然生态博物馆。该博物馆计划投资9000万英镑，高34米。其是一个巨大的“乙烯四氟乙烯聚合物”(EFTE)覆盖建筑物，覆盖面积达16，000平方米。该项目比Grimshaw建筑事务所设计的在康沃尔的“热带伊甸园工程”(Tropical House at the Eden Project)还要大。
这个“非洲之心”自然生态博物馆工程，是切斯特动物园的扩建计划——投资2.25亿英镑的“自然梦想”(Natural Vision)工程的一部分。在这个呈波浪形的、自由形式的博物馆屋顶的下面，这个动物园试图模仿刚果的非洲热带雨林生态环境——包括非洲的丛林和气候。预期创造欧洲最大的生态保护地、动物园和休闲地，动物园周围还将设置水上娱乐设施、零售和餐饮设施。
Proctor and Matthews事务所负责人说：“这个自然生态博物馆将接纳一群大猩猩、一批黑猩猩、霍加皮(okapi、)、鸟类、两栖动物、爬行动物、鱼类和无脊椎动物。”
这个自然生态博物馆预期在2014年向游人开放。
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http://www.jianzhu01.com/Museum1007291829.htm
上海世博会瑞典馆
原 名 称：Sweden Pavilion for Shanghai World Expo 2010
主题：创意之光
造型亮点：展现城市与乡村的互动，采用传统的城市建筑，突出展示木材在现代建筑领域的运用。
展馆位置：C片区
占地面积：3000平米
设计团队：SWECO公司
合同签署时间：2008年11月15日
建馆时间：2009年4月20日
国家馆日：5月23日
瑞典展馆的设计灵感来自于城市与乡村生活的互动。整个展馆的建筑式样采用传统的城市建筑，由四个相互链接的建筑物组成。建筑外型还将突出展示，木材是如何应用于现代建筑领域，以及如何选用适当的材料来实现节能效果的内容。
“可持续发展”、“创新”以及“交流”是瑞典馆的三个主题词，具体展示了瑞典面对挑战时采取的解决方案，展现瑞典提高城市环境水平的措施和能力，以及新技术环境下，加强交流的重要性等方面内容。每位参观者都可以在瑞典展馆中，兴趣盎然地体验到瑞典的文化、社会精神、工程技术、传统、对自然的热爱，以及最重要的创新精神。
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http://www.jianzhu01.com/Museum1007291828.htm
上海世博会拉脱维亚馆
原 名 称：Latvia Pavilion for Shanghai World Expo 2010
拉脱维亚建筑事务所Mailītis A.I.I.M被委托设计今年的上海世博会拉脱维亚展馆。该项目开始于2009年末。
拉脱维亚是2010上海世博会的参展国家，参展的主题是：科技创新城市。
通过拉脱维亚馆传递的理念和信息是：通往技术与自然和谐的幸福之路。通过即将6个月的展示，拉脱维亚将向整个世界展示其文化成就，环境保护措施，科技进步及商业成功发展的理念。
Latvian architects Mailītis A.I.I.M.， were selected to design the Latvian Pavilion for this year’s Shanghai World Expo. Construction started in the end of 2009.
Latvia is participating in Shanghai Expo 2010 under the sub-theme Innovation city of science and technology.
The philosophy and message imparted through the Latvian pavilion is The road to happiness leads through harmony between nature and technology. Throughout the six-month duration of the exhibition， Latvia will present its cultural achievements， its measures to protect the environment， its technological advancements and its successful business stories to the world at large.
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http://www.jianzhu01.com/Museum1007291827.htm
图书馆效果图
图书馆效果图
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http://www.jianzhu01.com/Museum1007291826.htm
Northwich视觉文化中心提案
原 名 称：Northwich Vision Cultural Centre Proposal
项目面积：7000平方米
Project Area: 7，000 sqm
新中心=防护堤+休息室+“折纸”屋顶
该项目从构建防护堤开始，既保护了建筑底层免受潮水干扰，也构建了一个游人活动区。豪华的楼梯和看台将码头和防护堤相互连接，办公区采用日本庭院式园林，防护堤顶端的木甲板作为餐厅的开放式平台对外开放。
The New Centre = The Dike + The Lobby + The Origami Roof
The project starts from building a dike. While shielding the lower parts of the building from the troubled waters the dike also allows for active use. The grand stair and tribunes connect to the quay of the Weaver， the Japanese garden slopes down to the office area and the wooden deck on top of the dike makes an open terrace for the restaurant.
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http://www.jianzhu01.com/Museum1007291825.htm
世博会波斯尼亚和黑塞哥维那馆
原 名 称：Bosnia and Herzegovina pavilion for Shanghai World Expo 2010
波斯尼亚和黑塞哥维那馆面积为1000平方米，该展馆的建设总价估计是100万马克。
波斯尼亚和黑塞哥维那馆标志以明确的，有一定风格的图形来描绘出积极与充满感情的思想，象征出人与自然统一的概念，举起展开的手掌表达出友谊，和平与大方。用橄榄绿叶装饰的人手是独特的图形象征出大自然与它的发展，手指上的窗户象征着渴望加快建立起符合自然环境保护标准的美丽家园。
水为手上的生命线，因为水就是生命来源。手上的蓝色部分象征出城市的蓝色天空与城市图上的河水。展馆的标志是由5个手指组成的手形，恰好与中国传统哲学的五行相等。(五行:金， 木， 水， 火， 土).
展馆的标志表示健康， 安全感， 愉快与希望，以联合国人居组织1996年发布的伊斯但布尔宣言为基础来创造它的"直观启示". 宣言说：我们的城市必须成为人类能过上有尊严的身体健康， 安全， 幸福和充满希望的美满生活的地方。
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http://www.jianzhu01.com/Museum1007291824.htm
上海世博会阿联酋展馆
阿联酋在上海世博会的展馆面积为6000平方米，是上海世博会最大的展览场馆之一。阿联酋展馆将以独特的方式告诉世人有关能源利用方面的故事。提醒人们不要忘记过去先人想出特殊方式解决困境的经验，学习先人如何将新鲜的水送到沙漠殖民区，或者如何不用电力或其他能源而让房屋凉爽的方式。阿联酋计划展现本国文化美好的部分如何被保存，如何与“未来的城市”概念相结合。
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http://www.jianzhu01.com/Museum1007291823.htm
科阿韦拉州博物馆
原 名 称：Coahuila Texas Museum
项目面积：146930平方英尺
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http://www.jianzhu01.com/Museum1007291822.htm
大运河剧院
原 名 称：Grand Canal Theatre
南办公室面积：21092平方米
剧院面积：13768平方米
北办公室面积：33320平方米
成本：269.9美元
South Office Block Area: 21，092 sqm
Theatre Area: 13，768 sqm
North Office Block Area: 33，320 sqm
Budget: $269.9M USD
大运河广场剧院及商业发展项目的概念是用动态雕塑感的建筑体量与周围的文化、商业和住宅等环境中建立一个强大文化，同时，也让内部的剧院和办公的本质内容进行沟通。这样的组合创造了一个活跃的都市聚集空间，也用图示化的方法表现了戏剧，反映了都柏林的特点。
2000个座位的大运河剧院是一个标志性建筑，它创造了一个城市中的重点，特别是大运河广场，新设的城市广场位于大运河港旁的滨水区。该剧院的建筑理念是 基于舞台：剧院本身的舞台，广场上的舞台，剧院里多层的大厅里的舞台。剧院成为大型的公共广场的主立面，广场边还有一个五星级酒店，一边是办公楼，还有一 面是住宅。该广场成为剧院的大厅，是市民的舞台，也是观景平台。剧院屋顶的露台可以观赏都柏林海港景色。
The concept of the Grand Canal Square Theatre and Commercial Development is to build a powerful cultural presence expressed in dynamic volumes sculpted to project a fluid and transparent public dialogue with the cultural， commercial and residential surroundings whilst communicating the various inner forces intrinsic to the Theatre and office buildings. This composition creates a dynamic urban gathering place and icon mirroring the joy and drama emblematic of Dublin itself.
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http://www.jianzhu01.com/Museum1007291821.htm
艺术探索中心
原 名 称：ArtsQuest Center
该地块之前是宾夕法尼亚州伯利恒钢铁公司，现被改建为一座充满活力的艺术，文化和教育中心。或者这个4.5英亩设计景色项目的是Spillman Farmer建筑事务所的艺术探索中心，这是一座4层的玻璃和钢筋结构建筑，面积68000平方英尺，以富有特色的艺术展览为主。
Land used by the former Bethlehem Steel Corporation in Pennsylvania is now being transformed into a dynamic arts， culture and education campus known as SteelStacks. Anchoring the 4.5 acres campus will be Spillman Farmer Architects’ ArtsQuest Center， a four-storey glass and steel structure with 68，000 sq ft of distinctive venues to showcase the arts.
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http://www.jianzhu01.com/Museum1007291820.htm
上海世博会阿曼馆
阿曼参展方公布上海世博会阿曼馆展示方案，参观者将在富有尼兹瓦古城和苏哈尔古堡特色的阿曼国家馆中，开启一段探索阿曼古老文明和丰富地貌的历史之旅，并将在阿曼人追求与自然和谐共处的人文思考中展望未来。
阿曼馆面积2000平方米，是一座融合阿拉伯特色与现代风格的展馆。阿曼馆的建筑外观将体现尼兹瓦古城和苏哈尔港口城市的风貌。苏哈尔城在历史上是阿曼通往中国的重要入口。展馆外部的蓝色玻璃将让人联想起阿曼传统航海古船漂亮的船头。
阿曼馆将通过展现阿曼古城、沙漠之城、山川之城、海岸之城、首都马斯喀特，以及2020年完全建成的蓝色城市等，来体现与自然和谐发展的阿曼城市、阿曼的城市生活和潜能、阿曼的资源可持续利用、阿曼的城市历史和未来城市展望。
据悉，阿曼馆主要由三个展厅组成，第一展厅将带领参观者领略阿曼多样的地貌特征和自然风光——从荒凉的沙漠到遥远的群山，从美丽的海洋到南部佐法尔地区丰富得令人赞叹的亚热带地理特征。步入第二展厅，参观者将感受阿曼的历史文化积淀，这一部分重点展示的是阿曼的文化社会遗产等。第三展厅则将介绍阿曼人如何通过对资源的可持续利用实现与自然的和谐共处，让参展者带着对未来的思考结束整个旅程。
阿曼位于阿拉伯半岛东南部，是半岛上最古老的国家之一。阿曼注重在可持续发展中创造美好的城市生活，并注重保护历史古迹、与自然和谐共处。阿曼也深受旅游爱好者的喜爱，是受欢迎的旅游目的地之一。
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http://www.jianzhu01.com/Museum1007291819.htm
上海世博会爱尔兰馆
爱尔兰国家馆由5个长方体展示区组成，它们错落有致地分布于不同层面，并通过倾斜的过道相连，展现爱尔兰不同时代国家和城市的生活特色。
进入展馆，参观者们将沿着美丽的“利菲河畔”开始一段城市之旅。旅途中，参观者们能看到由军事建筑改建重修的各式美术馆，以及爱尔兰城市交通的演变。参观者们还将踏上爱尔兰首都——都柏林的第一主干“道欧康纳儿大街”，感受爱尔兰城市的变迁。
通过历史的长廊，参观者们能看到爱尔兰城市、空间及人民都市生活的演变，以及爱尔兰人在有效利用城市空间以及在城市可持续发展上做出的努力。
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http://www.jianzhu01.com/Museum1007291818.htm
上海世博会澳大利亚馆
主题：“畅想之洲”
造型亮点：雕刻的弧形墙、丰富的红赭石外立面
展馆位置：世博园区B片区
环境保护、城市化和全球化等问题，是目前人类面临的共同挑战。澳大利亚国家馆将展馆主题设定为“战胜挑战”，正是希望借助展馆，共同探讨人类的未来。
展馆内既展现澳大利亚强大而富有活力的经济，也有体现澳大利亚技术优势的创作，世界一流的研究和教育机构，丰富多彩的澳洲文化和自然美景，同时还有展示澳大利亚城市的优质生活。整个展馆集趣味、休闲、文化等元素于一体，适合各年龄段的参观者游玩。在那里，参观者们还能与讲双语的澳洲工作人员进行交流，欣赏澳洲本土音乐家和艺术家的精彩表演，品尝闻名遐迩的澳洲美食及红酒。
澳大利亚国家馆想给所有参观者呈献一个“世界上最适宜居住地”的城市形象，并以次探讨如何缔造城市建设和自然环境之间可持续发展的和谐。
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http://www.jianzhu01.com/Museum1007291816.htm
上海世博会非洲联合馆
“非洲联合馆的外立面设计方案多次征集了非洲各参展国总代表和各参展国驻华使节的意见。”上海世博局非洲联合馆管理部负责人介绍说。据了解，非洲联合馆外立面采用国际先进的喷绘贴膜技术，具有环保，对人体无公害，防紫外线，不易退色等优点。
非洲联合馆建筑面积达2万6千多平方米，占地规模相当于3个半标准足球场，4个外立面的面积总和达9500平米，是上海世博会11个联合馆中规模最大的一个。展馆室内净高9米，馆内各国家的占地面积均为250平方米。有42个非洲国家和1个国际组织（非盟）将在非洲联合馆内进行展示。
据悉，到目前为止，非洲联合馆三分之二的参展方已完成主题陈述工作；半数以上参展方已进入概念策划、展位和展示方案的设计阶段。馆内各个国家展位的筹备工作正在进行中，共有11家指定服务供应商联合团队为各参展国服务。
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http://www.jianzhu01.com/Museum1007291815.htm
上海世博会杭州馆五水共导
上海世博会杭州馆五水共导
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http://www.jianzhu01.com/Museum1007291814.htm
上海世博会柬埔寨馆
主题：柬埔寨丰富的文化遗产和经济发展潜力
柬埔寨丰富的文化、艺术和未受破坏的自然环境。上海世博会的副主题“多元文化交融的城市”反映了柬埔寨的愿望，即希望世界了解柬埔寨的历史文化、经济发展潜力，从而推动对贸易、旅游等利于柬埔寨经济增长、扩大就业的产业的投资。
地理和人口特征
柬埔寨位于东南亚的中部，国土面积181，035平方公里，和越南、老挝、泰国接壤。湄公河流经中国、泰国、缅甸、老挝和越南后从柬埔寨的中部穿过。
人口约1，300万，其中85%是农民，居住在农村，以高棉族为主，剩下的15%由华人、越南人、伊斯兰人和山区少数民族组成。
柬埔寨拥有东南亚最大的淡水湖。大湖（称：洞里萨湖）占地6.5万公顷。有三个自然保护区，是众多自然生物的乐园，其中很多是稀有物种，包括鱼类、鸟类在内的野生动物；风景如画的森林，包括淹没其中的红树林。
柬埔寨有44公里长的海岸线，具有生态开发的潜力，也是贸易和旅游目的地。美丽的海岸，柔和的海浪拍打白色沙滩，附近海鸥盘旋，渔船停靠在柬埔寨两个最重要的城市西哈努克和白马镇港湾中。
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http://www.jianzhu01.com/Museum1007291813.htm
上海世博会美国馆
上海世博会美国馆
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http://www.jianzhu01.com/Museum1007291812.htm
上海世博会民企联合馆
民企联合馆位于世博园区浦西段，占地面积约6000平方米。以“细胞”为创意元素，民企联合馆通过“无限活力”这一主题，象征众多民营企业的无限活力以及蕴藏在其内部的能量。展馆由多个巨型圆柱体排列组合而成，这些圆柱通过完美协调的曲面彼此有机结合，代表多家民营企业的联合出展。正如复星集团董事长郭广昌代表首批参展企业发言时所表示的，上海世博会是彰显民企责任、检阅民企力量、锻造民企品牌、提升民企价值的千载难逢的历史性机遇，参展的国内优秀民营企业希望通过民企联合馆，为参观者奉献一场视觉盛宴并带来全新体验。
在外观方面，民企联合馆大胆采用了曲线型设计，具有丰富的色彩和表现形式。根据参观者观看角度的不同以及同一天里阳光照射方位的变化，展馆外观还会随之呈现出多姿多彩的景象和生动有趣的表情。到了夜晚，除了影像之外，还配以照明、音响以及特殊演出手法，整个展馆流光溢彩、精彩纷呈。据悉，担任该项目总承包商的是曾经承接2005年爱知世博会日本政府馆出展项目、具有丰富世博会经验的日本三大广告公司之一——ADK。
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http://www.jianzhu01.com/Museum1007291811.htm
上海世博会挪威馆
主题：“挪威.大自然的赋予”
在上海世博会期间，挪威将在世博浦东园区C片区建设占地3000平方米的自建馆。展馆将由15棵巨大的“树”构成，模型树的原材料来自木头和竹子，并可在展后再利用，充分体现了 “可持续发展”的理念。
挪威国家馆油15棵巨大的“树”构成，“树”来源于木头和竹子，太阳能和雨水是它的运作动力，大自然赋予了挪威一个美丽的展馆。
独特的建筑材料、各种环保理念和节能技术的运用，是挪威馆的一大亮点，它丰富的展示内容一定会让参观者流连忘返，或者还会迫不及待的想试上一试。
挪威在发展城市的进程中，一直致力于对大自然资源的可持续发展利用，并且在积极保护环境方面也所做出过很多重要贡献。他们对于自然的热爱和保护，以及挪威人民的美好城市生活，都将通过上海世博会的平台，为世界各国提供宝贵经验。
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http://www.jianzhu01.com/Museum1007291810.htm
上海世博会日本产业馆
主题：来自日本的美好生活
上海世博会事务协调局与上海世博会日本产业馆出展合同会社正式签署2010年上海世博会日本产业馆参展合同。日本产业馆主题是“来自日本的美好生活(Better Life from Japan)”。展馆将通过对原江南造船厂船体联合车间老建筑的改建利用，展示日本企业界对上海世博会主题“城市，让生活更美好”的诠释和理解。
上海市政协副主席、上海世博会执委会副主任周汉民等出席签约仪式。上海市政府副秘书长、上海世博会事务协调局局长洪浩，上海世博会日本产业馆代表堺屋太一分别代表双方签署参展合同。
日本产业馆是由日本企业和部分地方政府以联合参展的方式在上海世博会建立的一个大规模企业馆。目前出资方一共有14家。为了不断充实和实现成员的多样化，日本产业馆还将继续吸纳3-4家出资方。
日方代表表示，中国对于日本来说，在历史、文化交流以及经贸往来等方面都是最大的合作伙伴之一。在中国举行的2010年上海世博会除日本政府参展以外，还应该有日本民间企业和地方政府来展现更多的智慧、技术和理念。
洪浩在致辞中表示，日本产业馆将荟萃众多日本国内独具特色的企业，通过展示他们最新的科技成果和环保理念，生动地诠释当今日本的新型价值观和对未来生活方式的畅想和展望。相信日本产业馆一定能以其精湛独到的前瞻性展示，成为上海世博会园区的一大亮点。
日本产业馆位在上海世博会浦西园区入口附近、原江南造船厂的老厂房内，将利用约4000平方米的旧厂房改建而成。场馆内将设置主题展示、单元展示、日本美食和纪念品销售等多个区域。
据了解，日方选择这个场馆位置主要是因为离入口非常近，方便游客参观。同时利用现有旧厂房的改造也符合日本方面环保的理念。场馆还可以利用到附近户外广场的巨大空间，从而可以确保一些文化演出的效果。
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http://www.jianzhu01.com/Museum1007291809.htm
上海世博会沙特阿拉伯馆
主题：生命的活力
造型亮点：丝路宝船
展馆位置：世博园区A片区
在阿拉伯语中，“沙特阿拉伯”的意思是“幸福的沙漠”。从历史上看，无论是荒原上逐水草而居的贝都因人，还是从这片土地下喷涌而出的滚滚“黑金”，都是对“幸福的沙漠”最好的注解。而这些都将在上海世博会“城市，让生活更美好”的主题之下，成为沙特馆的展示内容。
据穆罕默德·加姆迪介绍，沙特馆定名为“阿拉伯之城”，主题是“生命的活力”，着重展示在没有河流和湖泊的严酷自然环境下，如何创建美丽的城市、营造美好的生活？四种类型城市构成了沙特馆的展示特色：一是能源之城，二是绿洲之城，三是文化古城，四是新经济之城。从中可以看出，水、石油和知识，是沙特城市发展的安身立命之本。具有诱惑力的是，沙特馆还引入了超大规模三维影视屏、水流书写中阿文字等现代高新科技以及丰富多彩的文化演艺活动。
“沙特在城市发展过程中，还特别强调团结统一。因为没有团结，就不会有多元文化并存，就不会有和谐发展，就不会有国家和老百姓的未来。” 穆罕默德·加姆迪说。
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http://www.jianzhu01.com/Museum1007291808.htm
上海世博会石油馆
主题：石油，延伸城市梦想
造型亮点：国内首创采用如此大面积的异形PC板材作为建筑外表皮
展馆位置：世博园区浦西企业馆展区
展馆面积：3600平米
网上世博会：体验型
上海世博会石油馆是三家石油公司自建的企业馆，预计2010年2月底前竣工。石油馆以“石油，延伸城市梦想”为主题，通过奇幻的内容与声、光、电、三维影像等共同打造体验效果，让观众经历一次充满奇幻色彩的时空之旅;在震撼和惊叹中，了解石油及其给人类文明进步和城市发展作出的重要贡献，了解三家石油公司的人文精神、社会责任和未来发展。
石油馆四面采用了PC板材结合LED背景光源作为建筑外表皮，面积达到3600平方米。这是国内首创采用如此大面积的异形PC板材作为建筑外表皮，也是国内首次运用如此大面积的LED背景光源。展馆造型简洁、大气、稳重、极富时代感和行业特色。一根根上下纵横的管道编织在一起，象征着石油石化行业蓬勃向上，持续发展的美好愿景，预示着石油石化行业与未来城市、美好生活密不可分的关系。夜幕下，展馆将呈现出晶莹剔透、七彩动感、美轮美奂、异彩纷呈的光影效果。
据悉，上海世博会石油馆空间布局分为预展区、主展区和尾展区三部分。预展区通过多媒体技术结合石油石化行业的虚拟场景，拉近石油与参观者的距离。主展区采用3D影院充分演绎和诠释“石油，延伸城市梦想”的主题。尾展区展示三家企业的业绩、文化、科技和未来。
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http://www.jianzhu01.com/Museum1007291807.htm
上海世博会世界贸易中心协会馆
主题：透过贸易促进和平与稳定
造型亮点：以“天圆地方”为设计理念，可作多种活动及展览用途
展馆位置：上海世博会园区B片区02地块WTCA
上海世博会世界贸易中心协会馆的建筑面积达2000平方米，设计灵感主要来自中国哲学的“天圆地方”和“八卦”。展览馆的中央设计成圆型的展览厅，而内部正方形的四个角落则分别设为贵宾接待室、展示区、纪念品店及餐饮区。展览馆的整体设计简洁大方，尽显现代科技感，建馆的材料皆经过精心挑选，利用灯光创造别出心裁的图案，营造宾至如归的气氛。
世界贸易中心协会馆在设计方面特别注意场馆的多用途功能，因此展览馆的设计，可以因应不同场合需要而改变成舞台，或举行大型展览活动。整个展览馆的灯光采用也颇具匠心，结合向上照明及聚光射灯，以光线交织成层次分明、错落有致的效果。骆驼与船队的影像投射到空间，与地球的投影配合，象征世界贸易中心协会一直全力以赴，肩负促进全球贸易的角色。世界贸易中心协会馆入口处有一条时空隧道，让参观者从步入展馆的一刻开始，已经置身于设计巧妙的空间，展开环游世界贸易的旅程。展览馆的餐饮区将会提供来自全世界的特色美食。
世界贸易中心协会馆的展示主题为“贸易促进和平与稳定”，展览馆有常设展览，分别介绍协会历史、世界各地的世界贸易中心的设备和服务，以及即将开展的项目，解释世界贸易中心通过加强贸易构成的强大网络，促进世界和平与稳定。
此外，作为极具代表性的民间的贸易组织展览馆，世界贸易中心协会馆还将以“环保”、“资讯科技”、“时尚”等主题，围绕着衣、食、住、行四大基本生活需要而举办一系列精彩活动，包括展览、交流会、主题演讲及论坛。届时将邀请各指导单位及合作组织的负责人出席论坛，带给所有参观者最切合时宜、最丰富的信息及体验。
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http://www.jianzhu01.com/Museum1007291806.htm
上海世博会太空家园馆
外观以浩瀚的宇宙为背景，仿佛是太空飘来的神秘魔方悬浮在空中，以异型的支柱与地面轻盈连接，形成一种摆脱重力的效果……这就是灵动而富有创意的2010年上海世博会“太空家园馆”。记者从26日举行的太空家园馆奠基仪式上获悉，太空家园馆将围绕“和谐城市，人与太空”的主题，运用互动体验手段，展示中国航天的辉煌成就和电子科技的先进技术。
国务院国资委副主任黄淑和，上海市委常委、常务副市长、上海世博会执委会常务副主任杨雄，上海世博会执委会专职副主任钟燕群，国务院国资委外事局副局长姜维亮，上海世博会事务协调局副局长黄健之，中国航天科技集团公司副总经理吴卓，中国航天科工集团公司副总经理高红卫，中国电子科技集团公司科技委副主任赵正平等出席了奠基仪式。
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http://www.jianzhu01.com/Museum1007291805.htm
上海世博会万科馆
展馆名称：2049
主题构思：“尊重的可能”
地理位置：浦西世博园区E片区
建筑占地面积： 3309平方米
造型解读：
七座形似金灿灿麦垛的建筑巍然矗立在浦江西畔，落落大方地展示着生命的健康与旺盛。这就是上海世博会万科馆的整体造型。万科馆以天然麦秸板为外墙建筑材料，由七个相互独立的筒状展厅组成，各厅之间通过顶部的蓝色透光ETFE膜连成一体。超过一千平米的开放水域环绕着七个圆筒，水面映照天空，试图让参观者感受到与自然亲近的愉悦。而这片开放水域还会起到调节展馆区域气温、湿度的作用，营造一个自然舒适的小环境，几个分馆围合而成的中庭更能为参观者提供舒适的活动空间。
展示主线：
万科馆被命名为“2049”，这个馆名将加深公众对未来的关注。2049年既意味着一个人的未来，也意味着一个城市、一个国家甚至整个地球的未来。同时，它还象征通往未来的一段旅程，其中蕴含着无限可能。万科馆将用通过五个小故事来讲述关于人、自然和城市的相互尊重，希冀与来自五湖四海的参观者分享对“尊重的可能”的思考与探索。
走进展馆，你将踏上一段妙趣横生的旅程，经历五个不同的有关“尊重”的故事。
在“雪山精灵厅”，您会看到滇金丝猴如何从生存空间消失的威胁中险象环生。“生命之树厅”展示了世界上最大规模的公益环保行动——我国的退耕还林政策，如何让林进沙退，让“生命之树”茁壮生长。在“蚁穴探险厅”，通过到放大了的蚁穴中游历，您会了解到人类如何向自然学习，创造出更加绿色环保的建筑。“莫比斯环厅”里的莫比斯环象征着资源的无限循环，台北市民是如何通过日常生活中的点滴行动变问题为资源，请随我们看个究竟。“尊重·可能厅”讲述的是尊重的故事，只要个人、组织和社会都能以尊重的态度付出努力，那么未来就会有人类、自然、城市和谐共生的美好可能。
建筑特色：
用麦秸秆压制而成的麦秸板是展馆最主要的建筑材料。此外，展馆将通过热压和风压两种自然通风的模式，尽可能最大化自然通风，减少空调使用的时间，降低展馆在运营过程中的能耗。同时，每个筒的顶端所镶嵌的蓝色透明ETFE膜气枕天窗，能够通过自然采光照明降低照明的能耗。
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http://www.jianzhu01.com/Museum1007291804.htm
上海世博会信息通信馆
展馆类型：自建馆
展馆位置：世博园区浦西企业馆展区
占地面积：6196平方米
造型亮点：取消了所有的建筑转角，形成流畅的建筑体形。
签署合同时间：2008-7-25
建馆时间：2009年4月28日
信息通信馆由中国移动和中国电信联手打造，主体建筑高20米，总建筑面积将达6196平方米。信息通信馆契合了上海世博会“城市，让生活更美好”的主题，在信息通信技术的帮助下，展馆将城市生活梦想的体验全面刷新，创造一幅没有边界的未来信息城市生活画卷。
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http://www.jianzhu01.com/Museum1007291803.htm
上海世博会中国船舶馆
参展主题：船舶，让城市更美好
展馆类型：自建馆
展馆位置：世博园区浦西企业馆展区
占地面积：5000平方米
造型亮点：“龙之脊，景之最”
签署合同时间：2009年3月31日
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http://www.jianzhu01.com/Museum1007291802.htm
上海世博会主题馆
上海世博会主题馆
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http://www.jianzhu01.com/Museum1007291801.htm
世博中心
世博中心位于卢浦大桥东侧世博园区B区滨江绿地内，向南为世博会主题馆，东面为正在建设中的世博轴和规划中的世博会演艺中心及中国馆。世博中心建筑东西长约350米，南北宽约140米，总建筑面积约14万平方米，将于2009年年底前建成并投入试运营。世博中心作为世博永久性场馆中最重要的场馆之一，在世博会期间，将承担世博会运营指挥中心、庆典会议中心、新闻中心、论坛活动中心等功能。
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http://www.jianzhu01.com/Museum1007291800.htm
安大路西亚历史博物馆
原 名 称：Andalucia’s Museum of Memory
项目面积：15000平方米
Project Area: 15.000 sqm
设计师希望为西班牙Granada城安大路西亚历史博物馆构建出一个“最美丽的建筑”。该博物馆希望可以传承安大路西亚的全部历史。早在罗马时代，斯特雷波就描述说，安大路西亚是“最文明的伊比利亚人，他们有韵律的诗歌。”
安大路西亚历史博物馆位于2001年建成的CAJA GRANADA储蓄银行的中间线上。我们把建筑的底层做成一个60x120米的三层平台，与GRANADA储蓄银行的平台相呼应。它的立面也如此。建筑围 绕椭圆形的中庭展开，中庭中是圆形的坡道，坡道连接建筑的三层，并表现有趣的空间张力。椭圆形的中庭的大小源于查理五世的阿尔罕布拉宫。
We would like to make “the most beautiful building” for the Museo de al Memoria de Andalucía (Andalusia’s Museum of Memory) in Granada. The MA. A museum that wishes to transmit the entire history of Andalusia. As early as Roman times， Strabo described the inhabitants of Andalusia as “the most cultivated of the Iberians， who have laws in verse.”
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http://www.jianzhu01.com/Museum1007291799.htm
会所项目模型
原 名 称：FH Project (The Club House)Model Up dates
粉红色的块是会议中心，蓝色的块是游泳池，在游泳池边上的是餐厅，在游泳池的上面将会是个看山景的露台。
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http://www.jianzhu01.com/Museum1007291798.htm
空军村教堂提案
原 名 称：Air Force Village Chapel proposal
R. Miller建筑事务所与我们分享了他们为空军村设计的教堂参赛方案，这是他们获得的2010未建造AIA奥兰多设计优秀奖。
美国空军，这个名字唤起许多形象和情感。试飞员的故事，工程成就，战斗历程，探索宇宙，空军英雄，所以更通过心灵闪烁。事务所的目标是捕捉各种要素的故事并联系在一起。
R. Miller Architecture shared with us their design for the Air Force Village Chapel competition， for which they received a 2010 unbuilt AIA Orlando award for design excellence.
The U.S. Air Force， saying the name evokes many images and emotions. Stories of test pilots， engineering achievements， historic battles， exploration of the universe， Air Force heroes and so much more flashes through the mind. Our aim is to capture the essentials linking such diverse stories together.
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http://www.jianzhu01.com/Museum1007291797.htm
鄂尔多斯基督教堂
建筑面积：3000 平方米
高度：37米
业主：鄂尔多斯市规划局
《圣经•创世纪》所被洪水淹没，留在方舟里保全生命的诺亚，一天放出鸽子去探测洪水是否已经退去，当鸽子回来时，嘴里衔着一个新拧下的橄榄枝子，诺亚就知道地上的洪水退了。后来人们就把鸽子和橄榄枝当作和平的象征；基督教传入我国以后，也有用和平鸽作为装饰纹样的。
坐落于鄂尔多斯一座小山上，这座基督教堂的设计灵感之一来源于其地形。设计师首先从地形作为设计的出发点，结合鄂尔多斯实际的气候特质；鄂尔多斯总是阳光明媚，天总是比别的地方显得高一些，这些都被带入设计灵感中。周围的环境色彩对比强烈，蓝天和褐土对比对比产生出强烈的视觉效果，为教堂产生了完美的周边环境。营造出了丰富的昼夜背景变化。它形成了对于鄂尔多斯这座城市而言，独特的教堂景观。
方案命名为“和平鸽”，通过重新诠释和平鸽用喙衔回橄榄枝的故事，赋予了教堂新的寓意和诗意。本教堂是混凝土结构，外立面为白色涂料表面。其流线的外形同时顺应了地块周边的道路走向。其内外空间关系是通过对光线和阴影的描写，深层次解读教堂的空间。其设计元素是为了表现出教堂文化的和谐和平静。
白鸽，一种和平的象征，同时也是也代表飞翔、轻盈、优雅和平静，它可以和谐地融入周边环境。在国外，教堂是宗教的象征，它代表了宗教的权力，同时也是人类跟上帝沟通的地方，天堂和人间沟通的地方，这也是为什么以前的教堂不断挑战建筑极限，越建越高的原因。
三磊设计的鄂尔多斯基督教堂，既传承了传统的教堂文化，又融入了新的设计元素。柔美的建筑线条加上微妙的光线关系处理，营造出了全新的供人们祈祷以及庆祝的空间，三磊的这个方案旨在营造鄂尔多斯新的身份，营造一个现代感十足而又不失传统文化底蕴的一座建筑，因为我们相信，未来总是基于今天基础之上的，铭记历史轨迹非常重要。
Located on top of a hill of Ordos， planned as a green open space for the city， the project takes its inspiration from the topography of the land. The surrounding landscape offers a strong contrast of colors and depth， creating a rich changing background from day time to night time for the church’s settlement. It sets framed views of the church in a characterized landscape of excavated rocks proper to a city like Ordos， in Inner Mongolia.
The scheme， named “Dove of Peace”， gives its metaphor and poetry to the church by re-interpreting a contemporary and abstract silhouette of the bird caring a branch of Olive in its beak. The Church has a concrete structure and uses white crepi finish for its facades. Its dynamic shape follows the adjacent curved road that crosses the site. The dialogue between the outside and the inside space is emphasized by the play of shadows and light that creates complexity and depth in the reading of the space. Its elements are thought to reflect harmony and tranquility in this place for prays and celebration.
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http://www.jianzhu01.com/Museum1007291796.htm
垂直表参道——博物馆方案
原 名 称：Vertical Omotesando
Wai Think Tank事务所与我们分享了他们近期参加的日本东京表参道时尚博物馆竞赛设计方案。该竞赛挑战设计100米高的塔楼博物馆，包括二十世纪时装历史的展览区，将成为东京的一个新地标。
Wai Think Tank have shared with us their proposal for the Fashion Museum Competition in Omotesando Street in Tokyo， Japan. The challenge consisted in designing a 100 meters high tower-museum， containing exhibition areas of 20th century fashion history and becoming a landmark for Tokyo.
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http://www.jianzhu01.com/Museum1007291795.htm
魁北克艺术博物馆扩建
原 名 称：Beaux Arts Museum in Quebec expansion
OMA建筑事务所近日宣布获得魁北克艺术博物馆扩建国际竞赛头奖。这个项目将耗资加币9000万，并且通过受到当地居民82%的支持。
三个陈列室从尺寸到外形都不尽相同，并且各具特色，正如你所在轴测图和模型中看到的一样：当代展厅（50*50平方米），永久性当代收藏室（45*35平方米），设计/印纽特人展区（42.5*25平方米）。
OMA has been announced as the winner of the international competition for the Musée national des beaux-arts du Québec (MNBAQ) expansion. The CAD$90 million project was also consulted with local residents， with an 82% of approval.
The three stacked galleries vary in size， as you can see on the axo and models included below: contemporary exhibitions (50m x 50m)， the permanent contemporary collection (45m x 35m) and design / Inuit exhibits (42.5m x 25m).
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http://www.jianzhu01.com/Museum1007291794.htm
丛林科学馆
原 名 称：Chaparral Science Hall
面积：90000平方英尺
预算：44800000美元
Project Area: 90，000 sqf
Budget: $44，800，000
该建筑去年秋天开馆，为整个学校的数学和科学系使用，他们更有机会接近位于一层的新的改良的演讲大厅和计算机实验室。该建筑同时也为生物系提供了办公空间，包括教学和研究室。丛林科学馆包含18个研究实验室，9个教学实验室和13个演讲室，另外还有一个DNA实验室和显微镜套件实验室。
The building opened last fall and serves students from throughout the College of Science and Mathematics who have greater access to new and improved lecture halls on the first floor and computer labs throughout the building. The building is home to the Department of Biology’s office as well as much of the department’s offerings， including teaching and research activities. Chaparral Hall includes 18 research labs， nine introductory teaching labs and 13 lecture rooms in addition to a DNA sequencing lab and a microscopy suite.
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http://www.jianzhu01.com/Museum1007291793.htm
上海世博会台湾馆
众所瞩目的2010年上海世界博览会，1日正式进入开展倒数30天，由台北世界贸易中心负责兴建及营运的台湾馆亦同时宣告竣工，目前台湾馆工作团队在进行最后的系统整合及测试，而台北世界贸易中心的营运团队亦已进驻，作营运前的最后准备，4月20日起即可参加世博大会的试营运，5月1日将如期开馆营运。
台湾馆位于上海世博会园区A区，紧临世博轴，是参观人潮必经之处。在台湾知名建筑师李祖原团队的设计下，台湾馆主题为“山水心灯—自然、心灵、城市”，呼应上海世博会这次“城市，让生活更美好”的主题。台湾馆建筑外观是以天灯造型搭配山水，在地理上，台湾多山四面环海，代表山形的长方体建筑外墙上，刻上台湾玉山、阿里山等名山棱线。
山形建筑的2楼直接通往点灯平台，这里将是整个台湾馆展出的亮点所在，是观众进行点灯仪式的场所。台湾馆的“山水心灯”结合了中华传统文化的“五行”观念。天灯的钢架代表五行的“金”；木制的祈福台代表五行的“木”；内外环状水池的水，取自于日月潭及太平洋，作为五行的“水”；耀眼发光的LED天灯象征五行的“火”；台面的地砖以台湾陶土烧制而成，属于五行的“土”。当参观者在灯下许愿时，LED灯将显示祈福的天灯冉冉升空的奇妙影像。
台湾馆“山水心灯”不仅传达平安祈福的意向，同时巨型的玻璃灯罩及里面的“台湾之心”LED球幕，兼具外部播放的媒体与内部展演的剧场，演绎台湾自然之美及多元的人文荟萃。
参观游客站在台湾馆周边、高架步道上，或步行于世博轴中，都能在远处一睹台湾自然景致中万蝶齐飞、鲸鱼悠游等影像画面，呈现台湾先进科技、深厚文化内涵特质。
台北世界贸易中心副总经理、同时亦是台湾馆总馆长叶明水表示，相信优越的地理位置必能提升及增加台湾的能见度，亦将成为世博会中的亮点。
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http://www.jianzhu01.com/Museum1007291792.htm
上海自然历史博物馆
原 名 称：Shanghai Natural History Museum
规模：36000m2
业主：上海科技馆
合作方：奥雅纳工程顾问有限公司
项目组：马清运 王坚锋 Jean Paul Hitipeuw Jacob Forsberg Jason Chan 李兴君
陈亮莹 吕嘉豪
上海的双地标：东有科技馆，西有自然博物馆，自然与科技形成上海都市的双极，即形成城市的形象地标，又构成城市创造力地标。教育体验基地：上海自然博物馆将不仅是一个经典的博物馆，更应该是市民、广大青少年对自然、历史、人文的体验基地，教育基地。他同雕塑公园一起，构成了广大市民群众的人文绿色地标。中国的历史观：以往的西方人的自然历史博物馆有着极强的殖民意识及人为主宰的历史观。21世纪在中国上海的自然博物馆应该表达中国以人为本的历史观。在展览组织和策展上不再简单地把人看作生物发展的一个分枝，而是把人视为生物发展与地球发展的一个纽带，一个介质。科学与自然的交响：展顶上的自然教育体验基地是最新科学技术的展示，采用‘反馈式’的环境模拟控制系统，达到生态环保的效果，更创造了仿生自然景观的结果。上海的自然历史博物馆应该是具有创造力的，面向大众的，表达中国自然观的城市地标。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914505847_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291791.htm
江西自然科学博物馆
原 名 称：Jiangxi natural history museum
规模：54，519 m2
业主：江西省新余市仰天岗管理委员会
合作方：奥雅纳工程咨询（上海）有限公司北京分公司、上海原构国际设计咨询有限公司
项目组：马清运 陈展辉 黄嵘 王坚锋 Bittor 莫娇 王捷 吕嘉豪 叶晓钦 许健勇 段俊 赵鹏 李兴君 杨士翔 章昊 沈前
江西新余自然博物馆是被抽象化的，装饰化的“自然表达”，该建筑物保持了这块土地独特的精神和能量，是地域风貌与当代时空想象雕塑的“大地艺术”。它集科普教育、科技展示、文化演艺、游乐体验、休闲旅游、商务接待、国际会务于一体。该项目立足抒发当代人文自然的历史，发扬技术创造的传统，捕捉场地的形态资源，塑造一个具有极高观赏性、极强参与性、极大经济辐射力的人与自然交融、空间与功能交融、时间与空间交融的“新地标”。设计时，在功能上注重灵活性、可变性，特别强调休闲、娱乐和观赏湖景、山色的前所未有的视点和角度。形象上通过荷叶、水生态、水生物等来聆听“天籁”之音，同时通过风流、水暖、来表达“环保”思想。
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010040914572441_10.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291790.htm
圣卡塔琳娜公共图书馆
原 名 称：Santa Catarina’s Public Library
该项目是巴西圣卡塔琳娜公共图书馆翻修设计竞赛头奖，由巴西建筑师Bruno Conde， Filipe Gebrim Doria， Filipe Lima Romeiro和Lucas Bittar合作设计。
设计新的圣卡塔琳娜公共图书馆面临的挑战使设计师认为这超出了简单的物质层面的干预。设计师认为，这个建筑应该是当地社会一个重要的文化设备参考。它不仅仅是一座新的建筑，更应该是一个重要的城市标志，一个吸引了人们享受的地方。
1st Place for Santa Catarina’s Public Library Refurbishment Competition
Brazilian architects Bruno Conde， Filipe Gebrim Doria， Filipe Lima Romeiro， and Lucas Bittar were awarded with the first prize for the design of the Santa Catarina’s Public Library Refurbishment (National Architecture Competition).
The challenge of designing the new Santa Catarina’s Public Library brought us to think this project beyond the simple material aspects of the intervention. We believe that this building should be a reference on the local society as an important cultural device. More than a new building， should be an important urban sign， a place that attracts the people to enjoy its contents.
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http://www.jianzhu01.com/Museum1007291789.htm
Mariendaal中心
原 名 称：MCE Mariendaal
Arnhem， NL
GROUP A建筑事务设计的Mariendaal卓越中心，这是一个办公室建筑，位于荷兰阿纳姆Buiten。这个办事处大楼将出租给TenneT，国家电力网络行政管理局，作为他们的新总部投入使用。
GROUP A has made a design proposal for the Mariendaal Centre of Excellence， an office building in Arnhems Buiten. This office building will be rented to TenneT， the national electricity network administrator， as their new headquarters.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010041315154441_9.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291788.htm
唐山博物馆
原 名 称：Tangshan Museum
23784平方米
唐山博物馆东接龙泽南路，位于凤凰山公园东侧，处于市区的中心位置。附近的城市展览馆，铁道公园，水泥博物馆互相连接呼应，构成一条清晰的城市博物馆链
。
唐山博物馆根本性的设计理念是让城市历史成为博物馆展示和收藏的一部分。对于唐山博物馆而言，其原有建筑本身就是历史文物。这个建筑成形于文化大革命初期。品字形的三座建筑所围合成的广场，也是目前最为唐山人欢迎的城市开放空间之一。广场上的毛主席塑像，也成为今天难得的公共艺术品。
敏感地对待已存在的物质环境是一个重要的设计理念。新加的部分对于已有的三个建筑起着三个作用；连接、支撑、补充。新建后的博物馆以唐山古代史、唐山评剧和皮影为亮点展陈，兼有大量的展示空间为其它展陈服务。除展陈功能之外，博物馆还具备收藏、研究、教育、交流等全方位的综合功能，以及相应的配套设施。作为唐山市最重要的基础设施之一，唐山博物馆又是整个城市文化、休闲链上的一个关键节点、是整个凤凰山开放的空间的一部分，是整个城市的客厅。是一座独一无二的博物馆。
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http://www.jianzhu01.com/Museum1007291787.htm
阿联酋迪拜棕榈Jumeirah清真寺
原 名 称：Mosque Palm Jumeirah
客户: Nakheel Development
该清真寺可供1000名朝拜者使用，位于阿联酋迪拜Jumeirah 棕榈岛的入口处，内设各种等级的朝拜者大厅和配套设施。穹顶及其入口顺序配有两座160米高的尖塔，为Jumeirah椰树岛的入口增添了新的标志。
Mosque Palm Jumeirah， Dubai， UAE
This mosque for 1000 worshipers is situated at the entrance to the Palm Jumeirah in Dubai， UAE. The structural skin of the Mosque’s Dome reaches a height of 66 meters， enveloping several levels of prayer halls and ancillary facilities. The dome and its entrance sequence are accompanied by two 160-meter minarets that additionally offer a notable gateway to the Palm Jumeirah.
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http://www.jianzhu01.com/Museum1007291786.htm
青年中心
原 名 称：Youth centre
该青年中心沿着Poperinge城市公园一边而建。该地点特点是醒目的墙壁，形成开放式的空间。这些房间和非正式小路可直接到达青年中心和公园。
The youth centre is located along one of the sides of Poperinge’s city park. This site is characterised by eye-catching walls that form open-air rooms. These rooms and informal paths lead to the youth centre and park.
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http://www.jianzhu01.com/Museum1007291785.htm
科学城总部
原 名 称：Science City headquarters
Guangzhou， China | 2006
自然景观（山脉和树林）以及人造景观（村庄和建筑）是该地的特色，并且相互形成动感平衡。他们身份的不同的强化了一个明确的共存空间，创建出一个新的和谐创新的城市环境。
The nature (the mountains and the trees) and the artificial (the village， the infrastructure and the buildings) characterize the site and are able to generate a dynamic balance. Their different original identities are reinforced by a clear spatial coexistence that creates a new urban environment of harmonious tensions and innovative creativity.
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010043016084953_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291784.htm
卡利什爱乐音乐厅，教育学和艺术学院
原 名 称：Kalisz Philharmonic Hall and Faculty of Pedagogy and Art of UAM Kalisz
业主：波兹南密茨凯维奇大学
设计：2005-2007
施工：2007-2012
Client: Uniwersytet Adama Mickiewicza w Poznaniu
Location: Kalisz
Design Team: Jacek Bułat， Marcin Siadek， Paweł Świerkowski
Design: 2005-2007
Construcion: 2007-2012
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http://www.jianzhu01.com/Museum1007291783.htm
华沙现代艺术博物馆
原 名 称：MoMA Warsaw
华沙现代艺术博物馆 MoMA Warsaw
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http://www.jianzhu01.com/Museum1007291782.htm
尼萨图书馆
原 名 称：Communnity Library in Nysa
Location: Poznań
Design Team: Bartosz Jarosz， Szymon Osijewski， Paweł Świerkowski
Design: 2008
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http://www.jianzhu01.com/Museum1007291781.htm
迪拜歌剧院
原 名 称：Opera House
Dubai， 2005
这是一个歌剧院和文化中心，为一个阿拉伯酋长国上的人工岛屿而设计；建筑外形由不同规范的带状钢筋结构组成，每个都含有主要的活动空间。
In this project for an opera house and cultural center， the functional constraints of this building， planned for a location on an artificial island in a key Emirate， were extrapolated into a score of programmatic strips， each containing the main activities and related spaces.
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http://www.jianzhu01.com/Museum1007291780.htm
法国里昂博物馆
原 名 称：Musee Des Confluences， Lyon， France
Musée des Confluences的中心主题，总是伴有交叉空间模糊，重叠和混合的发展，改革的进程创新将在技术（工艺）、生态甚至伦理的过渡期中决定。
总是伴有交叉空间模糊，重叠和混合的发展，改革的进程创新将在技术（工艺）、生态甚至伦理的过渡期中决定资产阶级们独有的场所，而是在我们这个时代一个面向大众传授知识的平台。
在快捷、有效使用的促进下，它已经不仅仅是一个博物馆，同时也成了公众集会的知识场所，它杂合了博物馆的建筑类型和一个城市闲场空间类型。
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http://www.jianzhu01.com/Museum1007291779.htm
韩国国家当代历史博物馆
原 名 称：The National Museum of Korean Contemporary History
总面积：6446.00平方米
总楼层面积：9513.85平方米
建筑面积：2813.61平方米
建筑覆盖率：43.65%
容积率：147.59%
楼层：6层（主楼），5层（标准层）
最大楼层高度：27米
停车场：11个（1个为残疾人准备）
Site Area: 6，446.00 sqm
Gross Floor Area: 9，513.85 sqm
Building Area: 2，813.61 sqm
Building Coverage Ratio: 43.65%
Floor Area Ratio: 147.59%
Floors: 6 Floors (Main Building) 5 Floors (Mechanical)
Maximum Building Height: 27m
Parking: 11 (1 for Handicapped)
G.Lab*建筑事务所由Gansam建筑师和他的合伙人共同承办，他们为我们发来了他们最新的一个作品，为韩国设计的国家当代历史博物馆，位于韩国首尔，这是一座综合性的钢筋混凝土结构和钢结构制造的两个可容纳5000多年的历史的大厦。
G.Lab* by Gansam Architects and Partners sent us their proposal for the National Museum of Korean Contemporary History in Seoul， using a mix of reinforced concrete and steel structure to create two interesting volumes to house 5，000 years of history.
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http://www.jianzhu01.com/Museum1007291778.htm
卢森堡拜尔沃科学城
原 名 称：City of Sciences Belval– Luxembourg
由于建设范围内现场条件和地形的限制，设计方案的“条状格局”有利于复制和扩建。这个大格局作为灵活的城市脚手架和基本结构，能够适应学校各部门不同功能内容和分期建设的需要。线形的叠加延伸形成了2.9km长的科学城综合体，根据大学提供的任务书来界定这个综合体不同部门和功能分区的领域。小的元素决定大的形式。这个长蛇阵各个局部的不同，构成丰富的流线变化，产生了意想不到的叠加效果。由此诞生了一种城市尺度的巨构形式。
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http://www.jianzhu01.com/Museum1007291777.htm
维也纳博物馆群
维也纳于2001/6/29成立了欧洲最大的博物馆区(MuseumQuartier)，占地约60，000㎡，囊括了丰富多样的艺术与音乐作品。 陆续开幕有5/10的剧院、6月的维也纳艺术馆(Kunsthalle Wien)、9/15的「现代艺术美术馆、9/21的「利奥波德美术馆」(Leopold Museum)、9/29的儿童博物馆。馆区还为年青的艺术家设立了专区，网际网路与电子媒体也有专区。
闻名遐迩的维也纳博物馆区域不仅有知名的博物馆如列奥波多博物馆（这里有丰富的西勒作品收藏）、现代艺术博物馆和艺术大厅吸引着大家，其优雅而繁华的生活场景更赋予了它独特的魅力。在这里观光游览自不用说，更重要的是游客可以在此感受杰出的文化艺术。
博物馆区域是世界十大文化区域之一。它坐落在老城边上，总面积6万平方米，是当年的皇宫马厩。现在这里各种文化设施齐全， 各式餐馆、咖啡馆、商店随处可见，巴洛克式建筑与现代建筑错落有致，组合形成超现代的建筑风格。
这里的气氛适合人们感受平常的生活。游人既可以找寻到古老的遗迹，又可以接触到新鲜的事物，从而更加深刻地体会维也纳的生活。在形形色色的博物馆和展览背后，是当地居民多姿多彩的平常生活。
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http://www.jianzhu01.com/Museum1007291776.htm
北京郊区小教堂
北京郊区小教堂
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http://www.jianzhu01.com/Museum1007291775.htm
宝鸡市青铜器博物院设计
原 名 称：Design of Baoji Bronze Museum
1、空间布局
建筑整体空间布局顺应地势，西高东低，功能布局合理完善。
首层主要以纪念品发售和临时展厅为主。二层为辅助展厅和库房。三层主入口连接主厅，门厅后面有模拟的青铜器出土挖掘现场，围绕着挖掘现场布置主要的青铜器展厅。办公部分布置在沿轴线方向主展厅的后侧。四层、五层主要围绕挖掘现场，布置主展厅。
在青铜器博物院内除展览空间外，另设计有文物库房、办公用房，以及门房、售票厅、游客休息处等附属建筑。从文物安全角度考虑，把文物陈列展览、文物库房设施等相对集中，在主展厅的后部设文物库房、资料研究等辅助用房和办公用房，方便与展示空间的联系而又独立成区，单独出入，与游览路线避免交叉。
2、流线组织
因博物馆用地为台地，高差较大，游人需经顺地势而设的台阶到达博物馆主入口。台阶一侧设计为浮雕墙，入口之前为“经纬纵横”的下沉广场，使游人未进博物馆即已体会到青铜器文化的氛围，经过广场石像生的指引，穿过博物院前的水池，到达博物院的台阶，台阶变化有序，两边门阙伫立引导人们走进建筑的主入口。主入口将参观者引入半地下的展览空间，有引领游人到曾经的发掘现场之寓意，增强观者的亲身感受。游人经由狭长的入口空间拾级而下，如同进入青铜器埋藏之地，进入发掘复原现场，展厅环绕四周，是传统的院落空间的现代表达。头顶上硕大的青铜镜赫然在目，空间、光线的对比给人以强烈的视觉心理震撼，使游人亲身体验到青铜器破土而出的震撼和喜悦。仰望顶棚，光线沿圆镜四周悄然洒下，中间伴有青铜纹样透过的点点光的斑驳，更使人有身处发掘现场的感受。参观完展厅之后，游人可直达以“礼、义、仁、智、信”为主题的屋顶广场，经历了青铜器的探寻之旅，在高台之上俯瞰渭河美景，宝鸡历史的雄浑，自然风光的魅力必将给游人留下深刻的印象。
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http://www.jianzhu01.com/Museum1007291774.htm
南京一号艺术区
原 名 称：No. 1 Art Zone Nanjing
在南京的新中央商业区有一个艺术区正在建设中。艺术区紧邻地铁站，其中四分之一区域将以艺术为主题。在它旁边是由日本建筑师黑川纪章设计的将要建设的艺兰斋博物馆。为了不和已有的博物馆起冲突，新建筑被放置在基地另一面的边缘，朝向马路。这一设计为博物馆提供了一个开敞的绿色区域。艺术区又被细分为三个不同区域。三栋标志性的朝向主路的建筑与主路和博物馆一起形成了视觉上清晰的远景效果。
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http://www.jianzhu01.com/Museum1007291773.htm
摩托车博物馆
原 名 称：Motorcycle Hall of Fane
座落在美国摩托车城总部哥伦布，这座新的面积60000平方英尺的美国摩托车博物馆将可以容纳30000平方英尺的展示空间，其中有知名摩托车馆以及一个巨大的接待厅。
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http://www.jianzhu01.com/Museum1007291772.htm
丹麦皇家剧院
原 名 称：Royal Denmark Theater
但慢皇家剧院试图将滨水区域的新生建筑整合到城市历史区域的肌理中。它的位置——面对着新的歌剧院，穿过水面，但是并没有侵蚀现有的码头——加强了滨水公园的开发，并且给剧院室外流出活动空间。
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http://www.jianzhu01.com/Museum1007291771.htm
洛杉矶自然历史博物馆翻新
原 名 称：Natural History Museum of Los Angeles County renovation
CO建筑事务所继续对洛杉矶自然历史博物馆北区进行复建，更新和现代化改建。该古老的博物馆可以追溯到上个世纪20年代。这项耗资30万美元的项目内容包括与入口大桥前立面，人行平台和公共区域的重新设计，还包括一个新的二层停车场和一个大型景观区，该景观区是一个3.5英亩的绿色空间花园，以及一个室外学习空间。
CO Architects continues its restoration， renovation， and modernization of the venerable Natural History Museum of Los Angeles County (NHM) with an innovative expansion and re-imagination of the institution’s North Campus， which dates back to the 1920s. The $30-million project’s elements include a redesigned front façade with entry bridge， pedestrian-friendly terraces and communal areas， a new two-level car park， and a major landscape program encompassing 3.5-acres of recovered green spaces with programmed gardens and outdoor learning environments.
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http://www.jianzhu01.com/Museum1007291770.htm
都柏林图书馆中心
原 名 称：Library Central Dublin
状态：可行性研究方案
面积：1950平方米
Status : Feasibility Study
Area : 1950 sqm
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010060715473237_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010060715473237_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010060715473237_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010060715473237_4.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291769.htm
沃尔夫斯堡文化中心
阿尔托在1958年参加了该文化中心的设计竞赛，他为各种各样的文化活动设计一个多功能建筑。文化中心坐落在城市主广场市政厅和一座公园的中间，摆阔气市图书馆、一个成人教育机构和一个休闲活动中心。阿尔托在设计方案中将不同的功能有分有合地结合在一起。朝向广场的立面材料是卡拉拉大理石和黑色花岗岩。主入口面向广场，便于观众进入并将人群引入图书馆。一组双跑楼梯从入口通往二层的休息室，而观众厅设置在另一侧，光线只能够通过天窗进入。在另外一边是中心庭院，可以为各种各样的室外活动提供场所，从房间的玻璃幕墙就可以俯缆庭院。
详细情况见中国电力出版社
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http://www.jianzhu01.com/Museum1007291768.htm
于韦斯屈莱大学建筑群
总平面呈半封闭状围绕中间校园，包括教育系、图书馆、实验学校、体育设施、宿舍和俱乐部。建筑一侧的一层是学生和教师的自助餐厅，二层是矩形的礼堂和大厅，三层是行政管理部分。另一侧是一至二年级学生的教室、一个物理实验室和一个可容纳310人的大教室，还包括测量系和建筑系。遗憾的是最初的设想还包括一个可容纳1000人的集会打听，但是由于预算的原因最终没有实现。
详细情况见中国电力出版社
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http://www.jianzhu01.com/Museum1007291767.htm
巴黎蓬皮杜艺术中心
建筑的主体为6层的钢结构，长166米，宽60米。建筑的外立面很有特色，建筑内部结构外露，钢柱、钢梁、珩架、拉杆等结构体系在外面都可以看到。这使建筑的功能从外面就可以看得非常清楚，哪里是电梯、楼梯、卫生间，甚至上下管道和电缆都可以看到。把建筑的服务性功能空间放在外围是为了给内部提供一个巨大的、灵活的展览空间。罗杰斯曾说过：“建筑的表皮是非常重要的，它要为建筑内部提供一个灵活多变的空间。”
详细情况见中国电力出版社
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021715560542_8.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291766.htm
凌霄阁
凌霄阁是一个地标性的建筑，也是一个与环境相当协调的建筑。选它作为法雷尔的代表作品在某种意义上是因为它是法雷尔深入研究中国文化所作出的一个最好成绩注释。建筑的整个形体，是考虑到多方因素而形成——维多利亚湾的视角、周围山峰的轮廓、中国的古建筑风格和象征正义的设计手法、以及该建筑对香港未来的启迪作用。并且法雷尔通过他的努力，将这些愿望都变成了事实。
详细情况见中国电力出版社
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http://www.jianzhu01.com/Museum1007291765.htm
苏格兰新国立艺术博物馆
苏格兰新国立艺术博物馆为人们提供了一个良好的场所，在这里你可以参观学习苏格兰艺术从古到今发展里程的展览。经常更改的展览内容和完全全面的历史资料图书馆更是为人们提供了一个可以象专业学者一样接触苏格兰艺术文化这份宝贵的国家资产的机会。
在环境设计方面，苏格兰新国立艺术博物馆采用了与Kelvingrove公园相同的景色设计特点，它们和谐共处并相互映衬着。
详细情况见中国电力出版社
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http://www.jianzhu01.com/Museum1007291764.htm
尤里卡围栏运动纪念中心
对于环境方面的只能尤里卡围栏运动纪念中心做了很多处理。自动百叶窗的设置引入了新鲜的空气，使气流在高处与低处之间自由地流通。厚重的石墙和围栏起到了隔热的作用，正立面上悬挑的样板条遮蔽了北面的阳光，使蒸发后的冷空气能够随着空调的需要分散开去。
这座博物馆的设计宗旨是唤起人们对那段历史的回忆，引起感情上的波动。对于考克斯团队来说，这也是一个不同寻常的挑战，要使一栋小建筑看上去非常大，而平常他们都是将大的建筑缩小到人的尺度大小。
该文章摘录自中国电力出版社出版的《菲利普·考克斯的作品与思想》
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http://www.jianzhu01.com/Museum1007291763.htm
莱斯大学青鱼大厅
莱斯大学校园具有学院派的严整规划的古典平面格局，建筑表现形式是哥特式的，形成了古色古香的“莱斯风格”。佩里在设计过程中紧紧抓住了如何与环境相协调，但又表现出是当代建筑这个环节。他从整体出发，寻求共同的建筑形式语言，所设计的建筑从属于莱斯大学格局之中，并与原由建筑相结合，加强了校园的原由主轴线，完善了校园的构图和空间。在外表处理上，他使用当代轻质钢架砖墙基础，采用了传统的橙红色的“莱斯砖”，白色的石灰岩，平板玻璃以及琉璃瓦，组成了不同的图案。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/Museum1007291762.htm
美国国家美术馆东馆
Eastwing of National Gallery, Washington D.C.
美国国家美术馆（即西馆）的扩建部分，1978年落成。它包括展出艺术品的展览馆、视觉艺术研究中心和行政管理机构用房。贝聿铭设计。
东馆位于一块3.64公顷的梯形地段上，东望国会大厦,南临林荫广场，北面斜靠宾夕法尼亚大道,西隔 100余米正对西馆东翼。附近多是古典风格的重要公共建筑。同时，业主又提出了许多特殊要求。
贝聿铭综合考虑这些因素，用一条对角线把梯形分成两个三角形。西北部面积较大，是等腰三角形，底边朝西馆，以这部分作展览馆。三个角上突起断面为平行四边形的四棱柱体。东南部是直角三角形，为研究中心和行政管理机构用房。对角线上筑实墙，两部分在第四层相通。这种划分使两大部分在体形上有明显的区别，但又不失为一个整体。
展览馆入口宽阔醒目，它的中轴线在西馆的东西轴线的延长线上，加强了两者的联系。研究中心的入口则偏处一隅。而划分这两个入口的是一个棱边朝外的三棱柱体，浅浅的棱线,清晰的阴影,使两个入口既分又合，整个立面既对称又不完全对称。同时，展览馆入口北侧的大型铜雕，与建筑紧密结合，相得益彰。
东西馆之间的小广场铺花岗石地面，与南北两边的交通干道区分开来。广场中央布置喷泉、水幕，还有五个大小不一的三棱锥体，是建筑小品，也是广场地下餐厅借以采光的天窗。广场上的水幕、喷泉跌落而下，形成瀑布景色，日光倾泻，水声汨汨。观众沿地下通道自西馆来，可在此小憩，再乘自动步道到东馆大厅的底层。
展览馆美术馆馆长J.C.布朗认为欧美一些美术馆过于庄严，类若神殿，使人望而生畏；还有一些美术馆过于崇尚空间的灵活性，大而无当。因此，他要求东馆应该有一种亲切宜人的气氛和宾至如归的感觉。他还认为建筑应该有个中心，提供一种方向感。
为此，贝聿铭把三角形大厅作为中心，展览室围绕它布置。观众通过楼梯、自动扶梯、平台和天桥出入各个展览室。透过大厅开敞部分还可以看到周围建筑，从而辨别方向。厅内布置树木、长椅，通道上也布置一些艺术品。大厅高25米，顶上是25个三棱锥组成的钢网架天窗。自然光经过天窗上一个个小遮阳镜折射、漫射之后，落在华丽的大理石墙面和天桥、平台上，非常柔和。天窗架下悬挂着美国雕塑家A.考尔德的动态雕塑。
东馆的设计在许多地方若明若暗地隐喻西馆，而手法风格各异，旨趣妙在似与不似之间。东馆内外所用的大理石的色彩、产地以至墙面分格和分缝宽度都与西馆相同。但东馆的天桥、平台等钢筋混凝土水平构件用枞木作模板,表面精细,不贴大理石。混凝土的颜色同墙面上贴的大理石颜色接近，而纹理质感却不同。
东馆的展览室可以根据展品和管理者的意图调整平面形状和尺寸，有些房间还可以调整天花高度，这样就避免了大而无当而取得真正的灵活性，使观众觉得艺术品的安放各得其所。
东馆的外部形体虽大大有异于老馆，但作为外饰面材料的大理石与老馆的完全相同，其大部分檐口高度与老馆亦协调一致，因此两者堪称一对“好邻居”又是一对“忘年之交”。
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http://www.jianzhu01.com/Museum1007291761.htm
卢浮宫扩建工程
1988年建成的卢浮宫扩建工程是世界著名建筑大师贝聿铭的重要作品。贝氏将扩建的部分放置在卢浮宫地下，避开了场地狭窄的困难和新旧建筑矛盾的冲突。
玻璃金字塔是新罗浮宫美术馆的大门，人们可藉电扶梯从广场到达拿破仑厅，拿破仑厅可视为一个“迷你美术馆”，因为其设计暨管理方式完全与美术馆的展览空间分离，是一个可以独立营运的空间，人们不必购票就可以享受这阳光饱满的大空间，拿破仑厅有两层，人们通常都是先抵达大厅，其中不锈钢的螺旋形楼梯，令人不禁想到贝氏所有美术馆中具雕塑性格的楼梯，不过这次他没有再用混凝土，而是选用更“科技性”的建材。看似十分单纯的不锈钢楼梯，其实大不简单，没有支柱，全以楼梯本身的螺旋形特性来支撑，而且楼梯高度达29英尺，高度的考验相当惊人。同时为了美观，不锈钢板的厚度即不能过厚，不过虽然有这些困难限制，贝氏依然很成功地创造了一座优雅的楼梯，达到贝氏一贯的空间焦点效果，在螺旋梯的中央有一个圆座，许多人不明究里，甚至误认为是一个没有人的询问服务台，事实上那是服务残障人士的动力电梯，当使用时，电梯厢才会浮现，上下变动的电梯厢就像一件“现代化的雕塑”，时隐时现，上上下下，更增添了大厅的空间的趣味。
呈正方形，面积达268，920平方英尺的拿破仑厅，四个直角正对着各方位的通道口，地面上的三个小金字塔为通往三个不同美术馆的“光明的指引”。在大厅的周边，有一个可容百人的餐厅，二个简易自助餐厅，宽敞的书店与商店是另外一个特色，从国家艺廊东厢所获得的经验，使得贝氏格外地注重“粮食空间”——肉体的与心灵的，总是以较大的面积来容纳此机能需求，波士顿美术馆西厢扩建是另一明证，而罗浮宫美术馆是第三次的同样构想展现，有420席次的多功能礼堂，加上为孩童暨团体所设计的简介室，会议室等，使拿破仑厅成为一个真正服务大众的场所，由大厅向西的通道可到达地下停车场，二层地下停车场可容一百辆大巴士与六百辆汽车，因为来罗浮宫美术馆的人有25%是乘巴士的外国观光客，所以大巴士停车空间占了很大比例。停车场的地下化，也解决了罗浮宫西侧与杜勒丽花园之间的交通结点问题，让都市空间减少了汽车的威协，更加强了由拿破仑广场向西的空间连续性，由停车场到拿破仑厅，虽说然是没有自然光的地下，但贝氏在途中安排了一个倒置的玻璃金字塔，让进入美术馆的行进过程又创造了一次高潮空间，同时又有了自然光，在空间与造型方面更呼应了广场处的金字塔大门意象，这正是贝氏设计高招之处，所有地下的商店，由EGPC与商家签约，获得70年的经营权，商家则提供兴建地下停车场的经费作为权利金，这种联合开发的情形在法国是颇新的尝试，而这种建筑模式，使得公私两皆蒙利，可为公共建筑拓展更宽宏的美景，十分值得推广。
由拿破仑大厅拾阶到夹层，向东往苏利殿，途中的圆天花是种标示，标示了廊道左右两侧的展览室，此两室展出了罗浮宫的历史，接着就见到考古的成果——查理五世时代所兴建的遗构，在走过“历史”之后，在苏利殿可欣赏到东方、埃及与希腊的文物，苏利殿二楼北侧与黎榭里殿二楼全以装饰艺术为主。
玻璃金字塔高71英尺，是苏利殿高度的三分之二，这是贝氏研究周围的建筑物的心得，也再度证实了贝氏设计与环境的紧密关系，金字塔的底边长116英尺，底边与建筑物平行，亦即与方位平行，与埃及金字塔的布局相同，这又强化了与环境的关系，玻璃金字塔周围是另一方正的大水池，水池转了45度，在西侧的三角被取消，留出空地作为入口广场，以三个角对向建筑，构成三个三角形的小水池，这三个紧邻金字塔的三角形水池池面如明镜般，当云淡天晴的时节，玻璃金字塔映池中与环境相结合，又增加了建筑的中一向度而丰富了景观，在转向的方正水池的角隅，紧邻着另外四个大小不一的三角形水池，构成另一个正方形，与金字塔、建筑物平行，每个三角水池有巨柱喷泉，像是硕大的水晶柱烘托着晶莹的玻璃金字塔，在拿破仑广场，贝氏将建筑与景观完整地合成为一体。
在拿破仑大厅仰视675片钻石状的玻璃，因为室内外光线之亮度的差异，玻璃几乎视而不见，确实做到了贝氏追求的目标，更可贵的是能从地下室体会户外，欣赏罗浮宫优雅的建筑，让内外相边接，着实创造了划时代性的室内空间设计。
1994年10月26日，狄农殿的雕塑院整建完成开入，法国电力公司亦适时完成罗浮宫的整体夜间照明系统，使得入夜后的巴黎更增添了不少魅力，在玻璃塔于1989年落成时，拿破仑广场的夜间照明，为巴黎再度添加了一处胜景，贝氏设计玻璃金字塔时，早已考虑到都市空间在夜晚时所扮演的地位，贝氏希望拿破仑广场白天是人群集聚之地，玻璃金字塔有“桥”的功能，将来自各方的人“引渡”到不同的三个殿翼，夜晚，玻璃金字塔在灯光照耀下，成为都市焦点，吸引人们来到广场，让美术馆的生命从白天沿续到夜晚，让公共空间更能充分得以运用。也更生动。
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德国历史博物馆
柏林上空的天似乎离德国历史博物馆新扩建的大楼特别近。螺旋式楼梯的玻璃中心柱蜿蜒在三个楼层之间，看上去就像是一个透明的蜗牛壳。在每一个楼层，走廊就像露台一样伸进雄伟的玻璃大厅，每一个玻璃大厅的圆顶以巨大的弧形凸出，在平时一般被遮挡住的大楼的整个边上形成了拱形。一个巨大的玻璃柜，建筑学的展品，那是由玻璃、钢筋与砂石组成的吸引观众的磁铁--这就是德国第一个贝聿铭作品。贝聿铭，这位“光线魔术师”，在巴黎为卢浮宫建造了玻璃金字塔，在华盛顿为国家美术馆设计了引起轰动的东馆。现在，柏林也可以为一个正宗的贝聿铭作品而感到自豪，因为这位出生于中国、1935年以来定居美国、今年已经86岁的当代建筑大师只接受他所喜欢的设计委托。他说：“人一到老年就必须奉行利己主义。”但是，这种利己主义的结果却令许多人高兴不已：柏林人以及来访的游客有了一处第一流的新名胜--德国历史博物馆，简称DHM。在施工五年这后，德国历史博物馆终于能够在人们引颈以待的扩建大楼中，2700平方米的展览面积上举办各种展览了。
谈到2003年5月底落成开放的博物馆新楼的特色时，贝聿铭说：“我设计的楼梯塔是有些好奇，但是它应该是这样的。”他接着说：“它应该引诱人们在这个大楼里走动，充满好奇与享受。”事实正是如此，每走一步就展开了明亮大厅的新景色，向外看，展现的又是柏林市中心的建筑。楼梯塔内的阶梯平坦，完全可以安心地从地面观赏到外面的天空，或者欣赏近在几米之外的雄伟的巴洛克建筑“军械库”。这个古建筑目前正在加紧修缮，因为这座菩提树下大街最古老的建筑到2004年底将和贝聿铭设计的扩建大楼一起成为完整的德国历史博物馆。军械库7500平方米的展览面积将长期展示德国两千年的历史；贝聿铭建筑则用于举办专题展览，两座建筑将由一个地下通道相连。
意味深长的是：这个1987年才刚刚成立的德国历史博物馆与它的内容紧密交错。是的，它的内容甚至超过了它本身：要是没有德国的统一，德国历史博物馆就不是在这里，而是建在西柏林的国会大厦附近。当时，德国历史博物馆的设计招标刚结束，柏林墙就倒了，一年后的1990年，新成立的博物馆在东柏林的巴洛克建筑军械库中安了家。此外，新的德国历史博物馆接收了原来在那里的民主德国的德国历史博物馆藏品。于是，东西两家历史博物馆就成了全德国第一个合到一起的文化设施。而原先计划建造德国历史博物馆的地点，正谱写着新的历史：现在这里耸立着总理府。
不过，军械库也是展示历史与文化的地方。几百年以来这里曾是军火库、英雄纪念馆、纳粹宣传论坛。1952至1990年间，这里才成为博物馆。这座1695年开始建造的建筑物上铭刻着巴洛克建筑师安德里亚斯·施吕特尔以及两位1815年后被委派进行改建工作的普鲁士古典主义大师申克尔与沙多的富有特色的手迹。要为扩建大楼寻找一种形式，这对贝聿铭来说是一个挑战：他面临的挑战是这几位伟大艺术家的作品与一块很小且位置很不利的地皮。这块地皮在处于军械库阴影下的同时，又正好是在通往著名的博物馆岛的通道上。
申克尔的优美与中国的忧郁
建筑评论家们在此达成了少有的共识: 对贝聿铭这个德国人瓦尔特·格罗皮厄斯的学生和申克尔的崇拜者来说，这件艺术品是成功的。《法兰克福汇报》称赞这座比人们期望的还要秀丽的建筑物时，这样写道：贝聿铭“将施吕特尔的巨形艺术、申克尔的优美与中国的忧郁集于了一体”。《南德意志报》热情洋溢地评论说：“这位光线魔术师给这座城市注入了一个可以折射其照准线与光轴的棱镜，给幸运城市增添了七色光环。”但同时，副刊作家们也有一共同的感觉：不喜欢最重要的展览大厅，觉得它们都太暗、太低，有点像地下车库。 每当德国历史博物馆总经理汉斯·奥托梅厄听到这些意见时，他就会皱起眉头来说：“许多评论家不了解展览厅的任务。”他解释说，展览厅要避免阳光直射，要保持室内恒温，必须保证展品的绝对安全。对此，新展览厅是很理想的。从新馆举办的第一批展览，即占据两层楼的“欧洲的思想－永久和平的构思”以及在一个层面举办的“约翰·E·肯尼迪”可以看出，观众们似乎并不受评论家们评论的影响。
奥托梅厄感到高兴的是，通过贝聿铭建筑，德国历史博物馆终于又成了柏林博物馆界的中心，虽然在军械库完工之前，长期展览的近7000件展品还要在仓库里沉睡一年半以上。军械库的平面图就挂在博物馆总经理的办公室里。当这位文化历史学家开始描述时，展览馆很快就具体化了：参观博物馆的观众将通过“各时代展厅”漫步在德国历史之中。其中，即兴而来的观众与历史学家都会有。参观从楼上公元前100年左右罗马文明同凯尔特人、日耳曼人与斯拉夫人相结合形成德语区的那个时代开始。新出土的瓦鲁斯战役文物将是观众看到的第一组展品，在这场战役中，日耳曼人战胜了罗马人。德国历史博物馆不是简单地复述历史，而是借助“见证物”证明历史，让观众体验历史。博物馆专家奥托梅厄深信，这些文献、照片、图画、录音及人工制品能够像文字一样讲述历史，而且更加生动。这些展品内容相当丰富，从中世纪的手抄本到土尔其包围维也纳时用过的帐篷，一直到前民主德国的Trabi车。最重要的是这些展品必须是原件。只有这样，它们才会有“说话”的能力。
德国历史博物馆总共收藏了85万件不会说话的证人，但是要在新的长期展上展示其中的百分之一都没有机会。楼上的展览内容到1918年结束。奥托梅厄介绍说，底层要留给“历史上最恐怖的世纪”，即二十世纪。“主题展厅”，如“性别之间的关系”或“战争与和平”，帮助人们对历史上重复出现的问题进行比较。博物馆工作人员对应用现代化的通讯工具“就像应用毒药一样”，用得节制，使其剂量正好能起到治疗作用。这里将设立一个虚拟图书馆，可以“翻阅”中世纪的手抄本，以及总共20个储存了电子词典或联网系统的电脑作为媒介站。
德国历史博物馆展示的德国历史截止到何时何地？很清楚，就是截止到此时此地：关注最新的时事，它们展示了现实是如何变成历史的。但是要参观这些内容还要等到将来，即从2004年底起。
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http://www.jianzhu01.com/Museum1007291758.htm
加利福尼亚大学社科人文学院高等进修中心教学楼
该建筑覆盖了校园的西部，它是一座大型的复合物，设计用来强调和突出周边的钟乐大厅。
四座平行的3层高的尾翼建筑，加上横向2层高的边翼建筑和四方型的7层历史塔楼就创造出了三个外部空间：一座庭院直接把优秀艺术大厅和现存的谷仓大厦连接起来；边际开场的小院正对着Sproul大厅；东边每个横向边翼上设计了一座小型避光的小院。这些空间由列柱的过道连接起来，使建筑物在校园中迂回摆渡。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/Museum1007291757.htm
俄亥俄州艺术中心
坐落于辛辛那提的娱乐中心区可以容纳2700人，另外还有一座可以容纳440人的小型剧院、一座实验室和一座排练大厅。此外，里面还设置了展览空间、公共空间、表演大厅和支援空间等。
从外部看，艺术中心是两个嫁妆有机结合在一起的复合物，表演中心和休息大厅从尺寸上看很适合市民使用，表皮材质都是砖石。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/Museum1007291756.htm
Ley 学生中心
Ley 学生中心扩建工程满足了莱斯大学校园的许多关键性需求，它是所有学生服务设施中心。该中心包括一座附属书店、咖啡屋、两间私人餐厅、一座大型的洗衣房，还有一座八角型的多功能大厅，另外，学生活动团体的办公室也在里面。
该设计参考了现有的建筑和Cram、Goodhue、Ferguson等人在1910年做的校园规划。设计的一个目的是作为青鱼大厅的表现、装饰建筑。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/Museum1007291755.htm
马塔图可博物馆
马塔图可博物馆工程包括砖、石灰材料抹墙的四层建筑——Mosonic寺庙和新的艺术长廊。博物馆里面有一个可容纳300多人的表演中心和一个会议空间，还有研究实验室、咖啡馆、教室和展览商店等。
由于该博物馆坐落于沃特伯里格林的角落，所以设计重点考虑了城市规模和公共空间。建材的选用很重视和前期工程表皮的搭配，选取了砖和石灰作为主要的材料；其中还设置了一个小型的花园，起到了雕塑性建筑的角色。
该文章摘录自中国电力出版社出版的《西萨•佩里的作品与思想》
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http://www.jianzhu01.com/Museum1007291754.htm
阿尔克伊公共大厅
阿尔克伊公共大厅是一个平面为梯形的单一空间，长90米、高9米、宽7`~16米。其基本的支撑结构是钢筋混凝土拱。在大厅窄的一端，拱结构是一单跨拱，而在宽的一端，拱结构演化成双跨拱，这种辩护是借助于一根纵向的混凝土梁来完成的。
该文章摘录自中国电力出版社出版的《圣地亚哥·卡拉特拉瓦的作品与思想》
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http://www.jianzhu01.com/Museum1007291753.htm
巴仁马特社区中心
Suhr市议会想建一座用于举办音乐会和其他文化性、社区性活动的大厅、因此请卡拉特拉瓦及其合伙人事务所为其设计一个符合这种尺度的大厅空间。卡拉特拉瓦设计了一个横跨整个内部空间的屋顶，他把隆起的屋脊与天窗融为一体，从而形成一个复合结构。屋顶由一系列拼接在一起的三角连接拱形结构支撑，而这里拱形结构由焊接钢板制成的变截面弯曲箱式钢梁构成。
该文章摘录自中国电力出版社出版的《圣地亚哥·卡拉特拉瓦的作品与思想》
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http://www.jianzhu01.com/Museum1007291752.htm
科威特博览中心
同大多数博览会建筑一样，人们期望博览中心的规划可以表现出委任国或委托机构的地区、文化以及历史身份。1991年，当卡拉特拉瓦被邀请为1992年塞维利亚世界博览会设计科威特博览中心时，他决定用折叠屋顶覆盖整个建筑物，并且用棕榈树来比拟它活动的部分。活动屋顶这一先进理念体系从理论方面就预示着未建的CH-91博览中心工程会有一个好的结果。
该文章摘录自中国电力出版社出版的《圣地亚哥·卡拉特拉瓦的作品与思想》
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http://www.jianzhu01.com/Museum1007291751.htm
坦纳利佛音乐厅
位于西班牙加那利群岛的坦纳利佛音乐厅不仅为这一地区提供了一个必备的文化设施，也为其作为通往城市西部一座新公园的通道这个新身份树立了一个新形象。该建筑由一个可容纳1800人的礼堂和一间可容纳400人的室内音乐厅构成。艺术家入口是一道连接建筑两侧、跨度为50米的拱门。
该文章摘录自中国电力出版社出版的《圣地亚哥·卡拉特拉瓦的作品与思想》
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http://www.jianzhu01.com/Museum1007291750.htm
沃兰汀步行桥
桥的主体结构是一个高14.6m、由直径76cm的钢管弯成的拱，支撑着宽4.75m、弯曲的桥面。桥面用玻璃板制成，由41片变截面工字钢组成的镀锌钢支架，沿着玻璃桥面的外缘布置，上面是不锈钢的栏杆。
该文章摘录自中国电力出版社出版的《圣地亚哥·卡拉特拉瓦的作品与思想》
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http://www.jianzhu01.com/Museum1007291749.htm
辛那提当代艺术中心
辛那提当代艺术中心
Rosenthal Center for Contemporary Arts
座落地点：辛辛那提，俄亥俄州，美国
建筑设计：Zaha Hadid
完工时间：2003
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http://www.jianzhu01.com/Museum1007291748.htm
FIU建筑学校
佛罗里达国家大学位于美国东南部地区发展最快的地区，一个深受加勒比和南美洲文化影响的既商业又充满魅力的城市。FIU建筑学校的这个主楼因此也就自然成了两种文化的集结地。这个建筑寓示着一间新的建筑学校完全可以成为一种新文化诞生的摇篮，这个建筑必须像“发生器”一样，在界定一个空间的同时使之充满活力。
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/Museum1007291747.htm
Le Fresnoy艺术中心
Le Fresnoy 是一个多媒体艺术家集中营，艺术家们通常多才多艺，比如说一个电影艺术家同时又是音乐人或是一个音乐人同时又是画家。用地的特殊性还在于它必须保留一个20年代的老建筑，这个老建筑曾经是一个综合娱乐中心，包含电影院、舞厅、旱冰场、吗术和其他的活动场所。尽管老建筑可以拆掉，但是老建筑提供的大空间是这个项目提供的资金所达不到的。
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/Museum1007291746.htm
Lerner Hall学生中心
哥伦比亚大学新建的学生中心面临的一大挑战就是它要适合原由的校园规划肌理，该规划是McKim Mead 和 White 公司19世界新古典主义的作品。在原有规划的限定下，建筑必须由两部分组成，这个设计就顺应了这一要求，并且把一个重要的“夹缝”空间放置在两翼之间。两个传统的部分之间夹着一个特殊的坡道，玻璃和钢建造的坡道应用了当今最先进的技术。
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/Museum1007291745.htm
音乐厅和展览中心
这个项目的初衷旨在21实际初带动整个鲁昂地区经济和文化的双重发展。项目用地就在进入鲁昂地区的一个废置的机场里，距离巴黎不到一个半小时车程。行驶在138国道上，这个拥有70000个座位的音乐厅尤为引人注目，音乐厅被用来举办摇滚音乐会、政治会议和其他各种各样的活动，广场和70000平方英尺的展览中心以网格的方式布局在70英亩的基地内。音乐厅以独特鲜明的造型使得在进出鲁昂地区的告诉公路上都可以一眼望见。
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/Museum1007291744.htm
新卫城博物馆
这个项目的三大挑战：
一、用怎样的建筑语汇去表现一个坐落在史上最具影响力的建筑——帕特农神庙脚下的博物馆。
二、怎样在一栋博物馆内既展出古希腊精美的雕塑又展出帕特农神庙残存的檐壁水平饰带。
三、基地是地形复杂的开挖地段、而当地又是地震区，如何保证建筑的稳定坚固？
该文章摘录自中国电力出版社出版的《伯纳德·屈米的作品与思想》
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http://www.jianzhu01.com/Museum1007291743.htm
非洲艺术博物馆
原 名 称：Museum for African Art
New York， 2000
在一次邀请赛里，非洲艺术博物馆选择伯纳德•屈米建筑事务所来设计这个新的建筑，位于纽约中央公园东北部，第五大道和110街的交汇处。
Following an invited competition， the Museum for African Art selected Bernard Tschumi Architects to design its new building located along Museum Mile in New York City， at the northeast corner of Central Park on Fifth Avenue and 110th Street.
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http://www.jianzhu01.com/Museum1007291742.htm
水晶教堂
教堂是为美国著名牧师舒勒（R.Schuller）而建的，他曾长暑期在露天布道，所以希望建造一座看来似乎没有屋顶和墙壁的教堂。水晶教堂落成后，舒勒牧师高兴地说：“上帝喜欢水晶教堂胜过石头建造的教堂。”教堂长122m，宽61m，高36m，体量超过著名的巴黎圣母院。这座水晶教堂距1851年伦敦世界博览会的“水晶宫”有130年。
有着建筑界“教父”之称的菲利普·约翰逊一生都在求变，一生都在引领潮流，具有无厘头风格的他从来不把正统观念当一回事，他认为“原创性”根本就是欺世之谈。
独领风骚而又充满争议的建筑大师菲利普·约翰逊（PhillipJohnson1906－2005），于美国当地时间2005年1月25日在他自己的代表作——“玻璃房子”里去世了。我第一次知道菲利普·约翰逊这个名字，是1995年夏天造访波士顿的时候。波士顿市中心的圣三一教堂和它对面的波士顿公共图书馆，几乎是所有游客都必到的标志性景观之一。建造于1966年的波士顿公共图书馆虽然远不及圣三一教堂历史久远，但它依然散发着浓郁的古典气息，无论建筑的外立面、建筑的细部设计，还是门前的雕塑，都给我留下了非常深刻的印象，这座新古典主义建筑正是出自菲利普·约翰逊之手。2002年秋天，我作为哈佛大学燕京学社的访问学者，有幸重访了波士顿，并在这座富有历史韵味的城市里客居了一年，波士顿公共图书馆于是成了我经常去的地方，图书馆与圣三一教堂之间那块小小的绿地，也是我经常驻足小憩的地方，那里的喷泉和龟兔赛跑的雕像引人入胜。
我对菲利普·约翰逊有着一种别样的亲切感，还因为菲利普·约翰逊曾经在哈佛大学设计学院求学，而我又旁听过不少设计学院的课程。虽然我自己的专业与设计相去甚远，但是我感兴趣的城市研究方面的课程，基本上都在设计学院里。我在设计学院旁听了我亲历过的选课人数最多的课程——美国城市发展史，大概有三四百名学生在一个大教室里济济一堂。当时还在哈佛教学的李欧梵先生认为，这也许是哈佛设计学院学费过于昂贵的原因。
菲利普·约翰逊其实与哈佛大学有着很深的渊源，他曾经两度入读哈佛，早年他在哈佛学习哲学，并于1927年毕业。1939年，33岁的菲利普·约翰逊重返哈佛，进入设计学院，师从M.布劳耶学习，但他真正的导师是密斯·范·德·罗。菲利普·约翰逊当时已经在建筑界小有名气，也算是带艺投师。菲利普·约翰逊自1932年起就担任了纽约市现代艺术博物馆建筑部主任，同年出版了与希契科克合著的《国际式风格》一书，并举办展览，首次向美国介绍了欧洲现代主义建筑。菲利普·约翰逊这次重返哈佛“回炉”，一呆就是四年多，1943年他获得了建筑学位。1947年菲利普·约翰逊出版了专著《密斯·范·德·罗》，颇负盛名。同年他开始营造位于麻省的自己的住宅“玻璃房子”，1949年他的设计正式完工，就此确立了他作为建筑师的声望。
有着建筑界“教父”之称的菲利普·约翰逊一生都在求变，一生都在引领潮流，他从玻璃屋子时期的密斯风格转向新古典主义时，推出了波士顿公共图书馆；当现代主义风雨欲来的时候，他设计了名声显赫的加利福尼亚州加登格罗芙的“水晶教堂”；当后现代主义成为时尚时，他和建筑师伯奇一起贡献了纽约的美国电话电报公司大楼，这座拼贴了古典风格、现代高层建筑风格、巴洛克时代的堂皇风格和现代商业化POP风格的建筑，堪称后现代主义建筑中规模最大、最负盛名的代表作。另外，他设计的匹兹堡平板玻璃公司大厦、耶鲁微生物教学楼、休斯顿银行大厦等，也是建筑史上无法忽略的经典之作。
具有无厘头风格的菲利普·约翰逊从来不把正统观念当一回事，他认为“原创性”根本就是欺世之谈，他曾经破解过“玻璃房子”的各种设计构思的源头。当人们批评他的设计时，他报以淡然的一笑，并且声称：我就是个妓女，业主让我摆什么扑斯我就摆什么扑斯。当有人问他：您的建筑创作从哪里开始呢？约翰逊回答说：从脚底板开始。值得一提的是，菲利普·约翰逊早年曾经是反犹主义者，他还曾聆听过希特勒的演讲，但他后半生却与犹太人和平相处，1960年他为以色列设计了核反应堆纪念馆，上世纪末他还全力帮助过两位美国顶尖的犹太建筑师发展事业。也许菲利普·约翰逊的一贯的无厘头风格，使得热爱他的成就的人们更容易原谅他的过错。
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http://www.jianzhu01.com/Museum1007291741.htm
圣芳济教派的修道院小教堂
这座小教堂的设计表现了巴拉干对神秘、神圣的宗教空间的渴望，也体现了他对传统修道院建筑的喜爱。小教堂的设计充分利用了修道院原有的外墙，通过光与色彩的应用，创造出修道院静默内省的宗教气氛。
通过对少数建筑元素的修改和灯光的变换，每个房间都丰富起来了。此外，格子、木地板和混凝土墙壁上灰泥涂层的各种颜色清楚地体现了这些房间的特色。通过简朴的材料、简单的式样表现了对女修道院居民所需要的氛围的考虑，这些居民都是严谨的宗教修士成员。
巴拉干对小教堂一天中不同时段的自然光采光效果作了精确的计算，光线的运用成为了主要的装饰元素。自然光穿过黄色的木格栅和彩色玻璃窗，经过过滤、变换，又被圣坛上方的金箔反射，照在柠檬黄色的墙面上，自然而柔和，使整个室内呈现出暖色调。特别是一束暗藏的太阳光通过黄色的玻璃窗直射在十字架上，并且将其侧影投射在圣坛的墙壁上，给人一种庄重、神秘的感觉。
马蒂亚斯·戈埃里兹玛蒂尔达在小礼拜堂内部设计了一个彩色玻璃窗。窗子的黄色调为礼拜堂内部增添了一些金色光线，使得整个空间与浅色的木地板和浅黄色的墙壁和格子更加协调。
在教堂的外面设计了一个黑色池壁的水池，水面反射的天光透过混凝土的格栅照在室内，从而使室内外有了一个生动的对话。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291740.htm
斯图加特国立美术馆新馆
斯图加特四面环山，当地名气最大的建筑物――新国立美术馆就座落在市中心边缘的一个坡地上。斯图加特新州立美术馆建于1838年建的老馆旁边，1983年建成，轰动一时。新馆包括美术陈列室，图书馆，音乐楼，剧等文化艺术用房及服务设施，平面布局及建筑形体复杂多样。新国立美术馆由英国的后现代主义建筑大师詹姆斯.斯特林（James Sterling）设计。斯特林在1981年获得号称建筑界的最高荣誉：普利策奖。斯图加特的新国立美术馆是他建筑生涯中最重要的作品之一。
亲身面对这个建筑，和以往所见的博物馆建筑大不一样。一般来说，博物馆类建筑或多或少都会带有一些较为严肃的纪念意义。为了使建筑带有纪念性，习惯上建筑师都会使用大尺度、轴线、中心对称这类常见的手法，但斯特林并不想把这个美术馆做得太具纪念性以取悦德意志的当权者，反而运用了一种更为大众化和诙谐的方式去表达自己对美术馆建筑的理解。虽然他在整体上仍然大面积地使用了和相邻传统建筑相同的外墙，以谋求和周边环境的协调。但涂上鲜艳颜色的换气管，带有构成主义痕迹和高技派的味道的入口雨蓬，柯布西埃惯用的粗野主义的素混凝土排水口，粗大的管状扶手等等细部，以及门厅轻巧明快的曲面玻璃幕墙，都抵消了墙体的巨大压力。
我们从背面进入建筑物主体。从背面沿着一个环形的中庭下山，可以直接到达美术馆的主入口。由于二战后整个斯图加特几乎全被炸平，战后城市重建又进一步破坏了原有的环境，所以怎样将新建的建筑物融入残留的建筑环境里，成为了德国政府非常看重的方面。当时政府的要求是在建筑所在的地段设置一条公共走廊，后来这个条件成就了斯特林圆形下沉式中庭的构思。其实我认为这个顺应地形所设置的中庭才是设计的最精彩之处。但写建筑史的嘛，总是一开口就喜欢讲风格和流派，单单强调这个作品所体现的后现代主义特征，却忽略了最根本的建筑的场所精神。就像法兰克福的工艺美术馆，大多数人只关注理查德.迈耶悦目素雅且有韵律感的立面，却忽略了建筑和城市环境建立的关系。从这个方向出发，我们可以看到和以往理所当然的封闭式的做法相反，现在一些新的房地产项目的规划设计上也有了这种和城市设计相结合的尝试，比如将城市的道路引入小区内部。这样不仅能使居住区融入城市肌理，更能大大提升区内的商业价值，可以说是一举两得的做法。
从风格上来说，斯特林把象征古典主义而且比例优美的罗马柱变成了又矮又胖的柱墩，似乎是对传统的嘲弄更甚于对传统的尊重。
进入室内是以绿色为主色调的门厅。这里的设计很人性化，在门厅旁边设置了弧形的条形座椅，游客也很喜欢坐在上面闲聊。和惯用的传统正规的光滑石材不同，斯特林在这里使用了原色的绿色橡胶地面。以明快和鲜艳的色彩为主导的室内设计，让人觉得逛美术馆不再是一件很严肃的事情，反而有一种类似在商店购物的轻松心情。根据他本人的解释，这是在提醒新的美术馆已经成为了一个大众娱乐的场所，而且艺术和展览还有其商业性的一面。在二十年后，F.盖里在毕尔巴鄂的古根海姆现代艺术博物馆中更将这种倾向发挥到极至。
对于旅行者来说，吸引人的除了建筑本身以外，还有这里丰富的艺术收藏。当中包括Duane Hanson的蜡像作品《Putzfrau》，毕加索的《Liegende auf einem Sofa》以及蒙特里安的构成主义作品等等。
总的来说，在当时千遍一律的方盒子充斥世界每个角落的年代，对城市环境和传统的深刻理解，以及各种富有灵气的想法等等，或许都是斯特林能在国立美术馆的设计竞赛中胜出的原因。但后现代主义这种矛盾性和混杂性也让很多人吃不消，所以当时对采取这个方案其实是有很大的争议，斯特林也引来了德国国内的一阵子臭骂，当然包括在竞赛中吃了败仗的德国建筑师奥托和贝尼切等。不过事实胜于雄辩，无论从参观人数还是从公众对建筑物的使用评价上看，这还是一个非常成功的作品，也是欧洲旅行中最令人印象深刻的博物馆之一。
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http://www.jianzhu01.com/Museum1007291739.htm
双年展园地书店
双年展园地是位于阿森纳附近的一个大的公共花园.在这里,代表各国建筑风格的亭台楼阁随意分散在树林里,其中最大的建筑就是这座意大利风格的书店.
在双年展书店开业的致辞中,詹姆斯谈及了这个花园工程的进展.他说：“在这个花园的建设中,有着一大群来自世界各地的著名建筑师的参与,他们都在这里设计修建了亭台楼阁.有时候,这些建筑的类型是十分常见的,比如英国式的亭台楼阁.这里并不是一个动物园,而一个充满异国情调的建筑物的温床。”
“当我们开始试图在两条林荫大道之间的角落里修建一个八角亭的时候，我们发现没有足够的地方，因为我们都不愿意把这个花园里的任何一棵树移走。最后我们只好勉强同意在两排树之间移走书店-船屋。书店-船屋就是现在那座沿着小路呈圆柱状的建筑。”
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑 》
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http://www.jianzhu01.com/Museum1007291738.htm
伊弗森美术馆
位于纽约州西拉克斯（Syracuse）市中心区的伊弗森美术馆（Dverson Museum of Art）是贝氏建筑生涯中的第一件美术馆作品。
伊弗森美术馆以其造型著名，其建筑物本身就是一件巨硕的雕塑品。与其它的美术馆比较，伊弗森美术馆是一个地方性的小型美术馆，其藏品虽不少，且尚不足以造藏品来吸引人们，势必得依速不停地举办特展或巡回展来支持运作，所以其空间必须要能适应多变的、类型不同的展览。再则其基地位于市中心更新区，以其规模若想成为吸引 人的场所，势必要有与众不同之处。所以贝氏从造型着手，为该馆设计了大小、高度都不同的十个展览室。最大的展览室是两层高、50英尺见方的雕塑庭，雕塑庭是整个美术馆的精华。在雕塑庭西北角有一座螺旋楼梯，此楼梯雕塑味十足，螺旋楼梯是雕塑庭的中心。螺旋楼梯是贝氏最爱的建筑元素之一，在他日后所设计的美术馆中屡屡被引用。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291737.htm
盖蒂中心
位于洛杉矶太平洋海岸马里布的盖蒂博物馆和它所收藏的大量艺术精品，都属于“盖蒂基金会”所有。该基金会创办人为美国石油巨子保罗·盖蒂，他于1976年去世时遗留下高达7亿美元的大宗资产。按照美国的税法规则，基金会每年必须用其资金的4.25％在与艺术相关的事务上，才能享有减免税赋的机会。
1982年，盖蒂基金会新任主席威廉姆上任，他有意大展雄图，企划成立大型艺术研究中心。1990年10月9日，盖蒂中心设计方案正式公布，除了主体的博物馆建筑，盖蒂基金会所属各相关部门都有专属的建筑，合为一处建筑群。从地下停车场乘电梯上到电车站，专用电车大约5分钟左右的车程，就可以载人到达位于山丘顶端的盖蒂中心。盖蒂中心的群体建筑物环抱一处充满花卉的美丽庭园，由于盖蒂博物馆规模巨大，麦耶尔有心籍着串联不同时代的展厅之际，让人们在参观途中不时地接触自然景物，还能环顾洛杉矶的市区景象，遥望太平洋的浩瀚波光。
淡褐色、粗面的石灰岩是盖蒂中心建筑群最终选择的外观材料，麦耶尔认为石材象征永恒，之所以刻意展现石料的天然质感，是要让建筑物有如从地面自然地“生长”出来，乃是一次呼应环境的作为。麦耶尔本计划在1996年10月12日完成盖蒂中心的全部工程，他想籍此宏伟建筑作品的完成来庆祝自己的60岁生日，结果工程延期1年完工。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291736.htm
“新协和”图书馆
该图书馆位于新“协和村”边缘wabash河大堤附近的横倾平面地块上。图书馆是这个历史性城镇旅程的一个起点，也是为旅行者提供方位感的一个设施还是社区文化活动的一个中心。作为这个城镇与水体以及外部世界物理上以及节奏上的一个连接体，这个建筑是一个到达和出发的集散地。因此建筑采用了建筑漫步和历史旅行的联合概念。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291735.htm
装饰艺术博物馆
城市的形象在类型和偶发性、肌理和连续性、历史和设计的时刻之间波动。这句话强烈地影响了法兰克福装饰艺术博物馆的设计。不仅地理空间的文脉，而且历史空间的文脉以及类型学，综合影响了这个建筑。在这个意义上，与带有更多田园风光的或者说很少有历史场地感的早期建筑相比，这个博物馆更强调成为一个公共的以及城市的集会场所，是对从周围环境脱离开来自由自在的现代主义建筑的一种背离。这里的体系意味着联系、恢复、扩展和加强公众文脉及城市肌理。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291734.htm
明兴格拉德巴赫市博物馆
明兴格拉德巴赫市博物馆建于1982年，由建筑师汉斯·霍莱因（Hans Hollein）设计,该博物馆首任馆长克拉得斯称该馆是“十足的20世纪的艺术品”，它为霍莱因赢得了普茨凯奖。
这一博物馆建筑一反传统的博物馆建筑类型上的概念，不是一栋单一整体的建筑，而是由多个不同的富有变化的建筑群。富有变化的造型和空间环境的塑造与城市环境有机结合在一起，因而，它不仅仅是一个博物馆，它还塑造了一个供个人丰富体验的城市空间，被誉为“现代的雅典卫城”。博物馆主体坐落在一个平台之上，朝向修道院。结合修道花园的坡地，霍莱因设计了层层跌落的台阶状平台和自然弯曲的坡道。
在室内展厅空间的塑造上，霍莱因注重作为展品背景的空间气氛的营造，即展厅与展品在性格上的呼应。因此,我们看该博物馆虽然在机构和形体呈现出很强的格网轶序，但室内空间却丰富多变，有方形的顶平采光的展厅，也有圆形的人工照明的展厅，展厅的层高及到小也各有不同，充分体现照片与其空间环境的依存关系。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291733.htm
法兰克福现代艺术博物馆
这是汉斯·霍莱因在1983年国际竞赛中获头奖的作品。
博物馆位于法兰克福市中心大教堂北部的一块三角形地块。霍莱因以一个紧凑、完整、被称为“一块蛋糕”的形体弥补了城市结构中的这块空缺并以引人注目的造型标志了法兰克福这一进入老城中心的入口地段。
博物馆入口在南部一角，朝向大教堂，布局上有意识地强调了新建筑与老城中心的联系。在外观塑造及材料应用上，霍莱因考虑了与周围建筑的关系，并运用了一些历史建筑的片断。
博物馆的基本结构是三边围绕一个中心采光大厅。博物馆的室内空间丰富多彩。由入口经过一系列大小不一、高低不同的空间变化、由各式楼梯、台级、平台、开口等给人提供许多视线交往及观景场所。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291732.htm
香川县厅舍
香川县厅舍由部分3层的建筑与8层的主楼组成。庭院中有水池、叠石和小桥，可举办多种活动。高层部分四周有挑廊、廊子由富有韵律的小桥支托，廊边有水平栏板。栏板与小梁处理得同日本古建筑五重塔相似，被认为是具有浓厚日本风格的现代建筑，获得很高的评价。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291731.htm
耶鲁大学珍本图书馆
这是一座专门收藏耶鲁大学珍贵图书及手稿的图书馆。图书馆外形如同一个巨大而精致的首饰盒，外墙框格中镶着能透进光线的薄大理石板，内部另有玻璃围封的套楼，珍贵已知和手稿即保存其中。还有一部分书稿藏在地下一层。有的评论者认为这座形式特异的“盒子”与周围的旧建筑不协调。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291730.htm
所罗门·R·古根海姆博物馆（Solomon R. Guggenheim Museum）
原 名 称：Solomon R. Guggenheim Museum
古根海姆博物馆位于毕尔巴鄂市内由贝拉艺术博物馆、大学和老市政厅构成的文化三角的中心位置，可由该市商业区及老城区直接前往参观。作为博物馆主入口的巨大中庭设有一系列曲线形天桥、玻璃电梯和楼梯塔，将集中于三个楼层上的展廊连接到一起。一个雕塑性的屋顶从中庭升起，透过玻璃窗投射进来的光线倾泻到整个中庭内。该中庭具有前所未有的巨大尺度，高于河面达50m以上，吸引着人们前来参观这个独特的纪念性场所。
博物馆要求提供能够展示三类艺术作品的空间。永久性藏品布置在两组正方形展厅（每组设有三个展厅）内——分别位于博物馆的二层和三层。临时性展品布置在一条向东延伸的长条形展廊内，该展廊在“Puente de la Salve”天桥的下面穿过，在其远端的一座塔楼内终止。当代在世艺术家的展品则布置在散布于博物馆各处的一系列曲线形画廊内，以便和永久性藏品及临时性展览同时观赏。
博物馆的主要外墙材料为西班牙石灰石和钛金属板。其中较为方正的建筑造型采用了石灰石，而比较自由的塑性造型则采用了钛金属板贴面。大片的下班幕墙构成了城市中一道壮观的河畔美景。
毕尔巴鄂古根海姆博物馆的设计受到了所在城市的尺度与肌理的影响，让人联想到弗廊特河畔那些历史建筑，从而体现出建筑师对当地历史，经济及文化传统的关注和回应。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291729.htm
Bonnefanten博物馆新建筑
这座博物馆由三座并行的建筑及它们的联系部分组成,北后是一条景色优美原小河.当人们靠近这座建筑的时候,首先会被它那高耸而醒目的门厅所吸引.那是一个典型的阳光大厅,这种阳光大厅首先出现在苏黎世大学的校园建筑中.这种建筑造型不是典型的北欧风格,但却基本体现出西班牙植民建筑的影响.大厅里神圣的光线和普通居室的对比,表现出了日常生活的短暂和宗教生活的永恒.
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291728.htm
2004 - 台灣 - 九二一地震博物館
本案榮獲「2004台灣建築獎」
九二一地震博物館
攝影／簡照玲
座落地點：台中縣霧峰鄉，台灣
建築設計：大函設計顧問股份有限公司
莊學能建築師事務所
建 築 師：邱文傑、莊學能
設計完工：2001～2004
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http://www.jianzhu01.com/Museum1007291727.htm
1997 - 台灣 - 元智大學圖書資訊大樓
元智大學圖書資訊大樓
攝影／簡照玲
座落地點：桃園內壢，台灣
建築設計：姚仁喜建築師事務所
完工時間：1997
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http://www.jianzhu01.com/Museum1007291726.htm
2002 - 台灣 - 台北縣立Q三行博物館
本案榮獲「2002台灣建築獎」
台北縣立十三行博物館
攝影／簡照玲
座落地點：台北縣八里鄉，台灣
建築設計：孫德鴻建築師事務所
完工時間：2002
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http://www.jianzhu01.com/Museum1007291725.htm
司马辽太郎记念馆
司馬遼太郎紀念館
攝影／簡照玲
座落地點：大阪，日本
建築設計：安藤忠雄
完工時間：2001
司马辽太郎是日本战后著名的作家，原名福田定一，笔名司马辽太郎是取自「远不及司马迁之太郎」之意。司马辽太郎一九二三年生于大阪，毕业于大阪外国语大学蒙古语系，最重要的文学成就在描写江户末期的历史小说。司马辽太郎深受日本人喜爱，一九九六年过逝后，许多日本人仍将其作品奉为生活指南。纪念馆由日本知名建筑师安藤忠雄所设计，二○○一年十一月正式起用后，参访者络绎不绝，开馆三个月余，参访人数便达三万人次之多。
纪念馆位于司马辽太郎居住多年的东大阪故居旁，周遭树林茂密，据说司马喜欢在此林中思考问题。安藤做这个设计，除了考虑纪念馆和故居的整体性以及周遭环境的关联之外，他希望将作家内心世界的思维活动透过空间设计尽可能的呈现出来，并将人们带入司马辽太郎那深刻的、宽广的知识世界中。为了避免纪念馆的量体过于突兀及庞大影响周遭居住环境，安藤将空间向地下延伸，地面上仅露出两层楼高素雅的弧形量体，并利用植栽将建筑物的正面遮掩起来；他觉得要与司马的灵魂拉近，花园是不可少的，因为司马喜爱未经修饰的自然。
参访者从故居大门进入，穿过书斋前的花园，沿着弧形走廊，即可达博物馆入口。弧形走廊一面是厚实的、完全没开窗的混凝土墙，另一面是可见花园景致的透明玻璃墙。纪念馆的核心区是一个被称作「另一个书房」的展示空间，三层楼高的挑空，墙面上完全被书架填满；这些书架上数不清的书是司马一生所藏。参访者走入书阵中，犹如走入作家博学的脑海。司马辽太郎生前阅书无数，也购书成癖，传说他阅读时有照相般快速翻读的本事。展示空间中唯一的开口，上头镶嵌着大小各异的块状半透明玻璃，为的是将外头多种不同的光线引进屋内，同时也暗示着司马辽太郎的多重性格。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032709423340_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291724.htm
2001-日本-兵庫縣立美術館
兵庫縣立美術館
攝影／簡照玲
座落地點：神戶，日本
建築設計：安藤忠雄
設計完工：2001
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http://www.jianzhu01.com/Museum1007291723.htm
玉名天望馆
玉名天望館
Tamana City Observatory Museum
攝影／簡照玲
座落地點：熊本縣玉名市，日本
建築設計：高崎正治
完工時間：1992
玉名市是日本九州岛熊本县内的一个小城，四周青山碧水环抱，除了有著名的玉名温泉外，还有不少巨大的古坟，可想而知这是个风水绝佳之处。这座天望馆就位在该市的一座运动公园的山丘顶上，从山丘上可以眺望整个玉名市容。
玉名天望馆外观看起十分奇特，无论室内或室外都甚少出现九十度角，这是由日本建筑师高崎正治所设计。高崎正治的设计有其个人独特的风格，既不像东方的建筑，也不像西方的建筑，看起来极其现代科幻，却又带点古老的神秘感。为了与光、风等大自然元素相呼应，高崎正治不以传统的垂直水平方式来构筑这栋建筑，而是以「有机」的概念来形塑。他将此建筑分为三个空间相度来发展，并分别赋予地、云、星等三个意涵。
第一个相度位于第一个楼层，称为「地室」，是一个开放式的舟状平台，平台上有数根大小不同或正或斜的柱列象征从天而降的能量；而平台上的铺面则是隐喻源源不绝的泉水，象征玉名地区是个天地能量汇聚的地方。第二个相度位于第二个楼层，称为「云室」，这里有很好的视野可以近看菊池川如何蜿蜒流经整个玉名，远看有明海及壮阔的山脉如何环抱玉名。第三个相度位于第三个楼层，称为「星室」，这里有一个可以让人体验未来、预视未来的蛋状空间。屋顶上几个莲花状的圆圈，象征着幸福与快乐。另外有三根斜向的方柱像箭一般射向太空，代表着玉名市对未来发展的抱负。
高崎正治出生于日本，二十多岁时到欧洲留学，当时他的老师和同学都对东方人为什么使用筷子和碗感到相当好奇，从小在鹿儿岛长大的高崎正治，从来不觉得碗和筷子有什么特别的，看到老师和同学们如此的反应，这才回过头来开始注意传统东方文化的一些东西，进而了解探究，并从中撷取灵感，发展其特有的建筑设计理念。因此，从高崎正治的作品当中我们常会看到一些比较奇特的造形，那是有特别含意的。以此案来说，我们看到的那一颗浮起的蛋，浮起的意思，既不接天，也不连地，位处中间，象征中国儒家的中庸之道；而蛋的形状，事实上是「0」（零）的意思，代表空，有「无极」的意涵，也象征万物之始。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032710503559_6.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291722.htm
加利西亚当代艺术中心
这座博物馆由加利西亚地区政府所委托,位于西班牙北部的圣地亚哥甘普斯特拉市一座古老修道院的地块之内.博物馆面向圣多明哥教堂的入口。一系列呈上升趋势的不同的园林台地，在很大程度上影响了博物馆的体形，从而在倾斜的基地和街道之间形成一种自然的过渡。博物馆项目的规划和设计策略是：力求跟这个地域中的已有建筑有着更为连贯的关系，重新组织这片城市中已经衰落的区域。
简洁的三层博物馆建筑体，由V字形延伸的两翼所组成。这两个翼体的插入限定了长方形的中庭，这个中庭的高度跟博物馆的高度取齐，中庭里面布置了通向各个高度层面的展览室的楼梯。这一个参观的流线穿过各个展览室，可到达最高处的用于雕像展览的屋顶台阶，还可以通过一个坡道到达可以俯瞰整个修道院和这个城市的平台。
室外的花岗岩装饰面，其颜色斑驳变化，是这个地域中的传统建筑材料。与外立面的封闭性相对照，内部装修采用了通透性的概念，中庭和走道采用了魄的大理石和灰泥，展览空间的地面则采用了橡木材质。上层的展览空间由中央的天窗获取自然光线，避免了阳光的直接照射，从而可以有效地保护艺术品。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291721.htm
TEPIA 宇宙科学馆
TEPIA是Spiral构思的一种延续，可是既有的建筑范围令TEPIA的扩展受到限制。
如同京都美术馆，TEPIA的外型要视地理环境因素来决定。在这种情况下，设计师便将它设计成一座40m*40m*20m的长方形平行六面体建筑。
从草图可看出，设计所面对的困难在于：如何在狭小、横向及垂直的墙壁限制下，建造一座长方形的平行六面体建筑。另一难题是要在设计上尽量打破长方平行六面体的固有框架、尽量表现建筑外型上的潜在力量。TEPIA宇宙科学馆是由狭小、横向及垂直的墙壁，以及造型独特的屋檐、楼梯、入口及有翼伸出的屋顶组合构成，设计独一无二。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291720.htm
音乐花园
音乐花园位于拉维拉特公园的南出入口附近，由两个互为补充但又有很大不同的建筑组成。两座建筑面对面地布置，分别位于大会堂的一侧。西边的建筑是音乐学院，南边的建筑则布置了音乐厅、音乐博物馆、排练房间以及管理办公室。形成了一个独特的音乐和舞蹈的综合体，从而扩大了法国国家音乐学院的影响范围。
西楼采用了曲面和退台的外立面处理方法，便得这个建筑似乎漂浮在位于建筑前的水池上方。
更为自由的东楼采用一个大长方形的形式，并且面向公园。首先，设计打破了大会堂的轴线，创造了一种不和谐，与公园的关系也更为自然。两个楼限定了一个比较宽广的矩形空间，延伸了大会堂的轴线，并且通过远景中的水晶剧院，与公园的动态轴线相融合，从而使东楼和西楼、大会堂、公园以及其中的景观形成了一种逻辑关系。
音乐花园的内部空间遵循独特的原则：在形式和尺度上具有很大的不同性的各个全封闭空间，共同处于一个通透的大空间，并且由构成室内肌理的光束限定其边界。通道和通道的交叉点或者被玻璃围合或者直接与室外连通。因此，尽管这个项目的建筑密度很高，但光线和景观却无处不在。
音乐花园这个综合场所充满活力、具有流动性，其中的建筑可以在快速的一瞥中得到快速“体验”。这是一种恰到好处的序列组合，持续、断裂以及趣味性的发现，构成了这个建筑综合体的音乐氛围，叙述了这个建筑综合体的音乐故事。建筑在这儿是运动中的声音艺术。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006032715190250_8.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007291719.htm
水的教堂
这个教堂是一个小型的婚礼教堂，位于北海道内部一块平坦的用地上，由两个大小不同、上下重叠的正方形平面组成。它的前方是一个引进自然水体形成的人工湖。一堵“L”型的独立墙包围着人工湖的一边和教堂的后部。面向人工湖的一道缓坡紧贴着这堵墙向上，一直到达较小的一个正方形，在它的顶上是一个由玻璃围合的空间，顶部开敞，四周则各为一个十字架，十字架的横条非常接近几乎相接。从这点开始，人们沿着逐渐变暗的楼梯拾级而下，眼前呈现出礼拜堂的其他部分。圣坛后面的墙体十分光滑，面向湖的全景，而湖中的大十字架就好像正从水面渐渐升起。这面墙可以滑向两侧，使内部教堂的空间直接向周围的自然环境开敞。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291718.htm
美国匹兹堡儿童博物馆
原 名 称：Pittsburgh Childrens Museum
面积：60000平方英尺
类型：博物馆
结构：混凝土，玻璃
Pittsburgh U.S.A.
Size: 60，000 square feet
Type: Museum
Structure: Concrete， Glass
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http://www.jianzhu01.com/Museum1007291717.htm
水御堂
本福寺的水御堂是佛教分支真言宗的一个新的主殿，它座落在淡路岛一座可以观览大半海碗景观的小山丘上。水御堂大厅位于地下，其上是一个覆满绿莲的椭圆形大水池。当人们沿着水池中央的楼梯向下走，顿时柳暗花明，水御堂大厅就在水面下。大厅内部是一个用木头柱子做格网分割的圆形空间。室内和柱子漆成朱红色，每当夕阳的余晒洒向御堂，列柱向深深的室内投下长长的影子，大厅就充满红光，给人一种神圣的错觉。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291716.htm
艾佛·阿森博物馆
艾佛·阿森博物馆是为纪念语言学家艾佛·阿森而建。它通过一系列艾佛·阿森的物件及手稿讲述了他的生平故事。这个博物馆同时也是一个新挪威语文化中心。
该博物馆选在靠近艾佛·阿森出生地的位置上建造。这是一座叫作候德比格达的陡峭山峰。独特的地形赋予建筑师独特的设计构思。大楼嵌入山崖，正面朝向山谷，显得十分醒目。
该项目的关键在于博物馆内容与建筑的并置与互动。有关艾佛·阿森和他研究的内容被布置在大楼前面的空间内。V字形的昏暗空间在面向山谷的大空间中营造了一种韵律感——艾佛·阿森正是在这个山谷里记下了有关那种新语言的笔记。V字形的内容空间暗喻了书面文字所代表的内容。大楼后部的拱形空间展现了对语言史的描述，表现了语言从声音开始，接着出现表达声音的书写符号，以及随后出现的书籍和新媒体等。
研究及行政区位于下层。连接两个楼层的图书馆成为一个沟通空间。礼堂顺应地形构筑，在两个楼层都有入口。礼堂正立面朝向山谷，外墙上是用钢材制作的艾佛·阿森的签名。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291715.htm
贝页利基金会博物馆
贝页利基金会博物馆是皮亚诺和其工作室所做的博物馆中的一个.他的博物馆设计开始于与罗杰斯合作的蓬皮杜中心,之后各具特色的新方案相继跃然纸上,比如哈佛大学Fogg博物馆的重组和扩建,芝加哥艺术中心,以及亚特兰大高原博物馆等.
不言而喻,博物馆建筑是我们这个时代的殿堂,它将艺术看作是当今世俗的精神活动.于是,艺术博物馆是享有最高声望的建筑,而设计博物馆的建筑师也觉得他们应该像艺术家一样表现自己.但是,自从独具匠心的曼尼尔收藏馆之后,皮亚诺设计的博物馆就从上表现的风格中脱颖而出.他是在充分考虑周围的建筑文脉和自然环境的前提下,以一种谦虚的姿态观察和思考艺术.所以,当贝页利博物馆完成后,评论家和博物馆馆长都赞其为是其他更具个性的博物馆的有益的反例,那些设计只是在通过标志性的风格显示建筑师个人的艺术追求和能力.
与其他的博物馆相比,贝页利是严谨的,沉默的和平静的,它不炫耀,也不引人注目.尽管与皮亚诺其他的建筑相去甚远,但是它反映出了他早期设计所泻染的主题;通过水平的挑出的玻璃屋顶获得均匀的采光,以外墙饰面与周围环境取得联系.
但是不同之处也恰恰藏于其中,包括自然与建筑亲和的方式,展示空间的组织和路线等等.在曼尼尔中,巨大的固定富铁水泥遮阳板反射室内光,并形成明亮的天花板.但是,贝页利是屋顶下有可调百叶的遮阳板,阳光在穿孔金属板天花板的遮挡下很模糊.
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291714.htm
迈耶-罗马千禧教堂
与周围环境有机结合，特别是三片弧墙的闪亮一笔，使建筑脱胎换骨，室内光线经过弧墙的反射，一定显得静谧和洒脱。
“白”是迈耶建筑不可缺少的元素，而白的墙就像画纸，光影就在其上自由的作着移动的图画。
“白”是迈耶的作品给我们的第一印象。尽管白色派的建筑未必白，就迈耶而言，这个称号却是名副其实的，在以色彩浓艳的墙，红黄蓝绿的管线，眼花缭乱的装饰为标志的种种时髦设计面前，他的白色建筑自有一种超凡脱俗的气派。与二战后开始流行的暴露材料本色的设计相反，他做的白色光洁表面具有明显的非天然效果。这就是迈耶建筑的特点，也是他建筑的魅力所在——纯净。然而，纯净不等于单调，精练的设计可以同时是一个富于艺术表现力的设计，如果说密斯（Mise Van der Rohe)后期那些钢加玻璃的大空间给人于冷峻之感，那么迈耶的作品却有另一番情调。虽然他的局部素材来自于现代建筑，整体却没有枯燥的气氛，原因在于内外某些部分的体量被巧妙地增减，赋予建筑明显的雕塑风味。
一个个新颖的形象展现在我们的面前：在以直线为主，不时穿插曲线的几何体中，透过比例优雅的玻璃墙面，清楚地显现出内部的景象，这些又纵深感的空间与白色实墙的交替更迭，产生了某种特殊的韵律感和节奏感，它们不是出自同一构图因素的多次重复，也不是出自单方面强调水平或垂直感，而是通过某种内在的呼应起作用，使他的建筑充满了某种艺术的品味，让人有一种舒适，柔和的感觉，也让人的心灵得到净化。
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http://www.jianzhu01.com/Museum1007291713.htm
悉尼歌剧院
悉尼歌剧院规模庞大,它包括一个2700座的音乐会大厅,一个1550座的歌剧大厅,一个550座的剧场,一个420座的排演厅,还有众多的展览场地、图书馆和其他文化服务设施，总建筑面积达88000平方米，连观众和工作人员在内，同时可容纳7000人，实际是一座大型综合文化演出中心。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291712.htm
玻璃博物馆
这个玻璃博物馆是著名加拿大建筑师亚瑟.艾瑞克森在美国设计的第一个重要的艺术博物馆项目，广受世界称赞，已成为国际当代玻璃艺术中心，用于展示玻璃的制作工艺和创作艺术。设计有机地运用了水、土、光、火的几个元素，火便是造就玻璃艺术的源泉。
建筑给人印象最深的便是南端27米（90英尺）高呈17度斜角的锥形，其表覆盖菱形的不锈钢片。灵感来源于烧木工废物利用用锯木厂运来作为燃料的木屑。内部是个Hot Shop Amphitheater。
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http://www.jianzhu01.com/Museum1007291711.htm
园艺博览会展览馆
这座建筑的主要空间——展示大厅和咖啡厅，就沿着这些道路延伸开来，并且允许室外充足的阳光和视线进入室内。次要的空间“消失”在建筑的“屋顶”之中。在咖啡厅的南面是一个露台，其中有一个有顶的表演空间。环境研究中心被设置在展览大厅的北部，有一半没入地下，以发扬地下空间与世隔绝的长处。另外一方面，展示大厅还起了一个缓冲区的作用，它在冬天可以被动地接受太阳能。那个下陷的环境研究中心就成为了展览大厅的一个开敞的夹层空间。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007291710.htm
荷兰鹿特丹当代美术馆
鹿特丹當代美術館
Kunsthal Rotterdam
攝影／簡照玲
座落地點：鹿特丹，荷蘭
建築設計：Rem Koolhaas
完工時間：1992
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http://www.jianzhu01.com/Museum1007291709.htm
乌特勒支大学图书馆
乌特勒支大学图书馆
Utrecht University Library
座落地点：乌特勒支，荷兰
建筑设计：Wiel Arets
完工时间：2004
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http://www.jianzhu01.com/Museum1007291708.htm
美国立宪中心
National Constitution Center
美国立宪中心
此设计难度主要在于，既要体现庄严的US宪法，又要含括其历史性，并且要加一些工作人员的适当生活环境。
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http://www.jianzhu01.com/Museum1007291707.htm
德国国会改建
德国国会改建
座落地点：柏林，德国
建筑设计：Foster and Partners
完工时间：1999
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http://www.jianzhu01.com/Museum1007291706.htm
丹麦皇家图书馆新馆
座落地点：哥本哈根，丹麦
建筑设计：Schmidt, Hammer & Lassen
设计完工：1995～1999
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http://www.jianzhu01.com/Museum1007291705.htm
毕尔包古根汉美术馆
毕尔包古根汉美术馆
座落地点：毕尔包，西班牙
竣工时间：1997年
建筑设计：Frank O. Gehry
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http://www.jianzhu01.com/Museum1007291704.htm
曼彻斯特帝国战争博物馆
曼彻斯特帝国战争博物馆
Imperial War Museum North
座落地点：曼彻斯特，英国
建筑设计：Daniel Libeskind
完工时间：2001
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http://www.jianzhu01.com/Museum1007291703.htm
旧金山公共图书馆
座落地点：旧金山，美国
建筑设计：Pei Cobb Freed & Partners
设计完工：1996
距离学院是5分钟的步行路程。新图书馆最近刚完工，主图书馆造价达 $13500万美元。其中藏书超过 2,300,000类,包括书本、录像带、期刊、音乐磁带、CD,时事通讯和 活页乐谱等。公用电脑大约有200台电脑
阅览室 旧金山公共图书馆的阅览室 - 图书馆有超过 250 电脑带有 Internet 接口。
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http://www.jianzhu01.com/Museum1007291702.htm
北德州大学表演艺术中心
北德州大学表演艺术中心
Lucille "Lupe" Murchison Performing Arts Center
座落地点：北德州大学，德州，美国
建筑设计：Malcolm Holzman (HHPA)
完工时间：1999
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http://www.jianzhu01.com/Museum1007291701.htm
达拉斯音乐厅
达拉斯音乐厅
The Morton H. Meyerson Symphony Center
座落地点：达拉斯，德州，美国
建筑设计：贝聿铭
完工时间：1989
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http://www.jianzhu01.com/Museum1007291700.htm
中央民族大学美术学院
民大美术学院教师系列－何伟设计
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http://www.jianzhu01.com/Museum1007291699.htm
塔克玛艺术博物馆
Tacoma Art Museum
座落地点：塔克玛，华盛顿州，美国
建筑设计：Antoine Predock
完工时间：2003
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http://www.jianzhu01.com/Museum1007291698.htm
美国二战纪念馆
Voorsanger设计的美国二战纪念馆
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http://www.jianzhu01.com/Museum1007291697.htm
台夫特科技大学图书馆
台夫特科技大学图书馆
Delft Technical University library
座落地点：台夫特，荷兰
建筑设计：Mecanoo
完工时间：1998
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http://www.jianzhu01.com/Museum1007291696.htm
塞西尼广场
评委认为，在含有多种趣味元素的设计中，尺度是关键，而所有的尺度都是伴随着那些把城市景观设计看作一个综合体的人的观念来设计的。小路定义出了一组线，它们给相关空间以新的秩序，在某种情况下与现存的线条一起又创造出了一些充满张力的诱人曲线，它们优雅地从教堂延伸出来与道路相切。这一切在本已经十分和谐的环境上创造了一个平静祥和的铺地构成。最后，在阴面极其微妙的一系列材料选用、草地的背景都突出了石头的材质，以及不加任何繁冗装饰元素的水平向的延伸感，设计给这片土地增加安静、祥和、相互朴素的气息，突出了主旨。
在得到了地区政府对历史中心进行修复资助之后，科多瓦多市政会议又继续对整个建筑体系前的公共空是进行了规划。这个建筑体系包括了圣女玛丽教堂和以前属于修道院而现在成为重要公共会所的一组建筑（如市镇中心、图书馆等）。设计的目的就是要保留这个区域内所有形式上的价值，并且强调教堂在纪念综合中担任着源泉的角色。设计需要保存原有的绿地，它是对“圣女玛丽草坪”的一种视觉上的待续，同时又巩固了整个场所所具有的涵义。
选择在草地中央开设道路的意图，得益于一种粗糙且极其随意铺设的石头的运用。它非常柔软，找磨过后它的颜色就像精选的砾小路。因此在选择“库格南石”时就挑那些符合小路方向的任意长度的石块。小路与草地交接处被“塞卡石”路缘石限定出来。铺设工程便完成了，部分是用鹅卵石，而部分用的是斑岩（为了强调广场内的交通空间），小品则是用柔软的“多瑞诺石”经过打磨，凿刻后在现场砌起来的。
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http://www.jianzhu01.com/Museum1007291695.htm
园艺展览馆
园艺展览馆
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http://www.jianzhu01.com/Museum1007291817.htm
上海世博会冰岛馆冰岛馆的展示主题为“纯能源-健康生活”，主要体现冰岛在工业和旅游业方面进行的可再生能源利用。馆内将大面积运用投影技术全方位展现冰岛的美丽景色与城市生活。参观者自展馆入口处就能感受冰岛的气息。入口处的冰岛火山岩墙、展馆内调试适宜的温湿度、冰岛特产花的香气，都体现出冰岛处于北极圈附近的独特地理位置。“我们的外墙也很有特色，是以冰的图案作为外墙装饰，夜晚亮灯后远观，就如一座‘冰立方’。”冰岛馆设计师軳尔介绍说。 在冰岛馆内，参观者还可以了解到冰岛旅游信息，欣赏冰岛音乐，品尝冰岛食品。同时，一批在北京外国语大学就读冰岛语专业的中国学生将成为冰岛馆工作人员，为参观者提供服务。目前，冰岛参与上海世博会官方网站http://www.expo2010.is）已经开通。 据悉，在上海世博会冰岛国家馆日期间，冰岛总统将以荣誉嘉宾的身份出席现场的相关活动。 http://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2010031916004042_12.jpg博物馆2010-07-29
http://www.jianzhu01.com/Museum1007281694.htm
九二一地震博物馆
本案榮獲「2004台灣建築獎」
九二一地震博物馆
座落地点：台中县雾峰乡，台湾
建筑设计：大函设计顾问股份有限公司
庄学能建筑师事务所
建 筑 师：邱文杰、庄学能
设计完工：2001～2004
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http://www.jianzhu01.com/Museum1007281693.htm
约瑟 H. Hirshhorn 博物馆和雕刻花园
SOM建筑设计事物所
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http://www.jianzhu01.com/Museum1007281692.htm
拉杜瑞特修道院
座落地點：法國，里昂近郊
建築設計：Le Corbusier
設計完工：1957～1960
這座外觀看似簡單的修道院，其建築量體可是經過嚴謹的幾何分割，而內部的空間變化更是複雜，既穿透又阻隔，非常多元。此外，別小看入口處這一「簡陋的大門」
柯布（Le Corbusier）所設計的拉杜瑞特修道院（Le Couvent de La Tourette）是和廊香教堂（La Chapelle de Ronchamp）同時期的作品，有建築評論家說沒有廊香教堂就沒有拉杜瑞特修道院。這兩棟建築都是座落在小山丘上，但拉杜瑞特修道院比較延續柯布早期作品對幾何的控制，而不是像廊香教堂那樣採較自然的形體。
拉杜瑞特修道院可容納一百位修士生活，內部空間主要分成宿舍和教堂兩部分，宿舍採U形配置，教堂則位其缺口處。教堂和宿舍實體上並不直接相連，其間有空隙做為分隔 ，由院內向空隙望去，隱約可見院外的自然景緻。（圖1）宿舍的四、五樓為規則長條形的修士房間，三樓為圖書館、閱覽室與教室，二樓為會議室與食堂，一樓為廚房。
修道院建造在坡地上，面對坡地的高差問題，柯布巧妙的利用獨立柱加以解決，在保持原有的自然地形下，讓修道院以不同的方式與坡地接觸；北側的教堂、墓室與聖器室直接嵌入坡地，U形的三邊以及中庭的十字形通道，則以包括圓柱、牆版與梳子形狀的三種獨立柱分別將量體架高，內部複雜的水平與垂直動線關係，在單純的平面配置中創造豐富的空間經驗。 （圖5-8） 從U形配置的東側向中庭拉出的祈禱室，由十字形的牆版獨立柱、中間的正立方體以及角錐體屋頂表達宗教象徵意義；教堂南側面向中庭拉出來的聖器室在覆土植草的屋頂出現兩排槍管式採光口 （圖1）；教堂北側凸出如同彩帶似的墓室牆面與三個不同方向的斜向屋頂採光口。（圖2）這些形成附加在規則的主要量體上的一些特殊造型元素。
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http://www.jianzhu01.com/Museum1007281691.htm
Tang Teaching博物馆
Tang Teaching博物馆（Tang Teaching Museum and Art Gallery ），设计：Antoine Predock。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011342633_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011342633_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011342633_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011342633_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281690.htm
RHR图书馆
Robert Hoag Rawlings 图书馆（Robert Hoag Rawlings Public Library），设计：Antoine Predock
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011362240_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011362240_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011362240_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011362240_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033011362240_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281689.htm
威尼斯建筑艺术双年展虚拟澳大利亚馆
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[组图]威尼斯建筑艺术双年展虚拟澳大利亚馆 【字体：小 大】
威尼斯建筑艺术双年展虚拟澳大利亚馆
作者：Tom Kova… 新闻来源：自由建筑报 点击数：248 更新时间：2005-9-13
工程名称：2004年威尼斯建筑艺术双年展虚拟澳大利亚馆
国家：
城市：威尼斯
类别：公共建筑
设计特点：
为了挑战为官方所控制的威尼斯建筑艺术双年展的展馆设计，Andrew Benjamin聚集了包括Tom Kovac在内的很多独立建筑师，策划了此次虚拟澳大利亚馆的设计，对于那些没有亲临其境的人甚至可以以假乱真。Benjamin认为“匿名性”是当代建筑文化的主旨，它通过既非纯粹的美学、亦非纯粹的反美学来获得自身的存在价值，这种匿名的艺术既反对简单的商业化也反对简单的非商业化。就建筑来讲，它已经不是商业和贸易形象的一部分，而是作为一种表现和争论的可能性而出现。虚拟展馆使我们可以反思现实，从而使人们发现艺术和建筑展览之间创造性的差异——即相对于传统的展示空间，建筑艺术展可以更好地将展品与建筑相结合。在这里，策展人拒绝了展示“国家形象”的简单做法，而是通过“匿名性”、公众和场所等更加复杂和有挑战性的主题来探讨了一系列“非澳大利亚代表性”的作品，Benjamin认为这对于人们了解当代的澳洲主流建筑实践之外的分支至关重要，展览的目的就是要修正人们头脑中对于澳洲建筑“整体性”的成见。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033012431537_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033012431537_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033012431537_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033012431537_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033012431537_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281688.htm
迈阿密大学艺术博物馆
迈阿密大学艺术博物馆 设计：SOM建筑设计事物所
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013055532_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013055532_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013055532_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281687.htm
Vitra家具博物馆
座落地点：Weil am Rhein，德国
建筑设计：Frank O. Gehry
设计完工：1987～1989
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033013124845_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281686.htm
日本松本表演艺术中心
日本松本表演艺术中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033014563435_16.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281685.htm
北京新方向国际展会中心
SOM建筑设计事务所是美国最大的建筑工程事务所之一，SOM设计的北京新方向国际展会中心， Beijing New Vision Int‘l Conference and Exhibition Center。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033015514249_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281684.htm
Koyang国际展览中心
SOM建筑设计事物所，Koyang国际展览中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016005947_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016005947_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016005947_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016005947_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016005947_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281683.htm
神户兵库县立美术馆
安藤忠雄作品－神户兵库县立美术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016172948_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281682.htm
冈山直岛美术馆
安藤忠雄作品－冈山直岛美术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016212539_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281681.htm
大阪飞鸟博物馆
安藤忠雄作品－大阪飞鸟博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033016350650_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281680.htm
2004年威尼斯建筑艺术双年展虚拟澳大利亚馆
为了挑战为官方所控制的威尼斯建筑艺术双年展的展馆设计，Andrew Benjamin聚集了包括Tom Kovac在内的很多独立建筑师，策划了此次虚拟澳大利亚馆的设计，对于那些没有亲临其境的人甚至可以以假乱真。Benjamin认为“匿名性”是当代建筑文化的主旨，它通过既非纯粹的美学、亦非纯粹的反美学来获得自身的存在价值，这种匿名的艺术既反对简单的商业化也反对简单的非商业化。就建筑来讲，它已经不是商业和贸易形象的一部分，而是作为一种表现和争论的可能性而出现。虚拟展馆使我们可以反思现实，从而使人们发现艺术和建筑展览之间创造性的差异——即相对于传统的展示空间，建筑艺术展可以更好地将展品与建筑相结合。在这里，策展人拒绝了展示“国家形象”的简单做法，而是通过“匿名性”、公众和场所等更加复杂和有挑战性的主题来探讨了一系列“非澳大利亚代表性”的作品，Benjamin认为这对于人们了解当代的澳洲主流建筑实践之外的分支至关重要，展览的目的就是要修正人们头脑中对于澳洲建筑“整体性”的成见。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109321431_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109321431_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109321431_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109321431_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109321431_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281679.htm
里昂歌剧院
法国里昂歌剧院，建筑设计：Jean Nouvel
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109595635_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109595635_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109595635_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109595635_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033109595635_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281678.htm
国际儿童图书馆
颇受关注的安藤在最近与日建设计合作完成的在上野公园附近的一个扩建案。老头也挺赶时髦，旧建筑翻新与再利用是时下很流行也很建筑界议论研究的一个话提。究竟安藤与日建在项目中的设计成分各占多少比例还不得而知，偶们更关注的，还是最后到底是个什么模样的东东----眼见为实。
阳光明媚的夏日午后(似乎看老头的建筑少不了晴天)，走马观花地溜达了一圈，还是有些收获。整体印象----安藤用混凝土+日建用玻璃幕墙，将日本小孩的阅览室搞得象大学的图书馆----安藤毕竟是安藤，日建也毕竟是日建。有一点迷糊，难道这个国家六至十二、三岁的小孩子就懂得欣赏混凝土的光影美学与玻璃的纯净虚幻?还是建筑师们陶醉在自我表现的公众舞台上浑然不觉??
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110311035_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281677.htm
Bagsvaer教堂
丹麦Bagsvaer教堂，建筑设计：Jorn Utzon
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006033110400753_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281676.htm
洛杉矶迪士尼音乐厅(Disney Concert Hall Los Angeles)
洛杉矶迪士尼音乐厅，建筑设计：Frank Gehry
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http://www.jianzhu01.com/Museum1007281675.htm
九一二地震博物馆
九一二地震博物馆，建筑设计：邱文杰，庄学能
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http://www.jianzhu01.com/Museum1007281674.htm
凡尔赛宫
凡尔赛宫，法国国王路易14世到路易16世的王宫，经过数代建筑师，雕刻家，装饰家，园林建筑师的不断改进，润色，一个多世纪以来，一直是欧洲王室官邸的第一典范。
凡尔赛宫自1661年起开始建造，曾有过很多模仿凡尔赛宫的努力，但到目前为止，它还是路易十四无法模仿的创建：太阳国王的宫殿。凡尔赛在离巴黎不到24公里的地方。
路易十三选址此地建立一个规模不大的庄园作为游猎的基地。他的儿子路易十四也喜欢找猎，但对这块土地却有更为精心的计划。他对现有的宫殿均感不满（包括卢浮宫和杜伊勒利宫），因于1660年决定将凡尔赛辟为庞大的王雄伟，而且他要建成规模最后可容纳整个的法国朝廷。
路易十四死于1715年。
路易十五请了建筑师加布里埃尔着手进一步的修建工程，包括造一座歌剧院和特里阿农宫。
路易十六时，又增建了漂亮的图书馆。玛丽·安东尼特占用了特里阿农宫。但现实即将冯入舞台式的宫殿。
1789年10月法国革命降临凡尔赛，宫殿被占领。工程开始于1661年，两年内被誉为太阳国王的路易十四花了巨资，引起了财政部门极度痛苦的抗议。事实上工程将继续持续几十年，动用数万名工人，耗资不断增加。最初的建筑师是路易斯·勒伏，后业由朱尔斯·哈多依·马沙特接替，他从事凡尔赛的建造达30年之久。安德烈·勒诺特尔负责园林。由于他宏大的花园设计大大地超过了原先的庄园，这才决定把它建成一个极其豪华的宫殿。饰以无数的喷泉、雕塑和假山洞的凡尔赛宫的花园在太阳国王在位的头几年成为吸引巴黎贵族阶层的地方。在1664年、1688年和1674年又成为铺张的文艺豪华演出和由拉里创作的经典歌剧以及莫里哀与拉辛戏剧中的背景。
从某种意义上来说，整个地方就像一个舞台背景。这个传统传给了路易十四的继承人，特别是臭名昭著的玛丽·安江尼特，她在宫内造了自己的剧声，又建了一个富有田园风光的小村庄，里而配备了一些牧人和农民，这样她和她的朋友能扮成农民嬉戏。凡尔
赛宫的花园占地101公顷，有数量繁多的人工景色，散步场所和花圃，还有一条大运河及它自己的小“威尼斯”。宫殿本身的花园就令人吃惊，花园的正面有640米长，中间有镜厅，那是一个长72米、宽10.6米、高12.8米的长廊。17窗子俯瞰花园，对面墙上装有巨镜与之相对。这里有勒布陀作的画，都是泰承路易十四在1661到1678年间的统治的。这些颂扬国王的艺术增添了皇位上的光环。这就是路易十四刻意要追求的。1682年凡尔赛宫成为路易十四的长住之地，整个法兰西朝廷不久在此建立。
繁复的程序得以制定，精细的礼仪规定得以遵循。如果赢得国王的宠爱就高升有望，因此抱着希望的奉承者来到凡尔赛，等着君王早晨或夜间寝前的接见，但有时这样的希望不能如厚。公园：凡尔赛宫的花园设计成能收藏大量的雕塑作品、镜厅前面的水坛有两个湖，每个湖内有四个雕塑代表法国的河流：雷诺定代表卢瓦尔河和卢瓦尔特河，图别代表索思河和罗纳河，拉翁格勒代表马恩河和塞纳河，考赛伏克斯代表加龙河和多尔多涅河。还有一些生动的动物群体和无数古典神话中的形象，包括酒神巴克斯话中的形象，包括酒神巴克斯、太阳神阿波罗、众神信使墨丘利和森林诸神领袖塞利纳斯。另外还有一些看起来忠实于古代原作的艺术复制品，例如考塞伏克斯所做的维纳斯和福格尼的磨刀匠。法朗哥斯·格拉顿的叫做南姆菲斯浴池的喷泉是以一个铅制的浮雕而名命的，图别的铅制光辉杰作描述了太阳神阿波罗驱马赶车跃出水池的情景。建于1676年的恩克拉多斯喷泉是一件巨大的作品，雕刻家加斯帕特·马斯刻划了提坦恩克拉都斯被埋在岩石底下的受苦形象。
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http://www.jianzhu01.com/Museum1007281673.htm
伯林犹太博物馆
柏林犹太人博物馆馆设计的时代背景：
二战之后，德国从未停止对历史的反省，德国对历史的态度，使德国人、法国人甚至整个欧洲的人民都感到轻松和安全。为了表示"勿忘历史"的决心，德国还为犹太人修建了一座大屠杀纪念馆。2005年12月15日，柏林犹太人纪念馆最终落成。
丹尼尔·列别斯基（D.Libeskind）设计的“柏林博物馆（犹太人博物馆）”建筑，称得上是浓缩着生命痛苦和烦恼的稀世作品：反复连续的锐角曲折、幅宽被强制压缩的长方体建筑，像具有生命一样满腹痛苦表情、蕴藏着不满和反抗的危机。
该纪念馆最具特色的主体部分是一个占地2万平方米的露天广场，地面由2711块高矮不等、刻有请愿书的水泥板铺成，远看就像是一片被微风拂过的麦田，而走近了则像是步入一个巨大的迷宫。负责设计纪念馆的美国建筑师彼得·埃森曼表示，他的设计将强迫人们面对过去。
广场上还将竖起一个扬声器，昼夜不停地播放400万记录在册的大屠杀遇难者的姓名。而在广场地下还有一个特别的资料中心，为前往参观的人提供服务。
反复连续的锐角曲折、幅宽被强制压缩的长方体建筑，像具有生命一样满腹痛苦表情、蕴藏着不满和反抗的危机，令人深感不快。丹尼尔。里伯斯金设计的“柏林博物馆（犹太人博物馆）”的整个建筑，可以称得上是浓缩着生命痛苦和烦恼的稀世作品。
丹尼尔·列别斯基（D.Libeskind）称该博物馆为“线状的狭窄空间”。理由是在这座建筑中潜伏着与思想、组织关系有关的二条脉络。其一是充满无数的破碎断片的直线脉络。其二是无限连续的曲折脉络。这二条脉络虽然都有所限定，却又通过相互间的沟通，而在建筑和形式上无限地伸展下去。
依据相互离散、游离的处理手法，形成了贯穿这座博物馆整体的不连续的空间。这二条脉络是“犹太人博物馆”的特征，同时又是里伯斯金所特有的“二元对立，二律背反”的观点。
柏林的痕迹，不仅仅是物理的，据说其中还有说不清因果关系的根源，或者是既往性夹杂在里面。从德国人和犹太人的外在关系来观察，他下了这样的结论。他执着地追求曾对犹太人的传统和日尔曼文化做出贡献的作家、音乐家和艺术家们的生活踪迹，并将其模式化。
柏林犹太人博物馆的四个主要表现：
其一是内容。该博物馆共有4个隐喻情结。
其二是根据作曲家阿诺德。施昂拜格未完成的歌剧“摩西和阿龙”的脚本而构成的。在此处，表现了由于歌的存在，而歌词不清，相反，歌不存在，而能帮助对歌词的理解的不合情理性。
其三，在大屠杀年代被驱逐出柏林，在里加和乌其的强制收容所中死亡人的名字和死亡地名。第四，是以瓦特。本杰明的“一侧通行路”形成的。沿着曲折型建筑，引入了60个连续的断面。如此一览“犹太人博物馆”的话，正如街谈巷议所说，里伯斯金充满晦涩的形而上学的超俗的思考，对我们一般人来说是难以接近的。
其四，存在与不存在的概念，他从自身的体验，给予了非常明确的解释。
双重自相矛盾的逻辑，是符合“犹太人博物馆”所体现的观点。一种艺术，由于作为其核心的主体的丧失，例如像没有情节的文学，没有旋律的音乐那样的没有展示品的博物馆，其不存在性、非在的存在性的缘由，好像已是新型文化形式的一种倾向。
充满被驱逐、遭受屠杀的（成为不存在）犹太人的悲痛与苦恼的“犹太人博物馆”，仅仅超越了设计的特异性和观念的前卫性，将作为一个民族的悲惨命运的历史封印。同是一个犹太系的音乐家古斯塔瓦·马勒，所内含的如在第九交响曲所奏出的旋律那样深沉暗淡的精神才是杰出的。
柏林犹太人博物馆设计者：
建筑师：丹尼尔·列别斯基（D.Libeskind）
丹尼尔·列别斯基（D.Libeskind）故乡波兰，从6岁起学弹钢琴，后来移居以色列，成为精通钢琴的音乐名人。曾经赢得美国-以色列文化基金会举办的著名的音乐竞赛（同赛的有伊萨克。帕尔曼、P。祖克尔曼、巴伦伯伊姆）。后来其音乐天才移向了建筑设计。
柏林犹太人博物馆英国媒体报道资料：
英国媒体12月16日报道，这个纪念馆是为祭奠当年在纳粹大屠杀中不幸遇难的600万无辜犹太人而兴建的，馆址位于柏林市中心象征德国统一的勃兰登堡门和联邦议院大厦之间，而二战结束时希特勒自杀的总理府地下室就在旁边。
关于修建纪念大屠杀死难者纪念馆的提议早在1988年就已提出，并在地点、设计、费用等方面引发了激烈争论。前柏林市长艾伯哈·迪根在批评这项提议时说： "这岂不是要把柏林变成悼念之都？"而其他人则认为，在如此抢手的黄金地段修建一座大型"集体墓地"，简直是不可思议的奢侈之举。据了解，纪念馆所在地的地价的确贵得惊人，粗粗估算一下约值2亿英镑；另外，纪念馆本身的造价也高达1800万英镑。
支持这项计划的人强调：柏林应该成为全世界哀悼二战遇难者、尤其是犹太人的地理和精神中心；几百年后，这座纪念馆仍会向后人警示那段令人发指的历史。另外，修建这座富有历史意义的建筑也将向世人展示当代德国推行民主改革的信心和成就。经多年反复斟酌，德国政府决定在2003年8月16日动工兴建这座犹太人大屠杀纪念馆。
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http://www.jianzhu01.com/Museum1007281672.htm
台中大都會歌劇院計劃
台中大都會歌劇院計劃
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http://www.jianzhu01.com/Museum1007281671.htm
加利福尼亚州笛洋美术博物馆
加利福尼亚州笛洋美术博物馆
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http://www.jianzhu01.com/Museum1007281670.htm
北京四合院
四合院，是以正房、倒座、东西厢房围绕中间庭院形成平面布局的传统住宅的统称。其历史之悠久，分布之广泛，在中国民居中占据首位，因而堪称我国汉族居民住宅的正宗典型。早在距今三千年前殷商故都的宫室遗址上，已有几座房屋围绕着院子组合。西周时有了比较严整的四合院。隋展子虔《游春图》中绘有乡村狭长的四合院。宋代沿用汉以来的前堂后寝的传统，但在待客和日常起居的庭堂与后部卧室之间，有穿廊连成“丁”字平面，堂寝两侧有耳房或偏院。到了明、清，经过长期的积累，以北京为代表的四合院形成了一套成熟的结构合造型。四合院的布局原则，除了某些例外，可以说一直沿用了两三千年。
北京四合院是由大门、影壁、倒座、正房、厢房等若干单体建筑组合而成。它们的结构都属于中国传统建筑的木构架体系，甚至有些砖石结构也在一定程度上模拟木构建筑，并由不同的典型式样代表户主的身分地位。
重重院落相组合，从一进院的最基本型、到多进院以及数个多进院并列而成的大型住宅，虽有一定规律、尺度，但由于房基大小、形状、宅主财力与喜好以及承建工匠的技艺水平、风水先生的指点而各有千秋。
从广义上讲，北方四面房屋围绕中心院落的住宅很普及，但北京四合院有许多装饰独特的细部构件如门环、门敦儿、垂花门、天沟、清水脊、烟囱，使北京四合院有了独特的建筑风格和营造方式，形成特有的地域文化。
北京宅院内的吉祥物甚多，表现在外有影壁、门鼓、门簪，内有垂花门、游廊、室内装饰等建筑与物件上。宅院中的吉祥物包罗万象，如动物、植物、器物、符图、神人等。这些吉祥物深深地融合在北京人的心中。
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http://www.jianzhu01.com/Museum1007281669.htm
沃特迪斯尼音乐厅
1986年10月，由沃克（Walker）艺术中心主办一场有关他的作品的重要回顾展，此展览由明尼阿波里斯巡回至亚特兰大、休士敦、多伦多及洛杉矶，闭幕于纽约的美洲艺术惠特尼（Whitney）博物馆。1974年，他被遴选为美国建筑师协会（AIA）的学院会员。
他于1987年成为美国艺术与文学学会之一员，1991年成为美国艺术与科学学会的一员。 1989年，他获得普利策（Pritzk-er）建筑奖，同年被提名为在罗马的美国建筑学会理事。
1992年，他获得Wolf建筑艺术奖，并被提名为1992年建筑界最高荣誉奖的领奖人，此荣誉奖由日本艺术协会颁发。1994年，他成为Lillian Gish Award 的终生贡献艺术奖项的第一位得奖人。
同年，他被国家设计学院授予院士头衔。他获得加州艺术技术学院、Nova Scotia技术大学、罗德岛设计学校、加州艺术学院、及Parsons设计学校Otis艺术学院的荣誉博士学位。他同时也是美国艺术与文学学会Arnold W.Brunner建筑纪念奖的得奖人。
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http://www.jianzhu01.com/Museum1007281668.htm
丹麦哥本哈根方舟艺术美术馆
丹麦哥本哈根方舟艺术美术馆，建筑设计：Soren Robert Lund
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http://www.jianzhu01.com/Museum1007281667.htm
Nasher雕塑美术馆
美国Nasher雕塑美术馆，设计：Renzo Piano，2003年完工
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http://www.jianzhu01.com/Museum1007281666.htm
Tacoma艺术博物馆
Antoine Predock设计的Tacoma艺术博物馆（Tacoma Art Museum）位于美国华盛顿州Tacoma，完工时间：2003年。
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http://www.jianzhu01.com/Museum1007281665.htm
旧金山现代艺术馆
马利奥·波塔（Mario Botta），是最著名的瑞士现代建筑师之一，代表作旧金山现代艺术馆。
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http://www.jianzhu01.com/Museum1007281664.htm
Jean Tinguely博物馆
马利奥·波塔（Mario Botta），是最著名的瑞士现代建筑师之一，代表作Jean Tinguely博物馆。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040110265658_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040110265658_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040110265658_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040110265658_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040110265658_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281663.htm
沃夫茲堡现代美术馆
日本建筑大师安藤忠雄建筑设计代表作品，沃夫茲堡现代美术馆。
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http://www.jianzhu01.com/Museum1007281662.htm
京都府立陶板名画庭
安藤忠雄建筑设计作品－京都府立陶板名画庭
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http://www.jianzhu01.com/Museum1007281661.htm
香港公园
香港公园
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http://www.jianzhu01.com/Museum1007281660.htm
Casa da Musica音乐厅
Casa da Musica，波而图， 葡萄牙(1999-2005)
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http://www.jianzhu01.com/Museum1007281659.htm
西班牙马德里基字图书馆
西班牙马德里基字图书馆
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http://www.jianzhu01.com/Museum1007281658.htm
首尔剧院
这是由荷兰的建筑团队Nox设计的首尔（汉城）剧院Seoul Opera House，建在在与两座桥相连的岛上。因为首尔是一个多山的城市，他们的创意就从多峰排列的石头出发，运用了高蒂Gaudí的catenary悬索来构建结构，由结构点来拉起柔性的表面，这样就带来了更加多变的空间。根据曲面的走势，在不同的表面产生不同的效果，有的地方高反射，有的地方是透明的。高速路用透明抗噪的结构包裹起来，这样这个剧院就成了安静的港湾。
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http://www.jianzhu01.com/Museum1007281657.htm
Auditorio de Tenerife音乐厅
Auditorio de Tenerife音乐厅 位于西班牙 Canary Islands（加拿列群岛）的Santa Cruz 。
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http://www.jianzhu01.com/Museum1007281656.htm
东京都厅
东京都厅
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http://www.jianzhu01.com/Museum1007281655.htm
美国公共建筑 de Young博物馆
de Young博物馆始建于1895年，收藏了各个历史时期的各种流派的艺术作品，是美国西部最主要的博物馆之一。就像其藏品一样，博物馆建筑和其所处的环境——一处由沙丘改造而成的城市绿洲——对H&dM的设计有重大的影响，建筑师用一个“容器”将一系列保留自身地形景观边界的展厅压缩在一个单一的三层模具内。人们可以将其视为一系列彼此扣结的平行条带，公园的自然景观填充了其中的剩余空间，同时由于建造在一个单一独立的筏形基础上，建筑也可以被看作是一个被腐蚀的巨大实体。建筑师在简单直截的建筑体量内创造了错综复杂的空间序列，屋顶界线的微妙变形，塔楼的优雅扭转，亲切友好的内部庭院，以及咖啡平台上悬挑的屋檐，都使得这个金属盒子变得与众不同。铜质表皮是建筑最大的特色，从树叶照片抽象而成的巨大点画图案被投射到建筑表皮上，随着时间的流逝，风和阳光的氧化作用会使这些穿孔铜板获得属于自己的自然锈蚀艺术效果。在建筑内外，建筑师打破了原有的轴线对称关系，创造了一系列交叉轴线的非正交空间，使人们在不经意中从建筑的三个入口进入，并在不同的展厅之间游走。高起的教育塔楼在结构上独立于低层的展厅，塔楼顶部有一个观察室，参观者可以在这里俯瞰方形网格内的整个城市。
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http://www.jianzhu01.com/Museum1007281654.htm
加利福尼亚戏剧院
战区复杂的结合点,是一个混合使用的发展,将艺术与技术协作,通过创造独特创新和先进的战区. 背景颇具启发办公、零售、餐饮空间,其结果将是协调许多商业场所和艺术表现. 该项目还将提供给市民使用的领域包括了大量一方面,南面临广场和公园.
建筑面减少,原来计划分为密集100‘x100‘挤出堵塞,位置在北工地周围尽量南部曝光. 货量则调整两端容纳三种不同的戏剧空间环境三个信封. <东方方式是‘要‘垂直容纳量高,750个席位,‘圆的戏剧‘,利用城市的看法. 在西方,是形成90度扭曲,调整对角落使用的主要工具,现场陷入容纳两个层次,重点式剧场座位,以使其有能力为1650人围观. 轮换的数量和宽度可以有更大的空间让音响天然雕塑. 为推进土地的戏剧造成手指,外观成为竞技场. 两者之间的舞台戏院,是有多种空间结构. 最后,第三多用途剧场是直接定位在二十卷以上西方最顶尖的项目.
中央部分建筑,保留原有100‘x100‘节,是由五座玻璃密封的下层零售和办公以上. 不断连接外斜楼位于一系列玻璃砖零售量最终剧场两端连接的项目. 二级战区制具体坐落在两个大型流通Atria有光,让剧场与观众都认为是从不同的优势. 第三核心电梯位于市中心的建筑,连接各主要广场停车场停车水平,主要广场上的办事处以上. 正门位于南沿线周边的大型公共建筑附近的广场.
建筑结构体系主要是正交一系列具体范围,延长了系统的支持程度地下停车场. 其次要制度钢管这架包正交结构,进一步明确了建设和支持的外表面. 这种节奏和频率范围内的后果是要加强调整适应的建筑形式,三个剧场元素. 三、具体形式核心内的具体位置,支持东部最完整的戏剧结构图塔.
实际上,大部分的外观将是‘液体应用‘水泥地面,取得好的成绩声波孤立与高热能. 这两种物质是例外的大型公共atria插入地面差别最大的地区,并附房地产、胶合玻璃. 进一步,4‘x4‘窗口系统可同时加入南方大厦办公,提高了20个大‘板等固定范围沿北向自然采光充足.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040310510140_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281653.htm
加利福尼亚塔门
艺术大楼通道将包括拆除现有52351940平方英尺的两层砖石建筑改为新结构钢1486平方英尺. 位于著名的角落,站在路与民族大道、结构将成为一个入口‘通道‘,公布旅客对目前的发展结合点. 在未来讯息传递中介博览会轻大道全国铁路沿线,这一结构也将宣布从抵达到Culver市大洛杉矶大都会区.
根据项目的设想塔、72‘的高度,大约30‘不等. 塔的形式是由一系列圆锥形‘幕‘部分,每个测量10‘六"的高度,悬臂钢集团之间的紧张电枢束. 每一部分都是独特的脸. 这些表面的目的是要通过投影灯箱等媒体,实现出,视觉形式一起抓. 塔五层已在12‘间隔 每一个服务车外,一个封闭的玻璃电梯. 塔出土的基础,提供了入口景观.
结构工程师:工程、LosAngeles
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006040311015444_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281652.htm
广东美术馆
The Mountain with 4 Peaks will alter an essentially flat landscape by introducing a new land form or promontory which rises from four points out of the horizontal museum site. The land is to be modified - stretched - as if the earth were elastic, extending vertically from four center points that signify the four new museum gallery towers. As the land form grows, it extends west, connecting with the raised land form of the new Opera House. In a sense, the newly elevated ground separates the city from the river, and creates a raised platform of land from which to view north to the City, south to the River, east to the Museum, or west to the Opera House. Areas surrounding the raised earth will be grass, providing space for informal gathering, large outdoor exhibitions, parades, and public celebrations.
This conceptual landform - the Mountain with 4 Peaks - is generated by the 4 primary organizational gallery components in the museum program: Art, History, Nature, and Temporary. These 4 elements will become the 4 Glass Gallery Cubes or towers, each 45m x 45m x 45m, which contain the major exhibition and support spaces for each of the museum departments. Museum visitors walking east on the Long ‘Art‘ March enclosed by the Glass Forest, arrive at the museum entrance as the Glass Forest dissipates in the outdoor spaces between the 4 Glass Gallery Cubes. A freer, less precisely defined system of pedestrian access is also available to those coming on-foot from other directions, north, south, and east of the site, directly into the space between the cubes, onto the main entry walk, and into the Museum.
Running east and west along the top of the new ridge is the Long ‘Art‘ March, a linear pedestrian path 7 meters wide that connects the Culture and Art Square with the new Museum and the Opera House. This new walk will become the primary pedestrian route to the new museum. Paralleling the ‘Art‘ March is the new Glass Forest, a dense grouping of transparent hollow glass tubes -Glass Trees - that are aligned precisely on either edge of the pedestrian walk, and positioned more freely as the Glass Trees extend beyond the walk along the hillside. From the base of the raised land, this line of Glass Trees marks the presence of the walk. Both the 4 Peaks and the Glass Forest designate the terminus of the urban development moving south, and suggest an alternate landform and landscape, a new urban space and purpose - east to the Museum or west to the Opera House - a civic space for art and music, education and celebration.
GLASS FOREST
Running east and west along the top of the new ridge is the Long ‘Art‘ March, a linear pedestrian path 7 meters wide that connects the Culture and Art Square with the new Museum and the Opera House. This new walk will become the primary pedestrian route to the new museum. Paralleling the ‘Art‘ March is the new Glass Forest, a dense grouping of transparent hollow glass tubes -Glass Trees - that are aligned precisely on either edge of the pedestrian walk, and positioned more freely as the Glass Trees extend beyond the walk along the hillside. From the base of the raised land, this line of Glass Trees marks the presence of the walk. Both the 4 Peaks and the Glass Forest designate the terminus of the urban development moving south, and suggest an alternate landform and landscape, a new urban space and purpose - east to the Museum or west to the Opera House - a civic space for art and music, education and celebration.
The Glass Trees will be 7 meters high and .75 meters in diameter, measured from the surface of the re-configured earth. As the terrain varies in height the glass cylinders will telegraph the new profile of the land. In addition, the tubes will bend in the wind and echo the wind‘s sounds as storms move up and down the Pearl River. Poetically, the flexing and resonating tubes form a transparent glass barrier, responsive to the course of the wind, offering new views and sounds to the citizens of the City on their way to the new Museum or Opera House. The Glass Trees will not only reflect and refract sunlight, but will contain electronic fixtures that will light the walkway and the museum site.
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http://www.jianzhu01.com/Museum1007281651.htm
林肯大教堂(Lincoln Cathedral)
林肯大教堂的平面带有比较典型的英国特征:在教堂的西侧有类似修道院的回廊和议事堂,而且教堂的圣堂部位采用了矩形平面.教堂的西立面源自以前存在的罗马风建筑,经过加宽以后形成现在的门厅式格局在增建了两座塔钟以后,具有了哥特式建筑的一些特征.
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http://www.jianzhu01.com/Museum1007281650.htm
值此墨西哥José图书馆
墨西哥城国家图书馆不仅大大增加了城市中心. 独特的项目,具有理想的墨西哥政府知情、识字、国民生产. 值此图书馆José手段; "HaciaDeUNPaíslectores"对一个国家的读者,是结束.
有活力的文化知识,提升国民,造成思想推动经济发展,并积极参与正在进行的关于国家与世界事务会议讨论. 现代生产力是一个人口识字人口,其中必须有一个获取信息和思路,会重新成为墨西哥的未来.
福克斯总统Vicente管理,他告诉我们,而我们,应该注意. 他的目标是为国家民族扫盲计划,将体现在国家图书馆. 国家图书馆发展体系,创造了新的图书馆模式,扩大获得信息的墨西哥人民,大幅度增加对墨西哥的读者人数等等目标的墨西哥图书馆设计. 这是墨西哥的注意. 这些目标包括对美"人"墨西哥目前,图书馆如何使"人",墨西哥的前途.
敏感项目是我国传统的墨西哥文化,长期的、强大的历史和当前的问题. 该组织表示感谢,同时建议墨西哥城位于Librosdelos在广场YLibrosdeFerrocarrilles,新市区的公园大道年底. 展品主要用在人流通往火车站的火车每天35万车手将设计一个新的世界电子图书和资料. 我们计划提供图书馆、展览、演出、博物馆馆、餐厅、儿童的事件,最多样的教育教学设施、学习、理解和运用新的信息技术工具.
图书馆的书籍及以上数字信息. 图书馆是一个城市的缩影. 图书馆是中心,以支持和推进生命墨西哥公民提供了手段,使公民的不断更新和墨西哥文化,交流世界各地的信息. 国家图书馆将象征成就墨西哥的过去、肯定的巨大潜力目前,最丰富,提供了最有效的工具,对墨西哥人民的未来.
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http://www.jianzhu01.com/Museum1007281649.htm
魅力文化中心剧场新魅力
圣彼得堡市是一个世纪即将开始的第四届. 城市显得非常了解这个特殊意义的生日,企图找到一种方式来表达从过去到未来加速.
圣彼得堡是城市供水、用水的,一旦进入了稍显溪,景点水、长期冻结或发动全市河流和运河,是一项经常性和诗意的存在.
圣彼得堡是继承彼得伟大的顽强意志:作为一个新兴城市metamorphosizes沼泽冻结; 冬天的短日成为夏季的夜晚白色壮观; 城市规划和持久的显着,从18世纪开始,确定准备迎接1921.
团结两个在场的过去与未来的希望,是我们的意向项目,目前在圣彼得堡五月,2003.
新魅力旨在表彰和重新确认订购视觉基本方法,同时提出自己的魅力1求认同
大厅并不打算重复建设通用型. 而这三个单元原玻璃(共组成游说)调整意见,正是承认近及远、上网点,并考虑空间.
许多不同的历史建筑城中心2魅力并不受广大空地上,长角广阔前景的看法,有利于全面了解了新古典建筑及周边城市的空间.
乐具有非凡力量把人类各种情绪; 建筑也有能力反的辩证统一.
魅力2拟扩大现有的设施. 面对市民的戏剧应座位2000世界级表演厅、排练剧场座位300个,有200个座位的剧场外,市民慷慨大堂、戏剧店、餐厅屋顶. 新的生产设施的面积应容纳7单元分别进行,每一辆一辆XX14m,允许最复杂的集会时间和性能,包括举行四个务实歌剧一个晚上.
现有战区将获得这两个单元通过玻璃跨度桥梁的建议Krukov运河. 一桥将连接带来的新戏目前,第二会提供一个技术环节. 排练厅、服装设计与设施、行政办公室也将设在新体制.
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http://www.jianzhu01.com/Museum1007281648.htm
Queens Museum of Art博物馆
作为世界上最大的建筑模型,是一个有趣的复制品,包括所有的重点城市. 很容易看一段很长的时间,展现在眼前的城市活动的缩影. 这个展览是一项长期的馆所 纽约市建设 包括历史上著名的展览场地,并有特殊的回忆.
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http://www.jianzhu01.com/Museum1007281647.htm
西班牙Contemporanea当代艺术博物馆
西班牙圣地亚哥Centro Gallego de Arte Contemporanea当代艺术博物馆
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http://www.jianzhu01.com/Museum1007281646.htm
桂尔公园（Guell Park）
公园原本是要规划为花园住宅区，由高迪设计的台阶、喷水池、市场、广场、走廊等，华丽浪漫。
高迪也在桂尔公园用了许多碎瓷片镶嵌，艺术感强烈。公园里，他生前住过的房子，已改为高迪博物馆。
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http://www.jianzhu01.com/Museum1007281645.htm
Broward Center For the Performing Arts 剧场
Benjamin Thompson & Associates - Broward Center For the Performing Arts 剧场
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http://www.jianzhu01.com/Museum1007281644.htm
国家工艺品博物馆
该手工艺展览馆不定期地提供各种艺术类的讲座和展出。博物馆围绕中间的礼道，逐步展开沿人行主干道布置的一系列空间。
沿着中心道路，游客可以看到两边的主要展示内容，因此可以按照顺序参观不同的展区或只参观某个展区。不同的展区模拟了诸如乡村、寺庙和宫廷等印度传统空间。
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http://www.jianzhu01.com/Museum1007281643.htm
贾瓦哈·卡拉·肯德拉博物馆
贾瓦哈·卡拉·肯德拉博物馆位于拉贾斯坦邦的斋浦尔.建于公元18实际的斋浦尔是一个有着深厚文化积淀的城市,是印度的文化之都,让塔@曼观象台、风宫，以及发特普尔·西克里城等古迹均位于市内。城市平面布局以纳格拉哈曼陀罗为原型，并在此基础上结合地形以及内部功能，不断调整并趋于完整。
为了和城市的文脉取得联系，博物馆平面以印度古代神话中九大形星的曼罗陀形为创作原理，由九个正方形组成，入口处的正方形局部扭转。
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http://www.jianzhu01.com/Museum1007281642.htm
隅田文化站
隅田文化站位于一排住宅楼和小巷附近——保留下来的东京老城的一小部分。设计的第一个主题是认真考虑新建筑中大容量的需求与棘手的现存结构之间的关系，以便形成一种新的城市景观；第二个主题是在这个综合防治建筑结构里，通过“交流空间”的建立使各种活动联网。
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http://www.jianzhu01.com/Museum1007281641.htm
山梨水果博物馆
果物公园位于日本水果之乡——山梨县葡萄田中，其中的一部分被规划为水果博物馆。水果在为类文化史上时常伴随着美好的价值，有时还具有宗教上的意义。在设计这个水果公园的时候，设计师考虑到了我们今天面临的生态环境不仅包括社会的、物理的，还包括感性、知性、欲望等精神领域。通过这个设施的各项内容，建筑本身要表现围绕水果的一些思想。公园要作为环境生态学的机械装置同时又是表现精神、社会的诗意装置——这是该建筑所指向的目标。
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http://www.jianzhu01.com/Museum1007281640.htm
新泻表演艺术中心
新泻表演艺术中心们于信农川沿岸。新泻市是水边的都市，充满有趣的地形，有河川、浮岛，地面是由土填成的，设计者希望用人造的方式回复过去的活动。日本的许多民俗都传到些地，水道、柳树、艺妓都是新泻的象征。现在很多古道都消失了，长谷川想恢复到过去的辉煌时期。这里的地无法往下挖，所以把建筑都建在桥上，用桥和坡道把建筑和旧建筑、步道串在一起。为了达到除了还原给人步行的步道以外，也能恢复日本传统戏剧的目的，她做了许多相关的空间。
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http://www.jianzhu01.com/Museum1007281639.htm
萨瓦卡教堂
1974年，柯里亚受孟买教区大主教的委托，着手进行萨瓦卡教堂的设计工作。教堂由一系列庭院和室内空间组成，每一个室内空间都有相对应的露天庭院。朝向庭院的墙面均由旋转木门组成，在需要时可将其全部打开，使室内外达到最大程度的通透。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321310347_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281638.htm
圣雄甘地纪念馆
这个纪念馆建于撒巴麻提河畔。1917到1930年间圣雄甘地曾定居于此，并在这里领导了印度的独立战争，开始了他光辉的革命里程。
纪念馆的入口就设计在圣雄路上，但是场地入口并没有与建筑的入口直接相对，参观者要经过几次转折，在通往祷告平台的石板路上不经意间发现纪念馆的入口，从而在游走间对参观产生深切的期待。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042321410937_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281637.htm
天文学和天体物理学校际研究中心
宇宙的结构模型是建筑自古以来就一直想表达的事物，比如中国古代建筑就对“天圆地方”的概念有所体现。
研究中心由三个区域组成，两条道路穿越其中。中间区域是由教室、办公室和学者宿舍组成，东西两侧区域分别由会堂和终身教授公寓构成。
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http://www.jianzhu01.com/Museum1007281636.htm
伊斯兰艺术博物馆
1998年，阿卡文化基金会在卡塔尔首都多哈举办了伊斯兰艺术博物馆的竞赛。
波形外墙壁是设计表达的又一个主题，通过扭曲的红色花岗岩来表达强烈而动荡的伊斯兰教文化。外墙壁是一个三角形的天文馆形态作为结尾，来颂扬伊斯兰文化对科学和天文学的巨大贡献。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322150854_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281635.htm
印度巴哈文艺术中心
建筑座落在一个坡度缓和的山坡上，向下可俯看整个博帕饵湖。场地周围视野开阔，多为低层建筑。
艺术中心的各个部分通过漫游式的路径联系起来，不同的建筑空间都在游客的不经意间展现出来。通过坡道或台阶，人们可以来到屋顶花园，屋顶花园与绿树成荫的下沉庭院所组成的公共空间就象一个地坪标高不断变化的室外展场。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322213543_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322213543_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322213543_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322213543_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042322213543_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281634.htm
Auditori音乐中心
基地的尺度开阔、边际不规整，而且外围环境迫使它必须是严谨、约束的。这对于将要设计这座建筑的人，是相当有挑战性的。而现在建成的这座建筑是完全符合要求的。它由两座音乐厅组成，一个可容纳610人，另一个可容纳2340人，并且具备了这类建筑所要求的其他所有功能空间。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042323145430_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281633.htm
戴维斯博物馆和文化中心
这个四层建筑包括有：一个出版研究办公室、一个有电梯直达的会议研究室，一个存放长期藏品的储藏室，一个可容纳168位的、装备有电影和电子媒体演讲设备的柯林斯电影院及其内部咖啡店，建筑物还设有儿童照料区域，职工工作空间及办公室等等。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042400130651_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281632.htm
国家罗马艺术博物馆
博物馆的设计避免了对罗马式建筑的完全复制，它是倾向于引导观光客进行游历的尺度，一种极其开敞自由的空间尺度。这样，充满古罗马文化气息的马德里无疑被推上了它的全盛时期。当然，设计者对原本的罗马建筑形制也给予了适度的借鉴，事实上是委托方要求他们要尽可能地使新建筑接近掩埋在其下的罗马残骸。
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http://www.jianzhu01.com/Museum1007281631.htm
库塞尔音乐中心
该建筑不仅融合于整个外围环境，而且注重内部关系的衔接与平衡。如办公室、饭店和音乐室这样的功能用房被置于建筑的屋顶平台上，由于屋顶平台是完全开敞的，琐碎的空间被排放在主体空间之外，这样就可以为音乐厅、展览厅、会议室等主要功能空间的入口腾出舒适、宽敞的环境。通向停车场的踏步同样也是避开了广场上的信息厅和售票处而布置的，消除了主要交通流线的冲突。
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http://www.jianzhu01.com/Museum1007281630.htm
鲁汶大学校园图书馆
在建筑的周围，有三面被毁的长廊、接待室以及教务大楼的一部分建筑。一座新的单层建筑环绕着长廊，围合出一个庭院，目的在于使新旧尺度和谐。
图书馆实现了建筑师的构想：承传历史，享受现在。在校园中将现代社会的需求同中世界残骸完美结合，创造出一个温馨、和谐的学习空间。
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http://www.jianzhu01.com/Museum1007281629.htm
佩拉尔和琼·米罗基金会美术馆
建筑的线型元素也与通往工作室的小路平行伸展。幽雅的白色墙面在迷人的海平线的衬托下更加让人流连。墙，仿佛那条小路的起点，使游人跟随着它的引领，得到意外的收获——一个美丽的，开阔的广场。
走进室内，建筑的主体是一个美术馆。它收藏了米罗一生的重要作品。照明设计便是这个空间的重点。尽管参观的空间时而宽敞、时而狭长，然而，自然的光线仍能够在这些布展的墙体间自由地流动。
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http://www.jianzhu01.com/Museum1007281628.htm
圣索菲亚大教堂
这座教堂极具现代化的味道，其纪念碑状的造型，尤其是东边，与11实际罗马式教堂有着异曲同工之妙。硕大的钢筋混凝土墙屏壁般地矗立着，尽管支承屋顶的钢架被无情的包裹起来，代以木制的天花板，反而更直白地表现了砌体的稳重与力度。相比较石材的僵硬和冷清，金属与木材所具有的轻巧骨感和人情味道在这里被表现的淋漓尽致。
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http://www.jianzhu01.com/Museum1007281627.htm
大岛町图画书博物馆
设计此项建筑的目的是为了适应该城镇日渐扩大“ehon”文化活动的需要。从设计开始到建筑方案的确定，目的都是既要激发当地居民的著书方面的积极性，又要将“ehon”作为扩大社区活动的一种媒体。
在城镇平坦的地形上，设计得想创造一个具有神奇能力，外形像小山似的空间，以此作为一种文化“磁场”。由于该地形被乡村小路分隔成三个部分，三座小山也就自然形成。这些场地从入品点根据高度的顺序排列，形成了斜向透视，并向远离建筑场地东北角的树林延伸。在通往风景地带的路边，设置了一个简单的，像船一样的通风棚架。
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http://www.jianzhu01.com/Museum1007281626.htm
西班牙银行支行大厦
这座新的银行支行办公楼，是极具空间品质的建筑物。或者说，如果你愿意，可以把它看作一个别具特色的保险箱，金钱在这里的运作是极其流畅和透明化的。由于工作极度精密，设计师必须解决终端及所有的人和交通的运作问题，避免拥挤和故障造成的混乱、不安全因素的发生。
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http://www.jianzhu01.com/Museum1007281625.htm
2000年博览会荷兰馆
荷兰是一个人口密集的国家,有着优厚的福利政策和良好的民主传统。它同时给出世人做出了一个很好的榜样：怎样让环境来适应它的需求，一个在那个时代从海洋赢得更多土地的国家。也许在不久的未来，空间不只是通过增大国家的面积来获得，而同时应通过在垂直的方向而争取。这种革新也许在很多其他国家也同样适用，它引发了一个全球性的课题。人口密度的增长能保证生活质量的同步提高吗？
类似的努力正是莅对世博会生态领域的特殊贡献，这看起来像对生态问题一个简短但特别的回顾，一个对现代科技、商业社会、沥青和机器世界的批判
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http://www.jianzhu01.com/Museum1007281624.htm
林茨的会议展览中心
林茨的会议展览中心的业主是林茨的市政当局。在一次市长的讲话中，他宣布他将建设一个能够展示当地经济和地域文化的展览中心，以此来进一步发展城市中心地区。六年后，这座建筑由奥地利长官主持剪彩仪式，开始使用。
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http://www.jianzhu01.com/Museum1007281623.htm
塞纳约基市中心
塞纳约基市中心方案由三个广场一次组成；第一个是教堂前广场的延伸；第二个是在图书馆和市政厅之间，只准步行的矩形广场，广场旁边坐落着剧院；第三个是一个穿过市中心西部的星壮广场。，在这里阿尔托尝试在道路的交叉口创造出连续的交通流线。
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http://www.jianzhu01.com/Museum1007281622.htm
电子媒体演示艺术中心
就像在这个竞赛项目中呈现的一样，电子媒体演示艺术中心对于这座城市以及对于学术界来讲都是一座多维建筑。它被设计得易于进入，把校园的感觉一直延伸到了学校最西端，从哈德森河往下看非常显眼。这一带的地形允许人们从中间进入这座建筑，访问的人们同时看到上下左右，一种三维的感觉油然而生。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042616004137_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042616004137_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042616004137_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042616004137_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042616004137_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281621.htm
昆士兰热带博物馆
昆士兰热带博物馆是昆士兰博物馆的延伸。它聚焦于昆士兰历史的四个主要方面：本土文化、海事历史、自然历史和珊瑚收藏。
这栋建筑反衬出了镶嵌在令人想起船难的支离破碎的模型里面的盒子，儿童陈列馆和教育区以及公共设施和咖啡馆则位于更有生气的地方，而在博物馆码头一侧的狭槽中还能瞥见内部的医务区和储藏区。
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http://www.jianzhu01.com/Museum1007281620.htm
尤里卡围栏运动纪念中心
尤里卡围栏运动纪念中心的建设显而易见是为了纪念澳大利亚历史上意义重大的一幕——尤里卡围栏运动。那是在1845年，为了抗议警察的野蛮行径和高额的赋税，400名金矿矿工和500名军人之间发生了一场血腥的战争。
虽然这场运动的确切位置没有被确定，但是在设计中，各个部分分别代表了事件发展的各个阶段。
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http://www.jianzhu01.com/Museum1007281619.htm
迪恩美术馆
迪恩美术馆是一个带给人们惊喜的场所。对它有如此之高的评价，或许是因为它的外表古典缺又幽雅，其容纳的展品璀灿夺目。由于该建筑是被纳入古建保护项目的，所以法雷尔只是对其外面的场地进行了新的规划；并设计了内部展品的陈列事宜。
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http://www.jianzhu01.com/Museum1007281618.htm
密尔瓦基美术馆新馆
尔沃基美术馆位于密执安湖畔，粼粼波光似乎是全球各地很多博物馆建筑不约而同偏爱的环境条件。正对着地段西面，是当地的重要干道，林肯纪念大道。我们在设计时沿着大道的方向新建起了一条拉索引桥，跨度长达73米，把人们的视线直接引导到了新建的建筑上来，笔直地正对着新美术馆的主要入口。
我们在美术馆在户外部分也设计了一组遮阳的百页，但没有把百页全都放进玻璃窗的内侧去。在桅杆下面设置了大面积的玻璃屋顶，罩着的就是上下两层门厅后身共通的中庭空间，还把另一部分的遮阳百页放在室外，直接串在了桅杆上，如同一叶纤细的羽毛片。随着一天里时间的流转，白驹过隙的感受也荡漾在这片羽毛间，它会随时跟着阳光调整自己的角度，如有灵性，在城市中静谧的湖边悄然微颤。
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http://www.jianzhu01.com/Museum1007281617.htm
拉斯韦加斯图书馆及儿童博物馆
拉斯韦加斯图书馆及儿童博物馆
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http://www.jianzhu01.com/Museum1007281616.htm
台北縣立十三行博物館
台北縣立十三行博物館
座落地點：台北縣八里鄉，台灣
建築設計：孫德鴻建築師事務所
完工時間：2002
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http://www.jianzhu01.com/Museum1007281615.htm
通衢艺术大厦（Gateway Art Tower）
Gateway Art Tower
Culver City, California
The Gateway Art Tower will involve the demolition of 5,235 square feet of an existing 1940’s two-storey masonry building to be replaced with a new 1,486 square feet steel structure. Situated at the prominent corner of Hayden Avenue and National Boulevard, the structure will function as an entrance ‘Gateway’, announcing the arrival of visitors to the ongoing Conjunctive Points development. With the future MTA Exposition light rail line along National Boulevard, this structure will also serve to announce the arrival into Culver City from the larger Los Angeles Metropolitan area.
The project envisions a light tower, 72‘ in height, and approximately 30‘ in diameter. The form of the tower is composed as a series of conical ‘screen‘ segments, each measuring 10‘-6" in height, stretched between a cantilevered steel ring beam armature. Each conical segment is unique. The intention is for these surfaces to be backlit through projection, or other media, to achieve a glowing, visually arresting sculptural form. The tower has five floors at 12’ intervals, each serviced by one exterior stair, and one glass enclosed elevator. The base of the tower is excavated to provide a landscaped amphitheater.
Structural Engineer: Arup, Los Angeles
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http://www.jianzhu01.com/Museum1007281614.htm
广东博物馆（Guangdong Museum）
Guangzhou, China
The city of Guangzhou is growing at an unprecedented rate, particularly in a southern direction toward the Pearl River. The site area of the new Guangdong Museum and Opera House offers a unique planning opportunity to resolve this rapid urban growth where the expanding city meets the Pearl River, and to provide residents and visitors to the city with a new and unprecedented experience of art and culture.
We propose two conceptual design metaphors for the planning of the museum site: First, the Mountain with 4 Peaks and second, the Glass Forest. These two new organizational ideas will resolve the intersection of the expanding city, the Culture and Art Square, the Museum site, and the River, offering the citizens of Guangdong province a powerful and compelling sequence of spaces for promenading, exhibition, performance, and landscape in the intermediate zone where the city ends and the river begins.
MOUNTAIN WITH 4 PEAKS
The Mountain with 4 Peaks will alter an essentially flat landscape by introducing a new land form or promontory which rises from four points out of the horizontal museum site. The land is to be modified - stretched - as if the earth were elastic, extending vertically from four center points that signify the four new museum gallery towers. As the land form grows, it extends west, connecting with the raised land form of the new Opera House. In a sense, the newly elevated ground separates the city from the river, and creates a raised platform of land from which to view north to the City, south to the River, east to the Museum, or west to the Opera House. Areas surrounding the raised earth will be grass, providing space for informal gathering, large outdoor exhibitions, parades, and public celebrations.
This conceptual landform - the Mountain with 4 Peaks - is generated by the 4 primary organizational gallery components in the museum program: Art, History, Nature, and Temporary. These 4 elements will become the 4 Glass Gallery Cubes or towers, each 45m x 45m x 45m, which contain the major exhibition and support spaces for each of the museum departments. Museum visitors walking east on the Long ‘Art‘ March enclosed by the Glass Forest, arrive at the museum entrance as the Glass Forest dissipates in the outdoor spaces between the 4 Glass Gallery Cubes. A freer, less precisely defined system of pedestrian access is also available to those coming on-foot from other directions, north, south, and east of the site, directly into the space between the cubes, onto the main entry walk, and into the Museum.
GLASS FOREST
Running east and west along the top of the new ridge is the Long ‘Art‘ March, a linear pedestrian path 7 meters wide that connects the Culture and Art Square with the new Museum and the Opera House. This new walk will become the primary pedestrian route to the new museum. Paralleling the ‘Art‘ March is the new Glass Forest, a dense grouping of transparent hollow glass tubes -Glass Trees - that are aligned precisely on either edge of the pedestrian walk, and positioned more freely as the Glass Trees extend beyond the walk along the hillside. From the base of the raised land, this line of Glass Trees marks the presence of the walk. Both the 4 Peaks and the Glass Forest designate the terminus of the urban development moving south, and suggest an alternate landform and landscape, a new urban space and purpose - east to the Museum or west to the Opera House - a civic space for art and music, education and celebration.
The Glass Trees will be 7 meters high and .75 meters in diameter, measured from the surface of the re-configured earth. As the terrain varies in height the glass cylinders will telegraph the new profile of the land. In addition, the tubes will bend in the wind and echo the wind‘s sounds as storms move up and down the Pearl River. Poetically, the flexing and resonating tubes form a transparent glass barrier, responsive to the course of the wind, offering new views and sounds to the citizens of the City on their way to the new Museum or Opera House. The Glass Trees will not only reflect and refract sunlight, but will contain electronic fixtures that will light the walkway and the museum site.
LONG "ART" MARCH
The Long ‘Art‘ March and Glass Forest conclude in an open area at the center of the 4 glass towers in a large contemplation and seating space that surrounds the walk and the museum entrance. Here, in this intermediate zone, visitors will be seated on stone benches - no longer in the City; not yet in the Museum - viewing the Glass Forest, the Glass Gallery Cubes, the ‘Art’ March, and down through the glass roof below them into the Museum’s Central Hall below. This is a sequestered, introverted space, enclosed by the 4 Glass Gallery Cubes and the Glass Forest, with concrete seats on a descending glass cavity, but open to the sky. The sloping glass surface will also catch and re-circulate the rain, offering from time to time a transparent and wet surface as inclement weather descends on the Museum site. Performances and exhibits here are also possible. The sense of the commercial city dissipates and the sense of the museum‘s presence becomes primary in the contemplation zone.
The Central Hall on the main floor is a flexible, multi-purpose area spanned by the entry bridge above, where huge, temporary exhibitions will be installed, or large audiences assembled in temporary bleachers for dance, music or dramatic performances. From the primary exhibition floor one looks up and out through the central glazed area, past the stone seats in the contemplation space above to the 4 Glass Gallery Cubes and Glass Forest beyond. The Glass Forest tubes provide shafts of directed natural light to the main space where possible. Additionally, the Glass Trees, lit electrically, will provide directed light to the exhibits on the floor below and light the night sky and the glass walls of the 4 Glass Gallery Cubes.
Each floor in each of the 4 Glass Gallery Cubes is divided into public circulation and gathering areas / naturally lit exhibition areas, and a grouping of artificially lit gallery spaces of varying sizes and number [depending on the tower and its curatorial requirements], each enclosed by a service envelope, also varying in size. The service component holds utilities, storage, and display and exhibit space that can serve either the gallery interior or the public exterior area. This intermediate service zone separates the public circulation/exhibit area from the galleries, and is designed to provide support for both sides. The galleries house the primary museum collections and are lit, heated, cooled, and protected mechanically. There is no natural light in the interior gallery spaces.
The public circulation floors provide a variety of spatial configurations that accommodate many forms of permanent displays, temporary installations and exhibits, or computer guided monitors that are not compromised by natural light. Small gatherings on the open public floors or happenstance talks by docents or lecturers are also possible. The interior galleries are organized orthogonally which allows for the assembly and disassembly of temporary or permanent exhibits on the grid or off, and allow ceiling, wall, or floor lighting or all types. The collections are always protected from exposure to direct, natural light. The intermediate service zone is always accessible from both the public circulation side and the interior exhibit areas.
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http://www.jianzhu01.com/Museum1007281613.htm
联点剧院建筑群（Conjunctive Points Theater Complex）
Conjunctive Points Theater Complex
Culver City, California
The Conjunctive Points Theater Complex is a mixed-use development that will synergistically join art and technology through the creation of unique and innovative state-of-the-art theaters. Set against the backdrop of intellectually stimulating office, retail and restaurant space, the result will be numerous coordinated venues for commerce and the expression of the arts. The project also will provide substantial areas for public use including an amphitheater, south-facing plaza, and park.
To minimize the building footprint, the program was originally organized into a dense 100’x100’ block extrusion, positioned along the North perimeter of the site to maximize southern exposure. The volume is then adjusted at either end to accommodate three different types of theater environments within three distinct spatial envelopes. To the east, the form is ‘bent’ vertically to accommodate a high volume, 750-seat, ‘theater in the round’ and to take advantage of city views. To the west, the form is twisted 90 degrees, adjusted toward the corner of the primary vehicle access, and plunged into the site to accommodate a two-level, thrust-type theater with raked seating and a capacity for 1,650 spectators. The rotation allows for a greater width volume and gives the space a natural acoustic sculpturing. The push of the theater into the site creates an indentation that becomes an exterior amphitheater. By positioning the stage between the two theaters, a variety of spatial configurations is afforded. Finally, a third multi-use theater is positioned directly above this volume at the vaulted western-most tip of the project.
The central portion of the building, which retains the original 100’x100’ section, is occupied by five glass enclosed retail blocks on the lower floors and office space above. A continuous exterior ramp connects a series of floors located within the glass retail blocks ultimately connecting the theater volumes at either end of the project. A secondary system of theater-specific circulation is located within two large glazed atria, allowing theater patrons to both see and be seen from the variety of vantages. A third elevator core is located in the center of the building to connect the parking garage to the main plaza level, and the main plaza level to the offices above. The main entrance is located along the south perimeter of the building adjacent the large public plaza.
The primary structural system of the building is a series of orthogonal concrete frames that are extended up from the system supporting the subterranean garage levels. A secondary system of bent steel pipe frames wrap this orthogonal structure, supporting and further articulating the building’s exterior surface. The rhythm and frequency of these frames is intended to reinforce the consequences of the adjustment of the building form to accomodate the three theater elements. Three concrete core blocks and a cruciform concrete frame positioned to support the eastern-most theater tower complete the structural diagram.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006050815533344_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281612.htm
墨西哥城国家图书馆巴斯孔塞洛斯大楼（José Vasconcelos Library of Mexico）
José Vasconcelos Library of Mexico
Mexico City, Mexico
José Vasconcelos Library of Mexico –
– Not Just A Building
The National Library of Mexico City is not simply a significant addition to the city center. Uniquely, the project carries with it the aspirations of Mexico’s government for an informed, literate, and productive citizenry. José Vasconcelos Library is the means; “Hacia un país de lectores” [toward a nation of readers] is the end.
A literate citizenry elevates and enlivens the culture, generates ideas that propel the economy, and vigorously engages the on-going discourse on national and world affairs. A productive contemporary population is a literate population, one which must have access to the information and ideas that will re-constitute Mexico’s future.
The Administration of President Vicente Fox has told us to what he [and we] should pay attention. His goal for the nation is a national literacy program that will be manifest in the National Library. Developing the national library system, inventing a new public library paradigm, expanding the availability of information for the people of Mexico, and substantially enlarging the number of Mexican readers – these are the objectives of the Library of Mexico design. This is where Mexico’s attention is focused. These goals tell us both “who” Mexico is now, and how the library will enable the “who” of Mexico’s future.
Our project is sensitive to the traditions of Mexican culture, its long, powerful history, and its current concerns. It acknowledges and extends the organization of Mexico City along the proposed Avenida de los Libros, in the Plaza de Libros y Ferrocarrilles, and in the new urban park at the end of the Avenue. Using exhibits along the primary pedestrian circulation route to the train station, the design integrates 350,000 daily train riders in a new world of books and digital information. Our project offers the library, exhibits, performances, museum galleries, restaurants, children’s events, and the most diverse educational facilities for teaching, for learning, and for understanding and applying the new tools of information technology.
The library is more than books and digital information. The library is a microcosm of the city. The library is the center that will sustain and advance the lives of Mexico’s citizens and provide the tools that will allow those citizens to continually renew the culture of Mexico and to exchange ideas and information world wide. The National Library will symbolize the achievements of Mexico’s past, affirm the vast potential of its present, and most imaginatively, offer the tools to a most productive future to the people of Mexico.
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http://www.jianzhu01.com/Museum1007281611.htm
马林斯基文化中心，新马林斯基歌剧院（Mariinsky Cultural Center, New Mariinsky Theater）
Mariinsky Cultural Center, New Mariinsky Theater
St. Petersburg, Russia
St. Petersburg is a city about to begin its fourth century. The city seems highly conscious of the significance of this particular birthday, intent on finding a means to express an accelerating transition from past to future.
St. Petersburg is a city on the water, in the water, once accessed from the Neva River, and the sights and sounds of water, perpetually freezing or in motion in the city’s canals and rivers is a constant and poetic presence.
St. Petersburg is the inheritor of Peter the Great‘s indomitable will: a frozen swamp metamorphosizes as a new city; the winter’s shortest days become the summer’s spectacular White Nights; and a remarkable and enduring city plan, begun in the 18th century, and defined by the 19th prepares to welcome the 21st.
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http://www.jianzhu01.com/Museum1007281610.htm
马林斯基文化中心（Mariinsky Cultural Center, New Holland）
Mariinsky Cultural Center, New Holland
St. Petersburg, Russia
Samitaur Constructs, Developer
St. Petersburg is not an assemblage of discrete buildings. Rather it is a chronology of monumental spaces that sweeps one along from plaza and canal to building and monument. Buildings originated in different eras and were built in various styles. But the consistent lessons are scale and power. There is no consigning the asymmetry of those public spaces to a sedate conclusion. To architecturally intervene in the area is to exploit its spatial message. The tradition of long diagonal views and expansive public space is open ended. There is room for more.
The reconstitution of New Holland is not merely a location for new building “events” in the historic center of St. Petersburg, but rather an attempt to understand the site as an extension of the existing organization of the historic district. The city’s historic center consists of a linear arrangement of the Winter Palace and Hermitage, Palace Square with Alexander’s Column, the Admiralty, and St. Issac’s Cathedral along a west-east axis. The grand tree-line dnogvardeiskiy Boulevard continues west from these landmarks and terminates at New Holland, making it a pivotal site in St. Petersburg that can both continue the cultural corridor as well as create new ones.
SITE
Circumscribed by canals, New Holland’s triangular site is approximately 74,000 square meters. Old brick warehouses, long used for shipping, define the east and west edges in a construction language already familiar to the city center. A brick circular structure, formerly a prison, occupies the northwest corner. The proposal for New Holland is to sequester the cultural facilities behind the newly rehabilitated brick structures.
The northeast corner of New Holland will open to pedestrians moving west from Palace Square, or from the subway exit just east of New Holland. These pedestrians will proceed across bridges into New Holland, through a large exhibit hall on the corner and into the open-air performance space beyond.
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http://www.jianzhu01.com/Museum1007281609.htm
皇后区艺术博物馆（Queens Museum of Art）
Queens Museum of Art
Queens, New York
RECOLLECTING FORWARD
The design strategy for the Queens Museum of Art uncovers the organizational strengths of the original building and simultaneously suggests new prospects for public participation, exhibition and performance.
SITE
The New York City Building was constructed as the cities pavilion for the 1939 World’s Fair. From 1946 to 1950 the building served as the first home of the United Nations before moving to it’s current location. The building was once again used as New York City‘s pavilion in the 1964 World’s Fair. The Queens Museum of Art was founded in 1972 in the northern half of the building, and is now expanding into the entirety of the New York City Building.
THE MAIN EVENT
The initial design gesture is surgical - the center portion of the building is removed exposing the panorama enclosure as a primary solid. Steel roof trusses remain and a re-enclosed central volume surrounding the panorama becomes the spatial main event for public promenade, art display, music performance, dramatic presentation and a multipurpose space for artist expression. The original floor is removed and the earth excavated, leaving a bowl, gently sloping toward a theoretical center at the base of the panorama. Temporary seating, oriented toward the panorama, can be placed within the bowl and exhibits can be mounted variously over the sloping surfaces.
THE HIGHWAY
Pedestrian circulation on the site has been redirected from the Beaux Arts axis, passing around the perimeter of the new event space, viewing the exhibits without actually entering the museum. The intent of this cross-purpose, “short-cut”, circulation is to expose the broader public to contemporary art.
THE MAGIC MOUNTAIN
The earth excavated from the bowl is re-used, stacked as a linear, acoustic mountain east of the museum on the edge of the parkway. The mountain will become a sculpture garden viewed from the museum, from passing automobiles and most importantly from along a pedestrian walkway, re-directing the public from the zoo, over the mountain/sculpture garden into (or through) the main event space.
THE DRAPE
A laminated glass “drape” re-encloses the main event area. The glass will be transparent, translucent, or opaque by turn depending on the exhibits within. Glass color is controlled by low voltage wires, which alter the glass from clear to opaque white.
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http://www.jianzhu01.com/Museum1007281608.htm
伞式阳台演出场（The Umbrella）
The Umbrella
Culver City, California
The Umbrella was originally designed as an outdoor performance balcony for the “Green Umbrella,” an experimental concert series put on by the Los Angeles Philharmonic Orchestra. The fundamental design intention was to provide an outdoor venue for a small number of muscians who would perform on the balcony for an audience seated below. The interior was designed to accommodate numerous different performance arrangements from multiple small venues to a 30 to 40-person orchestra.
PERFORMANCE SPACE
The Umbrella itself is a cascading series of laminated glass panels mounted on a steel structure over the open-air platform and stairs. The glass was arranged to both shelter the musicians and enhance them acoustically. A large portion of the project site adjacent to the building was to provide space for moveable stages, and flexible seating arrangements for audiences, performers, or additional musicians. The Umbrella has served as both a stage and a backdrop for many affairs, such as the American Heart Association meeting and the American Planning Awards ceremony.
OFFICE SPACE
The Los Angeles Philharmonic left the project when the Disney Concert Hall in downtown Los Angeles was revived. The building is now the headquarters of a major internet and graphics design company. The building program was substantially revised, eliminating the interior performance space to accommodate the new tenant. Because of how the company functions, the interior programmatic requirements included a wide range of uses from open production areas, private offices, conference areas, exhibition areas, and kitchens to the highly technical avid bays for film editing. Avid bays are typically small rooms with low ceilings. The three avid bays in the Umbrella are large open rooms with high ceilings that provided an enjoyable work environment as well as providing a more versatile room for future uses.
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http://www.jianzhu01.com/Museum1007281607.htm
因斯剧院（Ince Theater）
Ince Theater
Culver City, California
The Ince Theater is to be situated within an existing parking lot contained on three sides by existing structures at the eastern edge of a newly developed Culver City downtown. Once built, the parking lot will be relocated underground and the site transformed into a public park. The theater will seat 450 for live performance and cinema. The roof will accommodate 80 people as an amphitheater focused toward an exterior projection screen salvaged for a soon to be demolished drive-in theater.
The theater form originates with the conjunction of three spheres. Irregular surfaces insulate the exterior cinemas acoustically, deforming the roof sphere. Another series of acoustic panels amend the internal geometry of two spheres below.
The theater has space for a small orchestra, a proscenium, and a below stage space for props and dressing. An over-sized lobby may finally include theater related offices.
A pedestrian bridge connects a large adjacent building over the street to the theater roof. The theater is accessible down a ramp from the surrounding park or down a stair from the adjoining street. There are interior and exterior stairs to the roof, so it’s possible to climb all over the theater, to access both inside and outside from various points on the site.
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http://www.jianzhu01.com/Museum1007281606.htm
维希街露天剧场（Vesey Street Turnaround）
Vesey Street Turnaround
Battery Park, New York
Multiple uses are anticipated for the proposed theater at Vesey Street Turnaround in Battery Park. And multiple interpretations are plausible.
The project is an open-air amphi-theater-in-the-round with outdoor projection platform and large video screen. The theater accommodates small scale performances of various kinds held night or day. The facility can be used like Hyde Park as a forum for purveyors of current wisdom(s) to stand up and yell. Below the outdoor stage is an enclosed back stage accessed by two stairs, one on either side of the stage. Two large spaces below grade adjoin the staging space, with roofs formed by the bleachers above. Between the retaining walls and bleachers, vertical glass plains enclose the rooms. So activity below grade is observable from the park. The two rooms can hold a variety of uses depending on how the surrounding neighborhood evolves. Town meetings, discussions, lectures, or films are possible. But these spaces could also transform as restaurant/bar or retail/commercial facilities.
Access to the below grade area is through two excavated slots where pedestrians descend gradually on walks and stairs. The first of these slots extends the line of Vesey Street west; the second extends north, anticipating pedestrian traffic form a proposed new office complex, a third axial line runs diagonally from the north/north-east (extending the proposed walk from the adjacent site), slicing the bleachers to access the outdoor seating.
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http://www.jianzhu01.com/Museum1007281605.htm
威尔斯·费高广场
原 名 称：Wells Fargo Plaza
威尔斯·费高广场位于休 士顿的商业中心区，有完善的交通工具处和全天候地下行人道系统连接。天蓝色的玻璃帷幕使大楼别具深度的感觉。大楼设有名为"天空大堂"(Sky Lobbies)的双层观景台给公众欣赏景观(有限定的开放时间)。大楼低部就像一个硬币的形状。
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http://www.jianzhu01.com/Museum1007281604.htm
太陽信託廣場(SunTrust Plaza)
大樓的實際高度是265.5米，連同電訊桿的高度達274.9米。由國際享有聲譽的建築師約翰‧帕文(John Portman)設計，這個設計方案是該項建築計劃的設計競賽優勝作品。
這棟大樓原名為桃樹中心一期(One Peachtree Center)，是前桃樹中心項目的一部份，1997年，太陽信託銀行(SunTrust Bank)收購了多數的樓層，使大樓重新易名為太陽信託廣場，而整個桃樹中心項目亦重新命名為太陽信託廣場項目，大樓內有零售店和停車場。
太陽信託廣場的每層面績由21,500至27,000平方英尺，提供多種面積的辦公室供客戶使用和選擇，每層都可提供36間能欣賞景觀的獨立辦公房間。這棟平面呈多角的四方形建築物，使每一個小方形的空間都能看到窗外城市多角度的壯麗景觀。大樓頂部的結構獨特，像玻璃績木砌出的階梯金字塔。
大樓的大堂擺放了很多藝術品，包括該大樓之建築師約翰‧帕文(John Portman)的雕像。
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http://www.jianzhu01.com/Museum1007281603.htm
第一波士頓廣場(One Boston Place)
位於波士頓商業金融區的第一波士頓廣場，建於1970年，41層共183.2米高，是波士頓天際線的主角之一。提供782,031平方英尺的建築面積，大樓以全黑色的玻璃幕牆和混凝土覆面。玻璃幕牆併砌出一排排的幾何斜線圖案，像古典的拼花圖案。
第一波士頓廣場被喻為建築藝術的傑作之一，在美國建築業介得到很好的評價。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006053115595656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006053115595656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006053115595656_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281602.htm
聖家堂(Sagrada Familia)
上帝的建築—堪稱高第畢生代表作的聖家堂， 整體設計以大自然諸如洞穴、山脈、花草動物為靈感。他曾經說：「直線屬於人類，而曲線歸於上帝。」聖家堂的設計完全沒有直線和平面，而是以螺旋、錐形、雙曲線、拋物線各種變化組合成充滿韻律動感的神聖建築。
奉獻給勞動者的守獲神—聖約瑟夫的聖家堂，於1882年以新哥德式風格在都市計劃區的東北邊啟建。翌年由高第接手，生前的最後四十年歲月幾乎都投注在教堂工程上，不但做了模型研究，甚至籍由鏡子反射來觀測效果，就連外觀上的雕像都是依真實模特兒來雕塑。這座在創意和野心上都屬龐大工程的教堂雖至今仍未完工，但光是這95米長、60米寬，估計可容納萬名信徒的規模，就足以撼動人心。
教堂共計18座高塔，以中央170米高那座代表耶穌基督，其周圍將環繞 4座130米，代表4位福音傳道者的大塔樓，北面的一座後塔將有140米高，代表著聖母馬利亞，包括「榮耀立面」在內，目前沒有一座是蓋好的。其餘分別置於各立面共12座塔代表耶穌的十二門徒 ，名有100米高。
教堂東、西、南側的「誕生立面」(Facana del Naixement)、「復活立面」(Facana de la Passio)、「榮耀立面」(Facana de la Gloria)，目前只完成前ニ道；描述基督降生的「誕生立面」出自高第之手 ，連同北面後龕的牆壁於1912年完成；描寫耶穌與十二門徒最後晚餐的「復活立面」，線條簡潔的巨大雕塑則是約瑟夫‧薩巴拉奇斯(Josep M. Subirachs)於1990年完成的作品，耶穌赴場一景中的士兵形像，是參考米拉之家屋頂的雕塑所創。
高第將「誕生立面」安排在教堂東方，自有其喻義；每早由東方昇起的太陽照耀著「誕生立面」，代表著生生不息的奇蹟。不管熟不熟悉聖經故事，門上栩栩如生的人像雕塑、繁複的細節，都會教人嘖嘖驚歎。據說高第為了要求雕像的姿勢、律動都和真人一模一樣，還拿人骨做研究；雕像的臉孔也不是憑空想像，而是由街上找來模特兒，再依照片去製模。在其中一扇門兩旁各有一隻海龜背負著側柱，是高第引東方海龜有長壽之意，像徵耶穌永生。諸如此類的寓意與傳說，更增添了教堂的可看性。
教堂內有電梯直達112米高的塔頂，在此遊客可將巴塞隆納市容收入眼底。若體力許可的話，最好能沿著螺旋梯拾階而上，別有一番感受。地下室為一間小小的博物館，展出聖家堂的藍圖、模型，也能看到高第為「誕生立面」所作的素描、石膏模型，更能體會他為求逼真所付出的心血。
由於高第的建築設計圖曾毀於火災，後續建築困難重重，根據保守估計，聖家堂還需要200年的時間才能完工。這一天會不會到來甚至還是個未知數，不過巴塞隆納人仍驕傲視之，滿心期待21世紀即將完成的「榮耀立面」；聖家堂深獲民心的昂然豐彩，非得親眼一睹，無以領受深刻的悸動。
交通：乘地鐵於Sagrada Familia站是最方便前往的方法。
地址：Calle Marinara
開放時間：每日.4-8月：9am~8pm；3月,9-10月：9am-7pm；11-2月：9am-6pm
導覧服務：10-3月11:30、13:00、16:00、17:30(10月該場次取消)，11-2月周一、五-11:30、13:00
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http://www.jianzhu01.com/Museum1007281601.htm
哥倫布紀念塔(Monument a Colom)
哥倫布紀念塔為阿爾契(Rafael Arche)設計。1888年為萬國博覽會(Universal Exhibition)所建，就位在蘭布拉斯大道盡頭，左右兩條賓海大道也匯集於此。60米高塔頂端佇立著意氣風發的哥倫布雕像，為西班牙開啟航海霸權的這位深險家，的確受到西班牙人愛戴。升降梯通往柱頂瞭望台供遊人登高覽景。
交通：乘地鐵於Drassanes站下車前往是最便捷的方法
地址：Placa del Portal de la Pau
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http://www.jianzhu01.com/Museum1007281600.htm
沃吐巴教堂(Wotruba Kirche)
建於1965至76年間的沃吐巴教堂，坐落於維也納森林的邊緣，造型完全現代化。外觀由一堆形狀不一的混凝土塊和玻璃向上延伸，燈光便從這兒流洩出來，給人簡潔和震撼的印象，此乃雕刻家沃吐巴(Fritz Wotruba, 1905-75年)的傑作。從各個角度來看，各具不同的風貌，並帶有強列的雕塑效果。
地址：Lainzer Tiergarten, Hietzing
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http://www.jianzhu01.com/Museum1007281599.htm
烏爾姆大教堂(Ulmer Mnster)
烏爾姆敏斯特大教堂長126米，寬52米，共有三座塔樓。東側雙塔並立，西側教堂主塔高聳入雲，十分壯觀。烏爾姆建造一座大教堂的計畫始于1377年，同年6月30日埋下基石。1392─1419年當地建築師恩辛格(UlrichEnsinger)主持建造磚石架構的教堂主，設計高度156米，但經過恩辛格極其兒孫三代人接力賽的努力，仍未能實現設計者的願望。
15世紀末以後，該教堂的建造斷斷續續，幾經反覆，一代又一代留下姓名的建築師和難以計數的石匠參與壘建教堂主塔，直到1890年在建築師拜爾(AugustBeyer)的主持下終于實現了恩辛格的設想。
教堂主塔高度達161．6米，超出舉世聞名的科隆大教堂4.6米。1944年，一枚流彈將教堂主塔穿了個窟窿，戰后，修復工程歷時10年，到1970年基本恢復原貌。
教堂主塔在70米、102米、143米高度設有環型平台，768級台階盤旋而上，通道僅一人多寬，兩個胖子側身也不能同時上下。站在塔頂平台可以俯視多瑙河和愛因史丹誕生地的全貌，當地人稱這座教堂不僅是上帝賜給他們的榮譽，而且是數代工匠留給后人的傑作，失而不能複得的珍寶。
相關網站http://www.muenster-ulm.de/
地址：德國巴登-符騰堡州(Baden-Wuerttemberg)烏爾姆市(Ulm)
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http://www.jianzhu01.com/Museum1007281598.htm
濱海藝術中心(Esplanade–Theatres on the Bay)
新的藝術聖殿新加坡濱海藝術中心沿濱海灣河口佔地六公頃，為30幾年前即開始構思的計劃。1992年，新加坡與英國共同組成的設計團隊聯合各專業顧問提出模型草案。其中，海藝術中心的屋頂設計最具特色，同時也最受爭議。兩主要劇場上方，由玻璃天窗所包覆的鋼構屋頂為建築師欲呼應地方屋頂特色所強調的型態，此造型已被暱稱為蒼蠅眼、大榴槤或是倒過來的籃子。由4,590片玻璃所組成的屋頂遮陽罩，依據新加坡日照環境的模擬計算設置。這座耗資六億新加坡幣的複合藝術中心於2002年10月12日正式開幕。
當走近建築體或是穿梭於其中時，你將可以感受到一股歡樂節慶與充滿期待的氣氛。透明而具高度視覺穿透性的門廳面對著市中心與廣場，白天及傍晚都展現出其獨特動人的魅力。
藝術中心包含有五個表演空間：一個音樂廳及四個劇場，同時並提供有封閉式的大廳廣場、團體的排練空間、辦公室、購物中心、餐廳及戶外表演空間。 藝術中心劇場外三層樓高的濱海購物坊(Esplanade Mall)占地8000平方公尺，設有各式藝術紀念品、流行時尚、家居用品等商店和餐廳。位於3樓的濱海表演藝術圖書館(library@esplanade)，分為音樂、舞蹈、戲劇和電影等四大主題區，收藏華人、英國與新加坡等地作品，包括5萬5千本表演藝術的藏書、樂譜、影片、劇本、唱片、手稿等。
相關資料：esplanade.com
面積：80,500平方米
地址：1濱海公園通道(Esplanade Drive)
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http://www.jianzhu01.com/Museum1007281597.htm
佳密清真寺(Masjid Jame)
位於敦巴拉路薩瑪德蘇丹大廈附近，是馬來西亞最古老的清真寺，它是由一群發現鍚礦的人所建造的，所在地正是巴生阿及高和麥河會合處，在1908年由公共事務調查局助理建築師亞瑟‧班尼生‧胡貝克設計建造完成建築風格深受印度文化之影響。
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http://www.jianzhu01.com/Museum1007281596.htm
菩提南微曼梅宮(Phra Thi Nang Vimanmek)
曼梅宮被喻為雲中之宮 ，這座三層高的大宅原為1868年建造，作為寇西章(Ko Si Chang)島上的夏宮。1901年時它被遷移到了杜喜(Dusit)，並且不久就成了拉瑪五世最喜愛的一座宮殿，而在1902~06年之間成了皇室的住所。1935年時被封閉，直到1982年，詩麗吉皇后才因為慶祝曼谷200年紀念而將它重新開放，作為博物館供人參觀。
雖然該宮的建築風格很明顯受到歐洲的影響，但基本上還是根據泰國的傳統來興建，用上了金色的柚木，且沒有一根釘子。
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http://www.jianzhu01.com/Museum1007281595.htm
紅樓劇場
紅樓劇場位於台北市西門町，建於1908年，距今已有九十多年的歷史。它曾經是全台灣第一座示範性的公營市場，也曾是說書場與表演藝術的重鎮、西門町的電影娛樂的中心，卻在1970年代以後幾乎遭人遺忘；1997年台北市政府指定為三級 古蹟。2002年3月由紙風車文教基金會承接經營管理，7月26日重新開幕風華再現。
一樓紅樓文化展覽館設有文化展覽區與紙風車cafe，是以現代藝術與常民文化激盪出的創意空間；而與紅樓有關的老照片、電影放映機…，也運用裝置藝術概念重新包裝，以生活、趣味的展覽方式散佈在整個場域裡。紙風車Cafe，咖啡香陣陣撲鼻，提供大家輕鬆選擇的休憩空間及餐點服務。
紅樓劇場二樓百年紅磚及支撐建築結構的大鋼樑原貌重現，讓第一次踏進紅樓劇場的民眾每每讚嘆不已……。週末夜晚八點開演的茶館劇場，特製的木質桌椅席位、觀眾一坐下來，服務人員就會送上免費熱呼呼的傳統茶飲，讓觀眾以最休閒的方式來欣賞精采演出。每星期日開館的紅樓假日茶館，只要一百元的茶資，讓您可以輕鬆享受在古蹟泡茶的樂趣及體驗百年紅磚之美。
地址：台北市西門町成都路10號
開放時間：星期二~星期五AM11:00~PM10:00
星期六~星期日(國定假日)AM10:00~PM10:00
休館時間：星期一休館
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http://www.jianzhu01.com/Museum1007281594.htm
台北故事館(Yuanshan Grand Mansion)
日治時代，台北大稻埕茶商陳朝駿先生在一九一三年到一九一四年，在美麗的台北市基隆河畔圓山地區，蓋了圓山別莊這一棟英國都鐸式風格的洋樓，招待當時台灣仕紳以及海外來的貴賓。
別莊落成時，正是日治中期，當時政府為建立台北成為政治、金融及學術教育的中心，有計畫地擴建台北市街，鋪設環城三線林蔭大道；並且引進各種歐洲建築風格，加以混合、變化，使得此時的台灣建築展現了極為繁複的特色。圓山別莊正是在這樣的時代風潮下建造的。
建築設計風格，一樓以磚造作為承重牆，二樓為木結構，利用曲線、垂直、水平的木條構成二樓牆外樹枝狀優美的壁面，此為英國「都鐸式」常用的特色。別莊的樓梯宛如一座小塔，塔樓屋頂採用銅瓦鋪成，銅瓦歷久產生銅綠，因此留下歲月痕跡。入口閣樓上有綠、黃、紅三色的彩繪玻璃，室內有造形優美的壁爐兩座，及大量流行於二十世紀初，富含大自然、花草圖案的「新藝術」風格凸花磁磚和吊燈。這樣的建築型式，在台灣現存的古蹟中，十分罕見。
別莊經歷過很多的轉變，台灣光復後，曾經是前立法院院長黃國書先生的住宅，也曾經作為藝品館展售用途，一九七九年被台北市政府徵購後，交由台北市立美術館管理，並且在一九九○年成立美術家聯誼中心，一直到一九九八年，圓山別莊終於被指定為市定古蹟，也開始進行調查及修復的工作。
台北市政府文化局以推廣古蹟再生為理念，於二○○二年委請陳國慈律師贊助成立「台北故事館」，二○○三年正式開幕，為台北市增加一個生活藝文空間，以各種活動型態來推展台北城市生活文化豐富的面貌。希望國內外觀眾能重溫城市昔日美好的回憶，啟發你我一起重視歷史過往、欣賞古蹟的美。
地址：台北市中山北路三段181-1號
開放時間：古蹟服務時間：週二至週日10:00~18:00 / 故事茶坊服務時間：週二至週日10:30~10:30
休息：週一
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http://www.jianzhu01.com/Museum1007281593.htm
台北孔廟
台北孔廟是1925年由台北地方士紳募款，聘請泉州名匠師王益順設計建造，由於規模宏大，工程分期實施，至1939年完成中軸線各殿建築。按原計畫尚有左畔的明倫堂及朱子祠，右畔的武廟及奎樓未續興建。
台北孔廟值得留意的是「大成殿」，面寬五間，進深六間，外型比例勻稱，體積龐大但仍具秀麗之美。結構方面，柱列分配與艋舺龍山寺大殿如出一轍。左右廊多置一根山柱，柱列顯得較富節奏，殿內中央裝置八角形藻井，兩側裝平頂天花，天花中央以欄杆框成長方形井，其上再覆以斜格露明天花，這種形式類似街屋中之樓井，殊為罕見。屋頂採歇山重簷，上簷的斗拱較疏鬆，不施吊筒，但翼角處卻出現尾頂柱，立於博脊之上。儀門部份亦值得一提，棟架斗拱曾有彬司派的匠師參與，所以雌虎拱門。
孔廟主祀中國最偉大的老師──大成至聖先師孔子，以及歷代的先賢、先儒。由於孔子崇尚樸實，所以孔廟的建築較簡單樸素，不像一般廟宇有華麗的裝飾，連門口也沒有放置石獅，孔廟以大成殿為主，站在大成殿外，可看到中間的屋頂上，有一對圓筒，叫做「藏經筒」。在中國古代歷史上，秦始皇為了便於統治，所以實施愚民政策，曾經燒毀書籍、殺害讀書人，當時讀書人為了把書籍保存下來，就在屋頂上蓋了個像煙囪的藏書筒，把書藏在那裡，來避免被燒毀的命運。所以孔廟也建有藏經筒，以表達對當時讀書人愛書精神的敬佩。同時，在前方屋頂上，有梟鳥的雕飾。梟鳥是一種既不孝順又殘暴的鳥，可是孔子也對牠施予教化，所以梟鳥雕飾，是代表孔子「有教無類」的精神。
另外，位於兩邊階梯的中間，有一塊刻有龍身浮雕的斜面台階，叫做「御路」，是當時皇帝或神明上、下殿堂時的踩腳石。還有，孔廟所有的柱子、門窗和其他的寺廟不同，上面都沒有文字，據說這是表示沒有人敢在至聖先師孔夫子門前賣弄文章。而且廟中也沒有塑像。在古代，孔廟原有孔子塑像，但因雕刻技術不同，有些塑像無法表現孔子神態，所以明太祖時，就下令以後新蓋的孔廟，都以牌位取代塑像;到明嘉靖皇帝，則下令撤消全國孔子像，完全使用牌位。從此以後，雖然改朝換代，卻都依循這項規定，使孔子因沒有神像的神化，相對地更突顯出人格的偉大。每年的九月二十八日，是孔子誕辰紀念日，當天清晨會舉行隆重的祭孔大典，並在大成殿外的月台上，由學生表演八佾舞，來表達對孔子的崇敬。祭典過後，會有許多人爭著為子女或自己拔智慧毛(牛毛)，象徵祈求子孫增長智慧、求學過程順利。
地址：台北市大龍街275號
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http://www.jianzhu01.com/Museum1007281592.htm
台北忠烈祠
忠烈祠位在圓山飯店旁，背倚青山，面臨基隆河。建於西元一九六九年，佔地廣大，主建築型式仿北京故宮太和殿，雄偉壯麗宏偉，象徵著烈士們成仁取義的大無畏精神。圍繞於忠烈祠四周的一萬餘坪的青草地，在群山的拱衛中，營造出一種清幽而肅穆的氣氛，更烘托出建築物的莊嚴。祠內供奉從中華民國成立前的革命烈士，到在抗日戰爭及國共戰爭中犧牲的三十三萬將士官兵，全都被供奉於此。歷年忠勇犧牲的烈士牌位，在大殿四面牆上，展示著英勇烈士的遺照及事蹟。每逢春秋兩季，均由國家元首率領文武百官前來致祭。訪華友邦元首及政要也都會來此獻花致敬。每年十月，忠烈祠更擠滿了海外歸國華僑的參觀團體。值得一提的是，忠烈祠大門前站崗的衛兵，個個酷似雕像，任你百般捉弄，仍是一臉嚴肅，可見訓練之嚴謹！常令聚集觀看的遊客們稱奇讚賞，而每小時衛兵交接換哨儀式，更是蔚為特色，值得一看。
地址：台北市中山區北安路139號
開放時間：為每日上午九時至下午十七時止﹔假日與節日亦同。〈但3月29日及9月3日開放半天；3月28日及9月2日不開放〉
衛兵儀隊交接時間 ：第一場每日上午9:00開始，後每一整點交接一次，惟每日最後一場交接提早至16:40舉行。
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http://www.jianzhu01.com/Museum1007281591.htm
中正紀念堂(CKS Memorial Hall)http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006061415524145_23.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281590.htm
路思義教堂(Luce Memorial Chapel)
路思義教堂(Luce Memorial Chapel)是位於台中東海大學校區內，1954年陳其寬和貝聿銘合作此一建築案，1956年8月之後教堂的一切事物都由陳其寬負責。當初規劃東海大學校舍採用中國四合院的傳統形式，但是在第一期校舍工完成後，貝聿銘來台在成功大學建築系演講時，有學生問他為什麼沒有創新的樣式，因此對於教堂才有了新的考慮。
陳其寬於教堂設計及施工簡述中，曾對設計旳考慮有如下描述：「教堂乃全校精神之所寄，為易於申仕校各處皆能視及，並便於應用起見，擬議應為一較高之建築物，且位於校園之中心，是為目前之地點。校園車向台中平原，盡收眼底，遠吞山光，氣象萬千，教堂坐西朝車，適得其宜。教堂座席容四百五十人，為全校師生半數，座席在堂之車，神壇則位於西端，晨曦自車窗而入，朝會時，神壇浴於晨光之中，當亦有助於神思。至於教堂之形式，因思泰西各國，各時代之宗教建築，無不殫精竭智，傳當時之人力、智力、物力以赴；及其成，冶當時文化於一爐，雖歷千百年，後人瞻仰，當時情景可反映無遺。是以東海之教堂，亦必以為鵠的，期能在此建築中，反映吾國文化傳統，揭示基督博愛犧牲之旨意，且兼具此時代之創造能力與精神。」
建築設計
貝聿銘起初想用磚砌哥德式的建築，但因台灣多地震而取消此意，後來由陳其寬以六角形底座像「倒船底」的形狀，逐布修正形成現在的教堂造形。
教堂外觀由四片面組合，於屋脊分開，構成一線形天窗，四片曲面之屋基與屋脊，兩邊為直線，所形成的曲面，稱為圓錐體(Conoid)雙曲面，使屋簷曲線更具有美感。由於曲面內部應力沿曲度方向進行，使內部無彎折力產生，曲面厚度遂可減少，內部增加交叉的補助小樑，用以承受複雜的結構力量。
教堂結構材料最初擬議採用磚砌牆面，後擬改為木造，最後才決定採用具可塑性的鋼筋混凝土。在教堂屋面外部用瓷磚瓦，採用黃色富有我國宗教建築性質，菱形瓦和月部交叉的格子樑，構成形狀呼應的視覺美。瓦分為兩種，每隔一層瓦上有凸出的釘頭，借此釘頭形成的線條，來增強雙曲面的曲度。
地 址：台中市中港路三段181號,東海大學
交通：遊客可走中港路直抵校門口；或搭乘台中客運22、47、103、106 路，在東海大學站下車；或搭乘仁友客運38路進入校區。
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http://www.jianzhu01.com/Museum1007281589.htm
日本松本表演艺术中心
日本松本表演艺术中心
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http://www.jianzhu01.com/Museum1007281588.htm
日本爱知世博会特色建筑
3月27日，在日本爱知世博会长久手会场，日本汽车工业会采用50米级别大型观缆车布置展馆，使观众体验场内外、地与天互换的乐趣。这种设计在世博会历史上尚属首次。以“自然的智慧”为主题的本届世博会，展馆建设大量应用现代科技成果，突出环保性和功能性，反映出人类对自然美的孜孜追求
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006062014402255_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006062014402255_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006062014402255_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006062014402255_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006062014402255_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281587.htm
大阪城天守閣(Osaka Castle)
400多年前，一心想統一天下的豐臣秀吉用15年的時間所建的天下名城，在歷史上曾經遭到戰火、雷擊，多次重建。昭和6年(西元1931年)，在大阪市民熱情捐款之下，以鋼筋水泥重建天守閣，大阪城開始變成觀光勝地。
建築設計
我們現在看到的天守閣是西元1931年重建的，可說是歷史上的第三代。經過西元1997年完成的「平成大改修」，將外表和結構依原型整修，白色外牆、青綠屋瓦，繞著黑邊與金箔裝飾，嶄新的天守閣，保留原有的莊嚴穩重，又增添了些貴族的華美。
50幾公尺高，8層樓的建築，閣內展示的是豐臣秀吉的相關歷史資料，以及大阪城各時期的復原模型。3樓有一座原寸金碧輝煌的黃金茶室，5樓是大阪夏季之戰圖屏風，沿著牆並裝設了一排小螢幕，以微縮模型的立體影像放映，一格一格描述夏季之戰情節。從8樓的展望台往下看，整個大阪城一覽無遺，也可以360度環繞眺望大阪市區。夜幕低垂時的天守閣，燈火相映襯托，格外的壯觀雄偉。
相關網站：大阪城天守閣
地址： 大阪市中央區大阪城1番1
開放時間：9:00─17:00
休息：12/28─1/1
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http://www.jianzhu01.com/Museum1007281586.htm
康諾特廣場(Connaught Place)
1921年，Connaught公爵參觀印度首都德里，此時新德里的"首長建築設計師中心公共工程部門"正好完成一個令人興奮的計劃案，所以這項目以Connaught公爵為名，稱為康諾特廣場(Connaught Place)。康諾特廣場(Connaught Place)是為歐洲人和富有的印度人所設立的購物中心。形狀像一個巨大的甜甜圈中央花園中心。廣場的特徵是廣大有列柱陽臺，整個建築物裡外互通，並且有8條馬路從廣場散發去。 康諾特廣場座落於新德里北邊，廣場中央為噴泉水池，夏季時有照明設備。噴泉周圍林木扶疏，地 下建有公共廁所，是市民日常休憩的公園。
康諾特廣場內環的建築物，分別以A-F編成6 區，外環則分別以G-N編成6區。廣場周遭林立著銀行、航空公司、飯店、電影院、觀光局、郵局、各省物產經銷中心、書店、巴士，以及各式各樣的餐廳和商店。
康諾特廣場附近的餐廳，包括有Cafe 100 、Keventer‘s 、Potpourri、Amber、 Glory、Ginza...等印度式、中國式和日本料理餐廳。
地點： 新德里康諾特廣場
旅館部分包括有：Palace Heights、 Nirula‘s、 Jukaso Inn 、York 、Fifty Five、 Le Marina、Central Court、 Central Point...等。
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http://www.jianzhu01.com/Museum1007281585.htm
天文台─疆塔爾曼塔爾(Jantar Mantar)
疆塔爾曼塔爾天文台位於Sansad Mg.，是印度傑‧辛格二世（Jai Singh）王公所建造的，完成於1725年，裡面設置有太陽刻度盤、星球儀...等各種觀測儀器，迄今仍十分準確。
天文台周圍花木扶疏，是一座美麗的公園。經常可見附近的印度上班族，坐在草地上聊天、休憩。
疆塔爾曼塔爾旁邊，林立著銀行和航空公司，對面是The Park 飯店，距離不遠處就是觀光客雲集的詹帕特街購物區。
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http://www.jianzhu01.com/Museum1007281584.htm
印度門(India Gate)
印度門位於拉加帕特街(Raj Path.)東邊的道路中央。印度門樣式模仿凱旋門，高約42公尺，是為了紀念第一次世界大戰死亡的9萬名軍人所建的，牆壁上刻有13500名陣亡將士名字。
印度門到總理官邸之間的拉加帕特街，是一條筆直寬敞的道路，每年1月26日，印度國慶閱兵都在這條道路舉行。印度門周邊，還有兒童公園、國立現代美術館、國家運動場...等。
負責設計印度門的建築師是愛德溫‧紐恩(Edwin Lutyens )和赫伯特‧彼卡(Herbert Baker)。
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http://www.jianzhu01.com/Museum1007281583.htm
印度國家博物館(National Museum of India)
位於拉加帕特街與詹帕特街(Janpath)交會處，外觀是典雅的白色建築，內部設備完善。國家博物館裡面展示有印度古代、中世紀和現代歷史文物，包括寺院雕刻、神像、佛像、民族服飾、武器、織品、銀器、繪畫、古董...等。博物館內設有導覽服務，每天5個梯次，每天有3場影片觀賞，周末、周日和假日放映5場。
地址：11 Janpath
開放時間：10：00－17：00
休息：星期一
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http://www.jianzhu01.com/Museum1007281582.htm
杜拜國家博物館(Dubai Museum)
是杜拜少數幾個提供當地歷史文物的地點之一。博物館建於古Al-Faheidi城堡內，這座用於海防的古堡於19世紀初建造，現在是杜拜最古老的建築物。博物館最棒的部分在城堡底下，從庭院左邊角落一直往下走，就進入了時光隧道：有和實際尺寸一樣的古市集，栩栩如生的鐵匠、珠寶商和裁縫師。沿著街道繼續走，可以看見孩童在學校裡背頌回教經書。博物館裡還有像好萊塢製片廠一般的怪異場景：真實大小的駱駝、綠洲、營火，讓你感覺如同置身沙漠。
地址：Al-Faheidi路上，離Dubai Old Souq四條街遠。
開放時間：週六－週四的8：30－19：30，週五13：30－19：30。
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http://www.jianzhu01.com/Museum1007281581.htm
圣约翰大教堂
圣约翰大教堂
时间：1991
地点：美国，纽约
纽约的圣约翰大教堂工程是卡拉特拉瓦参加竞标时构思的作品，它从中世纪建筑中汲取了很多灵感。坐落于曼哈顿西部(哥伦比亚大学附近)的主教大教堂的修建始于l 892年，原本是要设计成世界上最大的大教堂，可是一直没有完工——西侧的塔楼、教堂地下室和北侧耳堂的立柱、尖顶以及南侧的耳堂没有建成。
卡拉特拉瓦没有把设计局限在原有的设计构想中，而是把建筑作为整体考虑。他提议设计新的花岗岩与石灰岩支柱作为现存的柱基，以完成北侧的耳堂工程，再为南侧的耳堂设计一个全新的建筑体系。大教堂原来的空间被重新安排了，生物亭被安置在屋顶空间，对着天空。一座轻型的建筑就这样建成了。每一个三角形的镶板都能围绕着垂直轴旋转，这样窗户
就可以在打开的同时保持其外形的完整，而且雨水、光线与空气可以直接进入花园中。这座空中温室成了大教堂气候控制体系的一部分，屋顶的新鲜空气可以直接进入中殿和教堂的地下室。生物亭花园还让来访者可以纵览城市的景观。
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http://www.jianzhu01.com/Museum1007281580.htm
紧急处理中心和Pfalkeller画廊
紧急处理中心和Pfalkeller画廊
时间：1988～1998
地点：瑞士，圣加仑
由于建筑地点列在联合国教科文组织指定的世界遗产名录中，所以设计需要尽可能地维护历史风貌。
卡拉特拉瓦折叠结构的创意在这里得到了极大地发挥。中心屋顶的设计第一次采用了类似肋的板条和可移动的机械屋顶。虽然有着强烈的现代高科技特色，但是建筑在周围古建筑群中却并不显得突兀。屋顶采用了厚7毫米、重达2吨的钢化玻璃材料，以拱形屋脊为支撑。
卡拉特拉瓦设计中富有动态诗意的主体常常与天上或水底世界的事物相关。这项工程与声名远扬、历史悠久的修道院相邻，后来改变现代西方建筑风格的古罗马建筑师维特鲁威的手稿就是文艺复兴早期在这个修道院里被发现的，卡拉特拉瓦的动态主题巧妙地融合周围这种古典神秘的环境之中
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http://www.jianzhu01.com/Museum1007281579.htm
Nomadic博物馆
Nomadic博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070414195350_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281578.htm
丹麦Ordrupgaard园林博物馆
丹麦Ordrupgaard园林博物馆，Zaha Hadid设计
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http://www.jianzhu01.com/Museum1007281577.htm
Sayamaike历史博物馆
“我试图创造一种适合于位动态展示顺序的规模” Sayamaike历史博物馆位于一个人工湖，可追溯至7世纪，作为农业建水库的防洪设施
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http://www.jianzhu01.com/Museum1007281576.htm
纽约科技艺术馆
纽约科技艺术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070515535433_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070515535433_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070515535433_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070515535433_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070515535433_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281575.htm
Verla Museum博物馆
Verla Museum博物馆
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http://www.jianzhu01.com/Museum1007281574.htm
玻璃影像画廊
玻璃影像画廊
时间: 1990
地点: 荷兰
玻璃影像画廓是受荷兰Groningen市委托，为其音乐电影节建造的一个临时建筑，现在这个建筑成了Groningen市博物馆的永久收藏品。
由于预算非常少，这个建筑就是一个非常简单的矩形盒子，而且只采用一种材料——玻璃。这个建筑用于展现抽象的没有实体的电子影像，那它需不需要像大多数当代建筑一样拥有一个永久性坚固的外观呢?这个影像画廊是被设计成一个静态的、闭合的黑盒子，像传统的电影院那样?还是一个外面挂满广告牌，亮着霓虹灯的放大的“客厅”?抑或是一个新的“形式”，可以将先前发生在家里、酒吧里的事件搬到大街上?
这个影像画廊是建筑师关于建筑“封套(env‘elope)”概念的第一个实验品。它是关于穿行这个建筑的运动，关于完全由玻璃、垂直支撑和水平向的桁条组成的这个闭合结构的讨论。建筑内部的显示器就构成了变幻多端的立面，玻璃继而反射各种幻象，暗示了无限的空间。到了晚上，整个建筑就完全变成了光与影的世界，让人不禁对哪里是真实哪里是幻象产生不解，甚至怀疑这个画廓本身是否是一个真实的存在，抑或只是错觉。
玻璃影像画廊同时寓示了当今的城市空间，一个同样充斥着各种媒体，同时被各种煤体所反映的空间。长长的显示器组成的墙就像充斥着大型背投电视的商业街，画廓里公开放映的色情录像带就像城市里的红灯区。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616170249_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616170249_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616170249_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616170249_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616170249_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281573.htm
东京国立歌剧院
东京国立歌剧院
时间：1986
地点：日本．东京
在这个重要的国立音乐表演中心的项目中，传统的设计方法，“形式服从功能(form
follows function)”、“功能服从形式(function follows form)”甚至“功能服从虚构(formfollows fiction)”统统被颠覆，取而代之的是把传统的剧院结构打散以创造新的调式和声音。
必要的功能空间被安排进了•些程序化的长条中，每个长条中部包含一定的功能。
这些长条平行列置，各自独立又互相影响。
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http://www.jianzhu01.com/Museum1007281572.htm
MoMA扩建
MoMA扩建
地点：纽约
要想完成把MoMA(Museum 0fmordem Art，纽约现代艺术馆)扩建成一个2l世纪的博物馆这一巨大的工程。都市化的装饰、建筑学审美学的策略是必不可少的。为了把这一庞大的工程高度概括，屈米归纳总结了一系列的思想精神。这项工程就是在这样一个框架基础上完成的。这是一个关于花园式建筑的概括，将古典与现代的理念融会贯通于一体。随后对这一概念性的结构进行了电脑程序的检测。
屈米自述：
(1)有两条街道的环绕的博物馆：53大街的平静、连贯的气质，是构成我们设想的基础。这一切通过两条街的街面表现了出来(包括54街那些浅褐色的玻璃窗构成的花园围墙)。作为设想的一部分，书店，咖啡厅，饭店，电影院的出口开在53街，我们修建了两个主要出口，一个是连接53／54大街的宽大进口，还有一个就是1939年修建的。从第五大道看去，MoMA仍是一个街道式的博物馆，景象十分壮观，简直就是一个位于北边的空中花园。
(2)宽大的内部空间：由此产生了一条别具一格的游览路线，人们在游览参观艺术品的同时，会感觉到显示世界并没有远离他们。新的MoMA简直就像是一个大城市，连接着许多不同的广阔的空间。
(3)令人惊奇的屋顶花园：实际上花园的上部与主体是相连的，几乎在整个主题空间展开。
(4)我们不仅要保证公共空间的连续和宽畅，同时还要考虑办公空间的连续性。这是通过一个单通道的电梯实现的。管理人员可以用它来进入会议室和研究中心。身份在游客和管理人员之间的那些人，也就是学者们，他们也可以使用那个位于Goidenwin和Stone之间的双层玻璃后面的图书馆。
(5)主要与次要展厅的位置的反转：通过把核心展厅放在边缘，我们确保了最好的空间和最佳的光线，把次要的放在中间，我们得到了最恰当的灵活性。对传统理念的反用已经应用到空间概念上了。在中心与边缘的结合处，我们可以用来作为长期或短期的学术交流活动。
(8)可供取舍的多项选择：在53／54的多个出口，还有传统的出口．-It；上选择，十分漂亮的屋顶花园还有匪夷所思的悬臂空间，使得北边的建筑焕然一新。为了着眼与未来，如果要继续向西扩建的话，办公区和展览区都可以顺势向西延伸。
(9)展览品的目录、简介和创意设计可以在书店中找到，公共告示牌子上列出一些展览表，学者在其前自由地讨论，交换意见。博物馆的书目检索可以在网上找到，还可以找到仅供会员使用的聊天室。工作人员配备了足够的计算机，可以在相同的办公室里为许多游客服务，解答各种的问题。
(10)博物馆大街：有许多富有主题思想的书店，设计商店和快餐店。商人们利用博物馆的特殊人文气质，抓住了很好的商机，吸引了大量的顾客，许多展厅散落在街面的零售商店中，这种独特的风格吸引了更多的顾客。在花园里，餐桌随处可见，成了名副其实的“会餐胜地”。
(11)为了满足人们对艺术影片的需求，在雕塑花园的旁边又建了四座电影院，放映从档案室租来的电影胶片，讲座、辩论和学术期刊的发行也为在这举行的主题电影节增色不少。
(12)现代的档案室：考虑到要保存几乎整个20世纪的艺术品在技术上存在的困难，许多的空间披留出来作为研究实验的方法。许多上世纪的艺术品极其容易破碎需要立刻维护，这包含许多学科的知识的综合应用。
(13)现代艺术品仓库，储藏室：博物馆存放了大约从19世纪到20世纪的艺术品，展览品是按年代顺序储藏的．展览时展品以相同的方式悬挂着展出。
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http://www.jianzhu01.com/Museum1007281571.htm
商业公园
商业公园
时间：1991
地点：法国．查特
这个项目用地450英亩，是对查特地区城市的扩张。这个项目包含了商业公园、室内娱乐设施、运动场地，让工作和娱乐很好地交互，而不是隔离。建筑用地面朝城市里著名的大教堂坐落在高速公路附近的农田中。
成排的树木栽种在办公区一侧，而运动场、游乐场和娱乐中心都建在这排树木的里侧。设计的一大意图就是把复杂的各种功能融合在一个清晰明确、整体感很强的建筑中。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616511332_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616511332_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616511332_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616511332_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070616511332_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281570.htm
ZKM媒体艺术中心
ZKM媒体艺术中心
时间：1989
地点：德国
ZKM竞赛展示了典型的20世纪后期的项目。煤体技术中心展示了日常生活中数字和电子音响的固有存在。竞赛中的这个项目有四个部分组成：公共出入口、核心、两个专有的间隔空间，以及一个电子的包装或外观。
市区交换线是一个公共出入口，为历史悠久的Karlruhe的Baroque同心圆结构提供一个可选的出入口。在这座以历史闻名的城市中，它提供了一个基于交通和交流的新的市区系统把旧的限制引入了新纪元。
坐落在中心的是一个线形的核心，它是一个公共的空间，有最大的可视性和精彩之处。这个核心以及它的阳台有通向建筑中所有地方的路径。第一层包括主要的演出、展览和讨论会的空间。它还有巨大的视屏、玻璃的电梯，两间看起来好像浮在空中的房间时供公众休息的地方。线形的核心可供公众进行专门的研究。
两个间隔间在现行核心的两端，各有各自的功能。北面的间隔间包含了几乎所有的大型房间，比如煤体剧场、现代艺术博物馆和椭圆的工作室。南边的间隔间包含小一点的功能，比如实验室、办公室、艺术家的画室，以及媒体的画廓。两边供公众使用的空间都在下面的楼层，有专门用途的房间都在上面的楼层。
隔间的功能和建筑系统都有意设计得很简单，重复性的房间在常规的混凝土结构上。简约和明快的建筑都强调于新煤体的发展——在科技的建筑上而不是在建筑的科技上。
在建筑的南边，是一个不断变化的、电子照片式的、电脑仿真的双层玻璃外观，它对外部的光和声音的变化产生反应。在北边。看起来是从一个连着钢皮的打过孔的不锈钢冒出来的表面．里面还有一个多功能的工作室。
这一数字化的外观同时具有围护和景观的功能。它的永不停息的改变让我们想起，如果建筑曾经产生了稳态的形象，今天它也可以呈现短暂的、不稳定的
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617104550_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281569.htm
电子媒体演示艺术中心
电子媒体演示艺术中心
时间：2000
地点：纽约．特洛伊
就像在这个竞赛项目中呈现的一样，电子煤体演示艺术中心对于这座城市以及对于学术界来讲都是一座多维建筑。它被设计得易于进入，把校园的感觉一直延伸到了学校最西端，从哈德森河往下看非常显眼。这一带的地形允许人们从中间进入这座建筑，访问的人们同时看到上下左右，一种三维的感觉油然而生。
从外向内审视这座建筑。它由五种主要材料组
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617124737_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617124737_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617124737_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617124737_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006070617124737_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281568.htm
国际儿童文学图书馆
国际图书馆建筑与现代儿童文学图书馆支持地方图书馆活动、给儿童提供直接服务
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http://www.jianzhu01.com/Museum1007281567.htm
挪威Norveg Roervik博物馆
挪威Norveg Roervik博物馆，展示海岸文化和工业历史，设计 ：Gudmundur Jonsson
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http://www.jianzhu01.com/Museum1007281566.htm
世界大惨案受难者纪念场
时间：1996
地点: 奥地利．维也纳
钢板记录下由贫民区到并存区地图的联结的结构。进入这片封闭区的通道所在的高度与今天的维也纳的步行高度相同。
这是普通的地段，一排路灯融汇进地段之内(像在圣·斯提芬广场中一样)，都是按奥斯维辛规划比例缩小置入基地的。这种规划有很多极端和疯狂的特性，以具有更高秩序的建筑物和藩篱构成。它是特意为配合李星(Lfsins)而安排入规划中的。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071315593234_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281565.htm
PadroPio朝圣教堂
时间：1991
地点：意大利
教堂位于意大利南部的罗迪多(san Gi0Vanni Rotondo)，在亚平宁山脉的山麓小丘从阿普利亚平原开始爬升的地方，一簇用当地的巨石砌成的浅拱升起在一个中凹的石板上。这些巨大的拱支撑起一个很大的朝圣教堂的半球形屋顶，教堂位于一个新的巨大三角广场的一条边上，可以俯瞰平原以及前来朝拜的人们。在这个三角广场的顶点，一堵巨大的挡墙挡住一些前往修道院的去路。转进这个空间，倾斜的石铺路直接把人流引向教堂。每逢斋日圣会就会有多达30000人来到这里。当人走近它时，透过它的玻璃入口与屏壁，教堂内部会变得越来越清晰。入口与屏壁向上一直伸到屋顶，屋顶外伸超出它们，像一个提供荫凉并表示欢迎的走廊。
广场的石铺地面将会继续延伸到玻璃屏壁下面并进入教堂。在这里它变形成为中凹的地面，巨大的辐射状拱从地面伸出。这些拱被布置成内部的和外部的环，组成内部环的拱在圣坛后面就聚到一块。从接近入口的巨大跨度的拱开始，两个环上的拱的跨度都短了一些，这样空间的螺旋能更紧凑一些。10000个座位被安置在有拱间放射轴线与横向轴线划分的不同区块里，否则这些拱将挡住看圣坛的视线。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416052130_16.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281564.htm
岸边的泰德美术馆
时间：1995
地点：英国，伦敦
这个建筑设计作品是一项国际建筑大赛的决赛作品，这项国际大赛要求把伦敦南边的河边发电站改造成泰德美术馆，用来收集现代艺术作品。这个方案特别注重实效和功能。但是因为它是皮亚诺勉强而为的作品，所以有些人把它误解为平淡无奇。
发电站被分为东西走向的三个条形部分：沿着河边的锅炉房，中间又高又长的涡轮大厅和南边的配电房。皮亚诺特有的对老建筑物的敬意使得他继续遵循原有的严谨的对称性，没有增加多少外部附加建筑物。这样使得这个老建筑物不脱离它原来的环境。
尽管房子的屋顶现在变成玻璃的了，但建筑物的外壳依然是保持原封不动。进入锅炉房，虽然没有吸引人的现代的墙壁和柱子，但它是一个多层的能实现自我供应的建筑物，里面包含许多灵活的、相互隔开的最高水准的美术陈列室。所有的美术陈列室都采用了自然光：顶层的是通过透明屋顶来采用自然光，低层的则通过窗户让自然光进入明亮的涡轮大厅，或通过上层的墙反射光线通过窗户进入博物馆。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416081353_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416081353_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416081353_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416081353_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416081353_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281563.htm
贝耶勒基金会博物馆
时间：1992
地点：瑞士，巴塞尔
位于巴塞尔附近的伦佐?皮亚诺设计的贝耶勒基金会博物馆，使该城市自从1997年10月18日博物馆开放以来开始变得富裕。人们说：未来是建筑在传统上面的。这个新博物馆使这一抽象的概念变得简明易懂。它满足了使建筑物与周围环境相统一的愿望。毫无疑问，这是一次关于现有建筑和新建筑相互适应和和谐的想象上的飞跃。
顶部的轻巧和解放
屋顶连同它的承重功能是显而易见的，一个水平放置的屋顶桁架延展在一个捆扎过的、几乎是脆弱的支架上，就像是漂浮在土地上或墙壁上。这一屋顶以它的明显性、透明性和轻巧性表达了它的高挑和解放。与此相反墙壁则带有牢固性、沉重性、束缚性和庄严性。但二者都遵循严密性、规律性的原则，博物馆建筑的内部造型和外部结构都充满了这种精神并使访问者能够理解。
内部和外部之问的空间关系
建筑物多种多样的表现形状是以形象元素为基础的，它清楚地显示出了它的制约性。可以清楚地看出墙壁、屋顶和室内外结构的功能，并与其余的东西形成鲜明的对比。屋顶的高度、墙的比例和采光是这一空间设计方案多义性的体现。寥寥几种材料的使用和一眼就可以望穿的空间元素产生了不计其数的空间变化。从内部结构到外部形状这一过程对访问者的行为起着积极的作用，人们被从精神集中(艺术画面)导向了休养(自然画面)，其内部公开划分的房间及建筑物与公园之间的联接是引人注目的标志。一个在内部按数学划分的秩序和景观的自然秩序是作为两极相对立的，这些原则在建筑物中无处不在。整体性的法则决定了它的各部分，甚至最小的细部。所有的东西都是由成比例、大众性原则来定义的。
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http://www.jianzhu01.com/Museum1007281562.htm
布朗库斯(Brancusi)雕塑室
时间：1992～1996
地点：法国，巴黎
布朗库斯(Brancusi)雕塑室坐落于蓬皮杜广场保留的北墙上，这地方不但看上去是个破败的被遗弃的地方，而且也不能合理安全地安排大量公众入内参观。最后，在1990年一次大风暴的破坏之后，工作室向公众关闭。现在，它作为蓬皮杜中心重新整修的一部分被再次重建。皮亚诺仅仅用了最初工作室的整体格局、展室空间以及光线效果，用一个具有永恒的庄严的建筑将这些构筑起来。
外墙和工作室之间的空间就是回廊，参观者就在这个空间观赏工作室内部。回廊在东边加宽，其中一部分是入口大厅，另一部分可以俯瞰庭院。在西北角，回廊向工作室中扩大形成一个展室，用来介绍最初的工作室。与南侧回廊在东段向院落开敞相似，北边的回廊的两端也通过窗户与外界沟通，形成室内外通透的视线；同时，奇异的室内外半层高差使得高处的街道上的人们可以直接看到室内的情景却不能闻其声。回廊各处不同的处理虽然看上去变化不大，但是却增加了人们在建筑中无穷的体验。
庭院与回廊外的围墙沿着建筑南面从蓬皮杜广场保留的一段花岗岩表面的基座上升起来。这些围墙内外都是素石灰石贴面。这种材料包含着浓重的老巴黎气息，包括蓬皮杜广场老墙的贴面也是采用石灰石，这也使得这个新的建筑能够很好地融于环境之中。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071416280057_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281561.htm
哥伦布国际展览馆
时间：1984～1992
地点：意大利．热那亚
无论是在选址上，还是在非凡的设计上，又或在视觉上，新结构中最惹人注意的当数Bigo——这个展览馆的标志。这个庞然大物由几根巨大的中空钢管组成，每根都由一段段逐渐变细的短钢管连接而成。最大的一根杆上悬挂着一个可升降的观景舱，在其上升过程中能缓慢旋转，使游客能轻松欣赏这个城市和海上美景。
在Bigo的这些风标之后，新结构中下一个惹人注意的就是架高的长长的水族馆以及一个像船一样的意大利展馆。这些海岸边的工程以及一个延伸并超越展馆更接近海湾的散步场所、人海走道，一起划定了展览会地点的北部边界。
水族馆和展馆都延伸了航海的主题，但却逆转了它的期望，他们追求的是一个巨大的水缸和宏伟的峡谷。因为意大利展馆通常是漂浮的，它的主要展览层安置在水面下，而水族馆则把巨大的水箱放在它上层建筑中像船一样的节段里。
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http://www.jianzhu01.com/Museum1007281560.htm
罗马音乐厅
罗马音乐厅
座落地点：罗马，意大利
建筑设计：Renzo Piano
设计完工：1992～2002
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http://www.jianzhu01.com/Museum1007281559.htm
蓬皮杜艺术和文化中心
时间1972～1977
地点：法国，巴黎
蓬皮杜艺术文化中心，设在法国巴黎市中心区，距卢浮宫和巴黎圣母院各约1000米。它是皮亚诺和罗杰斯合作设计的，建干1972～1977年。
蓬皮杜艺术文化中心是一座由钢管和玻璃管构成的庞然大物，特别引人注目。它是一个融造型艺术、建筑艺术、城市规划艺术、影视、文学、音乐、舞蹈以及其他种种最现代化的表现手段于一身的杰作。建筑物前留有面积达l公顷的空地，周围的楼房经过精心修整，恢复了18世纪的原来面貌。该中心门前的空场地呈坡形，可容纳自发性的娱乐活动及露天表演，使传统的街头艺术得以恢复，成为卖艺者自由活动的“天堂”。
蓬皮杜中心主要包括四个部分：公共图书馆，建筑面积约16000平方米；现代艺术博物馆，约18000平方米；工业美术设计中心，除音乐和声响研究中心单独设置外，其他部分集中在一个长166米、宽44．8米、高7米的巨大空间。它的每一层面积都有7500平方米，整座建筑上下均衡，占地l公顷，由13根立柱和84根长48米、重72吨的钢梁构成桁架，由28根圆形钢管柱支承。其中除去一道防火隔墙以外，没有一根内柱，也没有其他固定墙面。各种使用空间由活动隔断、屏幕、家具或栏杆临时大致划分，内部布置可以随时改变，使用灵活方便。设计者曾想过连楼板都可以上下移动，来调整楼层高度，但未能实现。
在中心内，大厅里和第五层不定期地举行展览会，成为当代艺术创作活动的见证。在“工业美术设计中心”，主要通过各种展览和图书资料向观众介绍有关市政建设、生活环境及各种工艺产品的发明和创造情况。“公共图书馆”也完全不是传统意义卜的那种旧式图书馆，馆内设施一律开放，读者可随意翻阅开架图书，也可丁以通过录像机随意选看介绍各国文学艺术、科技、民俗等情况的电影、录像。馆内到处都设有放大阅读机和复印机，读者可随时用于查阅微缩胶卷和复制资料。“现代艺术博物馆”也与那些旧的艺术博物馆不同，集中突出了“现代”二字，专门介绍20世纪以来的西方各种造型艺术，包括立体派、抽象派、超现实主义派、结构派、概念艺术及流行艺术等各种流派的2000幅作品。馆内藏品的陈列方法也是现代的：一条主要线路按时间顺序排列着各个流派艺术的代表作，周围分设许多小展室，分别介绍某流派某作家的作品，使观众既可以了解西方现代艺术的概貌，又可以对某一感兴趣的流派或作家进行深入的研究。
蓬皮杜中心外貌奇特。钢结构梁、柱、桁架、拉杆等甚至涂上颜色的各种管线都不加遮掩地暴露在立面上。红色的是交通运输设备，蓝色的是空调设备，绿色的是给水、排水管道，黄色的是电器设施和管线。人们从大街上可以望见复杂的建筑内部设备，五彩缤纷，琳琅满目。在面对广场一侧的建筑立面上悬挂着一条巨大的透明圆管，里面安装有自动扶梯，作为上下楼层的主要交通工具。设计者把这些布置在建筑外面，目的之一是使楼层内部空间不受阻隔。
设计者解释他的设计意图时说：“我们把建筑看作同城市一样的、灵活的、永远变动的框架。……它们应该适应人的不断变化的要求，以促进丰富多样的活动。”又说：“建筑物应设计得使人在室内和室外都能自由自在地活动。自由和变动的性能就是房屋的艺术表现。”设计者的这种建筑观点代表了一部分建筑师对现代生活急速变化的特点的认识和重视。就广义而言，蓬皮杜中心的建筑设计也可以说是代表了现代建筑中“重技术派”的作品。
蓬皮杜中心的建筑设计在国际建筑界引起广泛注意，对它的评论分歧很大。有的赞美它是“表现了法兰西的伟大的纪念物”，有的则指出这座艺术文化中心给人以“一种吓人的体验”，有的认为它的形象酷似炼油厂或宇宙飞船发射台。
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http://www.jianzhu01.com/Museum1007281558.htm
赛·托姆布莱美术馆
时间1992～1995
地点：美国，休斯敦
为曼尼(Menil)收藏室所拥有的画家塞?托姆布莱的作品而建造的这座美术陈列室是位于得克萨斯州休斯敦郊区的曼尼基金会的建筑群中最新的一栋。
新的美术馆陈列室坐落在校园的维护平房之间，不过它没有走廊或柱廊，并且它没有覆盖墙板。如果它覆盖的话，就会由于它的形式而缺乏贵气和重点，从而混迹在平房之间令人难以察觉，并且看上去仅仅是曼尼的一间外屋。大部分无窗户的外墙是由大块的可再生的石板构成。这给予了它相对于其他博物馆而言丝毫不逊色的规模，同时也使得它更加沉默和不朽。
除去尺寸、位置以及想要使这座美术陈列室静静的、显眼的期望外，还有其他别的原因使它与众不同。不像其他博物馆有好几项功能，这栋新建筑包含的都是美术陈列室。最初的博物馆的美术陈列室用可移动的隔离物分割出一大块弹性的空间，然而新的美术陈列室都是固定的房间。
新的美术陈列室的照明比主要博物馆低，因为博物馆的作品是从贮藏收藏品的宝库中取出来做短期展览，而美术陈列室则是永久的陈列，因此作品更易受到灯光的损害。
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http://www.jianzhu01.com/Museum1007281557.htm
新大都国家科技中心
时间：1992～1997
地点：荷兰，阿姆斯特丹
新大都的设计是先产生了外部造型，然后在几乎没有关系的情况下设计出内部空间。但是皮亚诺和他的工作小组对建筑室内空间的设计是如此绝妙而让人兴奋——空间序列引人入胜，引导着参观者从建筑底层一直欣赏到对角线的顶部，以至于这个建筑的外部造型就像是源干室内的。人们自下而上地在建筑中体验着所有一切。
当走出倾斜的屋顶时，突然强烈感受到与老城的距离拉近了。这不禁让人以为这个功能空间序列才是这个建筑的初衷，而外形只是随之得出的副产品而已。建筑栩栩如生的造型、它和环境天衣无缝的结合以及直观的空间序列，看上去都是那么顺理成章，如同行云流水，这也正是这个设计的最成功之处。
无论新大都是否改变了它的周边环境，也不管它是否成为周围地区的社交中心，毫无疑问的是，它是阿姆斯特丹的一个新的标志。在阿姆斯特丹的大部分水域中你都可以看到它酷似轮船但又不拘泥于轮船的造型，领略到它的巨大和它的神秘。当火车缓缓驶入或者开出中央车站时，可以清晰地看到它高大的“船头”。站在屋顶广场之上，你可以俯瞰旧城。这种风景或许在其他国家是很普通的，但是在地势平坦的荷兰，这是了不起的新作。
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http://www.jianzhu01.com/Museum1007281556.htm
芝贝欧文化中心
在新喀里多尼亚的南太平洋岛上，在马真塔（Magenta）海湾和一个被红树林包围的泻湖之间，沿着海角的顶端，你会看到一排令人感动激动的奇异建筑，在树丛当中错落有致地出现，展示着它们诱人的吸引力，召唤着人们的想象力，而又神秘莫测。它们看起来既是古老的，又是未来的，有时人们会觉得它们似乎是由纺织物制成的，然而尺度太巨大了，有时人们又会觉得那是类似于无线电望远镜一类的东西，然而它们却是由木头制成的。它们仿佛喻示着过去和未来。它们同时揭示了堪纳克的本土文化（在那里，大部分的生活用品），包括各种容器，甚至他们的住所都是用植物材料纺织制作的），以及当代文明社会对宇宙力量仍有敬畏的思想。这些联想都具有一个共同倾向的，这些被认为是某种容器的建筑物，是芝贝欧文化中心最显著的部分，它是用来珍藏堪纳克文化的，并在保留它的根源的基础上帮助其发展以适应时代。
建筑物高大的背面装饰着临海的险峻的峭壁。它们像是用人造的植物性的外壳来包围着文化中心最主要的空间，像堪纳克人的住所以及生活用品一样，它们和周围的植被建立了一种亲密而形象的联系，特别是具有显著特点的高大的诺福克松树。这些建筑物也昭示了堪纳克对神灵的敬畏。它们高大的垂直的肋骨支架的顶端像梳子一样，“阿立兹”（Alize）从中穿过。“阿立兹”是当地堪纳克人对信风的称呼，当它通过那些板条状覆盖面的时候，给整个建筑物带来了通风，同时还会发出一阵阵的低吟。
中央区其余的部分就要低得多了，它们依偎在缓缓倾斜的屋顶平台之下，平台一直延伸到海湾湖里面。这里，建筑物对着开阔的有意栽植的景观绿化带，形成开放的空间，而不是去效仿那些高大的棕榈树和松树。实际上，这个建筑的一个重要特点就是如何地开放，如何尽量使围合的感觉变小，变得不明显，让整个文化中心融入到周围的绿化当中。此外，这个灵感并非毫无依据，堪纳克人生活在丛林茂密的热带世界中，面临的是很恶劣的生存条件，一般只是在晚上才回到他们的棚屋里面。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007281555.htm
Ontario艺术与设计大学夏普中心
Ontario艺术与设计大学夏普中心
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http://www.jianzhu01.com/Museum1007281554.htm
德国沃尔夫斯堡Phaeno科技中心
扎哈•哈迪德设计的德国沃尔夫斯堡Phaeno科技中心
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http://www.jianzhu01.com/Museum1007281553.htm
芬兰音乐厅
时间：1967～1971
地点：赫尔辛基
1962年，阿尔托负责赫尔辛基音乐厅和国会大楼的设计，这是城市中心规划的第一部分。音乐厅于1967～1971年建造，是斯堪的纳维亚半岛上最大的音乐中心与会议中心。 和亚琛剧院相比，芬兰音乐厅在一些关键思路上有很大不同，例如：不规则声学墙、黑色花岗岩和白色大理石的强烈对比。但是亚琛剧院工程的推迟幸运地避免了芬兰音乐厅出现的错误：外立面所采用的易碎的卡拉拉大理石(意大利卡拉拉地方所产的白色带蓝纹的大理石)成了一次昂贵的尝试；整个百叶窗顶棚最后被撤掉，因为观众席的声学设备就起到了相同作用。
严格地说音乐厅是阿尔托规划中的核心部分。它的主立面面向特拉斯广场，背后是海斯佩里亚公园和国会大楼。汽车入口与地下层统一标高，像一个通道与特勒湖边上其他文化建筑连在一起。在这一层，汽车可以直接驶到每个部分的入口处。上层或者入口层的大门直接面向赫尔辛基公园，包括入口大厅、衣帽间、盥洗室等服务空间。一个宽敞的悬挑楼梯问通向观众席、餐厅等休息大厅。窄些的楼梯(其中一个在东立面悬挑出来)从主大厅通向包厢休息厅和主观众席入口。观众厅包括1750座的交响乐厅、350座的小型室内乐厅以及各自的休息室、餐厅和厨房、会议楼的会议厅休息室等。特别应该指出的是，交响乐厅与其余部分的混凝土结构从基础起就互相脱离，加上特殊音响节点设计，可以排除噪音干扰。外立面采用白色大理石，基座为黑色花岗岩。临湖外墙用竖向线条分隔墙面，这是片断组合的风格派手法。西立面在有树的地方开了大面积窗户和圆形的窗洞，使立面生动起来。
1971年9月音乐厅开幕，国会大楼1975年建成，这些工程的重要意义在于改善国会的工作环境。1975 ，欧洲安全合作会议邀请32个国家首脑访问赫尔辛基，之后在音乐厅发表《赫尔辛基宣言》。和音乐厅南端连接的国会部分拥有一个大型休息室、大大小小的会议室、两个大型会议厅、播放电视广播和同步翻译的玻璃视窗。
除了一些技术上的错误，芬兰音乐厅算得上是阿尔托高水平的作品之一。
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http://www.jianzhu01.com/Museum1007281552.htm
伏克塞涅斯卡教堂
1953年，阿尔托完成伊马特拉市中心设计，1956年她开始设计伏克塞涅斯卡教堂做为市中心的一部分，1959年教堂建成。作为阿尔托最典型的教堂作品，伏克塞涅斯卡教堂因为结合了美学要求和实际应用功能而成为一件独特的完美艺术品。
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http://www.jianzhu01.com/Museum1007281551.htm
赫尔辛基文化宫
时间：1955～1958
地点：赫尔辛基
1952年，芬兰共产党委托阿尔托设计一座适合总部办公，并有文化设施的多功能综合大楼。1955年开始动工，1958年完成。阿尔托把它分成三个部分，分别独立完成。办公楼高5层，110个房间包括办公室、会议室和休息室。平面呈规正的矩形，用铜材料作装饰。会堂平面采用贝壳形，线条自由。外立面铺红砖，内墙是木材和面砖搭配。会堂和办公楼之间由较矮的交通服务区相连，包括大厅、衣帽间、演讲厅、三间教室、五间会议室、图书馆和地下健身房。会堂部分包括可容纳1500个座位的大厅、一个餐厅和一个小型地下影院(现在作为会议室)。
谈到文化宫会堂的声学处理时，阿尔托说：“它的多功能性需要一流的声学设备，因此把它设计成螺旋形，采用混凝土墙体、木材和面砖搭配，墙和顶棚都能同时吸收或反射声波。代用墙板不仅满足不同声学需要，同时保证了建筑线条的完整性。”文化宫因卓越的声学处理闻名，频繁使用于会议、乐队排练及录音。在外部，不规则形体密切配合内部空间变化。外墙几乎没有窗户，使砖墙弯曲起伏富于动感。为实现这个效果，阿尔托特意制造了V形砖。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914120440_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914120440_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914120440_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914120440_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914120440_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281550.htm
里奥拉教区中心
里奥拉教区中心位于通往博洛尼亚的古道上，距后者40兣。博洛尼亚主教于1965年请阿尔托在利诺河边设计一座小教堂。1966年的草图就已经展现了教堂最终轮廓，后来补充了一个幼儿园和老年人之家，但是后者没有建成。1969年设计再次修改。因为资金问题直到1975年才开始动工建成，1980年竣工。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006042613561646_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281549.htm
罗瓦涅米图书馆
时间：1965～1968
地点：罗瓦涅米
罗瓦涅米图书馆位于芬兰拉皮省的罗瓦涅米市，是该市新文化中心的第一座建筑物，也是拉皮省的中心图书馆。阿尔托将早期的一些图书馆模式作了改进，兼有宽敞和精细的特点。罗瓦涅米图书馆建筑方案于1961年提出，1965—1968年实施建设。罗瓦涅米图书馆是一座不对称形式的公共建筑，最抢眼的特点就是把层层堆砌的扇形平面与方形的中央大厅有机地结合在一起从而构成它的主体部分。该图书馆是一座集各种功能为一体的建筑，包括工作室、研究室、会议室、带有自助餐厅的办公区、旅游图书馆、幼儿园、陈列室，还有一间北冰洋鸟类标本室；地下室包括音乐图书室和地质博物馆。随后在它的一边建起了罗瓦涅米剧院。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914190446_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914190446_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914190446_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281548.htm
塞纳约基市图书馆
在塞纳约基中心的规划方案中，阿尔托为将来的图书馆选好了地址，在市政厅的北侧、剧院的西侧。最早的草图由一个矩形的图书馆、一个扇形的观众厅还有一个楔形的商店组成。在1960~1965年深入设计的时候，阿尔托完全更改了原来的妨碍：建筑的核心变为一个不规则的扇形借阅室，服务和借阅台位于这个扇形部分的中心，它旁边是一个小型的阅览室。该建筑还包括儿童活动室、会议室以及一些办公室。地下室包括档案室和车库。光线透过一排或者两排平行的窗口渗入室内。整个建筑立面为白色，屋顶采用铜皮，其单纯保守的外观与对面的市政厅标新立异的造型形成鲜明对比。
详细情况见中国电力出版社
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021614275932_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021614275932_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021614275932_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021614275932_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006021614275932_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281547.htm
维普里市立图书馆
在维普里市立图书馆是芬兰第一座功能主义建筑。它位于市中心公园东北角，与一座19世纪末建造的哥特式教堂相邻。1927年阿尔托在该图书馆设计比赛中获得一等奖。当时的设计风格有些模仿阿斯普伦德，但是在1933年定稿时，阿尔托参照了格罗皮乌斯和柯布西耶的风格，在功能上进行了一些“创新”。图书馆1935年建成，同年10月13日对外开放。
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http://www.jianzhu01.com/Museum1007281546.htm
沃尔夫斯堡文化中心
时间：1959～1963
地点：沃尔夫斯堡
阿尔托在1958年参加了该文化中心的设计竞赛，他为各种各样的文化活动设计一个多功能建筑。文化中心坐落在城市主广场市政厅和一座公园的中间，包括市图书馆、一个成人教育机构和一个休闲活动中心。阿尔托在设计方案中将不同的功能有分有合地结合在一起。朝向广场的立面材料是卡拉拉大理石和黑色花岗岩。主入口面向广场，便于观众进入并将人群引入图书馆。一组双跑楼梯从入口通往二层的休息室，而观众厅设置在另一侧，光线只能够通过天窗进入。在另外一边是中心庭院，可以为各种各样的室外活动提供场所，从房间的玻璃幕墙就可以俯瞰庭院。街边的廊道用作店铺。在建筑尽头的公园有一个入口通往青年中心，中心功能包括儿童图书馆、俱乐部设施、陶瓷工艺场、乒乓球室、音乐室等。
阿尔托表示，这座文化中心的设计目的是为了给这座工业城市的居民提供一个放松心情的场所，就像是古希腊的市集广场一般。
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http://www.jianzhu01.com/Museum1007281545.htm
亚琛剧院
时间：1958～1980
地点：德国
1959年，阿尔托在该剧院竞赛中获得第一名，并于1961年开始继续深入设计直到逝世。1981~1988年由德国建筑师哈罗德?戴尔蒙根据阿尔托的设计予以实施。
剧院位于德国亚琛市中心，莱茵河的西岸。基本方案没有改变，还是依照阿尔托早先的想法。建筑基本是由两个错落的体块组成，都罩在倾斜的单坡屋顶下，用波浪形外墙围合起来。剧院主体部分是一个可容纳1100个座位的观众席。阿尔托本想使用卡拉拉大理石作为建筑立面，但是由于空气污染的原因最终决定使用铸铝，但是在建筑即将建成之前改成了一种新型的轻质大理石。此外建筑技术的进步也使声学顶棚成为现实。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006071914575546_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281544.htm
布里斯托尔野生生物资料博物馆
建造地点：英国，诺丁汉
建造时间：1995—2000年
这个博物馆是配合BBC的国家历史节目而设立的。主要包括一个超大荧幕电影院，一个电子动物馆和一个热带温室。一个现存的维多利亚时代的制铅工场被改造成了商店和餐馆。
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http://www.jianzhu01.com/Museum1007281543.htm
地动力博物馆
建造地点：英国，爱丁堡
建造时间：1990—1999年
爱丁堡是18世纪的地质学家詹姆士?胡顿提出著名的“地球板块论”的地方，现在成立了地动力博物馆，主要是利用各种多媒体向观众展示这个理论。霍普金斯的方案利用了原有的啤酒厂的墙，建造了一个多台阶的露天剧场和高台上华美的帐篷状屋顶。
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http://www.jianzhu01.com/Museum1007281542.htm
哈勃代希尔礼堂
建造地点：英国，伦敦
建造时间：1996年
哈勃代希尔公司是“伦敦十二大服装公司”之一。这个礼堂是它的新总部所在地，计划使用125年。礼堂是位于城市中一个完全封闭的场地上的两层建筑。礼堂惟一的外墙就是包围着庭院四周的墙和走廊，内部是奢华但内敛的中世纪风格
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http://www.jianzhu01.com/Museum1007281541.htm
法国加里艺术中心
建造地点：尼斯，法国
建筑面积：18000平方米
位于法国尼斯的加里艺术中心是由尼斯市政府出资兴建的一个公共艺术作品委员会舍。1984年福斯特建筑事务所的设计方案在这一建筑的国际设计竞赛中胜出。艺术中心于1993年建成并投人使用，主要包括一个巨大的艺术作品展厅和一个图书馆。
地上结构的内庭将自然光线汇集并引入到各层公共空间中，中庭设置了玻璃楼梯间和三部观光电梯。建筑主体采用了7米×5米的混凝土框架平面网格结构，屋顶则为钢结构。工程中采用的其他主要材料有不透明玻璃、石材和不锈钢等。
为协调加里艺术中心与周围建筑高度和空间上的关系，9层高的建筑有将近一半在地下。艺术展厅被放在了建筑上部以取得较好的自然采光，而在入口层的上、下两侧设计了图书馆，以便于更多的人能够使用这座建筑。地下空间还设置了小电影厅、报告厅和会议室，剩余空间大部分用作了存贮库。
在当时，加里艺术中心的建设用地条件十分特殊，这块地正对着建于公元3世纪的罗马神庙——梅森卡里，这是一座受到严格保护的文化遗址。所以加里艺术中心的设计在满足业主要求的同时还要考虑到对神庙周围景观的影响，以及古城尼斯的传统形态和当地气候。福斯特的设计显然已经通过了时间的考验。
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http://www.jianzhu01.com/Museum1007281540.htm
美国乔斯林艺术博物馆扩建设计
建造地点：奥马哈市，美国
建筑面积：5800平方米
位于奥马哈市的乔斯林艺术博物馆落成于1931年，是一座以艺术和音乐为主要内容的文化中心，是美国新建筑艺术风格的典型实例之一。美观大方的结构在建造中使用了产自乔治亚州爱多瓦•夫鲁里的罕有大理石，宏大的石质楼梯台阶通向富丽堂皇的古典式门廊。建筑的大门厅、具有顶部采光设计的喷泉庭院和一个拥有1200个座位的音乐厅组成了一系列比例匀称、装修精致的内部空间。经过60多年的使用，博物馆的许多设施发生损坏，急待扩建。业主的意图是要修建一座面积约4600平方米的新建筑，以用作展览、收集和管理之用，同时还要对原有建筑进行修复和翻新。1992年6月，诺曼•福斯特应约进行了博物馆的扩建设计，并通过了国际知名建筑师小组的答辩。
博物馆通过多年使用，原主入口使用率已大大降低，多数观众通过与停车场相邻的辅助人口进入展馆。新设计恢复了博物馆前的人口大道和停车场，将公众的注意力重新吸引到东部的主人口。新规划中还增添了一个供夏季音乐会用的露天音乐堂，总体环境景观的设计也进行了新的协调。
新建设施都设在北面新侧翼中，新建筑的风格与原有建筑的简洁取得了一致，保持了方形建筑外形，并在比例上与原建筑保持一致。新建建筑部分的外墙同样饰以60多年前原建筑所采用的同一采石场的大理石。新老建筑通过一个玻璃入口大厅鲜明而又自然地连接起来，对原建筑的侧面没有产生很大的视觉；中击。用于衔接两部分建筑的大厅空间则用作了新的餐厅和接待区，并添加了一个辅助入口。
新建部分主空间中留出了可供短期展出的空间，应用了可间接控制的采光装置。展览层还同时设有艺术品收藏室、管理部门和贮藏室，同时有存衣室、休息间、新厨房及餐厅。
福斯特对原有建筑的改造，改进了音乐厅的采光和声学效果。同时还翻新了展厅、休息厅设备和管理部门，并添置了博物馆商店。
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http://www.jianzhu01.com/Museum1007281539.htm
英国多克福德美国航空博物馆
建造地点：剑桥郡，英国
占地面积：7400平方米
多克福德机场历史上曾上演过一场重要战役，随后这一场地成为了设在英国的近百个美国空军基地之一，是第78集团军的总部。由皇家战争博物馆资助，这里已经建设成为美国本土之外最好的美军飞机及航空装备收集场所。这里的三十八架飞机中有十九架是非常耐飞的，其核心收藏品是最大的轰炸机B一52。这里每年夏季举行的航空展览都会吸引大约350000人前来参观。
建造这座用于收集美军航空装备博物馆的目的，首先是为了纪念美国空军在二战中发挥的重要作用，缅怀在战争中丧生的数以千计的飞行员。其次，这一博物馆为B.52轰炸机以及二十余架从第一次世界大战到海湾战争期间服役过的美军不同时期的战机提供了最好的展览场所。这些飞机中有许多都经受过日晒雨淋，而这座博物馆建筑便是用于为它们创造合适的保存环境，通过合理调节内部存放空间的空气湿度，并应用紫外线防护装置提供最优的存放条件。同样重要的是，这一设计为研究和开发跑道建设活动打开了一扇窗户。
福斯特根据B-52轰炸机61米宽的侧翼和1 6米高的尾翼尺寸设计了展览空间并通过拱形屋顶所采用的统一的弧线设计来支持悬挂的飞机，透过绵延的南墙玻璃结构可以看到外部的飞机跑道。根据弧形几何学设计的拱形屋顶结构仅由5种浇筑在地上的不同混凝土板块结构构成，屋顶连续光滑的玻璃结构在白天的自然光线下十分耀眼。建筑主体部分嵌入地下，其整体外形被比喻为“水泡式飞机棚”，建筑的外观根据需要设计成使人在空中无法看到内部空间的效果。
福斯特的这一博物馆设计赢得了斯特林英国皇家建筑师学会奖，评审位员会这样评价道：“这一设计中建筑物的优雅外形和飞机自身的设计技术之间产生了强烈共鸣，建筑本身便维持了这些收藏品的魔力”。
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http://www.jianzhu01.com/Museum1007281538.htm
英国皇家艺术学院萨克洛美术馆
建造地点：伦敦，英国
占地面积：312平方米
诺曼•福斯特在这一扩建工程设计中将新展馆的布置与文物保护紧密地结合到一起。福斯特为小型国际间的展览提供了新的空间，同时重新启用了搁置多年的勃林顿厅，形成了一条穿越整座建筑的新展线。
1869年当皇家艺术学院搬入勃林顿厅时，为放置历代作品和资料，添建了文书展厅，而在相邻老花园的一端建造了主展厅。也因此在主建筑和展厅间形成了一个宽仅4.2米的“夹道”，但是主人口和大楼梯遮蔽了这个通道。进入展馆的公众往往发现不了这一情况，造成了文书展厅极低的通达性。许多展览的组织者和租用方对文书展厅很难提起兴趣，而勃林顿厅底层的主要客房却被转用于展览使用。这样做并不能很好地满足使用要求，而且客房中具有历史价值的室内装修并不适宜经常用作展览，所有存放在地下室的艺术作品的进出也都要通过拥挤的主人口大厅，极其不便。
福斯特的设计方案将这个“夹道”作为学院新布局的关键。拆除了原来由中庭进入的存衣室，改建为新垂直通道：楼梯和贯通全部5层楼的电梯间，由这里可以直接进入文书展厅。透明的电梯厢和玻璃楼梯强化了新建筑特有的现代气息。建筑中的图书馆设置在了顶部，餐厅则设在底层。
“夹道”处采光天井的开辟，将两个一直被掩盖的建筑立面暴露了出来。正对入口的是勃林顿厅前原来的古典花园，19世纪初曾被塞缪尔•韦尔重建。另一个是悉尼•斯莫克展厅的无窗拱廊，其上饰有独特的曲线雕饰。“夹道”上方的结构采用悬臂式，每个楼层端部并不封死，且用玻璃建造，使光线由此泻下照亮两个立面。 以主要捐赠人命名的新萨克洛美术馆是扩建计划的中心，根据原有的平面布局，完全重新设计展厅。简洁的屋顶与主展厅的形态交相呼应，一致的地面标高改善了参观环境。电脑控制的百叶窗采光效果适于从水彩画到各类材料雕塑作品的不同要求。通过一个设有顶棚采光设备的新接待区可到达设立在“夹道”顶层的展厅，通路一侧紧靠学院主展厅墙面，沿墙设置了学院的永久收藏品。米开朗琪罗的雕塑作品“圣母玛丽亚和孩子们”也被安排在这里公开展示，成为这个空间序列最显眼的部分。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072114423447_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281537.htm
英国塞恩斯伯里视觉艺术中心
建造地点：诺福克郡，英国
建筑面积：6186平方米
塞恩斯伯里视觉艺术中心包括两个大餐厅，一个保存鉴定室，一所高级艺术学校及其大学科系俱乐部，一座可容纳300人的对外餐厅和带有工作间与库房的地下室。
罗伯特爵士和塞恩斯伯里女士向东盎格鲁大学陆续捐赠了600余件他们的私人艺术收藏品，这可谓是20世纪任何一所英国大学所能收到的最优厚的赠礼。他们希望用捐赠基金修建一座新建筑来容纳这些日渐增多的艺术品，并作为日后的不动产宅地。建设计划得到了政府的支持，使大学建设基金不断扩大。
这一建筑设计要求将所有的使用功能置于同一结构之中，以便使相关人士在艺术作品的研究、应用和社会公众参观焦点作品等多方面实现最大限度的相互交流与影响。完成后的建筑还可以用作大型的特殊展览场地，与大学的其他部分一起形成一个国际会议中心。建筑是大学整体构图的一个局部，它成了新辟湖面的一条轴线，连结了南侧山谷秀美的景色。
大型空间和组合板结构体系使外墙和屋面的任何部分都能在很短的时间内改变成各种组合，适应不同使用要求。所有的设备管线及厕所都放置在水平和竖向的结构构架之中，使得人工照明和设备维护都可自如地在空间中发挥作用。内墙和顶棚全部采用和谐一致的可调铝质百叶结构，并通过安装在内外墙的光传感器形成一个高灵敏度可控采光系统。高7.3米的玻璃墙用透明的硅胶固定，下部结构与基础则是预应力钢筋混凝土结构。从空间布局到设备及结构体系的安排，整座建筑都具有极大的灵活性，可以从容适应于各种空间布置要求。
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http://www.jianzhu01.com/Museum1007281536.htm
英国塞恩斯伯里视觉艺术中心新月楼
塞恩斯伯里视觉艺术中心建成于1 977年，用以保存罗伯特爵士和塞恩斯伯里女土的艺术收藏品，同时也为公众和科学研究提供了场所，这些功能都是在同一建筑空间里完成的，这一建筑目前面临的是需要进一步扩建。
由罗伯特爵士和塞思斯伯里女士出资，计划将塞恩斯伯里视觉艺术中心扩建成一个足以满足艺术中心跨世纪发展所需的建筑空间。要求新增建筑能最好的保存艺术收藏品，并提供世界一流的展出条件。这一建筑标准不亚于美国纽约的大都会艺术博物馆。新建筑还要满足实验和今后发展的要求，成为欧洲第一个特殊照明系统类型的博物馆展厅。此外，还要配置相应的辅助功能系统，包括可以从三度空间对文物实施保护的设施，一个艺术学科传输室、辅助库、办公室和工作间。
福斯特在塞恩斯伯里中心的原设计中已考虑了建筑其后的扩建，并在工程结构上预留了续建接口，继续扩建完全合乎逻辑。但中心的人员认为，中心建筑是一个有头有尾的工程，自身已足够完美，不打算让它再从哪个部位作出任何延伸，并且建议为保护原建筑，最好将新扩建部分置于地下。
视觉艺术中心的建筑原本就是一个罩在地下结构上的轻型屋顶结构。福斯特的扩建方案把所有的办公室布置在新建扇形结构的周边，展厅嵌在扇形中部，而放映间则恰好能利用扇形结构的核心部位，这样就把直线、曲线、矩形、扇形等不同的几何形状空间的关系顺利、完美地协调到了一起。而收藏品研究室、配套实验室和工作室则+分自然地安排在所余的矩形平面空间中。即使从建筑外部型态上看，新增部分仍能给人以相当的感染力：青翠平坦的草场上，1.8米高的玻璃屋顶在阳光下光彩夺目，似乎告诉人们，这里地下别有洞天。然而只从玻璃结构着眼，很难想象埋在地下的扩建空间的规模和内容。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072115020452_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281535.htm
Blois文化中心
建造地点：法国
建造时间：1991
Blois文化中心的竞标条目要求双重身份：建筑的一边是一个传统剧场，有观众席和休息大厅，在另一边是一个流行音乐会场，有着可以容纳2000观众的斜面。在寒冷的季节，这个斜面可以通过简单的手段加以隔离和覆盖。建筑师很认真地研究了要求，做出了需要的技术结构。这是一个矩形钢结构，没有任何形式化的表达。通过一个巨大的门帘系统——就像马戏团帐篷——这个钢结构可以被关闭。
建筑的表皮覆盖着电子卷轴，可以显示文字。这样，当内部开演唱会的时候，就可以从外面看到歌名等信息——这个建筑有一个变化的表皮。
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http://www.jianzhu01.com/Museum1007281534.htm
埃伯斯沃德技术学院图书馆
建造地点：埃伯斯沃德，德国
建造时间：1993～1996
埃伯斯沃德初等技术学院是从一组19世纪的建筑中划分出来的，尽管它们在尺度和形式上部有着不同的考虑。它座落于一块近似矩形的地块上，上面有着美丽的古典景观，种植着树木，还有一条小河。
用地中这两个还没有被建造房屋的角落是被原有建筑所限定出的，由此，这两个新的元素都要建立在现有城市结构的基础上，并且使用不同的形式。新的图书馆是一个平行六面体，由连续的水平混凝土带和玻璃带组成。由这些面板组成的表皮被一些陷入墙中的窗户打断，这些窗户在平面上正好与每层设置的阅览位置相对应。桌子、椅子和书架排列成矩形。一个温和的景观设计将这个新建筑和边上的老房子联系起来，那里是管理人员办公和储藏图书的地方。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072414555251_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281533.htm
戈兹美术馆
建造地点：慕尼黑，德国
建造时间：1989～1992
这个美术馆是一个独立的体量，它座落于一个在街道和20世纪60年代的老房子之间的像公园似的花园中，周围种植着白桦树和针叶树。因此这个建筑既可以作为一个公共建筑也可以成为一个纯粹的私人美术馆；这个定位将在未来决定。这个美术馆的建筑理念来源于收藏家40年来所购买的艺术品的风格，这些作品包括20世纪60年代至今的Nauman，Ryman，Twombly，Kounellis，Federle等人的作品。一个木质结构搁置在一个同样尺度的钢筋混凝土的基础上， 这个基础有一半埋在地下．这样从外面就只能看到它上面的玻璃部分了。一个同样的磨砂玻璃带围绕着木质体量的最上面的部分，使得展览空间中柔和的日光从地面上4m的高度射入。展览空间的墙的高度在4m～5.5m之间。
上下两层画廊间设立了两个混凝土加固桶。其中大的一个作为办公室和接待室。根据天气的情况和观察者的位置，这个画廊可能像个封闭的、丰富的体量，包含各种材料(砖合板、磨砂玻璃、未加工铝板)，或者像一个放在两个泥铲上的花园中的木盒子。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415140732_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281532.htm
伦敦拉班现代舞中心
建造地点：伦敦，英国
建造时间：2003
拉班现代舞中心位于英国伦敦东部泰晤士河南岸的戴普弗德港(Deptford)，设计简洁而富有创意。建筑正面以半透明板材和透明玻璃组成，外墙的内凹镜面在港湾背景之下有一种“超现实”的感觉。主要的活动空间安排在两个楼层上，第一层的中间是大剧场，沿外墙周边设有图书馆、咖啡厅和设备间，在空间上采取联系贯通式排列而不是相互隔断；上面一层是更加具有城市中心功能的空间，它是一系列的舞蹈教室，每个教室的大小、形状、高度和颜色都有所不同，但有一个相同之处，就是都可以透过墙看到外面的景色。室内有两个内庭院用于采光通风，还有三个“内街”(通道)分别采用了洋红、灰绿和粉红三种色彩。室内的两个螺旋式大楼梯十分醒目、宽敞，这里是人流交汇之处，亦是人们交流的主要空间。室内外的色彩起到一种调节韵律的作用，精心设计的色彩使建筑产生特殊的视觉效果和特征．
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415123659_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281531.htm
漫画卡通博物馆
建造地点：巴塞尔，瑞士
建造时间：1994～1996
这个卡通博物馆是一个很小的博物馆，它建立于1976年，并且没有政府资助。它组织一些交流展览，包括它的内部藏品和从其他博物馆借出的展品。用地是一块6m×25m的狭长地段。这个博物馆是由两个建筑通过通道连接而成的——其中一个是有几个世纪历史的老房子，另一个是新房子。人口、馆长办公室、图书馆和一些小的展览空间是在老房子里。每一层都有一些不同的细节，木质地板和墙面都很有特点。这个三层的新建筑的设计更加简单，更加一致。每次都有一个16m×8m的单独的开敞空间。新建筑和旧建筑立于一个小花园的两侧。连接新旧建筑的光滑的通道将花园分割成两个好像烟囱样的空间。这个立面和通道的玻璃表皮围绕在花园周围，通过这个方法，阳光进人展览空间，就像巨大的中国灯笼。在新建筑和旧建筑之间的运动可以让人感受到现实和虚幻之间的问题。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072415180530_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281530.htm
泰特现代美术馆
该美术馆由班克德发电厂改建而成，其中收藏了泰特艺术馆的部分现代艺术藏品。该项目一方面适应了艺术馆的收藏及展览需要，同时也使这座老工业建筑及其周围环境获得了新生。获奖方案尽可能沿用该大楼原有的的格局，改动甚少。斯科特的工业建筑受到了早期荷兰现代主义风格的巨大影响，体量魁伟壮观。设计师对其进行了简单而合理的改造，营造了一系列用于艺术展示的空间。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Museum1007281529.htm
现代艺术长廊博物馆扩建和改建工程
建筑地点：美国．纽约．曼哈顿
坐落在曼哈顿中心城最繁华地段的现代艺术博物馆，是现当代艺术收藏、展示和研究的最著名机构之一。对建筑界来说，它是国际化的代名词，这一点使它具有极为特殊的历史意义。这一规模庞大的建筑综合群设置了封闭的玻璃表皮，并讲求艺术的平衡、技术和社会等多方面因素的综合。现代艺术长廊博物馆是当代艺术之都——纽约特有的商业文化的标志。
现代艺术博物馆虽然在改建中保留了旧的建筑的玻璃网格立面，但佩里对其内部空间结构进行了激进的改造，以通透的花园隔墙取代了原本暗淡的室内入口，使得采光更加适合艺术品的陈列。
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http://www.jianzhu01.com/Museum1007281528.htm
klein-dytham建筑作品－叶子教堂
教堂的形状象由2片叶子一样组成的， 玻璃、钢筋都是表现了对地面在表面上的振翼。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613060054_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613060054_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613060054_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613060054_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613060054_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281527.htm
中国国家大剧院竞标方案
中国国家大剧院竞标方案是一个未建成的项目。但其中法雷尔关于“将该剧院融入城市传统”的设计理念，是我十分欣赏的。根据法雷尔对北京古城的深入研究，该建筑以其网格状的形态，呼应着北京的城市路网；以透明的墙体表达着其友好开放的姿态。
这个大剧院作为北京政府的一项伟大的建筑工程，在其任务书中共包括了2200座的歌剧院、一个音乐厅、一个国家戏院和一个小型剧院及一个公共花园。作为一个对北京古城充分尊重的建筑，TFP的最终方案有以下几个特点：
在形体的设计上，作为一个低高度的建筑，有着悬浮感的碟状屋顶以及生动的屋基轮廓线呼应着中国的古建筑，这是其中国元素符号的最显著体现。
而了解北京古城市设计历史的人都知道，平面和空间的设计是另一个体现北京城市风格的要点。在这方面，法雷尔突出了轴线与网格在建筑中的控制力。整个场地被分为了三乘三共九个区域，形成了中国的“九宫格”式。因此它也成为一个北京城路网体系的一部分，融入了城市空间中。朝向北立面的空间被划为了三个分区。走在中轴线上，可以感受到一虚一实的空间变化，犹如故宫的轴线设计。在中间部分，戏院、音乐厅、歌剧院也在同一轴线上。并按照北京的传统，围合出了一个广场。
而在现代建筑观上，法雷尔采用了透明的玻璃材质墙体以表达今天的北京市民热情好客的生活面貌和北京城期盼与分界其他城市沟通合作的愿望。
虽然最终这个方案依然没能入选为实施方案，但该设计对北京未来建筑设汁的启迪作用是深远和巨大的。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613114742_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281526.htm
国家水族馆
国家水族馆的设计理念来源于一种对地球的微观环境——土壤、水体、植物、空气、云彩——的隐喻。法雷尔把该建筑设计成了一个“栖息地”的样本，展示到世人面前。
该建筑位于一个三面临水的岛上，从东面看去建筑的形态有如大海，通过经过设计的小桥与路经到达建筑的主入口。建筑的立面形态由下至上分别隐喻着基础部分——地质岩石、核心部分——陆地和水、屋顶部分——变化的云彩。其中基础部分是根据地质构造层次来形成的——自然的岩石叠加着天然的金属。而有如水体和陆地是在地球板块运动碰撞后形成的一样，核心区通过打破原有建筑的石质立面来形成了自身的扭曲透明空间，用以表现动态的陆地和水。屋顶则通过高科技实现了云的功能——可控制下方区域的气候。在夏季，屋顶可以根据光强度来调节照明和温度以及自然通风的状态；冬季，透明绝缘维护结构能够减少热量的散失。
而在建筑布局上，其展区分为四个部分——英国、印度、红海和南太平洋，用来代表地球不同的水生生物栖息地特点。展区的采光通风等特定的物理条件与建筑的空间布置和立面设计、材料选用相搭配。南北立面为实体墙面，内侧布置了红海和南太平洋这样的热带亚热带展区；英国展区从建筑中央延续到入口处，夏天，来自西面的穿堂风会经过较为阴凉的英国展区给其上方较热的印度展区通风。
整个建筑体现了目前的科学技术水平和该项目的宗旨——可持续性及保护性。我相信在参观该建筑展览的同时人们也会为其合理的空间布局而感慨。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072613341455_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281525.htm
贾瓦哈·卡拉·肯德拉博物馆
时间：1986～1992
地点：印度．拉贾斯坦邦斋浦尔
贾瓦哈·卡拉·肯德拉博物馆位于拉贾斯坦邦的斋浦尔。建于公元1 8世纪的斋浦尔是一个有着深厚文化积淀的城市，是印度的文化之都，让塔?曼塔观象台、风宫，以及法特普尔?西克里城等古迹均位于市内。城市平面布局以纳格拉哈曼陀罗为原型，并在此基础上结合地形以及内部功能，不断调整并趋于完善。
为了和城市的文脉取得联系，博物馆平面以印度古代神话中九大行星的曼陀罗形制为创作原理，由九个正方形组成，入口处的正方形局部扭转。正是与斋浦尔城市规划的原型取得某种联系，九个正方形分别代表了不同的行星及各自的属性。方形空间的室内色彩分别采用了九大行星各自独特的色彩，当然这些颜色是神话赋予各个行星的。博物馆的所有功能被设置于九个正方形空间中，建筑外墙为混凝土框架结构，外饰红色砂岩，不同外墙上分别装饰着九大行星各自的符号。在建筑局部还采用了不同石材镶嵌而成的壁画，来表现遥远的神话传说。从远处望去，博物馆肃穆而略带几分神秘色彩。
第一个方形空间对应火星，它代表着力量，颜色为红色，空间功能是行政办公。作为入口空间，正方形平面中央采用了穹隆屋顶，以此来强调门厅空间，室内墙壁的图案则用来图解纳格拉哈曼陀罗。
接下来的是代表月亮的方形空间，象征着“心脏”，功能是自助餐厅及客房，墙面上的具形绘画以及黑白相间的圆形餐桌象征“新月”。
平面包含一个露天十字形的庭院空间，对应的是水星，象征着“教育”，颜色是金黄色。空间分上下两层，布置了五个展区，首层展示珠宝、手稿，二层展示陶器、建筑等民俗艺术。
凯图星厅，对应的是一个虚构的行星凯图星，象征着“毒蛇”，颜色为褐色和黑色，集中展示拉贾斯坦邦的传统服饰和纺织品。
土星厅象征着“技术”，颜色为土红，展示精致的手工艺品。
拉胡星厅，对应的亦是一个虚构的行星，象征着“日食”，颜色为珍珠灰。展区用来表现拉贾斯坦古代的战争故事，展示当时所使用武器的仿真品。
木星厅象征着“知识”，颜色为柠檬黄，功能为图书馆。
金星厅象征着“艺术”，颜色为白色，功能为剧场。
位于建筑正中的是太阳厅，采用露天剧场的形式，象征着“创造力”，颜色为红色。这个露天空间是整个建筑空间的核心所在，象征着宇宙的力量源泉。游客通过门厅进入这个空间，可以观看传统舞蹈和戏剧演出，并根据自己的喜好来安排参观路线或选择自己感兴趣的部分。
纵观整个博物馆建筑，建筑师将空间规整为几个方块。严紧的平面包含着千变万化的空间。建筑中蕴藏着印度传统文化的深层结构，体现了对建筑形式神话信仰的深刻理解。
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http://www.jianzhu01.com/Museum1007281524.htm
Maretas地方博物馆
时间：1999
地点：西班牙．巴塞罗那
这个建筑的存在，恢复了当地水利系统的功能。它建在新的水利系统与周边街道之间的零星地块上，使得水再生系统得以重建，因此需要一个双渠道的系统。它提供的水解决了边界耕地的水源问题。
Lanzrdrope特殊的气候和地理环境使得天空、光线和热量综合作用，造就了地面上丰富的水源。这个地区扮演了与岛屿连接通道的角色，在这里我们可以把自己比作卡塞尔·曼里克(Cesar Manrique)，他和依格拉斯(Higueras)用勤劳和汗水将这块土地变得独特。在这里，所有的东西都留有人类使用过的痕迹。这是一块被创造出来的、令人惊叹的土地。
这个建筑像一个巨大的长廊，它向人们展示着空间、光影和其他元素的无限可能性。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072710363544_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281523.htm
Palafolls公共图书馆
时间：1997
地点：西班牙，巴塞罗那
这是一个坐落在花园之中的建筑，它与一般意义上的图书馆有着很不同的地方。整个图书馆具有一种迷人的气质，一系列的房间和庭院都没有严格按照线性规律来排列。这个图书馆的设计可以说是一项试验，把整个项目的每一个发展阶段都利用上了。它一直处于一个不断变化的状态，这一切都融入了最后的成果中。
从总平面上来看，整个建筑有着非常流畅的线条感。几条弯曲程度各不相同的弧墙在基地上交错延伸着，交错围合的部分变成了一些露天的休息空间或停车场。墙体的一端插入建筑主体中，看起来就像一只正在飞翔的风筝。主体部分的屋顶也是由不同挠度的拱组成的，看上去就像基地上起伏的山丘。屋顶上凸出的肋条也随着屋顶的坡度起伏，配合着弧墙的线条感，使整个建筑极具流馈
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http://www.jianzhu01.com/Museum1007281522.htm
日本国家图书馆
时间：1996
地点：日本，东京
如今高技术和高密度的藏书方法使得设计师必须重新调整这块基地的地形。调整后的新地形创造出一种乡村风格的景观，而这个图书馆便被定义成这个乡村中的一系列住宅和房间，在其中阅读是一种个体活动。其中的图书存放馆段落使得这个地区被重新塑形了，它的结构也对森林的重建起了帮助作用。
在外面，每棵树旁边都有一个人造光源为它提供照明，而且每一棵树都以一本书的名字来命名。馆内图书的排列顺序与阅读场所的排列顺序是不一样的。书要放得比较隐蔽，因为知识不只是包含在书里，还包含在人们的阅读行为里的。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072711205957_15.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281521.htm
Bcj作品－自然科学实验室
Bcj作品－自然科学实验室
Bohlin Cywinski Jackson设计的自然科学实验室大楼（Natural Sciences Laboratory Building）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006072716361243_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281520.htm
BAREN DRECHT教堂
对于这样一个想要将经典的信仰与现代感结合起来的教堂，什么样的空间才合适呢?一个不愿陷入从20世纪60年代以来“复兴”的标志性语言俗套的社区，希望将它的任务和愿望看作对学习的关注和对书面词语持续不断的重新阐释。这个位于荷兰的新教堂必须是一种适合“现代传统”的空间。
在一个由砖块、木板条和塑胶组成的环境中，这个建筑必须以更坚固的形象出现在大海里由两层分离的房子组成的“礁石”。一块被一组圆柱从地面撑起的石块，使它看起来如同在漂浮并且即将离开地面。这种拔升同时产生了其他的元素：门廊、娱乐房、自行车库、托儿所、厨房、卫生间、储藏室以及设备房——被放在教堂的主体空间下面，同时使整个建筑更加紧凑。我们设想教堂被一个湖包围起来，光线从升起的地板下反射上来，但如果在财政上或者程序上不可能实现，我们希望它被贝壳组成的块石路面包围，
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http://www.jianzhu01.com/Museum1007281519.htm
Effenaar文化中心
随着摇滚乐和流行乐的日益专业化和普及化，需要新的专门的建筑以满足其特殊要求。乐队们不再是在大棚货车里演出了，18m长的卡车已经习以为常。这座新的建筑需要经过声学和破坏性检验，而且可以使大量人流轻松到达并在每天晚上拥有自己的文化圈。大街上大多是改造了新功能的老建筑。教堂、工厂和电影院多年来一直用来举办音乐会和舞会，提供可选择性的咖啡厅和迪厅。
目前的Effenaar拥有一个时尚中心的所有品质，它空间内敛而又不拘小节，粗野地弥漫着啤酒和香烟的气息。有一个2b大厅和沿着达梅尔河的花园，这个集团象征着柏林的缪斯女神：城市中的另类聚居地。这些迷人的品质在所有的方面满足了更多专家的需求。
为了获得最大的花园空间和最便利的卡车停放，建筑被安放在尽量远离达梅尔河的地方。这导致了一个紧凑的布局和堆叠的建筑形式，建筑所有的部分都有着自己特殊的体量并被有逻辑地组织在一起。通过对一些区域的弯曲，一个主要的大厅产生了，这是举行Effenaar的核心空间。音乐厅的形状正是满足其他空间要求的结果，比如下层的小厅和咖啡厅。通过这样的方式，所有主题音乐厅围绕着主要的大厅被统一在一个紧凑的体块中，并且连接着前面的城市和后面的公园。
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http://www.jianzhu01.com/Museum1007281518.htm
QUAI BRANLY原始艺术博物馆
在西方社会文化越来越多元化和西方与非西方的对立逐渐消除的社会中，怎样让一个非西方艺术的博物馆与这个时代联系起来?在这样的背景中怎样展现真实的异国情调?这座博物馆是否要被建成一个世界博物馆?我们能通过增大内容来激发这种概念吗?
展出的现存收藏品和展品由一些教育的、历史的和艺术的演变构成。展品的差异性要求它们拥有比现代展品差异性更大的环境。这可以被理解为拥有不同材质、大小、形状和灯光的房间，同时包装在传统经典的和当代虚幻的黑暗闪烁的环境中。通过将每个空间诗意地摆放在另一个空间之上，将博物馆变成一个差异性的固化，一个熔化了数千个空间的冻胶。这暗示了一个似非而是的理论，即差别越大的联系越紧密、越专门的越要互相依靠。这种互相依靠不正是未来世界凝聚的动力吗?
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http://www.jianzhu01.com/Museum1007281517.htm
布兰本特中央图书馆
布兰本特是荷兰的一个省，这个省的每个村都有一个公共图书馆。有限的财政预算和密集的分布导致了这些图书馆规模小、偏狭、地方性强、收藏普通。这种观念适应不了巨大的书籍出版业的发展。随着城市化和高密度化的进程，对更大更多样的书籍需求日益增长。
但是新的传媒方式的产生吸引了大部分注意力，新的信息记载体如CD和计算机迅猛的发展使在任何时间得到任何信息成为可能。在下载和打印书籍已经很方便的今天，图书馆似乎不再有市场。在这种情况下，坚持原来想法是否依旧有用?
或者这正是一个恰当的时机来重新定义布兰本特中央图书馆，给它一个新的方向?
这个项目需要对现有的策略进行重新的考虑。有必要用一个中枢的道路来消除地区分权主义的阻力。尽管一个无纸的信息时代在逐渐到来，但我们仍然有足够的理由来建立一个实物的收藏。首先它刺激了物理阅读的体验，其次它为现存的和古老的书籍提供存储的空间，再次一个人们可以看到实物的收藏激活了信息传递的一致性。
通过将所有校图书馆的图书集中到一起，一个巨大而全面的可以和欧洲其他各地藏书媲美的图书馆诞生了。在这个图书馆里，任何地方都将轻松到达，保证有专业而全面的书籍收藏。通过一个精心设计的分类系统，一部私人电脑就可以找到任何一本书，一套交通系统将每本书送到它应该的位置。人们也可以通过一个小而精致的藏书公共场所，比如：酒吧、火车站、医院、学校、加油站等，在家里下载和打印图书，从而刺激对图书的需求。
一个中央图书馆应该是什么样子呢?信息受益于体系划分和总结归纳。收藏被按字母顺序从A到z编目到书架，方便而直接。将书墙环绕在一个公共的空间产生了一个集体的公共休闲空间：一个乡土的客厅，可以看到全部藏书、书籍的递送、研究室甚至整个城市以及图书馆周边的风景。它将知识锁定区域，为研究引入休闲。在休闲室的最低点是一个有壁炉的酒吧。一条17km的道路通向塔楼的顶端——布兰本特的制高点。
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http://www.jianzhu01.com/Museum1007281516.htm
SOM作品-Jubilee Park Pavilion
SOM作品-Jubilee Park Pavilion
SOM建筑设计事务所设计的Jubilee Park Pavilion（公园玻璃大棚）
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http://www.jianzhu01.com/Museum1007281515.htm
Bcj作品－Issaquah公共图书馆
Bcj作品－Issaquah公共图书馆
Bohlin Cywinski Jackson设计的Issaquah公共图书馆（Issaquah Public Library）
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http://www.jianzhu01.com/Museum1007281514.htm
Voorsanger作品－Bayly 艺术馆
Voorsanger作品－Bayly 艺术馆
rsanger设计的Bayly 艺术馆（Bayly Art Museum）
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http://www.jianzhu01.com/Museum1007281513.htm
Schwartzsilver作品-Rotch图书馆
Schwartzsilver作品-Rotch图书馆
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http://www.jianzhu01.com/Museum1007281512.htm
Behnisch作品－残疾儿童学校
Behnisch作品－残疾儿童学校
Behnisch设计的德国的一所残疾儿童学校
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http://www.jianzhu01.com/Museum1007281511.htm
Bcj作品－博物馆和访客中心
Bcj作品－博物馆和访客中心
Bohlin Cywinski Jackson设计的Visitor Center and Museum Buildings
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http://www.jianzhu01.com/Museum1007281510.htm
Schwartzsilver作品－消防站博物馆
Schwartzsilver作品－消防站博物馆
Schwartzsilver设计的消防站博物馆（Firehouse Center for the Arts）
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http://www.jianzhu01.com/Museum1007281509.htm
Voorsanger作品－纽约大学
Voorsanger作品－纽约大学
Voorsanger设计的New York University
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http://www.jianzhu01.com/Museum1007281508.htm
Voorsanger作品－Hostos社区大学
Voorsanger作品－Hostos社区大学
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http://www.jianzhu01.com/Museum1007281507.htm
Frontinc作品－Walker艺术中心
Frontinc作品－Walker艺术中心
Frontinc设计的Walker Art Center
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http://www.jianzhu01.com/Museum1007281506.htm
Greatbuildings作品－OTU大学图书馆
Greatbuildings作品－OTU大学图书馆
Greatbuildings设计的Otaniemi技术大学图书馆（Otaniemi Technical University Library）
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http://www.jianzhu01.com/Museum1007281505.htm
Greatbuildings作品－公共管理学院
Greatbuildings作品－公共管理学院
Greatbuildings设计的公共管理学院（Institute of Public Administration）
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http://www.jianzhu01.com/Museum1007281504.htm
Greatbuildings作品－Wiseman艺术馆
Greatbuildings作品－Wiseman艺术馆
Greatbuildings设计的Wiseman Art Museum艺术博物馆
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http://www.jianzhu01.com/Museum1007281503.htm
SOM作品－Avery Fisher大厅
SOM作品－Avery Fisher大厅
SOM建筑设计事务所设计的林肯中心的Avery Fisher音乐厅（Avery Fisher Hall at Lincoln Center）
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http://www.jianzhu01.com/Museum1007281502.htm
南山社区大学表演艺术中心
南山社区大学表演艺术中心
生产塑料颗粒机,面对废旧塑料日益增长的今天,正孕育着一个无限利润商...
工程名称：南山社区大学表演艺术中心
国家：美国
城市：菲尼克斯
类别：公共建筑
设计时间：0-0
竣工时间：0-0
设计特点：
这座面积为33000平方英尺的表演艺术中心拥有一个350座的剧场、一个100座的排演厅、舞蹈房和教室等设施。根据现有的校园规划，建筑师将艺术中心分成三个主要的建筑体量。金属格子架和喷砂混凝土组成一层高的教室一翼，另一座54英尺高的金属盒子内容纳了表演大厅，其后部是较低的后台辅助用房区域。两个建筑体量形成的L造型与现有的艺术、音乐和自由艺术大楼形成了一个方形庭院，人们可以通过楼梯和坡道进入有格子架覆盖的剧场室外大厅。通过在音乐厅外包裹锈蚀的金属板，建筑师使这座新的艺术中心成为了庭院中的焦点。艺术中心室内采用稳重和标准化的装修材料，黑色的座椅和喷砂的混凝土地面降低了造价。观众席两侧曲线形的桉树面板仿佛小提琴的轮廓，它们紧贴在后部的石膏板上，不仅满足了混响的声学要求，同是也为照明和其他设备提供了储藏空间。剧场的空间还可以向上扩展12到14英尺，从而延长混响时间，满足特殊表演的需要。剧场后的服装间和化妆间等均为自然采光。
建筑设计：Jones Studio
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http://www.jianzhu01.com/Museum1007281501.htm
Bcj作品－校园广场
Bcj作品－校园广场
Bohlin Cywinski Jackson设计的Campus Square
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http://www.jianzhu01.com/Museum1007281500.htm
Behnisch作品－国家的邮政博物馆
Behnisch作品－国家的邮政博物馆
Behnisch设计的德国国家的邮政博物馆（National Postal Museum）
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http://www.jianzhu01.com/Museum1007281499.htm
韩国国立博物馆
钢筋混凝土,现浇混凝土、花岗岩、木材、双色玻璃、不锈钢、瓷砖
本方案建筑面积为1.000.000平方英尺，分成两部分——一部分是主要展厅，另一部分则是教育机构——分布着管理、教育、儿童博物馆和一些特殊区域。场地设计基于将包围在普遍存在的城市环境中的博物馆“世俗化”。在重要的高丽建筑遗产中可发现历史的先例．即这些建筑中很多是有围墙的。一条沿周边布置的围墙将博物馆和花园组织起来，沿墙又设有几座大门，成为穿越今天到过去和将来的象征，也成为一个处于过渡状态的国家的象征，建筑的基本概念和依据是一种重新提出的对比；即肯定与否定；开放与封闭；历史和未来；夏季和冬季；城市和乡村。
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http://www.jianzhu01.com/Museum1007281498.htm
孟菲斯·布鲁克斯博物馆
钢筋和混凝土
预制混凝土，铝合金
为孟菲斯-布鲁克斯博物馆所作的设计方案是对其进行增建，扩大画廊空间、参观者服务措施、教育空间、工作人员办公室和加工设施。因地上原有的三座建筑物风格迥异、一座是由詹姆斯-金堡-罗杰斯设计，于1916年建成的新古典派建筑，另外两座则是分别于1955年和1973年增建的。
为了达到在本区域增加一个地区标志的要求，新的40,000平方英尺、两层高的建筑被设计成完善1916年建成的旧建筑，同时又保持了它作为一座现代建筑的完整性。建筑正立面的开窗形式、细部设计、所用材料选择都是在研究原有建筑的特点之后而确定的。除此以外，它还具有反映现代意识和用户需求的当代组成部分，即一个公共大厅，一个带有户外座位，可以看到公园的饭店，一个带有用于标识和广告的金属构架的戏剧化的人口。
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http://www.jianzhu01.com/Museum1007281497.htm
圣奠尼卡学院图书馆扩建
木板材，玻璃作为主要外围护材料
圣莫尼卡学院现有的校园是一组紧凑的建筑群，由于受到周围环境的制约，不能进一步扩建。从现有校园建筑的定位和尺度可以明显地观察到，它们属于两个不同的建筑年代的产物现有的图书馆占据了校园的中心，建筑的基本布局表现了校园里两套规划网格的交汇。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006080915373231_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006080915373231_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006080915373231_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281496.htm
Voorsanger作品－亚洲社会博物馆
Voorsanger作品－亚洲社会博物馆
Voorsanger设计的亚洲设计博物馆（Asia Society Museum）
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http://www.jianzhu01.com/Museum1007281495.htm
Greatbuildings作品－Sainsbury Centre
Greatbuildings作品－Sainsbury Centre
Greatbuildings设计的Sainsbury Centre艺术中心
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http://www.jianzhu01.com/Museum1007281494.htm
Greatbuildings作品-Hood艺术博物馆
Greatbuildings作品-Hood艺术博物馆
Greatbuildings设计的艺术博物馆（Hood Museum of Art）
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http://www.jianzhu01.com/Museum1007281493.htm
Greatbuildings作品-Neue Staatsgalerie
Greatbuildings作品-Neue Staatsgalerie
Greatbuildings设计的Neue Staatsgalerie美术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081112490243_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081112490243_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081112490243_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281492.htm
熊本社团中心(Reihoku Community Hall)
熊本社团中心(Reihoku Community Hall)
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http://www.jianzhu01.com/Museum1007281491.htm
马头美术馆(Bato Cho Hiroshige Museum)
马头美术馆(Bato Cho Hiroshige Museum)
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http://www.jianzhu01.com/Museum1007281490.htm
北海道海啸纪念馆(Okushiri Tunami memorial Hall)
北海道海啸纪念馆(Okushiri Tunami memorial Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081117532746_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281489.htm
神奈川纪念馆(Toin Gakuen Memorial Academium)
神奈川纪念馆(Toin Gakuen Memorial Academium)
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http://www.jianzhu01.com/Museum1007281488.htm
石头美术馆(Stone Plaza)
石头美术馆(Stone Plaza)
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http://www.jianzhu01.com/Museum1007281487.htm
日本队科学未来馆(National Museum of emerging science and innovation)
日本队科学未来馆(National Museum of emerging science and innovation)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081409524538_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281486.htm
对马岛市立图书馆(Tsushima City Library)
对马岛市立图书馆(Tsushima City Library)
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http://www.jianzhu01.com/Museum1007281485.htm
大山村社区活动中心(Ohyama-Town Community Center)
大山村社区活动中心(Ohyama-Town Community Center)
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http://www.jianzhu01.com/Museum1007281484.htm
入善村健康交流中心(Nyuzen Town Health And Information Plaza Sanwel)
入善村健康交流中心(Nyuzen Town Health And Information Plaza Sanwel)
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http://www.jianzhu01.com/Museum1007281483.htm
三位一体修道院(Yatsugatake Holy Trinity Benedictine Monastery)
三位一体修道院(Yatsugatake Holy Trinity Benedictine Monastery)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510083330_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281482.htm
神户大学百年纪念馆(The Kobe University Centennial Hall)
神户大学百年纪念馆(The Kobe University Centennial Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510205748_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281481.htm
圣母修道会本部修道院(Convent for Congregation of Our Lady of Charity of the Good Shepherd,Japan Province)
圣母修道会本部修道院(Convent for Congregation of Our Lady of Charity of the Good Shepherd,Japan Province)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510413548_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281480.htm
京都大学综合博物馆(The Kyoto University Museum)
京都大学综合博物馆(The Kyoto University Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081510514834_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281479.htm
Okawa中心(Okawa Center)
Okawa中心(Okawa Center)
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http://www.jianzhu01.com/Museum1007281478.htm
京都艺术中心(Kyoto Art Center)
京都艺术中心(Kyoto Art Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006081610010253_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281477.htm
下关市立水族馆(Shimonoseki Marine Science Museum)
下关市立水族馆(Shimonoseki Marine Science Museum)
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http://www.jianzhu01.com/Museum1007281476.htm
中岛村综合文化中心(Nakajima General Culture Center)
中岛村综合文化中心(Nakajima General Culture Center)
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http://www.jianzhu01.com/Museum1007281475.htm
八女市交流中心(Yame City Multi-Generstion Center)
八女市交流中心(Yame City Multi-Generstion Center)
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http://www.jianzhu01.com/Museum1007281474.htm
社区中心(House for Everyone)
社区中心(House for Everyone)
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http://www.jianzhu01.com/Museum1007281473.htm
鹿岛社区中心(Sun Yell Kagoshima)
鹿岛社区中心(Sun Yell Kagoshima)
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http://www.jianzhu01.com/Museum1007281472.htm
理查德·B·弗希尔表演艺术中心(Richard B.Fisher Center for the Performing Arts)
理查德·B·弗希尔表演艺术中心(Richard B.Fisher Center for the Performing Arts)
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http://www.jianzhu01.com/Museum1007281471.htm
Corcoran艺术画廊(Corcoran Gallery of Art)
Corcoran艺术画廊(Corcoran Gallery of Art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109150440_32.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281470.htm
耶路撒冷博物馆(Jerusalem Museum of Tolerance)
耶路撒冷博物馆(Jerusalem Museum of Tolerance)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109443548_33.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281469.htm
Guggenheim博物馆(Guggenheim Museum New York)
Guggenheim博物馆(Guggenheim Museum New York)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082109565453_22.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281468.htm
大阪海上博物馆(Osaka Maritime Museum)
大阪海上博物馆(Osaka Maritime Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214243732_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281467.htm
新加坡文化中心(Singapore Arts Centre)
新加坡文化中心(Singapore Arts Centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082214384455_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281466.htm
圣心教堂(Church of the sacred Heart)
圣心教堂(Church of the sacred Heart)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310012345_13.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281465.htm
现代艺术博物馆(Modern Art Museum of fort Worth)
现代艺术博物馆(Modern Art Museum of fort Worth)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310415838_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281464.htm
多媒体图书馆(Multimedia Library)
多媒体图书馆(Multimedia Library)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082310495237_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281463.htm
Mezzanotte宫复原(Rehabilitation of Mezzanotte Palace)
Mezzanotte宫复原(Rehabilitation of Mezzanotte Palace)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006082410023744_19.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281462.htm
BBL学习中心(BBL Learning Center)
BBL学习中心(BBL Learning Center)
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http://www.jianzhu01.com/Museum1007281461.htm
山村生活专题展览(‘Mountain Village‘ Special Exhibition)
山村生活专题展览(‘Mountain Village‘ Special Exhibition)
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http://www.jianzhu01.com/Museum1007281460.htm
Lee Hyo-Seok纪念馆(Lee Hyo-Seok Memorial Hall)
Lee Hyo-Seok纪念馆(Lee Hyo-Seok Memorial Hall)
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http://www.jianzhu01.com/Museum1007281459.htm
Ilgang Kimchul纪念馆(Ilgang Kimchul Memorial Center)
Ilgang Kimchul纪念馆(Ilgang Kimchul Memorial Center)
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http://www.jianzhu01.com/Museum1007281458.htm
Manhae文学博物馆(Manhae Literature Museum)
Manhae文学博物馆(Manhae Literature Museum)
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http://www.jianzhu01.com/Museum1007281457.htm
新翼梵高博物馆(New Wing of the Van Gogh Museum)
新翼梵高博物馆(New Wing of the Van Gogh Museum)
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http://www.jianzhu01.com/Museum1007281456.htm
福井市博物馆(Fukui City Museum of Art)
福井市博物馆(Fukui City Museum of Art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109452535_23.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281455.htm
滋根美术馆罗马(Shiga Kogen Roman Art Museum)
滋根美术馆罗马(Shiga Kogen Roman Art Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090109515142_14.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281454.htm
Kuji城市文化中心(Amber Hall Kuji City Cultural Hall)
Kuji城市文化中心(Amber Hall Kuji City Cultural Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409370637_21.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281453.htm
山间的鲜花博物馆(Flower Hill Museum)
山间的鲜花博物馆(Flower Hill Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409435849_14.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281452.htm
Kibi-cho城市中心(Kibi-cho City Hall)
Kibi-cho城市中心(Kibi-cho City Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090409510558_22.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281451.htm
Kashima-machi城市中心(Kashima-machi City Hall)
Kashima-machi城市中心(Kashima-machi City Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410044346_27.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281450.htm
恐龙博物馆(Fukui Prefectural Museum of Dinosaurs)
恐龙博物馆(Fukui Prefectural Museum of Dinosaurs)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410200537_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281449.htm
大阪国际交流中心(Osaka International Convention Center)
大阪国际交流中心(Osaka International Convention Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410232351_19.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281448.htm
Hyogo美术馆(Hyogo Art Museum)
Hyogo美术馆(Hyogo Art Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410334049_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281447.htm
莱比锡现代艺术馆(Leipzig modern Art Museum)
莱比锡现代艺术馆(Leipzig modern Art Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410382244_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281446.htm
Brugge音乐大厅(Brugge Concert Hall)
Brugge音乐大厅(Brugge Concert Hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090410432536_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281445.htm
上海艺术中心(Shanghai Art Center)
上海艺术中心(Shanghai Art Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811281656_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281444.htm
广州日报工艺品中心 (Guangzhou Daily Cultrual Center)
广州日报工艺品中心 (Guangzhou Daily Cultrual Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090811284046_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281443.htm
纽波特港艺术博物馆
纽波特港艺术博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006090813332240_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281442.htm
城市广场和中心图书馆(City Hall and Central Library)
城市广场和中心图书馆(City Hall and Central Library)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410001230_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281441.htm
现代艺术博物馆(Museum of Contemporary Art)
现代艺术博物馆(Museum of Contemporary Art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091410131345_15.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281440.htm
人文博物馆设计方案(Project for the Museum of Ethnology)
人文博物馆设计方案(Project for the Museum of Ethnology)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508405050_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281439.htm
Jean Arp博物馆设计方案I(Project for the Jean Arp museum I)
Jean Arp博物馆设计方案I(Project for the Jean Arp museum I)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091508484534_14.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281438.htm
电视广播博物馆(Museum of Television and Radio)
电视广播博物馆(Museum of Television and Radio)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509013951_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281437.htm
Gagosian大戏院(Gagosian Gallery)
Gagosian大戏院(Gagosian Gallery)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509042556_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509042556_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509042556_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509042556_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509042556_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281436.htm
Jean Arp博物馆设计方案(Project for the Jean Arp Museum)
Jean Arp博物馆设计方案(Project for the Jean Arp Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509064559_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281435.htm
Ara Pacis博物馆(Museum of the Ara Pacis)
Ara Pacis博物馆(Museum of the Ara Pacis)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509130539_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281434.htm
Jubilee大教堂(Jubilee Church)
Jubilee大教堂(Jubilee Church)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509162747_21.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281433.htm
水晶大教堂和访问中心(Crystal Cathedral Hospitality and Visitors Center)
水晶大教堂和访问中心(Crystal Cathedral Hospitality and Visitors Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006091509174041_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281432.htm
Burda收藏博物馆(Burda Collection Museum)
Burda收藏博物馆(Burda Collection Museum)
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http://www.jianzhu01.com/Museum1007281431.htm
加的夫海湾歌剧院(Cardiff Bay Opera House)
加的夫海湾歌剧院(Cardiff Bay Opera House)
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http://www.jianzhu01.com/Museum1007281430.htm
Atom heart mother
Atom heart mother
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http://www.jianzhu01.com/Museum1007281429.htm
外研社国际会议中心
外研社国际会议中心位于北京大兴，由崔恺设计
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http://www.jianzhu01.com/Museum1007281428.htm
自然活动中心(Nature Activity Centre[NAC])
自然活动中心(Nature Activity Centre[NAC])
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http://www.jianzhu01.com/Museum1007281427.htm
Matsudal文化乡村博物馆(Matsudal Cultural Village Museum)
Matsudal文化乡村博物馆(Matsudal Cultural Village Museum)
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http://www.jianzhu01.com/Museum1007281426.htm
多瑙河城市,基辛格花园(Donau City[Kissing Towers])
多瑙河城市,基辛格花园(Donau City[Kissing Towers])
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http://www.jianzhu01.com/Museum1007281425.htm
中国国家大剧院
国家大剧院位于人民大会堂西侧，占地11.89万平方米，国家大剧院由法国著名建筑师保罗.安德鲁主持设计，位于北京人民大会堂西侧，总建筑面积约16.5万平方米，其中主体建筑10.5万平方米，地下附属设施6万平方米。设有歌剧院、音乐厅、戏剧场以及艺术展厅、艺术交流中心、音像商店等配套设施，工程概算总投资26.88亿元，建设工期4年。
国家大剧院的建筑设计方案是由法国巴黎机场公司设计，清华大学配合的，设计师为法国著名建筑师保罗?安德鲁， 施工图的国内设计单位是北京市建筑设计研究院，施工总承包单位为北京城建集团、香港建设有限公司和上海建工集团联合体，工程监理单位为北京双圆工程监理公司。
国务院于1998年4月正式批准立项建设国家大剧院，1999年7月最终选取了法国著名建筑师保罗?安德鲁 的建设方案，其设计方案经过两轮三次修改。
安德鲁将他的大剧院方案形容为“湖上仙阁”。这是一座坐落在近乎方形的大水池中的椭球体建筑，在冬天水池可作为滑冰场。大剧院的主要入口在北面，与地铁的出站口相连通，通道的玻璃顶则是水池的池底，观众在进入剧场前就能体验一下在水面下行走的奇妙感觉。
剧院内含一个容纳2500人的歌剧院、容纳2000人的音乐厅、容纳1200人的小剧院和一个小型实验剧场。歌剧院主要演出歌剧、舞剧、芭蕾舞，有观众席2500座。音乐厅主要演出交响乐、民族乐，有观众席2000座。戏剧场主要演出京剧、地方戏曲、话剧、民族歌舞，有观众席1200座。小剧场主要演出实验话剧、小型戏剧，有观众席 500座,总座席6000多个。其它配套设施还包括：艺术展廊、表演艺术研究交流部、艺术商店、地下停车场等。国家大剧院建筑四面水池环绕，造型新颖、前卫，构思独特，整体上体现了21世纪世界标志性建筑的特点。
中国大剧院的造型完全由曲线组成，宛若水中仙阁。灰色的钛金属板和玻璃组成的立面与昼夜的光芒交相辉映。这两种材料的颜色在不同的时间里变幻莫测。玻璃幕墙如同拉开的帏幕，使建筑物内部的剧场、通道和展厅依稀可见。同时，部分区域在钛板的覆盖保护下又显得更为隐秘。
这一设计从地下层开始，最底层是歌剧院的舞台部分，最上层全部都用于停车场和技术场地。地下部分的最上层，即在湖面和花园以下是入口、道路、步行走廊和门厅。
在地面层坐落着三幢建筑：歌剧院、音乐厅和剧场，它们由道路区分开，彼此以悬空走道相连，恍若在水面上的地面建筑是一个巨型壳体，它覆盖、庇护、包围和照亮着所有的大厅和通道。自然的贝壳造型保证了它的坚固度。尽管壳体的最大长度达218m，但厚度却不超过3m。这一设计既轻盈又不会对玻璃天篷有所遮盖。
游客和观众从长安街的“雨亭”以及停车场进入大剧院时会发现他们的头顶之上是一片浅浅的水面。它根据四季和时辰而变换色彩。在冬季，它结成半透明的冰层，点缀着溜冰爱好者留下的道道弧痕，建筑物在水面中的倒影构成了大剧院的外部景观。大剧院南部入口与北部入口“水下走廊”一起延伸至地下6m 之处，这样便于组织内部的技术性交通入口。
任何布景卡车都无需在外部停靠，任何大门都不会向外部显露内部的服务区域，否则会完全破坏建筑和街区的魅力。当人们沿着长安街前行时会发现，大剧院不会以自己的巨大体量对人民大会堂造成压抑。这是两个完全不同的建筑，它们分别代表着两个完全不同的时代
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http://www.jianzhu01.com/Museum1007281424.htm
现代艺术博物馆活动影像中心(Museum of contemporary art+moving image centre)
现代艺术博物馆活动影像中心(Museum of contemporary art+moving image centre)
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http://www.jianzhu01.com/Museum1007281423.htm
鹿特丹新卢克索剧院
时间：1996～2000
地点荷兰．鹿特丹
2001年4月，荷兰女王正式宣布对外开放鹿特丹新卢克索剧院。从那时起，这座剧院就经常上演一些深深植根干荷兰传统文化的音乐喜剧、音乐会和歌剧。
波尔斯+威尔森建筑设计事务在1996年竞赛中得到的项目本来是设计旁边的广场，后来广场旁边要盖剧场，于是便竞标，最后这个国外事务所在与众多荷兰建筑事务所，如库哈斯、赫茨伯格、克里斯坦斯等的竞争中赢得了胜利。
他们胜出的最大原因在于解决了一个功能的大问题：一个运货斜坡将一条18.5公尺的回转半径与人行道巧妙地结合在一起，整个便形成了一个完善的由布置在剧场前面的后台设备与通往第一层舞台的运货车构成的机构化的后勤体系。另外，建筑师对海港的重新定位及其别出心裁的外形设计也是他们取胜的重要原因。
他们将建筑的原形原始地暴露出来，再以一层象征媒体的外皮包裹起来，使之看上去像个舞台幕一样，这有些类似西班牙艺术家爱德华’奇利达(Eduardo Chillida)所创作的外形。从色彩上来看，剧院的外墙、内墙、走道和外面的广场及斑马线全部是红色的。
基地因为是重新规划区，所以充满了各大名建筑师的作品，这里简直可以称为“充满体量的城市”了，也可以说是充满媒体的城市，以威尔森对基地一向的态度，他们最后决定采取一个锚定的角色，这个“角色”便是热烈的红色。所以红色成为主色调，它在这
起了标定这块区域的作用。
而从内部的机能来讲，它是属于复合型的剧场。设计并没有破坏和过分改变剧场的传统组成部分，而仅仅是对它们作了一系列位置上的移动和改变(大厅)以及出人意料的组合(楼梯和坡道)，使得剧院从头到脚变了样。建筑内部的公共空间出人意料地诠释了城市空间和内部空间的渗透。
就像在明斯特公共图书馆工程中一样，新卢克索剧院的景观设计引导了建筑内部和建筑本身的选择。它还像波尔斯+威尔森事务所之前在纽约饭店附近完成的对水边城市复兴工程(Kop van Zuid)码头的改造一样参与和改变了周围的环境。在这个剧院工程中，波尔斯+威尔森建筑设计事务所向人们展示了一种可能性，那就是在不改变一个地方的布局规律的前提下，仅仅通过进行一点小小的改变，就能改变这个地方的整体氛围；同时，他们还认为利用一些小的标志或者适度面积的改变，还可以为将来可能在附近出现的新建筑或实施像在明斯特进行的那样具有市中心特征的改造提供支持。
在鹿特丹的港口有着许多他们的重要作品，从码头观测站、码头广场、电子装置、红色广场、卢克索剧院、艾贝达学校等等，而旁边也是很多大师的作品，如理查德·迈耶、卡拉特拉瓦等。
当舞台上灯光亮起，建筑物随即消失，都市中可以看见的只有舞台上的演员。
这个项目主要由以下线索组成：
(1)媒体与体量的关系：相当矛盾的一点是他们向招牌妥协了，不知是因为商业的考虑还是把媒体的包裹正当化了?
(2)基地的文脉和对应：这里很明显的是一个悬浮的基地，因为有太多体量在这里，所以以红色来锚定这一区域。
(3)材料的直接感官：由于是竞标方案，所以在材料上的交待不是很清楚，只是标示出了颜色而已，这与以往的项目相比算是个特例。但室内很明显地有意做出材质的对比和室内空间的延伸，以木头、玻璃、金属及红色的墙来形成各种感官的触感。
(4)体量的尺度：公共空间与商业空间。
(5)符号的意识形态：在包裹体量的外墙上有着意义不明的开窗符号和类似爱德华。奇利达的外形雕塑。
(6)细部：颜色对比强烈，实质感和透明感穿插。
(7)体景的形成：内部功能的考虑决定了外部造型，再以外皮包裹。
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http://www.jianzhu01.com/Museum1007281422.htm
鹿特丹南码头景观与观测站
随着这个港口集装功能的丧失，鹿特丹市政府从20世纪80年代后期开始就在考虑在这块地上开创一种新的景象。不像改造英国的船坞区(Dockldand)那样拥有巨额的民间集资及有诺曼．福斯特(Norman Foster)这样的大师为其量身打造，这个港口只是个小尺度小规模的建设项目。
场地位于水滨，首先得解决的问题是如何在水中安置好预制支承桩，嘹望塔下面之所以能有如此“随意的”柱子支撑，也是与平台下水中的预制桩有很大关联的。这块平地像黑色的地毯一样一直延伸到水里，在它上面直立着一根70m长的钢梁，作为连接两座“U”形建筑的走道。
嘹望塔用作探测之用，约12m高，正是一般轮船船长眼睛所在的高度。共两屋：一层是设备房，另一层是通往走道桥的。在桥的另一端是一个电子显示器，上面会显示诸如温度、空气质量、世界人口之类的信息，岸边躺着5块白色的“电子石”。现在这里已经成了人们晒太阳、拍婚纱照、观赏游轮的好去处。
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http://www.jianzhu01.com/Museum1007281421.htm
科隆香水博物馆
这个项目更加坚定了我们的信念：现在对一个项目实际情况的关注和考虑要比仅对它进行理论上的研究要根本得多，也更加直接和有趣。
这座建筑给人感官上最大的刺激是它的“跳跃性”——源于规划者对城市的规划模式，还有地形及所处环境的特殊性的理解。
这是一个城市尺度的“科隆香水瓶”，黄色的表皮跨过道路，绿树点缀在这个空间当中，小鸟的啁啾从建筑内部响起，钻到“香水瓶”的每一个角落。挂在Dentzer桥头的这个“香水瓶”似乎还能让你闻到淡淡的柠檬香。它的另一个精彩之处是它的多媒体放映室，它能每分钟散发出约20余种香味。
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http://www.jianzhu01.com/Museum1007281420.htm
"星光20"剧场（Muvico "starlight 20"theater）
"星光20"剧场（Muvico "starlight 20"theater）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092716264140_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092716264140_2.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281419.htm
IBM运动大厅
时间：1980年
地点：温彻斯特
在尼古拉斯·格雷姆肖接受这座建筑的委托之前，IBM公司将温彻斯特外部位于汉普郡(Hampshire)的一座乡村建筑改造成了一座培训中心。接着他们又委托了一系列新建筑，其中包括了这座为员工准备的、作为IBM公司社交俱乐部的运动大厅设施。考虑到这座建筑紧邻着一些已建建筑，因此与周边建筑的简单联系和未来扩建的可能性也是整个设计规划的一部分。
这座建筑位于一片完善的公园风景中，这为设计既提供了机遇又提出了限制。建筑可见的外部结构框架似乎是借鉴了树木的枝权，并且反映了三角形等几何图形，格雷姆肖本人曾对此评价说“外部结构很像树木的枝权，因此整个建筑就如同伫立在乡村的闪光的农场机械一样”。但是在功能的水准上，作为一座提供羽毛球等室内运动的体育大厅，大面积的墙壁是必须的，同时采用内部自由的空间结构是具有较大优势的。
构造上的设计是由5个绑扎式的入口结构组成，跨度大约是18米，从悬挂的屋顶处创造了外部的结构。主要建筑的外覆层是银色的面板，转角处是蓝色的弯曲的聚酯强化玻璃以便减少整座建筑透明的区域。
每块墙面板都是5250mm长、500mm高，通过转角处的螺栓与结构上的夹板相连接。面板之间垂直方向的交接处是一道15毫米的缝隙，在这道缝隙里填入了氯丁橡胶衬片以防止漏水。屋顶采用了PVc材料形成了一个单独的防水层。
内部空间给人一种开阔的感觉，没有吊顶，也没有对可见的服务设备过于细致的细节的关注。大厅的五块主要面板、四块墙面板以及屋顶——通过一个连续的狭槽铰接起来并增加了透光性，这样就赋予了整个实体结构一种流动的表现力。与原有建筑的联系利用了一条钢制的隧道和一道连续的天窗，这样的联结关系具有一种富有生气的性质。纵观整个运动大厅，在设计上有一种能量控制的感觉，这使得建筑的清晰性和气质都得到了更加有力的表现。
这座体育大厅很轻松地就成为了建筑9币所声称的，“一座仿爱德华七世时代风格的小礼拜堂”。事实上，这是格雷姆肖在之前的工作中设计的第一个没有梁柱系统的结构。这代表着一个重要的实践阶段，通过这样的过程，才使以后许多开放式骨架结构的格雷姆肖式建筑成为可能。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809274857_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281418.htm
塞维尔世界博览会英国展厅
时间：1992年
地点：塞维尔
塞维尔世界博览会上英国展厅的设计概念从建筑学的角度显示出强大的创造力。作为一座极为优秀的建筑，它本身具备了那些令人激动的因素。
整个建筑长200英尺、宽120英尺，给人的感觉就好像它几乎不会消耗能量，周围的空间也因为它而被冷却下来。当然，这正是它的本质。作为预制结构，这座建筑包含了太多清晰可见的原理(无论构造上的还是建筑学上的)，同时也展示了室内气候控制的技术。
设计采取了将局部零件组装的形式，使得整个结构在世博会后还可以被拆卸下来、搬运到其他地方、并重新安装使用。构造上使用预制的白色涂漆的管状钢结构，只需将零部件铰接起来而不需要进行复杂的定点焊接，这样就保证了英国的展品可以被顺利展出。而混凝土地基、地坪层、中央广场的水泥地板，是在原有地点上直接施工的，将来也无法拆装。
周围的环境情况对于这项工程的设计是非常苛刻的。在这样的环境中，最显著的特征应该是水墙的使用：它在视觉方面和自然方面都起到了冷却降温的作用。
在外层覆盖的膜内，三个独立的展会展台和两个封闭的展区坐落在钢管搭建的框架结构上。这个结构下面是供游客疏散和步行的交通系统，建筑内整个的游览路线设计得极为生动，并且有助于满足展厅的人流量要求，容纳足够多的游客。
另外一个有助于建筑物环境控制系统的因素是S形的日光／阴影嵌板，这些装置使屋顶的金属面板不至于被阳光晒得过热。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092809564853_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281417.htm
Munico剧场（Munico theaters）
Munico剧场（Munico theaters）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006092813090658_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281416.htm
阿拉伯世界文化中心
时间：1981～1987
地点：法国．巴黎
阿拉伯世界文化中心(IMB)坐落在巴黎旧城的斯得岛顺流而下的塞纳河南岸一块曲线的三角形基地上。北立面对着沿河的一条道路；东边平缓的区域视线可以到达JlJssietl大学。入口的轴线对着巴黎圣母院。左边的墙同入口成直角，锁定狭长的街景。可以说，它占据了现代巴黎和传统巴黎之间的关键位置。
IMB是集博物馆、临时展出、图书馆、文献中心、供表演及举行会议等功能于一体的文化中心。作为一个阿拉伯世界在巴黎的展示场，这个建筑必须考虑到很多不同的辩证关系，这些辩证关系联系着不凡的阿拉伯及西方文化；关系着处理历史与现代的观念；更明确地关系着室内与室外的想法。
至于都市层面的问题，在于如何用优雅的建筑，沿着塞纳河畔的道路围绕，并维持着传统的尺度；建筑主体由一个四方形的大广场所分离，朝向邻近的大学；建筑在朝向圣母院的轴线上切开一道深缝，通向其方形庭院；西向借由透明表面下的白色圆柱体——书塔，做一种极致的表现。
IMB不仅是一个以现代建筑材料建造的阿拉伯建筑，而远比这要更上一个层次。他是一座精妙复杂的现代建筑，对他所处的地段作了一系列精确地呼应。它是一座关于精确空间中光线的组织和变化的建筑，南墙面有自动的照片感光的控光装置，在中心有悬挂条纹大理石的采光井。这些处理为室内带来了丰富的光线层次，空间体积的开放闭合感。这座建筑因此获得了对比和复杂的趣味，一个具有幻觉效果的室内环境，暗示着伟大的清真寺，敏锐地利用反光、折射、背光等效果造成的奇妙的感觉。
IMB同时展现了传统阿拉伯典型的建筑元素；在室内，借由框滤网及重叠格子来处理光线。南立面就是使用这种手法的典型例子，将在阿拉伯文化中常见的几种几何图形，用相机般的现代活动快门造型重新诠释。
阿拉伯世界文化中心是努维尔1981年竞赛的优胜作品，它为努维尔赢得了他后来所享有的国际性地位。
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http://www.jianzhu01.com/Museum1007281415.htm
哥本哈根音乐厅
时间：2002
地点：丹麦
在郊区建造建筑在最近的几十年来一直是一个很大的挑战。依靠已经建成的难以评估潜力的城市环境显然是不合理的。我们必须从相反的方向入手：这座建筑将怎样影响城市毫不确定的未来?在最坏的可能性下它将怎样生存?
对不确定未来的回应只有依靠不确定性的积极力量：神秘性。一种类似诱惑或者吸引的神秘感。如果周围的环境太过中立，那就需要创造一定的过度。本质上来说，不管环境是什么样子的，都需要被评价。
这个提案由两个部分组成——对领域的物化和为它提供一个特殊的城市功能尺度。它是一个允许另Ⅱ人猜想其内部的体量、一个神秘的平行空间可以在白天和夜里改变它的光线的建筑。在晚上，这个体量变成一个图案，而色彩和灯光的构成则是对内部空间的热烈表达。
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http://www.jianzhu01.com/Museum1007281414.htm
格思里剧院
时间：2001
地点：美国
任何事情都有它的起源，无论城市、剧院还是人。我们从一出生起就被我们的基因决定。所以，如果明尼阿波利斯没有它的瀑布，船只就不会停在这里，工厂也不会建任这里，它就还仅仅是一个村庄。今天格思里将要定居在这个瀑布旁边的历史金三角中，定居在这个创造了明尼阿波利斯的工业区里。
因为历史，传奇在这里交汇。人们将会发现这个剧院也是一种工业，一个布景和物资的产品；会发现这个建筑被一系列相联系的功能所统治；发现建筑可以同时被历史和工业所表达。明尼阿波利斯也将发现历史继续被创造着。
剩下的就只有建筑。没有怀旧的情绪，因为建筑的对话是一个明显而完美的借口来发明和应用21世纪的材料和技术。今天和昨天一样，历史和现代互为因果。
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http://www.jianzhu01.com/Museum1007281413.htm
奎恩布兰里博物馆
时间：1999
地点:法国
这个博物馆围绕着一些收藏品建成。博物馆里面所有的东西都被设计来引爆由远古所唤起的感情。在这里，一切物件都是用来屏蔽光线但同时又捕获一些不可或缺的日光来创造一种感应和不同的精神。
这个地段被丛林和河流标示出来，被深度和空白所困扰。这是一个澳大利亚和美国作品的庇护所，在这里它们被评判和诋毁。这是一个那些创造神和信仰的远古人类的精神重新栖居的地方。这是一个独特的、诡异的、诗意的和迷乱的地方。
如果现代西方的附属品不被完全抛弃，那么这个博物馆将不能被建起来。当然我们也求助于最先进的技术：陈列室很大——不可思议的大，而且绝对透明并且很多体面都印上了大幅的照片。在某些层次上，物质似乎要消失，人们感到博物馆只是森林中心一个简单的没有正面的场所。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093008545351_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281412.htm
洛杉矶乡村艺术博物馆
时间:2001
地点：美国，洛杉矶
城市是一种沉淀和积累。建筑的更新换代冲撞和修复着腐蚀的时代。植被防止着裂缝，但路网却出其不意地连接着车窗外运动的风景。洛杉矶乡村艺术博物馆是对周围在过去40年间建成的建筑的一个笨拙并置。这种聚合是松散的行政管理和法律决定的一种反映，在这里，建筑、诗歌、场所的灵魂和归属感都不成为真正的标准。
这种并置现在发展成为一种安装，过去的错误很令人讨厌，同时建筑变成对这种公共传统转译的一种许诺。它特别努力地试图去建立一个历史的地标，这样使它周围的惨状可以被忽略，但这种态度意味着得对它们进行有效的利用。
我们必须学着去爱现有的环境，对一种过时的态度的偏好并不意味着将所有的事情保留原样，而是意味着对所有的建筑进行近距离的观察。
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http://www.jianzhu01.com/Museum1007281411.htm
人类进化博物馆
时间：2000
地点．西班牙
这个设计力图讲述远古的时代，当建筑还只是粗糙的地形选择并且土地可以被任意使用的时代。这个建筑也试图唤起这样的记忆，一个外表并不吸引人的地方，里面却埋葬着我们神秘的祖先；一个可以让我们最前沿最边缘的科学通过色线的网格、编号的标记以及对背景明智地划分所表现出来的地方。
我们怎么来表达现代和远古这种完全不同的美学世界遭遇在一起的碰撞和冲突呢?
这个博物馆就像是在城市心脏部位，远古的地形和地貌的一个爆发，一个在形式和无形式之间的个性的释放，挖了一个很大的洞穴，然后覆盖上传统的地方植物。纤细的可拆卸余属结构暗示着研究工作的临时性。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009055941_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281410.htm
瑞士2002年国宾博物馆
时间：1999～2002
地点：瑞士
这个关于自然的工程偏重概念而不是形式。这意味着它是从对需求的分析人手，将其转译为一个将为目标提供最合适媒体而形成最终的提案的过程。在一个最初的阶段我们侦查方法和目的之间的矛盾以及选择的主题是形而上学的。它应该在给地段注入活力之后就静静地消失，所选择的媒介则是艺术。
在这些诸多的条件下，要把所有的表现形式封闭在1公顷的地段之内。这里需要的是平和安静。所作的事情应该是精致而精确的。我们创造的环境不会是一个封闭而受管制的公园，而是一个和居住着人类的地球有着相同主题的宇宙。这个工程是一个被自由接受的体验，根据时间和日期的不同而各不相同，人们使用和欣赏的步调和路线都不预先设定。
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http://www.jianzhu01.com/Museum1007281409.htm
索菲亚艺术中心扩建
时间：1999
地点：西班牙
在这个艺术中心的阴影下，改建不能占据原来博物馆明显的主导地位。这个简朴的府邸被玻璃的立面所包围，成为我们现代艺术文化的庇护所，并且它必须将它的力量简单而明显地植入。
我们必须明示我们的忠诚并表达我们对它的尊重和联系。这个博物馆在延伸，它的地盘也在扩张，它在吞并这个地区的其他部分但却并没有打乱或者破坏它们，至多吸收它们或者给它们新的价值。尽管如此，任何事都难以预见，一个现代建筑植入已建成的环境中，如果它不能有助于再评价它的环境而且同时在它周围的环境中加强自己的价值，那么它将很难成功。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006093009170934_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281408.htm
沃加文娱中心(wagga civic centre)
沃加文娱中心(wagga civic centre)
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http://www.jianzhu01.com/Museum1007281407.htm
加利福尼亚广场
时间：1980～1992
地点：美国，加利福尼亚州洛杉矶
加利福尼亚广场是在一次为复兴洛杉矶邦克山区域中心的4个街区所组织的一次竞赛中的优胜方案。
方案包括超过90000M2的写字楼，750套公寓单元，一家拥有400个客房的高级宾馆，7600m2的专卖店以及3000m2的现代艺术馆。
这个规划的设计理念是通过规划区域中功能类型的多样化将其和周围的地区联成整体，并为分别位于地段两端的市中心写字楼区域和音乐中心提供一条有效的联系纽带。这个方案将文化、娱乐和商业活动融为一体，创造了洛杉矶郊区一个新的公共活动和商业中心。
加利福尼亚广场共分三期实施。第一期在1990年竣工并投入使用，第二期也从1989年开始施工并在1992年完成。在二期中建成的两栋写字楼是洛杉矶最高的建筑之一，墙身使用天蓝色玻璃帷幕覆面，从正面看，其中一栋大楼像三面有流线形大弧角的墙壁重叠在一起。
广场的一期虽然采用了埃里克森的规划方案，但却没有采用他的建筑设计。这也是让埃里克森感到遗憾的地方。好在二期和三期为他弥补了这个小小的遗憾。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100812511452_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281406.htm
罗伯森广场
时间：1973～1983
地点：加拿大．温哥华
在全世界，很少有低层的建筑工程花费1亿3千万美元以上的，而罗伯森广场就是其中之一。广场位于温哥华城市的最中心，主要由三个部分组成：体现了先进法学观念的法院大楼、为600名公务员提供办公空间的政府办公楼以及提供丰富休闲活动的娱乐中心，包括了全市惟一的真冰室外溜冰场、多功能的剧院、大规模的电影院、会展场所、高档餐馆、美食街等一系列设施，还有一个引人入胜的开敞式购物中心。
一个三维城市公园连接了这3个部分，水池、瀑布水景与政府办公大楼融为一体。这个公园非常惊人，足有一个街区那么长的巨大屋顶水池犹如“天池”，水从屋顶倾泻而下，形成了3个巨大的瀑布。地面上有一座人工堆筑的小山，以及成百上千的乔木、灌木和草坪。当然惊人的不仅仅是体量，水景的设计手法也非常丰富，将形与色、动与静、秩序与自由、限定与引导等水的特性与作用发挥得淋漓尽致，而且在技术方面有很多创新。
整个广场所用的材料是一种有特殊混合物的混凝土，这种混凝土在被水打湿时会呈现出一种令人愉悦的浅玫瑰黄。埃里克森设计的公园和建筑虽然都极富现代主义色彩，但在体量和建筑元素上都考虑到了相邻的由英国著名建筑师弗朗西斯·拿顿贝利(Francis Rattenbury)1912年设计的原温哥华法院，体现了埃里克森对地段原有历史建筑的尊重。这栋古典式的原温哥华法院则被改建成为温哥华的艺术博物馆。综合法院大楼
埃里克森在这个7层高的法院综合体的设计中体现了最新的法学观念。大楼主要由四部分组成：公共空间、法庭、陪审员会议室和其他管理设备。主要公共空间包括：大厅和3个休息长廊，它们在视觉和空间上都是相互贯通的。在大楼中共有35个法庭，包括了民事、刑事、上诉、立法等多种类型。其中还设置了两个专门处理一些复杂的商业案件的法庭。
这个法院综合体的设计理念是以以下三点为出发点：
(1)建筑内部的交通流线设计将司法管理人员使用的交通空间和公共交通空间完全分离，以确保安全性。
(2)法庭和公共活动区域是大楼的核心空间。和一般法院不同的是强调了公共活动空间的作用。
(3)创造流动的空间为过于严肃的司法机构注入新的活力。
经过精确计算的巨大玻璃斜屋顶是大楼最与众不同的地方。这个玻璃屋顶标志了大楼的公众性——它的透明感犹如敞开的怀抱欢迎民众进入其中享受它的公共空间或参与到司法工作的过程中来。玻璃顶还增加了公共空间的室外感，同时，使大楼的很多房间都可以享受到天然的日光。
这个巨大的天窗覆盖了大约5万平方英尺的公共空间，这些公共空间中有为民众提供的休息座椅以及一些法庭的入口，有证人等候室和会见室，还有展览和普及法律知识的空间。
整个公共空间运用生态技术实现了自然通风和温度调节。这个系统需要一个容量为84万加仑的储水罐，虽然由电脑精确地控制这个系统达到最优效果，但其原理却非常简单：热水置于冷水之上，由于密度不同两者不会混合。而储水罐中的15万加仑水同时作为公园屋顶水池和瀑布的景观用水，另外还为旁边的办公大楼提供了消防用水。由此来看，巨大的屋顶水池和壮观的人工瀑布并不是仅仅为了追求视觉效果的结果，设计师还赋予了它们实用的功能，实现了资源的综合利用。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813052440_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281405.htm
罗伊·汤姆森音乐厅
时间：1976～1982
地点加拿大，多伦多
多伦多汤姆森音乐厅是加拿大最现代化的豪华剧院之一。它坐落在多伦多的市中心，3面是3条主要的交通干道——国王大道、SIMCOE大道和惠灵顿大道。为了符合附近市中心向西发展的规划，埃里克森在地段西侧留出一大片市民广场吸引人们的到来，同时也使音乐厅处在交通方便而又静谧的环境之中。
音乐厅有两层外墙阻隔来自外部的噪音，确保演出的效果。建筑物主体用钢筋混凝土网架结构。外面又镶嵌了一层褐色玻璃的钢网架。这样，光线可透过笼罩在屋顶上的网架而射入，进入厅内的光线则形成一种斑驳的光影，丝毫无整股光线的射入，因此对音乐厅内的灯光完全不会产生干扰。这层半透明的表皮不仅为整个音乐厅提供了采光，而且还可以从室外隐约看到大厅内人们的活动。玻璃天棚就好像一颗变幻无常的巨大宝石，或反射，或透射，都随着季节不同、天气不同、时间不同而不同。
结合功能考虑的空间设计使汤姆森音乐厅成为了世界上音响效果最好的音乐厅之一，这是设计师和声学专家经长时间探讨，并通过无数模型推敲才得出的结果。音乐厅的主体即听众席，位于整个盾形剧场平面的中间。舞台则在盾形平面的较窄一端。门厅、休息厅等辅助用房环绕在听众席的四周。这个盾形平面使厅内的音响和视觉能达到最好的效果。听众席分为3层，上面两层是尺度较小的一系列花瓣形挑台，环绕在观众厅内的3面。它们还与舞台后方的两层合唱席相连接，形成完整的2，3层空间环台。这种化整为零的设计手法营造出了如此大尺度的音乐厅通常会缺失的亲切感。全厅设有座位2812席。座位与舞台的距离最远不超过32．6m，比世界著名的波士顿交响乐厅的31．7m仅远1m左右。听众席的视线也经过了仔细的计算以确保每一位听众都有很好的视野。
在音乐厅的室内装修上，埃里克森也充分考虑了室内音质。大厅的天花板上设有一个可控的升降篷，并且靠近舞台上空的地方悬挂着许多用以调节混晌时间的122色的吊挂构件。这些色彩纷呈的构件可以根据演出的不同需要进行改变，也因此，顶棚成了音乐厅中最具戏剧感的地方，就如同古典歌剧院那样。不断变换的迷人色彩让人们不由自主地将目光投向那里。另外，在厅内的三面墙壁上布置了有许多角度的音响反射板，使观众厅内任何一个角落都能被传送到最清晰的音响。
这座现代化音乐厅还有一个非常别出心裁的设计，那就是庭园内的一个约3.3m深的大喷水池。当池内的水被排干时，它就成了一个室外音乐厅场所(包括乐池和观众席)，可以供夏季在室外举行音乐会用。观众和演员都可以从休息厅经扶梯下到这个池内。旁边的一座大厦立面上分割成小块的镜面，经它反射到庭园的光线变幻莫测，给室外乐池平添了视觉上的趣味。
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http://www.jianzhu01.com/Museum1007281404.htm
日本大阪世界博览会
时间：1970
地点：日本，大阪
埃里克森独特大胆的想法让这个设计在国家级竞赛中脱颖而出。4个梯形构筑物围绕着中央庭院的总体布局暗示了加拿大宽广荒凉、一望无际的风情。从外部通过构筑物间4个狭小的开口可以望见内部热闹的活动和缤纷的装饰，由此增加了中央庭院的神秘惑，吸引人们进入其中。
外部4个倾斜的梯形构筑物有着山脉一样的尺度，为了减轻它们过重的体量感，并同时营造一种日本美学中普遍存在的不确定感，埃里克森在构筑物的外表面采用了45。倾斜的镜面玻璃，亦真亦幻地反射着迷人的天空。在加拿大，天空被认为最能反映一个国家的特征。而在崇尚大地的日本，天空几乎是被忽略的。这个设计正是将加拿大风景中天空辽阔的感觉带到了日本。
中央庭院中舞台的顶棚由5个可以缓慢旋转的“五彩转盘”构成，就好像一个高悬在天空中的巨大万花筒。支撑这5个彩盘的支柱也采用了镜面材料，它们和周围构筑物的镜面以及水池的水面共同辉映着如万花筒般绚丽的舞台顶棚。
在喧嚣热闹的博览会上，埃里克森设计的加拿大场馆为人们提供了一个难得的清凉宁静之处—彩盘在一个飘浮在水池中的舞台上空悄无声息的变换着，幻影和真实微妙地纠结在一起，让人们如临仙境。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100813182234_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281403.htm
沙特阿拉伯科学技术国家中心科学馆
时间：1982
地点：沙特阿拉伯．利雅得市
沙特阿拉伯科学技术国家中心(SANST)是1977年沙特阿拉伯王室颁布法令成立的，其中的科学馆位于利雅得市市中心以北12km处一块1250000m。的开阔地上。它向心含蓄的平面极具传统特点。平面由一个基本几何型反复旋转和叠加得到，带有强烈的伊斯兰几何图案感。因此，这个建筑虽然尺度巨大，但给人感觉却非常有节制。
科学馆的建筑形式是沙特阿拉伯人非常熟悉的：内部的庭院，有传统防风盖的采光井，象征着伊斯兰传说中智慧树的螺旋形坡道。房间的形状也来源于伊斯兰的传统几何图形。
建筑的外墙饰面采用了暖色调的当地石灰石，并有不同深度的水平条纹。科学馆内比较重要的空间包括半环形的入口广场以及它东面的被街道环绕的露天剧场、实验室、演示厅和三个不同主题的花园。
建造科学馆的目的主要有两个：除了表达穆斯林对于科学的观点以外，还希望无论是居无定所的贝督因人，还是有学识的研究者都可以接触和利用科学。因此，在科学馆中设置了各种层次的科技展览。考虑到当地口头传授知识的传统，参观者将会在语音解说器的引导下参观螺旋形展廊上的科普图片。
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http://www.jianzhu01.com/Museum1007281402.htm
圣地亚哥会展中心
地点：美国，加利福尼亚州，圣地亚哥
圣地亚哥会展中心的设计完美地将高效简洁的平面、动态的上升空间、静态的花园以及具有节日气氛的膜结构结合在了一个建筑中。它为社区和访客在滨水地区创造了一个全新的享受都市生活的地方。它内部功能之间强烈的组织性，使之以最经济的建造费实现了最大的空间利用效率。埃里克森为会议中心设计了清晰的交通流线，同时也赋予了中心极具趣味性的外观，以显示出会展中心特别的功能身份。
埃里克森将使用强度最高、体量也是最大的展览大厅放在了最靠近街道的地方，这样可以方便公众的进入。在大厅之上的玻璃拱顶给建筑一种通透感和轻盈感，使会议中心成了活跃的城市景观和相对静态的海港景观之间的过渡。同时也有希望通过延伸这个拱顶的交通桥将海岸和城市更紧密地联系起来。
展览大厅利用沿街的玻璃幕墙减小了建筑的过大的体量感，还通过一系列人行道和景观露台强化了水平向。露台借助色彩斑斓的张拉膜和防风物营造出了适于室外展览、接待、举办音乐会等功能的半围合空间。户外展区的竖向旗杆标语就像远航的帆，体现了所处地段的特点，并把活力和生活融入了建筑，庆祝那些即将在那里举行的聚集、会议和展览。
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http://www.jianzhu01.com/Museum1007281401.htm
塔克玛玻璃艺术博物馆
时间：1996～2002
地点：美国，华盛顿州塔克玛市
这个建筑是埃里克森在美国的第一个大型艺术博物馆作品，博物馆于2002年7月正式向民众开放。它的使命是使玻璃艺术这种非常有价值的国际性艺术为大众所熟悉，并为玻璃艺术创作提供一个自由开放的论坛。它所展示的作品将涉及玻璃艺术的各个方面，以便访客更全面地了解玻璃艺术。
它坐落于华盛顿州塔克玛市的码头街。从码头街来的参观者可以从环绕着不锈钢圆锥体的楼梯盘旋而上，来到正对博物馆的入口广场。参观者也可以从历史博物馆徒步走过一座横过。705州际公路的“玻璃桥”抵达玻璃博物馆最顶层的平台。这座玻璃桥是当地的建筑师亚瑟·安德森与玻璃艺术大师戴尔’契胡利共同设计的。如果不是因为旁边公寓的遮挡，从这里就可以将奥林匹克山的美景一览无余。
平台上有一片平如镜面的水池，在参观者从埃里克森式的大楼梯坡道下到入口广场的途中还会看到另外两个水池以及一片很大的室外展场。埃里克森也自嘲地说：“我就是因为我的楼梯还有我的坡道才出名的。”在建筑的外部环境中，造价较为低廉的预制混凝土代替埃里克森原先计划采用的更具表现力的现浇混凝土。对建筑师来说，这只是对预算所作的许多让步中的一个。
博物馆包括了一个玻璃加工车间和一间艺术创作室、展览空间、永久收藏品展示区、手工玻璃艺术品和书籍零售处、餐饮区、图书馆、剧
院及教室等等。从室外广场经过一个大片落地玻璃为标志的入口门厅进入博物馆的大厅，不锈钢的天花板形成的涡旋状肌理呼应了博物馆的外观，将室内外融为一体。门厅的两侧分别是亦可从外部进入的咖啡馆和书店。门厅右侧是约为1200m!大，4．6m高的大型展厅。展厅内只有两道固定的墙壁，因此，利用临时隔断可以产生无数种分隔可能。
博物馆的核心部分是不锈钢圆锥体内部的加工车间，这也是博物馆最吸引人的地方。在轰轰作响的熔炉边，参观者可以坐在看台上，清楚地看到玻璃艺术创造的全过程。这个空间吸引人的地方还在于完美结合了功能和形式美的钢结构所形成的典雅的韵律感。锥体的顶部在夜晚还会散发出柔和的亮光，唤起人们对旧式火炉的记忆。
对于这座博物馆有许多褒贬不一的评价，埃里克森自己是这样描述这座博物馆的：“我们要创造一个充满活力、激情和光明的中心。在这里，参观者将不断发现惊喜，深刻感受变幻莫测的玻璃艺术品传递给他们的喜悦。在这里，创造的力量将为参观者亲眼目睹并且亲身体验。这是一个属于2l世纪的博物馆!”
玻璃艺术博物馆是包括华盛顿州历史博物馆、华盛顿大学塔克玛校区在内的塔克玛文化中心的一部分，它已成为复苏塔克玛日益衰败的市中心的新希望。
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http://www.jianzhu01.com/Museum1007281400.htm
墨尔本博物馆(melbourne museum)
墨尔本博物馆(melbourne museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814190254_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281399.htm
像馆(niagara galleries)
像馆(niagara galleries)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814412757_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814412757_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814412757_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814412757_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281398.htm
波特女士艺术馆(lan potter museum of art)
波特女士艺术馆(lan potter museum of art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814483047_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814483047_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814483047_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100814483047_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281397.htm
文化中心(marion cultural centre)
文化中心(marion cultural centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815095354_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281396.htm
塔斯马尼亚设计中心 (design centre of tasmania)
塔斯马尼亚设计中心 (design centre of tasmania)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815164137_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815164137_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815164137_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100815164137_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281395.htm
法国国家图书馆
时间：1989～1995
地点：法国，巴黎
法国国家图书馆建在巴黎塞纳河岸上的一片工业废地上，它构成了塞纳河右岸的绚丽风光，被密特朗称为法兰西最高的建筑艺术珍品。它的外型蔚为壮观，那四本打开的书还只是这个图书馆巨人的上半身；它的下半身则埋在地下，不走近是看不到的，而这一部分才是它的艺术灵魂。
图书馆的四栋玻璃大厦均为书库，大厦之间有玻璃回廊从底部相连，回廊内侧是宽敞明亮的阅览大厅。在电脑的指令下，图书馆通过几十条累计有8km长的铁轨，在10分钟内将书库的图书送到读者手中。
法国国家图书馆的概念性草图，这个就像中心已经消失的泰姬马哈陵的著名设计，只留下了四个尖塔来作为这种符号性的集合空间的限制，让人能紧紧抓住建筑师工作的逻辑。纪念性具体化的成为时间沉淀的影像，成为一种材料和过程的积累，多米尼克．佩罗用了一个开放的，可获得的空间，在这其中，建筑必须用一种集体的东西构成。佩罗的法国国家图书馆就像四本打开的书，鲜明地划定了图书馆这具有象征意义的馆舍在巴黎的位置。
这四本打开的书似乎在遥远的地方与读者对话，因为对大部分人来说，他们在法国国家图书馆的阅读活动是在进入这个馆之前先从阅读这四本巨著开始的。他们从遥远的地方就望到了这四部书，从而认出了法国国家图书馆并确定了它在城市的方位。城市需要的广场被提供，它用独特的象征性来实现一种理念，就是城市的公众空间提供了一个在机构和人民之间的直接与自然的契合。因为它是一个都市空间，一个人们可用的步行场所，是一个连续的景观系统。人们似乎被强制爬到台阶的顶端，去感受这个庙宇似的场地。
馆内的每一件家具和装饰都非常考究，做工精良，设计独特。比如，各阅览室落地灯灯柱的包皮用价格昂贵的空中加油机使用的金属软管做成，看上去非常别致。
在室内空间的组合方面，有许多地方采用了先进透气的钢丝纺织墙，使空气流通，没有憋闷感，人们能与外部共呼吸而不能相视。由于大面积采用玻璃和钢化材料，产生许多反射光，但这些从钢化墙壁上反射出的冷色，又似乎与无所不在的木质材料和地毯的暖色相互辉映，实现了这几种材料的光的协调。这类幻觉的场景在多米尼克的设计中意味着虚无和不定。
在佩罗的建筑中，还有编织物的概念，法国国家图书馆的大礼堂的舞台用幕就是用一种银的单色织物做成的，这是一种金属的线状织物。有人说这种孔网让人想到中世纪的甲胄，这些恰是多米尼克所做的，他诠释了现在和历史之间的距离，抓住了运动着的能量。
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http://www.jianzhu01.com/Museum1007281394.htm
文化城竞标方案
时间：1999
地点：圣地亚哥
复杂的地形再度成为多米尼克切入建筑的关键点，他用一个雕塑式的方盒子直接从山脊插下去，贯通了下面的诸多功能块。远远看去，与山地的特性结合得很好。在采光方面的设计也成为了设计者理解文化城方案的一部分，成为建筑雕塑感营造中的一个重要元素。
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http://www.jianzhu01.com/Museum1007281393.htm
现代美术馆扩建工程大赛方案
时间：2000
地点：罗马
在罗马现代美术馆的扩建工程中，佩罗再次运用了他的标志性材料玻璃来调和与历史建筑的关系，同时，将景观引入建筑设计中。在这次的扩建要求中，将在8000mz的面积内设计新的展区、礼堂、办公区和分类储藏区等。在佩罗的设计中，创造了一个滤光玻璃体，将原有的空心轴围住从而将其保留。在正立面设计中，运用乳色玻璃和釉彩玻璃或透明玻璃组成，在其中加入胶质玻璃等滤光材料，确保了射入美术馆的光线自然、柔和。在玻璃外，运用树木制造一道绿色的障景，使得在馆内的人能看到一片美丽的绿色与美术馆相融。
该方案的地下部分主要是博物馆工作人员使用，一层主要是公共场所，二层包括办公室与工作室，同时开辟了员工通道。
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http://www.jianzhu01.com/Museum1007281392.htm
马林斯基第二歌剧院
时间：2003
地点：俄罗斯．圣彼得堡
马林斯基第二歌剧院是依托城市而存在的，在圣彼得堡这个宛若童话般的城市里，它是历史性与现代性的复合。歌剧院的金色外壳是圣彼得堡的纪念性的一种延续，但它的这种表观实际上却不与建筑本身的形状保持一致，它有一种理念，似乎是竭力把建筑给包围起来而又同时与周边的建筑相协调。公众空间延伸到建筑内部，使这个新老歌剧院结合在一起的项目显得梦幻而又理性。该建筑充分利用外围与建筑主体间的距离，让建筑上部的各层充当露台和观景场所，体现一种诗意的景象。建筑理性的几何图形使之与周围的街道的不同建筑风格实现了巧妙的连接。建筑的存在与否的问题在歌剧院这种抒情的美感中得到了诠释。
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http://www.jianzhu01.com/Museum1007281391.htm
图书技术中心
时间：1993～1995
地点：布西圣乔治．法国
这所建筑是受法国教育部和法国图书馆委托而建的，整个建筑的占地面积为65000m2，用于存放文件、报纸、期刊、科技方面的视听文献以及用于维修和储存文献的设施。
因为那里储存的资料多是档案文件，很少有人查阅，所以采用了一套工业储藏的方法，隔板设计的高度为10m。根据功能把维修车间又分成了若干个不同的部分，对各种文献和书籍采取不同的存放方法，功能上考虑得很齐全。
建筑闪烁着金属的光泽，细部上看显得十分细腻，和建筑室内书架的工业感一样，让人难忘。
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http://www.jianzhu01.com/Museum1007281390.htm
拉维莱特公园的大温室
时间：1996～1998
地点：法国，巴黎
这是拉维莱特公园的科学园区的温室，温室常年用来栽培和展览新的植物。整个建筑的占地面积为800m2，用于信息与咨询服务的是交流空间，温室本身属于实验空间。
整个交流空间是完全开放的，这里连续的环境文脉是为了让游客看到，所以无论从视觉上还是实体上都会影响该温室的视角屏障。上层的温室是被一个半透明的结构所环绕，所用的材料是为了强调并展示展览空间风采，因为可以凭借它所发出的光使视觉效果得到加强。
游客进入的第一个空间极具灵活性，它可以随着时间的进程、设备的现代化的更新而变动。之后游客再到上层的实验室中，他们会立刻融入那里所营造的氛围之中。
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http://www.jianzhu01.com/Museum1007281389.htm
密特拉神庙景观规划
时间：1998
地点：那不勒斯
密特拉神庙的遗迹坐落在那不勒斯市中心，那里的建筑密度较高，神庙的遗迹就藏在周围建筑环绕的地方。对于这样一种环境，佩罗所希望做的就是强化它作为考古遗迹的环境这种含义。
不知道是不是巴比伦空中花园的概念打动了他，佩罗在考古遗迹的洞穴上方设计了一个悬浮的花园，据说是想在那不勒斯这样一个无序的城市中创建一个天然的绿洲。地景艺术再次被多米尼克·佩罗使用，他通过体现蕴藏在该市地下深处的丰富的宝藏来完成这个设想。游客从花园层向下穿过一系列立体交叉的匝道就可以到达密特拉神庙的遗迹。这种历史意义在游客们向下行进的过程中就会异常的明显，那不勒斯的历史就在这个地质层上反映出来了。
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http://www.jianzhu01.com/Museum1007281388.htm
文化中心(jean-marie tjibaou cultural centre)
文化中心(jean-marie tjibaou cultural centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100916401956_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100916401956_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100916401956_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281387.htm
沙特阿拉伯国家博物馆 (national museum of saudi arabia)
沙特阿拉伯国家博物馆 (national museum of saudi arabia)
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http://www.jianzhu01.com/Museum1007281386.htm
专业摄影中心(professional development centre)
专业摄影中心(professional development centre)
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http://www.jianzhu01.com/Museum1007281385.htm
国会图书馆(parliament library)
国会图书馆(parliament library)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917140345_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917140345_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917140345_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917140345_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281384.htm
电影制造中心(house for a film maker)
电影制造中心(house for a film maker)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917250647_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281383.htm
非国教徒的教堂(bethel baptist church)
非国教徒的教堂(bethel baptist church)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917331646_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917331646_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917331646_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917331646_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006100917331646_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281382.htm
lu-ye-yuan石雕刻美术馆(lu-ye-yuan stone sculpture art museum)
lu-ye-yuan石雕刻美术馆(lu-ye-yuan stone sculpture art museum)
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http://www.jianzhu01.com/Museum1007281381.htm
上海大剧院(grand theatre of shang hai)
上海大剧院(grand theatre of shang hai)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017135444_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017135444_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017135444_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017135444_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017135444_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281380.htm
金行,吉纪念馆(kim ok-gil memorial hall)
金行,吉纪念馆(kim ok-gil memorial hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017400035_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281379.htm
CAIS画廊(cais gallery)
CAIS画廊(cais gallery)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017421731_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281378.htm
CAIS画廊(cais gallery)
CAIS画廊(cais gallery)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017444631_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281377.htm
东部教会(dongbu church)
东部教会(dongbu church)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101017470154_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281376.htm
音乐厅建设(opus concert hall building)
音乐厅建设(opus concert hall building)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117211453_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281375.htm
dong kwang卫理公会教派礼堂(dong kwang methodist church)
dong kwang卫理公会教派礼堂(dong kwang methodist church)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101117302947_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281374.htm
Uijae Korena艺术博物馆(uijae museum of korena art)
Uijae Korena艺术博物馆(uijae museum of korena art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214255830_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281373.htm
青森当代艺术中心(aomori contemporary art centre)
青森当代艺术中心(aomori contemporary art centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214314347_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214314347_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214314347_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214314347_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214314347_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281372.htm
福岛礁湖博物馆(fukushima lagoon museum)
福岛礁湖博物馆(fukushima lagoon museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214383333_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214383333_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214383333_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214383333_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214383333_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281371.htm
新滹市艺术文化中心(niigata city performing arts centre)
新滹市艺术文化中心(niigata city performing arts centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214402149_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214402149_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214402149_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214402149_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214402149_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281370.htm
石头博物馆(stone museum)
石头博物馆(stone museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214412731_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281369.htm
Hiroshige ando博物馆(museum of hiroshige ando)
Hiroshige ando博物馆(museum of hiroshige ando)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214433732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214433732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214433732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214433732_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281368.htm
matsudai博物馆(matsudai museum)
matsudai博物馆(matsudai museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214442356_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281367.htm
nizayama森林美术博物馆(nizayama forest art museum)
nizayama森林美术博物馆(nizayama forest art museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214484647_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214484647_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214484647_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214484647_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281366.htm
东京国家博物馆(tokyo national museum)
东京国家博物馆(tokyo national museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101214555656_42.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281365.htm
电影院(house of shadows)
电影院(house of shadows)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215324135_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281364.htm
海外博物馆(O museum)
海外博物馆(O museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215431955_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281363.htm
纸包装美术馆 (paper art museum)
纸包装美术馆 (paper art museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215451041_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215451041_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215451041_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101215451041_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281362.htm
日本国会图书馆(kansai-kan,the national diet library)
日本国会图书馆(kansai-kan,the national diet library)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316031053_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281361.htm
奈良百年纪念堂(nara centennial hall)
奈良百年纪念堂(nara centennial hall)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316053638_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281360.htm
komyo-ji礼拜堂(komyo-ji temple)
komyo-ji礼拜堂(komyo-ji temple)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316072235_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316072235_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316072235_3.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281359.htm
司马辽太郎纪念馆(shiba ryotaro memorial museum）
司马辽太郎纪念馆(shiba ryotaro memorial museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316082334_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281358.htm
makino博物馆(makino museum of plants & people)
makino博物馆(makino museum of plants & people)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316461632_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281357.htm
artpolis青少年中心(artpolis prefectural ashikita youth centre)
artpolis青少年中心(artpolis prefectural ashikita youth centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316475353_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316475353_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316475353_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316475353_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101316475353_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281356.htm
新加坡板球协会展览馆(singapore cricket association pavilion)
新加坡板球协会展览馆(singapore cricket association pavilion)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317130930_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281355.htm
瓦克文化中心(katuaq culture centre)
瓦克文化中心(katuaq culture centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317185352_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281354.htm
哈马尔大教堂遗址保护建设(protective construction for hamar cathedral ruins)
哈马尔大教堂遗址保护建设(protective construction for hamar cathedral ruins)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317234240_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317234240_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317234240_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317234240_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101317234240_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281353.htm
科学博物馆学校
当代的博物馆从传统的说教模式、圣殿模式，越来越倾向于向一种平易近人的体验模式、感受模式发展。城市中的孩子每天都被禁锢在喧嚣和冷漠的高速路和钢筋混凝土当中，还有学校的冷冰冰的课本。这个博物馆学校改变了城市中学校的地位，把自然的奇妙带入到孩子们的日常生活当中。
这所城市学校充分利用其毗邻的博览公园——玫瑰花园的优势，将花园的氛围延伸到了学校的建筑中，为学生提供了一个更富田园意味的场所。一栋三层的长条式楼房和一个平坦的像花园一样的棚架构成了主要建筑群。教室和行政办公室分布在三层长条似的楼房里。这个长条式建筑从南端航天大楼的边缘一直延伸到北面的椭圆形运动场，并有部分建筑插入到运动场中。建筑的东面被一块从大楼主体上延续出来的外壳覆盖。花园本身的格架起到了顶棚的作用，一种不同的室内与室外空间层次也被不经意地营造出来。二楼和三楼的每个教室都可通向一个户外平台。可容纳一系列比长条式建筑所能提供的更灵活的空间被花园棚架式结构营造出来，包括幼儿游乐场、图书馆、多功能厅、餐厅以及几处院子和室外学生活动场等。棚架的顶棚有多种身份，时而是一个封闭建筑的屋顶，时而是为室外场地遮风挡雨的顶棚，时而则是室外露天场地的外形轮廓。不论是从感性上，还是理性上来说，这个花园式结构与公共的玫瑰花园有着直接的联系。作为玫瑰花园的人为延伸部分，这个花园把长条式教学楼直接固定在这处区域内，固定在这个充满了鲜花的城市世界里，是一个把自然的元素融入到学校建筑中的绝好案例。
通过这个方案设计，我们可以感受到：只要足够用心，一种更加浪漫和诗情画意的解决建筑问题的方式就可以被带到冷漠嘈杂的城市环境中来；一些已成定式的做法，可以被周围的自然和社会环境改变，从而变得生动而有趣。
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http://www.jianzhu01.com/Museum1007281352.htm
利昂·马克斯展示厅
这个方案在一栋已建成的大楼内创造出一处室内空间来展示和销售不断变换的女装，设计师为此提供一个探索光源、强光、暗光在销售过程当中不同作用场所的应用。一个由表面打孔的可移动组合体构成的隔断被建成，目的是为了存放商品，同时也可提供私人办公空间。透过这面半透明的幕墙可以看到展示的服装，也就可以感受到由于季节变换所带来的颜色的改变。在这面幕墙的前面是四个独立的物体，这些物体可使人联想到机器设备，体现出衣服生产的过程。它还标示出了接待处、通道、会议室和客户等候室等地方。这些物品体现了建筑的发展变化和充满活力，也使得同大厦更好地沟通成为可能。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101611273555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101611273555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101611273555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101611273555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101611273555_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281351.htm
普拉多国立博物馆
毫无疑问，博物馆可以给一座城市带来无限的生机和文化氛围，所以越来越多的人开始思考博物馆的作用、地位和建成方式。位于马德里的普拉多国立博物馆是西班牙最受欢迎的公共建筑之一，并且对于游客和学者来说，也是一处不容错过的地方。
该设计由三部分组成：一个新的公共散步区，它将博物馆建筑群连接起来，同时也连接着市区；在地下开挖的一个椭圆形大厅，用来停放旅游客车；在修道院南面建的一个“镜子”建筑，里面是行政办公室和报告厅，通过大尺度轴对称式建筑元素与维勒尼亚大楼连接在一起。
修道院南面的行政办公室和报告厅建在公共散步区的上面，由架空的柱子支撑，同时由维勒尼瓦大楼双向的公共楼梯和公共电梯将它们与较低的楼层和地下员工停车场连在一起。这栋新楼的建造仍延续了只对博物馆进行“背景”式介入的策略。工程没有引入其他的建筑语汇，只是把维勒尼瓦大楼正面的分离部分重新连在一起，与内部相适应，并且形成一个新的立面。它是此标志性建筑扩建的一个三维的典范。
设计方案采取一种开挖的策略，使得新建的部分成为一个背景，从而更突出了博物馆这个城市标志性建筑。它是现有建筑的背景和维护，而不是通过增加一些新的东西来改变维勒尼瓦的原有面貌。开挖地下部分的设计方案使普拉多博物馆的入口有了新的秩序，对原有建筑有了新的理解。现在，各部分的连接、游客到达处以及入口处都与原有建筑相称。设计方案把不同的公共场所随着游客在博物馆内的走动而交织在一起，不断调整和重新连接各个建筑，使它们的功能相一致。
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http://www.jianzhu01.com/Museum1007281350.htm
塞利克健康中心总部8201号
这个项目要求建成一个既符合商业身份，又可以带来公众效应的建筑，而且是要在原有建筑的基础上进行合理改造。建筑策略是通过两个既分开又统一的部分——一个高一个细——把几个部分结合成一个整体。一系列加减的设计手法反映出城市不断发展的特点。由于原建筑的品位不高，建筑师更加着重对比例的考虑。原有的钢框架被用作基准线条，透过西立面透明的玻璃幕墙可以很清楚地看到它们。顶层的悬臂墙与电梯机房相互呼应，成为整栋建筑高度的标志。与原有建筑围合出的空间成了建筑的一部分，顶部的和谐统一更使它们看起来天衣无缝。
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http://www.jianzhu01.com/Museum1007281349.htm
朱尼皮·罗塞拉圣殿
几种主要的本地文化被这个方案完美地融合为一个整体，即以一种隐喻的方式把它们根植于西班牙裔社会的天主教、唐人街和日本社区所展示的中国和日本文化，以及本土的美国印第安人文化集中到圣殿的设计中来。
最初的框架是从景观开始的：一堵环形墙，展现出圣殿的特性；一座有多重含义的小土丘，暗指大教堂的半圆形穹顶、北美印第安人的土堆和佛塔以及丰富多彩的加州风景。另外，在墙内还建造了一座堆砌的土丘，用来隔绝高速公路的噪声。令人惊讶的是，圣殿的空间被安排在地下，平面看来只是一个方形。整个方案重新阐释了这个地方发展了很久的混合的文化，令人很受触动。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101613171744_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281348.htm
北欧艺术家中心(nordic artists‘centre)
Following a limited competition to design the Nordic Artists‘ Centre, Haga and Grov were commissioned to complete the project and were then joined by two other architects, Knut Hjeltnes and Ivar Egge, to form a creative association. The project, a residential retreat for artists, explores a wealth of themes in Nordic culture, as well as positing an eclectic but contemporary aesthetic language in its architecture. The complex is situated in an isolated and beautiful mountain landscape in remote coastal Norway on a site that had been donated to the Nordic Council in the 1980s. It consists of five houses for artists, a large workshop and five individual studios where artists can work independently. An existing house on the hillside is incorporated into the complex, providing an administrative centre. In the plan, the studios on the north side of the hill form an arc and are connected to one another and to the workshop by a tunnel. The houses are on the south side of the hill. The separation of workspace and house forges an intimate and typically Nordic bond between artist and landscape, by forcing the artist to walk across the hill in all weathers to reach the workspace, a connection reinforced by large picture windows in the studio. Materially the buildings are a charmingly eclectic composition; high-tech elements mix in with profiled aluminium cladding, timber and even traditional juniper thatch on some walls.
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http://www.jianzhu01.com/Museum1007281347.htm
北欧水彩博物馆(nordic watercolour museum)
The building is perched upon a concrete slab, supported on pylons, and seen from the water seems to be overhanging the sea. From the land, the museum looks like separate units, creating a visual link with the five artists‘ units built on the opposite island and connected to the museum with a wooden bridge. The museum is a two-storey building, with single- and double-volume interior spaces. The lower level is primarily used for public functions, such as the assembly hall, exhibition halls, restaurant, shop and children‘s studio. The administration, classrooms, studios, a planned library and actors‘ dressing-rooms are on the upper level. Big windows frame the scenery and allow light to enter. A band of windows along the top of the exhibition halls allows the reflection of the water on to the ceilings, while at the same time creating a uniform roof which unites the museum‘s different functions. The inner structure is of concrete and steel, ensuring a stable indoor climate, and lightweight construction is used for the assembly hall. Flooring types are suited to each room‘s function. Wall finishes include concrete and timber panels in the red colour which is used in rural architecture throughout Sweden.
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http://www.jianzhu01.com/Museum1007281346.htm
dunker文化中心(dunker‘s cultural centre)
Rather than trying to incorporate the many functions of this new cultural centre in the heart of Helsingborg into one structure, each part is given its own distinctive architectural form, resulting in a village-like cluster of buildings and a lively roofscape. The centre is organized around a central open-air courtyard, with a double-height entrance portico facing Sundstorget Square to the east and a glazed colonnade facing the harbour to the west, with broad stairs descending from it to the waterside. Along the north and south sides of this central axis are two-storey exhibition galleries, their upper levels daylit by ranks of north-facing rooflights which project upwards from pyramidal roofs. Facing the harbour, the stairs are flanked on one side by a restaurant, crowned with a lantern roof bristling with projecting light scoops, and on the other by a concert hall with the same distinctive billowing curved roof profile as the theatre slightly behind it. Bridges lead across tall atrium slots to four-storey blocks which house music-school classrooms and wrap around the remaining three (landward) sides of the complex. The centre‘s pristine white walls and the stripped-down classicism of the colonnades which integrate the buildings lend it a quietly Mediterranean feel in this northern setting.
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http://www.jianzhu01.com/Museum1007281345.htm
博览会公寓大楼建筑(housing expo bo01 apartment building)
Part of a larger housing exhibition modelled on a medieval town settlement, this collection of buildings by Wingardh represents the high end of state-aided housing. With a specified life in excess of 100 years, quality materials and robust detailing combine with clean modern lines to create a composition that is intended to outlive passing trends in housing design. The complex of buildings surrounds a sheltered courtyard designed by NOD Landscape Architects and comprises four blocks, all of which are served by a site-wide network of underground streets and car-parking. The brief called for a degree of variation in the design to avoid the monotony of repetitive housing units; this is largely demonstrated on the five-storey seaward facade through the modulation of two distinctly composed bays arranged in alternating and mirrored configurations. The resulting effect is of a far greater level of variation than exists in the design. Single-storey, duplex and roof-terrace units are clearly expressed, demonstrating the range of accommodation which varies from small studios to generous seven-room apartments. The external finishes consist of a limestone plinth on the ground floor, and cement render to the floors above, which give the scheme a robust, enduring quality.
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http://www.jianzhu01.com/Museum1007281344.htm
kiasma赫尔辛基当代艺术博物馆(kiasma,helsinki museum of contemporary art)
The difficult triangular site of Steven Holl‘s Museum of Contemporary Art lies in the heart of Helsinki, with a busy road forming the boundary on two sides and the waters of Toolo Bay opening up on the third side. Known as Kiasma, the museum sits between the parliament building to the west and Eliel Saarinen‘s Helsinki Station to the east. The architect acknowledges the almost horizontal northern light that hits buildings on this latitude for much of *he year; a gently curved wall of glass planks with translucent insulation allows light in on different levels. Daylight also cascades into the gallery spaces from above, through ‘bow-tie‘ skylights in a curved roof section. Kiasma houses 25 galleries. The interior is shorn of fussy detail, with sculptural moments confined to door handles, stair edgings and the exposed thickness of a slab of glass. This lack of detail ensures a language of silence within the individual galleries, but their irregular geometry, typically semi-rectangular with one curved wall, creates an atmosphere of dynamism within which artists can exhibit their work. The Finnish word ‘kiasma‘ translates as ‘intertwining‘: the project aims to intertwine the geometry of city and landscape with the mass of the building on a visual level and to intertwine the potentially rarified spheres of architecture and art with other urban activities.
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http://www.jianzhu01.com/Museum1007281343.htm
vuotalo文化中心(vuotalo cultural centre)
The Vuotalo Cultural Centre is one of a network of cultural centres in the suburbs of Helsinki, and forms the heart of a civic complex for the 40,000 inhabitants of the suburb of Vuosaari. Around the building are situated a school, a large shopping centre and the site of a proposed old people‘s home, and thus the architect conceptualized the building as a ‘hinge‘. In plan, the building forms a semicircle, with the other half of the 80-metre-wide (262 feet) circle occupied by landscaping and a public square. This geometric layout is uncharacteristically arbitrary for an architecture so firmly rooted in place, but it works here, creating a transverse link across the site that starts to include the outsized shopping facilities next to it and the school opposite. There is an innovative use of materials, such as a wire mesh more commonly seen on conveyor belts that filters light into and out of the building. Most striking, though, is a full-height winter garden, or atrium, leading to the main facilities of the three-storey building. The ground floor contains a large library, above which sits an auditorium. Typically, natural light is a preoccupation, with large wells allowing light through the section, as well as visually uniting the floors.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101716493042_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281342.htm
kings‘jelling历史丰碑展览大厦(kings‘jelling historical monument exhibition buildings)
Situated at one of Europe‘s richest Viking heritage sites, Kings‘ Jelling is a museum dedicated to the important relics found in the immediate vicinity. This world heritage site houses two large burial mounds, the Jelling runic stones and a church. The present church was built on the site of the original wooden structure in the twelfth century. Although a museum had been planned since the 1960s, the project was only realized at the end of the twentieth century. The complex consists of two independent, rectangular buildings placed parallel with each other. The area between the buildings forms a central space where the foyer, cafe and main stairway are situated. The larger of the two buildings lines up with the church; its top floor and part of the bottom floor are used for permanent exhibitions. The walls are painted a dark, petroleum blue and it has a separate inner staircase. In the rest of the complex, interior and exterior mortar-brushed brick walls are painted white, with zinc used as a roof covering. These elements link with the simple yet elegant design of the church. Jet-fired Blue Ronne granite ashlar and oak planks are used for the flooring. Both the permanent and temporary exhibition areas and the central space are lit with skylights.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717072835_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717072835_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717072835_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717072835_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717072835_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281341.htm
lowry艺术文化演艺中心(the lowry performing and visual arts centre)
In response to a highly complex brief, Michael Wilford‘s landmark millennium project, The Lowry Centre, brings drama to Manchester‘s historic shipping canal. As part of a long-term regional regeneration project, which includes Libeskind‘s equally flamboyant Imperial War Museum North, the building is an exuberant collection of distinct forms assembled on a difficult, triangular site; the culmination of the collaboration between Wilford and the late James Stirling (1926-92) on the 1992 Lowry masterplan. It contains galleries for the City of Salford‘s Lowry collection, temporary exhibition spaces, an interactive children‘s gallery, a 1,730-seat lyric theatre, a 450-seat courtyard theatre and rehearsal rooms, together with the full complement of support spaces essential for the contemporary visitor attraction. Throughout the plan symmetry between the principle performance spaces predominates on a central axis. In balance to this the peripheral spaces bring a subtle variation both to the external composition and to the carefully choreographed spatial sequences within. Bold colours and exciting new cladding materials, combining stainless steel shingles, perforated sheet metal and glass in dynamic geometries, provide a new focal point within the community, creating a complex that has already proved to be successful in its mission to encourage people to experience the visual and performing arts.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101717341351_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281340.htm
奥克兰博物馆
时间：1961～1969
地点：美国，加利福尼亚州
凯文·罗奇
这座建筑可看作一个有围墙的花园，它给人们提供了很多亲切而随意的入口。一个展室的屋顶是另一展室的平台，一条步行街将建筑的各层联系起来。每一片区域都向着草坪、平台、格架通道和宽敞的台阶开放。
奥克兰是位于旧金山湾区的一个小城市，市政厅前的四个街区被用来作为统一的整块基地兴建一个艺术博物馆、一个文化史博物馆、一个自然博物馆。在深入考察了这个地区的起源、城市的历史和未来的发展后，罗奇产生了在该基地上的博物馆应该扮演比一股博物馆更积极角色的想法。这样，三个博物馆的体量被组织成高低错落的台阶式花园，花园中布置着与博物馆主题相关的雕塑，从而在市政厅前形成一个即使博物馆不开放时人们也可以来此休闲、眺望海湾的市民“公园”。在周围街道上的人们首先被该馆宽阔的开口导向一个像迷宫一样引人入胜的步行道系统，它串连台阶式花园并由它们通向三个博物馆、报告厅、餐厅等部分，从各主要部分都可直接进入变化多端的外部空间。步行道经过藤架通道、台阶梯段，经过高低——折转——合放，在开敞的草坪处达到高潮——海湾被借景而入，给人以意外之惊喜和心旷神怡之感。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101808534650_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281339.htm
福特沃斯现代美术博物馆
时间：1996～2002
地点：美国，福特沃斯
这是一座收藏抽象主义艺术作品的博物馆。它坐落在得克萨斯州福特沃斯市文化区内，占地44000m2，并且邻近路易斯·康设计的金贝尔美术馆。
这个建筑由6个矩形的混凝土盒子所组成，每一个都覆盖着玻璃的表皮，被排列成平行结构。建筑东面是一片开阔的水庭园，茂密的树林庇护遮挡了博物馆，使其免受基地东南角繁忙嘈杂的交通影响。6个长方形盒状体量，两列长的体量内是博物馆公共空间，4列短的内部则是展览空间。建筑高两层，屋顶平缓轻盈，其高度与康的金贝尔美术馆的筒顶一致，建筑一层是公共空间、临时展厅、教育办公用房；二层则是永久收藏。这些体块在与外部水面及绿化协调的同时，内部也创造出多样化的空间，并为创造一种人的精神家园提供了可能。
建筑使用混凝土和玻璃作为主要的建筑材料。混凝土的平行六面体呈现在外包的玻璃表皮内，强调了玻璃的透明性，玻璃则柔化了混凝土实体对于外部环境的突兀感。
尽管建筑整体外形非常简洁，但内部却通过自然采光系统，创造出丰富多样的展厅平面和体量。由玻璃和混凝土围合的过渡空间，就像日本民居建筑中的“缘侧”，同时属于内部和外部空间。它们是展示空间不可分割的一部分，在与光线、水面及周边环境绿化协调的同时，激励了一种创造精神。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809241551_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281338.htm
高级艺术博物馆
时间：1980一1983
地点：美国，亚特兰大
博物馆处于一个街道转角的位置，那里临近坐落在桃树街的纪念艺术中心和长老会第一教堂。这个位置对于亚特兰大未来的发展、附近街区的步行导向以及公共交通来说，都是非常重要的。整个建筑由四个部分组成，其中一个被特殊雕琢以区别于另外三个部分——从基本的意象图分析，和法兰克福博物馆还是比较相似的，虽然其意义已经被重新解释了；这里，缺失的那个部分变成了整个博物馆的一个纪念性质的中庭、休息空间和仪式中心。
植被密布的桃树街非常有吸引力，交通要道的入口自然愿意选在这里，博物馆面对这边的位置临近纪念艺术中心。建筑前临街的空地形成一个绿色的空间。入口由一个斜着伸出的坡道形成。这个坡道引导人们经过一面幕墙，穿过一条柱廊进入整座建筑的主要楼层。
整座建筑的结构由圆形钢柱、框架和混凝土板组成。花岗岩底座作为所有坡道的横向基座材料，从正面看去，成为覆盖在画廊表面白色精美嵌板的依靠和支撑。光，不论是直接进入还是通过天窗、条形玻璃窗、带状通气窗和嵌板上的小孔透进的，都形成了连续的效果：抛开它的功能不说，光简直成了这个博物馆启发人们思索文化价值的象征，这个博物馆最重要的目标就是激发人们去发现这些价值以及通过空间的体验来让人们对其中的展品有更加深入的思索。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809311743_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281337.htm
光之教堂
时间：1987～1989
地点：日本．茨木
光之教堂位于大阪茨木市北春日丘一片安静的居民住宅区，原有一个木结构教堂和牧师独立式住宅。场地上，教堂的设计以与原有的建筑之间的关系为基础，并以光为主题。
该教堂以一个素混凝土矩形体量为主体。这一矩形体量包含了三个直径为5.9m的球体，同时被一片完全独立的墙体以15。切成大小两部分，大的为教堂，小的则为主要人口空间。人们经过这片墙体上高5．35m、宽1．6m的开口，就进入了教堂，地面处理成台阶状，由后向前下降直到牧师讲坛。讲坛后面便是在墙体上留出的垂直和水平方向的开口，阳光从这里渗透进来，从而形成著名的“光的十字”。
整个建筑的重点就集中在这个圣坛后面的“光十字”上，它是从混凝土墙上切出的一个十字形开口，只因有光的存在，这个十字架才真正有意义。白天的阳光和夜晚的灯光从教堂外面透过这个十字形开口射进来，在墙上、地上拉出长长的阴影。祈祷的教徒身在暗处，面对这个光十字架，仿佛看到了天堂的光辉。
光从安藤忠雄精心设置的各种洞口或孔隙中滤过，携着历史的永恒之所在，带着时间的流逝，一起涌入空间中。在光的笼罩之下，一切朴素而理智的细部随同生活细节得以清晰展开。
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http://www.jianzhu01.com/Museum1007281336.htm
肯贝尔艺术博物馆
时间：1966～1972
地点：美国，田纳西州
肯贝尔艺术博物馆是康最为满意的作品。Kay·肯贝尔，既是一位工业家也是一位收藏家(1964．年去世)。肯贝尔在福特沃思城建立了一个基金会，并把他的收藏品和基金捐给基金会用来建造一个收藏馆，他希望博物馆能够成为一个著名的建筑。1966年由基金会选出的博物馆执行官理查德·布朗博士决定委托康来做设计。
当时康正在做奥立维梯工厂、埃克斯特图书馆和印度的项目。肯贝尔艺术博物馆在1966年就开始设计，但直到1969年中期才开始破土动工。康设计了一系列方案：第一个方案是把一个开放的庭院划分成的方形体组合起来，组成一个很长的长方形，第二个方案是一个“H”型和“C”型的平面。最后博物馆采用了“C”型方案。
在这些方案中，不变的特征是覆盖了建筑跨度的拱形屋顶。有一个拱顶在中心处被打破，留出一条狭长的缝可以让自然光进入。布朗和康一直认为博物馆应该由自然天光作为主要的采光光源：经过阻碍使光线散射，不会直接照在艺术品上。镂空的铝板是最理想的材料，可以制造康所设想的银色光线，这种阻光结构被康称之为“滤光器”。
至于拱顶的形式，康在设计博物馆时的助手马歇尔·梅耶建议使用摆线形式，因为当结合了预应力混凝土之后它十分薄。整个博物馆是由1 6组这样的拱顶覆盖的，每一个都是22m×154m，从南到北排列贯穿整个建筑的长度。在它们之间是平屋顶的单元，与非结构的墙之间由细缝分开。结构墙是清水混凝土墙，内部填充墙是变质岩板。
平面分为3个单元，南向是展览空间和礼堂，北向是永久收藏室(工厂和员工用房设在地下室)。两个单元是6个拱券的进深，其中有入口、咖啡厅和商店，还有办公室和职工图书馆。西向的公园，由下空的拱顶部分，作为一个门廊。这个公园空间即由这些门廊和湖而分开。
最后，由于收藏品数目不断增加，博物馆的面积已不够。建议简单地重复原来的组合单元来增大展览面积的方案被否定了，因为这被认为是破坏了康最初的设计意图。现在扩建工程与原址分开，并采用了不同的建筑形式。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809493955_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281335.htm
库珀纪念礼拜堂
时间：1988
地点：美国
费依·琼斯
米尔德里德·毕·库珀纪念礼拜堂坐落在树林茂密的地方，为了对周围的自然环境作出回应，琼斯采用外壳透明的“开放式”结构，形成和周围环境的交流，在礼拜堂内外之间建立了直接的联系。礼拜堂运用了一种独特形式特征——尖顶，唤起了人们对更具体的哥特式形象的回忆，这成为整个设计的基调。在外观上着重强调了正立面和背立面；在内部空间起相应作用的是裸露的钢结构支架。琼斯运用现代材料更加细致地对他的风格进行了重新阐述，为精心组织的钢筋、木材及玻璃等建筑元素提供了充分展现各自作用的舞台。礼拜堂基本上没有什么装饰，各种建筑元素之间和谐的布置和建筑的透明特性使任何装饰都变得不必要了。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101809515543_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281334.htm
蒙特里中心图书馆
时间：1994
地点：墨西哥，圣尼古拉斯
这个图书馆位于蒙特里的“儿童英雄”公园内，地处城市的赛车场和一片湖水之间。它不仅要满足各种活动的要求，还要恰当地适应湖边的复杂情况。设计从一开始就试图把建筑组合体融入到自然环境中，从而使建筑与景观相结合。图书馆的主体是由两个巨大的体块组成，立方体位于圆柱体内部，且被圆柱体环绕；圆柱形皇冠向湖面敞开，最后逐渐变成三角形的“珠子”。除了其巨大的尺度之外，建筑上的斑驳与周围环境非常协调，与湖水与公园形成利一幅优美的画面。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810051156_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281333.htm
水之教堂
时间：1988
地点：日本，北海道
安藤忠雄的建筑作品大量使用裸露的混凝土材料，建筑造型多为简单的几何形体，墙面光滑干净，不加装饰，但由此构成的内部空间却变化丰富，给人以意想不到的效果。安藤忠雄在设计中着意将自然界的多种要素如光、影、风、雨、草、木、水流等引入建筑之中，给建筑物带来生机和诗意。
这座面积约520m2的小教堂位于风景优美的自然环境之中，设计人从一条小溪引水造成一方水面。教堂临水而筑，它由两部分搭接的方块体形组成，大的一个边长15m，高3m，小的一个边长10m。小的体积用作教堂的入口和前室，前室的顶上有一个玻璃阁楼。来人从阁楼中的梯级往下走，经过一道弧墙转入大的方形空间即祈祷室之中。祈祷室三面为实墙，一面完全敞开，面临水池，水池中立着十字架，以远处优美的山坡树木为背景，信徒们就是面对这引入建筑之中的优美自然景色向上苍祈祷的。这面敞开的“虚墙”装有移动的玻璃隔断，无论风雨昼夜，大自然的景色都能透入室内。从这个小小的教堂中可以看到“埋伏在建筑中的精彩场景”，这是安藤忠雄建筑作品的特点之一。
安藤忠雄在当代引起广泛的赞赏不是偶然的。他的作品简约平正，冷凝深远，含有诗意哲理，在现代建筑的物质手段中传达出日本古典美学的情趣与底蕴。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810112242_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810112242_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810112242_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101810112242_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281332.htm
冬季花园、千禧画廊(winter gardens and millennium galleries)
The project was won through a competition based on the first of a series of masterplans for this massive central area of Sheffield. Consequently, part of the context with which the galleries were designed to work was missing at the time of completion, but the architects were determined to create a fragment of a dense urban fabric rather than a building as an object. The success of such a drastic transformation of this part of the city centre was immediate, with the galleries becoming a popular destination for local people. The T-shaped complex works as an interior route, connecting three major squares through an arcade and a covered public space. It provides a wealth of public facilities within light-filled, airy spaces, its highly engineered architecture relying on clarity and openness. The Winter Garden, the most generous part of the scheme, rises from either end through glazed elliptical timber arches, and through its centre the galleries appear to ripple towards the street. The palette of materials and spatial articulation recalls the public buildings of Hopkins & Partners where both Pringle and Sharratt worked extensively, experience which allowed them to tackle such a project with ease.
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http://www.jianzhu01.com/Museum1007281331.htm
Walsall美术馆(walsall art gallery)
Within the now devastated industrial heartland of England, the new Walsall Art Gallery is as much a catalyst for regeneration as it is a new home for the region‘s renowned Garman Ryan Collection. As a distinctive tower-like structure it presents an appropriately tough and austere face within a post-industrial context of factories and warehouses. Clad in a diminishing array of pale terracotta tiles and punctuated by an apparently haphazard arrangement of pronounced and crisply framed windows, the facade of the building wraps and conceals a rich variety of exhibition, education, conference and catering spaces. The building can be explored by following a wandering route that is casually but precisely ordered by staircases weaving their way through the spaces. A more direct route is provided by lifts which dissect the building, linking the civic scale of the concrete foyer space with the conference space, cafe and roof terrace beyond. The permanent spaces strengthen the notion of the gallery as a home, a contemporary English house within which the visitor as guest can walk through grand formal halls and warm, intimate timber-lined rooms. Windows on a domestic scale are informally disposed, giving each space a specific identity and providing views which reveal the complexity and scale of the town‘s fabric and the strangely romantic melancholy of its industrial past.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817232250_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281330.htm
peckham图书馆和媒体中心(peckham library and media centre)
Part of the London borough of Southwards commitment to architecture and urban regeneration, Will Alsop‘s Peckham Library and Media Centre is a controversial and iconic building, which has featured significantly in debates about how architecture can best serve the poorest inner-city communities. Unusually L-shaped in section but not in plan, the first three floors in the long arm of the L comprise the media centre and support accommodation. The short arm of the L at the fourth floor contains the library. A large copper overhang supported on concrete-filled steel stilts doubles the floor area at this level. Beneath the overhang is an expansive public square enjoying more than half the site area, and bounded by the stilts set at irregular angles to create an unnerving arcade. The reading hall benefits from excellent daylight and spectacular views across London, and is a popular destination for the wider community. Deliberately raised above the hubbub of the street below and despite its playful and flamboyant expression, the space offers readers an ideal environment for quiet reflection. It also contains three freestanding, sound-insulated, timber-framed pods for meeting rooms, a children‘s playroom and a specialist African-Caribbean library.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817303144_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281329.htm
拉班中心(laban centre)
The Laban Centre is located in Deptford on the south bank of the Thames in East London, where the river makes its great loop around the Isle ot Dogs. The recipient of the 2003 Royal Institute of British Architects prestigious Stirling Prize, the building contains a dance theatre, a lecture hall. 13 dance studios, a health facility including an injury clinic and research laboratory, a library, conference facilities and a cafe bar, all distributed over two levels. The theatre is the heart of the building and an orientation point. Upstairs are the dance studios, each one a different size, height, form and colour. The two wide spiral stairs are generous enough to become places for social interaction, while two planted courtyards allow visual connections throughout the building, and mark the access points to the landscaped roof. Following successful collaborations with artists on architectural projects, Herzog & de Meuron asked London artist Michael Craig-Martin to work with them on the Laban s coloured facade. The skin consists of transparent or translucent glass panels, depending on whether the spaces behind require views or privacy. Coloured, transparent polycarbonate panels are mounted in front of the glass as a protective environmental shield, and allow the shadows of the dancers to animate the facade.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817371957_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281328.htm
崇高的法院,英国博物馆(great court,british museum)
The British Museum‘s Great Court was originally an open garden that was lost to the public with the construction of the Round Reading Room of the British Library. Over the years a critical level of congestion built up throughout the building, and consequently the departure of the British Library to St Pancras in north London in 1998 created a welcome opportunity to recapture the lost space. The Reading Room has been retained as a public information centre and library, but the clutter of bookstacks has been removed. Covering an area of 6,100 square metres (65,600 square feet), the Great Court is the largest enclosed public space in Europe. The glazed roof-canopy‘s unique triangulated geometry is designed to span the irregular gap between the Reading Room dome and the restored nineteenth-century facades. The lattice steel shell forms both the primary structure and framing for the glass, which is designed to reduce solar heat gain. The Court is entered from the Museum‘s principal level, through a great Ionic portico. Here there are information points, a bookshop and cafe. Two broad staircases encircle the drum of the Reading Room, leading to the upper-level galleries and two mezzanine levels which provide a restaurant and a gallery for temporary exhibitions. Beneath the floor of the Court are galleries for the African Collection of Ethnography, an education centre with two auditoriums, and facilities for schoolchildren.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101817384239_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281327.htm
英国图书馆(british library)
If good things come to those who wait, then by definition we should assume that this is a wonderful building. However, for those that disagree, when considering this as a piece of contemporary architecture it should be remembered that this design took almost a quarter of a century to complete, and as such may on first impression appear somewhat dated. However, the new British Library was built to last, to rise above the waves of fashion, to embody long-term fundamental qualities and, of course, to satisfy the need to replace Smirke‘s original, overcrowded reading room that had for years been the centrepiece of the British Museum, and provide more appropriate and manageable storage facilities. Architecturally, the building advocates the very particular English Free tradition, which grew from a blend of the Gothic Revival and the Organic pursuits of Wright, Haring, Aalto and Scharoun. with Wilson using asymmetry and irregular articulation to create a composition that would sympathize with both the flamboyance of George Gilbert Scott‘s neo-gothic St Pancras Hotel and the complex disposition of the building‘s functional programme. The form of the building defines a generous entrance courtyard that leads readers through the lofty foyer to the reading rooms beyond. At the heart of the building, as a centrepiece. King George Ill‘s library is encapsulated within an impressive six-storey glazed bookcase.
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http://www.jianzhu01.com/Museum1007281326.htm
地貌和旷野露天博物馆(weald and downland open air museum)
Since 1971 the Weald and Downland Open Air Museum has rescued and re-erected a wide range of threatened vernacular buildings in the grounds of the museum‘s West Sussex site. Edward Cullinan Architects‘ brief for this latest addition to the centre called for two specific new spaces: a climate-controlled store for an extensive collection of historic construction artefacts, and a large workshop in which timber frames could be repaired and reconstructed. Continuing a well-established sectional composition originally executed at Cullinan‘s house in Camden Town, London, the building comprises a lightweight timber superstructure that springs from a more massive masonry undercroft. In this case the protected undercroft contains the archive, beneath the lofty, 48-metre-long (157-foot) single span workshop which is the first double-layer gridshell to be constructed in the UK. In collaboration with engineer Buro Happold, the structure was formed from 36-metre (118-foot) lengths of 35 x 50-millimetre (1.4 x 2-inch) green oak sections ingeniously joined by a patented pinless connection that provides both stability and movement. It was assembled as a flat mat and lowered into position, taking its form by harnessing gravity to reach the desired shape. Externally the building was then clad with a western red cedar and polycarbonate skin.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101818020845_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281325.htm
1998年世博会葡萄牙馆
葡萄牙馆建在塔格斯的河滩上，占据了一片对称的基地，离世博会的主入口很近。为了与周围的建筑形成对比，西扎选择了一个严谨的设计，它包括了一片很大的为典礼设计的室外空间。为了满足这个需要，他采用了一个混凝土的幕，用金属线悬挂在两边。室外部分的两端都用了红色和绿色的陶制外墙，这是西扎第一次在室外使用葡萄牙的传统建材。主体建筑以后将会成为葡萄牙国会所在地，因此它设计上有最大的灵活性。底层大而高的房间是用来为世博会的多媒体展示使用的，室内由莫拉设计，上层围绕着中庭的贵宾室全是由西扎设计的。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101908582237_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101908582237_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101908582237_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101908582237_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101908582237_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281324.htm
阿维罗大学图书馆
葡萄牙，阿维罗城
阿维罗大学坐落在波尔图到里斯本的Al高速公路的入口处，有大约35 000人的阿维罗城边上。城市中心的规划是在1962～1965年由塔沃拉完成的，而阿维罗大学是在1973年成立的。它坐落在城外不远处，可以看到不远处的盐湖，大学里有相对较严格的建筑条例，规定建筑物必须有砖外墙和石灰石的压边，西扎非常尊重这个规定。除去这些不常在西扎的设计中见到的材料，起伏的立面和门廊是这座建筑最了不起的特征。在内部，清晰的布局，良好的采光，还有丰富的精致细部，从扶手到家具，都让这里成为一个令人愉快的工作学习场所。用一个常见的手法建筑师构筑了眺望盐湖的视线，提供了除了书本之外的风景。就在图书馆下面，西扎还设计了一个又高又瘦的水塔，看起来就像一个极简主义的雕塑。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910044758_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910044758_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910044758_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910044758_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281323.htm
汉诺威博览会瑞士馆
德国，汉诺威．1996～2000
人们觉得这个被称为“共鸣箱”的展馆是将不同领域的感官体验融入一种“整体艺术效果”之中的特殊场所，它完全是一个艺术作品。共鸣箱通过一种创新的悬挂系统组合在一起，在功能上，它为随气氛变化的感官体验提供了一个框架。这个设计的任务就是：共鸣箱应该总是发出不同的声响，在不同光线、运动、声音、气味的条件下，人们会感到一种持续变化的状态。
共鸣箱用木材、沥青和钢材筑成。由不同种类的木材组成的各种空间也划分出了功能的分区。来自瑞士各地的、从中心锯开的木材的清香弥漫在建筑中。所有木梁由于仅靠压力和摩擦力组合在一起而保存完好，在博览会结束后，它们将被拆除并在其他地方重新得以利用。光线作为建筑的第五维也得到了充分的利用。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910165437_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281322.htm
康索现代艺术中心
荷兰，鹿特丹，1992年
这个简洁的建筑包括了意想不到的巨大的展览空间：3300m2展览空间，分布于三个主要的大厅、一个设计展廊和一个照片展廊。这意味着，在康索艺术中心中可以同时举行5～6个展览。这里还有一个大型的报告厅，一个咖啡厅，一个书店和一个VIP房间，它们与展览空间共同组成了这栋建筑。
建筑的不同组成部分看起来是层层相叠的，倾斜的地板和一些坡道把它们联系起来，横穿了整个建筑结构。艺术馆位于博物馆公园和Westzeedijk之间，因此它的功能不仅仅是一个展览建筑，也是一个交通的交叉点。这栋建筑被设计成正方形，有两条通道将它划分成4份。在这种情况下，设计上的关键变成如何将博物馆分成4个独立的空间。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006101910265653_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281321.htm
圣本尼迪克特教堂
瑞士，苏姆威格，1985—1988
这座新教堂打破了传统的石砌教堂的形式，运用了全木结构，在结构和材料上，与临近的和宗教无关的建筑一样，也采用了木瓦外墙板，随着时间的推移，墙面板会经受时间的侵蚀，南面的将变成深黑色，而北面的则为银灰色。
37根独立的木支架沿着连续的木板墙树立着，这种序列使得这种象征性的围合感更加强烈。角木支架面向墙面的侧面被漆成白色。木廊柱和屋顶的木结构形成了一个整体，令人想到了巨大的华盖——一种专门用在圣坛上方，类似天穹的装饰构件。
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http://www.jianzhu01.com/Museum1007281320.htm
图苏大学的图书馆
法国，巴黎，1992年
图苏大学里有两所图书馆建筑，它们可以改善校园人际生活的交流问题。这个方案代表了一个新核心的引进，但并不忽略原校园规划的重要性。
这是一个三度空间的网络，不能算是一座大楼。它四通八达，足以吸纳所有的流线，在你想要弄清楚它之前，你会感到心有余，而力不足。
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http://www.jianzhu01.com/Museum1007281319.htm
法兰克福德国邮政博物馆
德国，法兰克福．1982
在1982年德国邮政博物馆方案竞赛中，君特-贝尼斯获头奖。当时德国建筑界正以极大热情专注于后现代建筑思潮，但贝尼斯却孜孜不倦地漫步在现代建筑的道路上，追求他的透明、民主的建筑。德国邮政博物馆是贝
斯“晚期现代派”作品。
邮政博物馆也涉及对原来20世纪初的一幢别墅的保护、改建和利用问题。它位于迈耶的工艺美术博物馆和翁格斯的建筑博物馆之间，但在设计构思上与后两者有着不同之处。在这里，贝尼斯为保护原有的花园树木，博物馆的主展厅被埋设在地下，在地面以上新旧建筑之间并无实体联系，新建部分是一个与老街道垂直的体量，空间瘦长，形体简洁，色调明快，与古典风格的别墅形成鲜明的对比。入口的平台高出地面，起了引导顾客的作用。老建筑则改建为博物馆的行政办公楼，其外立面也被赋予了新建筑的色彩和体现当代技术的构件，使新旧建筑之间有了联系，它们犹如圣经故事中的大卫和歌利亚一一英雄与巨人。
在邮政博物馆中，一个斜向插入地下的玻璃体块暗示了底层展区的存在，并赋予地下展厅明亮的光线和宽敞的空间效果。
参观者在参观的时候可以直接透过玻璃看到原有的别墅。该建筑以其新奇的建筑形象为该地段注入了清新的时代气息。
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http://www.jianzhu01.com/Museum1007281318.htm
国家海事博物馆(national maritime museum,cornwall)
国家海事博物馆(national maritime museum,cornwall)
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http://www.jianzhu01.com/Museum1007281317.htm
st mary天使教堂(st mary of the angels chapel)
St Mary of the Angels serves the Roman Catholic cemetery of St Lawrence in Rotterdam. The chapel is the third to be sited in the cemetery, the two former buildings having suffered from problems of subsidence. The mid-nineteenth century cemetery was designed by H J van der Brink in the form of a campo santo, an Italian ‘field of the dead‘, where the layout of the cemetery revolves around a central chapel from which paths radiate. In plan, the new chapel takes an irregular, curvilinear form, centrally placed on the site of the previous neo-Gothic, cruciform chapel, with a total floor space of 120 square metres (1,300 square feet). The exterior walls are constructed of steel and timber, creating a sinuous, flowing facade. The interior of the chapel is painted an intense, Titian blue, the colour dominating the space; the gold ceiling above seems to float. The interior wall is fitted between two bands of glazing, and appears to be separate from both floor and ceiling. The consequent glow of light gives the impression of an opened jewel casket -an intentional reference to the baroque Jesuit church of Santa Maria Assunta and Santa Maria dei Miracoli in Venice, which Mecanoo designer Francine Houben visited during the early stages of the project.
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http://www.jianzhu01.com/Museum1007281316.htm
卡洛斯拉莫斯馆 (Carlos Ramos Pavilion)
The pavilion stands within a walled garden overlooking the Douro River and completes the compound consisting ot a villa and annexes converted to form part of the Faculty of Architecture. The trapezoidal form of the pavilion, sited at the far end of the garden, establishes relations with the existing buildings, pathways, walls and other architectonic elements, as well as the magnificent plant species of the garden.
Three interconnected studio spaces on each floor open through large glazed areas onto an interior patio and the garden. Cross-views belween the studios establish a sense of unity among the three wings of the pavilion. The large internal windows are detailed with slender steel frames and stainless steel stays of varying operation. In contrast, the closed exterior of the form protects these spaces from the adjacent highway. The entry in the far corner of the building concludes a path through the garden and articulates a connection with the new complex subsequently built on the adjacent terraced site.
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http://www.jianzhu01.com/Museum1007281315.htm
当代艺术博物馆(museum of contemporary art)
Belgium‘s new contemporary art museum reanimates one of Europe‘s great industrial sites. The architectural origins of Grand Hornu, a mining complex near Mons, go back to 1783, but most of it was designed in 1825 by Pierre Cadorna and Bruno Renard. With its formal symmetry and robust detail, the site shows a clear debt to the Utopian work of French Neo-classical architect Nicolas Ledoux (1736-1806). The complex includes pits, housing for miners and managers, schools, hospitals and social facilities. Grand-Hornu was shut down in 1954, and after a long period of dereliction, a large part of the complex has reopened as French-speaking Belgium‘s Museum of Contemporary Art with a permanent collection, temporary exhibitions and performance spaces. Pierre Hebbelinck, the project architect, was against the idea of an overly deferential approach to the historic structure. He uses it instead as a territory for new building, introducing a counterpoint between the worn and buckled red brick of the original complex and the black brick and white plaster of the additions. He has brought a new life and distinctive architectural language, at once respectful and subversive, to this important historic building.
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http://www.jianzhu01.com/Museum1007281314.htm
马蒂斯博物馆(matisse museum)
Le Cateau-Cambresis, birthplace of Henri Matisse, is also home to one of the most comprehensive collections of his work. This collection of drawings, sculptures, paintings, photographs and other documentation was given to the town by the artist in 1952, just two years before his death. Over the years, the collection has grown to include works by local artists August Herbin and Genevieve Claisse. The eighteenth-century neoclassical building which houses the collection has been renovated and extended into a fully equipped museum. The new development complements the existing structure, providing facilities such as an auditorium, temporary exhibition space, a workshop and conservation studios. It is unremittingly modern in style, its pared-down facades given interest only by their rich red-brick facing. This colour picks up the warm hues of the decorative facades of the original museum, with its alternating lines of red brick and limestone. Horizontal strip glazing draws plentiful natural light into the interior. ensuring that spaces are open and airy. On the street facade, the plane of brickwork extends beyond the building, shielding a first-floor balcony that overlooks the grounds of Fenelon park; the architect‘s design was conceived as a ‘museum in a garden‘ intended to integrate the existing house and courtyard with the grounds that surround them.
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http://www.jianzhu01.com/Museum1007281313.htm
pentecote圣母教堂(notre dame de pentecote church)
Notre Dame de Pentecote is built above a void overlooking expressways, in an exceptionally prominent position. The three components of the programme are organized vertically, with an upper hall on the top level, direct access from the square for receptions at mid-level and meeting rooms set beneath the square but still above the empty space. The profile of the church is composed of a series of planes of concrete, aluminium, steel, glass and granite - hard. industrial materials which are used here to carve out spaces of sanctuary. These planes of varying scales enclose the interior volumes of the church whilst also framing a series of openings. Two high, vertical planes -one incorporating a filigree cross, the other closing off the nave and concealing the expressway behind the altar - control the views out of the building and filter the light. The church‘s luminous facade functions as a boundary and also as an invitation to enter. Visitors move through three distinct territories. They are drawn first into the entrance area, which is open and transparent across its full height. From here they pass into the hall, a place of low proportions whose shadows reinforce the sense of enclosure in a place remote from the outside world. The dimness of the hall is used to add drama to the confrontation with light which defines the experience of the third and final territory, the church itself.
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http://www.jianzhu01.com/Museum1007281312.htm
les老人画室(les grands ateliers)
These teaching workshops, funded by the French Ministry of Culture, provide a testing ground for the development of prototypes in architecture, design and engineering. The building contains its diverse activities like a set of parts in a package. Starting from a large serviced concrete platform, the outer envelope of the volume is a shed, with a large transparent corrugated canopy creating the main workshop hangar. Placed around it are storage spaces like independent steel safes; a vertical entrance foyer and exhibition space; a flexibly partitioned workshop area that can be fully opened to the outside; and a solid block housing loud and dusty activities on the ground floor with offices and classrooms above. The south facade is hung as a series of interchangeable panels for the long-term testing of materials. Firmly grounded in an industrial aesthetic, the workshops achieve spatial richness with a light-hearted, playful combination of elements that make the building clearly readable and spontaneously usable, acting out on the container the creative potential of its contents.
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http://www.jianzhu01.com/Museum1007281311.htm
vulcania博物馆(vulcania museum)
Following an international design competition won by Hans Hollein in association with French architects Atelier 4 in 1994, construction began on the Vulcania Museum in 1997. Giscard d‘Estaing, the former President of France and now Governor of the Auvergne region, developed the idea for a European Centre of Vulcanology combined with a museum that would foster understanding of the volcanoes that characterize the region and encourage tourism in the area. Situated within an extinct volcano at an altitude of 1,000 metres (3.280 feet), the complex educates visitors on the primeval forces of nature that created the planet. The complex is mostly underground, and consists, in essence, of two conical forms. The larger one, which is visible from outside, is 22 metres (72 feet) high, clad in dark volcanic stone and lined on the inside with a gold relief that captures sunlight during the day and sends out a beam of light at night. This structure contains circulation space, two large projection amphitheatres and a hall for temporary exhibitions. A second conical crater tapering down into the earth was excavated to provide a glimpse of the simulated magma below. In addition, in a separate smaller structure there is a restaurant with a view of the surrounding park.
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http://www.jianzhu01.com/Museum1007281310.htm
加利西亚中心的时代艺术馆（GALICIAN CENIRE OF CONTEMPORARY ART）
The museum, commissioned by the Xunla da Galicia, is within the grounds of the convent of Santo Domingo de Bonaval. The project brings into proximity the primary entry to the museum and the entry to the Church of Santo Domingo while its closed form re-establishes a boundary to the gardens that are recuperated to form an integral part of the museum. The continuously varying, ascending, non-parallel platforms of the garden are also influential in developing the ordering alignments of the new edifice that forms a harmonic completion of the hill toward the street. This urban and architectural strategy defines a space that brings together successive unplanned developments thereby allowing the project to decisively intervene in re-ordering a previously degraded area.
The compact museum building is formed by two linear volumes: one parallel to Valle-lnclan Street, and the other parallel to the Bonaval Cemetary, establishing an angle of 21 degrees with the facade of the Convent of Santo Domingo. The interpenetration of these two volumes defines a triangular atrium extending to the full height ol the building and through which the exhibition spaces are entered. The circulation route through the galleries culminates in a roof terrace for sculpture exhibitions and a ramp leading to a platform overlooking the convent and the city of Santiago de Compostela.
In contrast to the closed granite clad exterior, the luminous interior is finished in white marble and stucco in the atrium and circulation spaces; and oak flooring in the exhibition galleries. The upper galleries are top lil by central openings and suspended diffusers protect the art work from direct sunlight. Artificial lighting is incorporated into these suspended surfaces and is indirect.
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http://www.jianzhu01.com/Museum1007281309.htm
euskalduna会议中心、音乐厅(euskalduna conference centre and concert hall)
The decline of naval transportation and commerce has left harbour cities such as Bilbao in need of regeneration on a scale never previously encountered, and heralded a transformation of their identity that is still in progress. This large site, in the now empty heart of Bilbao and known as ‘English Fields‘, was previously occupied by the former Euskalduna Shipyard buildings and a railway depot. Until recently, this had prevented the development of the city towards the river and estuary. In a move initiated by the construction of this Concert Hall and the Guggenheim Museum by Frank Gehry, the will to create a cultural centre on this land has been focused. The building appears as a gigantic remnant of the boat works, abandoned and rusting away in a dry dock. It opens up like a musical box to reveal the rich interior of the two conference halls and the massive theatre. Scaffolding-like elements are attached to its sides and house offices, services, dressing rooms and foyers in a clear hierarchy between the served areas - the Cor-ten steel hull - and the serving spaces - the light-filled open concrete floors enclosing the ‘ship‘. Steel pontoons are used to connect these separate elements. The complex echoes the shipbuilding process in both form and construction, grounding it firmly in the city‘s proud industrial past.
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http://www.jianzhu01.com/Museum1007281308.htm
葡萄园和葡萄酒博物馆(vineyard and wine museum)
This project in the picturesque city of Olite had a problematic setting to resolve. The site itself was a small gap site inside a block, with the intact facade of a seventeenth-century building on one corner, overlooking the square. The new addition recreates the body of the historical building behind the old facade, and includes a vertical external courtyard. The original building is read through partially recovered traces, and the dialogue between old and new takes place within a skylit central atrium. The two historically separate structures are instrumental in the articulation of the exhibition spaces: the old rooms explore the history of winemaking in Navarra while the new spaces focus on the industry‘s contemporary reality. The problem of juxtaposing traditional and contemporary architecture is solved here through a strategy of contrasts, and the museum uses materials that in no way relate to or recall the local vernacular. Its lightweight strip metal cladding and steel structure create smooth cold surfaces that complement rather than blend with those of the local golden stone of the old palazzo and the surrounding town.
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http://www.jianzhu01.com/Museum1007281307.htm
kursaal演艺厅(kursaal auditorium)
The city of San Sebastian is huddled between two mountains and a beach, around a river estuary on the edge of which the Kursaal now stands, seemingly belonging to the surrounding landscape. It is articulated in two volumes, two stranded icebergs tilted to allow a narrow view of the sea from the street leading to them, and pointing back at the two mountains behind. A base of prefabricated slate slabs provides the entrance and integration with city life with a portico, restaurant, shops and an exhibition hall. It also inescapably grounds the building: from it rise the translucent planes of the curved glass facades, through which one guesses the dark volumes of the auditorium and congress room. On entering the complex, one is caught between the warm glow of cedar wood and the rippled light of the outer skin, and then led to the one window revealing the spectacle of mountains and sea. The Kursaal appears frozen during the day and is set alight at night, a beacon of coexistence between the natural landscape and the artificial world of the city.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102315134632_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281306.htm
优秀图书馆(library of the UPF)
The Universidad Pompeu Fabra is a relatively young institution, established by the Catalan parliament in 1990 and occupying a site between Barcelona‘s old town and the quarter developed for the 1992 Olympic Games. The university‘s main library occupies two interconnected historic structures: the Jaume I building and the Dipdsit de les Aigues, a reservoir for the nearby Pare de la Ciutadella designed in 1874 by Josep Fontsere, one of whose project assistants was Antoni Gaudi. The Diposit de les Aigues was designed to hold 10,000 tons of water 18 metres (59 feet) above grade in a tank 4 metres (13 feet) deep. The building was then adapted for a series of purposes, including gallery, asylum, archive and film studio. Renovation commissioned in 1988 had stripped the interiors back to the original brickwork structure. Clotet and Paricio reduced the reservoir to a sheet of water one metre (three feet) deep and set the programme required by the university within the lofty arched interiors of Fontsere‘s original scheme. In order to bring natural light into the core of the library, the architects introduced skylights which project, island-like, from the surface of the lake. Inverted pyramids of mirrored glass within the skylights reflect an image of the expanse of water to those within the building, while visitors to the lake see the reflection of the dramatic void beneath the water.
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http://www.jianzhu01.com/Museum1007281305.htm
马德里地区图书馆和档案馆(regional library and archives of madrid)
The library and archives are housed partly in the former El Aguila brewery, part of Madrid‘s industrial heritage on an extension of the Paseo de Prado cultural axis, and partly in newly-constructed quarters. These additions, filling the spaces between the existing buildings, became definitions of a line, establishing links and bringing scale to the vast industrial complex. The design opens up the powerful open spaces of the former brewery to the public, while, on a figurative level, it gives transparency to the administrative process and celebrates the rights of the citizens. The archives are divided into three modules - contributions, storage and public attention - and cover 30,000 square metres (322,800 square feet). The storage area can accommodate 100 kilometres (62 miles) of shelves and extends over six floors. It is surrounded by a translucent double facade, which allows natural light to enter without damaging the contents. The library covers another 10,000 square metres (107.600 square feet). It is situated within the former brewery and administers a diverse multimedia library programme. Once used to store barley, the silos now house every book published in the Madrid region.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317203257_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281304.htm
小教堂(chapel)
The chapel is one of a series of objects placed among the rocky hills of a private property, as part of a strategy to establish an architecture that unfolds along a designed route and thereby creates a privileged relationship with the landscape The folding and unfolding of space is the generating force in the formation of the objects, and the chapel seems to be a blown-up paper model, rendered scaleless through the uniformity of its concrete surfaces. The building is placed on a slight rise and changing views of it dominate the path which approaches it. Its multiple triangular planes are cut away in parts and replaced with glass, appearing from a distance like the exaggerated shadows of its edgy form. The complete absence of finishes or decoration continues throughout the multi-faceted interior. Sharp and dramatic panes of light become elements of the spatial composition through the way in which they transform surfaces. The chapel, devoid even of electricity, is allowed to exist as purely spatial play, with a linear cross the only object added to its basic building fabric. The project‘s formality and sculptural quality represent the raw translation of concept into form.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317263058_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281303.htm
bellas电信博物馆(museo de bellas artes)
The new building for the Museo de Bellas Arte forms a U-shape of silver-grey boxes wrapped around an old cloister, part of the former Sarra Espada College. With its quietly introspective presence, the building houses the city‘s treasures like a vault, announced only by the bold three-dimensional aluminium signage. The programme for the museum is separated into four functional parts - public areas, semi-private areas, administrative areas, and storage space - which in turn are housed in three clearly-separated structures. The existing cloistered building accommodates the semi-private areas including the offices. The new cubic structure attached to the eastern side of the existing building houses the exhibition spaces for the permanent collection, while the long low building on the western side accommodates the restoration facilities. In addition, a large basement provides storage areas and links the two new structures. Both buildings are designed as a series of floors of equal dimensions, but double-height spaces occur at shifting locations on each level to create a series of voids that cascade down through the building. The five levels of the exhibition building are organized around these dual-height spaces, allowing diagonal views all the way down. This sophisticated sectional arrangement characterizes the entire design concept of the building, lending an inner complexity and spatial liveliness belied by the calm and dignified exterior.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006102317275543_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281302.htm
Canavezes教堂(CHURCH IN MARCO DE CANAVEZES)
The program for this Catholic church lor a rural parish is distributed amongst three two-storey buildings: A (church and mortuary chapel). B (auditorium and Sunday-school), C (priest‘s house). The new buildings are arranged to compliment the existing built environment and together make a ceremonial space in front of the church door. The plan of the church is a simple rectangular nave 30 meters long. The main entrance is at the south-west end of the nave. The altar is characterised by the erosion of the nave‘s internally convex corners. It is raised 45 centimetres above the level of the nave floor and extends laterally under the convex form with a lower ceiling height of five meters.
The sanctuary seats 400 and is illuminated by three large openings cut into the curved form of the deepened north-west wall at ceiling level, a continuous horizontal opening along the south-east wall, and a light shaft behind the altar that also illuminates the mortuary chapel below. The baptistery occupies one of the projecting volumes of the facade. The other volume acts as a lobby to the everyday-side entry to the church and contains the access stairway to the organ and bells. A subsidiary rectangular form lies to one side of the nave and contains the lateral extension of the altar, the sacristy, registry, and confessional rooms. A stairway and elevator connect these spaces to the chapel below.
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http://www.jianzhu01.com/Museum1007281301.htm
serralves基金会当代艺术博物馆(serralves foundation,museum of contemporary art)
This museum - one of several projects by the architect in his home town -is the first major museum in the north of Portugal, and crucial in establishing Porto‘s cultural infrastructure. Built within the grounds of the Serralves country house, it was designed to minimize its visual bulk and impact on the surrounding grounds. The site slopes down from north to south, and the building is orientated to place the entrance to the north - where visitors enter the grounds - with gallery spaces downhill, to the south. The slope enables the creation of a green court below the galleries. A separate 290-seat auditorium has also been built and connects to the galleries underground. As with many of Siza‘s projects, the entrance is modest but leads into a large, naturally-lit focal space, here a top-lit central atrium. Diffuse light is distributed throughout the galleries by means of Siza‘s signature device, a white plane placed below the ceiling level and reflecting back on to it the luminosity from a central lay-light above. The galleries have different characteristics - in scale, proportion and light - in order to accommodate a variety of activities and types of exhibition, and to have character without overwhelming their exhibits.
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http://www.jianzhu01.com/Museum1007281300.htm
考古博物馆和公园(archaeological museum and park)
The site of the museum and park consists of agricultural land and is approximately 20 hectares (49 acres) in size. Archaeological evidence suggests that it was the site of a famous battle between the Teutons and the Romans in 9 AD, known as the ‘Battle of Varus‘. Because no building remains were found during excavations, aside from an earthen rampart, it was decided to treat the design as an abstract proposition. In this way, the buildings act as references, signs and aids with which to imagine the history of the landscape. The overall perspective is directed towards the battle itself, but a certain emphasis is also inevitably placed upon the present and its preoccupation with archaeological investigation and museological preservation. The project employs several methods to present the information. Three path systems represent the Teutons‘ positions in the forest, and a series of iron plates embedded with information are set along the rampart that formed the route of the Roman Legion. Tree-clearing and reforestation, as well as a partial reconstruction of the former landscape based on current knowledge of historical vegetation, help visitors to visualize the former site, and three pavilions called ‘Seeing‘, ‘Hearing‘ and ‘Questioning‘ are designed to be used interactively. Finally, a museum with a full view of the battlefield houses recovered artefacts and cultural displays.
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http://www.jianzhu01.com/Museum1007281299.htm
多特蒙德市图书馆(dortmund municipal library)
The Dortmund Municipal Library is located on the edge of the city centre, facing the main railway station over a wide and rather indeterminate expanse of tarmac and greenery. The building is articulated in two complementary parts, each with its own clear architectural language. A long, tall and narrow block, clad in red Swedish stone, runs along the city-centre boundary like a fragment of city wall; and a futuristic, semicircular glass volume, like part of an upturned cone, projects from it and houses the reading rooms. The entrance is located along a passage that joins the two elements while glass bridges link them overhead. The main facade of the stone block is pierced by rows of tall slit windows, giving it a rather defensive look. In contrast, the sloping walls and roof of the glass cone are spaced away from the main structure; the semicircular floor plates feel like open terraces, connected with each other by the perimeter void. The super-scaled, triangulated steel frame of the glazed enclosure is especially dramatic at night when it is lit from within, creating an iconic modern symbol of learning in this unlikely urban context.
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http://www.jianzhu01.com/Museum1007281298.htm
meteorit展览中心(meteorit exhibition centre)
This exhibition complex, commissioned by German energy company RWE to showcase their activities and products, comprises three sections: an extruded aluminium hull that hovers over upward-sloping ground, a glazed entrance structure and the main exhibition space which is largely buried underground. The hull is 44 metres (145 feet) long and accommodates a spacious cafe, toilet facilities and staff offices. A sloped glass roof extends from the hull to the ground, providing a transparent cover for the entrance hall which contains the cloakroom and shops. A crevice 12 metres (40 feet) deep, separating the hall from the exhibition area, is the first indication of the vast underground volume that houses the exhibition. A system of ramps, bridges, landings and stairs leads visitors in a continuous descent past a series of enclosed spaces which contain media installations. Walkways are positioned at varied angles within the large exhibition area to give visitors different views as they proceed through the complex. The deepest point of the exhibition space is 12 metres (40 feet) below ground, from where an escalator transports visitors back up to the entrance hall. A suspended stairway at this point leads to the cafe above.
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http://www.jianzhu01.com/Museum1007281297.htm
allraf-richartz博物馆(wallraf-richartz museum)
The site of the Wallraf-Richartz Museum, with its various post-war additions and the ruined church of St Alban, forms the boundary between the historic Gurzenich and the Rathausplatz (Town Hall Square). The question of how to approach this ambiguous context became the primary design generator. The solution was to divide the building into two volumes. One building is inserted into the existing urban arrangement, while the second is positioned in front of the newly created edge. The space between the two, the site of a historic street, is then revived as a circulation zone. The main building accommodates the entire exhibition area, while the smaller one houses all the subsidiary spaces. A double stair between the two provides circulation. The exhibition building is arranged to allow the greatest possible degree of flexibility. Sidelights illuminate the permanent collection, while skylights are provided for the third level. On the northeast, panorama windows in the upper storeys of the otherwise largely unfenestrated facade provide a view of the city, the cathedral and the river Rhine. A lecture hall occupies the first floor of the smaller building, the location and height of which are designed to incorporate the church windows of old St Alban‘s. Other important historic remains, such as a large Roman building which formerly occupied the site, appear as freestanding objects within the new museum.
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http://www.jianzhu01.com/Museum1007281296.htm
Stedelijk博物馆（FXTFNSION TO STEDELIJK MUSEUM）
In general terms, one may assume that the basic aim of the Masterplan is be to free up Weismann‘s 19th century construction by demolishing all later additions and by detaching the new construction (yet to be realised). Patios and the museum gardens will be situated between the old construction and the new construction. The connection between the old and new construction will be by means ol two transparent passage ways above ground level. The Masterplan also provides for the current New Wing in a new construction on Van Baerlestraal. The basic assumption is that the old construction must be restored to its original state as much as possible, and thus the renovation plans for the old construction mainly include the removal of later floors and extensions, along with other items in both patios. In global terms the Masterplan includes the following parts:
A new construction to one side of Sandbergplein. This tall building contains workplaces (basement), offices (ground floor and first floor) and exhibition halls (second floor). These exhibition halls are situated on the same level as those of the old construction and are connected by means of an elevated bridge. ? A new construction surrounding the museum garden. This low building includes storage space (basement), restaurant (ground floor) and exhibition halls (first floor).
- The renovation of both patios in the nineteenth century construction where eventually the emergency stairwell and the elevators can or will be situated.
- The renovation of the central hall and the removal of the later floors and the restaurant. The ‘new‘ restaurant will (eventually)*e situated in the new wing on Van Baerlestraal.
- Moving the cloakroom and the public toilets to the basement. The spaces made available by this process will be arranged as exhibition halls.
- The demolition of the ‘Marmottenhuis‘.
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http://www.jianzhu01.com/Museum1007281295.htm
曼扎纳狂欢文化中心（MANZANA DEL REVELIN CULTURAL CENTRE）
This building is set in the historic and geographic centre of Ceuta at the point ol the heaviest urban density. It is on a town block along with the neo-classical Municipal Museum on the north-west corner, with clear views over the port trom the terrace. The rest of the allotment, formerly a public market, is now empty. The four sides adjoin buildings of different heights, styles and functions whose orientation and the dimensions of the spaces between them transmit the morphology of the new project. The constructed shape of the project is derived from the urban form and the public nature of this open space. In compositive terms, the project takes its guidelines from the local geography, respecting the rhythm of the street grid of the zone, bestowing value on its implantation by means of pedestrian and vehicle entrances which converge on the project site. As in other parts of the city, pedestrians are invited to stroll through a space amongst buildings where they can rest and take shelter in a large shady courtyard- the location for the entrances.
The main Auditorium entrance is reached by following the long curved wall around the courtyard. The access to the Conference Centre is set at the end of the colonnade, beneath the gallery which shades the western side of the site. The atrium can also be reached directly up a short ramp running between the two volumes of the Conference Rooms. The underground car park entrance is on the same street. The five buildings comprising the project, set within the perimeter of the block, generate a profoundly urban character. The dimension and the silhouette of the Auditorium volume dominate the site, and express its specific function through the shape of the north wall. The box set rises gradually from calle Cervantes, constituting the tallest volume of the complex, and can be seen from afar. The south wall of the Auditorium follows the street alignment while the axis of the entertainment hall and the stage is oblique in order be aligned perpendicular to the streets that converge on the site to the east.
The four independent Conference Centre volumes adjust to the lowest part of the slope and, like the Auditorium volume, clearly define their function as large, individual spaces. Each hall has an access through an underground corridor which ends in the Auditorium foyer. The meeting point of the buildings generates a public space with a fresh, subterranean atmosphere that is sheltered from the local heat. The Music School, Language School and Shopping buildings act as intermediaries between the city grid and this new, important site, and take their geometry from the reference points of their environment. The Municipal Museum, integrated into this complex in a dialogue with the new buildings, helps to confer a sense of civic importance to this city block.
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http://www.jianzhu01.com/Museum1007281294.htm
ufa电影中心(UFA cinema centre)
Located on a triangular site bounded by the busy St Petersburgstrasse to the southeast and by blocks of post-war apartments to the west, the UFA Cinema Centre energizes the city centre by creating new public spaces. The building, made up of two interconnected parts, and its plaza form a link with the surrounding streets. An orthogonal slab accommodates eight cinema screens with seating for 2,600 people. The four smaller cinemas are located below ground, and the remaining four are slotted together as a series of interlocking wedges, forming a six-storey block. Grafted on to th< side of this block is a skewed crystalline volume that serves as the foyer to the complex. Fire-escape stairs run dowr the length of the cinema block behind a scaffolding-like grid. The raw concrete monolith of the cinema block provides an earth-bound foil for the dynamism and lightness of the glass foyer, in which ramps. stairs and bridges, some glazed, some enclosed by galvanized metal balustrades, carve irregular angular patterns through the space. A cafe housed in a double inverted cone is suspended over the foyer, providing cinema-goers with dramatic views through the foyer and over the square.
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http://www.jianzhu01.com/Museum1007281293.htm
saxion联邦图书馆(saxion federal library)
The Saxon Federal Library, located in a drab suburb typical of former East German cities, combines the holdings of the libraries of Saxony and Dresden, and Dresden‘s Technical University. Much of the project is underground, with its series of labyrinthine interiors marked on the surface by a few simple architectural elements that leave the suburban site substantially untouched. Two rectangular blocks face each other across the site, standing over the central underground reading room at the heart of the complex. The texture of the facade, with its irregularly-patterned travertine, suggests a succession of shelves crowded with books. Stone is used throughout, even in the lowest depths of the library. With most of the public areas of the complex located on three basement floors, a combination of sunlight and artificial light is used to delineate the different spaces. The centrepiece of the building‘s organization is the sky-lit central hall, which accommodates 200 readers. In addition, there are various spaces for those who find the isolation of study too overwhelming, and privacy for those who require complete concentration. Contrasting with the smaller reading areas and the individual carrels, the spacious central reading room is contained by galleries of bookshelves. Columns on the perimeter emphasize the public nature of this space.
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http://www.jianzhu01.com/Museum1007281292.htm
德累斯顿犹太礼堂(dresden synagogue)
This new development addresses issues of the temporary and permanent, stability and fragility, with reference to the destruction of the previous Gottfried Semper (1803-79) synagogue on Kristallnacht in 1938. This synagogue, built together with a community hall next to the site of the original building, is a curvilinear stone structure, its shape derived from the site and from the requirement that it be orientated to the east. The distinctive shape is the result of a gradual shift in the 41 orthogonal layers of the building. The synagogue is a place of worship and meditation and, as the taller volume, has become part of the city‘s skyline, while the community hall blends in with the urban fabric. Pre-cast concrete stones with sand aggregate were used; the few remains of the Semper synagogue were used as small stones studded into one of the walls of the new building. The solid stone exterior contrasts with a special metal textile used inside, which is furnished with pieces made of oak and cedar. The reflection of light on the millions of brass rings that make up the textile creates a sublime quality of light. The site of the original synagogue remains vacant and glass shards mark the outline of the destroyed building.
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http://www.jianzhu01.com/Museum1007281291.htm
收藏buchheim幻想博物馆(museum of fantasy buchheim collection)
Lothar-Gunther Buchheim, author of the internationally acclaimed World War II U-boat film Das Boot (The Boat), is also a passionate collector of art and curiosities. As his collection grew, he took the decision to commission a purpose-built building, so that the whole collection could go on public display. The collection ranges from valuable twentieth-century art to collectables and folk objects, which are classified not according to curatorial norms but bv Buchheim‘s own ftVstAm whirh lands thflm an flltftrnativA Sflt of meanings. The site is a park on the southwest shore of the Starnberger See, near MQnchen. The building was developed as a linear form with a central spine that begins with the entrance and ends in a pier overlooking the lake. To the north of the spine are galleries for painting and sculpture, while works requiring darkness are set back into the hill at lower levels. To the south of the spine are the public areas, including a circular cafeteria. Throughout the scheme, views of the landscape dominate the experience of being inside the building, while at the same time the structure remains light and unobtrusive, letting the drama of the site dominate the proceedings.
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http://www.jianzhu01.com/Museum1007281290.htm
宗教中心教堂(church of the sacred heart)
This elegant church essentially comprises two boxes, one placed inside the other. The simple, rectangular volume of the nave is enclosed by a screen of vertical maple louvres set in a gridded concrete frame, enveloped by a glass skin. The sophistication of the design lies in the interaction between these two elements. Around the entrance the louvres are very close together, becoming more widely-spaced as they progress down the nave. The outer glass skin, meanwhile, becomes less transparent, until around the altar it takes on a milky opacity, where skylights over the slot between the two layers draw light in. The altar is at once flooded with warm light and screened from the exterior surroundings. Alongside this austere minimalist language, the building follows centuries-old traditions of church design: a freestanding steel campanile stands before it; there are massive stained-glass portal doors that ceremonially swing open on special religious occasions; artworks are incorporated in the design, such as the golden, woven-metal curtain inlaid with a cross that hangs behind the altar. And as in the aisles of a Gothic church, visitors can circulate around the nave in the perimeter slot between the glass and timber screens, where photographs of Jerusalem mark the Stations of the Cross.
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http://www.jianzhu01.com/Museum1007281289.htm
因斯布鲁克大会堂展览厅(Innsbruck town hall gallery)
Dominique Perrault‘s Town Hall was initiated and realized by the local mayor and a developer, who supported modern architecture and town planning. Considering the mixed reception that progressive architecture sometimes gets, this project is evidence of the courage and perseverance of those involved. The building results from a type of private-public partnership, where private investors took over the project development, renovation and extension of the existing town hall on public ground, and then leased the office premises back to the council. Situated in the very centre of Innsbruck, the Town Hall Gallery was required to concentrate all existing town council offices, offer an information and advisory centre for citizens and also to revitalize inner-city economic life. Public and commercial services are intermixed in a sophisticated way, providing covered, semi-public open spaces. The facilities include restaurants, supermarkets, 22 shops, a 96-room hotel and an underground car-park. Perrault‘s trademark technical style is livened up by interventions by contemporary artists such as Daniel Buren, Josef Dabernig, Isa Genzken and Milica Tomic. The artworks were selected by two museum directors and constitute a vital element of the architecture.
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http://www.jianzhu01.com/Museum1007281288.htm
st franziskus教堂(st franziskus church)
St Franziskus Church developed from a long and intense process of discussion, student proposals and, finally, a competition. It is an unusual church, and creates a novel symbolism in its abstraction. Located in an urban extension area of Steyr, it is surrounded by 1970s housing blocks that are mainly inhabited by immigrants. In a quarter with a large Muslim community and with numerous inhabitants of other faiths, this Catholic church is consciously reduced and subdued. The architects intended it to give the district a loose focal point without imposing a specific direction on the urban structure. The interior and exterior are interconnected, and render the church building a public space. This openness is emphasized by the lack of a fence or barrier around the church. While the ground plan is very simple, the varying room heights produce spatial hierarchies and changing atmospheres. A generous loggia provides a welcoming landmark and serves as the transition between the sacred and the secular. A permanent light installation by USA artist Keith Sonnier, inside the glass cube which opens the chapel towards the sky, forms a strong visual attraction, especially at night and acts as a substitute for the conventional church tower.
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http://www.jianzhu01.com/Museum1007281287.htm
judenplatz博物馆(museum judenplatz)
This project, consisting of the redesign of the Judenplatz, a Holocaust memorial and a museum incorporating medieval ruins, is dedicated to Memory. Its three elements constitute a complex and interconnected structure, a successful symbiosis of archaeology, memorial and information. As with most projects of this nature, construction was preceded by lengthy debate and public discourse. Jabornegg & Palffy designed the exhibition spaces, underground access to the medieval ruins and a room for their presentation. Their minimal and subtle approach offers the perfect frame for the experience of history and leaves space for subjective associations. The memorial for 65,000 Jews who were murdered between 1938 and 1945 is the first one in Austria specifically to remember Holocaust victims. Rachel Whiteread‘s negative cast of a library refers to the typical room size in the surrounding buildings. It is in fact a ‘non-space‘, and represents the irreparable damage done by the permanent loss of Jewish culture and learning in the Holocaust. Because of the risk of vandalism and other damage, the concrete elements were produced in double quantity. The spares are stored and exposed to weather in order to minimize visual differences in case of replacement. This is an interesting detail considering that outdoor monuments are always subject to physical changes; the question arises whether ‘marks of time‘ should be eliminated or whether they might help to keep the discussion alive.
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http://www.jianzhu01.com/Museum1007281286.htm
当代艺术博物馆(museum of contemporary art)
The Museum of Contemporary Art in Torino, commissioned by the Sandretto Re Rebaudengo Foundation, occupies the site of a former factory in a suburb of the city. Silvestrin‘s design is striking in its apparent simplicity, a ‘horizontal shed‘ stretching along one side of this rectangular site. The building refers to the original factory with its cavernous volume and at the same time denies any connection, with its immaculate, soft limestone skin. It is contained at both extremities by perpendicular extrusions that keep it to itself, an isolation reflecting that of the art world it contains. Its long and pure facades are scored by vertical cuts allowing light to slice through the internal spaces, but not allowing external views to compromise the integrity of the art within. Exterior and interior elements are either carefully placed as objects, such as the massive timber desk, or precisely cut out in composed, rhythmic sequences, like the openings in the outer skin and the full-height internal doors. The palette of colours and materials is luxurious yet discreet, subtle and perfectly executed to the smallest detail. The complex work involved in creating such obvious purity is effortlessly disguised, revealing the hand of a precise minimalist.
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http://www.jianzhu01.com/Museum1007281285.htm
parco黛拉音乐礼堂(parco della musica auditoria)
This auditorium complex occupies a large gap between two neighbourhoods just outside the city of Roma, limited on two sides by a major ring road. Three independent structures rise from the plain in a symmetrical arrangement, allowing for the addition of two museums - one to exhibit Roman remains uncovered by the building work and one to house musical instruments. Each of the three concert halls was designed with specific acoustic and functional qualities, and with differently sized and shaped curved outlines, reminiscent of boat building in form and construction. The timber structures are wrapped in traditional Roman lead roofing, complementing their soft shape with a subtle glow. The buildings boast rich interiors of almost baroque quality, with a warm palette of local materials: travertine, brick and cherry wood, chosen for its high acoustic performance. Low landscaping and a sea of vegetation surround the buildings, leading into an open-air amphitheatre and park. The generosity of this architecture reflects on its historical context, and attempts to provide a contemporary experience of similar quality to the music it serves.
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http://www.jianzhu01.com/Museum1007281284.htm
francis修道院(francis minorites monastery)
This project for a parish church is part of a housing and administration area located on a circular plaza near the University of Bratislava. The site is divided diagonally by a pedestrian route which separates the church from the monastery. An arcade links the two buildings to create an intimate atrium where all the entrances are located. The church is composed of a central liturgical space surrounded by three cylindrical chapels that open up through arched incisions from the main space. Shaped like a cut-off cone, the timber board roof reaches almost to the ground. A continuous skylight around the top of the cone allows daylight to wash over the interior walls, creating a pattern of light and shadow which plays over the surfaces, changing with the time of day and the season. The chapels can be closed for small discussion or prayer groups or opened up to create additional space for 400 seats in the church. A vertical slit behind the altar allows worshippers to watch the movement of the bells as they are rung from inside the church.
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http://www.jianzhu01.com/Museum1007281283.htm
斯洛文尼亚国家画廊馆(slovenian national gallery atrium)
The Slovenian National Gallery‘s late-nineteenth-century building was added to in 1993 with a new structure built by Edvard Ravnikar. After the architect‘s sudden death, the buildings remained separate, although he had planned to connect them. Sadar Vuga Arhitekti have unified the complex with a new link which, nevertheless, takes no pains to adjust to the architectural styles of either of the existing buildings. An entrance staircase leads up into the reception area, from where the visitor enters the lofty, expansive main space. Both parts of the gallery are accessed from here, and are also linked on the upper floor of the extension. Between the two levels is a mezzanine for receptions and lectures. The materials used are resolutely modern: the black-painted steel frame is visible and structured as an alignment of portals with varying geometry and which perform various functions. They support the facade and the roof as well as carrying the various service networks -electricity, lighting, ventilation and heating -around the building. The glass facade is a constantly-changing surface in the cityscape: it mirrors sunlight, becomes transparent in shade, glows from within at night and almost disappears when unlit, providing a valuable interface between the city and the gallery.
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http://www.jianzhu01.com/Museum1007281282.htm
纪念中心(memorial centre)
This memorial centre on the uneven slopes of Mount Ravna Gora is a monument to the European anti-fascism movement that was established during World War I and, more generally, to the history and culture of the Serbian people. It is a place of reflection where their history can be studied and their memory preserved. Built with the aid of donations from Serbia and around the world, the building contains an auditorium which accommodates 200 people, a library, a lobby and two small apartments with an additional kitchen. In the basement are technical areas and a superintendent‘s apartment. The building was conceived in the local tradition, and this is reflected in the compelling simplicity of the design, the volumetric scheme and the choice of materials. These last include concrete and steel, with boundary walls of brick and stone from the local area. The exterior prepares the visitor for the spatial effects of the interior. To this end, the steel roof appears to hover above the walls, which are separated by strips of glazing; and a freestanding stone wall protects the facade and creates an environment of solitude and contemplation.
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http://www.jianzhu01.com/Museum1007281281.htm
mbuzini纪念馆(mbuzini memorial)
Thirty-five Cor-ten steel pipes set in a concrete plinth mark the spot where a plane crashed on 18 November 1986. All 35 people on board, including Mozambique‘s president Samora Machel, members of his government, close friends and collaborators, died under suspicious circumstances at a time of high tension in the struggle for South African liberation. Whilst a full explanation of the event has never been offered, evidence suggests that the plane was shot down, robbing Mozambique of its leader as punishment for his support for the struggle against apartheid. A wedge of rage stabbing the mountain, the monument consists of 9-metre (30-foot) pipes containing slits of various sizes and orientation. The pipes are filled to different heights with concrete to form a musical instrument, a funeral organ that plays a macabre lament, ranging from an eerie murmur in low breezes to a howling scream in high winds. Like giant tuning forks, the pipes are amplified by a triangular concrete box below. Over time they are becoming encrusted with red laterite, as they are shaped by the wind, rain and dust. Funded by the South African government and officially opened by Nelson Mandela and Machel‘s widow, Graca, this is a beautiful and haunting memorial which should never have had to be built.
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http://www.jianzhu01.com/Museum1007281280.htm
南非种族隔离博物馆(south african apartheid museum)
This complex and controversial project offers a dark insight into the history of apartheid. Improbably situated southwest of Johannesburg in an area reserved for casinos and theme parks, the museum is a largely single-storey structure. Rock-filled gabion baskets in rusting steel frames and large planted earth mounds in the landscape around the building refer to the material qualities of the nearby gold mines and dumps. The main building is a linear sequence of exhibition spaces exploring ideas of restriction and constraint, attraction and repulsion, and the complexities of individual identity and place within the visual narrative and history of apartheid. The journey begins externally, leading from the ground up to the roof via a large walled ramp that narrows at the end to frame views of Johannesburg. Seven large concrete columns representing the seven pillars of the constitution mark the entrance and echo the city‘s skyline beyond. A large spiral staircase then descends into the raw concrete belly of the main exhibition space, which is dimly lit by small windows and overhead concrete shafts. Light is kept to a minimum in this audio-visual environment to augment feelings of enclosure and restriction. More light is gradually admitted as the sequence of the narrative unfolds, until the visitor arrives in the Constitution space, a large concrete cube that triumphantly opens up to the elements to celebrate freedom and change.
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http://www.jianzhu01.com/Museum1007281279.htm
圣莫尼卡艺术中心(Santa Monica Art Colony)
This project is designed to provide combined housing and work space for individuals and small businesses within the creative design and art community of Santa Monica. The project is home to several annual open studio events. The tenants range from a core of traditional artists to multi-media artists and studio set designers. Arranged around a courtyard, ttie housing is connected by a series of walkways to encourage community and collaboration amongst the tenants. The arrangement of the lofts lends itself to open studio evenis with the large central court functioning as a gathering point while the walkways provide for the smaller gatherings around the work of particular tenants. In addition to the arrangement of units relative to shared spaces, the individual units are provided with public and private faces, Ihrough primary or street access and rear door service access. Each unit is also open to either a private deck or small landscaped area. For the two-story lofts this private area is large enough for exterior art projects; electricity is provided for welding and other industrial art processes. On the interior, large, minimally finished warehouse-1 ike shells are free for embellishment as suits the type of art/design work of the particular tenant.
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http://www.jianzhu01.com/Museum1007281278.htm
Cupertino Park Center
Adherence to single-family residential zoning, combined with the intense job creation ol SIIN on Valley, has left Ihe community of Cupertino‘with a Significant jobs/housing unbalance. The problems and lack oi a sense of co mm unity have led the city to tevise its policies to promote the development of high-derv.ity housing. and .to greatly curtail additional Sffiee and RAD development, Cupertino Paik a apartment community located within a conceived in the early 1980s, Facing a community paik and Hanked by mrdltee suburban ollice buildings, apartments strike an urban note with individual stoop entries and contemporary massing. i.ubtci-anoan ami is provided m two bekiw-grade levels, creating a podium courtyard to which many ol the apartments open, The mam courtyard entry opens to the park with a grand stairway ascending from Ihe street. Color variations are employed la empnasire the vertical massing, and create a pedestrian scale to Ihe street frontages.
With 20 apartments on Mile over 1.5 acres, Cupertino can accomplish 12 to 15 limes its historical residential density, and at the same time begin to establish a center to its community. The project creates an active environment throughout the day by combining office space, residential units, and a restaurant in a single structure. A public plaza faces DeAn/a Boulevard. creating a gateway rnto Cupertino‘s central business district, while a more sheltered courtyard to the west Is a ui.iicl pcdcstrian-nrenled entry to the site.
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http://www.jianzhu01.com/Museum1007281277.htm
科尼利厄斯图书馆分部(Cornelius Branch Library)
The facility is a 5,570 square-foot branch library located in Cornelius, North Carolina, a small town 15 miles north of Charlotte, North Carolina. Located at the corner of Catawba Avenue and W‘asham Road, the building is a live-minute walk from the town center. Cornelius is one of three neighboring towns (the others are Huntersville and Davidson) that have adopted neo-traditional design codes encouraging new development to occur in a way more respectful of the existing town fabric.
As you approach the town center, after exiting from 1-77. you encounter several churches and a school, each of which occur in an almost deliberate rhythmic fashion along Catawba Avenue.
The challenge this project posed to the designer was to create a civic building that was harmonious in scale with surrounding residential and religious buildings, and at the same time, clearlv identified itself as The Town Library. A requirement of the Town of Cornelius was that the building address die street. An entrance pavilion was created that responded to the corner and provided convenient access from the car park.
The public functions of the library are all contained within one large space with exposed structure. Large windows with window seats have been provided along Catawba Avenue. A multi-purpose leading and community room has been provided directly adjacent to the circulation room.
One of the most special features of this building is the garden pavilion. Echoing the form of the entrance pavilion, the garden pavilion provides a unique reading and escape opportunity. It has also been placed in a manner to allow children from the neighboring elemental y school to visit the space with their teachers for story lime.
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http://www.jianzhu01.com/Museum1007281276.htm
地区独立图书馆(Independence Regional Library)
In 1994, the Public Library of Charlotte
and Mecklenburg County commissioned I .S:U> ASSOCIATES II IV io design a regional library to serve the eastern part of the city. The library selected a site near the city‘s major east thoroughfare. On this site was an existing single-story office building that housed the district administrative offices of a religious denomination. The building committee decided to convert the office building into the regional library.
The existing building was L-shaped in configuration. The long leg of the ‘L‘ housed perimeter offices with core functions and internal storage. The short leg housed a meeting room, bookstore and receiving/distribution. LS3P ASSOCIATES LTD. designed the main collections and reading rooms in the original office wing. The reading room was designed as three
chambers located in the ( entei <>l the wing. These chambers were designed in an enfilade fashion, each opening into the other along a central axis. Each chamber had a central skylight to provide natural light. Openings were punched into the existing load-bearing side walls, providing access to the stack areas located where the original perimeter offices had been.
Along the short leg of the ‘L‘, LS3P ASSOCIATES LTD. located the community room, circulation desk, popular library and children‘s library. These spaces opened onto a new central gallery that provided access to the main collection wing. This gallery was a taller space with clerestory windows and open steel trusses. Public art lined the exterior wall of the gallery between windows. The art, in glazed brick, recalled antique frescoes with its depiction of a garden scene with plants and animals native to the Charlotte area. At the crossing of the axis of the gallery and the axis formed by the main collection reading room was the reference desk.
At the other terminus of the gallery axis was a new rotunda space. This rotunda served as entry pavilion and gave this low building a sense of civic importance.
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http://www.jianzhu01.com/Museum1007281275.htm
北查尔斯顿会议中心表演艺术中心(North Charleston Convention Center and Performing Arts Center)
The North Charleston Convention Center houses 200,000 square feet of exhibition, banquet and meeting facilities. It is a focal point to the regional complex that includes an existing coliseum, a new performing arts center and a new hotel. The state-of-the-art facility was designed for accommodating simultaneous functions with groups of varied sizes.
Featured spaces include a 23,500 square-foot divisible ballroom with full food-preparation capabilities, a 77,000 square-foot divisible exhibition hall, and thirteen meeting rooms, (liven the large-scale-spaces, the design team‘s biggest challenge was to provide the necessary interest in detail to create a comfortable
environment. Following the client‘s desire for the design to reference local Lowcountry themes while not imitating historical architectural styles of nearby Charleston, abstracted organic patterns common to regional nature were used to give the interior spaces a ‘sense of place.‘
1 he adjacent North (iharleston I‘ei forming Kits ( ienter is the area‘s largest entertainment and convention complex. The center is a facility for a variety of entertainment and community events. Its 2,300-seat auditorium, stage with elevating orchestra pit, 65-foot high fly gallery and support spaces are capable of accommodating first-rate productions and are the settings for events ranging from musicals and symphonic performances to community meetings. The design of the Performing Arts Center incorporates the use ol natural ‘Lowcountry‘ references and materials established in the connecting convention center.
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http://www.jianzhu01.com/Museum1007281274.htm
贝尔维尤美术馆
原 名 称：bellevue art museum
The Bellevue Art Museum focuses on education and outreach rather than collecting， and collaborates with local arts and educational institutions to provide innovative arts programming and temporary exhibitions. ‘Tripleness‘ is the organizing concept， in which openness of experience， thought and contact give character to the spaces on three levels， in three galleries， with three different light conditions and three circulation options. This is expressed in the three main lofts which are each slightly warped and gripped by the end wall structures. The outer walls， in a special ‘shotcrete‘ construction， support the inner lightweight steel framework. The three distinct lighting conditions of the gallery lofts are designed to be analogous to three different conditions of time and light. Linear Ongoing Time is expressed in the evenness of the light in the north loft. Cyclic Time has its parallel in the arc of light from the south， with the south loft‘s plan corresponding roughly to the arc of the sun at 48 degrees north latitude. Fragmented Time is reflected in the east-west skylights of the studio loft. To continue the experience of time and light， outdoor terraces extend the museum‘s top level. With sunlight and views， the terraces accommodate outdoor classes as well as exhibitions and events on summer evenings.
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http://www.jianzhu01.com/Museum1007281273.htm
玻璃博物馆(museum of glass)
Located on the revitalized waterfront of Tacoma‘s Thea Foss Waterway, the new Museum of Glass makes a topographic intervention in which the building acts as a public urban space that can be walked through, around, over and under. Visitors arrive at the museum via a bridge adorned with the work of Dale Chihuly, America‘s foremost glass artist. The bridge leads on to the roof of the museum from where the iconic 27-metre-high (90-foot) tower, clad in stainless steel, is visible. From this arrival point, visitors can choose either the ramps on the left or a wide staircase radiating around the cone, both of which arrive at the main entry plaza on the waterfront. Inside, all the public spaces are on a single level, with parking below and a suite of offices above. The interior of the cone, called the ‘hot shop‘, accommodates demonstrations given by glass blowers for up to 130 visitors at a time. The cone shape allows the hot air created by the glass making process to dissipate via an enormous exhaust engine. The interior of the cone is as dramatic as the exterior, with its exposed, diagonally braced structure providing protection against seismic activity, as well as adding to the dramatic verticality.
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http://www.jianzhu01.com/Museum1007281272.htm
剧院加固工程(Consolidated Theatres)
Beginning in 1997, LS3P ASSOCIATES LTD. was commissioned by Consolidated Theatres to design their new theatres in an extensive expansion throughout the Southeast. When LS3P ASSOCIATES LTD. began this foray into entertainment architecture, the president of Consolidated Theatres presented the firm a unique challenge. His was a strong regional chain lacing stiff competition in his home markel from the much larger national chains. To be successful, he felt his theatres had to provide an experience superior to his competition. With everyone showing
the same movies, he felt that the buildings themselves were the kev to success. Our challenge was to create the aura ol the great movie palaces of the past, with no two being alike. In its projects, LS3P ASSOCIATES LTD. designed to state-of-the-art standards, including stadium seating, surround sound systems and projection svstems, and a variety of concession merchandise outlets.
The buildings were highlv thematic with the exterior architecture tvpicallv derived from the architecture of the surrounding development. From that would evolve the highly fanciful, romantic interiors focusing on main lobby areas where patrons congregate, wait lot movie start times, view previews, eat at the concessions and people watch.
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http://www.jianzhu01.com/Museum1007281271.htm
l.a.eyeworks陈列室(l.a.eyeworks showroom)
This shop on Beverly Boulevard creates a new spatial identity for I.a. Eyeworks, one of the most adventurous companies in the field of contemporary eyewear design. The design deals with the contrast between the permanence of architecture and the seasonal collections of fashionable glasses. So, although fashion is by definition based on quick stylistic shifts, the clients specified that the architecture itself would not be changed while they occupied the building. The architect thus had to resist the fashion of architecture without resorting to a lack of expression. Working within the basic parameters of store design such as the demand for transparency from the street and from the sales counter, the design shapes space and movement through the use of a continuous suspended surface of acqueous blue. This performs many functions including ceiling plane, window display, bench, shelving unit and sales counter. Specially-designed furniture mediates the scale and is fitted with casters for easy rearrangement. Finally, vacuum-formed panels designed by Jim Isermann fill the entire west wall of the store, acting as a graphic field against which the rest of the space may be perceived. By merging the brief‘s functional needs with the exploration of sculptural continuity, architecture and eyeglasses fuse in a coordinated design.
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http://www.jianzhu01.com/Museum1007281270.htm
香柠檬艺术家阁楼(bergamot artist lofts)
The Bergamot Artist Lofts are located at the Bergamot Station Arts Center, a complex consisting of a series of industrial buildings converted into 45 art galleries including the Santa Monica Museum of Art. Situated on a narrow plot of land, the mixed-use programme includes ground-level studio and gallery space with live/work accommodation for three artists above. The design concept for the building emerged from a desire to maintain continuity and coherence with the character of the existing industrial context, without compromising use of materials and formal innovation. As a result, the primary palette is drawn from the existing industrial materials found on the site, while swathes of angled steel cladding and translucent panels unfold gracefully into the residual space created by its neighbours, setting it apart from the surrounding warehouses. The facade is further animated by window boxes and articulated planes that push out from the primary form of the building. The ground floor commercial gallery space is organized around an open plan that allows maximum flexibility. A separate entry leads to three double-height loft units above with polished concrete floors, exposed steel beams and pristine white walls.
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http://www.jianzhu01.com/Museum1007281269.htm
corning玻璃博物馆(corning museum of glass)
Smith-Miller + Hawkinson faced a complex challenge at Corning. They had to refurbish the existing glass museum, renovate the Corning Glass Center and Stueben glass-blowing factory and design a new entrance pavilion that would connect the two, thereby creating a building to showcase both the science and art of glass for one of the world‘s largest manufacturers. Glass is a tricky material to exhibit, since it forms such an integral part of the infrastructure of many buildings. Smith-Miller + Hawkinson used large-format, low-iron polished plate glass, tempered glass and laminated glass for horizontal and vertical surfaces, creating varying levels of depth and transparency in a complex three-dimensional interlocking set of planes. The new Glass Innovation Center includes displays on the history and art of glass, designed with assistance from the exhibition design firm of Ralph Applebaum and Associates, and an 80-person theatre. Perfectly crafted, the new Corning Museum of Glass combines the existing buildings with new insertions, subtly demonstrating the surprising properties and strength of glass. The architects have created a coherent whole that plays with the refractive and reflective qualities of glass, reminding the viewer that the material is ultimately liquid.
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http://www.jianzhu01.com/Museum1007281268.htm
埃塞克斯白喉带鹀博物馆(peabody essex museum)
The Peabody Essex Museum is the oldest continuously operating museum in the United States. It was founded in 1799 and is a repository for a collection of artefacts from Asia, Africa, the Pacific Islands and New England. Constructed in several phases over the past 150 years, the latest major expansion and reorganization of the museum complex has unified the disparate group of buildings, joining them with new gallery space and making the museum coherent for visitors. The downtown site was tight, with the eastern part occupied by a row of houses around which the new addition would have had to be shoe-horned, forcing the demolition of some existing museum facilities. When it was decided to tear down the houses instead, Safdie reconfigured his design, pushing further east and retaining existing exhibit spaces for renovation. The design preserves the passage between the two streets with a curved, glazed arcade that forms the spine of the new wing and, together with a courtyard, weaves together the old and new buildings. A series of two-level, house-like galleries, reminiscent of Salem‘s Federal-style residences, is strung along the east side of this ‘glass street‘, the spaces between them allowing natural light into both the lower and the upper levels.
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http://www.jianzhu01.com/Museum1007281267.htm
金慕表演艺术中心(kimmel center for the performing arts)
The Philadelphia Orchestra had for years requested an alternative to their much-loved but acoustically poor home at the Academy of Music. After an earlier proposal by Venturi Scott Brown had stalled at the fundraising stage, it was decided to move forward with a much larger arts complex, to include a new home for the orchestra. Rafael Viholy, along with several other high profile American firms, was asked to submit a design proposal for a new purpose-built centre, for which he was subsequently commissioned. Viholy made his suitably big civic statement in the roof, a shimmering glazed barrel-vault balanced on steel columns, with an atrium connecting two large sculpted steel-framed auditoriums (Verizon Hall and Perelman Theatre). Verizon Hall is clad on the outside with red Makore timber, and on the inside with sumptuously carved mahogany diffusion strips. The hall‘s cello shape reflects just one of the many complex acoustic solutions that Viholy undertook following collaboration with his acoustic and theatre consultants throughout the project. Perelman Theatre, which is clad at the bottom in polished black granite and at the top in gold corrugated steel, is designed to be instantly converted from a 650-seat recital hall to a theatrical playhouse at the push of a button.
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http://www.jianzhu01.com/Museum1007281266.htm
密尔沃基美术馆(milwaukee art museum addition)
On the shores of Lake Michigan, east of downtown Milwaukee, is Santiago Calatrava‘s first building in the United States, and arguably his most extensive essay in kinetic architecture, complete with a brise-soleil 65 metres (217 feet) wide soaring like a giant bird above the museum‘s glazed reception area. Commissioned in 1994 to design a much-needed addition to an earlier Eero Saarinen war memorial and art gallery, Calatrava convinced the civic leaders of the city to increase the budget substantially in order to include higher than expected construction costs and major additions such as the brise-soleil, a parking garage and gardens. The finished building consists of three distinct elements: a low-slung gallery building that extends southward from the Saarinen wing, a cable-stayed pedestrian bridge 75 metres (250 feet) long that links the museum to the city and, finally, the brise-soleil made up of 72 paired steel fins. Driven by hydraulic motors, the structure controls the temperature and light in the spaces below, and also gives the museum a presence in the city that was previously lacking. The new addition, in fact, contains very little art space, but Calatrava‘s task was less to add pragmatic programme and more to dramatically recast the museum‘s entire identity, a task in which, by critical account, he has been more than successful.
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http://www.jianzhu01.com/Museum1007281265.htm
休斯图书馆(langston hughes library)
On an Eastern Tennessee farm once owned by author Alex Haley, Maya Lin has transformed an abandoned wooden barn into a library for the Children‘s Defense Fund, which focuses on African-American history and literature. The original building is an example of a local vernacular structure called the Tennessee Cantilevered Barn, common in this part of Tennessee from the early nineteenth century until the 1930s, in which a standard shed is perched above two rough-hewn log cribs. The shaded area under the overhang once provided shelter for farm animals, and the elevated barn floor allowed hay and grain crops to dry. For the conversion to a library, Maya Lin left the rustic exterior largely intact and inserted a series of pristine rooms inside. The open cribs have frosted glass walls and a slate floor. Gaps between the logs allow light into the two new rooms, one of which contains a gift shop, and the other a stairway and lift to the library above. The reading room is illuminated by a skylight and one window, which frames a view of the landscape. The library is named after Langston Hughes (1902-67), one of the most important writers and thinkers of the Harlem Renaissance, the African-American artistic movement in the 1920s that celebrated black life and culture.
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http://www.jianzhu01.com/Museum1007281264.htm
美术馆(museum of fine arts)
Houston‘s cityscape is usually experienced from the inside of a car. This moved Moneo to design his addition to the museum around the idea of ‘compact architecture‘. The four-storey limestone building fills almost all the available land on the site, strengthening the urban context and more than doubling the museum‘s exhibition space. It faces Mies van der Rohe‘s Caroline Wiess Law Building (1974). and is linked to the older structure by an underground gallery. According to Moneo, compact architecture allows the space to be filled ‘with admirable continuity and contiguity without submitting to a pre-established parti‘. A sense of freedom characterizes the ‘collection of rooms‘, transforming what might merely have been a conventional gallery. From the entrance, the lobby leads into a light-filled atrium from which the galleries can be reached. The second floor consists of 28 galleries for photographs, prints and drawings, and a sculpture court reaching more than 20 metres (66 feet) to its sky-lit roof, are housed on the first floor. The fragmented outline of the roof reflects the collection of galleries and consists of a series of skylights, combining natural and artificial light in the interior.
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http://www.jianzhu01.com/Museum1007281263.htm
lucille‘lupe‘murchison表演艺术中心(lucille ‘lupe‘murchison performing arts center)
The University of North Texas has one of the largest and most highly acclaimed music schools in the country, yet it previously lacked a campus facility that could match the quality of the performances. Hardy Holzman Pfeiffer were commissioned to address this situation with the new Murchison Center to accommodate student concerts, performances by guest artists, musical theatre, opera productions and special events. Visible from the nearby highway, and acting as a gateway to the university, the building has a unique form and faceted roof which make it a recognizable destination from a considerable distance. Inside, the lobby features a curved enclosure of glass and illuminated tile walls, rising out of which are the concert hall and lyric theatre, both partially clad in Texas limestone. The building‘s most prominent feature, the roof, is covered in a skin of zinc sheets over the concert hall‘s timber roof structure. The concert hall is used principally by 20- to 80-member ensembles, but can accommodate a 110-member orchestra and a 150-strong chorus. The lyric theatre can be used for traditional and contemporary opera, drama and dance. Both the orchestra pit and main floor seating can be arranged to allow for proscenium, thrust or in-the-round configurations.
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http://www.jianzhu01.com/Museum1007281262.htm
交互式博物馆(interactive museum)
The Interactive Museum is situated in the Parque de los Pies Descalzos, in central Medellin. Until recently this was a depressed sector of the city, but it is now benefiting from the urban regeneration of the region, designed to attract local and international visitors to Colombia‘s burgeoning cultural institutions. The museum gives visitors access to four areas of interactivity - water, energy, telecommunications and the internet. The exhibits are arranged in 22 spaces over three floors and contain over 200 interactive installations. The museum‘s main entrance hall, food stalls, internet cafe, shop and public restrooms are on the ground floor. A mezzanine accommodates the museum administration, the offices and the library, while the exhibition spaces occupy the second and third floors. Most of the machinery and maintenance rooms are located in the basement of the six-storey building. The entrance, which opens on to a landscaped public plaza, is a civic-scaled timber and glass portal 16 metres (52 feet) high and 90 metres (295 feet) long, giving the facade the monumental appearance appropriate to a public building. On the west facade a horizontal crevice creates a looming gap between a triple-storey rectangular stone tube and the angled roof below.
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http://www.jianzhu01.com/Museum1007281261.htm
罗诺加利斯学术资源中心(los nogales Academic resource centre)
The Academic Resource Centre of Los Nogales school is a multipurpose building which provides the full range of information technology resources and supports activities in the classroom. Its broad swathes of glazing on the lower floor, cantilevered window boxes on the upper floor, and the plan which is cranked into an elbow-shape, establish a connection with the school‘s existing buildings, which previously functioned in isolation. Now they create open and enclosed areas on an appropriate scale and, by consolidating circulation areas, improve accessibility for the students. Inside, the building can be used in different ways, depending on whether doors between the various spaces -reading rooms, computer centres, a staff room and the usual range of library services - are kept open or closed. Double-height spaces in the foyer and the library, with bridges, stairs and mezzanine levels wrapped around the perimeter, also act as gathering spaces for students and staff, and create dynamic circulation patterns throughout the building. The centre employs only natural light and ventilation, in an attempt to conserve energy resources.
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http://www.jianzhu01.com/Museum1007281260.htm
斯卡服装博物馆(museu oscar niemeyer)
Oscar Niemeyer returned to the site of his 1974 building, Castello Branco, to redesign it, producing a twenty-first-century museum of international standard. To the existing building he added a striking annexe in the shape of an eye, constructed from reinforced concrete and mounted on a cubic plinth, and providing the shock factor so characteristic of Niemeyer‘s work. The existing building contains traditional museum facilities, including shops, restaurants and exhibition halls on three levels. The new building, designed for exhibitions and multimedia presentations, is on two floors with ceiling heights varying from 3 to 12 metres (10 to 39 feet), and contains a large exhibition space of 2,100 square metres (22,596 square feet). On the lower level are function areas and a bar, as well as audiovisual presentation spaces. The two buildings are linked by winding ramps. The whole complex initiates a dialogue with its surroundings, integrating with the disused warehouses around it which are now to be used as housing and spaces for courses, workshops and lectures. The whole area is to be turned into a cultural park and an important tourist attraction. The audacious ‘eye‘ structure, with its white rendered shell and diagonally gridded lens, was meticulously detailed using computer programmes to facilitate the demanding six-month construction programme.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110217461642_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110217461642_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110217461642_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110217461642_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281259.htm
拉美艺术博物馆(museum of latin american art)
Argentinian economist Eduardo Constantini has been collecting Latin American art for more than ten years. His collection, including work by the celebrated Latin-American artists Frida Kahlo and Diego Rivera, forms the core of a permanent collection for Buenos Aires‘ new Museum of Latin American Art (MALBA). Despite opening its doors ten days after the terrorist attacks in New York in 2001 and in the midst of Argentina‘s worst economic crisis, the museum has become a lively centre of culture on Avenida Figueroa. Aside from the 5,000 square metres (53,800 square feet) of exhibition space, the building contains a multimedia library, gift shop, cafe and restaurant inside a pale stone-clad wedge, with a protruding cantilevered box at the first level marking the entrance. Inside, a glass-covered, double-height atrium accommodates the entrance foyer and the various circulation routes to the galleries, including a double run of glass-balustraded escalators. The large rectangular volume to the rear of the site, accessed via the escalators, contains the gallery spaces. These are naturally lit, on the ground floor by a glazed walkway that opens on to a landscaped area, and on the upper floor by skylights.
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http://www.jianzhu01.com/Museum1007281258.htm
crossroads 学校图书馆
crossroads 学校图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110311541544_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281257.htm
康斯坦丁博物馆(costantini museum)
该设计的基本构思是使水平元素比垂直元素的地位更为突出．它带有丝南美的前西班牙式的把土地看为神圣的虔诚纪念性可以是非构筑物． 些用于交通艺术展示演讲和停车的和缓的坡道把场地沿长轴分开这种空间组织对于适应各种具体展示安排比如绘画或雕塑等在尺度上更有利于均等地分配空间．此外只要对第三层伸出的屋顶进行覆盖便可实现扩建．还要考虑一个像探戈舞步样的较陡的防火疏散通道保证人们可以迅速疏散至坡下而没有必要再走那条缓缓的上坡流线．
建筑的外墙用一种轻质板材制作这种材料呈半透明状它给予展示空间以与其面积相等的漫射光照从而实现了除去复杂的天窗和特殊的细部外几乎与室内面积相等的采光面积．随意排列的柱子支撑着坡道，内部空间被柱间展开的半透明的帆布所分隔使其感觉上具有房间的封闭性并保持着空间的联系．实体的坡道和轻质的纵墙也使博物馆能在晚上发出光来从而进一步显示了抬高地面的存在
因此该博物馆意在造就地势而不是造就纪念性是个暗示以垂直轴线（它通常构成纪念物）的旋转来使建筑表情融台在具有特殊感受的，空间、建筑、艺术的城市尺度之中。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110312585643_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281256.htm
比尔斯巴营地小礼拜堂(camp beersheba chapel)
作为小屋与农舍的一部分，该礼拜堂位于联邦卫礼工会夏季营地中的显要之处它点缀着房屋与宿舍的林木地带。
从理念上该项目分为两大部分， (屋顶)接纳和保护着在周围活动的使用者。设计仔细地考虑了如何接受自然光和隔绝噪音．屋顶的室内部分明露结构缓缓向圣坛倾斜连续的玻璃窗将其与地面的联系打断沿中庭向室外望去造成了屋顶向上瀑浮的错觉。只有站在圣坛前，人们才能透过它后面的通高玻璃仰望天空。
通过对进人中庭的阳光的严格控制，一种私密之感在与周围发生的紧密联系之中油然而生中庭面向着室外的一个十字路口。
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http://www.jianzhu01.com/Museum1007281255.htm
科学家第六基督教堂(sixth church of christ,scientist)
科学家第六基督教堂(sixth church of christ,scientist)
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http://www.jianzhu01.com/Museum1007281254.htm
庆典中心(celebration center)
Celebration Center is an attempt to rethink the regional mall on functional, technical, aesthetic and experiential levels; to transfer the urban experience of shopping to the suburban realm. Regional shopping centers are generally diagrams of circulation and space management. In contrast, urban shopping is a rich and varied mixture of commerce, culture, recreation and ceremony.
The overall image is of a city surrounded by "green walls" of vines growing on constructed frames, with giant "gates" giving appropriate scale to the various shopping precincts. Beyond the "gates" are the parking garages or surface parking lots. From here, visitors proceed through side streets and town squares to the curved main streets and the open spaces.
The typologies of main street, side street, arcade, town square, ceremonial park, festival park, science park and nature park have been taken from the traditional city and transformed and abstracted. The resulting system provides a Fixed circulation system with spaces and uses that are flexible and adaptable.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110613580333_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281253.htm
密歇根市公共图书馆(michigan city public library)
The building serves as the main branch facility for the Michigan City Public Library system. It occupies a downtown site, creating a spatial closure to Franklin Mall, the main commercial spine.
The building contains areas for adult services, reference and information, children‘s services, audiovisual resources, technical services, administration, and a business office. Common areas include the lobby, circulation desk and a flexible meeting room complex.
The program is organized within a one-story "loft space". An interior court is located asymmetrically along the diagonal axis. All office and work areas are located along the perimeter enclosed by freestanding partitions. Only the permanent and movable walls of the meeting room complex extend to the structure and roof to provide acoustical privacy.
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http://www.jianzhu01.com/Museum1007281252.htm
博览会塔式大厅(messe tower/messe hall)
The client‘s brief called for a new exhibition hall with 215,000 square feet of exhibition space, an entry building, a rentable office building, and 900 parking spaces. The 1909 Festhalle built by Friedrich von Thiersch, and the post-war Kongresshalle are immediately adjacent. Together with these two buildings, the new Exhibition Hall (Halle 1) forms a border to the outdoor exhibition space, which is open to the avenue and park of the Friedrich-Ebert-Anlage.
The office building is freestanding and is placed like a campanile among the composition of low buildings. The tower is raised high above the ground to create a symbolic gate to the Messe.
The architectural themes—long span hall, arcade, pavilion, tower, campanile, and gate—are elaborated in the forms of the buildings and their subtle relationships. Pure geometric forms—the square, circle, cylinder, and pyramid—are interrelated, rotated, transformed and elaborated in the materials and detailing.
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http://www.jianzhu01.com/Museum1007281251.htm
洛杉矶第一百老汇文娱中心first&broadway los angeles civic center
The First & Broadway development is a much-needed component in the completion of the overall concept of the Los Angeles Civic Mall.
The office building can be interpreted as "Siamese twins"— two 18-story buildings joined at the top providing a combined total of 600,000 gross square feet of office space. This unique building concept creates a monumental portal to the central plaza and a covered area for building entrances, while providing more functional, leasable floor areas.
The open spaces associated with the site are designed to respond to local criteria as well as large-scale urban issues. The siting of the building mass creates the formal urban plaza to the north. A variety of sizes and uses of open space are offered to the public: the grand central civic space; the more informal, smaller-scaled open spaces adjacent to the ground floor of the building; galleria and arcades associated with the retail; and rooftop terraces for daycare and dining.
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http://www.jianzhu01.com/Museum1007281250.htm
王室图书馆(Royal Library)
王室图书馆(Royal Library)
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http://www.jianzhu01.com/Museum1007281249.htm
马格德堡大学图书馆(Library of the University of magdeburg)
马格德堡大学图书馆(Library of the University of magdeburg)
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http://www.jianzhu01.com/Museum1007281248.htm
印度国会图书馆(Library for the Indian Parliament)
印度国会图书馆(Library for the Indian Parliament)
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http://www.jianzhu01.com/Museum1007281247.htm
樱桃山社区教会礼拜堂(cherry hills community church chapel)
樱桃山社区教会礼拜堂(cherry hills community church chapel)
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http://www.jianzhu01.com/Museum1007281246.htm
弗雷斯诺市、县党史学会(fresno city and county historical society)
弗雷斯诺市、县党史学会(fresno city and county historical society)
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http://www.jianzhu01.com/Museum1007281245.htm
波特兰表演艺术中心(portland center for the performing arts)
The Portland Center for the Performing Arts was a design competition victory. The program was divided into two phases: restoration and conversion of a historic 1927 theater to a 2,750-seat concert hall; and, across the street, design of two new theaters positioned side In side. Between the new and historic theaters, Main Street was regraded and furnished with entry gales to create an exterior room that unifies the entire complex. The larger of the new theaters, a 900-seat auditorium, is an intimate Edwardian-style theater with orchestra seating and two halcony levels. Side balconies and boxes on both levels bring the audience into close contact with actors at the proscenium zone. The smaller 360-seat "courtyard" theater is surrounded by three levels of balconies. The orthogonal plan, with an adjustable orchestra door, offers complete flexibility of use and stage formation. The new theaters share a multi-level lobby space designed as an "opera house", which doubles as a fourth stage lor informal performances and dramatic arrival.
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http://www.jianzhu01.com/Museum1007281244.htm
cerritos表演艺术中心(cerritos center for the performing arts)
The Center for the Performing Arts, which includes ;i revulmioiiarv multi-purpose theater, ancillary spaces and community meeting rooms, is the focal point of the initial phase of the Cerritos Town Center development,The theater expands on the traditions of the changeable theaters of the 18th and 19th centuries. Hydraulic lifts and air casters allow the auditorium to take on five different configurations: a 1,450-seat lyric theater with full fly tower, for films dance performances, musicals and large-scale dramas; a more intimate 950-seat dramatic theater, created by moving the stage and proscenium forward; a 1,950-seat "shoebox" concert hall; a 1,780-seai arena with central stage/ performance area for t he ale r-in-die-round, sporting events, pop music concerts and fashion shows; and a flat floor area of 6,000 square feet suitable for banquets, dinner dances and exhibitions, created by raising the orchestra floor and pit to stage level.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006110810562936_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281243.htm
多功能音乐厅(the multi-purpose concert hall)
多功能音乐厅(the multi-purpose concert hall)
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http://www.jianzhu01.com/Museum1007281242.htm
unionville图书馆(unionville library)
The Unionvillc Library serves as the major cultural facility in the historic village center of Unionville within the town of Markham. In response to the town‘s strict architect lira I guidelines, the library1 represents a playful leinlerpretalion of the Victorian tradition, creating a modern building completely at home within the sensitive historical context. "1‘he library design plays npon the traditional village square formed by eight "houses" of books, which are expressed on the exterior as updated Vielorian dormers. The court is skylit and contains the circulation desk, :u\ area for music, and special pavilions for paperbacks and periodicals. The pediments of the book pavilions graphically indicate general categories of books. Children‘s and adults‘ stacks are separated, each sin rounding a reading room. Doors in the reading rooms lead to a series of broad steps which act as outdoor sealing for readers.
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http://www.jianzhu01.com/Museum1007281241.htm
安大略湖艺廊,stage lll(art gallery of ontario,stage lll)
In January 1987, Barton Myers Associates won the limited design competition for llie expansion and renovation of the Art Gallery of Ontario. The expansion includes renovations to the existing building to clarify circulation routes and acknowledge the historic layers of building within the existing structure. The expansion also increases the gallery‘s exhibition space by 50 per cent. The additions to the south contain expanded facilities including g.ilk‘rics, libraries, the Print and Drawing Study Center, and administrative offices. A new sculpture court creates a double-height gla/ed space for dining, concerts, openings, exhibitions and other special events, between the existing building and the historic Grange 1 louse which faces Grange Park at the rear of the gallery. The Art Gallery of Ontario is now the seventh largest museum in North America.
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http://www.jianzhu01.com/Museum1007281240.htm
clarice史密斯演艺中心(Clarice Smith Performing Arts Center)
The Performing Arts Center evolved as an articulated academic village with a rich multiplicity of scales, paths, and environments. It is unique in its programmatic aspirations. Academic departments for music, theater, and dance are combined with an array of practice and performance venues and an arts library, in a mix that balances the needs and domains of departments, of the campus, and of the region. A key design challenge was to create departmental identities that could co-exist with the large-scale reading of the project as a campus and regional cultural center. With over 300,000 square feet, the Clarice Smith Performing Arts Center takes its place on the periphery of the campus, flanked by massive parking areas, the stadium, and high-rise student housing.
A Campus Within a Campus The early planning for the Center established the concept of a series of
departmental courtyards to enhance individual identity and domain. Each of these is oriented along one of the adjacent campus axes. At the confluence of these domains, a dominant axis leads from a public entry plaza, flanked by the arts library, through an interior street and out to a naturally sloped amphitheater.
Rethinking Campus Language
The building developed formally as an assemblage of Platonic forms, that reflects the complexity and hierarchy of internal ritual and function. This expression of taut skinned, volumetrically clear solids became a primary way of harmonizing a modern formal language with the existing Georgian campus architecture. The language of white windows and porches was reinterpreted as a family of white metal light scoops or lanterns, and a series of simple metal porches and bays.
The forms are quiet toward the periphery where simple porches and stair towers reinforce entry. The gathering of performance spaces builds up to the large form of the major concert hall. For economy most forms derive from cubic geometry with flat or shaped roofs for iconic and programmatic reasons. Courtyards, allees, and passages are shaped as positively configured open spaces; vessels for movement and habitation.
Gathering Halls
Along the "main street" of the complex, each of seven major performance venues has a presence. Each venue is conceived as a uniquely shaped object or pavilion with individual entry porticos. The group becomes a family of forms connected and gathered by stairs, walls, and balconies, which animate the path. Entries to a cafe, garden, library, and exhibition space further enliven this central armature to create a multidimensional social and cultural venue. Here a diverse community interacts in serendipitous or programmed gatherings.
Multi-Sensory Shaping
Our most powerful inspirations for these
forms were light and sound.
A series of lanterns, clerestories, and bays illuminate practice spaces, performance halls, and paths. Daylight is typically brought in high, and bounced through expressed structure, finally to wash the walls in soft and shifting light. Since the building has opened, this changing, complex environment has become a powerful magnet for social and academic interaction. At night, the syncopated reading of the lanterns provides a beguiling intimation of the creative flux within.
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http://www.jianzhu01.com/Museum1007281239.htm
圣莫尼卡主图书馆(Santa Monica Main Library)
Santa Monica is almost perfect: a mild but sunny climate, broad beaches, dramatic bluffs, boulevards lined with palms, a progressive city council, and a beach town atmosphere and scale-very few buildings are more than four sto-ries-that clearly distinguishes this prosperous little community from the surrounding city of Los Angeles. Santa Monica‘s urban grid marches steadily up to the bluffs and the beach, with a single street, Colorado Avenue, projecting out into the Pacific on the deck of the old pier. With its small town character, this is a place in which every new building has an impact.
In a recent poll, the city‘s most popular institution was its Main Library, and the design of the new library has been closely attended by city officials and the public. The program is moderate in size, but great in ambition. Our clients wanted no less than a model of a 21st-century
city library: friendly and service-oriented, flexible, with the latest in information systems, a certified LEED silver rating for sustainability, abundant below-grade parking, and a cafe that would allow the facility to become "the living room of the city."
The site occupies half a downtown city block, seven blocks from the beach, with a glimpse of the water looking south down Santa Monica Boulevard. The area is generous for the Library program, which has allowed for flexible planning and room to expand. From the outset, design was guided by the goals of community and placemaking, not all of which were consistent with conventional wisdom for library planning.
Converging and Gathering Despite the classic library dictum of a single guarded entrance, it is important to connect the library as closely as possible to its surrounding edges. Pedestrians are brought in from all the adjacent streets to enter the building at a gathering place near the center of the block. Entrances at either end of a wide gallery bring the public to a single information and circulation area.
Garden for Reflection and Fantasy Santa Monica is a green city, with a famed collection of street trees and
numerous parks. In keeping with this quality, interiors are interspersed with gardens-the partly enclosed gardens enrich the street edges as well as light the interiors. At the center of the whole is a large garden court, with controlled access permitting the space to be used by readers. A small cafe animates the court and provides a destination. Artist Carl Cheng has introduced a broad, circular canopy that intersects the glassy corner of the cafe. Using open steel trellis-work, water-filled glass "lenses," and a delicate water curtain, the canopy elic its a dreamy space filled with watery reflections and filtered light: an evocation of the undersea world of Santa Monica Bay. With a planting palette of cool colors and picaresque forms, Pamela Burton‘s garden design completes the picturesque allusion.
圣莫尼卡学院图书馆
国家：美国
城市：加利福尼亚州
类别：公共建筑
设计特点：
这个对1970年代图书馆的修缮和扩建项目使原本笨重封闭的建筑变成了校园中吸引人的信息中心和学生聚会场所。扩建后的图书馆面积变为原来的两倍，同时原有结构得到了加固。为了使现有的建筑变得更加开敞，建筑师加建了新的玻璃配楼一翼，最大限度摄取光线的同时提供了遮阳设施。为了满足电子图书馆的需求，建筑内部的电缆和机械设备全部隐藏在架空地板下方。同时建筑的室外座椅和林荫路更提升了其作为社交活动核心的公共品质。尽管现有建筑的立面并不起眼，但建筑师决定不对其进行大的改动，仅在入口上方增加了一个雨篷帮助人们定位，并用四个海报一样的格子架结构限定出了建筑的门廊。新建部分是一个巨大的玻璃结构，使图书馆向林荫道开敞，路人可以看到室内的情况。其西立面是一个洞口极少的现浇混凝土墙面，可以避免西晒，正立面通过外部百叶实现被动式遮阳，南立面则采用三个两层高的铝质固定垂直百叶。在有限的经费下，室内的大部分元素被保留，仅更换了新的灯具，并重新制作了吊顶以控制噪音。包括教室、资料室和即插即用书桌等在内的三层高的计算机中心被弧形的橡木和玻璃墙面围合，独立于新建建筑中，它与周围地面相距4英尺，使底层空间也可以获取阳光，同时在视觉上联系起了其他楼层。扩建后的图书馆座位数目增加了一倍，可以满足7500人同时使用，同时还提供了19个新的讨论室和一个大会议室。
建筑设计：Anshen+Allen Los Angeles
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http://www.jianzhu01.com/Museum1007281238.htm
加拿大国家美术馆(national gallery of canada)
At the invitation of the Canada Museums Construction Corporation, Barton Myers Associates entered into a design competition to investigate the nature of the institution, the site context, and the design of the proposed National Gallery building. The basis for the competition proposal was a search for fundamental organizing principles to express the gallery‘s public, exhibition, technical and administrative functions. Each of the five major collections finds individual expression in a separate, house-scale museum. Adorned, skylit court acts as a focal point for the gallery "houses", lending a strong sense of order and orientation to the interior public areas of the building. Combining aspects of streetscape with those of a winter garden or conservatory, a glazed front porch unifies the building‘s exterior image, while alluding to the architecture of the Parliament buildings.
The massing, scale and silhouette of [he National Gallery enhance both close and distant views within the spectacular national capital setting. A set of urban design guidelines was formulated to ensure thai the building would make a significant contribution to its context, as well as making an original architectural The National Gallery proposal was conceived as a composite of distinct yet interdependent elements to convey the vitality (if (he gallery‘s collections to die Canadian public.
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http://www.jianzhu01.com/Museum1007281237.htm
芭蕾舞歌剧院(ballet opera house)
Barton Myers Associates, in a joint venture with Kuwabara, Payne, McKenna, Blumberg Architects, was one of three Hrdiileciure turns selected to compere in the design competition for the Ballet Opera House in Toronto. As the home of two of the most traditional yet dynamic forms of the performing arts, the Ballet Opera House is designed to respond to tradition in the context of a changing modern world.
The space of Ballet Opera Square, extending from the Ontario Government complex across Bay Street to the entrance of the new building, is considered an urban piazza for the city. With Bay Street closed for special occasions, it can become a giant theater for 6,000 people. In this context, the entry plaza can be understood as a stage within a much larger outdoor room surrounded by the scenic backdrops of different building facades. In the winter the space can be Hooded for ice skating. In summer the plaza will take on the ambiance of a festival marketplace, where entertainment, ceremony and daily life merge.
The lobbies of the Ballet Opera House take their cue from Italian tradition: they are intimate celts, vaulted chambers interconnected wifh generous stairs and elevators, and backlit by skylights ringing the drum of the auditorium. Materials were employed to reinforce the intimacy of the scale of the lobbies: oak and cherry paneling; frescoed and painted plaster; and hardwood Moors with area rugs.
The performance hall itself, as the largest room of the complex, takes on the scale of an urban plaza. The walls are defined by the continuous curve of five open aiid unobstructed balcony tiers; the ceiling is formed by a tent-like canopy, suspended from the roof. Each element has been transformed to meet stringent acoustical and technical standards.
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http://www.jianzhu01.com/Museum1007281236.htm
美国塞维利亚92世界博览会馆(united states pavilion expo ‘92 seville world‘s fair)
After a selection process from an initial group of more than 100 interested firms, nine finalists were chosen for a design competition. Barton Myers Associates‘ winning eniry marked the first all-California team to represent the L‘nited States at an Imposition or World‘s hair.
Expo ‘92 in Seville was the first "universal" calegory exposition in *>‘J years, And the first on European soil since 1958. Over 100 countries were invited to display thcir goods. technology and culture. The exposition celebrated both the beginning of economic free trade in Europe and the 500th anniversary of Columbus‘s discovery‘ of America.
Building upon the discovery theme of Columbus‘s voyage, l he pavilion was designed to invite visitors—through allusion and metaphor—to explore and rediscover the United Stales, A dramatic 411-foot high wall of water cascades down the pavilion‘s front facade. By day the exhibit buildings are glimpsed behind the water, and by night this wall becomes an iridescent sulfate for lighl and laser projections. Visitors enler through this "ocean" into a series of gardens and courts, cooled by gravity cooling lowers which link the cxhibil pavilions and provide respite front the heat and crowds of the fair. The construction of the pavilions showcases American building technology: prefabricated elements were to be shipped to Spain on container ships—a voyage symbolically reversing Columbus‘s expedition to the New World. On site, the component parts would be assembled into a composition of aluminum, copper, and wood, each material representing an aspect of the wealth of resources found in the New World, and lending a distinct identity to the individual pavilions.
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http://www.jianzhu01.com/Museum1007281235.htm
科罗拉多大学数学科学图书馆工程建设(university of colorado mathematics building and gemmill engineering sciences library)
The existence of two master plans for the University of Colorado at Boulder, one by Charles Klauder (1917) and the other by Hideo Sasaki (I960), required the firm to reconsider the meaning of "Colorado architecture."
Blending Sasaki‘s Modernism with Klauder‘s revivalist, rural Italian Tuscan style was an architectural challenge in forms and materials. The value of university icons also had to be considered. Native sandstone exteriors and clay tile roofs are used in conjunction with precast concrete to suggest this new Post-Modem ideal. An 80-foot campanile and low-running loggias were planned and direct physical connection was made to the campus network of open greens, quadrangles and strong axial pathways.
Programmed elements include the library, located below grade, and new offices and a faculty commons rootn above grade. These components are connected to a 400-seat auditorium and the four-story campanile.
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http://www.jianzhu01.com/Museum1007281234.htm
全国野生动物艺术博物馆(national museum of wildlife art)
The design for the National Museum of Wildlife An is the embodiment of Fentress Bradburn‘s theoretical explorations of contextual regionalism. The physical and visual impact of the Grand Tetons has been maximized through the creation of an ecologically sensitive and human-scale building thai embraces its site while setting new standards in architectural design.
Since no conventional architectural design was deemed appropriate to this site， Fentress Bradburn created something entirely new. The rough stone cladding and irregular plan of this "building-as-landscape" allow it to coexist naturally with the surrounding rock formations. The winding approach to the museum evokes a sense of discovery as visitors traverse the hillside of the butte upon which ii sits. In a similar way of unfolding and revealing， the building draws visitors in， allowing them glimpses of the canyonlike lobby with animal Hacks etched into the stone floor， then leading them down a grand， cascading siaircasc and delivering them to the museum floor.
In ibis multi-use facility， a new paradigm is created for a community in which a native style of archilecturc has truly sprung from the earlb.
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http://www.jianzhu01.com/Museum1007281233.htm
国家著名牛仔纪念馆
原 名 称：national cowboy hall of fame
The creation of a new museum image， a functional， practical building plan and an ideal environment for the display of art， are key to the design of Fentress Brariburn‘s National Cowboy Hall of Fame. The design concept is a contextual interpretadon of the architectural symbols in the original building‘s design， fhus enhancing the profile of the existing museum， while creating a harmoniously sited facility with greater functionality and flexibility.
The comprehensive architectural design draws context and cultural inspiration from Oklahoma City itself， capturing the spirit of the American West. The firm reinterpreted Western images， such as covered wagons and camp tents， in the outstretched canopy that draws visitors to the entrance of the Hall of Fame. The interiors then open into large and brightly lit exhibition spaces that guide visitors through the displays.
Italian architectural critic Maurizio Vitta wrote that， "the architects have succeeded in creating an ‘international‘ icon of the American frontier and， by extrapolation， of America herself."
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http://www.jianzhu01.com/Museum1007281232.htm
利奥波德博物馆（Leopold Museum）
利奥波德博物馆（Leopold Museum）
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http://www.jianzhu01.com/Museum1007281231.htm
奥尔胡斯现代艺术博物馆（Aros Aarhus Museum of Modern Art）
奥尔胡斯现代艺术博物馆（Aros Aarhus Museum of Modern Art）
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http://www.jianzhu01.com/Museum1007281230.htm
斯科特博物馆（Scottsdale Museum）
斯科特博物馆（Scottsdale Museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111308474145_13.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281229.htm
雷克林豪森戏剧节（Festival Theatre Recklinghausen）
雷克林豪森戏剧节（Festival Theatre Recklinghausen）
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http://www.jianzhu01.com/Museum1007281228.htm
Kqtuaq文化中心绿地（Kqtuaq Culture Centre Greenland）
Kqtuaq文化中心绿地（Kqtuaq Culture Centre Greenland）
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http://www.jianzhu01.com/Museum1007281227.htm
ciempozuelos文化中心（Ciempozuelos Culture Center）
ciempozuelos文化中心（Ciempozuelos Culture Center）
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http://www.jianzhu01.com/Museum1007281226.htm
综合艺术画廊(art gallery complex)
This project was planned as a complex accommodating a gallery for contemporary art. a small theatre for avant-garde experiments, and offices, primarily in the design field. The building is made up of three blocks with frames of exposed reinforced concrete, and a curved wall of glass block forms a circle intersecting the three blocks.
Inserting a frame into the irregularly-shaped site produced gaps that create a variety of spaces and stepped terraces, linked by the frames overhead. These terraces are spectator seats, stages and galleries. The stairs not only link different levels but serve as interior plazas where people can meet and designers and artists can communicate - creating a forum for unexpected drama.
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http://www.jianzhu01.com/Museum1007281225.htm
Guadarrama文化中心（Guadarrama Culture Center）
Guadarrama文化中心（Guadarrama Culture Center）
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http://www.jianzhu01.com/Museum1007281224.htm
澳洲当代艺术中心（The Australian Centre for Contemporary Art）
澳洲当代艺术中心（The Australian Centre for Contemporary Art）
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http://www.jianzhu01.com/Museum1007281223.htm
rokko教堂装配(church on mount rokko)
On a verdant slope of Mount Rokko, this small church enjoys sweeping ocean views. The building has a chapel and bell tower, a covered colonnade and a freestanding wall, which partially encloses the landscape.
While the chapel is a concrete mass, the long colonnade is a glazed promenade. At the end of the colonnade, the visitor is led from a light-infused space into the sharply contrasting dark chapel. The altar is straight ahead and, to the left, a large window - divided by a cross-shaped post and beam which cast a distinct cruciform shadow on the floor- looks out onto the mountainside.
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http://www.jianzhu01.com/Museum1007281222.htm
教堂照明(church of the light)
In a quiet residential suburb of Osaka, this chapel is positioned in accordance with the direction of the sun and the location of an adjacent church building. The church consists of a rectangular volume (a triple cube) bisected at a 15-degree angle by a freestanding wall, which defines the chapel and its triangular entrance space. Entering through an opening in the angled wall, you have to turn 180 degrees to be aligned with the chapel. The floor descends in stages towards the altar, behind which is a wall penetrated by horizontal and vertical openings forming a crucifix. Light radiates through these openings into the stillness of the chapel. Both the floor and pews are made of scaffolding planks which, with their rough-textured surface, emphasize the simple and honest character of the space.
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http://www.jianzhu01.com/Museum1007281221.htm
儿童博物馆(children‘s museum)
On a hill overlooking a large lake, this museum is a cultural facility for the artistic education of children. It is made up of three units - the main museum, an intermediate plaza and a workshop complex - all linked by a long pathway punctuated hy a series of walls, which dramatically slice through the hillside. The main unit is a multi-functional complex, containing a library, indoor and outdoor theatres, exhibition gallery, multipurpose hall and restaurant. It is composed of two staggered volumes, one of which connects with a fan-shaped building housing the theatres. The outdoor theatre is on the roof and benefits from the verdant setting. A series of pools built around the centre serve to unify the architecture with the scenery of the lake. The intermediate plaza is a walled external space, containing a grid of sixteen 9-metre-high columns. The workshop complex consists of a two-storey workshop building, square in plan, and set within a plaza.
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http://www.jianzhu01.com/Museum1007281220.htm
natsukawa纪念馆(natsukawa memorial hall)
This off-campus facility for a private high school is in the traditional commercial quarter of an ancient fortified town.
While focusing on drama, painting, music and cinema, the facility offers an environment conducive to communication among the students. The building consists of a rectangular concrete box, with a 24 x 19.2 metre plan. In order to harmonize with its quiet surroundings, the building has a simple external appearance and one-third of its volume is below ground. The basement contains a small conference room and a 150-capacity multi-purpose hall. The upper levels accommodate the entrance hall, a roof garden and conference rooms.
A ramp and a spiral staircase connect spaces on all floors - from the basement foyer to the third-level roof garden - and lead people through various spatial voids, including the foyer and the entrance hall, giving the interior a labyrinthine complexity.
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http://www.jianzhu01.com/Museum1007281219.htm
大阪园林美术博览会(garden of fine arts,expo 90,osaka)
The theme of Asia‘s first international horticultural exposition - the International Garden and Greenery Exposition, held in Osaka in 1990 - was the exploration of new concepts in horticulture and gardening, with a view to the twenty-first century, As one of the pavilions created for the Exposition, the Garden of Fine Arts featured open-air displays of fine art masterpieces, reproduced full-size on weatherproof ceramic tiles by means of the most advanced ceramics technology.
The design stemmed from an inquiry into the essonlitil ruilurc* of gardens-the composition of which should include not only plants, but all the elements of nature. Taking water, wind and light as its motifs, the Garden came to embody a proposal for a new form of kaiyu-shiki- or ‘tour-style‘ -garden.
Forty-five pillars, 12.6 metres high, were arranged on an even grid in a pond. Ramps, taking the form of glass-walled roofless corridors, ascended in opposite directions, suspended above the pond. In the entrance space, Michelangelo‘s The Last Judgment and Leonardo Da Vinci‘s The Last Supperwere presented as large murals, overlooking a sunken garden. A format of display producing optimal viewing conditions was adopted for each picture, which, ratherthan being viewed from one level in the conventional manner, could be viewed from all angles.
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http://www.jianzhu01.com/Museum1007281218.htm
水面教堂(water temple)
水面教堂(water temple)
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http://www.jianzhu01.com/Museum1007281217.htm
林墓博物馆(forest of tombs museum)
This museum is dedicated to the historic Iwabari burial mounds in Northern Kumamoto Prefecture. To be as unobtrusive as possible, the museum is designed as a raised platform from which the tombs can be viewed in their surroundings, and half of its volume is buried below ground. Visitors approach on foot, through a lush green forest. Though 250 metres away from the famed Futago-zuka, a large keyhole-shaped tumulus, the museum is positioned symmetrically to it. This encourages the image of the museum as a contemporary burial mound.
The building is composed of a rectangular volume that is 26 x 79.2 metres; a circular courtyard, which is 15.8 metres in radius; and an L-shaped wall that penetrates to the centre of the circular courtyard. The excavation grounds lie just beyond the wall of the circular courtyard, while a ramp winds around the inside of the wall, guiding visitors through displays of artefacts.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510344139_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281216.htm
斯德哥尔摩现代艺术博物馆和建筑博物馆(modern art museum and architecture museum,stockholm,design competition)
Stockholm held an open design competition for a modem art museum and designated five foreign architects as entrants. The theme of this entry was the city‘s inheritance and a strengthening of its longstanding commitment to richness in more than just the economic sense. Positioning the building on the axis of an old church, it was brought forward in the form of a cascading stepped plaza. The landward unit of the structure houses a contemporary art museum, and there is an architecture museum across the plaza by the water.
By connecting the new art museum with the old church, dialogue is opened between past and present. Considering the changing attitudes of contemporary art, an environment going beyond the orthodox gallery was necessary for its display. Hence the structure was conceived as an art museum integrated with its surroundings. Seen from the interior, the building‘s outer stepped plaza is also a gallery space. Expression of the gallery space can then be seen to continue on in the artificial pond, and ultimately, the ocean. The stepped plaza connecting the two museums becomes a place for dialogue among people, the environment, and art. Nearby, water from the artificial pond flows into the ocean, with which it has visual continuity.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006111510425140_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281215.htm
chikatsu-asuka历史博物馆(chikatsu-asuka historical museum)
Chikatsu-Asuka, in the south of Osaka prefecture, was centre-stage to the earliest period of Japanese history, and has one of the best collections of burial mounds tkofuh) in Japan, with over 200 examples, including four imperial tombs. The Chikatsu-Asuka Historical Museum is dedicated to the exhibition and research of kofun culture.
To produce a museum integrated with the burial mounds, it was conceived as a stepped hill lifted tectonically from the natural terrain, from where the visitor could view the entire burial mound group. Nearby, plum trees, a pond, and paths among the surrounding hills envelop the museum in an environment conducive to outdoor activity and allow it to function as a regional hub. Its roof, which is really a large stepped plaza, will be used for drama and music festivals as well as lectures and other performances.
Inside the building, the display areas are dark and the objects are exhibited as they were found in the tombs. Visitors experience the sensation of entering an actual tomb and feel drawn, in mood, back to ancient times.
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http://www.jianzhu01.com/Museum1007281214.htm
京都花园美术馆(kyoto garden of fine arts)
The Garden of Fine Arts is located next to a botanical garden on Kitayama Boulevard in Kyoto and is an open-air museum for the enjoyment of masterpieces of Western and Japanese art while in contact with natural phenomena such as light, wind and water. The museum itself is a conceptual extension of the Garden of Fine Arts in Osaka designed for the 1990 Garden and Greenery Exposition, and reflects a recurring interest in developing processional spaces along the approaches to such projects as the Water Temple (1989-91) and Church on theWater(1985-8). Here, such outdoor spatial sequences constitute the entire project.
There is an enclosed area below ground level within which three walls and a circulation area consisting of bridges and ramps create a rich variety of spaces on three levels. Water is introduced into the experience through three waterfalls and pools at each level. The project was conceived as a contemporary, volumetric version of a stroll garden.
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http://www.jianzhu01.com/Museum1007281213.htm
PECKHAM图书馆（PECKHAM LIBRARY）
The Peckham Public Library, South London, completed late in 1999, is part of a concerted plan of regeneration and community growth that includes a new public square in Southwark. Alsop Architects launched an intense dialogue with the community to discover what sort of building I‘eckham‘s inhabitants wanted. The result is a striking example of state-of-the-art community architecture.
The Peckham Library is supported on concrete-filled steel columns, angled to form an irregular arcade that encloses a covered space as an extension of the new square. External claddings
have been chosen for their durability and for their expressive textures and colours - pre-patinated copper and steel mesh contrast with coloured glass, which is used on the north facade. The library itself is on the fourth floor, the short arm of an inverted T.‘, with offices, meeting rooms and other ancillary facilities on the lower floors.
The library hall can be compared to a magical attic space, overlooking London and connecting Peckham to the seats of power and wealth in Westminster, the City and Docklands.
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http://www.jianzhu01.com/Museum1007281212.htm
西澳洲海事博物馆（WESTERN AUSTRALIAN MARITIME MUSEUM）
The new world-class maritime museum at Forrest Landing, Fremantle has become one of the most exciting and significant cultural buildings in Australia. It represents the first stage of a unique opportunity to revitalise the Fremantle waterfront and create a vibrant destination for people of all ages. Core features of the design include geothermal exchange, passive solar screening and the use of plantation timbers. Each adds to the project‘s ecological sustainability.
The building was much more than just a project for the architect. It presented a unique opportunity to capture the promontory‘s wonderful history, and give it back to the public
as a museum to honour the area‘s rich maritime heritage and the surrounding community‘s coastal identity. The building‘s form itself gives licence to interpret its curvaceous shapes and smooth skin as a hull. The building‘s form has been inspired by the shape of a boat. Its curvaceous shapes and smooth skin, reminiscent of a hull, are visible from around the harbour.
The Western Australian Maritime Museum is the home for permanent exhibits representing the state‘s maritime heritage. It tells stories of journeys of ancient communities of indigenous Australians, the state‘s links to Dutch, French and ISritish
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http://www.jianzhu01.com/Museum1007281211.htm
巴格利.赖特剧院
拥有864个座席的巴格利-赖特剧院，被美国《宗教科学观察》杂志赞誉为美国最好的剧院之一。该剧院高质量的设计是由多种特殊因素决定的，其中包括精心设置的座位，以及多样性的功能组合关系等。
该剧院的池座设有500个座位，楼座设有七排共364个座位，这样的设计确保了尉院中的任何一个座位离前台(深48英尺，宽96英尺)的距离，都不会超过18排(55英尺)。在“西雅图保留剧目剧院”富有管理才能和开创性的决策层的倡议下，该剧院的设计特别注重将一流的视觉效果和声学效果相结合，其设计结果是：场下的每一位观众都自始至终处于场上演员的视野之中，同时，为达到“原声表演”的效果，剧院的设计考虑到了使观众能够最准确、清晰地听到演员的台词。
处于剧院中心位置的观演空间，以及休息、交通的空间，只占据了整个建筑面积的四分之一，其余的空间还包括为达到高质量的演出效果所必需的后勤服务空间及排练空间。
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http://www.jianzhu01.com/Museum1007281210.htm
克拉克州立杜区大学表演艺术中心
克拉克州立表演艺术中心位于斯普林菲尔德市市中心区，它既是该大学戏剧系的表演剧院，又是该市的表演聚会场所。“中心”在不同的主干道为大学生和普通市民分别设置了不同的出人口。其组成部分包括一个1500座的多功能“卡斯”观众厅，一个250座的用于教学、排练及内部演出的实验剧场，四间教室、若干间教职员工办公室，可容纳125人的公共用房．以及位于剧院后侧的各种辅助用房。
在工程预算受到限制的情况下，该建筑采用了廉价的建材及简洁的细部处理，但整个建筑仍相当优美。剧院的天花上面及侧墙高处设置了一系列声学处理构件，这些构件的运用使该剧院能够适应多种不同的演出要求。该剧院最终启用了一种倾斜的但能产生共振的设施，它使剧院能够满足从个人演出到交响乐队演奏的所有种类的剧目及音乐的表演。
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http://www.jianzhu01.com/Museum1007281209.htm
教堂
PLY Architecture作品－教堂
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http://www.jianzhu01.com/Museum1007281208.htm
阿雷纳罗马广场
此工程建于阿雷纳中学之后，是有诸多原因的重要工程。首先，因为工程位于大图卢兹市郊区原先废弃的铁路工地，体现出重新修建都市边缘地区和郊区的努力，这是本世纪末主要挑战之一。第二，因为提出的答案不是枯燥乏味的与周边环境格格不入的地Ⅸ眭修补工作，而是一项建筑工程，旨在与其强烈的环境达到和谐一致，井努力由此创造有力度的线条和诗意，即使它是项城市边缘地区的工程。
此项工程不折不扣的美学特点是从道路标志中吸取其灵感的：交替间隔彩色线条，“破口”和道路中间划线，行车线路标志和夜间灯光照明，交通标识图等等，该工程也成了在街道中的展览板和抽象派艺术的拼贴画，在广场里的楼梯，在停车场里的视觉缺口，裂口和格栅。
但是，这种让环境“表达”自身的美学是由于建立了不同而可辨认的领域，由于具有清晰而舒适的、可了解的空间，由于具有城市设施的尺度感和其他做法(如公共汽车站的有机结构)，由于夜间灯光等，从而取得平衡的。只有在这相互矛盾的空间才能折射出率世纪的社会问题和诸多矛盾，公民们才能在反对被排除在外和反对平庸的蔓延中受到锻炼。
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http://www.jianzhu01.com/Museum1007281207.htm
arcimbqldi歌剧院（ARCIMBQLDI OPERA THEATRE）
One of the most exciting briefs for an architect must surely be to design a new opera house for Milan, a city known internationally as the capital of grand opera. Gregotti Associati International accepted the challenge and displayed an unparalleled understanding of the Milanese passion for opera - the finished product is a building hailed as much for its acoustic perfection and functionality as for its aesthetic beauty. It is an apt complement to the home of l.a Scala and the prestige of its opera culture.
The site, located in the Milanese suburb of Bicocca, is well positioned to meld with the existing rail and motorway infrastructure of Milan and its northern regional neighbours. Between the
cities of Sesto S. Giovanni, Monza, Lecco, Como and Varese, and including metropolitan Milan, the location effectively has an opera audience of more than three million people.
While purpose-built for opera, the project supports the needs of a range of theatrical genres and events. Work was begun on the building in 1996 and was completed in time for its scheduled opening in January 2002. It features state-of-the-art technical solutions to achieve acoustic quality and stage design flexibility. Its imposing curved and angled glazed wall encloses the foyer and main circulation areas.
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http://www.jianzhu01.com/Museum1007281206.htm
威尔斯王妃戴安娜纪念（DIANA, PRINCESS OF WALES MEMORIAL）
Fairytale classic Peter Pun and its creator, popular English philanthropist, JM Barrio, were a central inspiration for the Jestico + Whiles and landscape architects land Use Consultants design of this contemporary London playground. As a memorial to honour Diana, Princess of Wales, the playground also reflects her key interests -children, family and the environment. The result is a recreational space that appeals to all ages.
JM Barrie was the benefactor of the first playground on this site in Kensington Gardens. The playground design cleverly incorporates and blends key concepts and landmarks from his ever-
popular Peter Pun story. True to the storyline, the playground features an underground home beneath a grassy mound, effectively a large single space separated only by low-level partitions. This area houses the playground manager‘s office, first-aid facilities and toilets.
Light is drawn into the underground structure through three truncated cones set into the roof of the concrete shell. Each cone is orientated to attract sunlight and direct it into the spaces beneath. In the story, Peter Pan and the other boys of Neverland, together with their friend Wendy, magically enter and depart from the underground house through trees on the roof,
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http://www.jianzhu01.com/Museum1007281205.htm
盟约方舟圣母玛利亚教堂
盟约方舟圣母玛利亚教堂的供奉，在一座建筑中暗示了新旧约关系的神学。这座建筑表达了这种神学．同时也体验着它自己的约束。
首先，这座教堂象征了旧联盟方舟。它选用了完善的立方体，这是为简洁性。从象征的观点来看．这个形状能够立刻得到解释，它并非忠实于考古的精确性(圣经中的方舟是平行六面体的)，而是忠实于它特定的古义：立方体的相同的几个面反映了唯一的存在。
这个形体插入柱状三维金属网格中，产生了一种从世俗世界到神圣境地的过渡．垂直方向变化了古代的教堂前厅，将人们的目光垂直引向上部的钟塔和城镇中心的标志物。
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http://www.jianzhu01.com/Museum1007281204.htm
“台方斯人头像”建筑区
在地平线上建造房屋是一个挑战。这里的地平线景观世界闻名。企图避开本题的诱惑是强烈的．但台方斯已经建成。这两幢高层框住了埃图瓦勒凯旋门的轮廓，而在中央．空缺变得人为的了，显示出没有力量和能力建造代表这个世纪的建筑的地标。
这座建筑使得包括天空、光线及落日在内的变化着的地平线理想化。地平线景观的变化是随着天气、距离、心情及观看方法变化而改变的。方形的、经提炼的抽象的框架使远处的地平线得以体现凯旋门下的天空，从骑兵竞技场到杜依拉利宫，以有规则的间隔交织着，这正是这一景观的交叉线。
地平线景观正在形成。它是多变的。由于铝材反射了颤色和周围的光线，建筑形体本身每一瞬间沉浸在不断变化的色调中，它的强度随着一天的时间、背景光线和天空中云彩的变化而改变。
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http://www.jianzhu01.com/Museum1007281203.htm
Glyndebourne歌剧院（Glyndebourne Opera House）
Almost every summer since the 1930s, a six-week season of opera has been staged at a country house near the Sussex village of Glyndebourne. The old auditorium seated 800 people in far from ideal conditions, but any discomfort suffered was balanced by the quality of the performance and the pleasure of picnicking in the garden during the interval. The new opera house, which seats 1,200 people, is designed to banish the discomfort without destroying the country house party atmosphere. It takes the form of a unified, freestanding building, sited close to the back of the picturesque, neo-Elizabethan house. It is oval in plan, witl shallow pitched roofs and a prominent central fly tower. Only the rehearsal stages, dug into rising ground at the north endol th> site and linked to the backstage area by a short umbilical corridor, are excluded from the enveloping oval. A yard between the house and the new building serves as a turning circle and drop-off point. From here, opera-goers filter into an open arcade surrounding the auditorium end of the oval. Since this is a building for summer use only, there is no need for a large enclosed foyer. There is no portico or front door, only a modest fabric canopy, with f rameless glass end walls, stretched between the main bulk of the new building and a single-storey existing building converted into a bar. Space flows out freely into the adjacent gardens that are such an important part of the Glyndebourne tradition.
Auditorium, stage, fly tower, wings and backstage area are disposed axially within
the oval perimeter. Smaller spaces, such as dressing rooms, green room, studios, offices, staircases and WCs, are stacked up to three storeys and wrapped around the building. This simple arrangement, with a continuous ‘racetrack‘ corridor on each level, makes the plan easily legible for performers and audience alike. It also insulates the auditorium and stage from the noise of passing aeroplanes. The windows of the smaller spaces, and the open galleries at the auditorium end, give views out and scale and proportion to the exterior of the building. The auditorium takes the tradit ionall European opera house form, with a gently raked bank of stalls and three horseshoe-shaped balconies; all housed in a double-skinned circular drum with a shallow conical roof. Although the form is traditional, it was arrived at by a logical analysis of sightlines and acoustic qualities. The effect is relatively small-scale and intimate. At the furthest point, the back wall is actually 2 metres closer to the proscenium arch than that of the original auditorium. Wood, mainly reclaimed pitch pine, is the dominant material inside the auditorium. Walls are mostly panelled, floors are boarded and balconies have wooden fronts with special curved profiles to reflect the sound from the stage. All of the wood has a natural waxed finish, and is without plaster or paint throughout. The ceiling and the balcony soffits are precast concrete, slightly coffered, with an exceptionally smooth self-finish.
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http://www.jianzhu01.com/Museum1007281202.htm
大学美术博物馆(university art museum)
大学美术博物馆(university art museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112009594541_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281201.htm
wexner视觉艺术中心和美术图书(wexner center for the visual arts and fine arts library)
wexner视觉艺术中心和美术图书(wexner center for the visual arts and fine arts library)
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http://www.jianzhu01.com/Museum1007281200.htm
aronoff美术设计中心(aronoff center for design and art)
aronoff美术设计中心(aronoff center for design and art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112010175649_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281199.htm
一战纪念馆
佩罗讷城堡以前是法国北部地区的要塞为第一次世界大战期间英法军队汇台之地城堡的历史可追溯到几个世纪前 路易十四在十五世纪曾监禁于此，如今一条高速公路从佩罗讷城边穿过，距巴黎有70分钟路程以，奇里亚尼设计的该纪念馆不是武器与军车的收集库，而是为了唤醒在一战中的民族意识，它记载着历史上民族分化的主要过程。纪念馆企图激发索姆居民的现实责任感，在那里，各民族士兵浴血奋战，英勇牺牲。因此“历史性”赋予了该纪念馆高于其他战争纪念馆的卓越品质
方案不仅强调了战争的非理性，而且强调了坚韧的信念以及卷入战争各方之间的矛盾“战壕”的构思影响了建筑设计，展品按年代顺序陈列，分为战前时期。战争时期以及战后时期等，显示出历史的阶段性。战壕也可认为是工程需要。
竖向的开放空间分隔了表现不同时期的展览大厅它同时作为进光口，从主画廊中脱离开来形成独立空间，在竖向的开放空间里，参观者可以欣赏到众多画派迥异的画家，不同风格的作品，这些画家中有知名人士，也有无名小卒；有生者，也有逝者。后部的储藏空间在建造过程中加以改建--成为个中心肖像画廊，展示出个体与整体的关系。围绕中心核的各厅集中展示了不同的历史时代，底层平面为常用的涡卷形，体现了形式与功能的结合不仅可以近距离观赏展品，而且还有自然采光。新纪念馆紧邻佩罗讷的老城堡，它以简洁的外观与适宜的高度表现出对历史地殷结构的尊重。一战纪念馆以其优美的西立面完善了古城堡的整体形象，形成怡人景致，在柱廊下设有沿湖的幽静步行道。
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http://www.jianzhu01.com/Museum1007281198.htm
考古博物馆
该博物馆坐落在个半岛上，是阿尔勒旧城与新区间的过渡，奇里亚尼的设计方案赋予整个场地独特个性，形成的景观类似于比萨的Campo santo建筑风格。博物馆附近是古罗马马戏场，因为马戏场的尺度与所处的特定位置，要求博物馆的场地设计要和旧城紧密联系起来。这使得奇里亚尼设计事务所在设计博物馆时，必须控制剩余的可建造空间，阿尔靴城拥有丰富的历史遗产，该建筑的形式即是源自对这个广场和马戏场的借鉴。博物馆运用了三角形平面，以完善城市的整体结构，这个纯粹的三角形易于被公众认可，因此三角形在新博物馆与古罗马马戏场之间形成联系，恰如其分地把握了场地空间的特性。
博物馆的朝向限定了三面墙体大体的角度关系，迎着阳光的一面(朝向the lock)外墙完全敞开;临罗讷河，迎着西北风向的一面是一个光滑的玻璃幕墙；第三面毗邻古城及古罗马马戏场，突出的构件与通透感赋予立面生动的效果。从入口大厅分支的两翼是展览空间，它沿中心庭院展开，向河流开放，三角形的展览空间呈环形，以减少往返，缩短参观距离，同时有利干以后的扩建。考虑到博物馆内展品的尺度与重量，展览空间设在地下层呈直线的两翼（从事科学与文化研究）界定了博物馆本身的内三角形的角度光线是赋予该项目生机的因素，自然光柔和，易于控制，或被悬挂物遮挡在每个空间都创造了特殊的氟围，在夜间，独具匠心的点光源照亮了博物馆内每一件展品。
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http://www.jianzhu01.com/Museum1007281197.htm
悉尼展览中心(sydney exhibition centre)
The Sydney Exhibition Centre was the first major exhibition centre to be built in Australia and it comprises five interconnected halls, each of"5,000 square metres. It is one of three public buildings undertaken by the practice in the Darling Harbour Redevelopment Area adjacent to Sydney‘s central business district and constructed to celebrate Australia‘s 19S8 Bicentenary.
The concept for the centre principally arose from four objectives. The first was to continue the tradition of structurally innovative exhibition centres dating back to Joseph Paxton‘s steel, wood and glass Crystal Palace in London. The second was to establish an integral relationship with a new park stretched along one frontage. Thirdly, it sought to convey a distinctive maritime theme conducive to a historic harbour port, and finally it needed to achieve 100 metre spans without resulting in a massively scaled edifice.
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http://www.jianzhu01.com/Museum1007281196.htm
澳洲国立海洋博物馆(australian national maritime museum)
澳洲国立海洋博物馆(australian national maritime museum)
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http://www.jianzhu01.com/Museum1007281195.htm
萨瑟兰滋演艺中心(joan sutherland performing arts centre)
This performing arts complex was conceived as an important new locus of cultural aeiiviiv in Sydney‘s expanding far western suburbs. It also was considered as the catalyst for a larger civic centre to be formed around a square beside the
These criteria were assessed as requiring a built form that had visual and artistic impact but also the ability 10 be developed into new buildings. 1 he lover, in which the structure is revealed and the edges are orientated toward the future square, is the most dramatic space. The 600-seat auditorium is designed as a traditional gallery theatre space bin wilh fine exposed bow trusses producing a contemporary aesthetic. The rolled roof form was devised as a means of reducing scale along the edges to accommodate music leaching, solo performance, music practice and other smaller functions.
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http://www.jianzhu01.com/Museum1007281194.htm
新西兰博物馆(museum of new zealand)
This finalist entry in an open international competition demonstrates many of the design principles that the practice has evolved. The expression of structural dynamics is one of these and a second is the translation of appropriate symbolism into architectural form. The rampart-sided subslruclure is a metaphor for the traditional Maori hill fortress and the patterns of the walls, squares and building masses are abslractions ol ritualistic elements. The open area on top of (he museum is a working "marae atae", the traditional Maori ceremonial space. Located on a platform protruding iruo Wellington Harbour and surrounded by the city‘s steep hillsides, the museum is designed to be viewed from all aspects. The white steel roofs orientated to each frontage contain die major museum galleries and the cuts into the roof surface provide controlled entry of natural light.
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http://www.jianzhu01.com/Museum1007281193.htm
布里斯班会展中心(brisbane convention and exhibition centre)
This project was designed in competition. Its form derives from a series of five hyperbo lie /parabolic roofs from which large folded plate veranda roofs are extended to protect pedestrian accessways. These design elements were created to provide high internal volumes, low-scaled elites and a fluid relationship with Brisbane‘s South Bank Gardens lying between the building and the riverfront. Design constraints included an elevated railway and a eonslru led site area. These constraints are overcome by extending a large plaza out over the railway area on which some building components are located, principally a ballroom accommodating 2,500 guests. The convention hall supports 4,000 delegates and can be subdivided, with flexibility of use facilitated by raiseable sealing. Meeting rooms surround a three-level atrium space giving visibility between lower levels anil railway plaza. The design philosophy was evolved to produce a subtropical image and an identity different from previous centres.
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http://www.jianzhu01.com/Museum1007281192.htm
曼彻斯特市美术馆（Manchester City Art Gallery）
The new Manchester City Art Gallery, which will be completed in 2001, unites and extends two early nineteenth-cantury buildings designed by Sir Charles Barry: the Royal Manchester Institution, built in 1823 in the Greek Revival style, and the Athenaeum, an Italianate gentlemen‘s club bulll The Institution later became the City Art Gallery, and the Athenaeum was emended after a fire in 1873 by the addition of a baroque theatre in a tall attic Storey giving the building a decidedly top-heavy look. These two buildings occupied a little less than three-quarters of a rectangular urban block in the Georgian grid plan of central Manchester. The fourth corner of the block was left vacant and. until recently, was used as a carpark, An alleyway known as Back George Street bisected the block, passing between the two buildings.
The new art gallery scheme extends the Athenaeum onto the car park in such a way as to create a tripartite composition, mirroring the ABABA symmetry of the old art gallery. A glazed link connects the two buildings across Back George Street on the common axis. The main entrance to this new, unified building is through the Ionic portico of the old gallery. In the full-height entrance hall, a grand staircase leads up to first-floor level where the old top-lit galleries, in strictly symmetrical array, remain mostly undisturbed. A footbridge in the glazed link, slightly sloping to accommodate a difference of floor level, crosses over to a second entrance hall in the new extension. This has its own grand staircase and two
freestanding lift towers. Galleries in the new building, incorporating the old Athenaeum, match the scale and syi nmi itrical arrangement of the old galleries. Thus the whole of the first floor well-proportioned public rooms.
The ground floor of the old art gallery, raised well above the surrounding streets on a vaulted semi-basement, accommodates important commercial functions, such as shops, a coffee bar and a restaurant, and a special Manchester Gallery for exhibitions about the history of the city. The ground floor of the extended Athenaeum contains classrooms, study areas and loading dock. Basements of both buildings house offices, archives, service functions and a large picture store. Whereas the old art gallery is essentially a two-storey building, the new extension is permitted to rise higher within the limit imposed by the upwardly extended Athenaeum. There are two new open-plan galleries on the second floor and the old baroque theatre, with its arcaded walls and plaster vaulted ceiling, will be used for exhibitions of decorative art.
This is Hopkins‘ first engagement with monumental classical buildings and the external cladding of the new extension, a rainscreen of stone panels in bronze frames on an abstract tartan grid, is a departure from the usual loadbearing masonry. The underlying structure, however, is typically rational. Precast concrete floor panels with exposed, vaulted soffits are supported on a bolted precast concrete frame.
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http://www.jianzhu01.com/Museum1007281191.htm
皇家艺术学院（Royal Academy of Arts）
Immediately to the north of the Royal Academy of Arts in Piccadilly, with only a service yard in between, lies 6 Burlington Gardens, a large Victorian institutional building originally designed by Sir James Pennethorne for the University of London. Until recently, it was occupied by the Museum of Mankind, but it is currently being vacated and its availability has been the spur for a comprehensive replanning of the buildings that make up the Royal Academy. The alterations that have been proposed extend and improve visitor and educational facilities at the Royal Academy, and at the same time bring order and clarity to a fine, although awkwardly disposed, sequence of rooms. The existing main staircase, leading up to the first-floor galleries, retains its original position on the central axis of the entrance hall. The spaces around it, however, have been opened up and expanded into a new gallery, shop and cafe. From here, visitors can continue along the axis, via a vaulted corridor, to a central atrium housing a foyer and bar in a new link block on the site of the old service yard. The block is three storeys high and extends across the entire width of the building. It contains a lecture theatre on the ground floor, members galleries on the first floor, and sculpture and print-making studios on the top floor. The axial route now continues, via a complex, multi-flight symmetrical stair, through to newfront-of-house facilities, including new ticket sales areas and cloakrooms, and the grand entrance hall of the Pennethorne building and finally out into
Burlington Gardens. Number 6 Burlington Gardens will be mainly occupied by offices, teaching spaces and function rooms. The attic storey, however, will be replaced as a top-lit home for the RA. The School has its own entrance in the alleyway on the east side of the building and can therefore function as a self-contained unit. One of the major advantages of this particular scheme is that the Royal Academy‘s chief existing asset-the suite of fine, top-lit first-floor galleries - remains practically untouched except for the removal of the gallery shop.
An important part of the new plan has already been executed: the re-organization and repaving of The entrance court off Piccadilly, Cluttered with parked cars, this potentially fine urban space, with its statue of Joshua Reynolds, had become anything but welcoming. Now the cars have been banned, the levels have been adjusted for better disability access, and the surface has been paved in flags and setts, mainly of grey Cornish granite. When the scheme is complete, the old porch will be demolished and a ‘cordonata‘ or graded ramp, based on Italian precedent, will lead up to the mam entrance. The central flagged area of The court, designed for the display of sculpture, incorporates fountains arranged in an apparently random patTern. In fact, they trace the pattern of stars visible on the night of 16th July 1723-the night that Joshua Reynolds, the founder of the Royal Academy, was born.
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http://www.jianzhu01.com/Museum1007281190.htm
King Fahad国立图书馆,沙特阿拉伯（King Fahad national Library, Saudi Arabia）
The competition scheme for a new national library in Riyadh uses a basic formal matrix of 84 concrete and terracotta ‘parasols‘, arranged in 14 by 6 rectangles. The building sits between a large walled garden and a public plaza, beside a road of motorway proportions The plaza and the ground floor of the building are on one level, slightly higher than the road, with two layers of car parking under the plaza. The garden, however, is a full storey height lower, taking advantage of the natural slope of the site. The building is divided vertically into two main zones: base and superstructure. Closed book stacks and staff offices are housed in the basement plinth, while the visiting public mainly occupy the flowing spaces under the concrete and terracotta parasols at ground-floor level Thfl main public areas are divided into four zones: the men‘s library: the women‘s library; a shared information and exhibition area; and an entrance court called King Fahad Plaza, which is open-sided but shaded by the canopy of linked parasols. The towers of the parasols support the ground floor ‘table-top‘ slab, but in certain bays they also support bridge-like structures at both first-and second-floor level containing open-access book shelves. Vertical circulation is mainly via spiral staircases which are inside the towers.
The parasols are the key elements of the building‘s design, both structurally and environmentally. Each consists of a 16-metre diameter canopy supported by a 4-metre diameter tower. The hollow
towers are made of reinforced concrete at basement level and reinforced terracotta masonry above the ground-floor slab. The canopies are also hollow, composite structures. A shallow cone of concrete and terracotta, sculpted into a wavy or wrinkled profile to give it integral strength, spans between a compression ring on the top of the tower and tension ring around the circumference. A second inverted concrete cone sits on top of the tension ring, rising to a tapered, cylindrical chimney. As well as providing the main means of vertical circulation within the building, the towers also serve as plant rooms and ventilation ducts. Cool air from the basement is drawn up through perforations in the walls of the towers and distributed at low level into the main public areas. Warm air from the top of the space is drawn out through the cones of the parasols by the suction effect of the chimneys. Mechanical air-handling plant is housed in some of the towers to assist the cooling process, for example by drawing cool night air in through the chimneys and down the main shafts of the towers to the basement.
Though its urban context is unremarkable, the building responds in subtle ways to its cultural context, notably in its use of traditional materials. The serpentine external walls, for example, are made of reinforced mud brick on a base of local limestone. And the simplicity of the repetitive, modular plan is perhaps intended to be reminiscent of the great mosques of the early Islamic period.
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http://www.jianzhu01.com/Museum1007281189.htm
footscray图书馆(footscray library)
Three high walls of concrete and an open glass shnpfront enclose a douMostorey lihrary space. Within the hox, a centre segment is removed to create an outdoor courtyard. The concrete and steel structure contrasts wilh a glass I‘rame-wall, while a long streetiront veranda slices across the facade.
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http://www.jianzhu01.com/Museum1007281188.htm
沃尔特和伊莱扎学院礼堂
原 名 称：walter and eliza hall institute
This is a building for highly skilled scientists, their support teams, animals and, above all, their ideas and.Shared facilities include autoclaves, iume exhaust stations and animal housing. There are lour typical laboratory doors, logically sandwiched between support services at ground ant! roof levels. IVcp within the building, large vertical chimneys meet up with services, leaving die outer edges, with their light and view, available lor the research teams. The workshop has a spartan aesthetic of exposed equipment ducts, pipes Mechanical support systems are enclosed in a curved, blue-panelled skin at each end of the structure and across the roof Horizontal floor beams penetrate this skin and make reference to the balconies of the adjoining 1940s hospital.
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http://www.jianzhu01.com/Museum1007281187.htm
澳大利亚200周年纪念展览(australian bicentennial exhibition)
澳大利亚200周年纪念展览(australian bicentennial exhibition)
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http://www.jianzhu01.com/Museum1007281186.htm
维多利亚博物馆,Carlton花园
原 名 称：museum of victoria,carlton gardens
The Carlton Gardens Museum Project invents itself within an established, mature 19th century garden. The form of the museum is designed to work in parallel with the Bruncllesi hi-inspircd Exhibition Buildings, constructed in 1S79. An axial, skeleial form opens out to the gardens as in a pavilion with pained, enclosed exhibition halls forming museum courtyards between old and new buildings. The buildings are phvsicallv connected via work together for major exhibitions, yet also work independently. Entry to the museum is from each street frontage; visitors move through a area. Escalators move visitors to upper levels where a "live" exhibit is located above the halls, from this level there are views towards the city and across the gardens.
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http://www.jianzhu01.com/Museum1007281185.htm
奥地利文化广场（Austrian Cultural Forum）
The new Austrian Cultural Forum tower in midtown Manhattan provides a state-of-the-art home for an institution devoted to international cultural exchange. Occupying the diminutive mid-block site of the institution‘s former townhouse, the new building rises to a 24-storey height with the authority of a landmark, expressing the contextual relevance of both the architecture and the Forum‘s mission to connect European and American creative visions. The site is only 7.6 metres wide by 24.7 metres deep (25 feet by 81 feet). The building‘s floor area of 3,066 square metres (33,000 square feetl is spread over its 85-metre (280-foot! height. The building is characterised by its dramatic front facade, with its sloped glass and jutting stone and metal features. The slits and overhangs in the facade reflect the interior changes as the building rises, from the public spaces on the lower floors, to the private apartments at the top of the building. A prominent feature is the eighth-floor director‘s office that overhangs the street like an open drawer. Facilities of the Forum tower include exhibition galleries; a flexible theatre for performances, screenings and lectures; a library; loft-like presentation areas and seminar rooms; reception and meeting spaces; staff offices; a multi-level residence for the Forum‘s director; and an open-air loggia at the tower‘s pinnacle.
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http://www.jianzhu01.com/Museum1007281184.htm
亚历克斯图书馆（Bibliotheca Alexandrina）
Conceived as a revival of the ancient library that existed some 2,000 years ago, the Bibliotheca Alexandrma is built on a magnificent site alongside the ancient harbour in the city of Alexandria. The most prominent characteristic of the 85,000-squa re-metre (915,000-square-foot) library is its circular, tilting form that rises from the ground to reveal massive stone walls carved with alphabetic inscriptions. The building spans 160 metres (525 feet) in diameter and reaches up to 32 metres (105 feet) in height while being built some 12 metres (39 feet] into the ground. The exterior facade of the building is a 6,000-square-metre (64,580-square-foot) rough-hewn granite wall, representing one of the largest contemporary sculptural edifices in the world. It is carved with over 4,000 unique alphabetic inscriptions from most of the world‘s historical and contemporary languages, including symbols and pictographs. By tilting the building, the roof became a fifth facade facing towards the Mediterranean, allowing northern light to be captured inside the building. The roof tilts towards the northwest and is composed of individual modules, split diagonally. Inside, a 20,000-square-metre (215,300-square-foot) reading room accommodates 2,000 readers and is the largest of its kind in the world. The reading room occupies more than half of the library‘s space and is stepped over seven terraces, giving it the appearance of a giant amphitheatre. It is lit by vertical, north-facing skylights that ensure that the contents of the room are never exposed to direct, damaging sunlight. It accommodates up to 500,000 volumes accessible to the public and up to four million books available by appointment on y Also housed within the building are other cultural facilities and a small school; a small planetarium for the general public is outside. The building is surrounded by a reflecting pool and large public plaza.
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http://www.jianzhu01.com/Museum1007281183.htm
souncil工艺画廊(crafts souncil gallery)
The scheme for a new gallery and information centre involved conversion and extension into the adjacent building. The gallery space had to be capable of subdivision into three separate areas. Other requirements included a slide index, public information and coffee area, and office, storage, workshop and conference facilities. The ground-floor levels of the two buildings were unequal, but the mezzanine areas were the same. By re-positioning the main entrance between the two premises and lowering the level of the door and reception area, a new entry ramp was formed, which generated the main architectural strategy of the building—a central circulation axis from the entrance to the stair crossed by a cranked minor axis through the two major gallery spaces. The entrance axis orientates the public on the gallery floor and also leads them towards the staircase up to the mezzanine information centre.
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http://www.jianzhu01.com/Museum1007281182.htm
Uib图书馆(Uib Library)
Uib图书馆(Uib Library)
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http://www.jianzhu01.com/Museum1007281181.htm
公共图书馆(Public Library,Usera)
公共图书馆(Public Library,Usera)
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http://www.jianzhu01.com/Museum1007281180.htm
协商会和展览中心(conference and exhibiticon centre)
The development of the winning master plan proposals bv Tern Farrell during 1989 and 1990 led to the location of the Conference Centre ill [lie crossing of Morrison Street and the VVesi Approach Road: a prominent position at the centre of the emerging West End/Port Hamilton/Havmarket business district. on the western approach to the city. The Conference and Exhibition Centre design lias been influenced bv the shape of the site, the difference in levels between Morrison Street and the VVesi Approach Road, budget restrictions, and its role in the realisation of the master plan. It establishes the setback and curve of the Morrison Street frontage and pedestrian access from Morrison Street. A simple, strong architecture is intended to give the building both civic presence appropriate to its Scottish setting, and an international image. In keeping with the master plan principles, the elevations will be light buff/grey in colour, harmonising with the traditional sandstone of Edinburgh.
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http://www.jianzhu01.com/Museum1007281179.htm
CHICHU艺术博物馆（CHICHU ART MUSEUM）
The Chichu Art Museum has been built in Naoshima, a place where I have been involved for over ten years now, starting with the International Camping Ground (1998) up to the Naoshima Contemporary Art Museum (1992) and the Annex (1995). The site is located approximately 600 meters west of the existing museum, on a hill covered with vestiges of saltpans. This museum is expected to house a permanent exhibition of works by three artists: the impressionist Claude Monet, and Walter De Maria and James Turrell, who are from the school of contemporary art.
Both the previous two buildings, Naoshima Contemporary Art Museum and the Annex, have reflected my idea of half-burying the buildings underground, out of consideration for the landscape. Here, the method is pushed even
further by submerging the building‘s entire volume below the ground in order to preserve the beautiful scenery of Seto Inland Sea including the saltpans.
The overall structure consists of a gallery wing and an entrance wing, each having triangular and square sunken courts respectively in the center, and trench-like outdoor access way connecting the wings. Geometrical figures shaped by these ‘underground‘ external spaces are the only existences putting order to the structure in the ground where there is no axial-ity or directionality. The outline of its void emerges directly aboveground.
Gallery spaces are being planned in collaboration with each artist and director. Tadao Ando
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http://www.jianzhu01.com/Museum1007281178.htm
教士朝圣教堂（PADRE PIO PILGRIMAGE CHURCH）
The church is intended to serve the ever-increasing number of pilgrims flocking to visit the place where Padre Pio. the friar famous for his stigmata, used to live. The challenge presented by the project lies in the use of local stone as a structural material.
San Giovanni Rotondo is one of the most-visited pilgrimage destinations in Italy. Every year, several hundreds of thousands of pilgrims gather here to pay homage to the memory of Padre Pio, a monk from a monastery famous for his stigmata.
To accommodate the ever-increasing number of followers, the monks decided to build a larger place of worship. The project consisted of building a larger church, not far from the site where the existing church and monastery are located.
The major challenge for such a building was in creating a space that would be open and inviting. Rather than intimidate the followers, it had to incite a desire to draw closer. That explains why the church was given an immense but low-lying dome shape.
From above, the structure appears spiral shaped, converging at a central dome. When approached from ground level, the building reaches its highest point at the edge overhanging the square. At that point, the dome tapers slightly, as if bidding visitors welcome. Nearly 6000 others may actually be seated inside the place of worship itself, while 30,000 people can take part in religious services from the piazza outside.
To maintain the sense of welcome, the paving on the square extends into the church, integrating the inside and the outside of the structure, and making it into a kind of "open house".
The dome is supported by about twenty arches, made up of the same mountain stone, the largest arch being 18 meters high and 50 meters long. Centuries after being the main structural element of Gothic cathedrals, this material has been subjected to new experiments, drawing on leading-edge technology (computerized structural designs, laser-based cross-sectional images, etc.). As the main structural material used at San Giovanni Rotondo, it is the stone that gives the overall structure its distinctive unity. The construction is completed with other natural or everlasting treated material: stainless steel for the props supporting the top, laminated larch timber for the upper beams, pre-oxidized copper for the roof finishing.
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http://www.jianzhu01.com/Museum1007281177.htm
merida会议展览中心(merida conference and exhibition centre)
merida会议展览中心(merida conference and exhibition centre)
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http://www.jianzhu01.com/Museum1007281176.htm
南方马德里国际博览会(south madrid international fairground)
南方马德里国际博览会(south madrid international fairground)
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http://www.jianzhu01.com/Museum1007281175.htm
加纳利群岛博物馆(canary islands museum)
加纳利群岛博物馆(canary islands museum)
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http://www.jianzhu01.com/Museum1007281174.htm
美国移动影像博物馆(american museum of the moving image)
美国移动影像博物馆(american museum of the moving image)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112710493152_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112710493152_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112710493152_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112710493152_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006112710493152_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281173.htm
文物公园社区中心（Heritage Park Community Center）
The community centre anchors a large neighbourhood park. Natural daylighting. program flexibility and severe security concerns inform the design. All exterior glass is protected by screens or bougainvillea planters. The master plan for this 250-hectare (619-acre) site of gently rolling terrain includes a community centre, aquatic centre, children‘s play area, and park. Village One will comprise 1,314 merchant-built single-family homes, 1,566 multi-family homes, and a 49-hectare (120-acre) village core with a neighbourhood park, an elementary school, community centre, and a transit station for a light-rail Transit system.
The neighbourhood park is anchored by the 560-square-metre (6,000-square-foot) Heritage Park Community Center, conceived as a centre for arts and community events. It contains a large meeting room divisible in half, a crafts space, and an exterior (secure) ceramics courtyard. The barn-like structure builds on the rural theme set by the planning and landscape architects of the development and recalls the rural heritage of the area. Although openings are carefully controlled in this hot climate, natural daylight floods the central gallery and spills into the community rooms through internal clerestory windows.
Roll-up doors open the rooms to a stagelike patio and landscaped amphitheatre on the northwest side. A small dual-sided kitchen services both the multipurpose room and general park functions. Security is a major concern; sliding metal gates and low stone walls planted with prickly bougainvillea protect the glass, The walls provide good resting spots while the rough edges discourage skateboarders.
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http://www.jianzhu01.com/Museum1007281172.htm
马里恩文化中心（Marion Cultural Centre）
The core of the City of Marion‘s brief was the creation of a cultural and community centre as a ‘heart‘ for Marion. A functional, flexible building for the public was required, incorporating environmental and energy-efficient features.
The Cultural Centre meets the needs of the community for a library, art gallery, multifunction performance space, cafes and meeting rooms. The long, low shape of the centre accommodates this diversity. The interior, two levels split by a stair, links the centre‘s functional zones and allows maximum flexibility within minimum areas, The overall floor area of the gallery is more than twice that of the gallery it replaced. The library is four times the size of the former, allowing for a children‘s area, a dedicated area for teenagers, as well as a computer zone.
The energy-efficient design incorporates a stormwater retention system that allows surface run-off to be stored, filtered on site, then pumped into the ground to replenish the aquifer under Adelaide. The centre also features a solar hot water system, water efficient fixtures and fittings, energy efficient artificial lighting, low energy evaporative systems and economy cycle air conditioning. The exterior landscaping is low-maintenance and water efficient.
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http://www.jianzhu01.com/Museum1007281171.htm
博物馆及历史公园（Museum and Historical Park）
Archeologists have determined that this site at Kalkriese, in northern Germany, was the location of the battle of Teutoburger Wald in 9AD. The battle resulted in a maior defeat of the Romans by the German Cherusci people and marked the end of the Roman empire‘s expansion into northern Europe.
The area has been reconstructed to reflect the original landscape and includes plantings of historically appropriate beech and oak trees. Long curving rows of vertical steel poles, flat steel plates and networks of wood-chip paths indicate the probable locations of the German fortifications, Roman lines and other significant sites. A new museum has been built on the site, housing recovered artefacts and displays on the history of the battle, and archeological research. The museum is constructed with a steel frame and clad with large, rusting steel plates. The interior has rolled steel plates for the wall and ceiling cladding and galvanised steel for the floor plates. The north end of the museum features a tower, serving as a viewing platform for the entire park.
Three small pavilions, named ‘Seeing‘, ‘Hearing‘ and ‘Questioning‘, are scattered throughout the site. The Seeing pavilion houses a camera obscura lens, providing a distorted, inverted view of the park. The Hearing pavilion has a large acoustic pipe that transmits the amplified sounds of the outside world into an insulated room In the Questioning pavilion, television screens show clips of wars and battles from contemporary news broadcasts, illustrating the continuity of conflict. A wall with slit-like openings provides views onto the former battlefields. The pavilions are also made from rusted steel plates over a steel frame. Steel is employed throughout the site, particularly in its rusting form and is intended to illustrate the transitory nature of materials, and to echo the many rusted steel artefacts recovered from the site.
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http://www.jianzhu01.com/Museum1007281170.htm
ussher图书馆（Ussher Library, Trinity College）
This project presented an opportunity to develop a landmark building in the tradition of Trinity, a modern work in its own right, and to make a coherent unit of its library system, adding an exciting piece of architecture to the campus and the city. The new library had to fit into a strong context and establish relationships with its immediate neighbours and the rest of Trinity College.
The concept for the new library building establishes three prismatic blocks on a podium. The two longer blocks are connected by an atrium, the taller is stone-clad and dedicated to book storage. The other, lower, more open and dynamically shaped in stone and glass, contains reading rooms for individual and group study. They are linked by walkways on each level and together embody a clear and appropriate representation of library use. The third block, the Conservation Laboratory, completes the arrangement of ‘books‘ in a line. Overall, with the incorporation of the three blocks, a ground level storey forming a podium and a double-height undercroft, the new library provides 9,588 square metres (103,200 square feet) of gross space, This is achieved with a relatively light footprint on the Trinity ground plan, retaining existing trees and creating a sequence of new open spaces. The new library forms a functional unit with the Berkeley and the Lecky libraries with an intelligent reorganisation of their uses; the Berkeley entrance is retained as the main entrance. A new stair from the Berkeley entrance descends to a generous orientation space at ground level (under podium level! serving all three in a rational arrangement - roofhghts are used to create pools of light at regular intervals -architecture in support of a hierarchy of circulation. The scheme is ‘green‘ in intent, from the trees retained, the materials used and the passive energy systems incorporated,
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http://www.jianzhu01.com/Museum1007281169.htm
浸信会教友纪念馆医学中心和springhill(baptist memorial medical center at springhill)
The project vision established by the client and the design t.eani for Uuplist Medical Center at Springhill was to create a patient-focused medical village that fosters health and recovery in a healing environment.
The lirsl phase, a 230-bed medical center, is predominantly an outpatient facility with an inpatient component integrated into the patient flow. A straightforward circulation system delineates a separation hetween public and service traffic while providing a chassis lor future incremental growth. The building components thai attach onto this circulation chassis have two distinct uses. To the south are specialized functions housing patient rooms and intake clinics. To the north is a flexible "wan: house "-type space that can be reconfigured as technology, diagnostic and treatment needs arise and change. The architecture of the building presents an organic expression. Through die use ol indigenous materials and horizontal orientation, the building appears to be growing out of the site. The major building components include stone, brick and glass, giving die building a look that is progressive but not intimidating. The overall concept is to create an inspiring form with more humble, understated materials.
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http://www.jianzhu01.com/Museum1007281168.htm
文物广场(heritage plaza)
the master plan lor a premier location in Dallas, Texas, Heritage Plaza serves as an of 11 ft- park with a hotel and various storefronts. The of flirt- park com prises eight buildings of various sizes, totaling 1.5 million square feel. Designed for a light urban .selling, Heritage Plaza unifies space efficiency anil creatively conveys a park-like setting. I ‘nilergroiunl parking is available lot six ol the eight office buildings. Sin I at e parking is available for Ihe other two office huildings, the hotel, and retail along the main thoroughfare. Underground concourses connect three office buildings and also link the hotel and parking garages. The concourses feature small cafes, an ATM machine and a sundry shop. The 600-room hotel features a restaurant and har overlooking the lobby. The two-story atrium lobby Rooms are designed with data ports and conferencing capabilities. The hotel has a high-tech conferencing center and a fitness facility. The master plan integrates business life in an attractively landscaped selling.
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http://www.jianzhu01.com/Museum1007281167.htm
爱尔兰国家艺廊（National Gallery of Ireland, Millennium Wing）
The National Gallery of Ireland occupies a vital spot m Dublin as one of four key institutions gathered about Leinster House, the Republic‘s parliament. Like many Dublin monuments, the new sculptural facade is clad in Portland stone. Behind the entrance portal, the central elevation is glazed to allow passers-by to look deep inside the interior. To the left, a long internal window looks into the bookstore. To the right is a Regency townhouse that was marked for demolition but had to be retained after an unexpected planning appeal. In the centre is a secular cathedral of space and light. The architects have choreographed the visitor‘s experience of the wing so that one first moves from the dark, urban pavement into a cubic antechamber floored in Caithness sandstone. Through a second pair of doors, one enters a long quadruple-height atrium leading from Clare Street all the way to the back of the original gallery building. Natural light washes down from skylights with the movement of clouds visible high above.
The visitor is drawn to a theatrical flight of stairs, beyond which a slender gap offers views of the lawns of Leinster House and -from upper floors and on fine days - the Dublin Mountains in the far distance. Behind a vast modulated screen of plaster to the right, a wintergarden has been created between the two retained Regency structures. Behind the double-bow rear facade of the listed townhouse is a so-called Ballroom, which has been refurbished as a private dining room. High above it, an extraordinary footbridge shoots across at a dramatic angle.
The grand stairs lead to a second hall from which the original gallery building is accessed. An open-plan restaurant occupies a terrace overlooking the wintergarden as the first space dedicated to art extends back to Clare Street as a linked chain of galleries. Several storeys above the pavement, the uppermost enfilade is made from beech floors with French limestone surrounds. On the roof above, an observation deck and sculpture court are already in place: they await the necessary means of access to complete the architects‘ vision of an architecture in complex dialogue with its host city.
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http://www.jianzhu01.com/Museum1007281166.htm
vuotalo文化中心(Vuotalo Cultural Centre)
vuotalo文化中心(Vuotalo Cultural Centre)
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http://www.jianzhu01.com/Museum1007281165.htm
演艺厅（Auditorium）
The Rome auditorium is a multifunction complex dedicated to music that enriches the already vast cultural heritage of the city. The project is characterised by three ‘music boxes‘ that appear to be flying above a sea of vegetation, which itself opens to make room for the amphitheatre, an urban focus that creates a fourth concert hall in the open air, seating 3,000 people. Architecturally, structurally and functionally, each of the three concert halls, or music boxes is separate, to assist with soundproofing. Each hall is equipped for sound recording.
The 2,800-seat concert hall is intended for symphony concerts, and is composed of a large orchestra and choir. The modular central stage guarantees perfect visibility and sound quality. The 1,200-seat concert hall is also characterised by its flexibility. The stage and seating are adjustable, accommodating a large orchestra with choir, ballet or contemporary music. The 700-seat concert hall is equipped with an orchestra pit and fly tower, similar to a traditional theatre. This hall can house operas, chamber music, baroque concerts, theatrical performances and symphony orchestra concerts.
All the spaces of the auditorium, interior and exterior, have been designed with music in mind. The two main rehearsal rooms have been designed with mobile elements and acoustic curtains so that reverberation time can be finely tuned. The rooms can also serve as recording studios. Also included in the complex is a museum of the Roman archeological remains found on the building site (a Roman villa dating from the 4th century AD was uncovered during the excavations for the pro/ect); a museum of musical instruments; the auditorium offices; and a specialist library.
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http://www.jianzhu01.com/Museum1007281164.htm
音乐厅（Concert Hall）
The Nikolaisaal at Potsdam first opened in 1909. It has survived structural alterations, war damage sustained during the air raids of the Second World War and changes in usage Rudy Ricciotti‘s competition-winning design has saved most of the building from demolition, giving it new life as a concert hall.
The building, opening off the street in a residential area of Potsdam, has two distinct spaces. The austere lobby, dominated by dark colours, is used for small concerts and cultural events and seals about 200 people. Its heavy, monolithic forms date from the days of national socialism. In stark contrast, the 725-seat concert hall itself is almost entirely white, creating a welcoming feeling of space. The concert hall is compact, long and vertical, with plastered walls punctuated by giant bubbles serving a technical and acoustic purpose. The room‘s diffused light grazes its surfaces; the luminous ellipses projected by the stage lights accentuate the bubbles, creating decorative shadows. The fabric ceiling undulates in a wave-like motion. The lobby and concert hall are linked by a ‘wooden belly‘; a large curved and sloping full-height wall clad with maple wood marks the transition between the austerity of the lobby and the brightness of the hall. On the top floor of the building, partly overlapping the stage in section, is the 240-square-metre (2580-square-foot) orchestra rehearsal room, fitted with a large window that allows the neighbouring community to watch from the outside. The exterior facade is clad with untreated sheets of concrete fibre. Numerous exterior windows are decorated with parapets and ledges. The copper windowsills have different, sloping planes, in some cases so steep that they almost become one with the building‘s surface.
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http://www.jianzhu01.com/Museum1007281163.htm
Kimmel表演艺术中心（The Kimmel Center for the Performing Arts）
The Kimmel Center encompasses two freestanding auditoriums; Verizon Hall and Perelman Theater These two buildings are entirely enclosed by a surrounding structure, so that the spaces between and around them become an indoor plaza, top-lit by day through an immense, glass-and-steel barrel vault roof. The envelope for The Kimmel Center is constructed of glass, steel and brick. The fagade is largely transparent at street level, allowing passers-by to see into the plaza. The building is surmounted by a transparent, folded plate-glass barrel vault that extends the length of the structure and ends on both sides in a colossal glass arch. Verizon Hall accommodates 2,500 patrons on four levels of seating. The exterior is entirely clad in Macore wood fins. The interior surfaces are covered in mahogany, and acoustic diffusion is achieved with the use of solid wood curving strips. A moveable concert ceiling, finished in wood and cork, is located above the platform, creating an acoustical reflector for the musicians.
In contrast to the handcrafted, organic forms of Verizon Hall, Perelman Theater is designed as a metal-clad transformable space within the orthogonal form of a cube, Finished in light woods and warm-coloured fabrics with metallic highlights, the interior of the auditorium complements its soft gold exterior, Designed as an intimate multipurpose recital hall, the Perelman Theater can accommodate an audience of 650. Its turntable stage enables the theatre to be transformed from a conventional proscenium configuration to an arena where seating and finishes wrap continuously around the auditorium at each level to complete the horseshoe plan. Located on the theatre rooftop, a garden with a grid of sixteen trees is a dramatic space offering striking views of the lobby, roof and the surrounding cityscape.
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http://www.jianzhu01.com/Museum1007281162.htm
赫兹kirche基督(圣心教堂)Herz Jesu Kirche (Church of the Sacred Heart)
The aim of this project was to create an open, bright, lively church with a flowing and modular transition from the churchyard through the vestibule into the nave, a room without the restricting symbolism of a massive enclosure.
At the centre and focus of the liturgical space is the altar; the areas around the altar are variable and can be adapted to various religious celebrations. The interior of the church is formed by two diaphanous concentric shells with contrasting material properties. The glass outer shell transports light of continuously changing intensity, colour and refraction into the room. The inner shell is constructed of maple lamellae, at ever-increasing distances to the altar area. At the point of intersection of the altar, the contrasting shell shapes evoke the image of a metaphysical room, and in contrast to this, the space in the area of the gallery becomes a body of comprehensible and palpable nature, The glass of the outer shell is transparent, the wood is visible from outside, and the shadows are clearly outlined. The grand and imposing entrance portal is physically heavy, mechanical and earthly, and is intense in colour. In contrast, the portal behind the altar area is symbolic, virtual, and light. Both portals are decorated with cross motifs, which are intended more to be perceived at second sight than as illustrations to focus the attention. When the large portal to the south is opened completely, the vestibule and the churchyard are joined to form a continuum of space.
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http://www.jianzhu01.com/Museum1007281161.htm
音乐会议馆
音乐会议馆
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http://www.jianzhu01.com/Museum1007281160.htm
汉诺威2000年博览会8/9厅
汉诺威2000年博览会8/9厅
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http://www.jianzhu01.com/Museum1007281159.htm
圣母修道院（Our Lady of Victory Convent）
The Franciscan Sisters of Chicago is a congregation of Catholic women with a mission focus that includes education, healthcare, social services and pastoral services for seniors, women, and children.
The Sisters‘ existing convent facility had become difficult and expensive to maintain and was too large for their needs. No air conditioning, worn finishes, and a facility with challenging circulation did not meet the needs of a fragile population. The goal was to create a high-quality and respectful living environment for the aging members to meet their healthcare needs and to also reflect their identity. They desired the design of a facility to be adaptable enough to allow it to serve as a laity-run assisted living facility at some time in the future.
The new convent provides a living and worship environment for 72 aging Sisters who require various levels of heathcare, and private sleeping and bathing arrangements. The new convent presents a warm and decidedly feminine character with interior colors and finishes that are soft, light, and cheerful. The Sisters desired an environment that was ‘simple but nice‘ and this concept directed design decisions.
Major design objectives
Create a care-giving, living environment for approximately 80 Sisters, most of whom are elderly
Provide independent congregate living in which the residents are able to care for themselves as the population continues to age
Consider that in the future the facility will be open to the laity. Consequently, strive to meet anticipated assisted living licensure standards
Create an environment that is comforting and familiar to the Sisters While the residents provide their own care, there are two levels of care provided in the facility, with each having social areas for shared conversation and spiritual activities.
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http://www.jianzhu01.com/Museum1007281158.htm
狭谷中的板栗广场（Chestnut Square at The Glen）
In 1998, the Glenview Village Board and the citizens of Glenview invited project teams to submit proposals for the acquisition of development parcels at the former Glenview Naval Air Station (GNAS). Approximately 714 of the total 1,121 acres are currently being redeveloped as residential neighborhoods, a mixed-use retail and entertainment complex, an 18-hole championship golf course and golf learning center, senior housing facilities, a business park, and private-sector recreation facilities.
Chestnut Square at The Glen won the competition for a 5-acre moderate- to high-density senior housing parcel, which is suited to meet the needs of seniors with a moderate income. The site is located in the center of the former GNAS and acts as a transition between the great park and relocated chapel across the street, adjacent residential neighborhoods, and the retail complex to the north. To respond to the Village of Glenview‘s character and community guidelines, Chestnut Square developed an identity through massing and material selections of the arts and crafts movement.
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http://www.jianzhu01.com/Museum1007281157.htm
柳谷文化中心（Willow Valley Cultural Center）
This is a two-story stand-alone building designed on the side ot a hill to appear as a single-story facility. This low profile design strategy helped to address the site issue of the close proximity of a residential neighborhood and to help offset the building height needed to accommodate the interior uses. The two levels of the building are very different and are accessed by their own separate entrances.
The facility is the result of 20 years of experience in serving the needs of seniors. It has successfully created a new and exciting environment where the residents can be participants or patrons of the arts, express themselves, or simply relax in good company. The traditional senior center is a place of the past; today, we provide a cultural center to nurture and celebrate the convergence of mind, body, and spirit.
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http://www.jianzhu01.com/Museum1007281156.htm
纳什维尔舞台(nashville arena)
The design of Nashville Arena was conceived in response Co the city‘s rich musical heritage and its need for a multipurpose venue to attract professional sports teams and top-caliber entertainers. The axis of the arena‘s 308-foot tower is centered toward historic Ryman Auditorium, the original home of the Grand Old Opry. The landmark tower resembles a theatrical spotlight, tapering from an elliptical base that houses die visitors center to a narrow, cylindrical top. Musical influences throughout the building contribute to a sense of "the arena as performer." The sloping roof resembles a music box lid slightly opened to allow music to escape, while the rehearsal hall facade echoes the form of a French horn.
Views into the arena‘s glass-paneled concourse at the entry plaza create a sense of amii lpaiion. revealing patrons ascending a scries of cascading stairs. The lighting creates a dynamic effect at night, with the visitors renter and lower ringed with vibrant bands of light. Interior finishes that intorporate musical references include notches in the concourse soffits that resemble a piano keyboard and narrow balcony railings evocative of steel guitar strings.
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http://www.jianzhu01.com/Museum1007281155.htm
la乡会展中心(la rural convention and exhibition center)
The redeveloped historic complex of exhibition facilities known as La Rural is destined to become the prime venue for civic events in downtown Buenos Aires. The new Convention and Exhibition Center redevelopment is taking place in phases. Phase I, the exhibition hall, is under construction. Phase II includes a series of buildings that will complete the convention center. Phase 111 consists of an entertainment center, a retail component, a IB-screen theater complex, an 1MAX theater, a hotel, a landscaped plaza, and parking.
The design enhances the street edge by presenting an "urban face" to the city. Carefully articulated architectural elements define the character of the plaza within the La Rural complex. The finish palcllc csiablislics .1 dialogue between contemporary materials and the area‘s historic masonry and steel structures— a dynamic expression that reflects the cosmopolitan city of Buenos Aires.
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http://www.jianzhu01.com/Museum1007281154.htm
布什总统图书馆中心(george bush presidential library center)
布什总统图书馆中心(george bush presidential library center)
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http://www.jianzhu01.com/Museum1007281153.htm
日美国家博物馆二期展馆(japanese-american national museum phase ii pavilion)
Representing a new generation of museums, this japani‘si-American National Museum is the huh of a network of |apanesc-Amen< an research and cultural institutions throughout the U.S.A. The design complements the original museum, which is across the street in a historic Buddhist temple. With a color palette and materials reminiscent of the original building and a form that embraces it. the design creates a cohesive streetscape and enduring identity for the museum.
The one-and-a-hall-Morv glass outer wall of the museum‘s central hall reflects the temple‘s image. A concave facade of buff-colored granite curves behind the convex glass wall, enveloping the historic temple and the new outdoor plaza. Textured red sandstone wraps the street-level drum-shaped entrance, extends along the street wall, and terminates at the entrance to the Garden Cafe. These simple, strong shapes, representing Japanese and American cultures, culminate dramatically at a crystalline lantern element above the building‘s entrance.
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http://www.jianzhu01.com/Museum1007281152.htm
教堂(the priory chapel)
教堂(the priory chapel)
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http://www.jianzhu01.com/Museum1007281151.htm
st.barnabas教堂(st.barnabas church)
Influencing the design of this suburban London church was the parish‘s desire to create a welcoming, functional, adaptable symbol of Christian witness in the community. The parish‘s 100-year-old Victorian church had hem destroyed by fire. Parish leaders developed a program for the new church combining expressive aspiration and technical requirements. The landmark building ultimately constructed is significantly different than early designs with one exception: the glass spire. The spire‘s transparent nature reinforces the ancient use of light as a symbol of divine presence, a theme developed throughout the church interior. The roofs main structure draws in light from above through paired beams, admitting a soft and diffuse light that contrasts with the direct light from windows to the easl and west. Eight massive brick piers enclose the space, recalling the old church building while svuiboli/ing the new church and its people—rising tip from the eard) to light.
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http://www.jianzhu01.com/Museum1007281150.htm
安克雷奇历史美术博物馆(anchorage historical and fine arts museum)
The new museum rises in a series of steps, culminating in a monumentally scaled front facade which establishes a coherent relationship between an existing one-story museum to the north and a five-slory federal building to the south. The stepped building front creates a dramatic entry from the east and provides views to downtown. Framed views of the Chugarli Mountains in the upper gallery areas and a generous sculpture plaza to the south take advantage of the striking Alaskan light. The east faeatle is deliberately contrasted with the formal south elevation, the major pedestrian approach to the museum. The children‘s activity area :uii\ gallery, with associated sculpture garden and extensive landscaping, oiler an inviting, human scale. Interior spaces are organized around a large light-tilled central courtyard which provides a clearsen.se of orientation. Visitors experience a processional sequence of public arrival, courtyard tranquility and filially, the serenity of the galleries.
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http://www.jianzhu01.com/Museum1007281149.htm
布法罗内港总体规划及海军博物馆（Buffalo Inner Harbor Master Plan and Naval Museum）
The urban design master plan for Buffalo‘s Inner Harbor, completed for the Empire State Development Corporation, defines new harbor and waterfront amenities at the location of the site of the historic western terminus of the Erie Canal. Located between waterfront parks, Buffalo‘s light rail line, and the recently completed sports arena—home of the Buffalo Sabres—this new waterfront destination will stimulate local economic development and provide an accessible downtown maritime destination along the Lake Erie shoreline.
The team crafted a finger-like development plan that would leave room for pedestrian views and paths to the waterfront, which is cut off from the city by an elevated highway. The site configuration design, inspired by the Inner Harbor‘s history and its waterfront orientation, restores the link between land and water. To further enliven the
waterfront, the plan creates docks along a revitalized canal slip, open spaces, and a naval museum. The effort unifies disparate parts of the disused waterfront in order to create a cohesive, attractive recreation and leisure destination.
The plan plays a significant role in the economic revival of the surrounding region. As a focus and anchor for activity in downtown Buffalo, it complements area-wide attractions and defines the region as an international tourist destination. A continuous waterfront esplanade connects Memorial Park, the new naval museum, canal slip, waterfront plaza, and south basin to the existing arena. The plan is aimed at restoring active maritime uses to the Inner Harbor, re-establishing connections between downtown streets, and clarifying circulation patterns along the Buffalo River. The scheme creates three maritime basins to serve the naval museum,
transient boaters, and commercial tour boat operators, restoring a vibrant maritime life to the waterfront.
The siting of the new museum solidifies a connection between the new development below and the existing memorials above, leading visitors through an exterior yard, and exhibit ships in the water. The design of the building expresses its function on the exterior, with a large glass-enclosed public lobby facing the active canal slip. The main black-box exhibition area, separated from the public hall by a clerestory-lit intermediate zone, features the main exhibits. The diffuse daylight creates a sense of orientation for visitors within the large black-box space. Seating for a cafe as well as outdoor exhibits would lend the museum a distinctive indoor/outdoor character, which will further people the newly refurbished waterfront.
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http://www.jianzhu01.com/Museum1007281148.htm
布朗克斯艺术博物馆总规划（Bronx Museum of the Arts Master Plan）
This project began with the identification of the program needs of the Bronx Museum of the Arts. From these, a flexible master plan was developed that addresses both immediate and long-range expansion opportunities and alternatives. The Museum‘s 10-year master plan is a road map created to guide the institution through a series of physical changes. Rather than an abstract vision, this plan identifies specific development alternatives and phasing strategies to help guide decisions.
The primary goals of the plan include identifying the museum‘s current and future space requirements, assessing the existing condition of the building, identifying short-term code compliance improvements, and exploring long-range expansion options. Each of these goals was directed toward the overriding effort of the institution to expand its role as community gathering space and cultural center and better serve its visitors.
The plan is based on a theme of linkages. Located on a high point on the Grand Concourse, various points in the museum have views to Manhattan. The plan configures spaces to take advantage of this visual linkage—hinting at the museum‘s connection to the larger New York art scene. The plan for the new museum also recognizes the institution‘s linkage to the community as a cultural extension of the neighborhood, creating a new identity and more welcoming entrance.
Recognizing that the museum needed a more contemporary architectural image to complement its thriving cultural events, the design team developed a phased, additive approach that re-skins the outdated building exterior. Two recently renovated large galleries are left untouched through this innovative approach to renovation. The additions and renovations act as a subtle but
strikingly contemporary marker for this contemporary cultural facility.
Programmatic ingenuity makes the museum user-friendly by adding amenities and "destination uses" at various nodes. A public access gallery would be created and all galleries would be reconfigured to smooth circulation between them. Administration offices would be adjusted to better integrate with other spaces and maintenance uses would be consolidated. The education studios would be expanded and reinvented, giving this department a stronger identity. Internal adjustments would be designed to link seamlessly with the future addition of a Children‘s Art Center to the north of the existing building. Taking advantage of the adjacent vacant site, the expansion plan includes a final phase of private-use development to generate income and help the museum move into the future.
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http://www.jianzhu01.com/Museum1007281147.htm
黑岩森林中心（Black Rock Forest Center）
After the completion of a comprehensive master plan. Fox & Fowle Architects designed the first phase of the Black Rock Forest Center for Science and Education. This modern research and educational facility is located at the Black Rock Forest Consortium‘s field station within the 3,750-acre Black Rock Forest. The Center provides a needed setting for environmental study and research for staff, scientific teams, and student groups ranging in age from kindergarten through graduate school.
The Center‘s site-sensitive design, building form, material use, and energy consumption management make it a model facility in keeping with the sustainable mission of the academic consortium. The cohesive building form and detailing are influenced by local vernacular gabled structures. The rectangular footprint and east/west orientation maximizes solar exposure while minimizing building mass, and individual southern window overhangs minimize summer heat gain.
A central atrium topped by a roof monitor provides internal visual focus for the building while also
bringing natural light and ventilation to the building‘s center. It is the metaphorical "clearing in the forest." A highly efficient geothermal heat pump system provides heating and cooling within the well-insulated envelope. A composting toilet system replaces a conventional solid waste system. Building materials such as the stone veneer are from local sources; soil, rock, and trees that were disturbed were reused in the new construction. The columns, which frame the atrium, are trees from the surrounding forest, as is the oak paneling. The fine-tuning of the building design was aided by a computer-modeled energy consumption analysis. The final design consumes 45 percent less energy annually compared to a traditional structure meeting all applicable codes.
Phase II of this project, the Lodge, is incorporated into the natural bench that parallels the roadway to the Center, establishing a campus in the forest with minimal impact on the natural setting. The main floor houses four- and six-person sleeping rooms and support space for student
stays in the forest. The building is organized around a floor-to-ceiling glazed central gathering space that is framed by near views of the ridge to the northeast and the long views of the forest to the southwest. Natural light and ventilation are also provided from clerestory windows in the raised gable that crowns the communal space. The central hall to each wing of sleeping rooms is punctuated with operable skylights above each grouping of room entries. Natural light animates the building‘s logical organization.
The sustainable strategies of the Center are fine-tuned and extended in the Lodge. The high-performance building envelope utilizes dense-pack cellulose and structural insulated roof panels. A greywater recovery system recycles water for site irrigation. Wood and stone from the forest are featured in the building, including the four hemlock columns and pine wainscot in the gathering space. The Center for Science and Education is an ideal venue from which to manage the Black Rock Forest as an interactive part of a larger natural system.
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http://www.jianzhu01.com/Museum1007281146.htm
美国圣经公会（American Bible Society）
The American Bible Society, a publisher of the Bible in many languages, challenged the architectural team to create an addition and renovation which would bring a new presence to the institution‘s headquarters on Broadway and 61st Street in New York City. The Society requested an architectural design that would convey the organization‘s mission, improve its accessibility, and engage the public. The design team explored these abstract needs in conjunction with tangible functional requirements, developing a sweeping building form that metaphorically embraces the street and acts as a beacon of light and inspiration.
The building‘s street presence provided the central project thesis. The design team explored the program for ideas about how to translate the organization‘s desired posture—a more welcoming profile than the existing facility provided—into a spatial reality. The designers drew on the desire for an increased presence and saw an opportunity to use that presence as a way to demonstrate the institution‘s message and literally invite passersby inside.
The resulting all-glass sculpted pavilion complements the original 1960s concrete structure. Its glass form begins inside, engaging the new bookstore, concierge desk, and entry
area, and flares into a spacious volume on the plaza outside. The pavilion walls are etched with inscriptions of "in the beginning" in many languages, representative of the Bible translations issued by the Society. A 36-screen media wall is integral to the composition.
The transparency and lightness of the pavilion allows the passerby to easily perceive the interior space while leaving the volume somewhat undefined, a complement to the forceful form of the building. The curving pavilion gives the original reserved facade an open and fresh face. This single intervention transforms the building‘s image.
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http://www.jianzhu01.com/Museum1007281145.htm
奥隆达加县会展中心(onondaga county convention center)
The Onondaga County (^invention Center is part of aMitchell/Ciurgola master plan for downtown Syracuse which includes the Civic Center theaters, War Memorial and arena, new and existing holds, and parking. The master plan develops a precinct for public events in the center of Syracuse. The pedestrian scale of downtown is reinforced by bridges and underground connections between die Convention Center, War Memorial, existing garages, a new parking garage, and a future hotel site. To address this pedestrian emphasis, the ballroom and meeting rooms are below grade and the exhibition halls are recessed from public lobbies to minimize overall building hulk.
Sidewalk elevations are familiar in color and scale and reveal public activities to passers-by. The high volume of the (i.o.000-square-foot exhibition space is white and provides a backdrop for the aluminum vault of the main lobby.
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http://www.jianzhu01.com/Museum1007281144.htm
皇后艺术馆竞赛方案（Queens Museum of Art Competition）
The Fox & Fowle Architects design for the Queens Museum of Art competition addressed the diverse population of the surrounding neighborhood as one of the central issues. The site is a former World‘s Fair venue in Flushing Meadows Corona Park, which is bisected by the major thoroughfare of Grand Central Parkway.
The team took the living museum idea literally. Visitors are visible as the living force within. The design exposes the building‘s skeleton and wraps it in a new skin, a gesture that would transform the old museum and prepare it for a new life as a "living" cultural center, representative of its diverse neighborhood. The new "wrapper" becomes the building shape; it is a continuous surface. Public spaces of the museum look or
open onto outdoor spaces; when weather permits, the building can be opened up almost completely. This play between facade and form stemmed from the team‘s desire to put the whole building on display.
A series of filters defines the paths along which people move through the program spaces and the interstitial spaces between them. This blurring of boundaries between gallery, workshop, and gathering space inspires a fluid environment with programmatic flexibility for display of a wide range of artistic presentation. The team wanted to create a series of spaces that could be continuously experienced and yet feel discrete from one another. The idea was that the architecture would not compete with its contents but instead be a
backdrop to the visitors‘ interaction with art, technology, event, and each other. The Fox & Fowle Architects team sees this design as an unfolding story. The designers envisioned the museum as a celebration of evolution from past to present and a stage for transition from present to future. Here, the traditional museum is being challenged and reinvented to include ideas about how people experience the museum itself and how they respond to its contents. This is an interactive museum; people are part of the show.
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http://www.jianzhu01.com/Museum1007281143.htm
鲁汶天主教大学arenberg图书馆（Arenberg Library, Catholic University of Leuven）
The Arenberg Campus library envelops the remains of a Celestine monastery, built in 1526, keeping an important historic site alive while integrating it into the life of the city and of the University. The architects‘ aim from the outset was to maintain the scale and the character of the site and to make the tiny cloister the core of the new library. The design strategy relied on erecting a building that would enclose the cloister. The construction of this building provided a new and unexpected space, a new courtyard, flanked by the remains of the friars‘ rooms and by the walls of the old surrounding buildings of the Monastery. This newly found courtyard has become a counterpoint to the enclosed cloister. The organic geometry of the new construction invigorates and animates the severe cloister while also making a gesture of welcome in the access court reached either from the path on the hillside or from the road. The intense use of the ground and the desire to keep the building as low as possible led the architects to place the compact book deposit in the basement of the new building. The open stacks are located in the basement and ground floor levels, extending in horizontal planes between the existing brick walls facing the road and the reading room in the former refectory attached to the cloister. The lower level of the open stacks receives light from skylights placed above the reading areas on the floor above while a series of triangular skylights brings natural light to the open stacks on the ground floor. As a result, the existing volumes maintain their value and the rooftop of the old refectory continues to be the most striking element.
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http://www.jianzhu01.com/Museum1007281142.htm
马德里纪录片中心（Madrid Regional Documentary Centre）
The Madrid Regional Government Archives and Library in the former El Aguila brewery is a centre for the preservation, custody and dissemination of the Region‘s historic documentary heritage, and is ultimately aimed at ensuring the transparency of administrative processes and citizen‘s rights. The project is a result of a 1994 public competition. The unusual site, a former brewery with large, open spaces, was the catalyst and inspiration for the winning design by Mansilla + Tuhon Architects.
The Regional Archives buildings cover 30,000 square metres (322,900 square feet), and are organised into three modules: contributions, storage and public access. The storage building can hold 100 kilometres (62 miles) of shelving, structured into six equal floors, surrounded by a thermal quilt in the form of a translucent double facade; the ground plan organisation is a response to the challenge of producing architecture within the limits imposed by the strict fire prevention regulations. The Regional Library covers 10,000 square metres (107,600 square feet). It responds to the need for a diverse multimedia library programme through the renovation of the former industrial spaces. The silos that once held barley now hold every book published in the Madrid region. For Madrid, the integrated Regional Archives and Library complex is like two intertwined hands, a symbol of the convergence between environment and architecture. One hand shelters and protects the historic heritage and the other provides protection for the local culture, our future heritage.
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http://www.jianzhu01.com/Museum1007281141.htm
波士顿公共图书馆Honan-Allston分馆（Honan-Allston Branch of the Boston Public Library）
The new Honan-Allston Branch of the Boston Public Library is one of 27 branches that provide an important outreach to Boston‘s neighbourhoods. Historically, this building type has been characterised by a casual, democratic expression, a latent tendency that was reinforced by the library‘s site along a heavily trafficked thoroughfare lined with wood residences, brick warehouses, and scattered commercial buildings. The client also placed specific demands on the building, among them requirements for a separate entry for community use and a one-storey configuration to maximise visual supervision on the inside. Responding to these various conditions, the 20,000-square-foot building‘s parti is divided into three parallel bands aligning with the main street - two ‘solid‘ zones and one central void. The front zone contains all the active, information-gathering program components, including the stacks. The rear zone contains all the meeting spaces, which have after-hours community use. The middle zone is transparent, with alternating gardens and glass pavilion reading rooms. On the front of the library, the periodicals reading room is treated as a double-height additive piece that emphasises the institution‘s importance through its scale and rich palette, which includes slate panels, shingles, and rough sculpings. The library reaffirms a sense of urbanity by opening towards the street with a long horizontal band of windows. Passing through the front entrance, patrons arrive at a vantage-point where the organisation of the entire library unfolds before them, discovering the three inner gardens at the heart of the building.
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http://www.jianzhu01.com/Museum1007281140.htm
利昂演艺厅（Leon Auditorium）
The Leon Auditorium pays homage to the Ortega y Gasset-based ‘see and be seen‘ concept, and responds to the model established by the splendid Manuel de Falla auditorium in Granada. It is an exercise in realism whose small size is not only a study in usage and economics, but also reduces its presence in the city. The concert hall occupies the south side of a landscaped plaza that also accommodates the 16th-century San Marcos monastery, now a luxury hotel.
The brilliant white fagade is constructed as a stack of windows with two distinct appearances: the perimeter of the outer apertures that refers to geometry, and the inner aperture of each window, reflecting the interior of the building. The five horizontal bands that house the windows increase in size as they rise towards the top. Each window is a different size and shape, but each is the result of carefully calculated geometry. An eye-catching display of large graphics runs along the base of the fagade.
In addition to the concert hall, the building houses administrative offices, a triple-height exhibition hall, foyer, public cafe, rehearsal and dressing rooms, and technical and service areas.
The concert hall is divided into two areas, with seating for 734 patrons placed in front of the stage, and a further 394 seats behind it, allowing flexible configuration for large symphony concerts and operas and smaller chamber music events. The dark wenge wood lining of the concert hall results in a grand, but intimate, atmosphere.
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http://www.jianzhu01.com/Museum1007281139.htm
马基雅弗利巴格尼尼演艺厅（Niccolo Paganini Auditorium）
The Paganini Auditorium was built on the site of the disused Eridania sugar factory, a group of industrial buildings of vastly differing volumes and structures. Close to the historical centre of Parma, it is located in a now well-established park. The size of the main building was an important factor in the conversion of the site to an auditorium. It was large enough to house a foyer, hall and stage, and also to meet basic acoustic requirements. Its location in the park simplified any required soundproofing needs, and the layout of the other factory buildings was suitable for other uses such as service and rehearsal spaces. The original brick exterior of the buildings was left largely untouched. The project included removing the main building‘s transverse curtain walls, and replacing them with three large glass walls, to ensure transparency throughout the length of the 90-metre-long building. Even during concerts, the park can be seen from any point in the hall and foyer. A system of soundproof panels hung from the trusses over the stage completes the spatial organisation of the main body. The public enters through the south end, and proceeds through the building‘s length. A roofed open-air space leads inside, passing through the first wide glass wall. From here one continues on to the two-level foyer. Located at the north end, near the glass end-wall, the 250-square-metre stage offers enough space for large musical ensembles that include a choir and orchestra. The gently sloping stalls cover an area of 590 square metres and seat 780 people, with good visibility from all rows.
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http://www.jianzhu01.com/Museum1007281138.htm
罗森塔尔现代艺术中心（Rosenthal Center for Contemporary Art）
The Contemporary Arts Center was founded in Cincinnati in 1939 as one of the first institutions in the United States dedicated to the contemporary visual arts. The new CAC building provides spaces for temporary exhibitions, site-specific installations, and performances, but not for a permanent collection. Other program elements include an education facility, offices, art preparation areas, a museum store, a cafe and public areas. The aim of the new building is to draw in pedestrians from the surrounding areas and create a sense of dynamic public space. The entrance and lobby lead in to the circulation system organised as an ‘urban carpet‘. Starting at the corner of Sixth and Walnut Street, the ground curves slowly upward as it enters the building, rising to become the back wall. As it rises and turns, this urban carpet leads visitors up a suspended mezzanine ramp through the full length of the lobby, which during the day functions as an open, day-lit landscape or an artificial park. The mezzanine ramp rises and penetrates the back wall. On the other side it becomes a landing at the entrance to the galleries. In contrast to the urban carpet, which is a series of polished, undulating surfaces, the galleries are expressed as if they had been carved from a single block of concrete and were floating over the lobby space. Views into the galleries from the circulation system are unpredictable, as the stair-ramp zigzags upward through a narrow slit at the back of the building. Together, these varying galleries interlock like a three-dimensional jigsaw puzzle, made up of solids and voids. The building‘s corner situation led to the development of two different, but complementary facades. The south facade forms an undulating, translucent skin, through which passersby see into the life of the Center. The east fagade is expressed as a sculptural relief. It provides an imprint, the negative of the gallery interiors.
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http://www.jianzhu01.com/Museum1007281137.htm
Stevie Eller舞蹈剧场（Stevie Eller Dance Theatre）
The spaces and forms for dance are about movement. The massing of the building is simple. The house and stage are black performance boxes. The dance studio is a glass box on the second floor that cracks away from the performance box. The dance studio is supported by columns that are neither straight nor of the same size nor located on a Cartesian grid. They are ‘dancing columns‘ derived from labanotation, the graphically depicted movement score, of George Balanchine‘s Serenade, the first ballet for students at the newly founded American Ballet in New York City in 1934.
The crack between the dance studio and the performance boxes is a void, a space with a grated steel catwalk that is open to the lobby below. The box office is on wheels and transforms from box office to concession box to billboard. It moves from the inside lobby to the outside lobby. The restrooms are white. Mirrors are imbedded in the ceramic tile and reflect the colours of clothing. Always moving, always changing.
An interior sound-reflective surface creates the volume of the house. It rolls and becomes an exterior surface that is a scrim; a cyclorama that can be transparent or opaque depending on the light. Just as the stage is a void upon which a performance is played, the black boxes of the house and stage create a similar void upon which the scrim pieces play.
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http://www.jianzhu01.com/Museum1007281136.htm
STUK艺术中心（STUK Arts Centre）
For this project, the architects transformed the former Arenberg Institute at the University of Leuven into new accommodation for the STUK Arts Centre. The original Institute comprised a series of buildings around an inner court, most of which dated from the beginning of last century. The transformation involved demolition of two wings, radical makeover of two wings, and a slight face-lift of two wings. In addition, the exterior space has been completely revamped. The result is a complex that allows multiple use by all forms of performing arts, music and the visual arts.
The complex has ten large public theatres in addition to a number of large public reception areas, such as the cafe-restaurant and the foyer, and numerous ‘behind the scenes‘ spaces. The patio, an intimate inner court, forms the complex‘s heart and point of orientation.
Each space within the STUK has a character all of its own in relation to ambience, finish, dimensions, light, view, and spatiality. As a result, a neutral, multifunctional complex has been avoided, and a kaleidoscopic labyrinth of distinctive locations has been created. A wide range of materials and finishes has been used, such as oiled concrete with a zigzag pattern in bas-relief, capped with brass rosettes; padded black leather walls fastened with shiny button-headed nuts; translucent slatted walls of rusty iron; masonry gold bars; black perforated shutters with red velvet filling; and crates of rough wood, all adding to the appealingly whimsical nature of the project.
The contrast between old and new is accentuated by the idiosyncratic sculptural volume structure of the new sections of the complex. The choice of red brick for the exterior of the new buildings unites the old and new sections.
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http://www.jianzhu01.com/Museum1007281135.htm
芝加哥广场（Chicago Place）
This mixed-use complex consists of an cight-story retail mall and a 43-story, 272-umt apartment tower, lis design follows the building height guidelines of the 1918 architectural master plan for the area, with the tower set back 120 feet from the Michigan Avenue property line.
The retail component is organized around a 40-fool high, two-and-a-half-story lobby at the Michigan Avenue entrance and an eight-story atrium. A palm garden on the eighth floor features a barrel-vaulted glass roof supported by structural steel arches.
Internal functions are expressed on the exterior, relating the building to its downtown Chicago context. The consistent language of color and ornament creates an exciting shopping and dining environment.
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http://www.jianzhu01.com/Museum1007281134.htm
天使之女天主教堂
原 名 称：Cathedral of Our Lady of the Angels
The new cathedral dominates its urban surroundings, emphasising its role as a landmark and spiritual centre. An esplanade for larger congregations of up to 6000 is at the centre of the site. A bell tower rises at the corner, and at the opposite end are the bishop‘s residence and facilities for the archdiocese. The visual focus of the exterior space is the Franciscan cross cut into the alabaster skylight of the cathedral facade.
The entrance to the cathedral is directly from the esplanade, through side doors into a perimeter corridor separated from the nave by outward-facing side chapels. The long, outer wall is without windows, so that it can be used for the stone plaques, inscriptions and votive offerings that will keep the history of the cathedral alive. To the west, opposite the presbytery, is the baptismal font. The corridor on the north side assumes a different cha racter as the chapels look out onto the cloister garden, bringing them in contact with nature and the landscape of Los Angeles beyond. The nave with a capacity for 2000 worshippers, the main altar and pulpit flanked by tiers of seating, occupy the central longitudinal band of the cathedral. A large window with a cross dominates the altar area. The choir is placed beside the altar, pushed to the rear of the chancel in an open box above which rises the organ. The non-opaque fagade surfaces behind the organ consist of alabaster louvres that create a second focus of filtered light in the altar area. The same alabaster louvres are used for the large windows of the nave‘s lateral fagade. The light filtered through the alabaster creates a luminous, diffuse and enveloping atmosphere, not unlike that experienced in Byzantine churches.
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http://www.jianzhu01.com/Museum1007281133.htm
McCormick博览中心广场扩建（McCormick Place Exposition Center Expansion）
Metal panel cladding system, concrete pylons, stainless steel, glass
The project accommodates two exhibition halls, meeting rooms, administrative offices, enclosed crate storage, truck docks, and support and building services. The new building is an air-rights building sited adjacent to the original SOM-designed building, over existing railroad tracks. The components are connected by a pedestrian spine.
The main exhibition hall is clad with silver-gray metal panels attached to polished stainless steel mullions, with a band of louvers for fresh air supply. A line of vision glass jusl below the roof emphasizes the structural nature of the cable system above. A pattern of diagonal panels above the glass strip delineates the roofs structural truss system.
The main hall is characterized by a system of 15-foot trusses suspended from cables that are in turn hung from 12 pylons spaced to provide flexibility for exhibition configurations. The pylons also serve as air supply ducts, keeping the upper hall free from ductwork.
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http://www.jianzhu01.com/Museum1007281132.htm
里德图书馆的扩建和改建
在设计扩建部分时，建筑师首先有类似于被要求“塞入帕提农神庙中”的感觉虽然原有的图书馆只有层高，但却是一个大体量，并在深深挑出的框架上装着超大尺度的窗户，厚重的现浇和预制混凝土块料有结构的五分之一大，这个贝聿铭于60年代设计的结构坐落于教师学院的皆为庄重的砖砌建筑校园的中部，就像一块田野中的悬浮石板。惟一可能与之呼应的办法就是对比--采用集中于一侧且具有强烈几何感体量的较小的集台体，一道与原有建筑完美结台的预制混凝土弧形墙从已建的南墙轻盈地延伸出去，这个弧形部分的西边透明，在晚上将灯光投射到校园内。窗格嵌在深深的铝台金框架中，其中有一个楼梯厅，它和图书馆的其他部分围台成一个庭院而且，面对庭院的还有一个混凝土圆柱，这里是善本收藏室。尺度适宜的新五层砖砌矩形书库和开架阅览室部分完成了这些几何实体的构图。在加建部分的南立面，简洁的线条中插人一个大的入口牌楼，从这里可通向主体图书馆的入口。总之，包含扩建部分的新结构在底层创造了一个从南校园日宿台的中庭到60年代校园中心的步行通道，其中一个三角形的、位于二层的步行通道连接着贝聿铭设计的图书馆，学生会艺术中心及管理用房。
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http://www.jianzhu01.com/Museum1007281131.htm
华盛顿哥伦比亚区二战纪念馆
华盛顿哥伦比亚区二战纪念馆
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http://www.jianzhu01.com/Museum1007281130.htm
纽约伊斯兰文化中心（Islamic Cultural Center of New York）
The first religious center built for New York‘s Muslim community, the Center
comprises a mosque, an assembly room, and a minaret. The building is rotated on the site to face Mecca. The facades arc nine-square patterns that express the four large structural trusses — a configuration that supports the copper-clad, precast dome and provides a column-tree worship hall.
Large glazed areas with fired ceramic surface decorations are enclosed within the metal trusses above the exterior granile walls. The dome rests on 16 articulated metal connections enclosed by clear glass, allowing a halo of light 1o permeate the prayer hall below. The interior is also illuminated by a ring of lights suspended on long bronze rods.
The 15-fooi bronze doors open to reveal an abstract arch motif of layers of glass CHI in rectilinear patterns; modern Kufic inscriptions are carved in granite above the doors. Opposite the entry portal is the mihrab, adorned with glass panels and a frieze of Koran verses.
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http://www.jianzhu01.com/Museum1007281129.htm
卢塞恩音乐厅
卢塞恩音乐厅
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210290934_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210290934_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210290934_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210290934_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210290934_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281128.htm
巴士底歌剧院
巴士底歌剧院
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210313957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210313957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210313957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210313957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121210313957_5.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281127.htm
巴登-巴登节日剧院
巴登-巴登节日剧院
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http://www.jianzhu01.com/Museum1007281126.htm
dellevue地区图书馆
dellevue地区图书馆
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http://www.jianzhu01.com/Museum1007281125.htm
巴登-巴登节日剧院
当要建造一座与历史上的火车站连接的新节日剧院时完全有必要考虑“地点幻术竹．尤其是拥有南方气候的巴登巴登。剧院高出现有的大厦井与其保持一段距离，剧院的结构与常青藤覆盖的规则方尖形柱一起营造的背景是对历史上程式化风格花园的回忆。舞台区域的设计能适应各种音乐剧和音乐会的上演．该剧院可以容纳2560名观众。
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http://www.jianzhu01.com/Museum1007281124.htm
艺术品收藏者之家
艺术品收藏者之家
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http://www.jianzhu01.com/Museum1007281123.htm
美国无线电中继联盟博物馆和游客中心(american radio relay league museum and visitor center)
This new museum and visitor center is headquarters for the International Amateur Radio Union, the largest organization of amateur radio operators in [he United States. The new building acts as a reverential, modern neighboi, deferring to the original amateur radio headquarters and broadcast station. A new main entrance, on axis with the existing entrance, sets off the historic headquarters in stark material contrast in order to emphasize a new courtyard and garden space between the two. Internally, the introduction of indirect, reflected light through the roof is meant to set light into the background and stimulate a greater
awareness of the use of sound in our lives. The rounded form acts as a visual "container" for sound‘s wave-like properties and evokes images of radio equipment when seen from the outside. The new building provides headquarters and broadcast facilities, with two radio towers located at the top of the cross‘s intersection. In order to foster a solid relationship with the general public, the new building will also allow the League to present a comprehensive exploration of the history and development of amateur radio to the many radio enthusiasts who visit every year.
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http://www.jianzhu01.com/Museum1007281122.htm
佛罗里达州立博物馆（Florida State Museum）
Tlit- most important commission in Morgan‘s career, the Florida Slate Museum, with a program focusing on the natural and pre-Columbian human history of Florida and ihe Caribbean, was his first built work of "earth architecture," Inspired by both ancient American earth structures and modern parallels such as the Oakland Museum of Roche and Dinkeloo, built several years before, Morgan‘s design employs truncated pyramids of earth to create the enclosed spaces of the museum as well as extensive landscape plazas integrated into the campus of the surrounding university site. The L-shaped structure steps down the site from tlie fully hermed north and east walls, its interior spaces provided with views to the south and west ol the interwoven exterior courts at the center of the site. The exhibition spaces, terraces, and berms of the project employed a construction system similar to that used in highway overpasses, with raft slab foundations, reinforced concrete retaining walls and floor slabs, and presuessed concrete components, resulting in a building cost of an astonishing $21 per square foot. Morgan‘s preference lor exposing this construction resulted in the building‘s powerful expression of engaging the earth, so that here, on a rapidly urbanizing university campus, we re-engage ancient methods of place-making and are truly at home in the timeless landscape of li umai i kind. Robert Mc Carter
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http://www.jianzhu01.com/Museum1007281121.htm
Methodist教堂（Methodist Church）
The church is positioned at the corner of its site, its eas! edge along a busy traffic artery, and its entry narlhex opening diagonally to the center of what is planned to be an ecclesiastical campus. Morgan‘s master plan provides for a series of existing and new buildings linked by colonnades and focused around three quiet courtyards, anchored by the church as it rises to a tower at the northeast corner. The church itself is octagonal in plan, with entry at the southwest corner, under the cover of an attached colonnade along the western and southern facades, providing a shaded place to gather. One enters under a balcony that wraps around the main sanctuary space, and the roof, supported by two massive wooden beams, rises towards the altar. Light enters through seven stepped levels of continuous clerestory windows, set between the wood-clad roof planes that unfold over the space like the branches of a tree. Above the chancel the rise of the roof terminates in a tower, lit by clerestory as well as the three vertical, stained-glass windows that flank and back the altar. The design‘s geometric precision and integration of structure and light give the sanctuary both a comforting sense of enclosure and an inspiring sense of elevation.
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http://www.jianzhu01.com/Museum1007281120.htm
半岛中心图书馆（PENINSULA CENTER LIBRARY）
PALOS VERJJES IS A BEAUTIFUL SUBURBAN COMMUNITY IN THE LOS ANGELES METROPOLITAN
area.The architects were asked to design n major addition to the main library, designed by Quiticy Jones in the ty6os. The existing concrete-frame building is on a steeply sloping site between two arterial streets and comprises three levels: a main library sandwiched between an upper rooftop parking level and a partially underground parking level.The program required that the building size be doubled.
The design solution maintains the existing entrance at the upper street, which continues to be served by the rooftop p.irking, and adds a new entrance on the lower street 40 feet below. In order to reconcile the condition of four entrances at two levels, a curved wall slices through all levels and acts as the principal orienting device for the entire building.The yellow wall also separates the public entrance galleries and conference facilities from the controlled access zone of the library itself.
Because the existing building dictated a relatively low ceiling height, the architects provided visual depth to the space by suspending a wood trellis below the ceiling. Circular lights above the trellis give the illusion of skylights.
The building covers most of the site and the mass is relieved by layers of a large-scale trellis, which is horizontal on the upper level and vertical on the lowerThe street facades are composed as a series ot layered scrims made up ol perforated blinds, patterned glass, landscape, and trellis, which filter light and maintain privacy for the reading areas adjacent to the street, while allowing visibility to the activities within.
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http://www.jianzhu01.com/Museum1007281119.htm
儿童博物馆 （Children‘s Museum）
Sited in a public park in downtown Jacksonville, the museum establishes its presence and identity through its powerful geometry, its massive cast-in-place concrete walls faceted into a series of 45-degree angles, and its windows carved into the surfaces to create deep shadows running from ground to roof, where they spread open to become continuous hooded clerestories. A central exhibition volume, square in plan, is elevated above the ground level bv the four towers at its corners, which contain classrooms, offices and services, and the planetarium. The building is focused on the atrium, which is opened at the center of the rotated square plan, connecting the lobby to the exhibition spaces above. At the roof, live animal exhibits are housed in the tower tops, and a landscaped terrace above the central exhibition space overlooks the river to the north. The four towers face the cardinal directions, and the central square lobby, exhibition space, and roof terrace is rotated to a 45-degrec angle, set like a diamond between the towers. Three towers have flat outer facades, while the octagonal service tower is designed to connect to a planned addition thai will almost double ihe space of the recendy renamed Museum of Science and History.
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http://www.jianzhu01.com/Museum1007281118.htm
Anchorage历史和美术博物馆（Anchorage Historical and Fine Arts Museum）
The new museum rises in a series of steps, culminating in a monumentally scaled from facade which establishes a coherent relationship between an existing one-story museum to die north and a five-story federal building to the south. The stepped building front creates a dramatic entry from the cast and provides views to downtown. Framed views of the Cliugarh Mountains in the upper gallery areas and a generous sculpture plaza to the south take advantage of the striking Alaskan light. The east facade is deliberately contrasted with the formal south elevation, the major pedestrian approach to the museum. The children‘s activity area :\ni\ gallery, with associated sculpture garden and extensive landscaping, oiler an inviting, human scale. Interior spaces are organized around a large light-tilled central courtyard which provides a clcarsen.se ol orientation. Visitors experience a processional sequence of public arrival, courtyard tranquility and finally, the serenity of the galleries.
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http://www.jianzhu01.com/Museum1007281117.htm
弗吉尼亚航空航天中心/汉普顿道路历史中心（Virginia Air and Space Center/ Hampton Roads History Center）
弗吉尼亚航空航天中心/汉普顿道路历史中心（Virginia Air and Space Center/ Hampton Roads History Center）
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http://www.jianzhu01.com/Museum1007281116.htm
奥隆达加县会展中心（Onondaga County Convention Center）
The Onondaga County (^invention Center is part of aMitrhell/Ciurgola master plan for downtown Syracuse which includes the Civic Center theaters, War Memorial and arena, new and existing holds, and parking. The master plan develops a precinct for public events in the center of Syracuse, The pedestrian scale of downtown is reinforced by bridges and underground connections between die Convention Center, War Memorial, existing garages, a new parking garage, and a future hotel site. To address this pedestrian emphasis, the ballroom and meeting rooms are below grade and the exhibition halls are recessed from public lobbies to minimize overall building hulk.
Sidewalk elevations are familiar in color and scale and reveal public activities to passers-by. The high volume of the (i.o.000-square-foot exhibition space is white and provides a backdrop for the aluminum vault of the main lobby.
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http://www.jianzhu01.com/Museum1007281115.htm
hum ho艺术画廊(hum ho art gallery)
hum ho艺术画廊(hum ho art gallery)
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http://www.jianzhu01.com/Museum1007281114.htm
ko shan剧场(ko shan theatre)
Ko Shan Theatre, a stage for performing art and cultural activities for the past ten years, has been renovated and rebuilt to meet new modern needs.
In response to the sculptural form of the existing tneatre, various functions within the new wing were organised around a flexible and free-flowing promenade. An oval-shaped foyer and stairs were created in the centre of the promenade to act as an exhibition hall and to connect spatially with the first floor lobby. As visitors stroll along the promenade, or ascend and descend the stairs, multi-layered views are continuously unfolded. This informal, free flawing layout not only improves the general circulation, but also produces a festive and lively mood in the new Ko Shan Theatre.
Planned in co-ordination with the existing theatre and site context, the exterior of the new wing was meticulously prooortioned to blend with the builcing form and surrounding environment. Approaching from Ko Shan Road, visitors see a monumental arch located prominently in the middle of the theatre, acting as an entrance gateway to guide them into the building. At the front entrance, the lobby is expressed and extended in the form of a glazed triangular corner to address pedestrian flow from both directions.
The exterior of the new wing is clad with metal and glazing, providing a modern and high-tech image. The design principle and aesthetics of the external wall are further extended into the interior. Aluminium panels, stainless steel, glazing and granite are employed to formulate a sequence of dynamic space and volume.
Throughout the project, an image of modem theatre is established and a mood Df liveliness is created. It is an ever creative attempt to introduce a new image for theatres in Hong Kong.
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http://www.jianzhu01.com/Museum1007281113.htm
mesa公共图书馆(mesa public library)
The project is located in the Jemez Mountains, home to rich pine forests, grassy meadows, and dramatic rock formations. The historical cultural development of Los Alamos, Mew Mexico has no parallels. This alpine mesa has been the home to numerous settlements, from the original native settlements to the Manhattan Project.
The new library is a sculptural abstraction of, and a careful response to, the surrounding natural context. Special care was taken in siting the building to minimise impact on existing trees and vegetation. The library sits low, spreading into a curve on the north side in response to the panoramic views. A tall wedge built of stone, analogous to the nearby Tufa stone ridges in the Los Alamos area, cuts through the building. Where the wedge intersects the building, a warm south-facing courtyard is created and serves as the main entry.
At the point of entry, the Mesa Public Library reaches out to welcome pedestrians with a garden that links the parking and adjacent Municipal Building to the entry.
The protective porte cochereservesasa shelter for entering visitors during the cold, snowy winter season in Los Alamos. The building is characterised by two types of spaces; the cellular organisation of the ‘wedge‘ house‘s lobby, meeting rooms, a bookstore, and private reading areas; the curved portion of the building is a large, open plan and holds the various stacks.
The program required that fiction, non-fiction, reference, young adult, and children‘s areas have a defined presence, while still being linked spatially, to allow for monitoring and assisting patrons. South facing clerestory windows bring warm, natural light into the stack areas, while thB bank of windows on the northern curving wall open up to the view of Pajarito Mountain.
The entry courtyard, reading garden, and children‘s reading deck provide multi-purpose exterior spaces. Areas of the building have been designed for future expansion.
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http://www.jianzhu01.com/Museum1007281112.htm
安德鲁斯空军基地的青年活动中心(andrews air force base youth activity center)
Creating interesting recreationa opportunities for dependent youth has become increasingly mpctant to morale as the armed forces strive to make family lire more attractive for long term service men and women. The expansion of the existing youth centre was a step in this direction.
The site included a 1,115 square metre (12,ODD square foot] building, incorporated within tie project Before the expansion program, the youth centre looked like a small elementary school. Today, the centre projects a tasteful but playful energy which sets it apart from the‘adult‘ buildings on the base.
An inviting, glazed main entrance facade was developed on the old gym to allow light to enter into the heart of the building without admitting solar heat gain. This facade consists of a control tower—appropriate for use by children that live on an air force base—and a ‘tic-tac-tce‘ glass curtam wall.
A lively lobby has been created for teenagers, benind the new main entrance facade, by dropping a mezzanine in the space of the old basketball court. A sense of life is added to this lobby by overlapping multiple uses including game room, information desk, vend;ng alcove 3nd even a periscope that views from the observation tower to the treetcps outside the building.
A new full-size gymnasium replaced the undersized space. I his gives the impress‘onof youthfu1 activity even when not in use, and is achieved by silhouettes cf a crowd scene that has been painted on walls and etched into window panes. To add even more life, natural light falls fam vertical windows high in the gym, down on colourful mechanical ducts that hang like banners.
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http://www.jianzhu01.com/Museum1007281111.htm
Crafts委员会画廊（Crafts Council Gallery）
The scheme for a new gallery and information centre involved conversion and extension into the adjacent building. The gallery space had to be capable of subdivision into three separate areas. Other requirements included a slide index, public information and coffee area, and office, storage, workshop and conference facilities. The ground-floor levels of the two buildings were unequal, but the mezzanine areas were the same. By re-positioning the main entrance between the two premises and lowering the level of the door and reception area, a new entry ramp was formed, which generated the main architectural strategy of the building—a central circulation axis from the entrance to the stair crossed by a cranked minor axis through the two major gallery spaces. The entrance axis orientates the public on the gallery floor and also leads them towards the staircase up to the mezzanine information centre.
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http://www.jianzhu01.com/Museum1007281110.htm
洪堡图书馆（Humboldt Library）
This branch library forms the first phase of the cultural center for the Tegel Harbor Master Plan. Started in 1986, its construction coincided with the creation of a large water area adjacent to the harbor a waterfront promenade, and 350 units of housing. The library forms one edge of the cultural center its long hall continuing the axis of the harbo1" along the north boundary of the site.
The industrial loft became the prototype for Humboldt Library Its classical facade is broken by a glassy entrance bay framed by a pair of freestanding portals. This leads to a central rotunda encircled by an arcaded balcony at the second floor From the rotunda, a grand wall of books meanders along one side of the mam reading room and gives access to
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http://www.jianzhu01.com/Museum1007281109.htm
现代艺术博物馆(museum of contemporary art)
代艺术博物馆(museum of contemporary art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_44.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_45.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_46.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_47.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_48.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_49.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_50.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_51.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_52.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_53.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_54.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_55.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_56.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_57.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_58.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_59.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121910555240_60.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281108.htm
belleuue美术馆 (belleuue art museum)
belleuue美术馆 (belleuue art museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006121911151944_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281107.htm
Embankment广场（Embankment Place）
Embankment广场
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008422032_19.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281106.htm
耶鲁大学艺术中心（Yale University Art Gallerv）
耶鲁大学艺术中心（Yale University Art Gallerv）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008500958_9.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281105.htm
布林莫尔学院埃莉诺礼堂（Eleanor Donnelley Erdman Hall,Bryn Mawr College）
布林莫尔学院埃莉诺礼堂（Eleanor Donnelley Erdman Hall,Bryn Mawr College）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122008574933_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281104.htm
菲利普斯埃克塞特学院图书馆(Libray,Phillips Exeter Academy)
菲利普斯埃克塞特学院图书馆(Libray,Phillips Exeter Academy)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009025244_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281103.htm
Kimbell艺术博物馆(Kimbell Art Museum)
Kimbell艺术博物馆(Kimbell Art Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009053241_23.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281102.htm
耶鲁英国艺术中心 (Yale Center for British Art)
耶鲁英国艺术中心 (Yale Center for British Art)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122009114359_14.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281101.htm
现代艺术画廊（Gallery of modern art）
Braunfels, Stephan: Pinakothek der Moderne. Basel 2002 Herwig, Oliver: 6 neue Museen in Bayern. Tubingen/Berlin 2002
? New gallery for four collections (modern art, drawings, architecture, design)
? Seamless, fair-face concrete facades, 16 m high in some places, with cavity insulation, large-format (formwork) grid of 5 m
? Connections between inner and outer leaves can accommodate movement, outer leaf prestressed with horizontal steel strands
? Construction joints positioned just above horizontal triangular fillets - shadow conceals any inaccuracies
Braunfels, Stephan: Pinakothek der Moderne. Basel 2002 Herwig, Oliver: 6 neue Museen in Bayern. Tubingen/Berlin 2002
? New gallery for four collections (modern art, drawings, architecture, design)
? Seamless, fair-face concrete facades, 16 m high in some places, with cavity insulation, large-format (formwork) grid of 5 m
? Connections between inner and outer leaves can accommodate movement, outer leaf prestressed with horizontal steel strands
? Construction joints positioned just above horizontal triangular fillets - shadow conceals any inaccuracies
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122208524550_8.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281100.htm
奥林匹克艺术博物馆（Olympic Art Museum）
奥林匹克艺术博物馆（Olympic Art Museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209112133_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281099.htm
圣皮乌斯教堂（St Pius Church）
Steel frame with a basic grid of 1.68 m Roof structure of steel circular hollow sections, 63.5 mm dia., span 25.5 m Translucent facade of marble panels (1020 mm high x 1500 mm wide) Unusually festive interior atmosphere
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209144833_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281098.htm
艺术中心（Arts centre）
"Burenbruch" shelly limestone to ground floor and plinth
Udelfanger sandstone
Successful "dialogue" between old and new
Converted building integrated into new function
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209163035_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281097.htm
现代艺术馆（Museum of modern art）
Ventilated stone curtain wall of basalt lava
Panel formats increase in size with the height
of the building
Curved roof covered with basalt panels
Diamond-sawn stone with porous, but smooth
surface
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209194239_12.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281096.htm
瓷器博物馆（Museum of porcelain）
Combination of materials such as clay brickwork, timber and a stone curtain wall Shape of building resembles an old kiln Glass blocks incorporated between clay bricks Mortar coloured to match bricks
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209275933_10.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281095.htm
Satteins教堂大厅（Church Hall,Satteins）
Satteins教堂大厅（Church Hall,Satteins）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122209325941_7.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281094.htm
新国家艺术画廊和苏格兰历史 （New National Gallery of Scottish Art and History）
In February 1993 Terry Farrell was invited by the Glasgow Development Agency to put forward a vision for the new National Gallery of Scottish Art and History in Kelvingrove Park that would reflect the vigour, variety and invention of Scottish art and culture. The gallery will embrace the evolving tradition of Scottish art from its beginnings to the present day. Changing exhibitions and a complete library of the history of Scottish art will create an environment in which the general public and scholars alike can appreciate and study Scotland‘s national heritage.
The proposals for the new gallery, in harmony with the park landscape, Kelvingrove Art Gallery & Museum and the University of Glasgow, will revive the historic role of the park as Glasgow‘s major site for arts festivals and other major cultural events.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122509055844_11.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281093.htm
Temple kol Ami
Temple kol Ami
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http://www.jianzhu01.com/Museum1007281092.htm
放映院(screened house)
放映院(screened house)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122709402744_6.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007281091.htm
重庆科技馆
重庆科技馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010230533_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010230533_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010230533_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009033010230533_4.jpg博物馆2010-07-28
http://www.jianzhu01.com/Museum1007271090.htm
中央美术学院新美术馆
建筑占地面积：3546平方米
建筑面积：14777平方米
合作单位：矶崎新建筑师株氏会社
中央美院美术馆由日本建筑大师矶崎新（ARATA ISOZAKI）设计，新的美术馆位于望京花家地南街8号中央美院内，校区用地的东北角，建筑占地面积2475 平方米，总建筑面积14777平方米，建成后的美术馆为地上四层、地下二层的框架结构建筑，将按层划分功能区，其中地下二层主要用于机房、库房，研究室、 制作室也设在地下，可方便工艺流线操作；一层主要是大厅、报告厅、咖啡厅、会议室和休息大厅；固定展位厅设置在二层，一部分将用于展示古代书画和美院老教 授的赠画藏品，另一部分展示当今美院在籍教授的作品；活动展厅设置在三层及四层，超过10米层高的活动展厅可为当代艺术展览提供更多的可能性。预计2008年6月投入使用。
美术馆的整个设计过程对矶崎新这位国际建筑大师来说也是一个挑战。设计方面最大的难度在于， 这个单体建筑既要体现自己的气质，又要和吴良镛先生的美院校园整体设计相协调。美院校园实际上是一组新的建筑群，它的深灰色彩以及院落式的布局营造出沉稳 的氛围，要和这样一组建筑为伍，并且要不失现代化美术馆应有的先进性和艺术家风度，的确不是易事，并且美术馆用地并不开阔，而是紧邻园区的圆形雕塑馆，一 切因素导致新的美术馆和现有建筑群找到恰当的关系是设计初创时不可回避的难题。
中央美院的美术馆建成之后有望成为中国最好最先进的美术馆，部分功能和展陈条件将达到国际一 流水平。所谓最好的美术馆，主要包含几方面的含义，第一，美术馆从外观形态上适合它所在的环境，并能够提升整个建筑群的形象；第二，美术馆将使用具有国际 水准的展览设备，力求从展陈空间环境和功能上达到国际交流与展览互换的条件；第三，美术馆的整体建设立足于国内，用精彩的设计带动民族工业产品在美术馆所 需设备上的应用。
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http://www.jianzhu01.com/Museum1007271088.htm
国家图书馆二期工程暨国家数字图书馆工程
项目类型：文化
建设地点：北京
总建筑面积：79899m2
设计／竣工年份：2003—2004年/2007年
合作单位：德国KSP Engel und Zimmermann建筑事务所
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122715003132_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2006122715003132_2.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271078.htm
monma附加画廊(gallery monma annex)
monma附加画廊(gallery monma annex)
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http://www.jianzhu01.com/Museum1007271077.htm
圣家教堂（La Sagrada Familia）
圣家赎罪堂（又名神圣家族大教堂）是由西班牙最伟大的建筑设计师高迪设计的，无论你身处巴塞罗那的哪一方，只要抬起头就能看到它。这座教堂从高迪在世时直到现在都在不停地建造，已经一个多世纪了，仍未造完，在它高高的塔顶上仍是布满了脚手架。 这是一座象征主义建筑，分为三组，描绘出东方的基督诞生、基督受难及西方的死亡，南方则象征上帝的荣耀；它的四座尖塔代表了十二位基督圣徒；圆顶覆盖的后半部则象征圣母玛利亚。它的墙面主要以当地的动植物形象作为装饰，正面的三道门以彩色的陶瓷装点而成。整个建筑华美异常，令人叹为观止，是建筑史上的奇迹。 现在这里已经成为一间小型的博物馆，里面陈列着高迪的相片及生平介绍。
神圣家族教堂简称圣家教堂，是世界上最富神奇色彩的建筑之一，也是巴塞罗那最宏伟的建筑和最著名的旅游景点。它是西班牙现代派建筑大师安东尼奥·高迪的杰作。
坐落在市中心的圣家教堂于１８８２年开始兴建，但１９２６年因戈迪不幸死于车祸而告中断。教堂原计划建造３个门、１８个竹笋状尖塔，但戈迪在世时只建造了一个门即圣诞门和８个尖塔。后来，西班牙内战爆发，该工程便无人再去问津。
１９３９年内战结束后，西班牙建筑学界和天主教会就圣家教堂问题展开了一场大辩论。一派认为，圣家教堂不应续建，应该让它完整地保留戈迪的建筑风格，就像维纳斯的断臂不应续接一样。另一派认为，教堂应该续建，后人应该完成戈迪的未竞之作，因为戈迪设计的整个教堂建筑模型尚在。在最后投票表决中，后一派获胜。因此，圣家教堂得以续建，并至今尚未完工。
最近，我们去参观圣家教堂时，看到这里正在大兴土木，教堂周围机器轰鸣、载重卡车声隆隆，电焊声、电锯切割声声声入耳，地面上到处堆放着钢筋、水泥及石材等建筑材料，整个就是一个乱哄哄的大工地。但是，来自世界各地的游客却络绎不绝，游兴正酣。其实，人们到此除观赏高迪的杰作外，还就是要看看这个教堂的奇特建筑过程。乱哄哄的工地上游客如云，这简直堪称世界奇观。
圣家教堂历经一个多世纪尚未完工，其原因除建筑难度大外，资金匮乏也是一个因素。圣家教堂的建设资金主要来源于门票收入和企业及信徒的捐款。于是，有资金就建，没资金就停。建建停停，停停建建，至今尚未完成总工程的三分之一，整个教堂最终何时完工无人知晓。高迪设计中的表现耶稣受难的１７０米高的尖塔及其顶端的十字架目前尚无踪影，但这个尖塔如果建成，它将是巴塞罗那市最高的建筑。目前已建成的４个圆锥形尖塔最高的只有１００多米。
在圣家教堂已建成的圣诞门和受难门的高大外墙上雕刻着许多圣经故事。戈迪在世时建造的圣诞门可谓最具代表性的建筑物之一，整个门墙上凹凸不平，坑坑洼洼，分布着表现耶稣诞生的雕塑，建筑难度极高。受难门则为后人所建，尽管门墙上“最后的晚餐”等雕塑功力不浅，但与圣诞门相比，就显得有点苍白无力，很难融为一体。有人说，戈迪之后的续建是狗尾续貂，我在仔细参观圣家教堂后对此颇有同感。当然，后人之作也不可完全否定，它毕竟将使圣家教堂最终得以完整地奉献给世人。
高迪是享誉世界的西班牙现代建筑大师。他的建筑设计奇特并崇尚自然，故建筑物上常常带有动物或植物的形状。圣家教堂是高迪的代表作，教堂的高大内柱有的被设计成竹节状，节节向上，顶部也呈竹叶状，竹竿上还趴着蜥蜴等动物。所以，走进圣家教堂，简直有踏入原始森林之感。此外，巴塞罗那还有一个高迪公园，这里有高迪更多的建筑作品
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东京都现代美术馆
全玻璃的入口大厅，展室侧高窗采光，对应大幅名画的大空间等，与自然呼应的空间和美术的紧密关系是这个美术的主要设计概念，重叠的展示空间与公园一体化形成的地下一层的水和石的步道，形成了象征这块土地的原风《江户的河与山》。
1995年，日本艺术院奖获奖
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sammlung essl博物馆(museum sammlung essl)
sammlung essl博物馆(museum sammlung essl)
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lron博物馆(museum of the lron)
lron博物馆(museum of the lron)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020511143844_17.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271073.htm
gagosian画廊(gagosian gallery)
gagosian画廊(gagosian gallery)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007020512364135_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271072.htm
杭州大剧院
杭州大剧院位于钱塘江畔、杭州市钱江新城规划用地区域内，西北、西南为规划中的市政府行政办公大楼及城市广场。剧院占地96亩，总建筑面积约 5.5万平方米，建筑高度46.4米，最大挖深-19.6米，钢结构最大跨度172米，投资7.3亿元。由1600座剧场、600座音乐厅、400座多功能厅以及配套辅助用房组成。剧院外观造型新颖独特，总平面布置为一个椭圆，由一个双曲壳和一个倒置圆锥壳相交形成，充分体现新千年的精神和杭州文化中心的特点。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007030522565454_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271070.htm
ariake圆型剧场
ariake圆型剧场
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007090710434536_29.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271069.htm
沈阳科学宫
沈阳科学宫
设计时间：1998年
建设地点：辽宁省沈阳市
用地面积：35736m2
建筑面积：38933m2
沈阳科学宫是沈阳市1998年三大重点工程之一，是国际招标的大型公共建筑。该工程位于青年大街科普公园苗圃内，建筑设计方案使科学宫与苗圃绿地有机的结合，由科学宫主体、培训楼和球幕电影区共同组成造型新颖别致的建筑群．和谐地融于科普公园的主体环境之中。
沈阳科学宫总体建筑设计较完美地实现了内容与形式的统一，在节约投资的前提下保证了设计意图的实现。获得多项奖励并取得良好的社会效益。
沈阳科学宫项目，三座高层建筑室内布局合理、功能完善、大空间、大柱网、高层高、预留较大荷载、垂直水平运输设备齐备，适合于不断更新展品发展的可能．达到科学技术馆各项功能的要求，在国内同类科技馆中达到先进水平。
科学宫主体地上4层，直径110m．总高28.7m；球幕电影院地上6层．直径31m，总高31.9m。球幕电影区集球幕放映、天象放映、动感电影放映于一体，且疏散楼梯自下而上未经转换，为国内首创。
建筑设计既表现出独特的艺术价值，具有极强的时代感，又避免了大型建筑对整个公园造成堵塞感，实现了科普宣传、交流培训、会议展览、高科技娱乐几大功能的综合。
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http://www.jianzhu01.com/Museum1007271068.htm
黑龙江省科技馆
黑龙江省科技馆
(合作设计：哈尔滨市建筑设计研究院)
设计时间：2000年
建成时间：2003年
建设地点：黑龙江省哈尔滨市
用地面积：50000m2
建筑面积：25000m2
获奖情况：2003年获建设部优秀建筑设计三等奖
2003年获黑龙江省优秀工程设计一等奖
2004年获第三届中国建筑学会建筑创
作奖
黑龙江科技馆位于哈尔滨市松花江北岸上坞休养区内哈黑公路与警备路交会处。用地紧邻著名的太阳岛公园、虎园等旅游景点。基地东南方向距松花江公路大桥约600m．东北方向与原省科学会堂相隔一个街区。新馆建筑为地上3层、地下1层，设有常设展厅、短期临时展厅、学术报告厅、天象厅、动感影院及办公、库房、设备用房等。黑龙江科技馆建成后将成为黑龙江省科技、展示、培训的核心。
平面设计的中心是弧形大厅，建筑各功能空间均围绕弧形大厅展开，大厅由宽逐渐变窄．成为各功能单元的联系空间及交通组织中心，同时更是人们交流的场所．也是动态的城市空间与静态的使用空间的过渡节点。
在形体上以一片巨大的弧形墙面与球形天象厅形成大尺度、大形体的变化。在建筑的另一侧、则采用相对较小的曲墙．使建筑更富节奏感。在建筑空间的组织上也将室内中庭更多地赋予城市的特征，使其成为不同空间之间转换的节点。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009055635_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271067.htm
嘉峪关科技馆
嘉峪关科技馆
设计时间：2001年
建成时间：2002年
建设地点：甘肃省嘉峪关市
总建筑面积：11000m2
嘉峪关市是中国西部重镇，位于甘肃省西部．河西走廊的西端。嘉峪关城又是万里长城的最西端，是我国古代重要的关隘。其关城保存完好．气势依旧。同时．嘉峪关市所在的酒泉地区也因酒泉钢铁公司、酒泉卫星发射基地等而发展成一个新兴的工业化城市。嘉峪关科技馆就建在这样一个大环境中。
嘉峪关科技馆用地位于嘉峪关市雄关广场以东．呈规则的矩形。用地以北为电信大楼，以南为市政府大楼，东侧为五一南路．西侧为雄关广场。科技馆与市政府大厦、市电信大楼共同组成雄关广场的东侧界面。
科技馆最为重要的特征之一便是巨大的大台阶。大踏步台阶向广场一侧打开．并形成一个巨大的基座，其上部为圆形的展厅。基座外饰面为弹涂的仿石涂料，质地粗犷。上部圆形展厅采用铝板、玻璃等材料，精巧而细美。基座及展厅在形式、色泽、质感等多方面的变化和对比与传统城楼上下之间的对比相类似。结合影视厅需要独立对外的使用要求，在其外侧单独设有一块大面积实墙，强调出影视部分的入口空间。墙面有侧角，与传统城墙相像。其表面所开的不规则的孔洞、鲜明的色彩及突出的阳台等，又体现出明显的现代特征。 源于城市脉络与肌理的思考更多是逻辑的分析。建筑的总体格局与城市空间网络相吻合。考虑到与雄关广场的关系及城市人流方向．科技馆主立面向西。在此基础上将与嘉峪关城楼的轴线相平行的轴线系统(与城市轴线间约为10。的夹角)引入到科技馆的设计中，大台阶、中庭等空间均与此轴线有或多或少的呼应．历史的因素在这里再次出现，并与现代的设计交融。其次，建筑的形体应十分简练．特征明显。大的几何形体的变化与对比所形成的整体感，与其所处的环境．特别是粗犷的戈壁相适应。
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http://www.jianzhu01.com/Museum1007271066.htm
长春会展中心
长春会展中心
(合作设计：清华安地建筑设计公司)
设计时间：2000年
建成时间：2001年
建设地点：吉林省长春市
用地面积：260800m2
建筑面积：90000m2
长春会展中心位于长春经济开发区的21世纪广场西侧。其中．展馆面积56000r¨，是一组集展览、会议、餐饮、接待于一体的综合性建筑。
渐次展开的展馆布置．以有力而舒缓的体量呼应着远处起伏地势的自然之精神．宾馆高耸的体量在城市中时时传达着时代的信息。宽大的长廊将各个展馆有机地融置在一起，使展馆空间展现了自身最大的灵活性。现代理念、技术、材料的应用，使会展中心为城市建筑史画上了浓重的一笔。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009144839_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271065.htm
中山国际会展中心
中山国际会展中心
设计时间：2002年
建设时间：2002年
建设地点：广东省中山市
占地面积：18200m2
建筑面积：14300m2
中山国际会展中心位于广东省中山市火炬开发区的行政中心和地理中心，由会议中心与展览中心组成．分别位于会展广场的南北两侧，是展示城市形象和实力的场所．也是对外交流的纽带。
会议中心和展览中心作为开发区政府办公楼一市民广场一会展广场这条城市轴线尽端的建筑，配合城市空间格局以其独特的建筑形式形成良好的建筑轮廓线。不对称展开的弧形金属屋面，形成凌空展翅，盘旋回转的动感。玻璃幕墙与实墙体的虚实对比，钢架的多种组合方式丰富了立面效果，体现了建筑性格。作为两个相对独立的部分，在建筑形式上既相互协调又各具特征，与会展广场融为一体，形成完整的空问序列。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007093009172450_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271064.htm
奥地利古怪的新艺术中心
奥地利古怪的新艺术中心
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http://www.jianzhu01.com/Museum1007271063.htm
世界級的博物館-三希堂
世界級的博物館-三希堂
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101216182558_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271062.htm
伯茨海姆小教堂
获德国BDA2006年度雨果·贺临奖（Hugo-Haering-Preis des BDA 2006）和2006“信仰和形式”宗教建筑奖(Faith & Form Religious Architecture Award 2006)
“……通过当代的建筑语言，阐述了永恒的话题。在一处紧凑狭小的建筑间隙内，大胆地在礼拜堂室内大面积选用木摸混凝土，配合浑然天成的屋顶采光，安排紧凑的木椅，简洁的圣坛创造出一个全新的神圣的质量空间……”
业主：德国巴登符腾堡州基督教教会--伯茨海姆分教会
设计：德国AAg Loebner·Schaefer·Weber BDA
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http://www.jianzhu01.com/Museum1007271061.htm
韩国Leeum博物馆
韩国Leeum博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514145135_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271060.htm
VARDSSEN教堂
城市：挪威，奥斯陆
类别：公共建筑
设计特点：
VARDASEN教堂是1998建筑竞赛的获奖作品，它坐落在一个乡野景观边缘的山坡上，其内部空间开敞、明亮、统一。VARDASEN教堂拥有配套的幼儿园和教区设施，与当地的学校形成一个社区中心，幼儿园有单独的入口，游戏区紧挨着森林。教堂室内装有活动隔断墙，使其空间可延伸进教区会议室，为会议场提供500个坐席。教堂的主要标志性建筑是祭坛和钟塔，变化的灯光显示出空间的质地与美感。教堂的主要材料有轻质灰砖、混凝土、古香古色的镀锌屋顶以及混凝土地板。
建筑设计：Ostgaard Arkitekter AS
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http://www.jianzhu01.com/Museum1007271059.htm
上海汽车博物馆
上海汽车博物馆是中国首个专业汽车博物馆，集中展示了汽车诞生以来世界上出现过的近70辆经典车型，时间跨度逾百年，涉及品牌22个，为中国观众提供了鉴赏珍贵古董车以及了解汽车历史的平台。
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http://www.jianzhu01.com/Museum1007271058.htm
上海新江湾文化中心
上海新江湾文化中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101514374938_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271057.htm
英国约克郡地下画廊
国家：英国
类别：公共建筑
设计特点：
约克雕塑公园建立于1977年，这座占地500英亩的公园采用18世纪的园林风格，所收集的现代艺术品每年吸引了350000参观者。地下画廊横穿雕塑公园的坡形山地，并镶嵌在山体中。建筑从后部进入，并不突出地面，一道矮墙阻止了参观者上到其草坪屋顶，人们在这个角度仅能看到地面上的平天窗，这些天窗位于下部展览空间的后墙上，避免了其洞穴般的感受。三个展览空间采用简洁的体量，两座12m x 12m的展厅位于一座24m x 12m的展厅两侧，所有空间均为4.5m高，优雅而不封闭，为大型独立雕塑、小型雕塑和装置等提供了多样灵活的空间。照明设备被隐藏在肋型混凝土梁内，从而避免了眩光现象。三间画廊通过宽敞的走廊连接，地面采用当地的砂岩，落地的玻璃窗可以欣赏到整个花园的景色。四米宽的推拉玻璃窗和展厅厚重的木门形成对比，当所有的门被打开时，可以使参观者以及大型雕塑都畅通无阻。走廊窗外的小路同样采用砂岩地面，从而体现了内外镜像的效果。室外展区通过表面材料的变化划分出不同的展示空间，从沙砾到草坪再到40cm高的台阶，整个展场用紫杉树篱围合。
建筑设计：Feilden Clegg Bradley
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http://www.jianzhu01.com/Museum1007271056.htm
丹麦哥本哈根歌剧院
丹麦哥本哈根歌剧院
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http://www.jianzhu01.com/Museum1007271055.htm
美国国家艺廊东厢
贝聿铭1917年4月26日生于广州。1918年其父贝祖贻出任中国银行香港分行总经理，贝氏在香港度过了他的童年。1927年父亲调职，举家搬至上海。中学读于上海。1935年被父送往美国宾州大学攻读建筑。后转学麻省理工学院，1940年以优秀的成绩毕业。
四十年代由于战争，贝氏在父亲规劝之下滞留美国， 在一家以混凝土见长的工程公司工作，贝氏在这段工作经验中， 为自己奠定了在混凝土材料上表现佳绩的基础。 1942年，贝氏与毕业自卫斯里学院的陆书华结婚，同年贝氏至哈佛大学攻读建筑硕士学位。入学不久，贝氏就辍学，工作于国际研究委员会，主要工作是摧毁德意意志境内的桥梁。1945年秋，二次世界大战结束，贝氏开始他未竟的学业。因他在麻省理工学院的优秀成绩，尚未获得硕士学位就被哈佛设计院聘为讲师。
建筑融合自然的空间理念，主导着贝氏一生的作品，这些作品的共同点是内庭，内庭将内外空间串连，使自然融于建筑。上海美术馆是贝氏的毕业设计，严谨的平面间错安排了数个内庭，使之观感为各个不同艺廊的背景，将自然引入室内是他的设计特点。到晚期，内庭依然是贝氏作品不可缺少的元素之一，光与空间的结合，使空间变化万端，“让光线来做设计”是贝氏的名言。
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http://www.jianzhu01.com/Museum1007271054.htm
葡萄牙波尔图广场
葡萄牙波尔图广场
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http://www.jianzhu01.com/Museum1007271053.htm
苏州博物馆
苏州博物馆
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http://www.jianzhu01.com/Museum1007271052.htm
西班牙人类博物馆
西班牙人类博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007101714071459_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271051.htm
柏林大学图书馆
Foster设计的柏林大学图书馆
作为大学校园改革的一项工程，由顶级的建筑设计师Foster和他的团队设计的柏林图书馆成为标志性建筑，它以独特的半圆型结构出现，基本都是用钢筋和玻璃构成，这样独特设计的图书馆，让被人们称为柏林的大脑，为柏林大学和柏林城增添了异彩！
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http://www.jianzhu01.com/Museum1007271050.htm
澳洲國家博物館
位於澳洲首都坎培拉的澳洲國家博物館，是一座介紹澳洲發展史的綜合性博物館，為2001年澳洲聯邦百年大慶的重要建設之一，由Achton Raggatt McDougall(ARM)和Robert Pect von Hartel Trethowan(RPcHT)兩家事務所共同設計。2001年，該館以「年度最新公共建築」名義獲得藍圖建築獎（The Blueprint Architecture Award）的殊榮。
基地座落在阿克頓(Acton)半島上的格里芬湖（Lake Burley Grffin）畔，國會大廈就在湖的對岸不遠處。坎培拉是個寬敞低平的現代都市，主要建築均以格里芬湖為中心分布，沒有澳洲其他大城市的繁忙交通和摩天大樓，卻呈現出一種安詳及鄉野的獨特魅力。博物館承繼坎培拉建築的低平特性，呈水平帶狀分布。建築師依照空間性質的不同將博物館分為臨時性展館、永久性展館、大廳、原住民展館、行政管理辦公室，以及澳洲原住民與托雷海峽島民研究所等幾大單元，再以彎刀狀的配置將這些被推向湖畔的空間單元串連起來。
這個看似不按牌理出牌、隨意拼湊的博物館建築，除了有其特殊隱喻之外，也包含了許多建築師的創意想法在裡頭。建築師在這塊11公頃的基地上創出一條新的軸線，這條紅色舖面一端朝著澳洲中部原住民聖地艾爾斯岩(Ayers Rock，原住民稱：Uluru）方向，到了基地盡頭後向上捲起。另一端向著博物館中心，到了入口廣場處，紅色舖面上多出一條像是節慶中的彩帶又像是雲霄飛車般的鋼構標誌物，在空中繞了一個大圈之後，竄到博物館大廳入口處，引領訪客進入博物館。最後，鋼板停留在大廳入口上方，表面看似截斷，其實還有一段看不見的部分穿越大廳沒入湖裡。
除了艾爾斯岩這條軸線之外，博物館裡還有許多看得見的、看不見的線。建築師認為，澳洲的歷史是由許許多多不同族群、不同時間、不同地點的故事編織而成的，如同繩索一般纏繞、糾結在一起，其中有共生的關係，依存的關係，和互斥的關係，但任誰也難說清楚這究竟是怎麼回事。因此，建築師以繩索纏繞成結做為博物館的隱喻，並將這個抽象概念轉化為建築實體，創造出許多令人意想不到、視覺效果極佳的造形與空間。像是大廳內使光線充滿戲劇性的橄欖狀天窗、讓人有如置身洞穴由多種曲面交錯而成的現代穹窿、散發浪漫氣息形狀特異的咖啡座旁窗口，和引人好奇想一窺究竟的多邊形出入口等，其設計過程，是將一個方盒子套在一堆繩結上，透過布林運算(Boolean mathematics)的交集、聯集和空集，部分保留，部分挖空，再經由多重試驗挑選之後，找出最佳的形式定案。
博物館彎刀狀的配置中間是一個名為「澳洲夢花園」的開敞空間，那是一個下凹的空間，裡頭有水池，水池上浮著一片傾斜的大地圖，是由澳洲的地形圖、街道圖、原住民分布圖、氣象圖、行政劃分圖等多種地圖重疊而成的抽象性地圖。除了地圖之外，一些看似裝飾性的東西，也都有其特殊意涵，譬如牆上抖大的「Eternity」（永恆）一字，是隱喻一個全澳洲人都很熟悉的傳說，據說有一個男子，三十年來一直在雪梨的人行道上塗寫這個字。此外，在色彩運用上，建築師在博物館的裡裡外外用了許多紅、黑、黃的顏色，譬如入口處雲霄飛車般的博物館標誌、花園四周高矮不齊的圍欄等。事實上，紅黑黃三色是澳洲土著旗幟的顏色。
建築師在這座博物館裡用了許多澳洲人熟悉的事物，當作設計元素，並以人民、土地和國家做為設計發展主軸。建築師認為，建築不應該是個沒有前後文，讓人讀不到內容的中性個體，尤其是文化史博物館，博物館建築和展品之間應該產生更多的對話。
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http://www.jianzhu01.com/Museum1007271049.htm
日本玉名天望館
玉名天望館
Tamana City Observatory Museum
座落地點：熊本縣玉名市，日本
建築設計：高崎正治
完工時間：1992
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http://www.jianzhu01.com/Museum1007271048.htm
Flint RiverQuarium水族馆
Flint RiverQuarium水族馆，Antoine Predock设计
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http://www.jianzhu01.com/Museum1007271047.htm
历史博物馆（Museum of Natural History）
Greatbuildings设计的历史博物馆（Museum of Natural History）
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http://www.jianzhu01.com/Museum1007271046.htm
法兰克福建筑博物馆
不同的时代，书写着不同的历史，而建筑就是历史所留下的足迹。
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http://www.jianzhu01.com/Museum1007271045.htm
现代艺术和建筑博物馆
现代艺术和建筑博物馆
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http://www.jianzhu01.com/Museum1007271044.htm
独立钟中心（Liberty Bell Center）
Bohlin Cywinski Jackson设计的独立钟中心（Liberty Bell Center）
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http://www.jianzhu01.com/Museum1007271043.htm
美国加利福尼亚州笛洋美术博物馆（De Young Museum）
美国加利福尼亚州笛洋美术博物馆（De Young Museum）
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http://www.jianzhu01.com/Museum1007271042.htm
石谷仓中心
石谷仓中心
国家：美国
城市：纽约
类别：公共建筑
这座集教育文化和餐饮设施为一体的建筑改造自一座建于1930年代的石材谷仓。它包括教室、会议室、展览空间、办公室和一座24000平方英尺的温室，即将完成的二期将包括一个20000平方英尺的游客中心。建筑的入口是一个由不同尺度的石头房子围合而成的庭院，一侧是游客中心、阅览室和展览空间，另一侧是咖啡厅、行政办公室和餐厅。两个圆形的石材谷仓标识出了通往举行社交活动的“事件大厅”的入口。建筑师利用了原有谷仓的外形，并通过钢框架使石材墙面上大的开口成为可能。建筑采用低辐射玻璃，部分屋顶采用青石板与当地的石材取得呼应，原有的混凝图楼板被原地保留，古老的栗子树木门被重新利用为隔断。2250平方英尺的餐厅采用跨度达38英尺的三角形钢桁架结构，其下的抹灰吊顶被取消，暴露的钢框架带来了戏剧性的效果。室内地面采用松木地板，不锈钢门带给人一种闪烁的酷感，古董和白色橡木家具更是突出了简洁的氛围。建筑师在整个综合体中强调舒适和温暖的空间品质，在这座田园诗般的建筑里，为室内外空间注入了新的元素，使简洁的现代性在古老的背景下脱颖而出。
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http://www.jianzhu01.com/Museum1007271041.htm
芝加哥交响乐中心
SOM建筑设计事务所设计的芝加哥交响乐中心。
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http://www.jianzhu01.com/Museum1007271040.htm
国家大剧院
中国国家大剧院位于北京人民大会堂西侧，西长安街以南，由国家大剧院主体建筑及南北两侧的水下长廊、地下停车场、人工湖、绿地组成，总占地面积 11.89万平方米，总建筑面积约16.5万平方米，其中主体建筑10.5万平方米，地下附属设施6万平方米。总投资额26.88亿人民币。主体建筑由外部围护钢结构壳体和内部2416个坐席的歌剧院、2017个坐席的音乐厅、1040个坐席的戏剧院、公共大厅及配套用房组成。外部围护钢结构壳体呈半椭球形，其平面投影东西方向长轴长度为212.20米，南北方向短轴长度为143.64米，建筑物高度为46.285米，基础埋深的最深部分达到-32.5米。椭球形屋面主要采用钛金属板饰面，中部为渐开式玻璃幕墙。椭球壳体外环绕人工湖，湖面面积达35500平方米，各种通道和入口都设在水面下。 国家大剧院高46.68米，比人民大会堂略低3.32米。但其实际高度要比人民大会堂高很多，因为国家大剧院地下的高度有10层楼那么高，其60％的建筑在地下。 2008年完工 设计：PaulAndreuandADP。
国家大剧院由法国建筑师保罗·安德鲁主持设计，设计方为法国巴黎机场公司。国家大剧院建筑屋面呈半椭圆形，由具有柔和的色调和光泽的钛金属覆盖，前后两侧有两个类似三角形的玻璃幕墙切面，整个建筑漂浮于人造水面之上，行人需从一条80米长的水下通道进入演出大厅。大剧院造型新颖、前卫，构思独特，是传统与现代、浪漫与现实的结合。这座“城市中的剧院、剧院中的城市”计划以一颗献给新世纪的超越想象的“湖中明珠”的奇异姿态出现。
概貌
国家大剧院主体建筑由外部围护结构和内部歌剧院、音乐厅、剧场和公共大厅及配套用房组成。在地面层坐落着三幢建筑：歌剧院、音乐厅和剧场，它们由道路区分开，彼此以悬空走道相连，恍若在水面上的地面建筑是一个巨型壳体，它覆盖、庇护、包围和照亮着所有的大厅和通道。建筑物在水面中的倒影构成了大剧院的外部景观。
外部围护结构为钢结构壳体，呈半椭球形，其东西长轴为 212.20 米，南北短轴为 143.64 米，建筑总高度为 46.285 米，地下最深处-32.50 米。椭球形屋面主要采用钛金属板，中部为渐开式玻璃幕墙。主体建筑外环绕人工湖，人工湖四周为大片绿地组成的文化休闲广场。人工湖面积达35500平方米，人工湖水深为40厘米，整个水池分为22格，分格设计既便于检修，又能够节约用水，还有利于安全。每一格相对独立，但外观上保持了整体一致性。大剧院南部入口与北部入口“水下走廊”一起延伸至地下6m之处，观众通过水下长廊进入大剧院。北侧主入口为80米长的水下长廊，南侧入口和其它通道也均设在水下。观众进入大剧院时会发现他们的头顶之上是一片浅浅的水面。在入口处设有售票厅，水下长廊的两边设有艺术展示、艺术品商店等服务场所。国家大剧院北入口与地铁天安门西站相连，并有能容纳1000辆机动车和1500辆自行车的地下停车场。
大剧院内有三个剧场，中间为歌剧院、东侧为音乐厅、西侧为戏剧场，三个剧场既完全独立又可通过空中走廊相互连通。在歌剧院的屋顶平台设有大休息厅，在音乐厅的屋顶平台设有图书和音像资料厅，在戏剧场屋顶平台设有新闻发布厅。内部歌剧院主要演出歌剧、芭蕾、舞剧，有观众席2416席；音乐厅主要演出交响乐、民族乐、演唱会，有观众席2017席；戏剧场主要演出话剧、京剧、地方戏曲、民族歌舞，有观众席1040席。各剧院都设有化妆间、指挥休息间、练琴房、演员候场区、换装间、服装整烫间、道具间、演员休息厅。舞台技术用房设有音响控制室、灯光控制室、调光器设备间、音响设备室、摄像机房等。
大剧院共有五个排练厅，位于三个剧场之间，可以共用也可以分别使用。一个大排练厅主要用于合成排练；两个中排练厅一个主要用于舞蹈排练，一个用于乐队排练；两个小排练厅主要用于分部排练。 大剧院设有集中音像制作中心，有大录音棚一间、同期录音演播室一间，以及电视转播机房和音像后期制作室。大剧院设有一间大绘景间，设置布景吊挂和绘景设备，还设有布景、道具整修间和布景仓库，以及为集装箱运输用的升降平台2台。
灯光
在国家大剧院壳体结构上，安装有506盏“蘑菇灯”。与长安街上其他建筑物在夜晚灯火通明的景象不同，国家大剧院壳体上面的“蘑菇灯”散发的是点点光芒，如同夜空中闪烁的繁星。夜幕降临时，夜空、星光、静水、球幕、灯岸、倒影，国家大剧院将呈现出其别具一格的美丽夜景。
舞台
国家大剧院由歌剧院、音乐厅和戏剧院三大部分组成。进到歌剧院内，最先映入眼帘的是超大无比的舞台。这个舞台由一个主台、两个侧台和一个后台构成，每一个舞台又可再分成六块，这六块既可以升降成台阶状，也可以根据剧目需要高低错落，还可以升降旋转成一个斜面。由于穹顶高度的限制舞台和部分观众席位于地下。舞台顶部还设置了60多道吊杆和幕布，可以制造不同的演出场景。60块幕布可快速切换，最快只需5秒，而歌剧院的观众厅可同时容纳2400多人观看演出。
观众席
剧院里，和观众最亲密接触的就是观众席了。据介绍，在每个座椅下都会有空调送气孔。观众在观看演出时，感受不到气流的存在，却能享受到空调带来的舒适。而且下送风设计调节的是地面以上两米高度内的空气温度，与传统中央空调调节整个剧场温度相比，不仅大大节约了能源，还不会产生中央空调的那种噪音。
此外，座椅安有消声装置，即使观众中途离席折叠收椅，也不会发出声音。
国家大剧院之最
·世界最大穹顶
国家大剧院整个壳体钢结构重达6475吨，东西向长轴跨度212.2米，是目前世界上最大的穹顶。
·北京最深建筑
国家大剧院地下最深处为-32.5米，相当于往地下挖了10层楼的深度，成为北京最深的建筑。
·亚洲最大管风琴
音乐厅内的管风琴共有6500根发音管，是亚洲最大的管风琴，造价达3000万元。
国家大剧院艺术委员会名单
国家大剧院艺术总监名单
戏剧总监：徐晓钟；舞蹈总监：赵汝蘅；音乐总监：陈佐湟；
设计师简介
保罗·安德鲁（Paul Andreu），1938年出生于法国波尔多市附近的冈戴昂，毕业于法国高等工科学校（1961年）、法国道桥学院（1963）和巴黎美术学院（1968年）。1967年，他设计了圆形的巴黎戴高乐机场候机楼。从此，作为巴黎机场公司的首席建筑师，他设计了尼斯、雅加达、开罗、上海等国际机场，日本关西国际机场的基本概念也出自安德鲁之手。他参与过许多大型项目的建设，像巴黎德方斯地区的大拱门、英法跨海隧道的法方终点站等。1999年，安德鲁领导的巴黎机场公司与清华大学合作，经多轮角逐，在中国国家大剧院国际竞赛中夺标。
争论与批评
国家大剧院的建设方案曾遭部分院士、建筑学家、建筑师的批评性意见。耗资巨大以及建筑设计的艺术形式存在着令人担忧的问题。巨型壳体覆盖着四座剧场，从演出功能看毫无必要，导致很大的耗费；大面积的水池也是一种不经济的行为。
国家大剧院被北京居民昵称为“蛋壳”。国家大剧院这个方案可以说是最令人惊愕的作品之一。评委会在招标前提出三个原则：一看就是一个剧院，一看就是中国的大剧院，一看就是天安门附近的大剧院，它这三个方面都不符合。而且其外表形状与附近的故宫以及毗邻的人民大会堂建筑风格‘不协调’也是人们争论、批评的焦点，被认为舍“传统”而取“现代”之争。另外北京风沙尘土大，大圆弧建筑又难于清扫。
国家大剧院总投资26.8838亿元，大剧院工程内部三大剧院座位数已经确定为5473个，平均每个座位造价近50万。以每个希望小学平均造价25万（参照浙江标准）计算，国家大剧院总投资可以建5473×2＝10496所希望小学。 有专家根据经验计算统计，国家大剧院建成后的运营费和维护费极其惊人，仅每月的电费就需要400万元人民币，可以建16所希望小学。
中国青少年发展基金会自1989年创立以来，15年累计接受海内外捐款22亿多元，资助250多万名贫困学生上学读书，援建希望小学9508所。在每100所农村小学中，就有2所是希望小学。(2004年02月24日 (中国青基会通讯2004年第1期)). 比较可以看出，国家大剧院这一项建设投入比“希望工程”15年的募资还多。如果将这笔费用投入农村教育可以相当于“希望工程”15年的成就。
感谢《建筑创作》杂志提供全部照片！
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新国立剧场
新国立剧场
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http://www.jianzhu01.com/Museum1007271038.htm
西班牙Domus La Coruna博物馆
西班牙博物馆建筑设计系列，Domus La Coruna博物馆
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http://www.jianzhu01.com/Museum1007271037.htm
维哥博物馆
维哥博物馆
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http://www.jianzhu01.com/Museum1007271036.htm
Amsterdam公共图书馆
Amsterdam公共图书馆
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http://www.jianzhu01.com/Museum1007271035.htm
Akron艺术博物馆新馆设计
Akron艺术博物馆新馆设计
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http://www.jianzhu01.com/Museum1007271034.htm
Niemeyer文化中心
Niemeyer文化中心，由Oscar Niemeyer设计
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http://www.jianzhu01.com/Museum1007271033.htm
Stroom Den Haag艺术中心
Stroom Den Haag艺术中心位于荷兰海牙，成立于1989年，一直致力于视觉艺术和建筑设计。Stroom象征着活力和动力。Stroom 组织了大量的展览，演讲。拥有自己的图书馆和展览馆。
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http://www.jianzhu01.com/Museum1007271032.htm
东京Tama大学图书馆
原 名 称：Tama Art University Library
Iwan Baan 又一次给我们分享另一个给人深刻印象的照片集，展示了由伊东丰雄设计的，位于日本东京Tama大学的图书馆建筑。
Once again, Iwan Baan shared with us another impresive photoset. This time, we are presenting the Tama Art University Library in Tokyo, Japan, by Toyo Ito.
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http://www.jianzhu01.com/Museum1007271031.htm
德国马尔巴赫现代文学馆
德国内卡河畔的马尔巴赫现代文学馆，David Chipperfield 事务所设计，赢得RIBA Stirling Prize 2007奖
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http://www.jianzhu01.com/Museum1007271030.htm
东京歌剧城（tokyo opera city）
东京歌剧城（tokyo opera city）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_44.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_45.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_46.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_47.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_48.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_49.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_50.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_51.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_52.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_53.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_54.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_55.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_56.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_57.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_58.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_59.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_60.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_61.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_62.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_63.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_64.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_65.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_66.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_67.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_68.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111409495754_69.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271029.htm
日本传统工艺博物馆(traditional crafts museums)
日本传统工艺博物馆(traditional crafts museums)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111510545942_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271028.htm
西班牙特内里费Magma艺术和会议中心－Magma Arts and Congress Centre
西班牙特内里费Magma艺术和会议中心－Magma Arts and Congress Centre
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111512551252_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271027.htm
Meiji-Mura Museum 明治村
Meiji-Mura Museum 明治村
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007111609374159_19.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271026.htm
东京国际交流馆
东京国际交流馆
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http://www.jianzhu01.com/Museum1007271025.htm
Alvaro Siza设计的韩国某艺术馆
Alvaro Siza设计的韩国某艺术馆
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http://www.jianzhu01.com/Museum1007271024.htm
Whitehaven游客中心
archimania设计Whitehaven游客中心设计作品
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309012733_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271023.htm
Rakow探索图书馆（Rakow Research Library）
Bohlin Cywinski Jackson设计的Rakow探索图书馆（Rakow Research Library）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309261431_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309261431_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309261431_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112309261431_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271022.htm
东京摄影美术馆（tokyo metropolitan museum of photography）
东京摄影美术馆（tokyo metropolitan museum of photography）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112609400231_27.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271021.htm
卡彭特中心（Carpenter Center）
Greatbuildings设计的卡彭特中心（Carpenter Center）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112610345339_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112610345339_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112610345339_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112610345339_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271020.htm
The Shrine of Remembrance战争纪念馆
2003年在墨尔本完工，建筑设计Achton Raggatt McDougall(ARM)，The Shrine of Remembrance战争纪念馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809132732_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271019.htm
丹佛HAMILTON艺术馆
丹佛HAMILTON艺术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809211239_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809211239_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809211239_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809211239_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809211239_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271018.htm
俄罗斯Brooklyn博物馆门廊
工程名称：Brooklyn博物馆门廊
国家：俄罗斯
城市：莫斯科
类别：公共建筑
设计特点：
Brooklyn博物馆加建的水晶弧形门廊面积达到5000平英尺，它不仅满足了入口的作用，同时它的开放性和透明性也吸引了无数的参观者。博物馆原有的立面冷峻庄严，仿佛莫斯科街道上的一座政府办公楼。加建的门廊必须要打破现有建筑花岗岩立面的沉重感，引入阳光，使路人对内部陈列的展品发生兴趣。入口大厅的透明设计采用阶梯状屋顶，仿佛是已经消失的博物馆大台阶的化身。门廊的平面为一个巨大的弧形，一条通往地铁站入口的放射线将其截断，从而将博物馆原有的入口改向人流最集中的方向。纤细的钢支架从现有建筑的底部发散出来，支撑着上部的玻璃屋顶面板，这些弯曲的透明玻璃面板间距1英尺高，在视觉上带来阶梯状效果的同时，在结构上起到了梁的作用。建筑师同时还在门廊周围设置座椅、种植树木，从而吸引市民。一个圆形剧场从弧形的东北角升起，为城市提供了一个极好的公共集会空间。门廊屋顶下的弧形墙面向外倾斜，避免了立面眩光给人们带来的不适。圆形剧场上方有一条跨越入口的步行道，人们可以由此看到室内，同时参观者的影子在玻璃屋顶上跃动。门廊的加建并没有削弱原有建筑的重要性，进入门厅后，人们的视线被自然地向上吸引至旧建筑立面上厚重的壁柱和柱顶线盘。展馆的墙面角部倾斜楔入大厅，将日光引入到建筑的深部。为了分离人流和车流，停车场被设置在博物馆后部的次要入口，从而使所有的人流都汇集到改造后的主要大厅。这座博物馆门廊的加建为人们提供了欣赏艺术和与艺术建立联系的独特方式。
建筑设计：Polshek Partnership
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809390634_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809390634_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809390634_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809390634_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007112809390634_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271017.htm
生物技术中心（Biotechnology Center）
Bohlin Cywinski Jackson设计的生物技术中心（Biotechnology Center）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008544946_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008544946_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008544946_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008544946_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271016.htm
MKM
MKM (Museum Küppersmühle für Moderne Kunst) ，赫尔佐克(Herzog)和迪•默龙(de Meuron)设计
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113008595647_15.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271015.htm
Otis艺术与设计学院美术馆
Otis艺术与设计学院美术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007113009071659_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271014.htm
德国K21艺术馆
德国K21艺术馆，1880年建成的，2002年在慕尼黑Kiessle和伙伴新整修的玻璃穹顶，圆顶。
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http://www.jianzhu01.com/Museum1007271013.htm
德国斯图加特艺术博物馆
德国斯图加特艺术博物馆
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http://www.jianzhu01.com/Museum1007271012.htm
西班牙毕加索博物馆设计
城市：西班牙，马拉加
类别：公共建筑
设计特点：
毕加索博物馆坐落在低矮而高密度的城市环境中，由当地24000平方英尺的Buenavista宫殿改造而成，同时在旁边1950年代的院落中加建了一座19000平方英尺、两层高的现代展厅。建筑师将原有宫殿旁的新旧房屋纳入设计范围，保留其立面的同时对体量加以整合，使建筑面积增加到了37000平方英尺。改造后的博物馆综合体内包含画廊、报告厅、办公室、教育设施、图书馆和商店，辅助建筑通过庭院与宫殿连接。Buenavista宫殿多变的历史给改造以自由发挥的余地，建筑师所作的就是使建筑“平静”下来，用其最完美的部位创造中性的艺术品展示空间。出于对比例和轴线的钟爱，建筑师调整了原有建筑物的开口，并取消了一些内墙，原有的门被保留了下来，而所有的窗套都模仿原型以木材复制品取代，从而满足双层玻璃的需要，窗外悬挂当地色彩的草席来遮蔽日光。新建的现代展厅空间高敞，极少主义的风格着力表现了空间、比例和光线。中央采光顶使用16x96英尺的平纹棉织物张拉膜，上部是双层玻璃和电动遮阳百叶，以及氧化铝屋顶。通层高的阳光中庭将画廊与宫殿相分离，并提供了通往咖啡厅、花园和庭院的入口。建筑师用高品质的材料和精致的细节清除了50年代设计的不尽人意之处，用传统形式诠释了极少主义，创造出了与原有建筑形成鲜明对比又和谐共处的新展示空间。
建筑设计：Gluckman Mayner Architects
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http://www.jianzhu01.com/Museum1007271011.htm
意大利卡利亚里现代艺术博物馆设计
意大利卡利亚里现代艺术博物馆设计
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121008575330_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271010.htm
伦敦英国时装及纺织博物馆
伦敦英国时装及纺织博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2007121109065432_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271009.htm
瑞士巴塞尔贝乐基金会（Fondation Beyeler）博物馆
瑞士巴塞尔贝乐基金会（Fondation Beyeler）博物馆 ，Renzo Piano设计
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http://www.jianzhu01.com/Museum1007271008.htm
浙江美术馆
项目类型：文化
建设地点：浙江杭州
总建筑面积：31550m2
设计／竣工年：2004年，在建
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http://www.jianzhu01.com/Museum1007271007.htm
hyogo地方历史博物馆（hyogo prefectural museum of history）
hyogo地方历史博物馆（hyogo prefectural museum of history）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409192630_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271006.htm
Mt. Olivet 墓园（Mt. Olivet Cemetery）
Mt. Olivet 墓园（Mt. Olivet Cemetery）美国
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_44.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_45.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_46.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_47.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_48.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_49.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_50.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_51.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_52.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_53.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_54.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_55.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_56.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_57.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_58.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_59.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_60.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_61.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_62.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010409301131_63.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271005.htm
柏林巴黎广场宫
柏林巴黎广场宫
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008010810331749_17.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271004.htm
阿伯丁郡史前中心
阿伯丁郡史前中心 英国
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008011109171954_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271003.htm
广岛地方历史博物馆（hiroshima prefectural museum of history）
广岛地方历史博物馆（hiroshima prefectural museum of history）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012109584338_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271002.htm
Kanno博物馆(Kanno Museum)
Kanno博物馆(Kanno Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012208373744_14.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271001.htm
阿伯丁中心(Aberdeen Center)
阿伯丁中心(Aberdeen Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012408535853_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007271000.htm
Musee du Quai Branly
Musee du Quai Branly 法国
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012510202955_22.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270999.htm
阿拉斯加州立大学诺斯博物馆（Alaska‘s Museum of The North）
阿拉斯加州立大学诺斯博物馆（Alaska‘s Museum of The North）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012808593751_16.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270998.htm
丹佛艺术博物馆（Denver Art Museum）
丹佛艺术博物馆（Denver Art Museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809132654_20.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270997.htm
顿卡斯特地球中心
顿卡斯特地球中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008012809250537_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270996.htm
国立戏剧艺术剧院
原 名 称：National Institute of Dramatic Arts
国立戏剧艺术剧院(National Institute of Dramatic Arts) 悉尼
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008031909450638_20.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270995.htm
Wexner中心艺术图书馆（Wexner Center for the Visual Arts and Fine Arts Library）
Design/Completion 1983/1989 Columbus, Ohio
The Ohio State University, State of Ohio 140,000 square feet
Instead of selecting any of the obvious building sites on the campus, a site was created by locating the Center between several proposed sites and existing buildings. This can be described as a non-building, an archaeological earthwork whose essential elements are scaffolding and landscaping.
The scaffolding consists of two intersecting three-dimensional gridded corridors which link existing buildings with the new galleries and arts facilities. One part of scaffolding is aligned with the Columbus street grid, the other with the campus grid, so the project both physically and symbolically links the campus with the city beyond. The Center acts as a symbol of art as process and idea.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008032808484331_20.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270994.htm
美国班戈大学公共图书馆
美国缅因州班戈(Bangor)大学公共图书馆建筑及室内设计。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008040910155438_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270993.htm
佐治亚州哥伦布公共图书馆
佐治亚州哥伦布图书馆的新主馆坐落于一个42英亩地块的中央，融合了21世纪的技术以及传统的服务。
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http://www.jianzhu01.com/Museum1007270992.htm
芬兰大厦
白色雕塑主义的浪漫杰作－芬兰大厦
芬兰大厦位于市中心德勒湾畔的，是一座颇具现代风格的多功能建筑，宛如一架巨大的白色钢琴静静地靠在湖边，湖水中倒映出线条流畅的琴身，好似一幅优美的风景画。这是世界著名的芬兰建筑大师阿尔托独具匠心的杰作，被誉为芬兰现代建筑艺术中的一颗明珠。
这座建筑从里到外都是由Alvar Aalto设计的，主体部分于1971年完工，赫尔辛基芬兰大厦风景图而侧翼会场则在1975年完工。这里现在是赫尔辛基交响乐团演奏厅，举行各种音乐会和活动。为了衬托周围Hesperia公园和特勒湾的景色，尤其是在冬天，专门设计了这座引人注目的白色建筑。芬兰大厦是芬兰现代文化无可争议的活动基地。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008041009520246_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008041009520246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008041009520246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008041009520246_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270991.htm
香奈尔移动艺术展览馆
由Zaha Hadid设计的流线型的香奈尔白色展览馆。Mobile Art展览馆是一个呈几何形状的环形曲面，其圆形的环面正是最基本的展览空间，再往周边伸展，为参观者带来置身其中的感受，正好与展览产生互动的效果，令艺术观赏成为集体的体验。展馆的外形是从香奈儿著名的菱格纹手袋中撷取的灵感，采用自然组织的模式亦兼顾实际的用途，这个表演场地是整个城市的地貌——充满了流动的线条美，与Zaha HADID想象中游牧的建筑极为雷同。她并非兴建了一座流动的博物馆，而是创造了一个偌大的空间让众多艺术作品展出，且可以随处移动。展览馆的奇妙之处在于如何把身心的感受转化为感官的体验，在世界各地为香奈儿这件经典作品喝彩。
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http://www.jianzhu01.com/Museum1007270990.htm
巴伦西亚科学城
1991年，通过设计竞赛，卡拉特拉瓦获得了在他的家乡巴伦西亚建造一个科学博物馆和天文馆建筑群的机会。卡氏又一次面临挑战性的任务，在一片城市边缘地带，一个当时简直是没有希望的地区，设计新建筑。
首先建成的是天文馆。球形的天文馆被覆盖在一个透明的拱形罩下，罩长110m，宽55.5m。这个混凝土结构的造型及其运作过程十分诱人：在罩的一侧，一个巨大的门上下开启与闭合，露出里面的球形天文馆，就像是一张一合的眼帘。当这种运动反射在前面的浅水池中时，眼睛的联想就更为强烈了。
为了避免与科学博物馆冲突，天文馆的地坪设在地面以下，通过一条下沉的廊道进入，廊道里设有售票厅，餐馆及其它服务设施。
天文馆的边上就是科学博物馆。与很多传统的大型展览馆相似，博物馆采用一种截面沿着长向按照模数重复发展，形成长241m，宽104m的建筑。5个混凝土树状结构一字排开，支撑着屋顶与墙面的连接处，这些“树”同时容纳了竖向交通与服务管线。建筑的两个端头是对称的，由一系列三角形斜拉构件构成，同时也强调建筑入口的特征
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http://www.jianzhu01.com/Museum1007270989.htm
居埃尔宫殿（Palau Guell）
位 置：西班牙巴塞罗那市Nou de la Rambla大道3～5号
建造时间：1886—1888年。
居埃尔宫殿被联合国教科文组织列入世界建筑遗产，它是高迪的成名之作。建筑师设计时没有拘泥于材料，事实上对预算也毫无限制。建筑中使用了最优良的石头、质量最好的锻铁和细木家具，这些都使得这座房子成为当时最为昂贵的建筑。这座城市内的宫殿坐落在巴塞罗那老城内一条狭窄的街道，因而从外部无法看到建筑的全貌。居埃尔之所以决定将住宅建在此处出于两个原因，一是不放弃祖传的家产，另一是扭转这个区域的不良名声。然而，朴实的石头立面没有彰显出内部的庄严，而高迪在内部设计上显示出前所未有的奢华。确定建筑正立面的设计前曾有25种以上的设计方案，建筑正立面是在引人注目的历史线条和精细、经典轮廓的基础上提出的设计方案。两个巨大的入口为抛物形的拱形门。这座四层建筑有一个地下室和一个露台，其中地下室连接着两个斜坡，一个用于行人入口，一个用作马的入口。
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http://www.jianzhu01.com/Museum1007270988.htm
鄂尔多斯影剧院
地点：鄂尔多斯市
功能：文化建筑
建筑规模：8153m2(原有3335m2扩建4818m2)
建筑高度：22．8m
建筑层数：三层
设计时间：2005年5月
竣工时间：2006年6月
项目建筑师：张鹏举
内蒙古鄂尔多斯影剧院是20世纪70年代中国大多数城市该类建筑的习见型制，建筑面积7800m2，能容纳观众1300人，是当时当地最大的公共文化场馆，曾一度发挥了重要的作用。但随着时代发展，其陈旧的设施和单一的功能已无法满足现今的需要。故在拆旧建新和改造利用的取舍上，本着资源节约的原则，我们选择了后者，并希望借此改造探讨一种旧建筑利用的适宜方法。
文化娱乐设施贴近群众是新时期剧场建筑的基本准则，原有建筑场所提供服务的单一性不能满足现代人多样丰富的文化生活，更无法营造区域性“场所中心”的空间氛围，因而向多方位综合性服务的转变是改造的首要任务。改造扩建的策略是：赋予原有观众厅两侧的疏散廊以积极意义，以此为连接向外扩散，分别设餐厅、会议、小型影厅、贵宾室及其它娱乐空间，
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http://www.jianzhu01.com/Museum1007270987.htm
湖广会馆
项目地点：重庆渝中区
项目功能：文化旅游，民俗文化展示
规模建筑(面积)：7OOOm2
设计／建成时间：1999．7～2005．9
项目建筑师： 张兴国 郭璇 廖屿荻等
重庆湖广会馆，是由齐安公所(湖北地方会馆)、南华宫(广东会馆)、禹王宫(山东会馆)等组成的集中的移民会馆建筑群。它们兴建于明末清初，建筑依山就势，东面长江紧临东水门码头，北靠长江嘉陵江交汇处的朝天门码头，与渝中半岛的解放碑商贸中心紧密相连。历史上重庆八大会馆密布于此，至今还保留较为完整的四大会馆，占地面积1万多平方米，建筑面积7000m2。会馆建筑如此集中，规模如此之大，为国内罕见，充分反映出古代重庆移民城市的文化经济特色。
随着历史的发展变迁，湖广会馆的原有功能曾一度消失，取而代之的是仓库、加工车间、低收入居民住房等。房屋年久失修，内部空间任意分割改变，电线密如蛛网，建筑破败不堪，历史文物面临被毁灭的危险。
如何保护文物，使历史建筑再生，成为各界关心的问题。本项目得到市政府的高度重视，我们接受了保护设计任务，从测绘调查、保护规划、修复设计及现场跟踪设计，历时六年，于2005年9月国际亚太市长峰会前竣工并对外开放。湖广会馆得以复兴，成为重庆重要的民俗文化及旅游场所。
在保护好文物建筑的历史文化价值、建筑艺术价值的基础上，如何使其发挥重要的社会经济价值，这是我们面临的问题。我们打破传统的文物保护观，将历史建筑的保护与市场文化经济结合起来，将历史建筑注入新的功能，在解决自身经济运转的同时，也提升周边地域经济。
同乡会馆是移民的议事场所，又具有浓厚的民俗商业文化特色。重庆是极具特色的移民城市，历史上多次移民活动，带来重庆经济文化的大发展。将历史文化与现代商业文化活动和旅游文化结合起来．
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http://www.jianzhu01.com/Museum1007270986.htm
富乐国际陶艺博物馆群主馆
项目名称：富乐国际陶艺博物馆群主馆
项目地点：陕西省渭南地区富平县乔山路1号富平陶艺村
项目功能：现代陶艺陈列馆
建筑规模：1600 m2
设计／建成时间：2004.1／2004.8
项目设计单位：西安建筑科技大学陕西文化遗产保护研究中心
主持建筑师：刘克成
合作建筑师：傅强，许东明，樊淳飞
结构工程师：周铁钢，王维江
项目业主：徐都锋，傅强(富陶产业集团)
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http://www.jianzhu01.com/Museum1007270985.htm
西安半坡博物馆遗址保护大厅改建工程
项目概况
名称：西安半坡博物馆遗址保护大厅改建工程
地点：陕西．西安
项目功能：博物馆展示空间
规模建筑(面积)4500m2
设计／建筑成时间2001，3～2006，4
项目建筑师
建筑设计：庞钦
项目负责人：庞钦，沈西平
建筑专业负责人：刘巍
结构专业负责人：李世炜
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http://www.jianzhu01.com/Museum1007270984.htm
草滩上的马文化博物馆
马文化博物馆是一个以马文化为线索来展示蒙古传统文化的建筑，其面积很小，仅1500m2。它建在呼和浩特市南郊蒙古风情园内的可汗宫西北侧的一块平坦用地上，四周草木茂盛，环境理想。
博物馆创作过程中．就园区的环境及其自身的特性．做了深入细致的梳理，最终决定从传统夯土建筑中汲取灵感、寻找类型、加以创新。这一形式既可更贴切地表述马文化博物馆的精神本质和内涵，同时也不至于与园内以“蒙古包式”为主的建筑类型相雷同，还可丰富园区的景致。
在平面功能与空间的设计中，“三条”、“两院”、“一间”的设计思路简洁、清晰，完美、准确地阐释了这个小建筑的文化性与时代。“三条”中I 2m宽的两条构成了三个长短不一、流线清晰的矩形展厅：而另外7．8m宽的一条构成了博物馆的门厅、安防、办公和卫生间等功能和服务用房；“两院”即东侧养马的马厩展院和西侧大型雕塑展院。一东一西、一动一静的布局，在空间上透过大玻璃窗与其各自相邻的展厅、门厅产生了对话，院落文化油然而生。“一间”即中央12m见方上设圆锥台采光顶的过渡空间，是功能与人流的交汇点，也是小博物馆的“曼陀罗”中心，即功能与精神的中心。在这清淳、质朴、厚重的夯土墙围合的空间中，阳光洒溢，光影斑驳，一年四季中人与自然、宇宙产生了对话。
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http://www.jianzhu01.com/Museum1007270983.htm
鹿野苑石刻艺术博物馆
用地面积：6670m2
建筑面积：990m2
设计期：200I．2～2001．6
施工期：2001．6～2002．7
施工单位：四川大营造工程有限公司
鹿野苑石刻博物馆建成时(2002年7月)，适逢“建构”(TeCtonics)成为国内建筑界热切关注的一个理论话题。从“建构”的角度针对博物馆的批评，可见朱涛发表于《时代建筑》2002年5期(1O月)上的“‘建构’的虚设与许诺——论当代中国建筑学发展中的。‘建构’观念”中针对作品的个案分析。作者以建构与结构、建造(ConstruCtion)的基本关系为视角，揭示博物馆的外墙在“建构的美学表现”与“本体的建构方
式”上的矛盾以及对矛盾的折衷。其批评思路非常清晰：1，建筑师为了让建筑“整体象一块。冷峻的巨石’，建筑外部整体拟采用清水混凝土”，清水混凝土作为一种“人造石”无疑很好地表达了针对石刻展品的建筑构思。然而清水混凝土本体的建造方式是整体现浇，建筑师若以”独石结构(Monolithic struCture)”的受力原则(混凝土墙体整体承重)整体现浇混凝土墙体，则这个“独石建筑”在结构、建造方式以及建筑形式上都具有建构的“本真性和整合性”。但是，这个建筑采用了“框架结构、清水混凝土与页岩砖组合墙”的混成工艺，也即是，外表看来象是承重的整体现浇混凝土墙，实际却是非承重的清水混凝土与页岩砖的组合墙。2，如果针对实际的框架结构、清水混凝土与页岩砖组合墙建造方式，作者认为，应该在建筑形式上主动展现墙身这种复杂的构造工序，而不是在建筑外部表现毫无拼装缝隙的“独石”体量。倘若我们循此思路推论，这个建筑不仅应该在外墙上表现不受力的混凝土墙体和受力的混凝土框架梁柱的关系，而且应该在建筑外部(或内部)揭示和表现独特的墙身建造工艺。
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http://www.jianzhu01.com/Museum1007270982.htm
新疆国际大巴扎工程
新疆国际大巴扎是一组集商业、旅游、餐饮、演艺于一体的综合性建筑，它位于乌鲁木齐维吾尔族人集中居住的解放南路。最初的计划为，50000m2的商业建筑。2002年4月委托设计，同年5月开工。之后，由于业主的要求，总建筑面积增加到90000m2(包括地下室)。2002年7月基础完工，2003年5月，全部主体工程完工，开始进行内外装修。2003年8月全部工程完工，9月正式投入使用。
建成后的大巴扎包括5幢商业楼，一个清真寺，一个高达70m的观景塔(内设电梯)，以及四季商业街和广场，地下室为商场和停车场地。商业摊位3000多个．出售各类商品、土特产和民族工艺品。另外，还有风味餐厅、宴会厅、歌舞剧场(可容纳1000多人)、杂技表演场地等。白天，游人众多，夜晚，在金色灯光的照明下，在民族传统的音乐声中，几千人在购物、用餐、观看演出，充分体现出维吾尔人的民族风情。
工程设计的委托者是民营的新疆福长公司，建成后大巴扎的管理者是福长公司所属的大巴扎管理部。
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http://www.jianzhu01.com/Museum1007270981.htm
Ernst Fuchs博物馆(Ernst Fuchs Museum)
Ernst Fuchs博物馆(Ernst Fuchs Museum) 维也纳
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http://www.jianzhu01.com/Museum1007270980.htm
Waitangi教堂（Waitangi Meeting House）
Waitangi教堂（Waitangi Meeting House）
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http://www.jianzhu01.com/Museum1007270979.htm
云南昆明西南联大纪念馆设计
设计背景与理念
西南联大是中国高等教育史的一笔财富、一个品牌、一段辉煌；这是一段历史的弦歌，更是一座永恒的丰碑。因此，在昆明原西南联大旧址上修建“西南联大纪念馆”(包括对旧的一二·一纪念馆进行改造)是一件极有意义的事情。这是一个“小”建筑，但它的意义却不言而喻，设计之初，需要思考很多问题。 西南联大的精神使人最为震撼!联大校训中“刚毅坚卓”的精神，联大学术上兼容并包的精神，在国家危难之时高举文化与科学火炬的联大精英们身上体现出的中国儒家文化的道德精神，联大在坚苦卓绝之环境下视天地为课堂的乐观、豁达的质朴精神，联大师生身上所具械摹本∏汛担宜性诖撼牵槊智小钡奈幕硐牒屠寺瘛闭庑┚褡坏浇ㄖ奈镏视肟占浞冻氲氖焙颍杓圃诳占湫问接镅陨嫌θ绾伟盐?
新建的西南联大纪念馆位于现在昆明城北的现云南师范大学校园内的东北角，用地内拆除了一幢较为破旧的学生宿舍，并留下一大批青砖。用地由南至北呈袋状，南部有西南联大唯一留存的一幢土坯墙马口铁皮屋顶的老教室，有闻一多先生撰写的一二·一运动始末记碑文；中部有修建于上世纪80年代的一二。一运动纪念馆和火炬柱：北部有l 946年联大梅贻琦校长决定建造的由李公朴、闻一多衣冠冢、一二一运动四烈士墓棺组成的墓园区；墓园内还有国立西南联合大学纪念碑、云南省文物保护单位铭文等重要碑刻，四烈士纪念碑。显然，这是一处有着浓厚氛围的历史环境。因此，这里有一个保持和再现真实历史场景的问题。
用地周围有现师范大学的教学楼、食堂、学生宿舍、后勤用房等，周边总体环境混乱、无序。学校用地狭小，绿化环境和学生室外学习环境不足，纪念馆的兴建要对环境的改善做出贡献。因此，这是一个历史祭奠与现代致用的问题。
显然，追求适度、质朴、品质、意境是设计中十分重要的。这里，我们试图把握这样几个方面：
“联大氛围，还读我书”——联大精神应渗透和影射到当代大学之中，使处于大学背景下的这一特殊纪念区真正地属于大学的一部分，属于校园生活的一部分。“斯是陋室，唯吾德馨”——西南联大是一所以天地为课堂，以社会为课堂的、带有山野气息的校园；因此，应突出建筑与环境“质朴自然”的整体风格。“场景叠合，时空转换”——寻求历史场景的隐喻与再现，用带有戏剧化的设计语言表达和追求历史与现实两种时空的转换，从而使人们在时空的真实与虚幻中体会西南联大历史的辉煌和永恒。
2空间环境塑造
从校园总体环境入手，在纪念馆周边形成环状绿色空间体系和开放的空间格局，使纪念馆既能在绿色掩映之下保持历史氛围与风貌，同时，也为师生增加了温馨而静谧的读书学习的绿色环境与“天地课堂”。尊重和基本保持纪念馆的原有格局与空间结构。将拟建的西南联大纪念馆布置在用地东北角上：使得联大纪念馆以一种谦逊、从容的姿态退到绿色环境的深处．并置身于“苔痕上阶绿，草色入帘清”的绿色和历史环境中。
将用地中的原人流通道强化成一条纪念性与景观视觉性的中轴线，而另将用地东南部作为入口区，引导参观人流进入纪念馆内。有机组织参观人流，使人们感受到历史场景的不断叠合，从而完成对时空转换的心理体验。规划设计所构成的“袋形“空间体验流线顺序是：入口——民主墙——闻一多先生撰写的一二．一运动始末记——“茅草屋”——一二·一运动纪念馆展室——校史陈列室——西南联大纪念馆——四烈士墓及闻一多先生衣冠冢——李公朴先生衣冠冢——一二．一运动纪念碑等——一二·一运动馆展室——庭院——原西南联大老教室——土水井等——出口。
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http://www.jianzhu01.com/Museum1007270978.htm
南宁国际会展中心
南宁国际会展中心
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http://www.jianzhu01.com/Museum1007270977.htm
四川建川博物馆战俘馆
说出看到的似乎很简单，但是说话者却往往在考虑、组织“语言”时已经过分文饰“言语”而弱化、扭曲了本意，或者有意无意的已经忘记了“言语”．就只剩下了“文采”。而有时候直接说出所看到的是需要很大勇气的，不然就不会有“皇帝的新装”!说已经是如此困难，把看到的弄明白更是难上加难。都没有弄明白所看到的，说了还有意义和必要吗7而如何才能真正的弄得明白呢7大抵离不开“诚”吧，心口如一，即使限于一时的目力也不至于有意扭曲和遗忘。
“战俘”——战争中的附带“产物”，向来就和战争形影不离，而我们目力中却基本只有英雄和烈士17他们也曾满怀抱负，也曾冲锋陷阵，却因被俘而饱受身心的摧残，悲惨的还远不是这些，而是随之而来“失节”的原罪感以及被人们有意无意的忽视和遗忘。战俘经受着命运的考验，反过来他们更考验着战争带来的“文明”。
为了曾经的忘却，有识的业主要为战俘建造一个纪念馆，让参观者了解战俘的事迹．体验、感受到他们曾经遭受的苦难，从而“明白”自己看到的真相，这对设计者来说责无旁贷，也应是设计的立足之本。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809071348_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270976.htm
拉法基宋窑博物馆
2000年的时候在都江堰拉法基水泥厂的工程项目实施过程中，在厂址的堆料区挖到了一组宋代民窑群，大概有20多个，因为是很普通的民窑，故出土文物精品并不多。通过文物专家的论证，决定将遗址测绘存档．将其中的4个比较完整，有特点的窑异地保存。每个窑大概就是3～4m3。都江堰拉法基水泥厂与文物保护单位协商决定，在其厂址内办公楼旁边修建此宋窑博物馆。
方案最初的想法来自两个扭曲的二氧化硅晶体，因为烧窑和现在的水泥厂，都算是硅酸盐产业。以后随着方案的发展，形式上又和古代的一种窑的形式一一和了，这一点是在和文物保护专家的方案论证中，文物保护专家提出并给予肯定的。
平面布局：
1．入口进入博物馆，左侧是向外倾斜的落地玻璃，对是一面取材窑壁的带小方孔的墙，墙前是整个窑群的复制沙盘，其后就是保留的4个窑及窑前操作区。
2．沙盘右边是向下的踏步．下去小半层就是一层展示区。一层展示区左边是4个窑，窑的存放位置比展示区再低了一定的标高，研究人员可通过踏步下到窑区。展示区右边是卫生间、空调机房、报告厅等房间。
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http://www.jianzhu01.com/Museum1007270975.htm
昆明城市规划展览馆
昆明城市规划展览馆位于昆明市拓东路，紧邻昆明市规划局办公大楼，两楼之间通过空中连廊相通，便于规划行政与陈列展示的有机互动。
此建筑立意于体现“城市橱窗”的概念。这个概念在建筑设计创作中通过两个层面来进行表达。第一，建筑与周边沿街建成环境之间的鲜明对比；第二．建筑内部陈列展示活动在建筑外部的一目了然。
就第一个层面的表达，首先反映在建筑材料和结构形式的运用上。这个建筑采用了全钢框架装配式结构体系，除基础、地下室以外，其余上部结构框架、楼层板、屋面板及外维护体仅采用了钢、玻璃、铝三种建筑材料，与周边采用钢筋混凝土框架或砖混结构的建筑相比，无论在外形及内部空间感受上都形成很大的反差，建筑显得更加“轻盈”、”透明”。其次，建筑造型特征也有与众不同的地方。三角锥形的入口“灰空间”加上强烈的色彩引导表达了建筑主入口独特的标识性：屋顶可感应日照与建筑内部光通量变化而自动调整角度的遮阳系统
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http://www.jianzhu01.com/Museum1007270974.htm
川军抗战馆
徐行川以前的经历与“大”字有着密切的关系一一在“大院”长期工作，任“大院”的副总建筑师，设计的几乎全都是大项目，获得不少大的奖项另”他还受到其“大师”父亲的影响，这一切似乎显示着他离开“大院”后，也应该走如今很多民营事务所的大型化发展之路。然而，在介绍自己目前的创作情况时，徐行川却出人意料地表达出对“小”的青睐。他认为，对作品创作的现实而言，大的项目更易受到各种干扰而失控，相反小的项目则可以更加深入和专注地操控其过程和结果。在“大院”时候，由于一切以产值效益为中心，小项目常被弃之不顾，本来可以利用“大院”的技术优势来作出具有深度和精度的特色作品，但却往往不了了之。他甚至对自己的创作做了有些极端的“总结”：以前二十多年所作的，还比不上现在这两年的作品。这些作品中，他最得意、认为最有特色的是四川安仁镇“建川博物馆聚落”川军抗战馆和四川广汉月亮湾城墙遗址保护厅设计。与其在“大院”操作的项目规模相比，这两个作品显然是小的(川军抗战馆建筑面积为l 300mL，遗址保护厅则为260 m2)。
当然，对这种大与小的对比描述，并不是暗示徐行川及其团队忽视手里的大项目，重视小项目，而是试图对其当前的创作定位和精神变迁作出揭示，即从现有规模化的”速生”制作与复制模式中抽离出来，用一种个人小范围的深化思考来回归个性化的真实创作。而从“小”做起，“小”题“大”做，这也是无数先辈们走向自己真正的建筑创作历程时给我们所昭示的。无疑，从“大院”的“大”众型宏大背景中走出的徐行川，已经将自身的角色气质定位成一种具有个人烙印的“小”众型创作，展开了对真实创作的回归。
从精神层面的回归必然要通过实际作品的表现才能实现，笔者有意分析徐行川的川军抗战馆案例，从而解读与印证这一回归。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008042809185435_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270973.htm
佛雷多尼亚的纽约州立大学里德图书馆的扩建和改建
在设计扩建部分时建筑师首先有粪似于被要求“塞入帕提农神庙中”的感觉虽然原有的图书馆只有层高但却是一个大体量并在深深挑出的框架上装着超大尺度的窗户厚重的现浇和预制混凝土块料有结构的五分之大这个贝聿铭干60年代设计的结构坐落于教师学院的皆为庄重的砖砌建筑校园的中部就像块田野中的悬浮石板．惟可能与之呼应的办法就是对比——采月集中于侧且具有强烈几何感体量的较小的集合体．道与原有建筑完美结台的预制混凝土弧形墙从已建的南墙轻盈地延伸出去这个弧形部分豹西边透明在晚上将灯光投射到校园内．窗格嵌在深深的铝台金框架中其中有个楼梯厅它和图书馆的其他部分围合成一个庭院而且面对庭院的还有一个混凝土圆柱这里是善本收藏室．尺度适宜的新五层砖矩形书库和开架阅览室部分完成了这些几何实体的构图．在加建部分的南立面简洁的线条中插入一个大的入口牌楼从这里可通向主体图书馆的人口．总之包含扩建部分的新结构在底层创造了个从南校园日宿舍的中庭到60年代校园中心的步行通道其中十三角形的位于二层的步行通道连接着贝聿铭设计的图书馆学生会艺术中心及管理用房．
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http://www.jianzhu01.com/Museum1007270972.htm
创新技术博物馆 Technological Museum of Innovation
位 置：美国加利福尼亚州圣何塞市场大街201S
建造时间：1998年
创新技术博物馆地处圣何塞的市区中心，它不仅丰富了周围的城市环境，并且成功地解决了客户提出的功能需求方案。建筑外型定位为水平走向的大楼，开窗的方位由室内的需要而决定。因此，门道、临近庭院的立面、展览室和安装了巨型半球形银幕的放映室都设有窗户。放映室内部的墙面装饰材料使用的是一种华丽的陶瓷材质，从外面看去，美轮美奂的屋顶上覆盖着玻璃瓦。创新技术博物馆具备了大型文化和教育中心应有的气度和格局，设计体现的空间感也给人们带来了全新的体验。
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http://www.jianzhu01.com/Museum1007270971.htm
视觉艺术中心(Visual ArtS Center)
位 置：美国新墨西哥州圣塔非市圣迈克尔大道1.600号
建造时间：1999年
在过去的几年中，圣塔非已经经历了博物馆和艺术画廊如雨后春笋般的增长。这座城市的飞速发展，使得它成为美国最有趣味的文化中心之一。圣塔非大学也想发挥艺术活动的教育作用。因此，委托了雷可瑞塔+雷可瑞塔公司来设计一个校园规划项目，该项目将在五年内分两个阶段建成。第一个阶段主要包括圣塔非大学艺术研究学院、视觉艺术中心、马里恩摄影艺术中心和艺术历史中心。第二个阶段主要包括一座容纳研究室和工作室的建筑。委托人的目标是要建造一个综合建筑群，在这里能激发学生的创造力，为学生互动提供良好条件，并能促进相关的大学文化活动。
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http://www.jianzhu01.com/Museum1007270970.htm
圣餐杯大教堂（Chalice cathedral）
圣餐杯大教堂（Chalice cathedral）
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http://www.jianzhu01.com/Museum1007270969.htm
福尔杰·莎士比亚图书馆（Folger Shakespeare Library and Addition）
Design/Completion 1976/1983; completed in three stages
201 East Capitol Street, SE
Washington, DC
Trustees of Amherst College
Amherst, Massachusetts
30,000 square foot addition
79,000 square foot remodeling and renovation
Addition: steel frame with metal deck
Addition: steel studs with marble cladding; plaster; brown coat
plaster; wood and carpet floors; oak millwork; membrane roof
Renovations and additions to Paul Cret‘s 1920s stripped classical library, housing the foremost collection of.Shakespearean material in the world, progressed over a period of seven years in three stages. First, new stacks were tucked into two underground levels at the rear of the building. Next, former interior stack areas became office space, the existing office and service spaces were remodeled and the entire building was air-conditioned. The final phase consisted of adding a new reading room and a "treasure room" leading into the vaults containing the Folger‘s rate book collection.
The new reading room is located over an earlier, one-story addition which was struct in ally unable to support any additional load. As a result, the new room had to be suspended on inverted "L"-shaped steel frames bearing on the outside on the new underground stacks and on the inside on the existing Cret building. This frame, painted white, is expressed as an exoskeleton for the marble-clad Continued
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http://www.jianzhu01.com/Museum1007270968.htm
当代犹太人博物馆（Contemporary Jewish Museum）
Contemporary Jewish Museum
San Francisco, California
The Contemporary Jewish Museum project involves the adaptive reuse of the long-abandoned historic Jessie Street Power Substation located off Mission Street in the heart of Southern San Francisco‘s burgeoning Yerba Buena cultural district. According to the Museum‘s vision statement, ‘With the new building, the 20-year-old Contemporary Jewish Museum continues its evolution from a small, community-based art museum into a major cultural facility, reflected by an expanded mission. At the heart of the Museum’s activities are its exhibition and educational programs, which expand its commitment to presenting Jewish perspectives on culture, history, art, and ideas to audiences of all ages and backgrounds.‘
The original competition for this culturally significant project was won by Eric Owen Moss Architects in 1997. The material presented documents this original ‘sketchbook‘ presentation of ideas, thoughts, and aspirations for a project both site specific and universal.
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http://www.jianzhu01.com/Museum1007270967.htm
美国Nelson-Atkins艺术博物馆
原 名 称：Nelson-Atkins
美国建筑师协会(AIA)最近宣布了“2008年荣誉奖” 获得者名单，奖励建筑、内部装饰和地区及城市规划的优秀项目。这是08年AIA建筑荣誉奖获奖作品——史蒂文·霍尔建筑事务所（Steven Holl Architects）的作品密苏里州堪萨斯城“纳尔逊·阿特金斯艺术博物馆”（The Nelson-Atkins Museum of Art）。
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http://www.jianzhu01.com/Museum1007270966.htm
密尔沃基市艺术馆
位于密执安湖畔的密尔沃基市艺术馆，不仅有着海鸟一样的造型，而且是一座会动的建筑。西班牙建筑师Santiago Calatrava通过机械传动装置，将建筑顶部的两个像翅膀一样张开的钢结构羽翼，在阳光下慢慢张开。这个结构体系是由两根平行的、倾斜47度的桅杆靠拉力支撑，一根桅杆位于屋面的中轴线上，另一根位于通向艺术馆入口的桥上，这些元素共同创造出了诗意般的结构体系和运动感的整体效果。
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http://www.jianzhu01.com/Museum1007270965.htm
深圳保利文化广场（深圳保利剧院）
深圳保利文化广场由中国保利集团和保利南方集团投资建设，具体由深圳保利文化广场有限公司开发建设。
本工程由深圳市保利文化广场有限公司开发建设，是集剧院、博物馆、多厅影院、科技博览中心及商业五大功能于一体的综合性项目。工程建设地点位于规划中的南山商业文化中心区核心区的东端，西为环东路，东为后海滨路，南为环南路，北邻中心区二层商业步行街。
本工程总体布局上，主要分为两大部分：
（1）剧院（含博物馆A）作为本项目标志性的实体，相对独立布置在基地的东南部，西向后海滨路及未来的海滨公园。
（2）商业博览中心：涵盖其余的建筑功能形成商业博览中心综合体，临中心区步行街及环东路布置。商业博览中心分为A、B、C三个区。
本工程主要技术经济指标有：总用地面积：53962.1m2；总建筑面积145465.13m2；地上总建筑面积80777.66m2；地下总建筑面积64687.47m2；容积率为1.412。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051202312732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051202312732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051202312732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051202312732_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270964.htm
圣帕特里克主教教堂(St Patrick‘s Episcopal Church and Day School)
Design/Completion 1981/1986
4700 Whitehaven Parkway, NW
Washington, DC
St Patrick‘s Episcopal Church
35,000 square feet
Masonry bearing wall and steel frame
Two colors of brick; painted metal standing seam roof; aluminum windows; custom-milled wood windows, painted; blue stone paving
This church was constructed adjacent to the parish‘s existing, stylistically modern day school in a residential neighborhood. The church was intended to appear old from the day it was completed and, in doing so, makes reference to several superb historic neo-gothic and neo-Romanesque churches in Washington. It is meant to look very much like a traditional Episcopal church. Because the church is surrounded by small-scale, traditional brick houses, the design is broken down into an abundance of small, gabled brick shapes.
The church, complete with campanile, is linked to the existing school by a new courtyard. The visitor enters both the church and the school through this courtyard, which also serves as a focus for the building‘s interior spaces.
In addition to the church, the interiors accommodate administrative offices, spaces for elementary and Sunday school use, a library, and a center for senior parishioners. The main church meeting room is an informal space with wooden floors.
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http://www.jianzhu01.com/Museum1007270963.htm
克莱斯勒汽车博物馆(Chrysler Museum)
Design/Completion 1982/1989
Olney Road and Mowbray Arch
Norfolk, Virginia
Chrysler Museum
50,000 square feet new space
40,800 square feet remodeled space
Reinforced concrete frame
Variegated Old Gothic Indiana limestone;
Portland cement plaster; clay roof tiles;
heavy timber wood trusses in skylit courtyard;
marble and wood floors
The architects‘ charge was to improve the museum‘s exterior appearance, clarify its incomprehensible circulation, renovate 40,800 square feet of its exhibition space, and add 3,000 square feet for new galleries. The 1930s neo-Florentine Renaissance design of the Chrysler had been badly compromised by a pair of visually incompatible additions and the relocation of the entrance to the rear of the building away from the original, monumental entrance facade.
The main entrance was shifted back to the original location facing the Hague Canal, and the original arched entrance loggia, which had been bricked shut, was reopened. The architects balanced the entry elevation with a new wing of galleries and a second lower to the north, matching those to the south, and wrapped the new additions in limestone in the style of the original structure.
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http://www.jianzhu01.com/Museum1007270962.htm
乔治敦大学法律中心图书馆(Georgetown University Law Center Library)
Design/Completion 1984/1989
600 New Jersey Avenue, NW
Washington, DC
Georgetown University
145,000 square feet
Reinforced concrete frame with flat slabs
Architectural precast concrete; terrazzo;
custom aluminum window grills; custom mahogany
millwork; carpeting; membrane roof
This full-block building accommodates one of the largest law libraries in the country and forms the first component of a new complex which doubles the size of the existing law center. The library stands to the north of Edward Durrell Stone‘s existing 1960s law center and both complements and contrasts with it. Like Stone‘s building, the new building is placed on a podium and has a repetitive ordering of facades. It also emulates the Stone building in height and color. In contrast to the Stone building, the library holds the street line on three sides and precast concrete was used as exterior material instead of buff poured-in-place concrete and buff-glazed brick. Nor was Stone‘s trademark roof slab cornice repeated.
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http://www.jianzhu01.com/Museum1007270961.htm
敦巴顿橡树园(Dumbarton Oaks Addition and Remodeling)
Design/Completion 1985/1990
1703 32nd Street, NW
Washington, DC
Trustees of Harvard University
Cambridge, Massachusetts
10,000 square feet
Steel, limestone columns and reinforced concrete frame
Brick; Indiana limestone; plaster walls; vaulted plaster ceiling;
marble floors; custom mahogany trim and millwork; aluminum
and glass exterior skylight; frosted glass interior laylight
with wood muntins
Dumbarton Oaks museum and study center began in 1801 as a Federalist-style farmhouse, was Victorianized in the 19th century and expanded and refurbished in the 20lh by Thomas T. Waterman and Philip Johnson, among other architects. In addition to adding a new, large display-area, the new design improved security by separating research and staff areas from public spaces, enlarged the entry vestibule, clarified interior circulation, and added new underground mechanical areas, storage, and library stacks. None of the alterations changed the exterior appearance of Dumbarton Oaks.
The new gallery fits into a previously inaccessible outdoor courtyard bordered by an overstuffed Byzantine gallery, two hallways, and McKim, Mead and White‘s renowned 1929 music room, which provided cues for the new room. The new gallery is surrounded on three sides by a colonnaded ambulatory, whose paired
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http://www.jianzhu01.com/Museum1007270960.htm
约翰·卡特·布朗图书馆(John Carter Brown Library Addition and Renovation）
Design/Completion 1987/1991
Brown University
Providence, Rhode Island
Brown University
15,000 square foot addition
6,000 square feet remodeled and renovated
Steel frame and metal deck with concrete slabs
Limestone; granite; custom aluminum grills; cast
stone and carved ornament; built-up roof; VCT,
wood and marble floors; custom oak millwork
The John Carter Brown Library is a rare book and manuscript library on the Brown University campus. Its collection of material on the early Americas is the best in this country, and one of the most important in the world. The original building was designed by Shepley, Rutan and Coolidge and built in 1904. The library was in great need of renovation and expansion.
The existing building is in a style generally called "neo-Grec". The new book vault addition continues the architectural character and material (limestone) of the original, although modifying its motifs considerably to accommodate a different function. The tall, vertical windows of the vault, for example, are traditionally associated with library stack areas. The addition is essentially a "tail" on what is otherwise a bilaterally symmetrical building.
With the exception of the reading room and front corner offices, the existing building has been extensively reworked to make it both more responsive to the change in needs and a more attractive and comfortable place to work.
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http://www.jianzhu01.com/Museum1007270959.htm
New Exhibition Building, Winterthur Museum and Garden
Design/Completion 1988/1992
Henry Francis duPont Museum and Gardens Wilmington, Delaware
Trustees of the Henry Francis DuPont Winterthur Museum
45,000 square foot addition
Additional remodeling and renovation in existing museum
Steel frame, steel deck and concrete slabs
Stucco on CMU; cast stone; custom wood trim and millwork; custom aluminum curtain wall; flagstone, limestone and wood floors; clay tile and membrane roofs; lead-coated copper gutters and downspouts
The New Exhibition Building is part of the program of the world‘s foremost museum of America decorative arts to open its collection to a wider audience. In the past, only guided tours of period rooms had been provided. With the New Exhibition Building, self-guided educational tours and exhibitions were made available.
The New Exhibition Building is connected to the entrance of the museum with a large, conservatory-like pavilion, echoing two conservatories elsewhere at Winterthur. This serves as a reception area and entrance to both elements of the museum. The rest of the addition of 45,000 square feet consists of stair and entry areas and two floors of open, "T"-shaped, flexible exhibition space. The addition runs across a shallow glen and bridges a small stream, terminating the long, downhill facade of the existing museum. The addition‘s scale, materials and form-stucco facing, hipped and tiled roofs, dormers and colonnaded porches-echo those of the original museum.
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http://www.jianzhu01.com/Museum1007270958.htm
Saitama现代艺术博物馆(Saitama Prefectural Museum of Modern Art)
Design/Completion 1978/1982
Urawa, Japan
Saitama Prefecture
Site area: 46,457 square meters
Total floor area: 8,577 square meters
Reinforced concrete, partly steel reinforced concrete
The building form is fundamentally a rectangle, but a deep slit opens up one side. In some sections the walls are recessed, and one portion of the exterior wall is projected outwards, creating an intermediate space between the main entrance and the lattice-like exterior wall. This enclosed garden is styled after the inner garden traditionally located in front of a Japanese tea ceremony house, and evokes a sense of transition and continuity between the exterior and interior.
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http://www.jianzhu01.com/Museum1007270957.htm
名古屋城市艺术博物馆（Nagoya City Art Museum）
Design/Completion 1983/1987
Nagoya, Japan
Nagoya City
Site area: 8.93 hectares
Total floor area: 7,125 square meters
Reinforced concrete, steel
This museum is situated in the Shirakawa Park in central Nagoya. The main axis of the building runs directly north-south, whilst the boundary to the west is formed by a beautiful tree-lined pedestrian road.
An independent architectural structure consisting of posts, beams and walls stands in front of the building as a symbolic gateway, and may be used for external displays. The basement-level atrium/lobby continues beyond a gently curving curtain wall into a sunken garden, forming an intermediate zone, neither exterior nor interior. The same ambiguous relationship between exterior and interior space is used in forming the facade, which incorporates both Japanese tradition and modern expression.
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http://www.jianzhu01.com/Museum1007270956.htm
广岛城市当代艺术博物馆（Hiroshima City Museum of Contemporary Art）
Design/Completion 1984/1988
Hiroshima, Japan
Hiroshima City
Site area: 29 hectares
Total floor area: 9,290 square meters
Steel, reinforced concrete
This art museum is the first public museum in Japan to declare contemporaneity its speciality. In Hiroshima, ‘‘contemporary" means post-atomic bomb. For a city which has eradicated its pre-war history, the term "contemporary" has a particular depth or meaning, forging a link between art and peace which might be difficult for any other city to establish.
Hiroshima‘s development is guided by its identity as a city of international peace; indeed, other than its geographic location on a delta it has little else to build an identity on. Consequently, this project is very important to the city.
The site, atop a 50-meter-high hill, is part of a precinct referred to as the Hijiyama Art Park. The master plan for this precinct was also undertaken by Kurokawa. In addition to the art museums are a sculpture park, outdoor school, open areas, and nature walks. There are also plans for a natural history museum and library. The whole site is surrounded by primeval forest and is completely shut off from the noise of the city.
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http://www.jianzhu01.com/Museum1007270955.htm
纽约新当代艺术博物馆
由东京Sejima + Nishizawa/SANAA事务所设计的纽约新当代艺术博物馆将在12月1日开放，庆祝其成立30周年。建筑采用了6座矩形盒子结构叠加的形式，每一座盒子都有不同的楼层面积和天花板高度，这是为了营造不同高度和气氛的开放、灵活的展览空间。建筑外面用铝质网格包裹，从立面上几乎很难看到窗户。他们设计的这座建筑有着漂亮的展厅、剧院、教育区、商店、咖啡馆以及屋顶活动区等。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008051608530851_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270954.htm
和歌山现代艺术博物馆(The Museum of Modern Art, Wakayama/ Wakayama Prefectural Museum)
Design/Completion 1990/1994
Wakayama, Japan
Wakayama Prefecture
Site area: 23,356 square meters
Total floor area: 11,837 square meters (Art Museum);
6,866 square meters (Prefectural Museum)
Reinforced concrete
The site is located on what used to be part of the ancient Wakayama Castle grounds, and is divided in two by a road. The plan to construct the Museum of Modern Art, Wakayama and Wakayama Prefectural Museum was proposed after the university, which formerly occupied one half of the site, had relocated. It is planned that the other half of the site will become a park and eventually be connected to the museums by a wide pedestrian walkway over the road.
Castle architecture in Japan was developed in the 15th, 16th and 17th centuries. The design of the museum roof and the eaves symbolizes this style in an abstract way. The color scheme for the exterior is black and white, which is also based on traditional castle architecture.
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http://www.jianzhu01.com/Museum1007270953.htm
Ehime科学博物馆(Ehime Prefectural Museum of General Science)
Design/Completion 1991/1994 Ehime Prefecture, Ehime, Japan Site area: 25,898 square meters Total floor area: 24,246 square meters Reinforced concrete, steel
The site is located in the suburb of Niihama, on the island of Shikoku. A highway interchange is planned adjacent to the site, at the foot of the mountains.
In order to create a symbiotic relationship with the surrounding area, the building is conceived as four fragments. The fragments function as administrative facilities and a planetarium.
Simple geometric forms have been adopted: a crescent, a cube, a square, a cone, and a triangle. The layout of the fragments is designed to reflect the free arrangement of stepping stones in a Japanese garden. This also expresses the Japanese traditions of asymmetry.
The form of the Exhibition Hall is slightly shifted and tilted to emphasize the composition of four different square exterior surfaces. Various finishes are applied to the facade: aluminum, glass, and exposed concrete.
The spherical Planetarium, which is located on an artificial pond, is connected to the Entrance Hall by an underground passage, expressing the abstract, invisible relationship between the two functions.
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http://www.jianzhu01.com/Museum1007270952.htm
墨尔本中心(Melbourne Central)
Design/Completion 1986/1991
Melbourne, Australia
Victoria Central Pty. Ltd
Site area: 26,067 square meters
Total floor area: 263,435 square meters
Steel, reinforced concrete
The building complex is located in the central business district of Melbourne, over an underground railway station. It is composed of various elements, including offices, retail, and multi-use entertainment facilities. The high-rise skyscraper of the complex incorporates rental office space.
The complex also includes a large glass cone, inside which a historic shot tower is preserved. This cone forms an atrium at the center of the shopping complex, and creates a symbiotic relationship between the past and the present. The form of the office tower is that of a cut crystal. Within the smooth shape, the facades are a composition of materials, such as stone, aluminum panel, reflective glass, and tinted glass. The mullion pattern on the facade is introduced to avoid uniformity.
At the top of the tower, the high-technology communications equipment is visible. The lower part of the building is more traditional in design.
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http://www.jianzhu01.com/Museum1007270951.htm
大阪国立文乐木偶戏院(National Bunraku Theater, Osaka)
Design/Completion 1971/1981
Osaka,Japan
Agency for Cultural Affairs
Site area: 4,464 square meters
Total floor area: 13,211 square meters
Structural steel, reinforced concrete
Bunraku is a traditional Japanese theatrical art form that uses puppets. The National Bunraku Theater is a comprehensive complex of related facilities, including the main theater, a training institution, and archives for historical materials.
The site, in a crowded area in the center of Osaka, was too small to permit a conventional design for the proposed 750-seat main theater. To overcome this problem, the main theater is located at first-floor level to obtain maximum floor area. The circulation space, including the lobby, passageways to car parks and backstage arc-as, exhibition areas, the cafeteria and restaurant, and the ticketing counter, are located on the ground floor. The main stairs and escalators leading from the lobby to the main theater form a large atrium.
The main theater occupies four levels, from the first to the fourth floors. On the second floor is a 159-seat multi-purpose hall which can be used both for rehearsals and as a studio. On the third and fourth floors are training rooms, lecture rooms, conference rooms, administrative offices, and a storage area.
The symbiosis of traditional and modern architecture is a major theme throughout the design. Essential elements from the traditional Japanese architecture of the Edo period have been quoted in the form of abstracted symbols.
Examples can be seen in the following elements:
? the Chinese-style curve of the eave over the entrance;
? the turret attached to the upper part of the main facade (traditionally used to announce a performance);
the grid pattern on the ceilings and floors;
the latticework of the handrails;
the ‘godown‘-style window around the main staircase;
the fusuma screen handle design (taken from the Katsura Detached Palace) that is used for the door-pulls on the main auditorium doors;
the main auditorium walls, which are Finished in black on the lower part and patterned weatherboard cladding on the upper part;
the portals of the auditorium, which evoke the memory of traditional theater g a te s.
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http://www.jianzhu01.com/Museum1007270950.htm
柏林komische歌剧院
Stephan Braunfels为komische柏林歌剧院重新设计的酒店大堂和门口的大厅领域。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009060736_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270949.htm
慕尼黑艺术博物馆
慕尼黑艺术博物馆室内设计。白色的空间里营造纯洁神圣，素净，大气又安静的气氛。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052009155952_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270948.htm
国家教区设计
国家教区设计
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_44.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_45.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_46.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_47.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_48.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_49.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608231637_50.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270947.htm
梦想剧院(The Theatre Of Dreams)
梦想剧院(The Theatre Of Dreams)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052608330332_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270946.htm
广汉三星堆博物馆
广汉三星堆博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909315250_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270945.htm
李白故居
李白故居
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052909464957_18.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270944.htm
中国三峡博物馆
中国三峡博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052910223337_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052910223337_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052910223337_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052910223337_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008052910223337_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270943.htm
中山文化艺术中心
中山文化艺术中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060214333743_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270942.htm
加利福尼亚科学中心(California Science Center)
加利福尼亚科学中心(California Science Center)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060314194038_20.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270941.htm
格拉斯哥科学中心(Glasgow Science Centre)
格拉斯哥科学中心(Glasgow Science Centre)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060409181455_30.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270940.htm
国家清真寺(national mosque)
国家清真寺(national mosque)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008060509374645_12.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270939.htm
Mudam艺术馆（Mudam）
Mudam艺术馆（Mudam）
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http://www.jianzhu01.com/Museum1007270938.htm
亚运新新家园俱乐部
设计/竣工：2000年/2001年
设计内容：建筑、园林、室内
建筑面积：500M2
这一小型俱乐部位于北京亚运村北部的森林保护带内，周围树木茂密。在一个围墙围合的院落中原有一片美丽的竹林和作为礼堂和管理用房的三幢一层平房。院落的后面是一个幽静的水塘。
尊重现有的构筑物和环境并发展她，是这一设计的出发点和敏感之处。
答案是一条南北向的二层的长廊。为了弱化及模糊长廊本身，所以长廊被设计成玻璃的。它源于典型的风景园林建筑，用意是连接原有的构筑物和院落，并使得原来静止的空间流动起来，形成一个从南至北的空间系列，每个段落的形象和空间意境来源于风景园林建筑的原形：
·前院+入口大厅 = 亭
·主空间 = 堂
·休息厅+中庭 = 院
·水塘边沙龙 = 榭
围绕着原有的平房和这一空间系列，细心地加入了一个环形走廊，它使得内部的空间组织丰实了起来。
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http://www.jianzhu01.com/Museum1007270937.htm
北京龙山新新小镇教堂
中国 北京
设计/竣工：2004年/-
占地面积：3 813m2
建筑面积：1 380m2
设计内容：建筑/景观/室内
富有西方宗教文化内蕴又独具圣灵气息的教堂建筑，诞生在怀柔旅游风景区大规模低密度别墅区——龙山新新小镇中, 在中国式高速度、大批量的开发模式中营造出人文色彩的文化氛围。
两个体量前后相接组成教堂的主体：入口处的附院呈现出开间4m×4m的内院空间，每个开间4.2m，这是通向主厅的前院，又是一处净化、沉淀心灵的空间。院内平铺的灰色石子，墙面裸露的混凝土恰到好处将沉淀的意境在厚重与质感中蔓延。与前院并置的是同样平面大小的主厅，一主一附的屋面都呈45度斜面，却表现为了两个一大一小，一凹一凸，一敛一扬的相反空间，于稳重的宗教空间里，融入了视觉上变化。
建筑的立面材料采用了极具质感的蓝灰色玄武岩，厚重而肃穆。一系列20cm宽的竖向窄条开窗看似随意却又暗藏规律地排列其上，按一定比例系数向高处递增。阳光透过高高低低的窗口洒进教堂里，给肃穆的教堂氛围添进温暖，又让一道道的光束成为心灵净化的引导。与小镇优美而不失现代气息的风景相对应，教堂周围的景观设计简练而概括，参天的新疆杨树、毛石围墙，以及广场上可作坐凳的自然大条石，都塑造出与周边市俗居住不同的宗教气氛。
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http://www.jianzhu01.com/Museum1007270936.htm
四影室
四影室，巴黎，2003
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http://www.jianzhu01.com/Museum1007270935.htm
席殊书屋
席殊书屋, 南昌, 1996
启发：50年代到70年代，几乎所有的中国住宅都是作为社会福利建造的，它们强调平均，当建筑朝向也是平均分配时，便出现了由板楼组成的平行城市。平行城市中没有单体建筑的个性但有大结构的严整。也许可以认为平行城市是一个特定时期的中国空间组织。对平行城市的兴趣是我们这个书店设计的出发点之一。
设计：在原有的二层铺面用房中引入了一系列平行的"书墙"：建立起一个匀质、明晰的基本书店空间秩序。功能上，书墙既是书架又是灯具，在几个特殊位置上也构成柜台等家具。在垂直向上书墙将上下两个楼层统一成一个整体，二楼的性质从而接近夹层；在水平向上书墙创造了变化的层次。书墙的一端在临街立面上突出，人于店外便能认识到店内的空间组织，使店面增加了使用玻璃材料外的另一种透明性，促成书店与城市的进一步衔接。对速度与精确的要求导致了书墙选择了万能角钢为结构材料，用螺栓拼装。
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http://www.jianzhu01.com/Museum1007270934.htm
中国科学院晨兴(MORNINGSIDE)数学中心
中国科学院晨兴(MORNINGSIDE)数学中心，北京，1998
晨兴数学中心的内容包括了数学家们除了进餐之外的全部日常活动，从研究到住宿。狭小的基地又决定了它只可能是一幢建筑物，而不是一组。将复杂的功能放入单幢建筑物并不构成一个问题。问题在于步不出户的数学家们是否因此失去了经验城市的机会？或：既然数学家们不到城市中去，是否可能把城市带到数学中心里来？为了获得单体建筑内部的城市性，数学中心被化解成一组微型塔楼，各有不同的功能，各有不同的建筑质量。把从一间到另一间房间的经验转化为从一幢到另一幢建筑的经验。
空间组织：将所有空间分为垂直的五组。一、个人研究；二、住宿；三、公共空间，包括讲演厅、休息室、
图书馆、研讨室；四、半公共空间，包括中心负责人办公研究、多人研究、计算机房等；五、核心，包括电梯、楼梯、厕所。
内部空间关系：
个人研究与核心之间：走廊；
个人研究与公共之间：庭院；
半公共与核心之间：桥；
住宿与核心之间：桥；
公共与核心：玻璃墙。
其他空间关系均为间接。如从住宿到半公共需过二座桥。
单个空间质量/室内外空间关系：
个人研究与住宿：单面透明玻璃
半公共：双面半透明玻璃
公共：双面透明玻璃
核心：不透明玻璃
玻璃墙为间距等同于混凝土剪力墙厚度（二十公分）的双层玻璃，外侧一层透明，内侧一层半透明。它透光而不透视线，中间的空气层改善了传统幕墙的保温隔热性能。个人研究室及宿舍的窗则一分为三：固定的为了光与景的透明玻璃窗，可开启的通风用的不透明的铝板窗，以及固定的放置空调机的铝百页窗。以上是一系列对房屋构件进行分析与设计的尝试的两个例子。它与对空间的组织或平行或重叠。如此努力反映了一种态度：即特殊的建筑经验也是由基本的房屋元素构成的。
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http://www.jianzhu01.com/Museum1007270933.htm
加里西亚当代艺术中心(Galician Center of Contemporary Art)
位 置：西班牙圣地亚哥
建造时间：1988～1993年
这个项目是在郊外建造的一处当代艺术博物馆——Santo Domingo de BonaIval女修道院。该艺术中心由两部分组合而成。入口与整个建筑融为一体，一块开放的空间与一平台相互照应形成修道院的正立面部分。具有现代感的两个建筑正立面相对，通向花园的通道镶嵌其中，同时还连接起整个建筑的其他部分。建筑本身比较符合当时的时代特色。建筑的整个规划设计分为三个部分：门廊前厅和办公区、礼堂和图书馆、展厅。
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http://www.jianzhu01.com/Museum1007270932.htm
圣玛丽亚教堂(Church of Santa Maria)
位 置：葡萄牙马可德卡纳韦泽斯
建造时间：1990一1996年
圣玛丽亚教堂是整个宗教综合建筑群体中的一个部分，预期在其中建有一个会堂。一个宗教传授学校及供牧师居住的房屋。整个建筑为高矮两层主楼，建于斜坡之上。较高的一栋作为集会会堂使用，矮的作为小型葬礼礼堂。两个不同风格建筑的入口处也各具特色，样式新奇。小礼拜堂本身还作为教堂的地基，为整个建筑形成一个稳定坚固的水平地基。花岗石的墙面及其回廊使人感觉此处与附近吵闹的街道相离甚远。进入教堂中殿的侧门为玻璃门或者大木门。从中殿可以看到马可德卡纳韦泽斯(Marco de CanaVezes)山谷的美丽景色。
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http://www.jianzhu01.com/Museum1007270931.htm
莱维格里斯陈列室(Showroom Revigres)
位 置：葡萄牙阿圭达
建造时间：1993～1997年
项目内容为设计这个瓷器公司的总部，其中包括对已存在的行政大楼进行外延扩展。新楼的正立面与旧楼平行但位于其前面，并用一高的走廊与其相连。西萨的任务就是负责相连两部分的设计。一部分要与支柱和一个圆锥型天窗及灯笼式阶形屋顶相协调。整个综合体建筑使用了圆柱和加强型钢结构墙体并部分地使用了花岗石金属板。建筑饰面为不锈钢，内部装饰为木质材质。地板采用镶嵌工艺，墙面为装饰用的灰泥，作拉毛粉饰。
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http://www.jianzhu01.com/Museum1007270930.htm
1998年葡萄牙里斯本世界博一萄牙馆(Portugal Pavilion，EXpo1998，LiSboa)
位 置：葡萄牙里斯本
建造时间：1995～1998年
里斯本世界博览会葡萄牙馆由两个独立部分结合而成。其一为南部，实际上是一个大型广场，坐落北侧，南侧由两个大的门廊连接，用各色瓷砖镶嵌而成。两部分中间为曲线型混凝土顶棚，这正是当时流行的遮阳蓬式样。另一部分为一座规则建筑的设计。三层大楼围绕天井建成，天井中有一棵大树。楼的北侧入口朝向一个U型空地。
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http://www.jianzhu01.com/Museum1007270929.htm
2000年汉诺威世博会葡萄牙馆(Portugal Pavilion，Expo 2000，Hannover)
位 置：与爱德瓦尔多·苏托·德·莫拉协作 德国汉诺威
建造时间：2000年
2000年汉诺威世博会葡萄牙馆的设计要求是，在大会之后拆除并带回葡萄牙。此馆的主体为正方形设计，“一只手臂”伸出作为一块露天天井。整个区域设计为双层，一层为展览馆，二层设有VIP室、行政办公室和一个小礼堂。建筑的选材均基于世博会的生态理念。整个设计体现了现代与传统相结合的理念。外墙主要为石灰石材质，在天井处镶嵌有蓝色和黄色的陶制瓷砖。漆过的深色软木嵌于钢铁框架内。波浪状的馆顶为金属框架，整体采用透明聚酯材料。
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http://www.jianzhu01.com/Museum1007270928.htm
2000年汉诺威世博会墨西哥馆(Mexico Pavilion，Expo Hannover 2000)
位 置：德国汉诺威
建造时间：2000年
墨西哥馆位于汉诺威世博会场地西部一个较平坦的地段。该项目是和恩里克。克劳兹以及艾尔-帕拉洛特儿童博物馆共同完成的，结果就像展示历史场景的电影剧本一样，建筑被分为五个主题，五座建筑又由走廊相连接，这些走廊构成了新的展示空间。建筑间的间隔被用来形成天井，以展示墨西哥的不同生态系统——海洋、沙漠和丛林。由于这是一座临时建筑，因此使用的都是轻型材料，诸如玻璃和铝材。这些材料装配简单，同时还有非凡的引人注目的视觉效果。颜色和肌理与光线效果完美地融合在一起，体现出这个国家的传统文化和强烈的民族精神。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061610134053_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270927.htm
三十字教堂（Church of the Three Crosses）
位 置：芬兰沃克森尼斯卡罗克拉丹蒂27号
建造时间：1955～1958年
阿尔托所设计教堂一直充满新意。早在19世纪2 0年代，阿尔托就设计出了超出传统结构、由长方形的教堂中殿和位于一头的钟塔组成的教堂。那些习惯了保守的设计者们宁愿这样的建筑只是画在纸上，但是在阿尔托的职业生涯中，他建造了无数座教堂、小教堂和太平间。其中最好的一个就是沃克森尼斯卡教堂，通常被称作三十字教堂。20世纪50年代和20世纪60年代的宗教作品很典型地表现出强烈的雕塑倾向，装饰物见不到了，建筑物本身的形式显示出了整体的风格。该项目的建造目的是创造一个灵活的空间，既可以作为教堂又可以作为社会活动中心。阿尔托设计了由可移动的分隔物隔开的三个连在一起的房间，这使得在不同的容纳量下可形成不同的形状。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708492333_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270926.htm
歌剧院（Opera House）
位 置：德国埃森
建造时间：1959～1998年
在埃森新歌剧院的设计招标中胜出后，阿尔托开始致力于该项目的设计直至去世。1981年，这项工程在德国建筑师施罗德-德尔曼的监管之下最终得以实施。施罗德‘德尔曼主要是依据阿尔托遗留下来的图纸来开展工作。音乐厅矗立在公园中，为不对称的建筑，分为乐池和三个蛇形楼座，可以容纳多达1100名观众。这种布局使座位和舞台之间的距离合理，观众的视线好，可以很清楚地看到舞台上的演出。此外，由于不规则的地板设计，音乐厅给人的感觉一点也不空旷，即使只有很少的观众。墙壁用铝板装饰，既符合人们的审美又符合音响效果的要求。最初的墙面装饰是木质材料，但后来考虑到火险而改为铝板。天花板用的是具有透音功能的金属滤网，是一种优选的音响屏蔽材料。音乐厅外部墙面材料使用了花岗石，最初设计使用的白色卡拉拉大理石由于易受污染而被取而代之。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708512733_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270925.htm
天使山修道院图书馆(Mount Angel Abbey Library)
位 置：美国奥尔良圣班尼迪克特修道院大街
建造时间：1964～1967年
天使山修道院图书馆反映并表明了委托人的精神和理念：建造一座图书馆，将阅读的愉悦与学习中心的效率和功能联系起来。大量的书架将图书馆的结构与内容物结合在了一起。该建筑包含工作室和被分配到有三个良好自然光房间的阅览桌。图书馆周围移植过来许多树木。尽管该馆位于长满树木的山坡上，但独特的地理位置并未使阿尔托担心视野。他非常巧妙地将阅览室设计在有利的位置，这样，读者就不会受到干扰。内外部的不同通过对不同建筑材料的运用而很好地体现出来：图书馆的外墙面用的是红砖，内部墙壁使用的是木材和塑料。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008061708545552_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270924.htm
音乐公园礼堂(Parco della Musica Auditorium)
位 置：意大利罗马顾拜旦大道
建造时间：1994～2002年
这座一流的音乐礼堂为意大利首都已经存在的诸多文化场所又增添了新的内容。这是一个多功能中心，主要用作音乐会，有三个音乐厅被茂密的植物环绕，其布局形成了一个圆形剧场，适合露天演出。每一个音乐厅都为一种特定形式的节目而设计。700个座位的音乐厅是为演出巴洛克音乐和室内乐而设计的；1200个座位的音乐厅具有高度灵活性，可以容纳大型乐队和芭蕾舞的表演；最大的一个音乐厅有2800个座位——这是能够保持良好音效的最大容量了，这个音乐厅是用来举办交响乐音乐会的。该项目特别强调了各个空间的音响效果，包括排练室、化妆室和圆形剧场。由于这座音乐厅要能够吸引不同的观众，所以设计需求中另一个重点要求就是灵活性。公元4世纪的一座别墅的遗址在音乐厅建造过程中被发现，所以主门廊不得不根据这个遗址的原迹做出了调整，留出一点空间来建一座小型考古博物馆。
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http://www.jianzhu01.com/Museum1007270923.htm
皮奥神父朝圣教堂（Padre Pio Church）
位 置：意大利·福贾圣·乔瓦尼·罗唐多
建造时间：1991～2003年
自从皮奥神父去世后，成千上万的朝圣者前往圣·乔瓦尼·罗唐多的修道院参拜他的遗迹。皮奥神父所属的嘉布遣(Capuchin)修道院的负责人委托伦佐。皮亚诺建一座新的教堂，以容纳每年到此地的所有朝圣者。教堂的选址在一座小山顶上，有自己的通行道路，可以避免众多来访者的汽车给城市带来的压力。一座有1 2个大钟的墙是这条路的边界，这一设计也用来突出教堂，否则教堂会掩映在树木之中，难以被访客找到。该项目的目的之一就是建造一座开放的建筑，虽然规模宏伟，但却不能湮没教堂会众。为此，教堂的主立面设计成玻璃的，这也能够把教堂内外部很好地结合起来。另外，教堂内外部采用了同样的地面铺装，也促成了内外无间的效果。最新的技术发展使得用石头来建造整个教堂成为可能：无论是地板、顶棚还是整个结构体系都用石头制成，结构体系由幅宽超过50多米的石拱构成。单一材料的使用使建筑更具震撼力。
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http://www.jianzhu01.com/Museum1007270922.htm
中国国家画院陈列室
中国国家画院陈列室
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008062414182030_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270921.htm
圣巴巴拉教堂(Church of St.Barbara)
位 置：奥地利·施蒂里亚贝尔巴赫
建造时间：1987～1988年
经弗里德里希·柴克教父提议，汉德瓦萨接受了改建贝尔巴赫的圣巴巴拉教堂的任务，且不收任何报酬。镇长康拉德。博格曼意识到这是建造一个贝尔巴赫标志性建筑的机会，答应了他的条件：建造一个与周围环境融为一体的教堂。他设计了12个门，代表世界上12个主要宗教，不同宗教之间相互宽容，相互理解、联合。这些入口一方面界定了教堂的范围，另一方面表达了开放、邀请的含义。这12个门代
表了犹太教、伊斯兰教、印度教、神道教、儒家学说、佛教、来自美洲和非洲的不同宗教、波利尼西亚宗教、原始宗教、新教和无神论。教堂上面是一个金色的钟楼，象征着不朽。教堂内部由当地设计师设计，汉德瓦萨负责设计了圣塔后的光环，司祭间的地板、洗礼坛后的螺旋窗户。
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http://www.jianzhu01.com/Museum1007270920.htm
维也纳艺术馆
维也纳艺术馆
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http://www.jianzhu01.com/Museum1007270919.htm
上海世博会中国馆
作为上海世博会永久性场馆之一的中国馆是上海世博园区的核心建筑。上海世博会中国馆位于世博会规划核心区，处于世博会园区浦东区域主入口的突出位置。规划中的中国馆由建筑面积为2万平方米的中国国家馆、3万平方米的中国地区馆以及3000平方米的港澳台馆三部分组成。在世博会举办期间，中国馆是上海世博会主题演绎的主要展示区和重要载体。
中国馆建筑外观以“东方之冠”的构思主题，表达中国文化的精神与气质。将高耸入空的中国馆比喻成华冠、天，把汇聚人流的地区馆比喻为四方、地，连接起来的寓意就是“天下粮仓、富庶四方”。国家馆居中升起、层叠出挑，成为凝聚中国元素、象征中国精神的雕塑感造型主体——东方之冠；地区馆水平展开，以舒展的平台基座的形态映衬国家馆，成为开放、柔性、亲民、层次丰富的城市广场；二者互为对仗、互相补充，共同组成表达盛世大国主题的统一整体。国家馆、地区馆功能上下分区、造型主从配合，空间以南北向主轴统领，形成壮观的城市空间序列，形成独一无二的标志性建筑群体。世博会期间，国家馆将在“城市、让生活更美好”主题下，展示“城市发展中的中华智慧”，展现出一幅伟大的中国城市文明图。地区馆将为全国31个省、市、自治区提供展览场所，展示中国多民族的不同风采，以及全国各地的城市建设成就。世博会后，国家馆将成为中华历史文化艺术的展示基地，地区馆将转型为标准展览场馆，和世博会主题馆一起，作为举办各类展览和活动的场所，并与周边的世博建筑共同打造以会议、展览、活动等功能为主的现代化服务业聚集区。
上海世博会组织者于今年4月25日开始向全球华人公开征集中国馆建筑设计方案，在国家建设部、中国建筑学会的大力支持和协助下，在短短几个月内，得到了全球华人建筑设计家的热烈响应，共收到设计方案344个。经过专家评审，评选出3个各具特色的方案，其中“东方之冠”的方案在今年9月举行的世博会组委会第五次会议审议并原则通过，会议同时决定成立由组委会9个成员单位组成的中国馆筹备领导小组，专门负责中国馆的筹备事务。
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http://www.jianzhu01.com/Museum1007270918.htm
Scotty城堡(Scotty‘s Castle)建筑
Scotty城堡(Scotty‘s Castle)建筑
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http://www.jianzhu01.com/Museum1007270917.htm
康索现代艺术中心(Kunsthal)
位 置：荷兰鹿特丹WestZeedijk341号博物馆公园
建造时间：1992年
康索现代艺术中心位于城市大道与博物馆公园南部边界处。这使得它必须面对两种完全不同的环境，一边是平和宁静的公园气氛，另一边是地势稍高的大都市异常繁忙的主干道。在这里我们会感受到坡道、走廊、楼梯连续地将不同展室串连起来。一条人行坡道将整栋建筑纵向分开，连接了城市和公园。沿着建筑的外部提供了公共空间，使之成为整个艺术展览路线的一部分。与之平行的是另一条向下的坡道，这两部分的交叉点成为整栋建筑的主入口。当参观者结束他们的参观时，自然地到达一个通向室外花园平台的出口，这里有相当不错的视野。这幢建筑结合了各种各样的材料，有金属、半透明玻璃、木头和石头。这种结合同样表现在它非传统的结构上。
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http://www.jianzhu01.com/Museum1007270916.htm
格拉茨新艺术博物馆
位于奥地利城市格拉茨的新艺术馆，以“友善的外星客”闻名。它是一个风格激进的建筑，向建筑常规提出了多项挑战。该建筑的独到之处，其一,对于格拉茨城市历史文脉的挑战--该市为联合国教科文组织认定的“世界遗产城"”，亦为2003年欧洲文化之都。其二，对于博物馆设计传统的挑战。其三，复杂的生物几何设计是技术上的挑战，最后,则是给予来访者体验上的挑战--为建筑的惊人外表所诱，人们愿意探索艺术馆里面的奥秘而走进它。
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http://www.jianzhu01.com/Museum1007270915.htm
纽约犹太教堂
纽约犹太教堂内的华丽装饰，精致的彩绘和壁雕，彩色镶嵌玻璃，装饰出神圣庄严的礼堂。
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http://www.jianzhu01.com/Museum1007270914.htm
里昂歌剧院（Lyons Opera House）
位 置：法国里昂喜剧广场
建造时间：1986～1993年
对里昂歌剧院的整修工程意味着从头构造一个新结构，而不仅仅是把这座19世纪建筑的正面保留下来。设计师的目标十分明确：为法国第二大城市带来一座大型的歌剧式混合体，同时从市中心发出城市的信号来强调其本身。因此，他们发展了半圆柱以搭配新古典主义的建筑正面。这不仅没有在视觉上打乱城市格局，事实上还在简约和朴素的基础上赋予其些许个性。19世纪的走廊依然发挥着公众入口的作用。由此，与地下室连通在一起，直通可容纳200人的房间，进而就是通向楼上的楼梯。这也为内部和外部之间提供了一个过渡元素，同时成就了一种新颖的空间布局方式：以快速扶梯的形式，离开这里便到了出口。它们把你带到门口，带到电梯上，直至餐厅，抵达楼顶的平台。这座建筑也预留了排练区，比如在顶层的那个有着绝美塔楼的芭蕾房。
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http://www.jianzhu01.com/Museum1007270913.htm
萨拉克的圣玛丽教堂(Church of Saint Mary of Sarlat)
位 置：法国萨拉克城自由广场
建造时间：1993～2002年
占地面积：4306平方英尺
没有哪个宗教建筑像萨拉特圣玛丽教堂那样，很多年都处于在建状态，而且也没有配置进行宗教仪式的必需器具。该教堂与自由广场上的埃拉饭店比邻而建。让。努维尔被授权将空间改建成一个市场，并且使重新装修过的钟楼成为周围管辖区域内的嘹望点，同时成为小镇的一部分，以此保存城市的中世纪风格，还能与不少的古迹宫殿相互呼应。该工程给了哥特风格的结构以最高的崇敬：它所有的新元素——市场上小贩的架子，还有螺旋通向顶端的钢制电梯。它们与哥特石雕形成了鲜明对比，而且保持了视觉上的独立。事实上，材料选择产生的两重性，由钢制的正门便可体会到。建筑内部，多亏了正面的玫瑰窗户才使得其从来都不缺少自然光线的进入。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409293840_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270912.htm
国立索菲娅女王博物馆和艺术中心(Queen Sofia National Museum and Art Center)
位 置：西班牙马德里桑塔伊沙贝尔52号
建造时间：2001年
占地面积：231424平方英尺
该项工程作为其美术馆的延伸，获得了大奖，因为它将大楼的整体环境很好地保留了下来。它的设计是以一座公共广场为基础而建立起来的，围绕在三座卷状大楼旁，上面还有个大穹顶(在视觉上将三座楼连成一体)。从主楼向外扩展，好像有只起保护作用的胳臂，沿着建筑的延伸部分而建。在穹顶上，一系列的孔隙使自然光落入与其相对应的区域，比如图书馆，其阅览室上方的光线十分充足。三座大楼之中，只有临时展览区与主体相连。从三个层面上看，最大程度地发扬了博物馆学的潜在能力，在于它创造了强烈的对比。中央区域有高高的天花板和天窗，低天花板以下的部分更加深远，因为封闭的空间对于艺术作品的保存更为有益(无论从概念还是技术角度来看，如：录像或素描等)。图书馆位于南边(Avenida Atocha facade)，而西边包含了酒吧或饭店、礼堂和签约室。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070409372233_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270911.htm
朗香教堂(Notre-Dam du Haut)
法国朗香布雷蒙山
1950-1954年
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http://www.jianzhu01.com/Museum1007270910.htm
柏林Philarmonic音乐厅(Berlin Philarmonic)
柏林Philarmonic音乐厅(Berlin Philarmonic)
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http://www.jianzhu01.com/Museum1007270909.htm
Philharmonie艺术馆（Philharmonie）
Philharmonie艺术馆（Philharmonie）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070708581238_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270908.htm
旧金山现代艺术博物馆(San Francisco Museum of Modern Art)
位 置：美国加利福尼亚州旧金山第三大道
建造时间：1992～1995年
博物馆内嵌在一个已经含有三座高耸建筑的场地之中，这导致其设计要求形式独特。因为建筑外形与其相邻环境产生强烈的对比，博物馆显得很突出。建筑师和客户之间达成了三个明确的目标。
其一是，尽管相邻建筑有着相反的外观，但第一层空间的自然光必须得到控制。为了满足这样的需求，设计师产生了几乎在每个展览室都安置天窗系统的想法。最终是自然光将散射进室内，使艺术品呈现理想的状态。
其二是，外立面还需要有某些相似，能刺激来访者进入参观这个令人难以置信的装置。部分建筑粗糙的砖砌结构交了一份很好的答卷，而剩佘部分则混合使用了两种大理石材料。这些方式产生了一种统一的外部美感，既富有吸引力又独一无二。
最后的目标是达成建筑统一的内部景象，为了实现这一点，建造者限制了构成最终饰面图案的材料的排列方式。
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http://www.jianzhu01.com/Museum1007270907.htm
圣一玛利亚十字架教堂（Chapel of Saint Mary Of the AngelS）
位 置：瑞士提契诺州塔马洛山山顶缆车站
建造时间：1992～1996年
教堂位于连接两个山顶(RiVera ＆ Alpe Foppa)的索道出口处，它是这个地区的业主委托给博塔的一个项目。通过一系列的台阶能到达一个嘹望点，顺台阶而下则是教堂的屋顶，整个教堂像是架在山顶上的一个65米长的高架桥。固定在金属架上的一口钟成为楼梯的起点，它的存在比教堂还要早。由于地面的高差，钟在视觉上被隐藏了起来。教堂为圆柱形，直径有15米，被分成了三个部分。这些空间中的两部分用作周边走道，另一部分则形成了教堂中殿。在圆柱体的一端是一个小型的带有天窗的教堂半圆形后殿，自然光充满了这个空间。艺术家恩泽·古奇受托在祭坛之后绘制了一幅巨大的壁画，在侧窗走廊上绘制一些板画。同时，古奇还负责中心部分拱形天花的装饰和顶楼入口的绘画。
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http://www.jianzhu01.com/Museum1007270906.htm
圣·约翰巴蒂斯塔教堂(Church of Saint John the Baptist)
位 置：瑞士提契诺州玛吉亚山谷蒙哥诺村
建造时间：1992—1998年
这个小教堂位于意大利阿尔卑斯山脚的玛吉亚山谷上部，它取代了蒙哥诺村原有的7世纪的老教堂(在1986年的一次破坏性雪崩中被摧毁)。戏剧性的原因(雪崩)带来的首要任务是建造一个新的教堂，同时也导致了建筑师在如此一个惊险而美丽的复杂自然环境中，需要对建筑的安置、工程中使用的建造技术以及物质与象征性的表达进行一些特别的考虑。博塔选择使用了巨石墙来完成建筑结构，使其起到支撑作用，并在其上覆盖了一个透光的玻璃屋顶。这种强烈的对比显示出人类在大自然力量面前的脆弱。或许它还有一种尝试：希望把人们带到一个与上帝进行平等交流的场所。底层的地板进行了简单的几何形式的排列：一个长方形内切于一个椭圆形内，在屋顶处它变成了一个圆周。通过提供必要抗震性的简单结构体系显示并强调了建筑本身布局的清晰。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008070808063036_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270905.htm
罗弗莱托与特兰托的现代艺术博物馆(Museum of Modern Art of Rovereto and Trento)
位 置：意大利罗弗莱托市卡索贝特尼街43号
建造时间：1996～2002年
罗弗莱托与特兰托的现代艺术博物馆位于罗弗莱托镇的历史中心区，它座落在两座18世纪宫殿之间。这座大厦后退于街道的建筑立面。按照规划，博物馆有一个巨大的广场作为展览馆、图书馆、礼堂、咖啡厅等不同空间的入口。覆盖这个巨大天井的是一个玻璃钢结构系统。这个系统的中心是一个开口，它正对着其下喷泉的位置。这个广场豪华的圆顶使音乐会场景(可容纳1200名观众)变得美轮美奂。黄色的维琴察石材覆盖了建筑的正立面，石材的阴影使它与周边建筑的石材有些微小的区别。同样安装在这里的石材成为建筑正面通风系统的一部分，它保证了良好的绝缘效果并提供了高效的维护。当然，这个装置的设计也关注了如下需求：维护最佳的气候条件来保护艺术作品。
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http://www.jianzhu01.com/Museum1007270904.htm
大屠杀纪念馆（holocaust museum）
大屠杀记念馆（holocaust museum）
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http://www.jianzhu01.com/Museum1007270903.htm
法国Aurillac多用途礼堂
伦敦建筑师Brisac Gonzalez在法国Aurillac完成了一个多用途礼堂设计建造，主要空间将能容纳4500人，建筑是一个新的场所，可作为剧院，音乐厅，展览馆及体育场，用于演唱会，体育比赛，贸易展览和文艺演出。它将包含伸缩式座椅及多姿多彩的可拆卸舞台。该建筑采用预制混凝土板与网格玻璃砖，安装荧光灯与彩色过滤器，在晚上不断变化出不同的气质。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071508575738_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270902.htm
日本Matsunoyama自然科学博物馆
在日本新泻县的Matsunoyama自然科学博物馆。这是大雪著名的地区，降雪量也超过了多达3米，所以在冬天，建筑物（除塔楼外） ，几乎完全被覆盖在冰雪下。外部无缝的焊接6毫米带锈钢板加筋框架钢横梁可以承受很强烈的雪荷载。内部空间的全透明的墙，采用亚克力面板，在冬季进入大楼之间积雪的高墙之中找到一个温暖的隧道，让访客看到居住在雪地里的动物。从34米高塔，可以看到，在地平线以上的白雪覆盖的森林，建筑本身已经具有里程碑意义。
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http://www.jianzhu01.com/Museum1007270901.htm
施特德尔美术馆扩建设计
德国法兰克福施特德尔美术馆扩建设计，由Schneider+Schumacher Architekten设计的方案赢得比赛。设计创造在博物馆的庭院中花园下方建造画廊，草地上突起鼓胀出半圆形的坡。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071509113837_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071509113837_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071509113837_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071509113837_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270900.htm
澳大利亚国立博物馆
原 名 称：national museum of australia
澳大利亚国立博物馆(national museum of australia)
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http://www.jianzhu01.com/Museum1007270899.htm
哥伦比亚圣多明各巨石图书馆
这三块位于哥伦比亚圣多明各(Santo Domingo, Colombia)的黑色巨石是当地的一座图书馆，2007年建功，叫作 Biblioteca Parque Espana（英文为Spain Park Library:西班牙公园图书馆），设计来自 Giancarlo Mazzanti。
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http://www.jianzhu01.com/Museum1007270898.htm
德国柏林国会图书馆
德国联邦议院在柏林的国会图书馆室内设计。获得了国际设计奖项，特点为设计艺术与实用相结合。
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http://www.jianzhu01.com/Museum1007270897.htm
英格兰南部教堂
英格兰南部教堂室内外设计。当代艺术品为艺术而装饰神圣的空间，一个非宗教组织支持的宗教的互动艺术与灵性。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071708522846_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071708522846_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071708522846_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071708522846_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008071708522846_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270896.htm
英国伦敦施蒂芬·劳伦斯中心
施蒂芬·劳伦斯中心是献给1993年在伦敦街头被白人种族主义者谋杀的黑人青年斯蒂芬?劳伦斯的永恒礼物。劳伦斯一直梦想成为一个建筑师。这是一个教育慈善基金会，这个中心将为那些想成为建筑师的贫困学生提供教育和培训和机会。该中心包括会议室，教室，实验室，办公室及展览场地。建筑表面采用了“膨胀铝幕墙”(EAV)。这种铝幕墙能反射光线，并且其色彩随着一天的天气或时间发生变化。
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http://www.jianzhu01.com/Museum1007270895.htm
UGent图书馆(Library UGent)
UGent图书馆(Library UGent)
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http://www.jianzhu01.com/Museum1007270894.htm
西雅图中央图书馆设计
西雅图中央图书馆坐落在西雅图中心的一个角落。它可容纳一个礼堂，阅读室，混合室，一间起居室，一个工作人员办公室，儿童游戏区及聚会场所，有由自动扶梯和电梯平台相连。
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http://www.jianzhu01.com/Museum1007270893.htm
慕尼黑犹太人博物馆
由Wandel Hoefer Lorch Architekten设计的慕尼黑犹太人博物馆。是一个独立的立方体，不仅是一个展示的窗口，而且是一个公共空间。在这里，游客可以找到信息台，博物馆书店，咖啡馆和酒吧。两层以上的是不断变化的展览，学习中心和图书馆等。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072108573946_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270892.htm
日本佛家艺术收藏家的Kamakura屋
Foster & Partners为一个佛家艺术收藏家设计的Kamakura屋。在设计的过程中充分的尊重自然，体现了日本建筑的自然是最美丽的思想，这些建筑物和自然在一个整体和谐的安排下共存。像许多传统的日本房子，它基本上是内向型。房子的天然环境和广泛的古董和现代艺术品收藏相结合。一个全面的综合性照明系统，其中包括光纤装置，专用射灯，自然有背光的玻璃块，进一步强调了大型个人艺术作品。通过结合人工光和自然光，发挥光与阴影，房子的设计可能使人想到虚静日本的传统建筑。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072208523931_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270891.htm
英国The Sage Gateshead音乐中心
由Foster & Partners设计的英国The Sage Gateshead音乐中心。已经成为泰恩河边的新地标。圆弧的外形和环境相呼应，内部设备先进，分为主要的三个大厅。第一个大厅具有先进的技术设备先进，提供民族音乐，爵士与蓝调表演场地，并可以容纳1650人。第二个大厅，照顾民族音乐，爵士乐和室内乐，是一个非正式的表演场地，灵活的座位安排不超过400人。第三空间是一个大排练厅。含咖啡厅、酒吧、商店，一个信息中心和售票厅，大堂是一个重大的公共空间。它可以作为休息室等空间。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008072209000940_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270890.htm
矶崎新设计的美术馆
中央美院美术馆由日本建筑大师矶崎新（ARATA ISOZAKI）设计，新的美术馆位于望京花家地南街8号中央美院内，校区用地的东北角，建筑占地面积2475 平方米，总建筑面积14777平方米，建成后的美术馆为地上四层、地下二层的框架结构建筑，将按层划分功能区，其中地下二层主要用于机房、库房，研究室、 制作室也设在地下，可方便工艺流线操作；一层主要是大厅、报告厅、咖啡厅、会议室和休息大厅；固定展位厅设置在二层，一部分将用于展示古代书画和美院老教 授的赠画藏品，另一部分展示当今美院在籍教授的作品；活动展厅设置在三层及四层，超过10米层高的活动展厅可为当代艺术展览提供更多的可能性。预计2008年6月投入使用。
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http://www.jianzhu01.com/Museum1007270889.htm
矶崎新设计深圳图书馆
矶崎新设计深圳图书馆
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http://www.jianzhu01.com/Museum1007270888.htm
挪威Petter Dass博物馆
挪威建筑师Snhetta设计的挪威诗人Petter Dass博物馆。该工程建筑在挪威湾旁，包括占地1350平方米的博物馆建筑，景观规划，以及周围的工地，停车设施和服务建设。新的博物馆在旧的遗址上建筑而成。建筑与景观融入环境，两端封闭，表面"漂浮"有大面积的玻璃，一侧朝向教堂一侧朝着天空，代表了联系历史和未来。
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http://www.jianzhu01.com/Museum1007270887.htm
bibliotheque图书馆
bibliotheque图书馆
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http://www.jianzhu01.com/Museum1007270886.htm
法国VTHR礼堂和剧院设计
这是由法国设计师Serero设计的VTHR礼堂与剧院（全称Video Transmission Haute Resolution），
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http://www.jianzhu01.com/Museum1007270885.htm
澳大利亚国立大学校园汉考克图书馆
原 名 称：australian national university hancock library
澳大利亚国立大学校园汉考克图书馆(australian national university hancock library)
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http://www.jianzhu01.com/Museum1007270884.htm
蓬皮杜艺术中心(Pompidou center)
蓬皮杜艺术中心(Pompidou center)
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http://www.jianzhu01.com/Museum1007270883.htm
巴西建筑大师奥斯卡·尼麦耶博物馆
这是巴西建筑大师Oscar Niemeyer在里约热内卢郊区为自己和家人建造的住宅，现为Oscar Niemeyer博物馆以及尼麦耶基金会所在地。他的作品的最大特色是弧线多，直线少。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108312331_14.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270882.htm
澳大利亚战争纪念碑
原 名 称：australian war memorial
澳大利亚战争纪念碑(australian war memorial)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008073108290250_30.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270881.htm
澳大利国立戏院
原 名 称：national gallery of australia
澳大利国立戏院(national gallery of australia)
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http://www.jianzhu01.com/Museum1007270880.htm
龙山教堂
龙山教堂
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080108522357_12.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270879.htm
921大地震博物馆（921 Earthquake Museum）
921大地震博物馆（921 Earthquake Museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080408170254_32.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270878.htm
韩国釜山Xi美术馆
韩国设计师Mass Studies设计的韩国釜山Xi美术馆，作为一个城市标志及文化中心。整个建筑依山势而建，正好在两山之间的山谷之中，共分四层，占地9491平方米，地下两层从侧面看像是没入山中。
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http://www.jianzhu01.com/Museum1007270877.htm
挪威诗人的博物馆
The petter dass museum是世界上位置最奇怪的博物馆，它就坐落的挪威的一条山涧裂缝之中。尽管位置奇怪，但作为诗人Petter Dass的博物馆，这样的位置可谓是恰到好处。博物馆的旁边就是诗人生前居住的小教堂。在博物馆里面除了能看到诗人常看的景色之外，由于博物馆外部的玻璃跟山涧十分贴近，所以山涧的景色都影在玻璃上，让人有完全融入自然的感觉。也许，这种和自然的贴近就是诗人的境界。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080508404447_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270876.htm
婚礼小礼拜堂（Wedding Chapel）
在西方国家，婚礼是人生的大事，有气派的教堂是大部分新人们首选。不过，当你看到这世界上最小最简洁的婚礼教堂的时候，你是否会考虑一下在这里接受亲朋戚友祝福的同时也让自然给你的婚姻一个祝福呢？
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608450747_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270875.htm
纸屋顶剧院（Paper Dome ）
位于荷兰乌德勒支的Paper Dome也许是世界上最轻的剧院。这是由于它的建筑材料及不是钢筋混凝土也不是木头，而是纸。Paper Dome的半球状拱顶就是用700个厚纸筒拼接而成，再在拱顶表面上铺上帆布就能满足其防水的要求。整个建筑是一个半径为25的球体，里面有250个座位，能容纳700多人。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608541739_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608541739_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080608541739_3.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270874.htm
巴黎guimardish美术馆(guimardish beaux arts)
巴黎guimardish美术馆(guimardish beaux arts)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709092533_18.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270873.htm
西雅图人性化的艺术博物馆
这是OSKAA翻新设计的西雅图艺术博物馆。他们保留了其颇有历史的外貌，扩充了内部的展览空间。这个博物馆的特别之处就在于设计师们把大部分空间留给了参观者，人们能从不同的角度舒适地观看每一个展品。艺术，是人们的共同语言和享受。给人们一个人性化的欣赏空间才能发挥艺术品们的观赏价值。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008080709304633_13.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270872.htm
machado da castro博物馆 葡萄牙
machado da castro博物馆
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http://www.jianzhu01.com/Museum1007270871.htm
Cesar Chavez图书馆
我们每年都在盼望在Environment的 (AIA/COTE)建筑师委员会美国学院评选的最佳绿色建筑项目。 今年的评选要求是以环境、节能平衡功能和美学设计方面的方案。 每个获奖的设计都对节能，项目使用期限，环境等方面进行评估。
例如这个Cesar Chavez图书馆，亚利桑那独特的沙漠气候创新的设计水和能源节约优先机制， 大厦占地为25,200平方米。每星期接待6,400个访客。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081409005844_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081409005844_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081409005844_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081409005844_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081409005844_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270870.htm
人体大厦
这是一座刚刚在荷兰落成的人体大厦，它其实是一个博物馆，专门用来为参观者提供有关于人体构成和功能机理的科普知识。
由于大厦内部的结构也都是完全按照人体的器官和组织构成来设计制造的，因此你可以直接走入“人体”以便更直观的了解相关的知识。
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http://www.jianzhu01.com/Museum1007270869.htm
奥斯陆歌剧院
奥斯陆歌剧院设计欣赏
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http://www.jianzhu01.com/Museum1007270868.htm
新Fuglsang Kunstmuseum 艺术博物馆
新Fuglsang Kunstmuseum 艺术博物馆设计
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http://www.jianzhu01.com/Museum1007270867.htm
新的Grand Rapids美术馆
希腊雅典的殿庙设计是建筑学的奇迹，获得艺术师和建筑师的广泛赞誉。 新的Grand Rapids美术馆就是仿造希腊风格建筑设计的作品，内部安置保险银行营业厅和超高效率的现代展示和应用设计。 这座博物馆是另人印象深刻的建筑学作品。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008081509021444_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270866.htm
vcano的博物馆作品设计
vcano的博物馆作品设计
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http://www.jianzhu01.com/Museum1007270865.htm
加拿大国际山地中心建筑设计
Architects: SAUCIER + PERROTTE ARCHITECTS
Client: National Mountain centre
Team: Gilles Saucier (design architect), André Perrotte (architect-in-charge), Marc Boutin, Guillaume Sasseville, Trevor Davies, David Moreaux, Lawrence Siu, Jean-Philippe Beauchamp, Adam Scales, Patrice Begin
Completion: 2009
Area: 55 000 square feet
Location: Canmore, Alberta, Canada
Cost: 35 000 000 $ can
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http://www.jianzhu01.com/Museum1007270864.htm
纽约新博物馆设计
纽约新博物馆设计
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http://www.jianzhu01.com/Museum1007270863.htm
奥斯纳布路克纪念馆设计
奥斯纳布路克纪念馆〔Osnabrück Museum〕是献给当地犹太人画家及大屠杀遇难者费利克斯?纳什鲍姆〔Felix Nussbaum〕的作品――呈现出的是与柏林纪念馆相类似的决定论经验。就像柏林的陈列馆，纳什鲍姆的绘画作品被他们所占据的建筑物有力地剥去了他们固有的、永恒的品质。在建筑师认为更重要的故事中，绘画只不过是作为支撑整个故事的证明材料来出现的，绘画的激情被扼杀了。
该纪念馆由利伯斯金伙同Reinders & Partner Lange于1998年夏季建设完成，已吸引了400多万参观者。
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http://www.jianzhu01.com/Museum1007270862.htm
伦敦建筑师Aurillac 演唱会场地设计
伦敦建筑师Aurillac 演唱会场地设计
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http://www.jianzhu01.com/Museum1007270861.htm
美国Nerman当代艺术博物馆设计
Nerman当代艺术博物馆位于美国堪萨斯城郊外Overland Park的约翰逊社区大学校园里。这是社区大学的地标，也是这一四州地区（four-state region）最大的当代艺术博物馆。它是由剑桥的Kyu Sung Woo事务所和堪萨斯城的Gould Evans设计的。
这座3.8万平方英尺的石灰石和玻璃建筑是对现有校园建筑的补充也是区别。博物馆遵从了原先建筑围绕庭院组织的格局，但是材料上区别于校园中占大多数的砖石结构。长长的粗糙石墙和一座22英尺高的悬垂结构延伸到了景观和后面的社区中。
这座博物馆的展览面积是1.1万平方英尺，学术空间有5400平方英尺，包括一座200座席的礼堂。此外还有一座2400平方英尺的咖啡馆和3700平方英尺的艺术品储藏空间
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http://www.jianzhu01.com/Museum1007270860.htm
世博会加拿大国家馆建筑建设方案
中国2010年上海世博会加拿大国家馆将建造在浦东世博园区的C片区，规划占地面积达6000平方米。
展馆由三幢大型几何体建筑组成，展馆的中央是一片开放的公共区域。参观者可以经由包括一个表演区的公共区域进入展馆
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http://www.jianzhu01.com/Museum1007270859.htm
斯蒂芬劳伦斯中心
由Adjaye Associates设计的英国伦敦Stephen Lawrence Centre教育中心，近期已开放。
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http://www.jianzhu01.com/Museum1007270858.htm
天顶音乐厅
建筑师：Massimiliano Fuksas（意大利）
位置：斯特拉斯堡（法国东北部城市）
项目名称：天顶音乐厅（Zenith Music Hall）
建筑时间：2008
地点：斯特拉斯堡Strasbourg自治市
客户： Città di Strasburgo (CUS) Delegate
顾问：Concrete Betom / Acoustics Altia / Scenography Architecture and Technique
面积： 14，000 平方米
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http://www.jianzhu01.com/Museum1007270857.htm
MOCA Miami博物馆设计
MOCA Miami博物馆设计
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http://www.jianzhu01.com/Museum1007270856.htm
摩根图书馆的整修和扩展
摩根图书馆的整修和扩展
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http://www.jianzhu01.com/Museum1007270855.htm
英格兰建筑师Will Alsop艺术建筑设计
英格兰建筑师Will Alsop艺术建筑设计
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http://www.jianzhu01.com/Museum1007270854.htm
山东曲阜孔子研究院
山东曲阜孔子研究院
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http://www.jianzhu01.com/Museum1007270853.htm
徐州博物馆
徐州博物馆
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http://www.jianzhu01.com/Museum1007270852.htm
徐州汉画像石艺术馆
徐州汉画像石艺术馆
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http://www.jianzhu01.com/Museum1007270851.htm
扬州中学科技信息图书资料中心
扬州中学科技信息图书资料中心
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http://www.jianzhu01.com/Museum1007270850.htm
家庭学习中心——妈妈俱乐部（Mothers‘ Club Family Learning Center）
建筑面积：0.5英亩
地点：加利福尼亚洲
设计团队：哈利艾利斯建筑事务所
此中心的使命是为了帮助那些在贫穷和孤立中生活的两代人，使其在学校学习和生活中取得成功。设计团队的无私奉献和革新，使得这个使命开始被全力的支持，同时，通过新的黄金家庭成员的到来，这个使命开始变得更加强大。
通过早期的儿童教育以及对子女的养育过程和文化教育计划，我们专注于为母亲们和他们的孩子们提供一种高质量的学习环境。
The mission of the center is to help prepare families living in isolation and poverty to succeed in school and in life through two-generation learning. Through the dedication and innovation of the project team this mission was fully supported and enhanced through its new LEED Gold facility.
We are dedicated to providing a high-quality learning environment for mothers and their children through early childhood education and programs on parenting and adult literacy.
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http://www.jianzhu01.com/Museum1007270849.htm
JDT伊斯兰教堂(JDT Islam)
地址：印度
设计团队：COLLABORATIVE ARCHITECTURE “协作者”建筑所
此项目探究了一个作为心理学习空间的，有着丰富经验和地域围绕潜在功能的教堂，这与标准的，官方起源的教室截然相反。
第三环绕系统是在现有大型院校基础上插入建造的一个建筑，是为新生建立的一个研究院，其作为一个蓝色模型建筑为未来的大型活动而准备。
此设计应用了颜色作为空间定义，这种颜色严重倾向于儿童心理感知。
The project explores the potentials of an experiential and territorial environ as pro-active learning space, contrary to the standard, functionally derived classrooms.
Wrap-3 is an ‘insertion’ in an existing large campus to revitalize the institute and a set as a model / blue print for future actions / decisions.
The design employs color for spatial definition and lean heavily on child psychology and color perception.
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http://www.jianzhu01.com/Museum1007270848.htm
（西雅图）Bertschi 中心（The Bertschi Center）
地址：华盛顿 西雅图
建筑面积：0.5英亩
竣工：2007年4月
年级：学前班——5年级
设计师：The Miller Hull Partnership 米勒与赫尔 合作设计
学校坐落在西雅图国会大厦斜坡上，是一座从学前教育到5年级的独立的学校。作为一个大都市学校，此设计方案的实施大大提高了在当地工作的家庭居住生活在此的几率，也因此减少了不必要的人员运送需求。中心将在现有初级教育的基础上扩建成一个与邻近学院相似的具有中等教育密度的学校。扩建方案内容之一，即化单一的家庭教育为统一管理的办公学前教育模式；扩建方案的内容之二，即将一个新的教室建筑和停车场合并，这个停车场可容纳18辆车以及5辆自行车，此措施是为了扩大现有绿地面积，减少由石面路造成的热量集中现象。
The school is a pre-kindergarten through 5th grade independent school located on Capitol Hill in Seattle. As an urban school expansion project it provides more opportunity for families to live in the city where they work, therefore reducing transportation demands. The center is an extension of an existing elementary school to an adjacent, previously developed site in the middle of a neighborhood of moderate density. One component of the project was the renovation of a single family home into administrative offices and a preschool classroom. The second component, a new classroom building incorporates below grade parking for 18 cars and 5 bicycles to maximize green space around the project and minimize the build-up of heat from the paving.
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http://www.jianzhu01.com/Museum1007270847.htm
爱利斯岛(ELLIS ISLAND)
爱利斯岛，在纽约河口港，从1892年1月1日到1954年11月12日，是美国移民入境的主要港口。它由联邦政府管控，属于自由女神纪念碑的一部分，受美国国家公园管辖。
Ellis Island, at the mouth of the New York Harbor, was at one time the main entry facility for immigrants entering the United States from January 1, 1892 until November 12, 1954. It is wholly in the possession of the Federal government as a part of Statue of Liberty National Monument and is under the jurisdiction of the US National Park Service.
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http://www.jianzhu01.com/Museum1007270846.htm
大都会博物馆(Metropolitan Museum of Art)
大都会美术馆，常被简称为“大都会”，是世界上最大和最重要的艺术博物馆。博物馆主楼位于美国纽约市中央公园东部边缘，在1986年被指定为国家历史性地标建筑。
The Metropolitan Museum of Art, often referred to simply as "the Met", is one of the world‘s largest and most important art museums. The main building is located on the eastern edge of Central Park in New York City, New York, United States, along what is known as Museum Mile. It was designated a National Historic Landmark in 1986.
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http://www.jianzhu01.com/Museum1007270845.htm
库珀-休伊特国立设计博物馆(Cooper-Hewitt Design Museum)
库珀休伊特是史密森学会设计的国家博物馆。真正令人印象深刻是其范围和设计立意，博物馆设在具有里程碑意义的卡内基大厦，包括11000平方英尺的画廊空间，致力于改变引人注目的建筑设计特征，将人们视线转移到内部私人或者公众的收藏品上来。
Cooper-Hewitt is the Smithsonian Institution‘s National Museum of Design. Truly impressive in scope and purpose, this Museum, housed in the landmark Carnegie Mansion, includes 11,000 square feet of gallery space devoted to changing exhibitions that examine compelling issues of design, displaying its own collections as well as loans from public and private sources.
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http://www.jianzhu01.com/Museum1007270844.htm
惠特尼美术馆美洲艺术(Whitney Museum of American Art)
惠特尼美国艺术博物馆归功于其惊人的惊人的花岗岩外观和匈牙利出生的建筑设计师Marcel Breuer（1902——1981）。它坐落在纽约75街麦迪逊大街东南角。
The Whitney Museum of American Art owes its striking granite presence at the southeast corner of Madison Avenue and 75th Street to the Hungarian-born, Bauhaus-trained architect Marcel Breuer (1902-1981).
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http://www.jianzhu01.com/Museum1007270843.htm
西班牙文化博物馆(El Museo del Barrio)
1969 年，一群住在此地的父母、教育家、艺术家与社区行动者创建了以”El Barrio”为名的博物馆(El Museo del Barrio)，其目的在于以此展现、维护、延续、反省波多黎各甚至整个西班牙文化。
El Museo del Barrio was founded in 1969 by a group of Puerto Rican parents, educators, artists and community activists in East Harlem‘s Spanish-speaking el barrio。
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http://www.jianzhu01.com/Museum1007270842.htm
现代艺术博物馆(Museum of Modern Art)
纽约现代艺术博物馆（MoMA）是一个杰出的艺术博物馆，位于美国纽约市曼哈顿中城第53街，第五大道和第六大道之间。它在现代艺术的发展和收藏过程中占有举足轻重的地位，同时也是世界上最具影响力的现代艺术博物馆。
The Museum of Modern Art (MoMA) is a preeminent art museum located in Midtown Manhattan in New York City, USA, on 53rd Street, between Fifth and Sixth Avenues. It has been singularly important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world.
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http://www.jianzhu01.com/Museum1007270841.htm
美国自然历史博物馆(American Museum of Natural History)
自然历史博物馆是纽约市最有名的一个旅游景点。独特的建筑外形使得这座博物馆脱颖而出，其巨大的石块建筑，反映出一个折中的混合设计风格。中央公园西入口处有高大的白色柱体以及总统西奥多罗斯在马背上的铜像，其他地方均为中世纪建筑外观，拥有童话般美丽的城堡，现代建筑玫瑰中心。
The Natural History Museum is one of the most famous tourist attractions in New York City. The architecture alone makes the museum stand out; it’s a huge, sprawling stone building that reflects an eclectic mix of design styles. The Central Park West entrance has towering white columns and a bronze statue of President Theodore Roosevelt on horseback, other parts of the building look Medieval, with towers like on a storybook castle, and the Rose Center is as modern as a building can get, a glass box with the new Hayden sphere floating in the center.
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http://www.jianzhu01.com/Museum1007270840.htm
犹太人博物馆(The Jewish Museum)
犹太博物馆建于1993年至1995年，展有犹太人在德国近两千年的历史。建筑师丹尼尔·李布斯金称他的设计为"Between the Lines"（两线/行之间）。建筑折叠多次、连贯的锯齿形平面线条被一组排列成直线的空白空间("voids")打断。这些空白空间代表了真空，意喻着犹太人民及文化在德国和欧洲被摧残后留下的、永远无法消亡的空白。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101410334046_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101410334046_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101410334046_3.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270839.htm
修道院艺术博物馆(The Cloisters)
前巴黎卢浮宫负责人日尔曼巴赞描述说，修道院艺术博物馆是“美国博物馆学的最高成就”——是大都会博物馆艺术的一个分支，致力于艺术和建筑结合的中世纪欧洲建筑。占地4英亩，和曼哈顿北部Fort Tryon公园的顿河遥遥相望。建筑内部有5个中世纪法国回廊——四角封闭的拱形屋顶或通道——和其他一些法国南部的庙宇。
The Cloisters—described by Germain Bazin, former director of the Musée du Louvre in Paris, as "the crowning achievement of American museology"—is the branch of the Metropolitan Museum devoted to the art and architecture of medieval Europe. Located on four acres overlooking the Hudson River in northern Manhattan‘s Fort Tryon Park, the building incorporates elements from five medieval French cloisters—quadrangles enclosed by a roofed or vaulted passageway, or arcade—and from other monastic sites in southern France.
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http://www.jianzhu01.com/Museum1007270838.htm
Ed Sullivan Theater
The Ed Sullivan剧院位于美国纽约曼哈顿百老汇西53街与54街之间，建于1967年到1969年，是一个古老的广播和电视剧演播室。此剧院拥有1200个座位，其中400个目前成为电视观众席——自1936年来被用作直播和广播录音间。
The Ed Sullivan Theater, which is located at 1697-1699 Broadway between West 53rd and West 54th Streets, in Manhattan[1], is a venerable radio and television studio in New York City. The 1200-seat theatre — of which 400 seats are currently used for TV audiences — has been used as a venue for live and taped CBS broadcasts since 1936.
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http://www.jianzhu01.com/Museum1007270837.htm
卡内基礼堂(Carnegie Hall)
卡内基礼堂位于纽约市第七大道五十七街的一个音乐厅。卡内基音乐厅于1891年首次投入使用，直到现在还在发挥作用。在过去的一个世纪里，许多著名的艺术家都在此进行过他们的表演，包括柴可夫斯基，斯特拉文斯基伊戈尔和拉威尔和乔治格什温。卡内基音乐厅是目前世界上最有名音乐厅之一，礼堂对于声音的处理构建是奢侈并且无可挑剔的。
Carnegie Hall is a concert hall located in New York City at Seventh Avenue and Fifty Seventh street. Carnegie Hall opened in 1891 and is still used today. Over the last century many world renowned artists have performed there including Peter Tchaikovsky, Igor Stravinsky, and Maurice Ravel and George Gershwin. The Hall is one of the most famous concert halls in the world. The acoustic sounds are impeccable and the architecture is extravagant.
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http://www.jianzhu01.com/Museum1007270836.htm
兰心大戏院(Lyceum Theater)
兰心大剧院是一个合法的百老汇剧院，位于美国曼哈顿市中心西45街149号。
它是尚存的最古老的百老汇戏院（连同新阿姆斯特丹剧演），纽约市最古老的合法连续运营的大剧院，1974年建成以来获得第一百老汇剧院的里程碑地位。
The Lyceum Theatre is a legitimate Broadway theatre located at 149 West 45th Street in midtown-Manhattan.
It has the distinction of being the oldest surviving Broadway venue (along with the New Amsterdam Theatre), the oldest continuously operating legitimate theatre in New York City, and the first Broadway theatre ever to be granted landmark status (1974). It is one of the few theatres in New York to operate under its original name.
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http://www.jianzhu01.com/Museum1007270835.htm
林肯表演艺术中心(Lincoln Center for the Performing Arts)
林肯表演艺术中心位于西部62街和66街之间的哥伦布和阿姆斯特丹林荫道上，由几座建筑物统一合成——包括音乐厅，戏剧厅，歌剧厅，舞蹈厅。整个项目从1962年到1968年历时6年，由Wallace K. Harrison设计完成。即使这座建筑在结构上采用比较保守的形式，整个建筑仍然围绕一个开放的，友好使用的广场而建。
Located between west 62nd to west 66th Streets and Columbus and Amsterdam Avenues, the Lincoln Center for the Performing Arts is comprised of a unity of several buildings--all of travertine--devoted to the performance of music, theater, opera, and dance. The overall project was directed by Wallace K. Harrison and completed between 1962 and 1968. The buildings surround an open, user-friendly plaza, even though the buildings are generally conservative in style.
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http://www.jianzhu01.com/Museum1007270834.htm
麦迪逊广场花园(Madison Square Garden Center)
麦迪逊广场花园，通常缩写为MSG，简单称为花园或俗称为世界最著名的体育场，在美国纽约一直是四个地区的统称。
Madison Square Garden, often abbreviated as MSG, known colloquially simply as The Garden or The World‘s Most Famous Arena, has been the name of four arenas in New York City, United States.
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http://www.jianzhu01.com/Museum1007270833.htm
纽约竞技场(The Hippodrome)
纽约竞技场，在1905年到1939年间，被称为“跑马场中心”，现在是一个大型现代化的办公大楼。该竞技场坐落在曼哈顿市中心，美国1120大街，被称为世界上最大的剧院。
The Hippodrome Theatre stood in New York City from 1905 to 1939, on the site of a what is now a large modern office building known as "The Hippodrome Center", at 1120 Avenue of the Americas, in the Theater District of Midtown Manhattan. It was called the world‘s largest theatre by its builders.
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http://www.jianzhu01.com/Museum1007270832.htm
纽约无线城音乐厅(Radio City Music Hall)
纽约无线城音乐厅是一所坐落在洛克菲勒中心的娱乐场所。它有个亲切的昵称叫做民族胜地，在一段时间内使这个城市的一个主要旅游胜地。其内部构造在1978年被视为划时代的城市标志。
Radio City Music Hall is an entertainment venue located in New York City‘s Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
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http://www.jianzhu01.com/Museum1007270831.htm
时代广场剧院(Times Square Theater)
时代广场剧院(Times Square Theater)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101511565848_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101511565848_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101511565848_3.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270830.htm
新阿姆斯特丹剧院(New Amsterdam Theater)
新阿姆斯特丹剧院是迪士尼公司所拥有的豪华大剧院，坐落于美国纽约百老汇街。
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http://www.jianzhu01.com/Museum1007270829.htm
演员工作室(Actor’s Studio)
1947年，由伊力.卡山、劳勃.路易斯和雪莉.史劳复在纽约成立的职业演员训练场所。曾对1950年代的美国戏剧和电影产生相当大的影响。著名演员如：马龙.白兰度、保罗.纽曼等均出於此。
Founded in 1947 by Elia Kazan, Cheryl Crawford, and Robert Lewis, the Studio is known for its work refining and teaching method acting, an approach originally developed by the Group Theatre in the 1930s based on the innovations of Constantin Stanislavski.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101511584430_1.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270828.htm
911纪念馆(911 Memorial)
911纪念馆(911 Memorial)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101608194656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101608194656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008101608194656_3.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270827.htm
Columbus Circle Fountain
雕刻家：Gaetano Russo
位置：哥伦布圆环
始建：1892年公诸于世
风格：美术（绘画，雕塑，建筑）
建筑材料：70英尺的花岗岩柱，青铜浮雕
Sculptor：Gaetano Russo
Location：Columbus Circle
Date：Unveiled 1892
Style： Beaux-Arts
Construction： 70-foot granite column with bronze reliefs
坐落在哥伦比亚圆环中心，在西南周边的中央公园有一个宏伟高大的克里斯托弗哥伦布的大理石雕像，他是一个意大利水手和领航员，历史上第一个跨大西洋和发现美洲大陆的欧洲人。
Situated in the center of Columbus Circle, at the southwest perimeter of Central Park is a magnificent towering marble statue of Christopher Columbus. The Italian mariner and navigator, is credited as the first European to sail across the Atlantic Ocean and with the discovery of the American continent.
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http://www.jianzhu01.com/Museum1007270826.htm
大将军广场(Grand Army Plaza)
建筑师：特德 沃克斯
位置：美国展望公园，弗拉特布什大街广场街交叉点
始建：1870年
风格：美术（绘画，雕塑，建筑）
类型：博物馆
Architect：Olmsted and Vaux
Location： All Grand Army Plaza, within Plaza St. at the intersection of Flatbush Ave., Prospect Park W., Eastern Pkwy., and Vanderbilt Ave.
Date：1870.
Style：Beaux-Arts
Type：Monument
特德和沃克斯设计了这一历史性的椭圆形环岛纪念碑，结合巴黎Etoile酒店（现在的戴高乐机场广场）设计而做，这一轮12轮的环岛将中央岛屿的凯旋门环入其中，虽然这遭到了人们的反对。巧妙的城市设计，将东方大道，展望公园以及其他几何图案连接在一起。
Olmsted & Vaux designed this monumental oval traffic circle in the spirit of Paris’ Etoile (now the Place Charles de Gaulle), that circular 12-spoked traffic rond point that bears in its central island the Arc de Triomphe, although they opposed an arch here. A masterstroke of city planning, this nexus joins their great Eastern Parkway, and their Prospect Park, with the avenues that preceded it on other geometries.
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http://www.jianzhu01.com/Museum1007270825.htm
大将军广场(The Grand Army Plaza)
建筑师：奥古斯塔斯 圣 奥斯
位置：中央公园59街
始建：1916年
风格：美术（绘画，雕塑，建筑）
建筑材料：石材，青铜等
类型：纪念碑
Architect：Augustus Saint-Gaudens
Location： across 59th Street from Central Park
Date：1916
Style： Beaux-Arts
Construction：stone, bronze, etc
Type：Monument
雕塑旁边是广场的主要东通道，它对于这个城市的剧名和来往者来说，具有独特的含义，他象征着纽约文化和成就的中心。北面的广场竖立着一座明亮镀金的铜像，它是前联盟秘书长威廉特库姆赛谢尔曼，他为结束内战作出了杰出的贡献。
Aside from its status as the main east side gateway to the Park it has its own special significance to residents of the city and visitors alike. Like Plazas in other cities it defines New York as a center of culture and achievement. On the north side of the Plaza stands a brightly gilded bronze statue of the Union General William Tecumseh Sherman, the individual given much of the credit for ending the Civil War.
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http://www.jianzhu01.com/Museum1007270824.htm
第107步兵纪念馆(107th Infantry Memorial)
位于第五大道中央公园周边，是7名美国士兵的雕像，为了纪念第一次世界大战。三名男子手持刺刀准备作战，同时受伤的战士重叠着拥抱着同胞拿着武器。
Located along Fifth Avenue on the perimeter of Central Park, is the powerful statue of seven American soldiers who memorialize the grueling battles of World War I. Three of the men have bayonets ready for battle, while the weight of a wounded solider collapses into the embracing arms of a fellow comrade.
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http://www.jianzhu01.com/Museum1007270823.htm
格兰特墓(Grant‘s Tomb)
建筑师：约翰·邓肯
位置：滨河道第122街 (212) 666-1640
始建：1897
风格：新古典主义
建筑材料：石灰石
Architect：John H. Duncan
Location：Riverside Drive at 122nd St. (212) 666-1640
Date：1897
Style：Neo-Classicism
Construction：limestone
这座尤利塞斯男子格兰特的陵墓，代表了当时的社会制度以及高度发展的文化水平。同时也反映出了泛神论时期紧跟的内战时期状态。受公共资助的捐款，大理石建筑呈现在一个兼收并蓄的古典风格，使人联想到先贤祠。
The mausoleum of Ulysses S. Grant, this building exemplifies the presence of social institutions and high culture in Morningside Heights. It also reflects the pantheistic experimentation of the period immediately following the Civil War. Financed by public contributions, the marble building is rendered in an eclectic classical style reminiscent of the Pantheon.
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http://www.jianzhu01.com/Museum1007270822.htm
华盛顿广场拱门(Washington Square Arch)
建筑师：McKim Mead White
位置：第五大道华盛顿广场公园北侧
始建：1895年
风格：美术（绘画，雕饰，建筑）
建筑材料：茯苓大理石
类型：纪念碑
Architect：McKim, Mead and White
Location：North side of Washington Square Park at Fifth Avenue
Date： 1895
Style： Beaux-Arts
Construction：Tuckahoe marble
Type： Monument
华盛顿广场拱门的设计灵感来自于罗马凯旋拱门，于1889年为了庆祝乔治华盛顿就职典礼100周年而建。他取代了用木头和灰泥搭建的拱门。
Inspired by Roman triumphal arches, this structure was erected in 1889 to celebrate the centennial of George Washington‘s inauguration. It replaced an arch on near the site which was a temporary structure made of wood and stucco.
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http://www.jianzhu01.com/Museum1007270821.htm
莫里斯理查德亨特纪念碑(Richard Morris Hunt Memorial)
李察莫瑞思韩特纪念碑，坐落于中央公园周边，对面是佛里克博物馆，莫里斯理查德亨特是美国伟大的建筑师，其设计仿效法国的美术风格。
Located on the perimeter of the Central Park and across from the Frick Museum, is this monument to Richard Morris Hunt an American architect of great prominence whose defining signature emulated the French Beaux-Arts style.
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http://www.jianzhu01.com/Museum1007270820.htm
自由女神像(STATUE OF LIBERTY)
自由女神像高46米，加基座为93米，重200多吨，是金属铸造，置于一座混凝土制的台基上。自由女神的底座是著名的约瑟夫·普利策筹集10万美金建成的，现在的底座是一个美国移民史博物馆。
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http://www.jianzhu01.com/Museum1007270819.htm
St. Jean Baptiste Church
在这座教堂的建造中，做出大部分贡献的是Thomas Fortune Ryan和他的妻子。Ryan，一个虔诚的谦虚地富人，将st.Jean构建成巨大浮华的教堂，靠近他的住所第五大道。
The construction of the present church building was due, in large part, to the contributions of Thomas Fortune Ryan and his wife. Ryan, a devout and wealthy man of unassuming ways, preferred St. Jean‘s to the large and showy parishes near his Fifth Avenue home.
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http://www.jianzhu01.com/Museum1007270818.htm
阿比西尼亚教會(Abyssinian Baptist Church)
阿比西尼亚教会位于曼哈顿城财富街40号，建成于1808。
Founded in 1808 at 40 Worth Street in lower Manhattan.
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http://www.jianzhu01.com/Museum1007270817.htm
包厘街圣马克教堂(St. Mark‘s in the Bowery Church)
"The Bowery" 是荷兰总统peter的农场，他的私人小教堂坐落于此——在曼哈顿是最古老的做礼拜的教堂。教堂建于1795年到1799年，是曼哈顿少数几个幸存的18世纪建筑，1828年添加了希腊复兴尖塔，1854年完成了意大利柱廊结构。
"The Bowery" was Dutch governor Peter Stuyvesant‘s farm, and his private chapel used to stand on this site--making this the oldest site of continuous worship in Manhattan. This church was erected 1795-99-- one of the few surviving 18th Century structures in Manhattan--with a Greek revival steeple added 1828 and an Italianate portico completing the structure in 1854.
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http://www.jianzhu01.com/Museum1007270816.htm
大理石教堂(Marble Collegiate Church)
大理石教堂坐落在美国纽约第21街第五大道上，是一座重建了的教堂。这是在美国最古老的新教徒集会地，它成立于1628年，作为一座改革的荷兰新教教会，部分属于荷兰加尔文主义革新教会。
Marble Collegiate Church is a church of the Reformed Church in America located at Fifth Avenue and Twenty-Ninth Street in New York City. It is the oldest continuous Protestant congregation in the United States; It was founded in 1628 as the Collegiate Reformed Protestant Dutch Church, and was part of the Calvinist Dutch Reformed Church.
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http://www.jianzhu01.com/Museum1007270815.htm
河滨教堂(Riverside Church)
美国基督教新教教堂。位于纽约曼哈顿河滨大道。1925年，原浸礼会牧师、美国基督教现代主义神学家富司迪任河滨教堂首任牧师。小洛克菲勒为支持富司迪宣传现代主义神学思想，特捐资重建新堂，1930年落成。该堂现为美国新教最大教堂之一。教堂外部为新哥特式，大礼拜堂则为现代式结构。
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http://www.jianzhu01.com/Museum1007270814.htm
基督教科学派第一教堂(First Church of Christ, Scientist)
位于伯克利的基督教科学派第一教堂就好像同许多梅贝克（Maybeck）的作品一样已经被大火烧毁了，他从未获得过美国建筑师协会的金奖。没有其他的建筑能把他富有想象力的建筑天赋表现得如此完美！他对国内建筑设计的贡献是显著的，并且他在建筑教育领域取得的成就也是引人注目的。但是就是空间、结构、颜色和光线立刻获得了世俗的专业评论员的赞美。教堂于1910年设计，当时梅贝克48岁，它是梅贝克最有成效时期设计思想的生动体现。
建筑风格：法国哥特式 描述：镀金、镶宝石的内部装饰，加油拱顶减少窗花格。该建筑为路易斯国王而建造
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http://www.jianzhu01.com/Museum1007270813.htm
纽约街角小教堂(Little Church Around the Corner)
街角小教堂坐落在曼哈顿市中心Murray Hill区东一街29号，构建了一座临摹的英格兰乡村景象，长期以来，一直是纽约人信仰的一片绿洲，是一个祈祷的小教堂，或享受免费周末音乐会的主要教堂。它也因为受欢迎的教堂婚礼而被称为“婚礼教堂”。
Located at 1 East 29th Street,in the Murray Hill District, the church is set back from the street behind a garden creating a facsimile of the English countryside in midtown Manhattan and has long been an oasis for New Yorkers of all faiths who relax in the garden, pray in the chapel or enjoy free weekday concerts in the main church. It has also been known as the "wedding church" because of the popularity of the church for weddings.
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http://www.jianzhu01.com/Museum1007270812.htm
纽约街角小教堂(Little Church Around the Corner)
街角小教堂坐落在曼哈顿市中心Murray Hill区东一街29号，构建了一座临摹的英格兰乡村景象，长期以来，一直是纽约人信仰的一片绿洲，是一个祈祷的小教堂，或享受免费周末音乐会的主要教堂。它也因为受欢迎的教堂婚礼而被称为“婚礼教堂”。
Located at 1 East 29th Street,in the Murray Hill District, the church is set back from the street behind a garden creating a facsimile of the English countryside in midtown Manhattan and has long been an oasis for New Yorkers of all faiths who relax in the garden, pray in the chapel or enjoy free weekday concerts in the main church. It has also been known as the "wedding church" because of the popularity of the church for weddings.
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http://www.jianzhu01.com/Museum1007270811.htm
纽约天安教堂(Church of the Heavenly Rest)
教堂始终矗立在第五大道上，在原先稍微靠南的E45街十字路口。它是由一组南北战争退伍军人于1865年建造的。
The church has always stood on Fifth Avenue, but originally much further south on E45th Street intersection. It was founded by a group of Civil War veterans in 1865.
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http://www.jianzhu01.com/Museum1007270810.htm
圣巴塞缪斯大教堂(St. Bartholomew‘s Church)
圣巴塞洛缪教堂，通常称为圣巴特教堂，是一个历史性圣公会教区，成立于1835年1月。位于纽约市曼哈顿城第50和51街之间的公园大道。
St. Bartholomew‘s Church, commonly called St. Bart’s, is an historic Episcopal parish founded in January 1835, and located on the east side of Park Avenue between 50th and 51st Street in Midtown Manhattan, New York City.
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http://www.jianzhu01.com/Museum1007270809.htm
圣保罗礼堂(St. Paul‘s Chapel)
圣保罗教堂，百老汇街209号，位于纽约市曼哈顿下游Fulton和Vesey街之间的世界贸易中心遗址对面，是一个圣公会教堂。
St. Paul‘s Chapel, at 209 Broadway, is an Episcopal chapel located on Church Street between Fulton and Vesey Streets, opposite the east side of the World Trade Center site in lower Manhattan in New York City.
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http://www.jianzhu01.com/Museum1007270808.htm
圣三一教堂(TRINITY CHURCH)
圣三一教堂位于纽约圣三一地74号，是纽约主教教区的一个历史著名的服务教堂，坐落在曼哈顿市区的百老汇和华尔街十字路口。圣保罗礼堂属于圣三一教堂的一部分，是纽约市最古老的连续使用的公共建筑。
Trinity Church, at 74 Trinity Place in New York City, is a historic full service parish church in the Episcopal Diocese of New York. Trinity Church is located at the intersection of Broadway and Wall Street in downtown Manhattan. St. Paul‘s Chapel, part of the Parish of Trinity Church, is the oldest public building in continuous use in New York City.
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http://www.jianzhu01.com/Museum1007270807.htm
圣徒伊丽莎白·安·贝利神殿(SHRINE OF ST. ELIZABETH ANN BAYLEY SETON)
圣徒伊丽莎白·安·贝利神殿(SHRINE OF ST. ELIZABETH ANN BAYLEY SETON)
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http://www.jianzhu01.com/Museum1007270806.htm
圣约翰地梵大教堂(St. John the Divine)
The Cathedral Church of St. John the Divine是世界最大的天主教大教堂，坐落在纽约市阿姆斯特丹街与１１２街相交处，与著名的常春藤大学哥伦比亚大学的校区相邻。St. John the Divine始建于１８９２年，历经百余年，至今完成２／３。
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http://www.jianzhu01.com/Museum1007270805.htm
朱德森纪念教堂(Judson Memorial Church)
朱德森纪念教堂是一个独特庄严的大厦，在华盛顿广场南面。教堂由著名的建筑师斯坦福怀特和彩色玻璃大师约翰拉法尔热设计，其外形受意大利文艺复兴时期的影响，拘泥于意大利风格。
Judson Memorial Church is a particularly stately edifice, at the south side of Washington Square. The church building, designed by renowned architect Stanford White, and stained glass master John La Farge, features Italian Renaissance influences wedded to a basic Italianate form.
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清华大学
清华校园
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奥尔多利奥波德遗产中心
地址：威斯康辛州 巴拉布市
建筑师：Architects建筑事务所
Aldo Leopold Legacy Center, Baraboo, Wisconsin Architects
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皇后区植物园旅游与管理中心
名称：皇后区植物园旅游与管理中心
地址：纽约
建筑师：BKSK
2 Queens Botanical Garden Visitor & Administration Center, New York, New York
BKSK Architects
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麻州韦斯顿剑桥学院加思特科学艺术中心
地址：马萨诸塞州
建筑师：Architerra建築事務所
Garthwaite Center for Science and Art, Cambridge School of Weston, Weston, Massachusetts
Architerra
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紐那瓦学校山坡学习中心
名称：紐那瓦学校 山坡学习中心
地址：加利福尼亚，希尔镇
建筑师：Leddy Maytum Stacy建筑事务所
The Nueva School, Hillside Learning Complex, Hillsborough, California
Leddy Maytum Stacy Architects
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塞隆查维斯图书馆
地址：拉文市 亚利桑那州
建筑师：线与空间建筑事务所
Cesar Chavez Libraries, Laveen, Arizona
Line and Space
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拉文－伯尼克中心
名称：新奥尔良「拉文－伯尼克中心」
地址：路易斯安那州 新奥尔良
建筑师：VJAA建筑事务所
Lavin-Bernick Center, New Orleans, Louisiana
VJAA
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耶鲁大学雕塑大楼和美术馆
名称：耶鲁大学雕塑大楼和美术馆
地址： 康涅狄格 新港口
建筑师：基兰——延伯莱克建筑事务所
Yale University Sculpture Building and Gallery, New Haven, Connecticut
KieranTimberlake Associates
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环境教育/游客活动中心
地址：宾州Dingmans Ferry 市
建筑师：波林－塞温斯基－杰克森建筑事务所
Environmental Education/Visitor Activity Center, Dingmans Ferry, Pennsylvania
Bohlin Cywinski Jackson
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http://www.jianzhu01.com/Museum1007270795.htm
洛杉矶“葛瑞菲斯天文台”（Griffith Observatory）
洛杉矶“葛瑞菲斯天文台”（Griffith Observatory）
建筑师：法伊弗合作建筑事务所（Pfeiffer Partners Architects)
美国建筑师协会AIA2008建筑荣誉奖第三名
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路易斯安那州巴吞鲁日市“肖艺术中心”（Shaw Center for the Arts）
路易斯安那州巴吞鲁日市“肖艺术中心”（Shaw Center for the Arts）
建筑师：施瓦茨／西尔弗建筑事务所（Schwartz/Silver Architects）
美国建筑师协会AIA2008建筑荣誉奖第八名
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http://www.jianzhu01.com/Museum1007270793.htm
密苏里州堪萨斯城“纳尔逊·阿特金斯艺术博物馆”
密苏里州堪萨斯城“纳尔逊?阿特金斯艺术博物馆”
“史蒂文·霍尔建筑事务所”
美国建筑师协会AIA2008建筑荣誉奖第十名
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http://www.jianzhu01.com/Museum1007270792.htm
西雅图公共图书馆
西雅图公共图书馆
Seattle Public Library
本案荣获《时代》杂志（Time）二○○四年最佳建筑奖、二○○五年美国建筑师协会的杰出建筑设计奖（AIA Honor Awards）
座落地点：西雅图，华盛顿州，美国
建筑设计：Rem Koolhaas
完工时间：2004
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http://www.jianzhu01.com/Museum1007270791.htm
同济大学嘉定校区图书馆（Library at Jiading Campus，Tongji University）
工程信息／PROJECT DATA
项目名称／Project Name
同济大学嘉定校区图书馆／Library at Jiading Campus，Tongji University
地址／Location 上海嘉定区／Shanghai，Jiading
完工日期／Completion
2006年7月/July 2006
总建筑面积／Gross Floor Area 34 620 m2
高度／Building Height 67．3 m
层数／Storeys13层(地上：1 2层；地下：1层)／13(above ground 12：underground：1)
项目设计主持人／PrincipaI Architects
王文胜，周峻／Wang Wenshen Zhou Jun
机电工程师／MechanicaI＆Electrical Engineer
王坚／Wang Jian
土木结构工程师／Civil&Structural Engineer
虞终军／Yu Zhongjun
同济大学嘉定校区是上海科教研发基地的卓越中心。其图书馆总建筑面积34620m2，藏书150万册，堪称校内标志建筑。
图书馆位于校园核心区域，地理位置得天独厚：南侧为一期建筑群，东侧邻近综合教学楼，北侧与西侧邻近规划中的学院区。基地北侧邻近校园主车行道，交通方便；南面毗邻大面积人工湖，景色优美。图书馆采用正方形构图与基地轮廓相呼应。
开放式的空间布局藏、借、阅三位一体，多层次满足现代数字化图书馆的实体要求。图书馆内部空间采用中庭形态划分，结合功能分区。在12层建筑内部设置5处中庭共享空间，各共享空间内部独立设置不同样式景观楼梯以联系各楼层，缩短上下楼层交流距离，便捷分流不同读者群，又缓解了核芯筒内楼电梯的交通流量。
图书馆5、6、7层共享空间东南侧设置了两层通高绿化边庭，结构梁局部下沉0.6m形成凹槽，内置覆1-种植绿化，覆土上部采用实木铺地和草皮相间形成的肌理，木质地面上布置休闲座椅作为休息交流的场所。另外在建筑12层东南角还设有一外侧有幕墙围护、顶部开敞的绿化庭院，中国古典园林式的照壁、婆娑的美人蕉、香樟树营造别致屋顶花园，使读者在读书、研究之余怡神养性、登高远眺。
可持续性设计理念融会贯通。门禁系统和火灾自动报警系统联动，在火灾发生时，释放相关门禁点。智能照明控制系统采用时控和光控。建筑东、南立面采用了竖明横隐玻璃幕墙，主要采用夹膜双侧钢化玻璃，使建筑取得通透明亮的室内效果，又有利于保温及隔热节能。幕墙内侧设计电动窗帘，可由系统控制、分层分区自由开启。过渡季节里，自动窗户利用自然通风降低能耗。
选材简洁，突出标志性形象。实墙面以干挂花岗岩饰面，突显竖向纹理，垂直线条的运用使建筑挺拔向上。
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http://www.jianzhu01.com/Museum1007270790.htm
画廊(Traver gallery Traver)
画廊(Traver gallery Traver)
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http://www.jianzhu01.com/Museum1007270789.htm
托尼尔大街的犹太教堂(Synagogue on the Rue des Tournelles)
托尼尔大街的犹太教堂(Synagogue on the Rue des Tournelles)
位置：法国 巴黎 托尼尔大街21号
建造时间：1866-1867年
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http://www.jianzhu01.com/Museum1007270788.htm
尼斯的天文台(Observatory at Nice)
尼斯的天文台(Observatory at Nice)
法国 尼斯大门斯(Mont Gros)的Grande Corniche大道
1885-1886年
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http://www.jianzhu01.com/Museum1007270787.htm
埃菲尔铁塔(Eiffel tower)
埃菲尔铁塔(Eiffel tower)
位 置：法国巴黎战神校场
建造时间：1884-1 889年
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http://www.jianzhu01.com/Museum1007270786.htm
1967年人类社会与健康展览亭
加拿大魁北克省，摩托利亚市，1965年设计
man in the community & man and his health pavilions expo’67
Motreal，quebec，Canada designed 1965
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http://www.jianzhu01.com/Museum1007270785.htm
玻璃博物馆（museum of glass）
美国华盛顿塔科马市，1995年与尼克米尔科维 共同设计
Tacoma,Washington,usa designed 1995 with nick milkovich architects inc.
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http://www.jianzhu01.com/Museum1007270784.htm
弗雷斯诺城市礼堂
原 名 称：fresno city hall
加利福尼亚州，佛雷斯诺市，1987年设计
Fresno，califonia，usa designed 1987
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http://www.jianzhu01.com/Museum1007270783.htm
吉尔伯特礼堂
原 名 称：gilbert hall
美国，加州，帕洛阿尔托，斯坦福大学，1985年与mclellan&Copenhagen共同世界
Stanford university， Palo alto， califonia， usa designed 1985 with mclellan&Copenhagen inc.
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http://www.jianzhu01.com/Museum1007270782.htm
克尔纳图书馆
原 名 称：koerner library
加拿大温哥华，大不列颠哥伦比亚大学，1992年与艾特肯共同设计
University of british Columbia，Vancouver，designed 1992 with aitken wregglewroth associates
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http://www.jianzhu01.com/Museum1007270781.htm
克里斯多佛科汗中心
原 名 称：christopher cohan center
美国加州，圣路易斯，boispo地区，1989年与艾伯特和约翰卡尔合作设计
San luis boispo，califonia，u.s.a. designed 1989 with alberto bertoli & John carl warnecke & Associates
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http://www.jianzhu01.com/Museum1007270780.htm
人类学博物馆
原 名 称：museum of anthropology
加拿大，温哥华，大不列颠哥伦比亚大学，1971年设计
university of british Columbia,Vancouver,Canada designed 1971
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http://www.jianzhu01.com/Museum1007270779.htm
唐纳德-考夫曼图书馆
原 名 称：donald kaufman library
美国加州，洛杉矶，1987年设计
Los angeles ，califonia ，usa designed 1987
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http://www.jianzhu01.com/Museum1007270778.htm
纽约游艇俱乐部(New York Yacht Club)
1989年，纽约游艇俱乐部被安排在麦迪逊大道一座房屋的二层，纽约每日论坛报这样写道：这是一座摆满了“模型，样品和纪念品”的俱乐部。此建筑集合了惠特尼奥伦和查尔斯D韦特莫尔的美艺术风格，于1901年开馆。他因其模型屋和图书馆而出名，会馆迄今103岁
In 1898, the NYYC was billeted on the second floor of a house on Madison Avenue. It was chockablock with "models, members and memorabilia," wrote the New York Daily Tribune. The building, designed in the beaux-arts style by Whitney Warren and Charles D. Wetmore, opened in 1901. It is known for its Model Room and Library. The clubhouse is 103 years old.
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http://www.jianzhu01.com/Museum1007270777.htm
瓜达卢佩教堂(Guadalupe church)
瓜达卢佩教堂(Guadalupe church)
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http://www.jianzhu01.com/Museum1007270776.htm
清华大学图书馆新馆
清华大学图书馆新馆
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http://www.jianzhu01.com/Museum1007270775.htm
纽约公共图书馆（New York Public Library）
The New York Public Library (NYPL) is one of the leading public libraries of the world and is one of America‘s most significant research libraries. It is unusual in that it is composed of a very large circulating public library system combined with a very large non-lending research library system. It is simultaneously one of the largest public library systems in the United States and one of the largest research library systems in the world.
纽约公共图书馆（NYPL）是一家世界领先的公共图书馆，是美国最重要的研究图书馆。 它由一个大型公共循环图书系统以及大型非借记图书管理系统组合而成，因此与众不同。同事，它也是美国最大的公共图书管理系统之一，世界上最大的图书研究系统之一。
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http://www.jianzhu01.com/Museum1007270774.htm
皮尔庞特·摩根图书馆（Pierpont Morgan Library）
皮尔庞特·摩根图书馆实质上是一家收藏丰富的博物馆。它位于纽约曼哈顿中城的东三十六街与麦迪逊大道（Madison Avenue）交会处，占地从南至北由三十六街到三十七街的整个路段；而从西到东则占了三十六街的半个街段。它本是金融家皮尔庞特?摩根（Pierpont Morgan）设在纽约的私人图书馆和住宅。在1902年至1906年之间，摩根委任名建筑师查尔斯?麦基姆（Charles Mckim）设计，建成一所标榜文艺复兴时期艺术特色的私人图书馆，以表达其对文艺复兴的艺术和理想的敬意，所以这所图书馆被誉为纽约市中心的一块文艺复兴的瑰宝。
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http://www.jianzhu01.com/Museum1007270773.htm
Ottendorfer Branch, NY Public Library
Stuyvesant 综合医院以及Ottendorfer Branch图书馆代表了Anna Ottendorfer所做的慈善事业，他是一位19世纪德国移民，从事德语报纸出版业，致力于慈善事业支持在纽约的德国移民。这两个毗邻的建筑物设计体现了新意大利文艺复兴时期的风格，其华丽的装饰元素象征了Ottendorfer为促进民族自豪感所做的努力。
The Stuyvesant Polyclinic Hospital and the Ottendorfer Branch Library represent the philanthropy of Anna Ottendorfer, a 19th-century German immigrant and German language newspaper publisher dedicated to providing charitable support to New York‘s German immigrants. The design of these two adjoining buildings reflects a neo-Italian Renaissance style, while the ornate decorative elements symbolize Ottendorfer‘s efforts to promote a sense of ethnic pride.
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http://www.jianzhu01.com/Museum1007270772.htm
弗里克美术收藏馆（Frick Collection）
The Frick Collection is an elegant museum housed in a former mansion at 1 East 70th Street, in New York City. The collection consists of exceptional works from the Renaissance through the late nineteenth century. Included are some of the world‘s most celebrated Western artists, such as Constable, Goya, Manet, Monet, Rembrandt, Renoir, and Whistler.
该弗里克美术收藏馆坐落在纽约市东70街1号，是一座高雅的博物馆。该收藏馆藏有从文艺复兴时期到十九世纪末期的杰出美术作品，其中包括一些世界上最著名的西方艺术家，如康斯，戈雅，马奈，莫奈，伦勃朗，雷诺阿，和惠斯勒。
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http://www.jianzhu01.com/Museum1007270771.htm
现代艺术博物馆（Museum of Modern Art）
纽约现代艺术博物馆（MoMA）是一个杰出的艺术博物馆，位于美国纽约市曼哈顿中城第53街，第五大道和第六大道之间。它在现代艺术的发展和收藏过程中占有举足轻重的地位，同时也是世界上最具影响力的现代艺术博物馆。
The Museum of Modern Art (MoMA) is a preeminent art museum located in Midtown Manhattan in New York City, USA, on 53rd Street, between Fifth and Sixth Avenues. It has been singularly important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world.
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http://www.jianzhu01.com/Museum1007270770.htm
美国民间艺术博物馆(American Folk Art Museum)
这个让人亲密的领域，反映了国内许多博物馆大规模的收藏品，带个人们个性化的艺术体验。开放的画廊艺术空间功能更大，可吸收更多的更赋有戏剧性的作品。各层之间由一个独特的悬臂式混凝土楼梯链接，不仅为人们提供不同的路径可供选择，并且也给游客带来了不同的视觉感受。
Intimate areas, reflecting the domestic scale of much of the museum‘s collection, allow for a personalized art experience. Open galleries feature spaces for the display of larger, more dramatic works. A unique cantilevered concrete stairway connects all levels of the building. Additional types of staircases not only provide varied paths of circulation between floors but also give visitors different visual experiences.
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http://www.jianzhu01.com/Museum1007270769.htm
艺术旋转中心（Rotary Centre for the Arts）
位置：大不列颠哥伦比亚省，科隆那
这座耗资6.7万美元，占地44平方英尺的设施，与复兴建筑事务所共同设计，为视觉和表演艺术服务。330座位的剧院和公共阳台环绕现有的Grovers建筑。这座艺术中心包括房屋画廊，一个陶艺工作室，各种视觉艺术室，舞蹈室，音乐室和商店。
Location: Kelowna, BC
The $6.7 million, 44,000 sq. ft. facility, designed in association with Renaissance Architecture, caters to both the visual and performance arts. A 330-seat theatre and public veranda surround the existing Growers Building. The facility houses an art gallery, a pottery studio, various visual arts studios, dance studios, a music room and set shop.
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http://www.jianzhu01.com/Museum1007270768.htm
夏伯特艺术中心（Shadbolt Centre for the Arts）
夏伯特艺术中心（Shadbolt Centre for the Arts）
位置：加拿大，本拿比
Location: Burnaby, BC
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http://www.jianzhu01.com/Museum1007270767.htm
尼科米普沙漠文化中心（NkMip Desert Cultural Centre）
位置：加拿大，大不列颠哥伦比亚省，欧索又司
加拿大尼科米普沙漠文化中心是一个占地200英亩的较大的总体规划，是大不列颠哥伦比亚省第一个原住民中心。该中心建筑丰富的表达了过去和未来原住民文化的相互转化。
Location: Osoyoos, BC
The Nk’Mip Desert Cultural Centre is part of a larger 200-acre master plan and the first of a number of new aboriginal centres in BC. The Centre explores architectural expression as a way to convey the rich past and the transforming future of aboriginal culture. Features include the largest rammed-earth wall in North America; the use of bluestain pine; sustainable design features and research space for the endangered rattlesnake.
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http://www.jianzhu01.com/Museum1007270766.htm
宁波博物馆
宁波博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2008091208321658_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008091208321658_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008091208321658_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008091208321658_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2008091208321658_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270765.htm
西安欧亚学院图书馆
西安欧亚学院图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008120910501346_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270764.htm
中国国家大剧院竞赛方案
中国国家大剧院竞赛方案
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http://www.jianzhu01.com/Museum1007270763.htm
MUSAC卡斯蒂利亚当代艺术博物馆(MUSAC - Museo de arte contemporáneo de Castilla y León)
MUSAC卡斯蒂利亚当代艺术博物馆(MUSAC - Museo de arte contemporáneo de Castilla y León)
西班牙
建筑师：马西雅与图侬
León, Spain
Luis M. Mansilla, Emilio Tu?ón
Mansilla + Tu?ón
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http://www.jianzhu01.com/Museum1007270762.htm
尼什艺术中心（Sines Arts Centre）
地点：葡萄牙 尼什
建筑师：曼纽尔·埃里斯·马托斯 朗西斯科·埃里斯·马托斯
Sines, Portugal
Francisco Aires Mateus, Manuel Aires Mateus
Aires Mateus e Associados
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http://www.jianzhu01.com/Museum1007270761.htm
美洲杯大楼(America’s Cup Building)
地址：西班牙 巴伦西亚
Valencia, Spain
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http://www.jianzhu01.com/Museum1007270760.htm
斐诺自然科学中心(Phno Science Centre)
地址：德国沃尔夫斯堡
建筑师：扎哈·哈迪德
落在德國沃夫茲堡市中心的斐諾自然科學中心，是享譽國際的女性建築師Zaha Hadid於2005年所完成的作品。這是德國境內首座的自然科學館，Hadid以「引發好奇與發現神祕」為此設計的主要構思，她希望訪客進入科學中心能體會出某種複雜，甚至是不可思議的感覺，而這樣的感覺是藉由非常精確的系統所控制。
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http://www.jianzhu01.com/Museum1007270759.htm
梅赛德斯－奔驰博物馆(Mercedes-Benz Museum)
奔驰博物馆由上至下延伸九层，对于习惯传统博物馆的参观者来说，一个由两条参观线路交叉贯穿两大展区的博物馆难免会令人有些不适应。但博物馆的设计者坚信，这是充分展示奔驰百年历史和丰富展品的最佳方案。这两大展区分别被称为“传奇之旅（Legend Tour）”和“典藏之旅（Collection Tour）”。“传奇之旅”以年代划分6个章节，通过梅赛德斯-奔驰历史上具有里程碑意义的经典车辆，将120年的发展历程娓娓道来。“典藏之旅”则凭借百年奔驰积淀下的丰富车型和品牌文化，通过5个充满人文色彩的主题，使参观者更深入地体味梅赛德斯-奔驰多元化的品牌内涵。两条参观线路最终都到达位于展馆2层名为“银剑——赛车与记录（Silver Arrows——Races and Records）”的大型多媒体展室，奔驰帝国的技术实力与不断追求突破的渴望在这里展现地淋漓尽致。
2006年5月落成的梅赛德斯-奔驰博物馆，也是个可以与宝马世界一决高下的建筑，双螺旋结构方案由荷兰著名设计师Ben van Berkel 和Caroline Bos联合设计完成，著名的“三叶纹”设计、三部以时空机器为概念的“子弹”升降机，都体现出建筑师的匠心独具。在入口大厅，来宾可以了解到展览区域的组织 方式，以及在平面“三片叶子” 上两种展览的布展位置 而三片叶子”的展览空间与中间“叶根”(以中庭的形式)相接。入口大厅除了使用功能外．还容纳了通往首层的自动扶梯和三部载客上顶部的电梯。
为了实现复杂的博物馆几何结构，从草案初稿到完工，建筑设计图同样是基于BIM理念的Autodesk Revit三维数据模型。这个三维数据模型在施工阶段更新了50多次，总共制作了35000张施工图。建筑特色包括能够承载10辆载重车的33米宽的无柱空间以及所谓的“螺旋结构”，第一次采用这种尺寸和形状的“螺旋结构”令人联想起特大型飞机螺旋桨的内弯 结构件。外窗使用了各不相同的1800块三角形窗格玻璃。无论是外幕墙和外窗的铝板，还是坡道的深色拼花地板，所有材料都融合了极高的品质。该建筑也反映了我们这个时代最好的质量— — 高质量的材料、耐久性，特性和整洁性。梅塞德斯一奔驰汽车博物馆再次表现出奔驰公司的综合价值：技术先进、智能化、时尚化。
观众一旦进到室内．立刻会感受到一种既兴奋又舒适的感觉。七个传奇区域由大约80米长的平缓坡道连接起来，按照年代顺序向参观者展现汽车历史和时代。这种设计同样是为了方便残疾人，楼层之中的众多平缓过渡让轮椅使用者可以安全和舒适地在建筑物中参观。
除了以汽车发明为主题第一个传奇区域和最后一个传奇区域（以汽车竞赛历史为主题）之外，所有的传奇区域都按照相同的规律进行布置：沿着弧形苜蓿叶式墙壁外侧，坡道向下延伸到放置在相应历史背景中的展车。在参观者向下看到展品时，同时也可以浏览左侧墙壁上的年代表，说明了企业历史中按历史时期划分的活动。这个陈列室展现了划时代汽车工程技术创新的背景。
博物馆的结构和内容紧密地结合在一起。整个博物馆就像一部传奇中的汽车。其独特的构造仿佛就是一个收藏品的陈列柜． 将技术性、冒险的经历， 吸引力、差异融于一体。人们在这里可以自由地走动、幻想、了解和观看．并通过有魅力的物体、灯光或空间等找到自己的位置。
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http://www.jianzhu01.com/Museum1007270758.htm
中国美术馆改造装修工程
中国美术馆改造装修工程
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121110250443_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121110250443_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121110250443_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121110250443_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270757.htm
华盛顿洲际历史博物馆(Washington State History Museum)
主建筑师：瑞克 桑伯格 美国建筑师协会会员 能源与环境建筑认证系统会员
斯科特 艾伦 美国建筑师联合会会员
位置：华盛顿，塔科马
项目类型：博物馆/画廊/展厅
LEAD ARCHITECTs
Rick Sundberg, FAIA, LEED (view bio)
Scott Allen, AIA (view bio)
LOCATION & YEAR
Tacoma, WA, 1996
PROJECT TYPES Museums/Galleries/Exhibits
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810015644_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270756.htm
圣马克大教堂重建(St. Mark s Cathedral Renovations)
主建筑师：吉姆 奥尔森 美国建筑师协会会员
位置：华盛顿，西雅图，建于1997年
项目类型：工作室
LEAD ARCHITECT
Jim Olson, FAIA (view bio)
LOCATION & YEAR
Seattle, WA, 1997
PROJECT TYPES Featured Projects Places of Worship
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810190747_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810190747_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810190747_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008121810190747_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270755.htm
弗莱艺术博物馆(Frye Art Museum)
主建筑师：瑞克·桑伯格，美国建筑师协会会员，能源与环境建筑认证系统会员
位置：华盛顿，西雅图，建于1997年
项目类型：博物馆/画廊/展厅，室内设计
LEAD ARCHITECT
Rick Sundberg, FAIA, LEED (view bio)
LOCATION & YEAR
Seattle, WA, 1997
PROJECT TYPES Featured Projects Museums/Galleries/Exhibits Interiors
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209265347_15.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270754.htm
南拱廊－98联盟(98 Union - South Arcade)
主建筑师：吉姆·奥尔森 ，美国建筑师协会会员
瑞克·桑伯格，美国建筑师协会会员，能源与环境建筑认证系统会员
位置：华盛顿，西雅图，建于1985年
项目类型：住宅/公寓
LEAD ARCHITECTs
Jim Olson, FAIA (view bio)
Rick Sundberg, FAIA, LEED (view bio)
LOCATION & YEAR
Seattle, WA, 1985
PROJECT TYPES Houses/Apartments
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209331545_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209331545_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122209331545_3.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270753.htm
塔科马艺术博物馆(Tacoma Art Museum)
主建筑师：斯科特·艾伦，美国建筑师联合会会员
位置：华盛顿，塔科马，建于2004年
项目类型：博物馆/画廊/展厅
LEAD ARCHITECT
Scott Allen, AIA (view bio)
LOCATION & YEAR
Tacoma, WA, 2004
PROJECT TYPES Museums/Galleries/Exhibits
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310050837_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310050837_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310050837_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310050837_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270752.htm
西雅图公共图书馆-西南分院(Seattle Public Library - SW Branch)
主建筑师：瑞克·桑伯格，美国建筑师协会会员，能源与环境建筑认证系统会员
位置：华盛顿，西雅图，建于2006年
项目类型：市政建筑，室内设计
LEAD ARCHITECT
Rick Sundberg, FAIA, LEED (view bio)
LOCATION & YEAR
Seattle, WA, 2006
PROJECT TYPES Featured Projects Civic Projects Interiors
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310274230_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270751.htm
Whatcom艺术与儿童博物馆(Whatcom Art & Children s Museum)
主建筑师：吉姆·奥尔森，美国建筑师协会会员
位置：华盛顿，贝林汉，
项目类型：博物馆/画廊/展厅，项目正在进行中
LEAD ARCHITECT
Jim Olson, FAIA (view bio)
LOCATION
Bellingham, WA
PROJECT TYPES Museums/Galleries/Exhibits In Progress
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122310422644_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270750.htm
陆荣昌亚洲博物馆 (Wing Luke Asian Museum)
主建筑师：瑞克·桑伯格，美国建筑师协会会员，能源与环境建筑认证系统会员
位置：华盛顿，西雅图，建于2008年
项目类型：博物馆/画廊/展厅，室内设计
LEAD ARCHITECT
Rick Sundberg, FAIA, LEED (view bio)
LOCATION & YEAR
Seattle, WA, 2008
PROJECT TYPES Featured Projects Museums/Galleries/Exhibits Interiors
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http://www.jianzhu01.com/Museum1007270749.htm
太阳谷艺术中心(Sun Valley Center for the Arts)
主建筑师：汤姆·昆迪 美国建筑师协会会员
位置：爱达荷州，Ketchum
项目类型：博物馆/画廊/展厅，项目正在进行中
LEAD ARCHITECT
Tom Kundig, FAIA (view bio)
LOCATION
Ketchum, ID
PROJECT TYPES Museums/Galleries/Exhibits In Progress
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http://www.jianzhu01.com/Museum1007270748.htm
奥本图书馆(Auburn Library)
主建筑师：瑞克·桑伯格，美国建筑师协会会员，能源与环境建筑认证系统会员
位置：华盛顿，奥本，建于2002年
项目类型：市政建筑
LEAD ARCHITECT
Rick Sundberg, FAIA, LEED (view bio)
LOCATION & YEAR
Auburn, WA, 2002
PROJECT TYPES Civic Projects
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http://www.jianzhu01.com/Museum1007270747.htm
布朗克斯艺术博物馆（The Bronx museum of the arts）
布朗克斯艺术博物馆（The Bronx museum of the arts）
New york, usa
美国，纽约
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409300454_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270746.htm
第戎表演艺术中心
原 名 称：dijon performing arts center/Auditorium de Dijon
第戎表演艺术中心（dijon performing arts center/Auditorium de Dijon ）
Dijon， france
法国，第戎
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http://www.jianzhu01.com/Museum1007270745.htm
发现科学中心
原 名 称：Discovery science center
发现科学中心（Discovery science center）
Santa Ana， California ，usa
美国，加利福尼亚州，anta Ana
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409462543_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270744.htm
飞利浦竞技区
原 名 称：Philips Arena
Atlanta， Georgia， usa
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http://www.jianzhu01.com/Museum1007270743.htm
国际游泳名人堂博物馆，展览馆和水生培训中心
原 名 称：International swimming hall of fame museum，exhibition hall and aquatic training center
国际游泳名人堂博物馆，展览馆和水生培训中心(International swimming hall of fame museum，exhibition hall and aquatic training center)
Fort Lauderdale，florida，usa
美国，佛罗里达州，劳德尔堡
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409521742_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270742.htm
技术创新中心
原 名 称：the center for innovative technology
技术创新中心（the center for innovative technology）
Herndon， Virginia， usa
美国 维吉尼亚 Herndon
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2008122409540355_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270741.htm
尼科米普沙漠文化中心(Nk Mip Desert Cultural Centre)
设计师：HBBH 建筑事务所
遗产，博物馆和图书馆建筑，屋顶绿化
位置：加拿大 大不列颠哥伦比亚 Osoyoos
项目年限：2006年
占地面积：1600英亩
建筑面积：1115平方米
HBBH Architects
Heritage , Museums and Libraries , Selected , Canada, Green Roof, Ramed Earth, Wood
Location: Osoyoos, British Columbia, Canada
Project year: 2006
Site Area: 1,600 acre
Constructed Area: 1,115 sqm
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http://www.jianzhu01.com/Museum1007270740.htm
格拉纳达科学园(Granada Science Park)
设计师：Ferrater + Jimenez Brasa
教育建筑/博物馆和图书馆/公共建筑
位置：西班牙 格拉纳达
项目年限：2004
建筑年限：2005-2008
建筑面积：48377平米
预算：50.45万美元
Ferrater + Jimenez Brasa
Educational , Institutional Architecture , Museums and Libraries , Public Facilities , Selected , Steel, Wood
Location: Granada, Spain
Project Year: 2004
Construction Year: 2005-2008
Constructed Area: 48,377 sqm
Budget: US $50.45 M
科学园由Carlos Ferrater & Jimenez Brasa Arquitectos提供设计。建筑类似于盒子的抽象形状涵盖了建筑所有不同的功能区，并且连通了整个建筑的整体空间。
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http://www.jianzhu01.com/Museum1007270739.htm
加德纳博物馆重建(Gardiner Museum Renewal)
设计师：KPMB
博物馆和图书馆建筑
位置：加拿大 多伦多
预算：7,23 万美元
KPMB Architects
Museums and Libraries , Canada, Concrete, Exhibition, Terrace
Location: Toronto, Canada
Budget: US $7,23M
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http://www.jianzhu01.com/Museum1007270738.htm
达尔文中心第二阶段
原 名 称：Second phase of the Darwin Center
Address Cromwell Road， London
位置：伦敦 克伦威尔路
Size 16000 m2
面积：16000平米
Year 2002-2009
建筑年限：2002－2009
Competition year 2001
参赛年：2001
Prizes 2008 Nominated for the Mies van der Rohe Award 2009
2001 1st prize in international competition - after prequalification
奖项：2008凡•德•罗奖当代建筑奖
2001国际竞赛资格认证第一名
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http://www.jianzhu01.com/Museum1007270737.htm
奥尔胡斯剧院
原 名 称：Aarhus Theatre
Address Bispetorv， Århus
位置：丹麦 奥尔胡斯 Bispetorv
Year 1971-2005
建筑年限：1971－2005
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http://www.jianzhu01.com/Museum1007270736.htm
ARKEN扩建
原 名 称：ARKEN ，extension
Address Ishøj， Denmark
位置：丹麦 Ishøj
Size 1800 m2
面积：1800平米
Year 2006-07
建筑年限：2006－2007
Competition year 2005
参赛年：2005
Prizes 2005 1st prize in competition
2005竞赛一等奖
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http://www.jianzhu01.com/Museum1007270735.htm
奥尔胡斯音乐厅扩建
原 名 称：The concert hall Aarhus，extension
Address Århus， Denmark
位置：丹麦 奥尔胡斯
Size 17400 m2
位置：17400平米
Year 2005-2007
建筑年限：2005－2007
Competition year 2005
参赛年：2005
Prizes 2005 1st prize in competition
获奖：2005建筑竞赛一等奖
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http://www.jianzhu01.com/Museum1007270734.htm
渔业和海事博物馆
原 名 称：The Fisheries and Maritime Museum
Address Tarphagevej， Esbjerg
位置：丹麦 Esbjerg
Size 3450 sqm
面积：3450平米
Year 1997-1998
建筑年限：1997－1998
Prizes 2003 Award the price of honour by the Danish Disability Council Esbjerg
1996 1st prize in competition
奖项：2003丹麦残疾人理事会荣誉奖
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http://www.jianzhu01.com/Museum1007270733.htm
Lille Vildmose游客中心
原 名 称：Lille Vildmose Visitor Center
Address Lille Vildmose， Storvorde
地址：丹麦 Storvorde
Size 1000 sqm
面积：1000平米
Prizes 2007 Aalborg Municipality Building Award
2006 Awarded for high-quality and beautiful architecture by Sejlflod Municipality
2002 1st prize in architectural competition
奖项：2007奥尔堡市政建筑奖
2006 Sejlflod市高品质美观建筑奖
2002建筑竞赛一等奖
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http://www.jianzhu01.com/Museum1007270732.htm
奥尔胡斯艺术大楼扩展
原 名 称：The Aarhus Art Building， extensions
Address Århus， Denmark
地址：丹麦 奥尔胡斯
Size 950 m2
面积：950平米
Year 1993， 2003
建筑年限：1993，2003
Prizes 2003 Aarhus Municipality Architecture Award
奖项：2003奥尔胡斯市政建筑奖
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http://www.jianzhu01.com/Museum1007270731.htm
Vendsyssel艺术博物馆
原 名 称：Vendsyssel Art Museum
Address Hjørring， Denmark
地址：丹麦 Hjørring，
Size 3500 m2
面积：3500平米
Year 2003
建筑年限：2003年
Competition year 1996
参赛年：1996
Prizes 2004 Hjørring Municipality Architectural Diploma
1996 1st prize in competition after prequalification
奖项：2004 Hjørring市政建筑奖
1996年建筑竞赛资格预审第一名
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http://www.jianzhu01.com/Museum1007270730.htm
Statens博物馆艺术扩建
原 名 称：Statens Museum for Kunst-extension
Address Sølvgade， Copenhagen
地址：哥本哈根，Sølvgade
Size 14000 m2 (new building) + 5000 m2 refurbishment
面积：14000平米（新建筑）+5000平米翻修
Year 1996-98
建筑年限：1996-1998
Competition year 1992
参赛年：1992
Prizes 1999 European Marble Architectural Award
1999 Copenhagen Municipality Architectural Prize 1999
1993 1st prize in open competition
奖项：1999欧洲大理石建筑奖
1999哥本哈根市政建筑奖
1993建筑公开竞赛第一名
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http://www.jianzhu01.com/Museum1007270729.htm
速记博物馆
原 名 称：The Steno Museum
Address C.F. Møllers Allé， Universitetsparken， Århus
地址：丹麦 奥尔胡斯
Size 3000 sqm
面积：3000平米
Year 1992-93.
年限：1992-1993
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http://www.jianzhu01.com/Museum1007270728.htm
奥尔胡斯南部教堂
原 名 称：Ravnsbjergkirken Church in southern Aarhus
Address Grøfthøjparken， Viby
位置：丹麦 Viby
Size 1000 m2
面积：１０００平米
Year 1975-76
建筑年限：１９７５－１９７６
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http://www.jianzhu01.com/Museum1007270727.htm
温室植物研究所
原 名 称：Greenhouse，Botanical Institute
Address Botanisk have， Århus
位置：丹麦 奥尔胡斯
Size 1900 m2
面积：１９００平米
Year 1969-1970
建筑年限：１９６９－１９７０
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http://www.jianzhu01.com/Museum1007270726.htm
当代犹太博物馆
原 名 称：Contemporary Jewish Museum
San Francisco， California Completed 2008
加州 旧金山 2008年竣工
Building Area: 63，000 sq. ft.
建筑面积：63000平米
Museum Program: 2 gallery spaces， multipurpose room， special events space， retail， lobby space， education spaces， cafe， administrative support spaces on two floors.
博物馆设施：2个画廊空间，多功能室，特殊事件空间，零售室，走廊，教育室，咖啡厅，二层管理室
Structure: Steel structure on concrete with stainless steel cladding
结构：钢结构混凝土不锈钢堆焊
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http://www.jianzhu01.com/Museum1007270725.htm
丹佛艺术博物馆扩建
原 名 称：Extension to the Denver Art Museum
Frederic C. Hamilton Building Denver， Colorado Completed 2006
科罗拉多州丹佛市，弗雷德里克角汉密尔顿建筑 2006年竣工
Building Area: 146，000 sq. ft.
建筑面积：146000平方英尺
Atrium， permanent galleries， special exhibition galleries， kitchen， café， 300 seat auditorium， art storage and conservation， crating and loading， bridge connection to Ponti museum
中庭的，永久画廊，特别展览厅，厨房，咖啡厅，300个座位的礼堂，艺术储藏室，板条箱，庞蒂博物馆
Structure: Concrete structure with stone cladding
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http://www.jianzhu01.com/Museum1007270724.htm
北曼彻斯特帝国战争博物馆
原 名 称：Imperial War Museum North Manchester
England Completed 2001
英格兰 2001年竣工
Building Area:6，500 sq.m. (69，965 sq.ft.)
建筑面积：6500平米
Structure: Steel structure on concrete. Aluminum cladding. Rendered facade.
结构：钢混凝土结构，铝包层。
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http://www.jianzhu01.com/Museum1007270723.htm
柏林犹太博物馆
原 名 称：Jewish Museum Berlin
Berlin， Germany Completed 1999
德国 柏林 1999年竣工
Building Area:15，500 sq.m. (=166，840 sq.ft.)
建筑面积：15500平米
Structure: Reinforced concrete with zinc façade
结构：钢筋混凝土锌门面
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http://www.jianzhu01.com/Museum1007270722.htm
军事史博物馆
原 名 称：Military History Museum
Dresden Germany Under Construction 2010
德国 德累斯顿 正在建造中 2010年竣工
Building area:20，000 sq.m.(215，278 sq.ft.)
建筑面积：20000平米
Existing Building: 14.000 sqm.(150，694 sq.ft.)
Adjoining buildings: 6.000 sqm (64，5983 sq.ft)
现有建筑：14000平米
邻接建筑：6000平米
Exhibition Area:10，000 sq.m.(107，639 sq.ft.)
展览面积：10000平米
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http://www.jianzhu01.com/Museum1007270721.htm
皇家安大略博物馆
原 名 称：Royal Ontario Museum
Toronto， Canada Completed 2007
加拿大 多伦多 2007年竣工
Building Area:18，600 sq.m. (186，000 sq.ft)
建筑面积：18600平米
Structure: Steel structure with aluminum cladding and glass windows.
结构：钢结构铝包层，玻璃窗
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http://www.jianzhu01.com/Museum1007270720.htm
沃尔中心
原 名 称：The Wohl Centre
Ramat-Gan Israel Completed 2005
以色列 拉马特甘 2005年竣工
Building Area: 3，800 sq.m. (38，000 sq.ft.)
建筑面积：3800平米
Auditorium Seating: 910 Seats
观众位：910
Structure: Reinforced Concrete， Steel Structure with Laquered Aluminum Façade
结构：钢筋混凝土，钢结构与Laquered铝门面
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http://www.jianzhu01.com/Museum1007270719.htm
枫叶谷图书馆
原 名 称：Maple Valley Library
图书馆占有林地网站中的枫叶谷社区附近的山麓的瀑布。这个图书馆的设计是为了能够更好的和周围环境融为一体，而不是取代周围的美景。有着巨大攀藤的枫树环绕图书馆，内部的角窗和高大天窗，使得人们视线仍然集中在森林之中。天然材料弥补了建筑物的缺陷，展现了森林。
The library occupies a wooded site in the Maple Valley community near the foothills of the Cascades. This library was designed to live with its surroundings rather than replace a wonderful environment. Large vine maples frame the entry to the library. Once inside， tall corner windows and high clerestories continue the presence of the forest. Natural materials that make up the structure of the building are revealed inside and out.
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http://www.jianzhu01.com/Museum1007270718.htm
博兹曼图书馆
原 名 称：Bozeman Library
博兹曼图书馆坐落在一个充满活力的蒙大拿州小镇上。对于投资商来说，他是加拉茨城市的文化磁铁。该图书馆位于主街道北部，皮特山以南，市中心以西，Lindley公园以东。当地的居民为兴建这座图书馆都给予了慷慨大力的支持。
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http://www.jianzhu01.com/Museum1007270717.htm
国会山岗图书馆
原 名 称：Capitol Hill Library
该项目是在哈佛大学图书馆旧址上建设一座新的图书馆。该图书馆位于边境商业区和多住宅区的国会山附近。与詹姆斯卡特合作，该图书馆设计的时候充分考虑了环境的敏感性。
The project consists of a new library on the site of an existing library at the corner of Harvard and E. Republican St. The site is the border between commercial and multi-family zones of Capitol Hill. In collaboration with James Cutler， the library is designed to be environmentally sensitive.
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http://www.jianzhu01.com/Museum1007270716.htm
南方公园图书馆
原 名 称：south park library
位于西雅图的南方公园及其周边是一个富饶又多姿的地方。他受拉丁美洲强大的影响力，但是同时也是太平洋岛，越南，和其他族裔群体人的家园。对于这个未被正确评价的城市来说，图书馆是一个聚会场所和联络点，设计主旨还包括一个庭院或南方公园“前门廊”。
The South Park neighborhood in Seattle is a rich and diverse place. It has a strong Latin American influence but is also home to Pacific Islanders， Vietnamese， and dozens of other ethnic groups. The library is a meeting place and focal point for this underappreciated part of the city and in that spirit the design includes a courtyard or “front porch” for South Park.
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http://www.jianzhu01.com/Museum1007270715.htm
s klallam 知识之家(s klallam house of knowledge)
知识之家是华盛顿金斯敦附近的S Klallam 部落港口梦想的实现。该项目包括一个新的长屋，教育中心，未来的老年中心和未来的图书馆。
The House of Knowledge is the realization of a dream for the Port Gamble S Klallam Tribe near Kingston, Washington. The project consists of a new Longhouse, Education Center, future Elder Center and future Library.
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http://www.jianzhu01.com/Museum1007270714.htm
里士满海滩图书馆
原 名 称：richmond beach library
占地面积5250平米的里士满海滩图书馆座落在里士满海滨公园，是一个一级服务社团，包括45000册的的收藏，电子目录，互联网接入以及休闲室和会议室。
The 5，250 s.f. Richmond Beach Library located within Richmond Beach Park， is designed to provide community level services including a collection of 45，000 volumes， electronic catalog， internet access， lounge and a meeting room.
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http://www.jianzhu01.com/Museum1007270713.htm
乔特罗斯玛丽科学中心大厅(Choate Rosemary Hall Science Center)
Wallingford, Connecticut
Completed 1989
美国，康涅狄格，沃林福德
Lead Designers: I. M. Pei Ian Bader
主设计师：I. M. Pei Ian Bader
Gross Floor Area
47,000 s/f
总面积：47000平米
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http://www.jianzhu01.com/Museum1007270712.htm
美国银行大厦前图书馆大楼（第一州际世界中心）
Los Angeles, California
Completed 1989
加利福尼亚，洛杉矶 1989年竣工
Lead Designers: Henry N. Cobb Harold Fredenburgh
主建筑师：Henry N. Cobb Harold Fredenburgh
Gross Floor Area
1,750,000 s/f including 200,000 s/f underground garage
总面积：1750000平米，包括200000平米的地下停车场
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http://www.jianzhu01.com/Museum1007270711.htm
大卢浮宫-第一阶段 ( Grand Louvre — Phase I)
Paris, France
Completed 1989
Phase II completed 1993
法国，巴黎 1989年竣工一期 1993年竣工二期
Gross Floor Area
61,990m2
总面积：61990平米
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http://www.jianzhu01.com/Museum1007270710.htm
约翰菲茨杰拉德肯尼迪图书馆
原 名 称：John Fitzgerald Kennedy Library
Boston, Massachusetts
马萨诸塞州 波士顿
Completed 1979
1979年竣工
Extension Completed 1991
1991年扩建
Lead Designer: I. M. Pei
主设计师：I. M. Pei
Gross Area
113,000 s/f
总面积：113000平米
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http://www.jianzhu01.com/Museum1007270709.htm
美国约翰约瑟夫莫克利法院和海港公园
Boston, Massachusetts
Completed 1998
马萨诸塞州 波士顿 1998年竣工
Lead Designers: Henry N. Cobb Ian Bader
主设计师：Henry N. Cobb Ian Bader
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010714473244_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010714473244_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010714473244_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010714473244_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270708.htm
波特兰艺术博物馆（Portland Museum of Art）
Portland, Maine Completed 1983
缅因州 波特兰 1983年竣工
Lead Designer: Henry N. Cobb
主建筑师：Henry N. Cobb
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http://www.jianzhu01.com/Museum1007270707.htm
波托马克塔（ Potomac Tower）
Rosslyn, Virginia Completed 1989
弗吉尼亚州，罗斯林 1989年竣工
Lead Designer: James Ingo Freed
主设计师：James Ingo Freed
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http://www.jianzhu01.com/Museum1007270706.htm
摇滚名人堂和博物馆（Rock and Roll Hall of Fame and Museum）
Cleveland, Ohio Completed 1995
美国俄亥俄州克里夫兰市
Lead Designer: I. M. Pei
主设计师：I. M. Pei
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http://www.jianzhu01.com/Museum1007270705.htm
旧金山主要公共图书馆（San Francisco Main Public Library）
San Francisco, California Completed 1996
加州 旧金山 1996年竣工
Lead Designer: James Ingo Freed
主设计师：James Ingo Freed
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http://www.jianzhu01.com/Museum1007270704.htm
布兰奇米Touhill表演艺术中心（Blanche M. Touhill Performing Arts Center）
布兰奇米Touhill表演艺术中心，密苏里大学-圣路易斯
密苏里州 圣路易斯市
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http://www.jianzhu01.com/Museum1007270703.htm
美国大屠杀纪念馆（United States Holocaust Memorial Museum）
Washington, D.C Completed 1993
华盛顿，1993年竣工
Lead Designer: James Ingo Freed
主设计师：James Ingo Freed
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010715472945_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010715472945_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010715472945_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010715472945_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010715472945_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270702.htm
博物馆公园茨城县自然博物馆(Ibaraki Nature Museum)
博物馆公园茨城县自然博物馆(Ibaraki Nature Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809241044_15.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270701.htm
大洗水族馆（Oarai Aquarium Aque World）
大洗水族馆（Oarai Aquarium Aque World）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809311241_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270700.htm
滨松科学馆(Hamamatsu Science Museum)
滨松科学馆(Hamamatsu Science Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809343646_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270699.htm
御所野绳文博物馆(Goshono Jomon Museum)
御所野绳文博物馆(Goshono Jomon Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809355055_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270698.htm
相模川交流科学馆(Sagamigawa River Museum)
相模川交流科学馆(Sagamigawa River Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809382356_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270697.htm
多模六都科学馆（Tama Rokuto Science Museum）
多模六都科学馆（Tama Rokuto Science Museum）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809393241_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270696.htm
铃广鱼糕博物馆(Suzuhiro Kamaboko Museum)
铃广鱼糕博物馆(Suzuhiro Kamaboko Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809411258_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270695.htm
长崎市科学馆(Nagasaki Science Museum)
长崎市科学馆(Nagasaki Science Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809441341_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270694.htm
山梨县科学馆(Yamanashi Prefectural Science Museum)
山梨县科学馆(Yamanashi Prefectural Science Museum)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009010809461042_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270693.htm
歧阜县先断科学技术体验中心（科学世界）(Gifu Advanced Science and Technology Experience Center Science World)
歧阜县先断科学技术体验中心（科学世界）(Gifu Advanced Science and Technology Experience Center Science World)
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http://www.jianzhu01.com/Museum1007270692.htm
Ilhavo市立图书馆（Ilhavo City Library）
设计师：ARX建筑事务所
位置：葡萄牙 Ilhavo
项目年限：2002-2004
建筑年限：2004-2005
建筑面积：3200平米
ARX
Location: Ilhavo, Portugal
Project year: 2002-2004
Construction year: 2004-2005
Constructed area: 3,200 sqm
Ílhavo市立图书馆位于斯德阿尔梅达庄园，一个17-18世纪贵族的房子，后来被改造和拆除。原来的建筑只有东南向的正面，小礼堂成为一片废墟，后来保留。然而，现有的保留的所有旧的建筑均是优雅的比例均匀建筑的典型范例。
Ílhavo City Library is located in the remains of the Manor Visconde de Almeida, a noble house from the 17th-18th century, later transformed and demolished. From the original building only the main façade, oriented southeast, and the chapel, both in ruins, were left. However, all elements remaining from the old construction were examples of qualified architecture, in their proportion and elegance of the masonry.
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http://www.jianzhu01.com/Museum1007270691.htm
Leaf Chapel
Kobuchizawa, Yamanashi 6.2004
日本山梨县小渊泽町 2004.6
2004年6月在日本山梨县小渊泽町峻工的结婚教堂是一个到处闪现着日本Klein Dytham建筑事务所（Kda，东京都港区）创意的建筑。开发商是主要在长野县轻井泽町地区开展渡假业务的日本星野渡假公司。建筑大小168平米，是个小小的专门的婚礼小教堂，建在一个叫Risonare的酒店里面。主要由玻璃和钢构成，上面的大白钢壳上有4700个洞，每个洞里面还有一个丙烯酸的透镜。
KDa提出的设计方案是形状犹如2片树叶相叠的小教堂，就像是“在无数树叶中有2片树叶轻舞而下相叠于地面之上”。它的另一个寓意是象征着新郎新娘的幸福相会。一片“树叶”被设计成可动方式，随婚礼的进行会轻轻地打开。这种前所未有的想法令人开发商非常高兴。此方案几乎只字未改就峻工了。
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http://www.jianzhu01.com/Museum1007270690.htm
约翰逊县图书馆蓝谷地
美国 堪萨斯州
设计师：GouldEvans
Overland Park,Kansas,USA
GouldEvans
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http://www.jianzhu01.com/Museum1007270689.htm
高露洁大学艺术和艺术史大楼(Art and Art History Building,Colgate University)
美国 纽约 哈密尔顿
设计师： Centerbrook 建筑与规划事务所
Hamilton,New York,USA
Centerbrook Architects and Planners
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011211063141_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011211063141_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011211063141_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011211063141_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270688.htm
中国文化大学方正纪念图书馆
中国 台湾 台北
设计师：潘冀联合建筑师事务所， C. H. Wang, Architect
Chinese Cultural University ,Taipei,Taiwan
J.J.Pan Architects and Planners With C.H.Wang,Architect
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http://www.jianzhu01.com/Museum1007270687.htm
昆士兰科技大学艺术博物馆
Brisbane,Queesland,Australia
Peddle Thorp Architects
澳大利亚，昆士兰州，布里斯班
设计师：Peddle Thorp建筑事务所
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http://www.jianzhu01.com/Museum1007270686.htm
奎尼匹克大学阿诺德伯恩哈德图书馆(Arnold Bernhard Library,Quinnipiac University)
Hamden,Connceticut,USA
Centerbrook Architects and Planners
美国康涅狄格州
设计师：Centerbrook 建筑和规划事务所
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http://www.jianzhu01.com/Museum1007270685.htm
儿童踏脚石博物馆(Stepping Stones Mueseum for Children)
Norwalk ,Connecticut,USA
Centerbrook Architects and Planners
美国，康涅狄格州，诺瓦克
设计师：Centerbrook 建筑与规划事务所
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http://www.jianzhu01.com/Museum1007270684.htm
约翰逊县中央资源库
Overland Park,Kansas,USA
GouldEvans
美国 堪萨斯州
设计师：GouldEvans
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http://www.jianzhu01.com/Museum1007270683.htm
劳伦斯大学斯顿艺术中心(Wriston Art Center,Lawrence University)
Appleton,Wisconsin,USA
Centerbrook Architects and Planners
美国,威斯康星州，阿普尔顿
设计师：Centerbrook 建筑和规划事务所
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http://www.jianzhu01.com/Museum1007270682.htm
Santo Amaro大学学院二期(Milton Soldani Afonso Library)
University of Santo Amaro-Unisa/Campus II
Sao Paulo,Brazil
Carlos Eduardo Rossi
巴西，圣保罗
设计师：Carlos Eduardo Rossi
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011213155950_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011213155950_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011213155950_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011213155950_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009011213155950_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270681.htm
奎尼匹克大学lender商学院(Lender School of Business)
Quinnipiac University
Hamden,Connecticut,USA
Centerbrook
美国，康涅狄格州，哈姆登，
设计师：Centerbrook
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http://www.jianzhu01.com/Museum1007270680.htm
卡佛公共图书馆(Carver Public library)
Carver,Massachusetts,USA
ARC/Architectural Resources Campbridge,Inc.
美国马萨诸塞州
设计师：剑桥建筑资源有限公司
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http://www.jianzhu01.com/Museum1007270679.htm
白色教堂(White Temple)
Kyoto,Japan
Takashi Yamaguchi & Associates
日本 京都
设计师：山口隆事务所
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http://www.jianzhu01.com/Museum1007270678.htm
威尼斯农场教堂(Chapel on Venice Farm)
Valinhos,Sao paulo,Brazil
Decio Tozzi
巴西 圣保罗 瓦兰
设计师：Decio Tozzi
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http://www.jianzhu01.com/Museum1007270677.htm
基督联合教会特德教堂(Amistad CHapel,United Church of Christ)
Cleveland ,Ohio,USA
Centerbrook Architects and Planners
美国俄亥俄州克里夫兰市
设计师:Centerbrook建筑与规划事务所
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http://www.jianzhu01.com/Museum1007270676.htm
梦工程长老教会格雷斯福音中心(Grace Gospel Center)
Mong-Eng Presbyterian Church
Taichung,Taiwan
J.J.pan&Parters,Architects and Planners
台湾 台中
设计师：潘冀建筑师事务所
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http://www.jianzhu01.com/Museum1007270675.htm
第一长老教会扩建和翻修(First Presbyterian Church Addition and Renovation)
Topeka,Kansas,USA
GouldEvans
美国 堪萨斯州 托皮卡
设计师：GouldEvans
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http://www.jianzhu01.com/Museum1007270674.htm
圣安德烈圣公会(St Andrew s Anglican Church)
Gracemere,Queesland,Australia
Innovarchi
澳大利亚 昆士兰州 Gracemere
设计师：Innovarchi
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http://www.jianzhu01.com/Museum1007270673.htm
Founers 大厅和庭院 格雷斯和圣三一教堂(Grace and Holy Trinity Cathedral)
Founers Hall and Courtyard
Kansas City,Missouri,USA
GouldEvans and Taylor MacDougall Burns
美国 密苏里州 卡萨斯市
设计师：GouldEvans and Taylor MacDougall Burns
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http://www.jianzhu01.com/Museum1007270672.htm
喜瑞都艺术表演中心(Cerritos Center for the Performing Arts)
California,USA
Barton Myers Associates Inc.
美国 加州
设计师：巴顿迈尔斯合伙人建筑有限公司
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http://www.jianzhu01.com/Museum1007270671.htm
国立文乐剧场(National Bunraku Theater)
Osaka,Japan
Kisho Kurokawa Architect & Associates
日本 大阪
设计师：黑川纪章建筑都市设计事务所
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http://www.jianzhu01.com/Museum1007270670.htm
大卫埃克尔斯会议中心和Peery埃及剧院(David Eccles Conference Center and Peerys Egyptian Theater)
Ogden,Utah,USA
Fentress Bradburn Architects
美国 犹他州 奥格登
设计师：布来德布恩建筑有限公司
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http://www.jianzhu01.com/Museum1007270669.htm
Yamanami大礼堂(Yamanami Hall)
Kyoto,Japan
Kisho Kurokawa Architect & Associates
日本 京都
设计师：黑川纪章建筑都市设计事务所
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http://www.jianzhu01.com/Museum1007270668.htm
南希李和佩里河表演厅(Nancy Lee and Perry R.Bass Performance Hall)
Fort Worth,Texas,USA
David M.schwarz Architectural Services,Inc.
美国 得克萨斯州 沃思堡
设计师：大卫·M·施瓦兹/建筑服务中心
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http://www.jianzhu01.com/Museum1007270667.htm
Kuji文化中心琥珀厅(Amber Hall,Kuji Cultural Center)
Kuji,Japan
Kisho Kurokawa Architect & Associates
日本 Kuji
设计师：黑川纪章建筑都市设计事务所
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http://www.jianzhu01.com/Museum1007270666.htm
Sazanami音乐厅(Sazanami Hall)
Shiga,Japan
Kisho Kurokawa Architect & Associates
日本 Shiga
设计师：黑川纪章建筑师事务所
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http://www.jianzhu01.com/Museum1007270665.htm
中国文化中心和公共图书馆(Chinese Cultural Center and Public Library)
Ontario,Canada
Kuwabara Payne McKenna Blumberg Architects
加拿大 安大略湖
设计师：桑佩恩麦肯纳布隆伯格建筑师
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http://www.jianzhu01.com/Museum1007270664.htm
丹佛展览馆(The Denver Pavilions)
Denver,Colorado,USA
ELS/Elbsani Logan Architects
美国 科罗拉多州 丹佛
设计师：ELS/Elbsani Logan 建筑事务所
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http://www.jianzhu01.com/Museum1007270663.htm
堪培拉国家会议中心
原 名 称：Canberra National Convention Centre
Canberra,ACT,Australia
Cox Architects
澳大利亚 堪培拉
设计师：Cox建筑事务所
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http://www.jianzhu01.com/Museum1007270662.htm
科罗拉多会展中心(Colorado Convention Center)
Denver,Colorado,USA
Fentress Bradburn Architects
美国,科罗拉多州丹佛
设计师：布来德布恩建筑有限公司
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http://www.jianzhu01.com/Museum1007270661.htm
法国研究所图书馆(French Institute Library)
New York ,USA
Micheal Graves & Associates
美国 纽约
设计师：迈克·格雷夫斯设计事务研究所
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http://www.jianzhu01.com/Museum1007270660.htm
克利夫兰公共图书馆(Cleveland Public Library)
Cleveland,Ohio,USA
Hardy Holzman Pfeiffer Associates
美国俄亥俄州克里夫兰市
设计师：HHPA建筑师事务所
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http://www.jianzhu01.com/Museum1007270659.htm
西奈神庙(Sinai Temple)
Denver,Colorado,USA
Fentress Bradburn Architects
美国 卡罗拉多州 丹佛
设计师：布来德布恩建筑有限公司
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http://www.jianzhu01.com/Museum1007270658.htm
威廉学院犹太宗教中心(Willian s College Jewish Religious Center)
Willianmstown,Massachusetts,USA
Herbert S Newman and Partners P.C.
美国马萨诸塞州 Willianms镇
设计师：赫伯特语纽曼合伙人事务所
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http://www.jianzhu01.com/Museum1007270657.htm
科罗拉多州的家庭和儿童基督教公寓(Colorado Christian Home Tennyson Center for Children and Families)
Denver,Colorado,USA
Fentress Bradburn Architects
美国 科罗拉多州 丹佛
设计师：布来德布恩建筑有限公司
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http://www.jianzhu01.com/Museum1007270656.htm
帕德雷塞拉堂(Padre Serra Parish Church)
Camarillo,California,USA
AC Martin Partners,Inc.
美国 加州 Camarillo
设计师：AC马丁合伙人公司
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http://www.jianzhu01.com/Museum1007270655.htm
耶鲁大学贝特尔教堂(Battell Chapel,Yale University)
New Haven,Connecticut ,USA
Herbert S Newman and Partners p.c.
美国 康涅狄格 纽黑文
设计师：赫伯特语纽曼合伙人事务所
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http://www.jianzhu01.com/Museum1007270654.htm
海上青年之家（Maritime Youth House）
设计师：丹麦PLOT事务所
位置：丹麦哥本哈根
项目面积：2000平米
项目年限：2004
预算：1950000美元
PLOT
Location: Copenhagen, Denmark
Constructed Area: 2,000 sqm
Project year: 2004
Budget: US $1,950,000
2004年6月丹麦PLOT事务所完成了的占地1，600平米的海上青年之家设计，这个小项目引起国际关注，该项目位于哥本哈根的商比港（Sundby Harbor），整个场地为两个客户所共享：一个帆船俱乐部和一个青年之家。
位于海边的基地布满重金属污染物，起初决定花费总预算的25%来清理场地，最后PLOT事务所决定所有投入直接用在建筑上，他们在场地上满铺了一层起伏的木质甲板。最终的建筑形式是将两个客户的矛盾需求进行协调：甲板翘起部分之下可以作为船房，而上部仍是小孩休闲运动的场地。
建筑室内十分简朴，前方的活动室和后方的工作室都是水泥地坪，这种对于通常外硬内软的地坪处理的反常，正是表示了这个建筑的真正“房间”就是室外的活动平台。这个作品因其对有限资源的富有想象力的回应及对于新的几何系统的机智掌控，获得2004年度英国《建筑评论》的AR+D新建筑奖，并获得2004年度欧洲密斯凡德罗奖的提名。
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http://www.jianzhu01.com/Museum1007270653.htm
美国自然历史博物馆蝴蝶馆(Butterfly Vivarium American Museum of Natural History)
New York,usa
Perkins Eastman Architects
美国 纽约
设计师：珀金斯伊斯门建筑设计事务所
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http://www.jianzhu01.com/Museum1007270652.htm
车公庙(Che Kung Temple)
Tai Wai,Shatin,Hong Kong SAR,PRC
Dennis Lau Ng Chun Man
中华人民共和国 香港特区，沙田，大围
设计师：刘荣广，伍振民
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http://www.jianzhu01.com/Museum1007270651.htm
探索地方科技中心和儿童博物馆(Exploration Place Science Center and Children s Museum)
Wichita,Kansas,usa
Moshe Safdie and Associates Inc.
美国，堪萨斯州，Wichita
设计师：萨夫迪建筑事务所
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http://www.jianzhu01.com/Museum1007270650.htm
阿德勒天文馆 天文博物馆和天空展览馆(Adler Planetarium and Astronomy Museum sky pavilion)
Chicago,IIIinois,USA
Lohan Associcates
美国 芝加哥 IIIinois
设计师：洛翰建筑事务所
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http://www.jianzhu01.com/Museum1007270649.htm
北上运河博物馆(Kitakami Canal Museum)
Miyagi,Japan
Kengo Kuma & Associates
日本 宫城
设计师：日本著名建筑设计师隈研吾
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http://www.jianzhu01.com/Museum1007270648.htm
林贝聿嘉诺特巴特自然博物馆(Peggy Notebaert Nature Museum)
Chicago,IIIinois,USA
perkins Will
美国 芝加哥 IIIinois
设计师：帕金斯威尔 建筑事务所
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http://www.jianzhu01.com/Museum1007270647.htm
吉备町大会堂(Kibi cho City Hall)
Wakayama Prefecture,Japan
Kisho Kurokawa Architect Associates
日本 和歌山县
设计师：黑川纪章
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http://www.jianzhu01.com/Museum1007270646.htm
花丘博物馆(Flowerhill Museum)
akayama Prefecture,Japan
Kisho Kurokawa Architect & Associates
日本，和歌山县
设计师：日本著名建筑师黑川纪章设计
设计期间： 1997年5月 - 1998年3月
施工期间： 1998年5月 - 1999年2月
地基面积： 6,825.30米2
建筑物面积： 806.25米2
延床面積： 955.85米2
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http://www.jianzhu01.com/Museum1007270645.htm
联邦法院前院(Commonwealth Law Courts Forecourt)
Melbourne,Victoria,Australia
Hassell Pty Ltd
澳大利亚 维多利亚 墨尔本
设计师：哈森景观设计事务所
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http://www.jianzhu01.com/Museum1007270644.htm
大教堂广场(Cathedral Place)
Brisbane, Queensland ,Australia
Woods Bagot
澳大利亚 布里斯班 昆士兰州
设计师：澳大利亚WOODS BAGOT建筑事务所
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http://www.jianzhu01.com/Museum1007270643.htm
2010年上海世博会澳门展馆
2010年上海世博会澳门展馆，来自马若龙建筑事务所。整个建筑的灵感来自我们南方中秋节时制作的玉兔宫灯，兔子头和尾巴都是气球做的，可以上下摇摆，到时候用来吸引游客。
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http://www.jianzhu01.com/Museum1007270642.htm
Los Silos青年中心（Los Silos Youth Centre）
设计师：Lavin Arquitectos
公共建筑 教育建筑
位置：西班牙，特内里费岛
项目年限：2002
建筑年限：2005
面积：建筑面积：310.26平米 绿化面积：143.10平米
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http://www.jianzhu01.com/Museum1007270641.htm
Muritzeum旅游中心(Muritzeum)
设计师：瑞典Wingardh建筑师事务所
博物馆和图书馆，公共建筑
位置：德国 瓦伦市
建筑年限：2005-2007
建筑面就：3137平米
罗斯托克和柏林站高速公路之间一侧的Muritzeum 位于一个小半岛之间的老城区，是由周围的水和一部分的新公民建筑组成，该项目是在得到到AB公司的授权二创建的，非常值得一看。
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http://www.jianzhu01.com/Museum1007270640.htm
布劳沃德县公约管理局
布劳沃德县会展中心
佛罗里达州，劳德代尔堡
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http://www.jianzhu01.com/Museum1007270639.htm
Canisius College
Montante Cultural Center
Buffalo, NY
American Institute of Architects National Honor Award for Interior Architecture
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http://www.jianzhu01.com/Museum1007270638.htm
西斯学院杜根住宅大会堂
原 名 称：Dugan Residence Hall
Canisius College
Buffalo, NY
纽约 布法罗
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http://www.jianzhu01.com/Museum1007270637.htm
查尔斯顿广场
查尔斯顿广场
美国 西雅图 查尔斯顿
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http://www.jianzhu01.com/Museum1007270636.htm
OCA 临时凉亭
项目名称：OCA 临时凉亭
设计师:Knigsberger Vannucchi
宗教建筑
位置：巴西 圣保罗
项目年限：2004
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http://www.jianzhu01.com/Museum1007270635.htm
表演者之家(Performers House)
建筑师： SHL 建筑事务所
教育建筑，翻修
项目年限：2005年
建筑年限：2006-2007
建筑面积：3700平米
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http://www.jianzhu01.com/Museum1007270634.htm
蒂罗尔山顶观景台(Top of Tyrol astearchitecture)
建筑师：因斯不鲁克Astearchitecture建筑工作室
位置：奥地利蒂罗尔州 斯杜拜冰川
项目年限：2008
这是一个山顶观景台，上个月才建成完工，位于奥地利Tyrol的Isidor山上，海拔3200米，设计来自于Astearchitecture，这个团队同来自于奥地利的因斯布鲁克。依山而行的走道，跳出山脊9米的平台，悬空领略奥地利最为著名的雪景，在空中与风雪共舞，该是多么惬意啊，颇有些“凌绝顶”的感概。
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http://www.jianzhu01.com/Museum1007270633.htm
广州市电视台和旅游塔
原 名 称：Television and Sightseeing Tower
City of Guangzhou
Guangzhou, China
中国 广州
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http://www.jianzhu01.com/Museum1007270632.htm
卡塔尔科技园
原 名 称：Qatar Science Technology Park
卡塔尔新科技园（QSTP）是卡塔尔基金会一个重要倡议，在其推动经济多样化、创立高技能的就业机会，并在中东将卡塔尔建立成为一个知识型经济城市方面起到了至关重要的作用。
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http://www.jianzhu01.com/Museum1007270631.htm
坎通巴塞尔地政署历史档案馆（Public Records Office Canton Basel-Landschaft）
设计师：EM2N展览空间设计
位置：瑞士 利斯塔尔
建筑年限：2001-2007
建筑面积：4705平米
历史档案馆是坎通政治，经济和文化生活的集体记忆。其重要的核心是通过一个适当的地点和一个合适的城市建筑得以表达出来。
目前的地理位置，现存较小和较大的住宅建筑将城市中心铁路线一分为二，很难让具有公众特征的建筑形式全方位表达。
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http://www.jianzhu01.com/Museum1007270630.htm
Doheny 广场(Doheny Plaza)
Doheny 广场
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009020911453234_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270629.htm
圣玛利教堂
原 名 称：St Marys Church
Date:1998-2002
Location:Pockledge ，Florida
Size:25300sf
日期：1998－2002
位置：佛罗里达州 Pockledge
面积：25300平米
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http://www.jianzhu01.com/Museum1007270628.htm
丹佛中央图书馆
原 名 称：Denver Central Library
Date:1991-1995;Renovation 1996
Location: Denver，Colorado
Size:526000sf
日期：1991－1995 重建1996
位置：科罗拉多州 丹佛
面积：526000平米
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http://www.jianzhu01.com/Museum1007270627.htm
圣胡安卡皮斯特拉诺图书馆
原 名 称：San Juan Capistrano Library
Date:1981 1983
Location: California
Size:14000sf
日期：1981-1983
位置：加州
面积：14000平米
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http://www.jianzhu01.com/Museum1007270626.htm
克拉克县图书馆
日期：1994
位置：内达华州 拉斯维加斯
面积：120000平米
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http://www.jianzhu01.com/Museum1007270625.htm
托皮卡和肖尼图书馆
原 名 称：Topeka and Shawnee library
Date:1995-2001
Location:Topeka Kansas
Size:165000sq ft
日期：1995-2001
位置：堪萨斯州 托皮卡
面积：165000平方英尺
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http://www.jianzhu01.com/Museum1007270624.htm
纽瓦克博物馆（The Newark Museum）
Date: Renovation 1982-1989 Various Projects 1991-2002
Location:Newwark new jersey
Size:300000sf
日期：翻修1982-1989 各种项目：1991-2002
位置：新泽西州 纽瓦克
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http://www.jianzhu01.com/Museum1007270623.htm
雪兰多山谷博物馆
原 名 称：Museum of the Shenandoah Valley
Date:1999-2005
Location:Winchester，Virginia
Size:53000sf
日期：1999-2005
位置：维吉尼亚州 温彻斯特
面积：53000平米
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http://www.jianzhu01.com/Museum1007270622.htm
台湾前历史国家博物馆
原 名 称：National Museum of Pre History Taiwan
Date:1993-2001
Location:Taitung City，Taiwan
Size:425000sf
日期：1993－2001
位置：台湾 台东市
面积：425000平米
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http://www.jianzhu01.com/Museum1007270621.htm
菲也特维尔节日公园的露天舞台（Fayetteville Festival Park）
菲也特维尔节日公园的露天舞台（Fayetteville Festival Park）
位置：美国 南卡罗来纳州 费耶特维尔 北部
建筑面积：558平米
项目年限：2004
建筑设计：Pearce Brinkley Cease + Lee PA建筑设计公司
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http://www.jianzhu01.com/Museum1007270620.htm
奥赖利剧院
原 名 称：O Reilly Theater
Date:1996-1999
Location:Pittsburgh，pennsyivania
Size:53000sf
日期：1996－1999
位置：宾夕法尼亚州 匹兹堡
面积：53000平米
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http://www.jianzhu01.com/Museum1007270619.htm
儿童剧团
原 名 称：The Childrens Theatre Company
Date:2005
Location:Minneapolis，Minnesota
Size:45000sf
日期：2005
位置：明尼苏达州 明尼阿波利斯
面积：45000平米
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http://www.jianzhu01.com/Museum1007270618.htm
河湾音乐中心
原 名 称：Riverbend Music Center
Date:1983-1984(statues 1986)
Location:Cincinnati，ohio
日期：１９８３－１９８４（雕像 １９８６）
位置：俄亥俄州 辛辛那提
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http://www.jianzhu01.com/Museum1007270617.htm
Tenerife Espacio de las Artes
设计师：瑞士建築師 雅克·赫尔佐格（Jacques Herzog），埃尔·德·梅隆（Pierre de Meuron）
位置：西班牙 Canary 群岛的 Tenerife 岛
性质：博物馆和图书馆
Herzog & de Meuron 设计的「Tenerife Espacio de las Artes」(简称 TEA)位于西班牙 Canary 群岛的 Tenerife 岛，是当地最新的艺术文化空间，于2008年10月31日开幕。
建筑面积大约20622平米，包括一个公共图书馆和当代艺术博物馆，Tenerife 岛摄影中心，一个商店，咖啡厅/餐厅和其他一些公共场所。
建筑体积长方，被一个斜坡分割出了一个三角形的广场。沿线正面，广场内部装有1200多个开口720个不同形状的自然光滤波器，夜晚产生令人惊艳的不同光影。
建筑开放的时候，Jaques Herzog曾说，这座建筑将改变整个Tenerife岛屿的景观，并与卡拉塔瓦礼堂一并使城市变成一个文化重点。
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http://www.jianzhu01.com/Museum1007270616.htm
圣埃斯皮里图广场（ESPIRITO SANTO PLAZA）
美国 佛罗里达州 迈阿密
性质：混合用途：住宅，宾馆，办公室，零售店，停车场
面积；1200000平方英尺
竣工：2004
MIAMI, FL, USA
SPECS FACILITY Mixed-use: Residential, hotel, office, retail, and parking
SIZE 1,200,000 sq. ft / 111,480 sq. m
STATUS Completed 2004
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http://www.jianzhu01.com/Museum1007270615.htm
南京卢曦广场66号（PLAZA 66 NANJING XI LU）
性质：办公室和零售店
面积：2300639平方英尺
竣工：2002
SHANGHAI, PRC
SPECS FACILITY Mixed-use: office and retail
SIZE 2,300,639 sq. ft / 213,729 sq. m
STATUS Completed 2002
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http://www.jianzhu01.com/Museum1007270614.htm
Olympiysky展望
原 名 称：Class A Business Center Olympiysky Prospect
竣工年限：正在进行
占地面积：1.36公顷
项目面积：42000平米
建筑高度：40米
层数：10
Moscow, Russia
Completion Year: Ongoing
Site Area: 1.36 hectares
Project Area: 42,000 m2
Building Height: 40 m
Number of Stories: 10
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http://www.jianzhu01.com/Museum1007270613.htm
弗拉基米尔 卡斯帕文化中心（Vladimir Kaspe Cultural Center）
弗拉基米尔 卡斯帕文化中心（Vladimir Kaspe Cultural Center）
设计师：HG设计事务所（Jorge Hernandez de la Garza）
位置：墨西哥 墨西哥城
项目年限：2006
建筑由3个基础部分组合而成，各个元素相互协调构建成一个完整的平衡空间。一方面由钢筋构架而成，再其次是一个极端稳当的混凝土扶手部分，通过玻璃提供微妙的可靠性。
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http://www.jianzhu01.com/Museum1007270612.htm
Los Canteros山区避难所(Los Canteros Mountain Refuge)
设计师： dRN 建筑事务所
位置：智利 Farellones
面积：435平米
建筑面积：140平米
项目年限：2007
建筑年限：2008
材料：石材，木材
预算：792美元/平米
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http://www.jianzhu01.com/Museum1007270611.htm
圣卢普女执事的临时教堂(Temporary chapel for the Deaconesses of St-Loup)
圣卢普女执事的临时教堂(Temporary chapel for the Deaconesses of St-Loup)
设计师：Localarchitecture建筑师事务所、建筑师Danilo Mondada
宗教建筑
位置：瑞士 Hpital de St-Loup
项目年限：2008
2007年夏季，瑞士建筑师Danilo Mondada被任命进行St-Loup女执事教堂旧主楼的设计改造。因此，Danilo Mondada就设计了这个临时教堂，大约使用两年的时间。这个临时教堂采用了木结构，从日本的折纸中获取灵感，这样的形状不仅可以节省材料，而且也不需要其他支撑的框架。
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http://www.jianzhu01.com/Museum1007270610.htm
圣玛尔塔灯塔博物馆(Santa Marta Lighthouse Museum)
圣玛尔塔灯塔博物馆(Santa Marta Lighthouse Museum)
设计师：埃里斯·马托斯
博物馆和图书馆类建筑
位置：葡萄牙
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http://www.jianzhu01.com/Museum1007270609.htm
卡尔马艺术博物馆（Kalmar Museum of Art）
卡尔马艺术博物馆（Kalmar Museum of Art）
设计师：Tham & Videgård Hansson事务所
位置：瑞典 卡尔马
项目面积：1594平米+现有面积
项目年限：2007-2008
卡尔马艺术博物馆是2004年公开国际竞赛的获奖提名作品，将于2007年建成。该建筑坐落在文艺复兴城市卡尔马城市公园，将被添加到一个餐厅馆内，该餐厅于19世纪30年代由瑞典现代主义建筑师埃里克森伊瓦尔奥森林德设计。
新的博物馆是一个黑色的四层立方体，外部是巨大的木制板结构，与大型玻璃板结构衔接。它可以容纳卡尔马博物馆的艺术收藏品，同时也可以为当代艺术提供临时展厅，也可作表演厅和会议厅。
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http://www.jianzhu01.com/Museum1007270608.htm
摩天大楼博物馆
原 名 称：Skyscraper Museum
纽约市 炮台公园
竣工年限：2004
建筑高度：16英尺
层数：1
Battery Park City, New York
Completion Year: 2004
Building Height: 16 ft
Number of Stories: 1
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http://www.jianzhu01.com/Museum1007270607.htm
千禧公园总体规划
伊利诺斯州芝加哥市
竣工年限：2002
占地面积：17英亩
Chicago, Illinois
Completion Year: 2002
Site Area: 17 acres
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http://www.jianzhu01.com/Museum1007270606.htm
Great Northern Initiative
英国 曼彻斯特
竣工年限：2001
占地面积：50英亩
Manchester, United Kingdom
Completion Year: 2001
Site Area: 50 acres
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http://www.jianzhu01.com/Museum1007270605.htm
新南威尔士州美术馆
原 名 称：Art Gallery of NSW Various Works
日期：2003
位置：澳大利亚 悉尼
奖项：2000年工商管理硕士优秀建筑奖——内部书店装修
Date:2003
Location:Sydney,Australia
Awards: 2000 MBA Excellence in Construction Awards-Interior Fit-out-Bookshop
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http://www.jianzhu01.com/Museum1007270604.htm
南澳大利亚州艺术馆(Art Gallery of South Australia)
日期：1996
位置：澳大利亚 阿德莱德
奖项：澳大利亚建筑师协会南澳州优异奖
成本：￥2400万澳元
Date:1996
Location Adelaide, Australia
Awards: Merit Award South Australian Chapter RAIA
Cost: $24million(Australian)
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http://www.jianzhu01.com/Museum1007270603.htm
巴拉瑞特美术画廊
原 名 称：Ballarat Fine Art Gallery
日期：2001
位置：澳大利亚 维多利亚 巴拉瑞特
成本：550万澳元
Date:2001
Location:Ballarat,Victoria,Australia
Cost:$5.5million(Australian)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021911552831_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270602.htm
蚌埠中央广场(Bengbu City Central Plaza)
日期：2002
位置：中国 安徽 蚌埠
Date:2002
Location: Bengbu City, An hui Province, People’s Republic of China
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http://www.jianzhu01.com/Museum1007270601.htm
国会大厦剧院
原 名 称：Capitol Theatre
日期：1995
位置：澳大利亚 悉尼 Haymarket
奖项：1995澳大利亚建筑师协会建筑优异奖
orbury Hunt转体建筑杰出奖
Date:1995
Location:Haymarket,Sydney, Australia
Awards:1995 RAIA Merit Award for Architecture Horbury Hunt Award for Excellence in Brickwork
Cost: $21million(Australian)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021912002547_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270600.htm
海关大楼悉尼图书馆
原 名 称：Customs House City of Sydney library
日期：2005
位置：澳大利亚 悉尼 环形码头
Date:2005
Location: Circular quay, Sydney Australia
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913150550_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270599.htm
澳大利亚国家戏院南入口和澳大利亚本土画廊
原 名 称：national gallery of Australia south
日期：2008
位置：澳大利亚 堪培拉
entrance and indigenous Australian galleries)
Date:2008
Loation: Canberra Australia
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913180446_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270598.htm
维多利亚女王博物馆和艺术画廊与艺术学院（Queen Victoria museum art gallery and academy of arts inveresk）
日期：2002
位置：澳大利亚 塔斯马尼亚州，朗赛斯顿
奖项：2002澳大利亚建筑师协会公共遗产建筑优秀奖
2003澳大利亚建筑师协会公共遗产建筑优秀奖
成本：3300万澳元
Date:2002
Location: Launceston,Tasmania,Australian
Awards:2002 RAIA Merit Awards for Public Buildings and Heritage
2003 RAIA Merit Awards for Public Buildings and Heritage
Cost:33million(Australian)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913202846_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270597.htm
悉尼剧院及酒馆
原 名 称：sydney theatre bistro
日期：2003
位置：澳大利亚，悉尼，沃尔什湾
奖项：2004澳大利亚建筑师协会公共建筑优秀奖
Date:2003
Location:walsh bay,Sydney,Australian
Awards:2004RAIA Merit Award for Public Buildings
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009021913243848_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270596.htm
新悉尼展览场地蓝图
日期：1995
位置：澳大利亚 悉尼 奥林匹克公园
成本：￥38800万澳元
Date:1995
Location:Olympic park,homebush bay,Australia
Cost:$388million(Australia)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009022013435550_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270595.htm
维拉纽瓦公共图书馆
原 名 称：Villanuevas Public Library
占地面积：2500平米
建筑面积：1551平米
四位来自维拉纽瓦大学的青年建筑师——Miguel Torres，German Ramirez， Alejandro Piñol和Carlos Meza已经完成哥伦比亚比利亚努埃瓦公共图书馆的设计。
图书馆的建造就地取材，采用当地的木材和石头降低运输成本，当地人经过培训也参与建设，独特的纹理外观成为它的最大特色。
如果可持续发展建筑可理解为，利用当地材料，当地劳动力，受当地经济和气候特征的限制，以及后期的低成本维护等条件限制，综合构建建筑资源，哥伦比亚热带城市维拉纽瓦公共图书馆就是这样的一座建筑。
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http://www.jianzhu01.com/Museum1007270594.htm
C.C. Young The Point
原 名 称：C.C. Young The Point
得克萨斯州 达拉斯
Dallas, TX
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http://www.jianzhu01.com/Museum1007270593.htm
Spaladium中心
原 名 称：Spaladium Center
面积：136000平米
体积：748450立方米
参赛：2007
施工：2008
Spaladium中心，体育和商业混合建筑，坐落在Poljud附近的斯普利特岛屿北部，是一个综合的体育场馆，拥有一个足球场，一个游泳池，为1979年的地中海运动会而建。
Spaladium中心由一个12000观众的手球舞台，一个健身中心，空中酒吧和位于顶层的高级餐厅组成，可以俯瞰整个城市及其周围地区和斯普利特群岛。有1500个停车位。即使手球舞台不在使用中，保证购物中心也保证可正常运行与餐馆。该中心是一个多功能大厅。手球舞台同时还可以做篮球场，台球场，排球场，拳击，摩托车越野赛场，同时也可做贸易展览厅，会议中心和音乐厅。
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http://www.jianzhu01.com/Museum1007270592.htm
布鲁克林博物馆
原 名 称：Brooklyn Museum
纽约
总平面：1027000平方英尺
艾利斯和B杰拉尔德康托尔礼堂：460座（1991）
莫里斯和罗迈耶夏皮罗附楼：35000平方英尺
美术艺术庭院：22500平方英尺
入口和广场：34000平方英尺
in association with Arata Isozaki & Associates
Plan: 1,027,000 square feet (1986)
Iris and B. Gerald Cantor Auditorium: 460 seats (1991)
Morris A. and Meyer Schapiro Wing: 35,000 square feet (1992)
Beaux Arts Court: 22,500 square feet (2000)
Entry Pavilion and Plaza: 34,000 square feet (2004)
Brooklyn, New York
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http://www.jianzhu01.com/Museum1007270591.htm
艺术剧院中心耶尔瓦布埃纳花园
原 名 称：Center for the Arts Theater
加利福尼亚州 旧金山
750座
1993
Yerba Buena Gardens
San Francisco, California
750 seats
1993
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http://www.jianzhu01.com/Museum1007270590.htm
Mashantucket Pequot博物馆和研究中心
原 名 称：Mashantucket Pequot Museum and Research Center
康涅狄格 Mashantucket
316000平方英尺
1998
Mashantucket, Connecticut
316,000 square feet
1998
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http://www.jianzhu01.com/Museum1007270589.htm
莫斯堡学院布尔金艺术中心
原 名 称：The Mercersburg Academy Burgin Center for the Arts
宾夕法尼亚州 Mercersburg
65500平方英尺
2006
Mercersburg, Pennsylvania
65,500 square feet
2006
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http://www.jianzhu01.com/Museum1007270588.htm
俄克拉何马市市政中心音乐厅
原 名 称：Oklahoma City Civic Center Music Hall
美国 俄克拉何马州 俄克拉何马城
2500座
2001
Oklahoma City, Oklahoma
2,500 seats
2001
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http://www.jianzhu01.com/Museum1007270587.htm
圣达菲歌剧院
原 名 称：The Santa Fe Opera Theater
新墨西哥 圣菲
2160座
1998
Santa Fe, New Mexico
2,160 seats
1998
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http://www.jianzhu01.com/Museum1007270586.htm
美国自然历史博物馆地球与空间玫瑰中心
原 名 称：American Museum of Natural History Rose Center for Earth and Space
纽约
335000平方英尺
2000年
New York, New York
335,000 square feet
2000
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http://www.jianzhu01.com/Museum1007270585.htm
全国发明家名人堂之家
原 名 称：Home of the National Inventors Hall of Fame
Akron, Ohio
77,000 square feet
1995
美国 俄亥俄州阿克伦
77000平方英尺
1995年
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http://www.jianzhu01.com/Museum1007270584.htm
纽约科学馆
原 名 称：New York Hall of Science
Queens, New York
72,000 square feet
2004
纽约 皇后区
72000平方英尺
2004年
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http://www.jianzhu01.com/Museum1007270583.htm
史密斯学院布朗美术中心
原 名 称：Smith College Brown Fine Arts Center
Northampton, Massachusetts
164,000 square feet
2002
美国 马萨诸塞州 北安普顿
164000平方英尺
2002年
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http://www.jianzhu01.com/Museum1007270582.htm
史密森学会美洲印第安人国立博物馆
原 名 称：Smithsonian Institution National Museum of the American Indian
马里兰 苏特兰
140000平方英尺
1999年
Cultural Resources Center
Suitland, Maryland
140,000 square feet
1999
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http://www.jianzhu01.com/Museum1007270581.htm
展览配景和布局
原 名 称：EXHIBITON SCENOGRAPHY AND LAYOUT
Pavillon de lArsenal Paris
PROJECT 454 projets pour Paris 2012
LOCATION Pavillon Arsenal - 21Bd Morland, Paris IV
DATE 2004
CLIENT Pavillon de l Arsenal
BUDGET 150 000
PROJECT SIZE 650 m²
PHASE Opening on the 12.15.2004
位置：法国 巴黎 莫尔兰
预算：150 000 欧元
面积：650平米
开放：2004.12.15
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http://www.jianzhu01.com/Museum1007270580.htm
艺术家工作室
原 名 称：ARTISTS STUDIO
PROJECT Conception and construction of an artist’s studio
LOCATION Thézan des Corbières, Aude (11)
DATE 2003
CLIENT Private
BUDGET 61 000
PROJECT SIZE 106 m²
项目：构想和建设一个艺术家的工作室
位置：法国
日期：2003
性质：私人寓所
预算：61000欧元
面积：106平米
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http://www.jianzhu01.com/Museum1007270579.htm
西兰省档案馆
原 名 称：Province of Zeeland Archive
总面积：7800 设计“1994 建筑:1997 竣工：1999
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http://www.jianzhu01.com/Museum1007270578.htm
拉斯帕尔马斯
原 名 称：Las Palmas, Rotterdam
总面积：21350平米 设计：2003 建筑：2006 竣工：2008
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http://www.jianzhu01.com/Museum1007270577.htm
Artfarm
原 名 称：Artfarm
Town of Clinton, New York, 2006 - 2008
in collaboration with the artist Ai Weiwei
位置：美国 纽约 克林顿城 2006-2008 与 艾未未合作
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http://www.jianzhu01.com/Museum1007270576.htm
佩雷斯和平之家
原 名 称：Peace Peres House
施工年限：2008
占地面积：7000平米
建筑面积：2500平米
一个所有船员的港湾之家，一个海难的避风港。想象有这样一个不是虚幻的，而是真实存在的地方。方案将致力于和平，成为一个巨大的繁重的承担深远民族意义的建筑。
和平是一种精神状态，一种愿望：完美的乌托邦。
这种对未来世界的美好愿望同样也表达了一个希望，这就是我们的儿童和未来一代希望生活在一个美好的世界中。
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http://www.jianzhu01.com/Museum1007270575.htm
大英博物馆国王图书馆
原 名 称：Kings Library at the British Museum
大英博物馆国王图书馆（Kings Library at the British Museum）
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http://www.jianzhu01.com/Museum1007270574.htm
阿尔卑斯浴蒙塔
原 名 称：alpine bath montafon
Time:08/2006 - 10/2006
Location:schruns-tschagguns (austria)
Client:schruns-tschagguns tourismus gmbh
Year:2006
Type:bodyculture
位置：奥地利
年限：2006
类型：文化建筑
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http://www.jianzhu01.com/Museum1007270573.htm
福克斯通Quarterhouse表演艺术和商业中心
原 名 称：Quarterhouse Performing Arts and Business Centre in Folkestone
国家文化传媒和体育部长安迪伯纳姆将正式开放艾莉森布鲁克斯建筑师的Quarterhouse表演艺术和商业中心，该建筑座落在英国肯特区福克斯通。仪式将在3月5日举行。
该建筑是城市艺术领导项目重建基金会的中心。大厦占地1550平米，包括220个座的500个站位的多功能音乐厅，屋顶，剧院，会议中心；底楼大厅和展览厅；一层咖啡室和顶楼商务中心。
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http://www.jianzhu01.com/Museum1007270572.htm
青年娱乐文化中心
原 名 称：Youth Recreation & Culture Center
项目年限：2008
建筑面积：2600平米
室外面积：4000平米
新建筑坐落在哥本哈根北郊的一个居民区。这里主要是世纪之交建造的大型别墅。哥本哈根青年娱乐文化中心的场地狭长，一边靠近铁路线，一边靠近繁忙的公路，因此解决噪声问题是很重要的。
设计上通过墙体的隔音效果，保护了室外游乐区。娱乐设施如沙坑和变压器盒与场地周围绿色隔音带景观结合起来。古老的栗树也得到了保护。
为了与周围的别墅配合，房屋的建造好像是缩水版的体育馆，并以别墅的名称区分体育、咖啡厅、工作间和音乐等功能。别墅和娱乐中心构成了动态的联系，而体育项目和娱乐项目直接交织在一起，室内室外活动的结合成了重要的特征。底层空间可直通花园或庭院。
娱乐中心的入口大厅、餐厅、办公室、起居室、平台、花园和阁楼都有着传统的荷兰风格。利用色彩、光线和表层处理，各个房屋都体现出不同的氛围。每一座房屋都有自己的特点和特殊的声响技术、建筑材料等。
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http://www.jianzhu01.com/Museum1007270571.htm
原住民花园
原 名 称：First Nations Garden-Pavilion
花园面积：10000平米
建筑面积：415平米
项目年限：2001
原住民公园是一个为1701年蒙特利尔伟大的和平而建的永久性纪念馆。这是一个文化的十字路口，旨在帮助游客发现北美洲第一批居民的文化。
它还提供了一个机会，让原住民分享他们的传统，智慧和知识。
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http://www.jianzhu01.com/Museum1007270570.htm
第十一剧场
原 名 称：Theater 11
第十一剧场
Time: 06/2005 - 09/2006
Location: Zurich
Client: mch messe zuerich ag
Year: 2005
Type: culture
Award: international architecture award 2007 by The chicago athenaeum - museum of architecture and design
位置：瑞士 苏黎世
年限：2005
类型：文化建筑
奖项：芝加哥-博物馆的建筑和设计2007国际建筑奖
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http://www.jianzhu01.com/Museum1007270569.htm
坎通巴塞尔地政署历史档案馆
原 名 称：public record office canton basel landschaft
Time:11/2000 - 08/2007
Location:Liestal
Client:canton basel landschaft
Year:2000
Type:public
年限：2000
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http://www.jianzhu01.com/Museum1007270568.htm
Quartierzentrum Aussersihl
原 名 称：Quartierzentrum Aussersihl
Time:11/2000 - 08/2004
Location:Zurich
Client:City of Zurich
Year:2000
Type:public
年限：2000
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http://www.jianzhu01.com/Museum1007270567.htm
schadausaal thun
原 名 称：schadausaal thun
Time:08/2005 - 09/2011
Location:Thun
Client:city of thun
Year:2005
Type:culture
年限：2005
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http://www.jianzhu01.com/Museum1007270566.htm
自然历史博物馆达尔文中心
原 名 称：Darwin centre at The Natural History Museum
面积：120000平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313251442_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270565.htm
史密森国家航空航天博物馆
原 名 称：Smithsonian National Air and Space Museum
630000平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313403930_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270564.htm
国家航空航天博物馆teven F.Udvar-Hazy中心
原 名 称：National Air and Space Museum Steven F.Udvar-Hazy Center
708000平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030313422742_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270563.htm
Hangil图书大厦Heyri艺术展览厅
原 名 称：Hangil Book House Heyri Art Complex
Exhibition Hall Museum Bookstore，Café
Location: Seoul，South Korea
Phase completed july 2004
Size 13500sf
性质：博物馆 书店 咖啡厅
竣工：2004 7
面积：13500平方英尺
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030411272733_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270562.htm
美国纽约新当代艺术博物馆
原 名 称：New Museum of Contemporary Art
面积：60000平方英尺
结构：钢，玻璃
New York， U.S.A
Size: 60，000 sq. ft
Type: Museum
Structure: Steel， glass
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009030513364838_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270561.htm
阿姆斯特丹建筑中心
原 名 称：Arcam
占地面积：300平米
建筑面积：477平米
预算：203万美元
ARCAM(阿姆斯特丹建筑中心)为了提高阿姆斯特丹的建筑设计而努力。在2003年，他们完成了这个新的建筑，位于东码头(Oosterdok)的一座崭新建筑中。该建筑是由建筑师雷内•凡•祖克(René van Zuuk)设计的，它位于纳姆科普博物馆(Nemo)与荷兰航海博物馆之间。
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http://www.jianzhu01.com/Museum1007270560.htm
帝国中心剧院
原 名 称：imperial centre theatre
City of rocky mount
Rocky mount，north Carolina
Year completed:2006
竣工年限：2006
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http://www.jianzhu01.com/Museum1007270559.htm
费耶特维尔州立大学西布鲁克礼堂
原 名 称：Seabrook Auditorium
Fayetteville state university
Fayetteville，north Carolina
2007 AIA north Carolina honor award
Area:19419sf(addition)
15774(renovation)
Completed:2005
面积：19419平方英尺（附加）15774平方英尺（重建）
竣工：2005
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http://www.jianzhu01.com/Museum1007270558.htm
弗莱彻歌剧院和音乐厅
原 名 称：progress energy center for the performing arts
Memorial auditorium ，fletcher opera theater and meymandi concert hall
Raleigh，north carolian
2002 AIA north Carolina honor award
2002 Architecture merit award-USITT
2003 AIA south atlantic regional merit award
进步能源表演艺术中心纪念礼堂
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http://www.jianzhu01.com/Museum1007270557.htm
敦巴顿橡树园新图书馆
原 名 称：Dumbarton Oaks New Library Building
日期：2005
成本：46000000美元
面积：73180平方英尺
Date:2005
Cost:$46000000
Area:73180sf
Location:Washington,D.C.
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http://www.jianzhu01.com/Museum1007270556.htm
拉德克利夫学院施莱辛格图书馆
原 名 称：Radcliffe Institute, Schlesinger Library
日期：2004
成本：5000000美元
面积：26000平方英尺
Date:2004
Cost:$5000000
Area:26000sf
Location: Cambridge,MA
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http://www.jianzhu01.com/Museum1007270555.htm
达特茅斯学院劳耐尔特殊藏书图书馆
原 名 称：Dartmouth College, Rauner Special Collections Library
日期：2000
成本：7475000美元
面积：37000平方英尺
Date:2000
Cost:$7475000
Area:37000sf
Location: Hanover, NH
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http://www.jianzhu01.com/Museum1007270554.htm
Vila Joiosa剧院礼堂
原 名 称：Vila Joiosa Auditorium Theatre
项目年限：2002-2004
施工年限：2005-2007
Vila Joiosa剧院礼堂这个项目的重要性就在于，在建造过程中，作为一个公共项目要产生公共空间效应。
事实上，这个礼堂的体积要求构建一个巨大的观众席。这是一个将大块体积插入城市空间的项目，基本上是一个横向延伸的大建筑。除非遭遇非常情况，一般的，这个建筑可以避免任何种类的噪音污染。
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http://www.jianzhu01.com/Museum1007270553.htm
密苏里州历史学会博物馆
原 名 称：Missouri Historical Society Museum Faade
密苏里州历史学会博物馆（Missouri Historical Society Museum Faade）
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009031215082544_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009031215082544_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009031215082544_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009031215082544_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009031215082544_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270552.htm
纳哈城市美术馆及公寓住宅
原 名 称：Naha City Gallery & Apartment house
项目年限：2003
施工面积：650平米
纳哈项目包括一个画廊，零售空间，部分停车场和三个租赁公寓，每层一个。杂乱的程序通过聚焦室内外具有渗透性的界面将整个程序统一。透明，半透明或不透明的玻璃根据不同的私密程度来决定使用。透明玻璃应用在画廊，零售空间，客厅和餐厅，而半透明和不透明的玻璃用在公寓卧室和浴室的外部。
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http://www.jianzhu01.com/Museum1007270551.htm
金博尔艺术中心扩建及改造
原 名 称：Kimball Arts Center Expansion & Renovation
面积：4800平方英尺
性质：商业/博物馆/画廊
竣工：1996
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http://www.jianzhu01.com/Museum1007270550.htm
水下歌舞表演运动中心
原 名 称：Aquacade Sports Facility
面积：2500平方英尺（室内空间），3000平方英尺（室外空间）
性质：娱乐设施，游泳池
竣工：1995
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http://www.jianzhu01.com/Museum1007270549.htm
Brochstein馆
原 名 称：Brochstein Pavilion
项目年限：2006-2007
施工年限：2007-2008
施工面积：557.5平米
景观设计师：詹姆斯伯内特景观设计室
作为赖斯大学地标性的建筑物，雷蒙德和苏珊Brochstein馆展示的景观建筑的能力，促进了社会互动和提高了人类条件。一项对Brochstein馆花园纯度形式的研究表明，Brochstein馆创建了一个强大的空间框架，将一个松散的，未能充分使用的四合院改造成一个校园学生活动中心。
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http://www.jianzhu01.com/Museum1007270548.htm
Traenton中央消防总部与博物馆
原 名 称：Traenton Central Fire Headquarters&Museum
日期：2002
成本：9100000美元
面积：54000平方英尺
Date:2002
Cost:$9100000
Area:54000sf
Location: Trenton,NJ
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http://www.jianzhu01.com/Museum1007270547.htm
圣地亚哥当代艺术博物馆
原 名 称：Museum of Contemporary Art,San Diego
日期：1996
成本：6180000美元
面积：52000平方英尺
Date:1996
Cost:$6180000
Area：52000sf
Location: La Jolla,CA
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http://www.jianzhu01.com/Museum1007270546.htm
贝丝E1圣宗会
原 名 称：Congregation Beth E1
日期：2007
面积：8500平米
Date:2007
Area:8500
Location: Sunbury, PA
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http://www.jianzhu01.com/Museum1007270545.htm
活动的印象——美国博物馆
原 名 称：AMERICAN MUSEUM OF THE MOVING IMAGE
活动的印象——美国博物馆 AMERICAN MUSEUM OF THE MOVING IMAGE
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http://www.jianzhu01.com/Museum1007270544.htm
GLENSTONE
GLENSTONE
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http://www.jianzhu01.com/Museum1007270543.htm
国际摄影中心
原 名 称：INTERNATIONAL CENTER OF PHOTOGRAPHY
国际摄影中心（INTERNATIONAL CENTER OF PHOTOGRAPHY）
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http://www.jianzhu01.com/Museum1007270542.htm
犹太儿童博物馆
原 名 称：JEWISH CHILDRENS MUSEUM
犹太儿童博物馆（JEWISH CHILDRENS MUSEUM）
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http://www.jianzhu01.com/Museum1007270541.htm
路易斯 威尔斯 卡梅伦艺术博物馆
原 名 称：LOUISE WELLS CAMERON ART MUSEUM
路易斯 威尔斯 卡梅伦艺术博物馆（LOUISE WELLS CAMERON ART MUSEUM）
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http://www.jianzhu01.com/Museum1007270540.htm
蒂尔堡德桥当代艺术博物馆
原 名 称：De Pont museum for contemporary art, Tilburg
总面积： 6661平米（一期）574平米（二期）
设计：1989（一期）1999（二期）
建筑：1991（一期）2002（二期）
竣工：1992（一期）2003（二期）
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http://www.jianzhu01.com/Museum1007270539.htm
NAISUMITH篮球名人纪念堂馆和零售处
原 名 称：NAISUMITH MEMORIAL BASKETBALL HALL OF FAME Museum and Retail Complex
NAISUMITH篮球名人纪念堂馆和零售处
NAISUMITH MEMORIAL BASKETBALL HALL OF FAME Museum and Retail Complex
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http://www.jianzhu01.com/Museum1007270538.htm
YONGSTOWN州立大学约翰克多纳艺术馆
原 名 称：YONGSTOWN STATE UNIVERSITY John J.McDonough Museum of Art
YONGSTOWN州立大学约翰克多纳艺术馆 YONGSTOWN STATE UNIVERSITY John J.McDonough Museum of Art
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http://www.jianzhu01.com/Museum1007270537.htm
Naturum Taken
原 名 称：Naturum Taken
Visitor center
Lake Takern, Sweden
名称：Naturum Taken
游客中心
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http://www.jianzhu01.com/Museum1007270536.htm
Glaskasten In Marl
原 名 称：Glaskasten In Marl
Glaskasten In Marl
Addition to sculpture museum
Marl ,Germany
1st prize
博物馆扩建
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http://www.jianzhu01.com/Museum1007270535.htm
艾伦县公共图书馆扩建和翻修
原 名 称：ALLEN PUBLIC LIBRARY Addition and Renovation
艾伦县公共图书馆扩建和翻修（ALLEN PUBLIC LIBRARY Addition and Renovation）
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http://www.jianzhu01.com/Museum1007270534.htm
阿克伦政府首脑公共图书馆
原 名 称：AKRON-SUMMIT PUBLIC LIBRARY
阿克伦政府首脑公共图书馆（AKRON-SUMMIT PUBLIC LIBRARY）
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http://www.jianzhu01.com/Museum1007270533.htm
摩天州立大学 FSU信息技术和教育图书馆
原 名 称：FERRIS STATE UNIVERSIYT FSU Library for Information，Technology and Education
摩天州立大学 FSU信息技术和教育图书馆 FERRIS STATE UNIVERSIYT FSU Library for Information，Technology and Education
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http://www.jianzhu01.com/Museum1007270532.htm
哈佛大学美术学院图书馆
原 名 称：HARVARD UNIVERSITY Arts Library
HARVARD UNIVERSITY Werner Otto Hall/Busch－Rdisinger Museum and Fine Arts Library CAMBRIDGE，MASSACHUSETTS
哈佛大学 维尔纳奥托大会堂， Rdisinger博物馆和美术学院图书馆
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http://www.jianzhu01.com/Museum1007270531.htm
纽约市立大学研究生中心第里斯港图书馆
原 名 称：THE CITY UNIVERSITY OF NEW YORK The Graduate Center Mina S.Rees Library
纽约市立大学研究生中心第里斯港图书馆 THE CITY UNIVERSITY OF NEW YORK The Graduate Center Mina S.Rees Library
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http://www.jianzhu01.com/Museum1007270530.htm
芬兰METLA森林研究中心
原 名 称：METLA Forest Research Centre
施工面积：7650平米
项目年限：2004
芬兰林业研究协会为容纳约恩苏林业研究协会而建造的新大楼开始于2003年4月，在2004年10月竣工。中心坐落在约恩苏大学校园区域，非常接近约恩苏市中心。
约恩苏林业研究协会的员工在2005年底不断增长至150-170，其中100人为终身成员。由于旧设施的不足，这个增长使新研究中心的建造成为必要。
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http://www.jianzhu01.com/Museum1007270529.htm
SMoT
原 名 称：SMoT
地域性表演艺术中心
A regional centre for the performing arts
Jonkoping,Sweden
1st prize
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http://www.jianzhu01.com/Museum1007270528.htm
科学和游客中心
原 名 称：Science and visitors centre
Waren,Mecklenburg,germany
1st prize
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http://www.jianzhu01.com/Museum1007270527.htm
Chalmers观众席和学生协会
原 名 称：Chalmers
观众席和学生协会
Auditorium and Student Union
Gothenburg,Sweden
Ist prize, Kasper Salin Award 2001
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http://www.jianzhu01.com/Museum1007270526.htm
Universeum科学中心和玻璃馆
原 名 称：Universeum
科学中心和玻璃馆
Science centre and aquarium
Gothenburg ,Sweden
1st prize,Best Contemporary building 2001 ,The Swedish Wooden Award 2004
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http://www.jianzhu01.com/Museum1007270525.htm
DE EFFENAAR文化中心
原 名 称：DE EFFENAAR CHULTURAL CENTER
2002-2005
设施：2音乐厅咖啡厅，餐厅和办公室，扩建项目（ 4551平方米）
Eindhoven, The Netherlands
2002-2005
Program:2 concert halls café-restaurant and office and additional program(4551m2)
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http://www.jianzhu01.com/Museum1007270524.htm
kring文化中心
原 名 称：kring
unsangdong建筑师事务所设计的韩国首尔的kring——文化中心
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http://www.jianzhu01.com/Museum1007270523.htm
上海世博会新加坡馆
3月25日，新加坡推出并设计了作品“城市交响曲” 表现了新加坡的象征文化的和谐，进步和可持续性。 下列要求提交的设计，去年凯义谈建筑师和合作伙伴颁发了首席设计师，他们获奖的概念。主题城市交响曲（城市交响曲）获得了独特的灵感，再内容上是进步和可持续性发展，城市和绿化，传统的与现代的结合，不同种族居民和平生活在一起。 这两个元素已成为新加坡解决平发和持续性的发展概念，水和绿化-将构成Softscape公司的展区作为其两个设计元素。 为配合2010年上海世博会的“城市，让生活更美好城市，让生活更美好”主题，三〇 〇 〇平方米新加坡馆的目的是证明的可行性和好处，城市规划建设可持续发展城市。这将是世博会的目的的突出表现 ：探索挑战的21世纪新的城市时代，如减少能源资源，实施可持续的做法，空间规划和人口过剩。
从远处看去，凉亭相似的音乐盒集成了乐团的内容纳入其设计-水喷泉，相互作用的声音和视觉效果，以及混杂的屋顶花园植物。 支持四根柱子，整个结构体系将采用楼层不同形状和尺寸，连接的斜坡和楼梯暂停桁架。 门面缝和冷却水沿周边中心地下空间将有助于减少大量能源消耗，同时回收建筑材料，如铝和钢，以及阴影的玻璃墙和坡道将采用广泛
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http://www.jianzhu01.com/Museum1007270522.htm
北京奥林匹克公园下沉广场空间设计
精评：通过景观设计的手段，表达中国的地方文化特色
设计类别：休闲广场
建设地点：北京
场地面积：3 300 m2
委托单位：新奥集团
完成时间：2008.4
据说2006年的多哈亚运会启用了许多当地的文化元素，使之极富特色。这一做法启发了北京的相关领导，决定在奥体公园中七个延续的下沉空间里，通过景观设计的手段，表达中国的地方文化特色。于是，首规委便召集了若干在京的建筑师，要求大家献计献策，并希望通过这一活动弥补中国建筑师对奥运项目参与不够的缺憾。
在传统与现代之间搭桥是这几年我一直关心的课题。更广义地讲，不光是传统，还有文化，一种将历史与现实、全球与地域混合后生成的时空文化。将历史与文化因素融入建筑创作，不但能使建筑具有特色，还能使其更具有亲和力和根基。
四合院群落的屋顶是老北京城的一大特色。而这片下沉空间比公园场地的标高低出了９米，使展示建筑的第五立面成为了一种可能和必要。
除了屋顶，作为老北京城的基本构成要素，四合院这一建筑类型还具有如下特点：
1 - 相对于城市，它是封闭而私密的居住场所，空间组织中充分体现了外合内敞的原则；
2 - 建筑群体是由一系列简单矩型平面构成的“间”相拼而成的；
3 - 其结构为梁柱体系，或曰框架体系，具有所谓的“墙倒屋不塌”的特征；
4 - 其建造元素完全由预制构件组成。
私密与围合显然与这一公共场所的性质相左。而这种矛盾和对立恰恰促成了从另一视角观赏中国建筑的契机。利用“墙倒屋不塌”的原理，方案清除了所有的围合物，以彻底打破室内外的界线，从而将原本封闭和私密的空间转换成开敞而公共的场所，让人们得以在无拘无束地自由行走过程中，既能品味似曾相识的感觉，更能体验到一种新生。
在一个被9米柱网围合的限定空间中，有另一层4.5米的柱网统辖了这里的景观。柱网上的一些柱子打了个弯，与梁连体，其上支檩，檩上架椽，椽上铺瓦，与传统四合院建筑一脉相承。构架中依循祖先的做法广泛应用预制构件，只是材料不再是木头，而是钢。钢的特性使原来相对繁琐的造型被简化，反映出时代的气息。
由梁柱支撑的遮阳棚为下沉广场两侧的商业、餐饮创造了在户外拓展的条件。其中的一条回廊在条凳的伴随下围合出一片水面，浅浅的水池中铺满了晶莹的玻璃珠，冬季可在视觉上取代水体。
四合院坡屋顶的造型在西侧的商业建筑立面上得到演绎：仍然是同一规格的钢管，还保持着同样的坡度，但在这里却被竖向搁置，构成具有韵律感的墙面和出入口。
为使人们在不同的高度上观赏到不同的景色，方案利用9米的下沉高度，将景观设计从简单的二维空间延伸到三维：柱网上的大部分柱子直冲云霄，上面悬挂着高高低低的红色圆环。圆环在呼应了奥运标志的同时，依据高度的变换，时为座椅，时为台面，时为灯笼。入夜，红色的圆环将营造出缥缈梦幻的景象。
灯笼的原型在东侧的商业建筑立面上得到了另一种演绎，这时它更贴近“笼”，而非灯。当然也是灯，那是在月亮接替了太阳的位置以后。
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http://www.jianzhu01.com/Museum1007270521.htm
良渚文化村规划
精评：将蜿蜒的街巷和生动的房屋挽留在这片土地上
作品基本信息：
设计类别：旅游度假区规划
建设地点：浙江 杭州
场地面积：8 500m2
委托单位：浙江万科南都房地产有限公司
完成时间：2008
玉鸟流苏应当算是个旅游项目，内容基本是吃喝玩乐，是良渚文化村的一部分，紧挨着杭宁高速。这里原来就有个村庄，地势起伏。参与设计的四个事务所有张雷工作室、大舍、维思平和我们。张雷和我们的设计盖好了一半，其它的还在施工。
在我们这个设计团队介入之前，一个加拿大的景观设计公司做了规划，样式完全是北美的：一群孤独的房屋散布在田野中，找不着街道，找不着广场。我们的介入先从对这一规划的批判开始，大家一致认为不仅要呈现自然村落的形态，还要掌握好公共空间的收放。大舍为各家的工作做了分工，大家又一起商讨出一系列 “游戏规则”，诸如檐口高度为8m，屋顶的倾角为30°度，色彩以黑白灰为主，局部也可用木材等。
与其它几个地块相比，我们负责设计的地段进深局促，以线性延展。线性体的一侧为步行街或广场，另一侧面向机动车通道，是物资进出的服务性介面。
建筑的功能大致分三类： 餐饮、商铺和艺术家工作室。餐饮、店铺始终沿街，而艺术家工作室却相对独立，享有一片世外桃园。
设计首先要考虑的是如何将原地形中蜿蜒的街巷和生动的房屋挽留在这片土地上。
顺着狭长的地块，我们拉出了一条长长的飘带，延续的屋脊贯穿始终。带状建筑的走向限定了街道的宽窄和广场的形态。
带下的商铺是“巨构建筑”中的活力要素，它回顾着原始村落的随意，彰显着各路商家的特色。店铺单元的个性释放表现在在同一屋脊下的前后错动和左右翻转，并不经意地挤压出异样的交通空间。
在千姿百态、表情各异的店铺门脸和街面之间，一条长长的骑楼伺候着企图遮阳避雨而又无所事事的游客。骑楼外侧，时疏时紧的柱廊似乎仍在羞涩地延续着活跃的气氛，但纤细的柱廊，仿佛一排琴弦，已悄然将后部一段段璀璨斑斓的乐句梳理成了一部协调而动听的乐章，并规范了广告和招幌的位置。
白粉墙、灰瓦顶再一次将个性收拢，散发出清淡的地域情调。鱼鳞状的灰瓦一直蔓延到建筑的背后，张合有致，伴随着建筑的呼吸。
线性建筑随着街道汇聚到村中央时，一个形态简单而奇特的建筑在此画下惊叹号。它判若村落中的祠堂，聚焦着停顿人群的目光。
院落在两个相互倒置的艺术家工作室中出现，并伴随着呈L状的展廊。光线从展室围墙上端的缝隙中徐徐地飘进室内，塑造出柔和而宁静的氛围。
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http://www.jianzhu01.com/Museum1007270520.htm
奥斯坦德皇家马场周边改建
原 名 称：Projects around the Royal Racecourse in Ostend
比利时建筑事务所BURO II设计了这一位于重要城市奥斯坦德历史区域的新的项目。这是由其所在的地理位置决定的：靠近大量的皇家画廊以及Thermae宫殿。
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http://www.jianzhu01.com/Museum1007270519.htm
布雷根兹美术馆
原 名 称：Kunsthaus (Art Museum) Bregenz
1999年卒姆托以其明亮的玻璃盒子式的奥地利布雷根茨（Bregenz）美术馆（1997）荣获了第6届欧洲建筑师密斯。凡。德。罗奖。该美术馆坐落在布雷根茨康斯坦斯湖畔（LakeConstance），它由构成室内空间主体的现浇混凝土盒子、钢和玻璃等组成。从外面看，建筑就像一盏明亮的灯。随着一天之内天空光线和湖面薄雾的变化，从不同的角度可以看到，建筑的外表反射着不同的光影和色彩。
建筑的主体是一个方形玻璃盒子，共六层（地下二层，地上四层）。最上的三层为三个混凝土盒，垂直方向相互脱开，由三道承重墙支撑。每个混凝土盒的顶面敞开且封以半透明的玻璃天花。整个建筑的外表面铺满经过精心加工的大片玻璃板，看起来像是带有褶皱的羽毛或是一种鳞状的结构。建筑没有明显基座，而是直接立在地上。所有的玻璃板都采用相同尺寸，既不打孔又不划分，仅仅用大的钢夹子以鳞片状的排布方式固定在钢框架上。玻璃的侧边缘暴露在外，玻璃与玻璃之间隔着一定的缝隙。整个外框结构独立于内部的混凝土盒子，就像单独一层皮肤，并使内外的空气可以相互流通。各层楼板和楼梯都经过打磨，墙体和天花泛着柔和的光。
在正视使用功能的前提下，建筑设计的考虑因素被精简为静态的基本要素、建筑的用途以及达到该用途的方法等几方面，建筑的构造、材料和视觉形象构成了一个整体。
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http://www.jianzhu01.com/Museum1007270518.htm
科隆美术馆
原 名 称：Art Museum Kolumba Cologne, Cologne, Germany
瑞士建筑师彼得·卒姆托在德国科隆新设计的柯伦巴艺术博物馆坐落在二战中被炸毁的哥特式教堂--圣柯伦巴的旧址上.在赋予现存遗迹和历史应有的尊严方面柯伦巴非常成功,从而成为人们反思的地方.在这里漏明的砖墙使空气和光像一幕镂空的纱帐;每一种精心选择的材质所散发出的美深深打动着访客;光和暗为博物馆各个房间提供场景,在这些曼妙的场景下,宗教和世俗的艺术作品均被赋予精致的展示空间.
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http://www.jianzhu01.com/Museum1007270517.htm
2000年德国汉诺威世博会瑞士展览馆
原 名 称：Swiss Pavilion
我们称2000年德国汉诺威世界博览会瑞士馆为“Klangk rper Schweiz”。建筑没有显示促进瑞士发展的理论或者虚拟信息，取而代之的是为世博会游客提供一些具体的博览内容，这些游客也许在其他馆的餐馆中已经厌倦了学习。这是一个欢迎休息的地方，一个提供瑞士小吃的地方，为饥饿的游客提供饮料的地方，同时也是一个充满音乐的移动和变化的空间，有着轻松的气氛以及打扮漂亮的服务员。
瑞士展覽館大量地的隱喻勝利和抽像化因為其設計想法來自於建築師祖姆特（Peter Zumthor）以編管絃樂曲做為構想，並且在於內部並沒有對於展示設計。在建築師祖姆特的早年時生活的週遭都是木頭，他是一個傢俱製作工匠的兒子，從小他就被訓練做為一個傢俱製作工匠，也使得讓他在年少成長的時期，對於木頭的氣味和手所觸摸的質感都非常的好。
現在，Peter Zumthor 所設計出的在漢諾瓦萬國博覽會裡的瑞士展示館，而且在設計內可以感覺到他在於早年所被訓練出來對於木材使用的能力，一種難忘、平穩、然後又互交錯所產生煩擾的出現，整個展覽館是一座木頭的迷宮。整個展覽館的設計想完全的依照漢諾瓦萬國博覽會的主題，它的木製的牆壁並沒有使用釘子、螺絲釘或膠來將所有的木頭組合在一起，而且所有的木頭都沒經過多餘的加工，所以在展覽結束後還可以被拆卸移到它處，甚至於可以將其原料變賣。使用紅松木做為長向的水平材料而在中間橫向分隔的木頭為白松木。
每一個原始並未加工的木料用不銹鋼竿與彈簧構件將其加壓束縛在一起，而建築師祖姆特將其稱之為「木材圍牆（wood yard）」，而另一個重點在於其木頭被良好的乾燥並且在春天被壓縮緊束成牆體，所以結構的高度大約會只有 120mm的預期收縮，但在展覽期間或多或少都還是會有收縮變形的可能，所以在不銹鋼竿上的彈簧構件還是可以將其做調整，這也是建築師祖姆特所要表現出對於瑞士社會的隱喻表現，社會中的變動與適應。建築師祖姆特稱呼他的展覽館為Klangkorper，整個建築可以為一個共鳴體，因為在屋頂上有寬的鍍鋅電鍍排水溝在下雨之時滴落在上發出聲音，就好像上帝或是大自然希望在這裡發生出聲音與其他的事物發出共鳴一般。
建築師祖姆特贏的這次的設計主要的構想是想要呈現出所有的感覺，其中一個地方剛開始的想法是在於應該要有一個「休息房子」，在整個木頭迷宮中應該要有一個讓人容易找到，並且可放輕鬆的內部庭院，或是在內部有奇異黑色橢圓形三層樓高的單元空間做為展覽館的服務空間，雖然建築師祖姆特極力地否認他想在建築物內明顯地想要喚起瑞士地方的任何事，但再一次在這裡表現出國家的其中一個存在的痕跡，喜歡並且善於款待的傳統。
瑞士展覽館並不像其他的展覽館一般，他是由瑞士聯邦政府完全的贊助建造的，所以沒有贊助廠商的廣告，就只是簡單的展現出其本身那種自然的感覺，溫和音樂聲音它喚起那種何乎禮儀的、複雜的、和敏感的社會觀念，美味的食物與飲料的氣味和木材的香味混合在一起，在木材上秀出的瑞士多種語言是使用燈光投射或者是雕刻，而在展覽館內部行走時，你會發現筆直的木頭好像是在導引你行走的方向，而木材牆壁隔柵可以從那些裂縫中，人影的圖形就好像在暗喻著。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009041508302655_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270516.htm
菲尔德克劳斯兄弟礼堂
原 名 称：Brother Klaus Field Chapel
在德国Bruder Klaus乡下的一条河边，一位建筑师用112根松木扎了一座“帐篷”似的结构，这个结构成为了一座小教堂内部的模板之后，他取来河沙，以一种当地的方法浇筑，建筑师称之为“rammed concrete（夯实的混凝土）”每天半米，24天完成。之后在帐篷内部放一把火，在建筑师的控制下，火有节制的燃烧三个星期，最后火烧焦了木材，墙壁和树木里的水份也随之蒸发，内部的模板也自动解拆，松木组成的“帐篷模板”留下了特有的垂直线条，这个过程将内壁熏黑，光通过玻璃管穿过墙壁射入内部，在黑色的空间中，像星星一样闪耀，传说墙壁上留着松木味道
建筑师说，他是以四元素（土、水、气、火）出发来做这个设计的。
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http://www.jianzhu01.com/Museum1007270515.htm
圣本尼迪克特礼堂
原 名 称：Saint Benedict Chapel
圣本尼迪克特礼堂
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http://www.jianzhu01.com/Museum1007270514.htm
罗马文物修复
原 名 称：Protective Housing for Roman Excavations
罗马文物修复
1986
Protective Housing for Roman Excavations
Chur, Graubünden, Switzerland
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http://www.jianzhu01.com/Museum1007270513.htm
巴西国家射击中心
原 名 称：Brazilian National Shooting Center
成本：40000000欧元
设计年限：2005-2007
建筑面积：92900平米
2007年泛美州运动会分为四个不同的区域：Barra， ‘Sugar-Loaf’, Maracana 和Deodoro。这一战略目标的好处是，通过建设新的场馆和基础设施，以及改善现有的场馆，直接或间接的将体育精神传播或分发给里这一重大活动中约热内卢的所有居民。
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http://www.jianzhu01.com/Museum1007270512.htm
伊斯兰艺术博物馆(islamic arts museums)
伊斯兰艺术博物馆(islamic arts museums)
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http://www.jianzhu01.com/Museum1007270511.htm
加拿大多伦多市四季表演艺术中心
加拿大多伦多市四季表演艺术中心
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http://www.jianzhu01.com/Museum1007270510.htm
加拿大泰勒斯皇家音乐学院表演培训中心
加拿大泰勒斯皇家音乐学院表演培训中心
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http://www.jianzhu01.com/Museum1007270509.htm
上海世博会德国国家馆
开放状的建筑外形轻盈而飘逸，似乎在向参观者们发出真挚的邀请。
穿越了一条充满了德国气息的隧道后便进入了“和谐城市”的奇妙的内不空间，有用灯光、色彩和声响打造的“人文花园”、展示德国设计产品的“发明档案馆”和“创新工厂”、展示各种德国发明的新型材料的“材料之园”。
德国馆最突出的一个特点是它的一个展厅名为“动力之源”展厅。参观者可以和展厅内的金属球进行互动，金属球可以随这人们的欢呼声做出反应。这个巨大的金属球就是一个城市，而让城市充满活力则需要每一个人的努力和团结。
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http://www.jianzhu01.com/Museum1007270508.htm
上海世博会法国国家馆
2008年3月28日，中国2010年上海世博会法国馆设计方案正式揭晓。
主题：“感性城市”
设计团队：“Jacques Ferrier”
造型亮点：脱离地面的漂浮形式
展馆位置：世博园区C片区
漂浮于水平面的法国馆尽显水韵之美——溪流沿着法式庭院流淌、小型喷泉表演、水上花园。感性的设计外观构成了一个清新凉爽的水的世界。
从排队等候区开始，参观者就身处于纯正的法式庭院。自动扶梯缓缓地将游客带到展馆的最顶层，展览区域在斜坡道上铺开，沿着下坡路回到起点。参观路线的一侧是视觉效果强大的影像墙，法国老电影的片断或现代法国的图像，无不在阐述关于法国的城市印象。
位于展馆正中的浅水池只要将水排干，便是一个各式文化节庆活动的舞台。配合着璀璨绚丽的灯光效果，使这座“感性城市”即使在夜晚，也能展现妩媚的风采。
顶层的法式餐厅将展现法国餐饮的精致与浪漫，漫步屋顶花园，更是可以把浦江美景尽收眼底。“感性城市”将让参观者们在味觉、视觉、触觉、嗅觉、听觉的盛宴中，畅快体验法国的魅力。
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http://www.jianzhu01.com/Museum1007270507.htm
上海世博会芬兰国家馆
芬兰展馆建筑设计征集比赛于2008年5月在芬兰全国范围内展开，收到参赛作品共计104件。比赛结果已于10月6日在赫尔辛基公布：“冰壶”最终脱颖而出，拔得头筹。
主题：“优裕、才智与环境”
口号：芬兰 灵感分享
芬兰国家馆有一个很诗意的名字——“冰壶”。它所呈现的，是一个微型的芬兰及其整个社会的风貌。
展馆的设计灵感来自芬兰的海岛礁石、碧波倒影、天空剪影，甚至还有芬兰原始森林的树木所散发的独特清香。这些自然的元素在设计师的雕琢后，使“冰壶”成为一处宁静的港湾。漫步其间的人们，都得以暂时脱离都市生活的喧嚣和疲惫，任凭自由的思想和观点在这里碰撞、交流和融合。
“冰壶”的设计也体现了许多新型的环保理念。墙壁和顶部的开口促进了自然通风；新型轻质墙面、独特的窗户结构都减少了日照引发的热强度；房顶种上植物则用来均衡热负荷。
芬兰馆营造了一种“美好生活”的愿景，自由、创造、创新、社区精神、健康与自然。这些美好元素的完美融合，为人们提供了一个探讨美好生活发展蓝图的平台。
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http://www.jianzhu01.com/Museum1007270506.htm
上海世博会西班牙国家馆
2007年11月13日，中国2010年上海世博会西班牙馆设计方案正式揭晓。
主题：“通过科学和技术创新来重塑城市社区”
造型亮点：绿洲竹篮天然降温
展馆位置：世博园区C片区
热爱斗牛的国家在世博会的舞台上也要尽情展示这个特殊的爱好，在西班牙国家馆的建筑中，都带着浓郁的地中海畔“斗牛王国”的风格。
展馆以钢建筑材料为主，同时运用竹子、半透明纸等环保材料，在外墙覆盖一层有浓郁西班牙风格的柳条编织品。来自西班牙不同地区的能工巧匠们，编织出一幅幅展现民俗风情的瑰丽图案。整个展馆的外形宛若一个不规则的“柳条编织的篮子”。
这只“篮子”把传统艺术和现代科技结合在一起，完美诠释了“科学技术创新，重塑城市社区”的主题。西班牙在1992主办了举世闻名的塞维利亚世博会，2008年又举办了一届以“水”为专题的萨拉戈萨世博会，这个浪漫而野性的国度对世博会有着传统的爱好。他们希望，西班牙馆也能在上海世博会大放异彩，并成为西班牙在中国“一个永久的文化展示中心”。
具有神秘质感的上海世博会西班牙馆是当地最具创造力的设计事务所EMBT的作品。EMBT即Enric Miralles 和Benedetta Tagliabue这对设计师夫妇的简称（其中的丈夫Enric Miralles已经于2000年逝世），因此这个作品是Benedetta Tagliabue独当一面的产物，相比较事务所之前的作品更多几分女性气质。
西班牙馆内部是钢结构框架，外表覆盖特制的藤条模板，那是西班牙的手工艺人使用不同颜色和材料的藤条编制出各式模板。藤条模板经过防水处理，可以经受日晒雨淋，使得馆内像个舒适的凉亭。
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http://www.jianzhu01.com/Museum1007270505.htm
上海世博会意大利国家馆
2008年4月30日，中国2010年上海世博会意大利馆设计方案正式揭晓。
主题：“理想之城，人之城”
造型亮点：功能模块，方便重组
展馆位置：世博园区C片区
上海的弄堂游戏中，有一种“游戏棒”，它们被随意撒出，会形成不同的组合。设计师从这个游戏中受到启发，用20个可任意组合的功能模块组合出了取名为“人之馆”的意大利国家馆。
20个功能模块代表了意大利20个大区，形状就像游戏棒一样可以随意变幻。从外观看，整个意大利国家馆如同分裂的马赛克，体现了不同地区、不同文化的和谐共处。散布在展馆内部的水和自然光，共同营造出一个舒适温馨的环境。原本在意大利传统城市中随处可见的元素，在“人之城”内被重新展示，唤起了人们对历史的回忆。
“人之馆”不仅在设计上新颖别致，它还将采用了一种最新发明的多样化材料——透明混凝土。这种加入了玻璃质地的混凝土材料可以形成不同透明度的渐变，还能随时感知建筑内外部的温度、湿度等。展馆内部类似“刀锋”的设计除了能制造出幻化的光影效果外，还能向展馆内输送自然风。
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http://www.jianzhu01.com/Museum1007270504.htm
锦湖文化情结
原 名 称：GumHo Culture Complex
2007－2008
占地面积：4110.9平米
2007-2008
Location: GangNam-Gu, Seoul
Site area:4110.9m2
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http://www.jianzhu01.com/Museum1007270503.htm
303画廊
原 名 称：Gallery 303
光州锦湖美术馆
占地面积：3499平米
Kumho gallery in GwangJu
2007
Location:Mareuk-dong,GwangJu
Site area: 3499.00m2
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http://www.jianzhu01.com/Museum1007270502.htm
光州锦湖美术馆建筑 chungju文化
原 名 称：Kumho Gallery of the housing Culture_chungJu
光州锦湖美术馆
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http://www.jianzhu01.com/Museum1007270501.htm
Yeh画廊
原 名 称：Gallery Yeh
Yeh画廊
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009042013042733_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009042013042733_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009042013042733_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009042013042733_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009042013042733_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270500.htm
KTNG综合文化竞赛获胜者
原 名 称：KTNG Culture Complex competition Winner
2004
Location:Palda-gu,Suwon-si,Gyeonggi-do
Site area:7504.30m2
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http://www.jianzhu01.com/Museum1007270499.htm
2000教堂
原 名 称：Church of 2000
参赛年限：1996
竣工：2003
建筑面积：教堂830平米 教区1671平米
该教堂位于罗马东部地区郊区，美国建筑大师理查德•迈耶首次在意大利罗马实行设计，其次第二件作品是阿和平博物馆（2005）。
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http://www.jianzhu01.com/Museum1007270498.htm
Conservatorium
原 名 称：Conservatorium
成本：25000000欧元（不含增值税）
施工年限：2005－2007
总面积：16000平米
Conservatorium, Amsterdam
costs: 25.000.000,- (ex. V.A.T.)
date of commission: 2001
date of construction: 2005 - 2007
gross surface: 16.000 m2
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http://www.jianzhu01.com/Museum1007270497.htm
爱乐乐团音乐厅
原 名 称：Philharmonie concert hall, Haarlem
成本：16000000（不含增值税）
施工年限：2003－2005
总面积：10900平米修复＋新开发
costs: 16.000.000,- (ex. V.A.T.)
date of commission: 2000
date of construction: 2003-2005
gross surface: 10.900 m2 restauration + new development
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http://www.jianzhu01.com/Museum1007270496.htm
音乐厅
原 名 称：CONCERT HALL
2003
性质：主题音乐厅
Astana, Republic of Kazakhistan
2003
Title Concert Hall Of The New Capital Of The Republic Of Kazakhstan
SITE Astana city
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http://www.jianzhu01.com/Museum1007270495.htm
De Harmonie综合剧院
原 名 称：De Harmonie theatre complex, Leeuwarden
施工年限：1991－1994
总面积：12000平米
体积：92000立方米
costs: 14.000.000,- (ex. V.A.T)
date of commission: 1990
date of construction: 1991-1994
gross surface: 12.000 m2
volume: 92.000 m3
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http://www.jianzhu01.com/Museum1007270494.htm
Pathé-ArenA多功能电影院
原 名 称：Pathé-ArenA multiplex cinema, Amsterdam Zuidoost
施工年限：1998－2000
总面积：10500平米
体积：50500立方米
costs: 10.437.000,- (ex. V.A.T.)
date of commission: 1995
date of construction: 1998 - 2000
gross surface: 10.500 m2
volume: 50.500 m3
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http://www.jianzhu01.com/Museum1007270493.htm
Heineken音乐厅
原 名 称：Heineken Music Hall, Amsterdam Zuidoost
成本：12000000（不含增值税）
施工年限：1999－2001
总面积：13000平米
体积：119000立方米
costs: 12.000.000,- (ex. V.A.T.)
date of commission: 1995
date of construction: 1999 - 2001
gross surface: 13.000 m2
volume: 119.000 m3
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http://www.jianzhu01.com/Museum1007270492.htm
Dadong艺术中心
原 名 称：Dadong Art Center, Kaohsiung
总面积：24470平米
date of commission: 2007
gross surface: 24,470 m2
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http://www.jianzhu01.com/Museum1007270491.htm
维多利亚宫殿扩建
总面积：30000平米
date of commission: 2007
gross surface: 30.000 m2
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http://www.jianzhu01.com/Museum1007270490.htm
阿罗斯-奥尔胡斯美术馆
原 名 称：ARoS Aarhus Kunstmuseum
Vester Allé, Aarhus, Denmark
Area:17,700m2
Construction period:2001 - 2003
面积：17700平米
施工期限：2001-2003
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http://www.jianzhu01.com/Museum1007270489.htm
阿伯丁大学图书馆
原 名 称：Aberdeen University Library
面积：15500平米
施工期限：1008-2011
Aberdeen University, Kings College, Scotland
Area:15,500m2
Construction period:2008 - 2011
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http://www.jianzhu01.com/Museum1007270488.htm
新苏格兰巴黎舞团
原 名 称：New Scottish Ballet
面积：5000平米
施工期限：2005-2009Scottish Ballet, Tramway, Glasgow, Scotland
Area:5,000m2
Construction period:2005 - 2009
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http://www.jianzhu01.com/Museum1007270487.htm
私人图书馆
原 名 称：Private library
建筑面积：1393平米
在波多黎各圣胡安Condado地区一个艺术装饰的建筑屋顶上设计一个当代建筑，是一个任务，必须考虑到新建筑和现有结构之间的平衡性以及对街道的视觉冲击效果。设计师积极寻求两个结构之间的微妙对话，一个线性的阳台被建议设在远离建筑边缘的屋顶正立面。对路过行人的视角加以研究，加强各级全面实施结构，以便尽量减少对景观的影响。
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http://www.jianzhu01.com/Museum1007270486.htm
冰岛文化
面积：4500平米
施工年限：2003
Area:4,500m2
Construction period:2003
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http://www.jianzhu01.com/Museum1007270485.htm
哈尔姆斯塔德图书馆
原 名 称：Halmstad Library (SE)
面积：8000平米
施工期限：2004-2006
Halmstad, Växjö, Sweden
Area:8,000m2
Construction period:2004 - 2006
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http://www.jianzhu01.com/Museum1007270484.htm
韦克舍市图书馆
原 名 称：Växjö City Library (SE)
面积：6950平米 新建筑：3850平米 翻修面积：3100平米
Västra Esplanaden, Växjö, Sweden
Area:6,950m2, New build: 3,850 m2. Refurbishment: 3,100 m2
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http://www.jianzhu01.com/Museum1007270483.htm
意大利Foligno新教堂
原 名 称：New Church in Foligno
总面积：20690平米
建筑面积：610平米
教区面积：约1300平米
项目年限：2001-2009
该项目获得2001年由Conferenza Episcopale Italiana组织的新教堂设计大赛一等奖，陪审团对该建筑给出这样的评价：“作为革新的一个标志，它满足了国际研究功能，开始成为地震后城市复兴的标志”。
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http://www.jianzhu01.com/Museum1007270482.htm
爱尔兰饥饿纪念馆
原 名 称：Irish Hunger Memorial
2002
NEW YORK,NY,2002
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http://www.jianzhu01.com/Museum1007270481.htm
“汉字结构”- 成都汉字美术馆
“汉字结构”- 成都汉字美术馆
“汉字结构”是为成都巡遥汉字美术馆所作的设计。该设计的概念从甲骨文“馆”字（“馆”同“官”）开始构造出最初的立面并从此处向后延展。这个设计的独特之处在于：通常的折叠结构都是从水平方向开展折叠运动，而该设计是在立面的竖向展开的。联系到设计的主题，中国的文字源远流长，在不同的时代汉字都有着相应的变化。因而将美术馆的正立面与甲骨文的“馆”字在形态上联系起来，并在立面后面连续的折叠运动中阐释了其后汉字字形上的变化，金体；小篆；隶书；楷书，行书；草书等等。该设计将“美术馆的“馆”字的音，形，意层层分解在折叠结构之中。这个设计也展现了折叠结构并非是反传统的前卫建筑，它有它自身的方式表达对文化与文脉的认同。
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http://www.jianzhu01.com/Museum1007270480.htm
城市海洋与分区
设施：博物馆，公共广场，礼堂，办公室，餐厅和展览区
面积：50600平方英尺
状态：施工阶段
Biarritz, France, 2005-2010
PROGRAM: museum, public plaza, auditorium, offices, restaurant and exhibition areas
CLIENT: City of Biarritz
SIZE: 50,600 sf
STATUS: construction phase
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http://www.jianzhu01.com/Museum1007270479.htm
克努特哈姆森中心
原 名 称：KNUT HAMSUN CENTER
设施：历史博物馆包括展览区 图书馆 阅览室 咖啡厅和230个座位的观众席
面积：24445平方英尺
状态：施工阶段
Hamarøy, Norway, 1994-Aug 4, 2009
PROGRAM: historical museum for writer Knut Hamsun including exhibition areas, library, reading room, cafe and 230 seat auditorium
CLIENT: Nordland Fylkeskommune
SIZE: 24445 sf
STATUS: construction phase
1994-2009 4 8
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http://www.jianzhu01.com/Museum1007270478.htm
南京艺术建筑博物馆
原 名 称：NANJING MUSEUM OF ART & ARCHITECTURE
2002-2009
设施：博物馆 画廊 茶室 书店 馆长室
面积：30000平方英尺
状态：施工阶段
Nanjing, China, 2002-2009
PROGRAM: museum complex with galleries, tea room, bookstore, and a curators residence
SIZE: 30,000 sf
STATUS: construction phase
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http://www.jianzhu01.com/Museum1007270477.htm
LOISIUM游客中心
原 名 称：LOISIUM VISITOR CENTER
angenlois 2001-2003
设施：游客中心 酿酒厂展览空间
面积：13200平方英尺
状态：已竣工
Langenlois, Austria, 2001-2003
PROGRAM: Visitor Center and Exhibition Space for Winery
CLIENT: Loisium Hotelbetriebs GmbH & Co. KG
SIZE: 13,200 sf
STATUS: completed
为了提升Langenlois地区酿酒的知名度，这个有900年酿酒历史的Steininger酒庄不惜重金礼聘Steven Holl重新打造Loisium游客中心。遍布的金属立方体裂痕是整座建筑的最大特点。LOISIUM VISITOR CENTER共有两座建筑，包括了三大部分，分别是旅客中心、葡萄园及酒店。在这里，你不但能够享受香醇的葡萄酒，而且能感受到阳光透过以酒樽循环再造的玻璃所带来的灵气。
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http://www.jianzhu01.com/Museum1007270476.htm
Kiasma当代艺术博物馆
原 名 称：KIASMA MUSEUM OF CONTEMPORARY ART
1992-1998
设施：艺术博物馆 画廊 剧院 咖啡厅 商店 艺术工作室
面积：130000平方英尺
状态：已竣工
Helsinki, Finland, 1992-1998
PROGRAM: art museum including galleries, theater, cafe, shop, artist workshop
CLIENT: Finnish Ministry of Public Building
SIZE: 130,000 sf
STATUS: completed
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http://www.jianzhu01.com/Museum1007270475.htm
集装箱——艺术的容器
原 名 称：Container Art
建筑摄影师Leonardo Finotti 和我们分享了一个近期建筑师Bernardes Jacobsen设计的一个项目，一个集装箱中的艺术画廊。
在外部，集装箱的组合构建了一个有屋顶可通风的结构。在内部，未加任何修饰的环境与视频设施形成了鲜明的对比。
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http://www.jianzhu01.com/Museum1007270473.htm
西班牙礼堂
原 名 称：Chapel in Villeaceron
景观住宅，教堂，狩猎馆和护卫队住所，所有情境和一系列有关物体，使得该项目具有双重意义：除了景观，物品和路线空间和对象之间的密切关系，每个部分通过不同的重点，从最具有象征意义到最沉默或私人的环节部分，均提供了不同的回应。
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http://www.jianzhu01.com/Museum1007270472.htm
巴西Veneza农场教堂
建筑面积：225平米
两个塑胶元素构建了景观标志。两个标记产生了共鸣。一个，是弧形的屋顶。
另外一个，是结合景观构建的基督教的十字架。这种微妙的关系创造了湖滨景观内的一个空间¬——农场小教堂。
流线型的空间暗示了做礼拜的流程——中庭，洗礼池，倾斜殿，祭坛，半圆形后殿，在弧形的屋顶和十字架之后融入了湖光山色中。
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http://www.jianzhu01.com/Museum1007270471.htm
公园博物馆
原 名 称：The Garden Museum
London
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http://www.jianzhu01.com/Museum1007270470.htm
巨人之路游客中心
原 名 称：Giants Causeway Visitor Centre
世界遗产新游客中心提案
Proposal for a new visitor center on the world heritage site
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http://www.jianzhu01.com/Museum1007270469.htm
塞西尔希金斯美术馆
原 名 称：Cecil Higgins Art Gallery
Museum redevelopment and exhibition design proposal
博物馆重建和展览设计提案
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http://www.jianzhu01.com/Museum1007270468.htm
科珀斯克里斯蒂教堂
原 名 称：Corpus Christi Church
Refurbishment of the Bentley church in brixton
本特利教会翻修
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009050811214259_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009050811214259_2.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270467.htm
奥运之家和公园
原 名 称：Olympic House & Park
奥运之家和公园的设计力求在建筑上体现奥运精神。在设计中考虑了以下三个基本元素，并提出相关意见和建议：
全球范围的鼓励和灌输奥林匹克精神，因为它有理想，有兄弟情谊，追求崇高的世界和平。
历史层面的维护和振兴古代遗产。
运动层面，追求“身体和精神”等量的人类运动的双重本质。
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http://www.jianzhu01.com/Museum1007270466.htm
昆士兰现代艺术美术馆竞赛
原 名 称：Queensland Gallery of Mordern Art Competition
Location Brisbane,QLD
Floor area25000sqm
总面积：25000平米
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009051114154950_1.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270465.htm
TEA空间艺术
原 名 称：TEA-Tenerfe Espacio de las Artes
TEA空间艺术 TEA-Tenerfe Espacio de las Artes
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http://www.jianzhu01.com/Museum1007270464.htm
Hortus植物园温室
原 名 称：植物园温室
Greenhouse for the Hortus Botanicus, Amsterdam
Glass greenhouse with walkway above the treetops
Design:1990 | 1992
设计：1990－1992
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http://www.jianzhu01.com/Museum1007270463.htm
Stedelijk CS 博物馆
原 名 称：Stedelijk Museum CS
Temporary location of Stedelijk Museum Amsterdam in the former TPG building on Oosterdokseiland
Design:2003 | 2004
设计：2003－2004
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http://www.jianzhu01.com/Museum1007270462.htm
犹太人历史博物馆改建
原 名 称：Renovation of the Jewish Historical Museum, Amsterdam
Rotating between Synagogues
Design:2001
设计：2001
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http://www.jianzhu01.com/Museum1007270461.htm
蜿蜒的画廊
蜿蜒的画廊
Serpentine Gallery Pavilion 2006
Rem Koolhaas and Cecil Balmond with Arup
13 July - 15 October 2006 in Kensington Gardens, London
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http://www.jianzhu01.com/Museum1007270460.htm
卡萨音乐厅
原 名 称：Casa da Musica, Porto, Portugal. By Rem Koolhaas/OMA
卡萨音乐厅
Casa da Musica, Porto, Portugal. By Rem Koolhaas/OMA
葡萄牙 波尔图
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http://www.jianzhu01.com/Museum1007270459.htm
Patchwork临时艺术展览馆（Patchwork Pavilion）
设计师：日本DOMO国际设计事务所
博物馆和图书馆建筑
位置：巴西
这个临时艺术展览馆面积为60平方米，是DOMO事务所为于2008年8月至10月在巴西利亚举行的一场艺术展览会而设计的。该展会展出了现当代巴西画家如Zive Giudice与坎迪多?波尔蒂纳里(Candido Portinari)的绘画与肖像画作品。该展馆基本时间诶理念是创建一个介于透明与不透明之间的展览空间，以陈列这些绘画作品以及一个无顶花园。展馆用不同花纹图案的预制混凝土板随机排列包覆了起来。所设计处来的整体效果图案就像是由巴西东北部的被称为“Rendado”的工匠所制作的绣品般精美。预制混凝土板在60年代的巴西建筑中也是经常用到的，其有点是可以最大限度的接受自然光照。同时也是巴西的一种非常便宜的材料。
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http://www.jianzhu01.com/Museum1007270458.htm
明治神宫御社殿重建
竣工时间：2008
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http://www.jianzhu01.com/Museum1007270457.htm
南京熙南里历史文化街区
竣工：2008-4
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http://www.jianzhu01.com/Museum1007270456.htm
长者社区中心
原 名 称：Senior Citizen Community Center
这项建议依据的是重新界定现成的组件及其装配，试图优化建筑环境绩效，以及回收已用元素的可能性。该建筑基于在干燥的建筑物上，除了地面，使得环境和建筑共同作用，以增加其实际影响能力。
This proposal is based on the redefinition of ready-made components and their assembly to try to optimize the environmental performance of the building as well as the possibility of recycling used elements. The building was based on dry construction, except the ground, and formally displayed in such a way that increases its capability to interact with the surroundings-both architecturally and environmentally.
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http://www.jianzhu01.com/Museum1007270455.htm
Silent Collisions移动舞台
原 名 称：Silent Collisions Traveling Installation
面积：2401平方英尺
设计：2002－2003
施工：2003
Size: 2,401 gross sq ft / 223 gross sq m
Design: 2002 - 2003
Construction: 2003
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http://www.jianzhu01.com/Museum1007270454.htm
苏丹喀土穆沉思阁
原 名 称：PADIGLIONE DI MEDITAZIONE E PREGHIERA
项目类型：建筑
项目地点：苏丹喀土穆
设计年份：2006
完成年份：2007
苏丹是一个国家，在过去20年里一直经历无数种族间的战争，但最重要的是宗教间。阿拉伯民族从宗教的角度来看，从宗教角度看70 ％的苏丹是穆斯林，剩下的是基督教徒和其他宗教信仰的人。
选择不支持任何形式的崇拜，而是创造一个空间能容纳的所有祈祷和冥想的信仰。事实可能是掩盖所有的符号和宗教因素，因为可能是一个单一的宗教。例如，空间内的洗衣机允许洗了没有宗教内涵。它的外观设计占主导地位的是大量的水，造成了精神上脱离宏观/微观世界。内饰的两个立方体的特点是有两棵树木，使这些空格象征一次神圣的亵渎，而且包含自然因素和人为的空间。
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http://www.jianzhu01.com/Museum1007270453.htm
卡希尔天文学与天体物理学中心
原 名 称：Cahill Center for Astronomy and Astrophysics
建筑面积：9290平米
项目年限：2009
位于加州理工学院南校区，可直接通往历史北校区中心，卡希尔天文学与天体物理学中心将这两个校区连接起来。新建筑的规模，朝向，水平，以及材料语言将原来的西班牙和地中海风格的建筑通过加州林荫大道（一个历史校区核心部分的标志）连接起来。
Located on Caltech s South Campus directly across California Boulevard from the Institution s historic North Campus core, the Cahill Center physically and symbolically connects the two campuses. The new building s scale, orientation, horizontal massing, and material language connect with the original complex of Spanish and Mediterranean buildings across California Boulevard (a significant part of the campus’s historic core as envisioned by Bertram Goodhue’s 1917 mas ter plan).
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http://www.jianzhu01.com/Museum1007270452.htm
空气森林
原 名 称：Air Forest
施工年限：2008
“空气森林”是一个零时的展览馆，位于美国科罗拉多州丹佛市城市公园，是为2008年民主党全国代表大会之，城市——艺术和文化之间的对话大型活动而准备。丹佛的城市公园是丹佛市最大最著名的公园。
“森林公园”是一个长56.3米，宽25米的充气结构装置，由9个六角形的雨篷组成，高4米。这些单位由一块巨大的纺织布相互关联起来，用14个鼓风机充气，固定在内部35个基底上。
Air Forest is a temporary public pavilion installed in City Park, Denver, Colorado, USA, for Dialog:City, an arts and cultural event during the Democratic National Convention 2008. Located in east-central Denver, City Park is the largest and most notable park in Denver.
Air Forest is a 56.3m long, 25m wide pneumatic structure, composed of 9 hexagonal canopy units, at 4m height. These units are interconnected as one large piece of fabric, which are then inflated from the 14 blowers that are located at the base inside its 35 columns.
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http://www.jianzhu01.com/Museum1007270451.htm
陆荣昌亚洲博物馆重建
原 名 称：Wing Luke Asian Museum
陆荣昌亚洲博物馆，位于西雅图唐人街国际区域，为社会会议和活动提供空间，为附近居民提供公共场所，为表演和展览提供剧场，为社区艺术以及新兴的亚洲和美洲艺术家提供了展览空间，为社区青年提供了以家庭为中心的学习环境。设计源自1910的多层建筑，是中国人，日本人和菲律宾人的社会活动和居住中心。借鉴历史方面丰富的建筑经验，建筑师尽可能的节约了大量的建材。重新使用和回收利用是构建该可持续发展建筑的主要策略。
The Wing Luke Asian Museum, in Seattle s Chinatown International District, provides space for community meetings and events, public space for the neighborhood, theatre space for performances and presentations, exhibit spaces for community art and emerging Asian Pacific American artists, family-centered learning environments and leadership development for neighborhood youth. The design grew out of the original, 1910 multi-story building that served as a social center and living quarters for Chinese, Japanese and Filipino immigrants. Drawing inspiration from the building’s rich history, we saved as much of the original building as possible. Re-use and recycling play an important role in the building’s sustainable strategies.
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http://www.jianzhu01.com/Museum1007270450.htm
阿姆斯特丹Bijlmer公园剧院
原 名 称：Bijlmer Park Theater
建筑面积：1953平米
项目年限：2005-2007
建筑年限：2007-2009
Constructed Area: 1,953 sqm
Project Year: 2005-2007
Construction year: 2007-2009
该建筑坐落在Bijlmer中心区，位于Bijlmer公园边缘，临湖而建。这个剧院是公共和便利的，同时它位于湖边的地理位置和其位于水中的倒影，为该地增加了活力。为了增强水边的表现力，例如巨大的飘浮平台，以及阶梯可用来作为亲水平台。
The building is located in the heart of the Bijlmer neighbourhood at the edge of the Bijlmer park, beside the lake. It is public and accessible, and its position beside the water gives extra dynamism to this image due to the reflections in the water. To make it possible for performances to be held on the water as well, for example on large floating platforms, steps that can be used for seating have been placed at the waters edge.
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http://www.jianzhu01.com/Museum1007270449.htm
萨拉戈萨Actur图书馆
原 名 称：Actur Library
项目年限：2005
建筑年限：2006-2008
位于Pedro Laín Entralgo和Gertrudis Gómez de Avellaneda街道十字路口，该图书馆在周围紧邻环境之前作为一个城市元素出现。Actur图书馆与上个世纪七八十年代的扩建的住宅区紧邻，有强大的电网和密集住宅开发区。图书馆试图用用城市栅格结构安慰过往的行人。该建筑诱使使用者用一种交叉游戏的眼光来欣赏。
Located in the intersection of the streets Pedro Laín Entralgo and Gertrudis Gómez de Avellaneda, the Library appears before his immediate environment as an element with urban presence. Actur is a neighborhood in expansion from the 70-80`s, with a bland grid of big avenues and an intensive residential development. The library tries to conciliate the pedestrian-user with the urban grid. The building seduces the user with a game of crossed views in an apparent blind prism.
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http://www.jianzhu01.com/Museum1007270448.htm
金华建筑艺术公园10号古陶博物馆
古陶博物馆位于江北建筑试验公园10号地块内，建筑面积336㎡。
博物馆的概念来源于当地常见的坡屋顶建筑，将三个坡屋顶的房子并置在一起，形成了六边形的建筑母体。博物馆从东、西、南看过去都是普通的坡屋顶建筑，形状与当地常见的房子无异，形式简单朴素；只有在北面才能发现它的独特之处。人们从室外到室内，从人口到出口，会产生有趣的空间体验。
古陶博物馆建筑面积比基地中的大多数建筑大，因此在设计中充分考虑减小其体量。在形式上采用简洁单纯的建筑形式；在功能布局中，将展厅，咖啡厅放在一层，将工作室和储藏室置于地下。
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http://www.jianzhu01.com/Museum1007270447.htm
吉首大学综合科研教学楼及黄永玉博物馆
湖南 吉首
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http://www.jianzhu01.com/Museum1007270446.htm
西昌彝族文化艺术中心及火把广场
西昌彝族文化艺术中心及火把广场
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http://www.jianzhu01.com/Museum1007270445.htm
汉阳陵帝陵外藏坑遗址博物馆
汉阳陵帝陵外藏坑遗址博物馆
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http://www.jianzhu01.com/Museum1007270444.htm
上海当代艺术馆
上海当代艺术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060211304041_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270443.htm
北京图书大厦扩建工程
北京图书大厦扩建工程
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060213512150_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270442.htm
今日美术馆新馆
今日美术馆新馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060214131754_14.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270441.htm
Liaunig博物馆
原 名 称：Museum Liaunig
性质：文化
querkraft architekten ZT gmbh
Neuhaus / Austria
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270440.htm
约翰教堂传播和教区中心
性质：宗教建筑
Andrej Uchytil & Renata Waldgoni
Zagreb / Croatia
Programme Religious
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270439.htm
宁波美术馆
宁波美术馆展厅平面图
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009011413521843_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270438.htm
嘉善文化中心
嘉善文化中心
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http://www.jianzhu01.com/Museum1007270437.htm
塔林犹太教会堂
原 名 称：Tallinn Synagogue
性质：宗教建筑
Tallinn / Estonia
Programme Religious
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270436.htm
环境生态公园“ Izadia ”住宅
原 名 称： House of Environment for Ecological Parc “Izadia”
性质：文化建筑
Anglet / France
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270435.htm
Luz 博物馆
原 名 称：Museum of Luz
建筑面积：660平米
成本：155500000美元
项目年限：1998-2000
施工年限：2000-2003
Constructed Area: 660 sqm
Budget: US $ 1,555,000.00
Project year: 1998-2000
Construction year: 2000-2003
Luz是葡萄牙南部的一个小村庄，有300多村民。由于Alqueva大坝的施工修建，使得Luz村被淹没。Luz村的居民，文化以及起源，必须重新搬迁到一个新的村庄。该项目包括为重建的教会找寻新址，新的公墓以及Luz博物馆将会是新旧村庄的一个重要的标志性建筑。
Luz is the name of a small village in the south of Portugal, with 300 inhabitants. Due to the Alquevas Dam construction, the Luz village was submersed. Its inhabitants as well as its culture and origins, had to be dislocated into a new village. The intervention program consisted in creating a new place for the reconstructed church, the new cemetery and the Luz museum as an important memory landmark between the new and the old village.
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http://www.jianzhu01.com/Museum1007270434.htm
布兰德霍斯特博物馆
原 名 称：Brandhorst Museum
性质：文化建筑
Munich / Germany
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270433.htm
Hradec Kralove研究图书馆
原 名 称：Research Library in Hradec Kralove
成本：3945捷克克朗
建筑面积：2920平米
设计年限：2002-2004
项目年限：2004-2008
Costs: CZK 394,5 mil.
Constructed area: 2,920 sqm
Design year: 2002-2004
Project year: 2004-2008
开馆于2008年9月的这座新的图书馆，是2002年一场建筑设计竞赛的获奖作品。它位于捷克东波希米亚镇Hradec Králové区一条河流边缘，靠近一所中学，这所中学由著名的捷克建筑师Josef Gočár主建（1880-1960）
这座5层楼的建筑整体以混凝土做外墙，外形呈“X”形。
Opened in September 2008, the new library is the result of the winning proposal in an open architectural competition in 2002. It is situated on a river bank in the Eastern Bohemian town of Hradec Králové, near the secondary school building designed by famous Czech architect Josef Gočár (1880-1960).
The five-storey building represents a concrete construction with the final visual in the form of a monolithic concrete façade. The original shape of the building is the precast concrete letter “X”.
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http://www.jianzhu01.com/Museum1007270432.htm
美术空间
美术空间
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http://www.jianzhu01.com/Museum1007270431.htm
欧洲古罗马城镇广场
原 名 称：European Forum
建筑年限：2003
竣工：2004
Project year: 2003
Finished year: 2004
该项目来源于一个基础的小的空间改造，它可以采用不同尺寸和钢结构根据不同功能，将最小最优的空间不断增加。因此，建筑根据不断变化的要求，可以实现高度的灵活性。
The genesis of the project starts from a basic minimum cell, which as the minimal optimal space can be multiplied, adopting dimensions and structures depending on different uses. With this, the building is able to achieve a high flexibility, according to the ever changing requirements for this kind of program.
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http://www.jianzhu01.com/Museum1007270430.htm
大阪国家艺术博物馆
大阪国家艺术博物馆
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http://www.jianzhu01.com/Museum1007270429.htm
综合博物馆
综合博物馆
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http://www.jianzhu01.com/Museum1007270428.htm
挪威国家歌剧院和芭蕾舞团
原 名 称：Norwegian National Opera & Ballet
性质：文化建筑
Oslo / Norway
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270427.htm
法蒂玛避难所——三位一体教堂
原 名 称：Sanctuary of Fatima - Church of the Most Holy Trinity
性质：教区建筑
Fatima / Portugal
Programme Religious
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270426.htm
路易斯安那的教堂综合建筑
原 名 称：Church complex in Louisiana
路易斯安那州St.Amant天主教区的新教堂综合建筑将很多设施和功能综合在一起，而以前它们都分布在镇上其他地方及周边更广阔的地区。建筑师草拟了包括辅导教室、行政办公室和一间小礼拜堂在内的建筑群总平面图。这些单层建筑物围绕着庭院而建。庭院中间是小礼拜堂，各个建筑物通过带顶人行道连接在一起。茂盛的绿色草坪和精心美化的内部空间使周围的乡村与这个综合建筑融合在一起。
小礼拜堂周围的地面是降低的，一条坡道通向入口。正如整个建筑群都是实心表面一样，这里的坡道和小礼拜堂内部也采用了钢筋混凝土现浇饰面，因此具有上佳的视觉效果。各个表面、墙体以及室内外的地面形成了单一连续的视觉效果，给人一种和谐的整体印象。
因为美国的这个地区气候温暖，所以紧密浇筑的现浇混凝土并不需要进行隔离防护。大面积垂直展开的玻璃以及精心布置的天窗成为空间设计的一大特色。在小礼拜堂内，光线通过实心混凝土墙（厚度达2.70米）上的斜通风井射进来。间接光线的使用增强了狭小空间内的冥想气氛。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009060913241544_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270425.htm
兰根基金会美术馆
原 名 称：Langen Foundation
占地4000平方呎的蘭根基金會美術館（Langen Foundation），座落在德國杜賽道夫附近的諾伊斯(Neuss)市郊，這裡曾是前北約組織的導彈基地。1993年導彈基地廢除使用，兩年後被附近一座名為「Hombroich Museum Island」的藝術公園的主人所併購，他是德國的一位開發商，同時也是位收藏家名叫Karl-Heinrich Muller。1982年，Muller買下這一大片荒地後，隨即整地開發，並委託雕刻家Erwin Heerich設計了十幾座陳列館做為他個人的藝術收藏館，並於1987年對外開放。
Muller不單純是為了個人收藏而買下這片土地，實際上他腦子裡存在一個偉大的夢想──「扭轉被忽視的地球角落」。他企圖結合藝術和自然，在被忽視的地球角落中，開創一片新的文化天地。這些年來，Muller陸續找了來自世界各地的十幾位著名藝術家和建築師，包括Raimund Abraham、Alvaro Siza、Daniel Libeskind等人參與他的計畫。1994年，日本建築大師安藤忠雄在Muller的邀約下前往Hombroich Museum Island探訪，立刻被Muller獨特的文化空間開發構想所吸引，隨後也參與Muller的計畫。
1994和1995年期間，安藤和Muller, Erwin Heerich, Oliver Kruse and Katsuhito Nishikawa等人針對導彈基地上進行規劃設計，他們的目的並不是要將歷史遺跡連根拔起，廢除所有設施，而是給予新的面貌和不同的使用功能，1996年他們在威尼斯雙年展提出了計畫。導彈基地再利用和原Hombroich Museum Island計畫在1997年合併稱為「Kulturraum Hombroich」，這是個結合文化、藝術、科學和自然的一個充滿活力，迄今仍持續在進行的大計畫。1998年安藤在前導彈基地上設計了一座大拱門，如今變成蘭根基金會美術館的大門。
2001年，德國的另外一位藝術收藏家Marianne Langen首次看到安藤在導彈基地上的計畫，立刻委請安藤幫她和她丈夫Viktor的藝術收藏設計一座美術館。2002年安藤針對Langen的構想，提出一項9688平方呎的展示空間計畫，這個空間可容納Langen的500件從12至19世紀的東洋美術收藏品，和300件現代的西洋美術收藏品。2004年蘭根基金會美術館落成，正式對外開放。
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http://www.jianzhu01.com/Museum1007270424.htm
台湾云林县劳工娱乐中心
本案以“景观建筑”的概念出发以回应基地周围的开阔个性：建筑物设置于基地南侧靠近周围的学校，易于与周围的活动场所连结。
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http://www.jianzhu01.com/Museum1007270423.htm
萨拉工作室-国家大剧院
原 名 称：Sala Atelier National Theatre
性质：文化建筑
Iasi / Romania
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270422.htm
西班牙Arantzazu大殿重建
原 名 称：Arantzazu Renovation
建筑表面积：8400平米+ 120平米
城市表面积：22900平米
Built Surface: 8,400 +120 sqm
Urbanization Surface: 22,900 sqm
Arantzazu大殿重建包括很多干预措施，这包括在过去4年里，在恢复Arantzazu基督教堂周边环境途中所出现的问题。
这些干预包括，一方面，实际环境的适应 ，另一方面，另一方面，翻新旧学院和球场，使他们作为一个新的会议地点。
The renovation of Arantzazu includes interventions that have been developed during the last four years to recover the environment around the Basilica of Arantzazu on the occasion of its fifth centenary.
These interventions had, on the one hand, the aim of adapting the physical environment and, on the other hand, the renovation of the Old Seminary and ball courts to equip them as a new meeting place: Gandiaga Topagunea.
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http://www.jianzhu01.com/Museum1007270421.htm
西班牙2008年萨拉戈萨世博会展区
原 名 称：Spanish Pavilion Expo Zaragoza 2008
性质：临时展区
Zaragoza / Spain
Programme Exhibition/Ephemeral
2009欧洲建筑密斯•凡•德•罗奖提名作品
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061111321342_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270420.htm
3月11纪念馆
原 名 称：11 March Memorial
性质：市政建筑
Madrid / Spain
Programme Government/Civic
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270419.htm
华润置地广安门生态技术展廊
原 名 称：CR Land Guanganmen Green Technology Showroom， Beijing
地点：Location: 北京
业主：Client: 华润置地
负责设计合伙人：董功
负责管理合伙人：张宏宇
项目团队：Project Team:
建筑师：李硕,向玲，李超
结构工程师：宋博
机电工程师：吕建军，钟小辉，连康龙
结构构造特点与运用材料：
钢结构, 无土栽植外墙草板
建筑范围：Building Area:500m2
设计时间：Design Period: 02/2008-07/2008
建造时间：Construction Period:05/2008-08/2008
这个“悬浮的装置”位于北京广安门地区的高耸楼群之中，是为华润置地广安门项目销售与生态展示所设计的一个使用期限约为三年的临时性建筑。因此如何使售楼处迅速便捷的建成，在使用过程中和未来拆除后对现状园区景观影响最小，并体现“绿色，生态”的销售主题，成为整个设计的前提。
整个建筑像一个临时“装置”，以轻盈的姿态悬浮于现状景观广场之上，旨在不与现状纷杂的地段条件发生直接对接，化解“临时”和“永久”的矛盾。绿色的生态草板表皮将体量融入到周围景观树阵环境之中，同时强化了售楼处绿色体验，对建筑的生态可持续性做出了独特的尝试与诠释。
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http://www.jianzhu01.com/Museum1007270418.htm
侵华日军南京大屠杀遇难同胞纪念馆
侵华日军南京大屠杀遇难同胞纪念馆
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http://www.jianzhu01.com/Museum1007270417.htm
Ruthin工艺中心
原 名 称：Ruthin Craft Centre
性质：文化建筑
Ruthin / United Kingdom
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/Museum1007270416.htm
码头艺术中心
原 名 称：Pier Arts Centre
性质：文化建筑
United Kingdom
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061211524832_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270415.htm
龙华烈士陵园
龙华烈士陵园
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http://www.jianzhu01.com/Museum1007270414.htm
上海世博会巴西馆
原 名 称：Brazilian Pavillion for Shanghai Expo 2010
AsBEA（巴西建筑办公协会）和APEX（巴西出口和投资促进署）近期已经宣布了2010年上海世博会巴西馆的获奖方案。Fernando Brandão事务所赢得了该项目的最后设计权，以巴西“脉冲城市”为设计主题。倒括号的正立面代表有节奏的跳动着。
AsBEA (Brazilian Association of the Offices of Architecture) and APEX (Brazilian Agency of Promotion of Exports and Investments) have announced the winning project to represent Brazil in the Shanghai World Expo 2010. Architect Fernando Brandão won with a design based on the “Pulsing Cities” of Brazil. The inverted parenthesis on the facade represent that pulsation.
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http://www.jianzhu01.com/Museum1007270413.htm
东营市政广场建筑群
东营市政广场建筑群
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http://www.jianzhu01.com/Museum1007270412.htm
重庆歌乐山烈士陵园群雕纪念碑艺术综合体
重庆歌乐山烈士陵园群雕纪念碑艺术综合体
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http://www.jianzhu01.com/Museum1007270411.htm
大屠杀纪念碑
原 名 称：Holocaust Memorial
项目年限：2005-2006
建筑年限：2007
Project year: 2005-2006
Construction year: 2007
这座位于巴西萨尔瓦多港市的犹太人墓地坐落在Baixa de Quintas山脉的东北侧。该建筑呈椭圆形，占地约5600平米。
新建筑考虑了墓地的发展的过程，将新的大门和位于讣告亭旁边的小广场连接起来，变为一个接待中心和宗教永久使用服务中心。
The Jewish Cemetery in Salvador, Bahia, Brazil is situated on the northeast side of the Baixa de Quintas Hill. It has an elliptical form and measures approximately 5,600 sqm.
The new building respected the goal to organize the Cemetery towards its growing, connecting to a new gate and a small plaza beside the obituary pavilion, thus becoming an element of composition to the basic core of reception and permanence of the users during religious services.
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http://www.jianzhu01.com/Museum1007270410.htm
芝加哥艺术学院现代建筑
原 名 称：Modern Wing at the Art Institute of Chicago
新的建筑位于密歇根大道和哥伦布大道之间，位于芝加哥艺术学院东北角。附属楼将完善博物馆城市校园的文化部文。新建筑街道层的入口位于Monroe街区，通过格里芬法院将现有博物馆的心脏部分和千禧公园相连接。
The new Modern Wing is being built between Michigan Avenue and Columbus Drive, at the northeast corner of the block the Art Institute of Chicago currently occupies. The addition will complete the cultural, urban campus of the museum. The new street-level entrance on Monroe Street will connect Millennium Park to the heart of the existing museum through the new Griffin Court.
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http://www.jianzhu01.com/Museum1007270409.htm
桑塔丽塔老年中心
原 名 称：Santa Rita Geriatric Center
成本：5200000欧元
面积：5990平米建筑+6200平米花园
项目年限：2002-2003
建筑年限：2004-2009
Budget: $5.200.000 (garden included) - $868/sqm
Area: 5.990 sqm building + 6.200 sqm gardens
Project year: 2002-2003
Construction year: 2004-2009
老年中心应该是一个乐观积极的地方吸引人们去参观或者生活其中。设计团队的创意是在一个重要空间构建一个具有特色的氛围，居住者可以在这里安享晚年。事实上，有可能构建一个与医院不同的，没有走廊和建筑障碍的，都在一个楼层，所有的房间可以直接到达花园和其他集体活动空间，这就是独特的“走廊”。
Geriatric centers should be optimistic places appealing to live in or to visit. The idea is to create a ch aracteristic atmosphere in a vital space where spare time prevails and where residents spend the last years or months of their lives. The fact is that it is possible to build a geriatric center that does not look like a hospital, with neither corridors nor architectural barriers and on a single floor, in which all the rooms have direct access from (and towards) a garden that, as a sort of ‘lobby’, acts also as direct access towards (and from) the collective spaces.
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http://www.jianzhu01.com/Museum1007270408.htm
SPIKKERELLE社区中心
原 名 称：SPIKKERELLE, community centre
DierendonckBlanke-Onraet-Callebaut-Desmyter
Avelgem / Belgium
Programme Cultural
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http://www.jianzhu01.com/Museum1007270407.htm
Fuglsang艺术画廊
原 名 称：Fuglsang Art Gallery
性质：文化建筑
Lolland / Denmark
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613330031_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270406.htm
欧洲学院扩建
原 名 称：extension College of Europe
Xaveer De Geyter Architects
Bruges / Belgium
Programme Education
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613454241_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270405.htm
圣十字教堂
原 名 称：Church of Holy Cross
性质：宗教建筑
Jyllinge / Denmark
Programme Religious
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http://www.jianzhu01.com/Museum1007270404.htm
当代舞蹈团制作室
Production studios for the contempory dance company Les Ballets c de la B and musictheatercompany LOD in the new cultural area on the old hospital
Jan De Vylder architecten
Ghent / Belgium
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613483052_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270403.htm
Rabot青年中心
原 名 称：Rabot Youth Centre
Beel Achtergael architecten
Ghent / Belgium
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613514235_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270402.htm
Montreuil国家大剧院
原 名 称：National Theater of Montreuil
性质：文化建筑
Montreuil / France
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061613584135_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270401.htm
法国Champollion博物馆
原 名 称：Champollion Museum
性质：文化建筑
Figeac / France
Programme Cultural
2009欧洲建筑密斯•凡•德•罗奖提名作品
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614013137_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270400.htm
Jasenovac纪念博物馆
原 名 称：Memorial Museum Jasenovac
UOA Helena Paver Njiric
Jasenovac / Croatia
Programme Exhibition/Ephemeral
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614063532_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270399.htm
法布尔博物馆
原 名 称：Fabre Museum
性质：文化建筑
Montpellier France
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614061646_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270398.htm
欧洲抵抗组织成员纳粹集中营
原 名 称：European Centre of Deported Resistance Members of Natzweiler – Struthof
性质：文化建筑
Natzweiler - near Strasbourg / France
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614121630_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270397.htm
教皇约翰保罗二世会堂田园中心
原 名 称：Pastoral Centre Pope John Paul II Hall
Randic-Turato Architects
Programme Religious
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614235454_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270396.htm
西萨克国家档案馆
原 名 称：State Archive Sisak
Studio A
Sisak / Croatia
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061614311038_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270395.htm
当代艺术中心
原 名 称：DOX DOX - Centre for Contemporary Art
Prague / Czech Republic
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061615095631_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270394.htm
扎寺公共剧院
原 名 称：Za Koenji Public Theatre
摄影：Iwan Baan
摄影师Iwan Baan再次和我们分享了日本东京设计师伊东丰雄的作品扎寺公共剧院。处于东京中杉市中心的令人印象深刻的黑色建筑体块。剧院由一个非营利组织——创新剧院网络（CTN）管理，总裁是任斋藤。
Once more, Iwan Baan shared with the Za Koenji Public Theatre by Toyo Ito in Tokyo, Japan. An impressive black volume in the m iddle of the city of Suginami in Tokyo and managed by Creative Theatre Network (CTN), a non-profit organization led by president Ren Saito.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061711104950_11.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270393.htm
肺泡14 -转型的潜艇基地
原 名 称：Alvéole 14 – Transformation of a Submarine Base
性质：文化建筑
Saint-Nazaire / France
Programme Cultural
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http://www.jianzhu01.com/Museum1007270392.htm
卑尔根-贝尔森纪念馆文档中心
原 名 称：Documentation Center of Bergen-Belsen Memorial
性质：文化建筑
KSP Engel und Zimmermann Architekten
Loheide / Germany
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713492136_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270391.htm
Boros收藏馆和住宅
原 名 称：Boros Collection and Residence
性质：混合用途
Real architektur
Berlin / Germany
Programme Mixed use
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713491636_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270390.htm
马丁•路德住宅纪念博物馆
原 名 称：Museum Luthers birth house
性质：文化建筑
Springer Architekten
Eisleben / Germany
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061713583847_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270389.htm
Ozeaneum -德国海洋博物馆
原 名 称：Ozeaneum - German Oceanographic Museum
性质：文化建筑
Behnisch Architekten
Stralsund / Germany
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061714101251_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270388.htm
阿姆斯特丹Rijks博物馆
原 名 称：Rijks museum Atelierbuilding Amsterdam
CRUZ Y ORTIZ ARQUITECTOS
AMSTERDAM / THE NETHERLANDS
Programme MIXED USE
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061810165039_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270387.htm
摄影博物馆新翼
原 名 称：New wing of the Museum of Photography
L ESCAUT ARCHITECTURE
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061811231854_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270386.htm
主教管区青年中心和博爱中心
原 名 称：Dominikuszentrum – Sub-centre with a diocesan youth centre and a Caritas centre
性质：教区建筑
meck architekten
Munich / Germany
Programme Religious
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http://www.jianzhu01.com/Museum1007270385.htm
保时捷博物馆
原 名 称：Porsche Museum
Delugan Meissl Associated Architects – DMAA
Stuttgart / Germany
Programme Exhibition/Ephemeral
2009年1月31日，保时捷花费1亿欧元修整的其位于斯图加特的新博物馆正式开馆，虽然新保时捷博物馆的施工进度由于各种因素的影响一再延迟，但人们对于它的期盼始终未曾削减，因为老保时捷博物馆实在已经无法容纳这个品牌不断膨胀的荣耀。
这座有着“保时捷的新名片”美誉的博物馆的惊艳亮相同样带给现代建筑一种震撼。以白色为主色调的博物馆主体仅仅依靠三处支撑，看上去好似悬浮在空中一般，如此前卫的设计使得它自三年前开工时起就在业内造成了极大的轰动。
于2005年 1月在新保时捷博物馆的开发和建设竞标中光荣胜出的来自维也纳德鲁根•梅斯尔（Delugan Meissl）建筑公司的设计师罗曼•德鲁根（Roman Delugan）从一开始就决心把观众放在中心的位置，他认为“建筑不应该仅仅被当作一栋房子，它应该对人的精神和躯体产生影响。这座博物馆应该使每个人都能真切地感受保时捷的世界。” 设计师本人同样是BIM的忠实拥护者，他别具一格设计就是Autodesk Revit进行建模，在设计中进行结构分析和采光分析，使得整个博物馆如悬浮在空中一般羽毛轻盈，同时又保持了结构的稳如泰山。
新保时捷博物馆因一个雕刻般的造型和内部构架而显得更为壮丽，并且具有现代都市的感觉。展厅的自动扶梯被凹进地面，其圆形的设计使得它具有灵活的应用性，设计充满创新，具有现代感和挑战性，也同样充满了煽动性，这是整个博物馆的建造目的之一。而这些都是BIM所创造的奇迹。
如今，除了德国以外，别具一格的汽车博物馆在世界各地风靡。汽车设计们设计汽车离不开Autodesk Alias，而帮助建筑大师们塑造汽车博物馆建筑奇迹则是建筑界的三维利器：Autodesk Revit。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061813491958_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270384.htm
欧里西克音乐厅
原 名 称：Le Prisme (Aurillac Concert Venue)
BRISAC GONZALEZ ARCHITECTS
AURILLAC / FRANCE
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814013948_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270383.htm
伊拉克滨海古城重建——EUROPAN市中心，咖啡厅，地下停车场
原 名 称：Redevelopment of Heraklion old city waterfront - EUROPAN 4 Municipal neighbourhood Centre, Internet Cafe, Underground parking garage
性质：城市规划
AA & U For Architecture, Art and Urbanism
Heraklion, Crete / Greece
Programme Urban/Territorial planning
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http://www.jianzhu01.com/Museum1007270382.htm
灯箱（新画廊和博物馆）
原 名 称：The Lightbox (new Gallery and Museum)
MARKS BARFIELD ARCHITECTS
WOKING / UNITED KINGDOM
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814140755_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270381.htm
Kalmar艺术博物馆
原 名 称：Kalmar Museum of Art
THAM VIDEGARD HANSSON ARKITEKTER
KALMAR / SWEDEN
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061814440559_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270380.htm
Nembro图书馆
原 名 称：Library of Nembro
ARCHEA ASSOCIATI
BERGAMO / ITALY
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061815052648_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270379.htm
告别小教堂
原 名 称：Farewell Chapel
竞赛年限：2005
施工年限：2008-2009
Competition Year: 2005
Construction Year: 2008-2009
告别教堂坐落在Ljubljana村附近。 基地边上是墓地，教堂构成了上升的景观。教堂的形状是来自于墓地及周围的地形。
A farewell chapel is located in a village close to Ljubljana.The site plot is next to the existing cemetery. The chapel is cut into the rising landscape.The shape is following the lines of the landscape trajectories around the graveyard.
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http://www.jianzhu01.com/Museum1007270378.htm
灯笼建筑
原 名 称：The Lantern
ATELIER OSLO/AWP
SAARBRÜCKEN / NORWAY
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061911472150_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270377.htm
当代艺术馆
原 名 称：Contemporary Art Gallery of Paks
性质：文化建筑
Kiss-Járomi Architects
Paks / Hungary
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914031730_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270376.htm
罗马天主教堂
原 名 称：Roman Catholic Church
性质：宗教建筑
LINT kft
Gödöllő / Hungary
Programme Religious
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914071635_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270375.htm
区域文化中心
原 名 称：Regional Cultural Centre
性质：文化建筑
Regional Cultural Centre
MacGabhann Architects
Letterkenny / Ireland
Programme Cultural
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914251555_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270374.htm
土尔库主图书馆
原 名 称：Turku Main Library
JKMM ARCHITECTS
TURKU / FINLAND
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061914390639_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270373.htm
蓝色制服文化中心
原 名 称：the Bluecoat
BIQ
LIVERPOOL / UNITED KINGDOM
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009061915224853_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270372.htm
公共图书馆和市政阅读公园
原 名 称：Public Municipal Library and Reading Park
MARTÍN LEJARRAGA
TORRE PACHECO (MURCIA) / SPAIN
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213143242_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270371.htm
La Vila Joiosa礼堂剧场
原 名 称：Auditorium Theater of La Vila Joiosa
JOSÉ Mª TORRES NADAL Y ANTONIO MARQUERIE TAMAYO
ALICANTE / SPAIN
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062213590131_9.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270370.htm
维亚纳堡市政图书馆
原 名 称：Municipal Library of Viana do Castelo
ÁLVARO SIZA 2 – ARQUITECTO, SA
VIANA DO CASTELO / PORTUGAL
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214232940_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270369.htm
乡村露天博物馆
原 名 称：Admin Building of the Open-Air Museum of Rural Architecture
DB2 ARCHITEKCI
OPOLE / POLAND
Programme MIXED USE
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214373148_7.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270368.htm
PRZEMYSL国家博物馆
原 名 称：National Museum of the Przemysl Region
KKM KOZIEN ARCHITEKCI
PRZEMYSL / POLAND
Programme CULTURAL
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062214451037_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270367.htm
肖恩奥凯西社区中心
原 名 称：Sean OCasey Community Centre
性质：混合建筑
ODonnell+Tuomey
Dublin / Ireland
Programme Mixed use
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062308475056_8.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270366.htm
阿姆斯特丹公共图书馆中心
原 名 称：Central Public Library Amsterdam
性质：混合建筑
JO COENEN & CO ARCHITEKTEN
AMSTERDAM / THE NETHERLANDS
Programme MIXED USE
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062309481334_6.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270365.htm
上海图书馆
上海图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311101133_19.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270364.htm
江苏石油化工学院图书馆
江苏石油化工学院图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311141254_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311141254_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311141254_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311141254_4.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270363.htm
林肯表演中心爱丽丝杜丽音乐厅
原 名 称：Alice Tully Hall Lincoln Center
该建筑是林肯表演艺术中心的一部分，创建的时候得益于爱丽丝杜丽的捐助，她是一位热衷于音乐和艺术的捐赠者。这是自1969年设计师Pietro Belluschi设计后，第一次大范围翻修朱利亚音乐学院。
This building is a part of the Lincoln Center for the Performing Arts in NYC and it was created thanks to the donoations of Alice Tully, a chamber music benefactor and patron of the arts. This is the first major renovation since the Juilliard School building, designed by Pietro Belluschi, opened in 1969.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311333654_10.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270362.htm
深圳南山区文体活动中心
深圳南山区文体活动中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311514356_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311514356_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311514356_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311514356_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009062311514356_5.jpg博物馆2010-07-27
http://www.jianzhu01.com/Museum1007270361.htm
菲尼克斯市政公共空间（遮荫蓬）
原 名 称：Phoenix Civic Space Shade Canopies
菲尼克斯市政公共空间于城市社区以及亚利桑那州立大学共同编织在一起，构建了一个重要的城市中心，与城市新的轻轨系统相邻。波浪起伏的四个绿色遮篷构建了一系列的室外空间，反映了公园的波纹地形。
The Phoenix Civic Space weaves together the downtown community with ASU’s Phoenix Campus to create a vital urban center adjacent to the city’s new light rail system. Floating above the park, four canopies create a series of outdoor rooms defined by undulating green planes that reflects the park’s corrugated topography.
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http://www.jianzhu01.com/Museum1007270360.htm
圣莫尼卡教区教堂
原 名 称：Parish Church of Santa Monica
根据教区主教委员会的指导和要求程序，以及提供给的相同需求，圣莫尼卡教区教堂设计，将所有符合教堂的空间，办公室和祈祷室整合为了一体。
该项目产生的灵感来自于地理位置，与城市环境融合在一起的周边环境，构建一个具有里程碑意义的建筑，其内部发挥的精神功能作用，必将传达和证明其对社会和城市媒介的永久性。
Following the guidance of the Diocesan Council of Temples and the program of requirements provided by the same and later adjusted to the needs of the Parish of Santa Monica, the building design integrates in one building all the spaces that correspond to Church, Parish offices and priest housing.
The generating idea of the project was that of situating, within the confusion of the surrounding urban environment, a building that would mark a milestone and become a continuos testimony to the spiritual function produced in its interior, and which must necessarily spread and manifest itself permanently to the nearby social and urban medium.
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http://www.jianzhu01.com/Museum1007270359.htm
山东石油大学图书馆
山东石油大学图书馆
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http://www.jianzhu01.com/Museum1007270358.htm
青罗城市大厦
原 名 称：Cheongna City Tower – Korea
青罗城市大厦
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http://www.jianzhu01.com/Museum1007270357.htm
Platoon多功能艺术馆
原 名 称：Platoon Kunsthalle
占地面积：415平米
主大厅面积：272平米
Footprint Area: 415 sqm
Main hall Area: 272 sqm
PLATOON多功能艺术馆于2009年3月11日开馆，位于亚洲韩国首尔，是一个亚文化艺术馆。其方案的定位是，文化运动创建一个充满活力的空间。
PLATOON多功能艺术馆不是一个娱乐空间。项目将为任何对亚文化感兴趣的人提供共同交流和学习的场所，包括诸如街头文化，绘画设计，时尚，录像艺术，音乐，俱乐部文化，政治行为等。
PLATOON KUNSTHALLE opened its doors on 11th april 2009. PLATOON KUNSTHALLE is set up in seoul as a space for subculture in Asia. Its programmatic orientation towards cultural movements beneath the radar creates a dynamic space where new ideas are born and presented.
PLATOON KUNSTHALLE is not about entertainment. The program will provide a communication platform for anybody interested in subcultural creative fields like street art, graphic design, fashion, video art, programming, music, club culture, political activism etc.
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http://www.jianzhu01.com/Museum1007270356.htm
波尔斯科教堂
原 名 称：Mortensrud Church
Oslo, Norway 1998
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http://www.jianzhu01.com/Museum1007270355.htm
lisbon城市博物馆
lisbon城市博物馆
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http://www.jianzhu01.com/Museum1007270354.htm
2009蛇形画廊铝板展区
原 名 称：The 2009 Serpentine Gallery Pavilion
建筑摄影师Iwan Baan 记载了这个蛇形画廊展区，这是主办了一系列公开活动的公园，在草坪上的画廊展览中心委托知名建筑师，设计一系列的临时搭建物。今年的展区7月12日向公众开放，并将继续开放至10月18日。
今年的主题是“凉亭”，委托了Kazuyo Sejima and Ryue Nishizawa， SANAA设计，在轻巧的柱子上，放置了连绵起伏的铝板结构，搭建了一个交流的空间，同时保持公园内的景观不被遮挡。铝能反映树木，地面和天空，形成一个戏剧性的融合效果。
Architecture photographer Iwan Baan has been documenting the Serpentine Gallery Pavilion， a series of temporary structures commissioned to renowned architects that sits on the Gallery’s lawn for three months， hosting a series of public talks and events at the park. And now he just shared with us his photo set for this years pavilion， which opens to the public tomorrow July 12th， and will stay open until October 18.
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http://www.jianzhu01.com/Museum1007270353.htm
Schloss Grafenegg音乐厅
原 名 称：Schloss Grafenegg Concert Hall
观众席座位：1270个座（全部）500个座（室内音乐厅）
高度：15.5米
宽度：18.4米
舞台面积：236平米，深度：12.87米
Seats for audience: 1,270 (complete use of the hall) 500 (hall for chamber music, “old riding school”)
Dimensions: Height of hall: 15.5m
Length of hall: 39 to 43m
Width of hall: 18.4m
Stage: 180/236 m², Width: 18.4m, Depth: 9.87/12.87m
德国建筑公司Schröder Schulte-Ladbeck近期完成了Schloss Grafengg音乐厅的建造，该音乐厅位于奥地利维也纳Grafenegg城堡附近。在结束了一轮设计竞赛后，裁判最终宣布一等奖颁发给Schroder Schulte-Ladbeck建筑事务所，其“具有视觉和历史感的设计”最终打动了裁判。这座1200人的音乐厅阐释了设计师的“对现有周边建筑的极端感觉”。新的建筑完美的和停车场结合，同时将城堡的现有建筑，遗产，之前的骑马学校通过一个休息室连接起来。
German firm Architekten Schröder Schulte-Ladbeck have completed the Schloss Grafengg concert hall located on the grounds of Grafenegg Castle near Vienna, Austria. After an EU-wide competition, the jury awarded first prize to Architekten Schroder Schulte-Ladbecks proposal because of its “visionary and historically sensitive design.” The 1200 person concert hall illustrates the designers ”extremely sensitive commitment to the existing buildings and the surrounding grounds.” The new building fits perfectly into the park grounds and is connected to the castles existing, heritage-protected, former riding-school buildings by a series of glazed lobbies.
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http://www.jianzhu01.com/Museum1007270352.htm
雀巢巧克力博物馆
原 名 称：Nestlé Chocolate Museum
建筑面积：634平米
设计年限：2007
施工年限：2007
Constructed Area: 634 sqm
Design Year: 2007
Construction Year: 2007
位于墨西哥，墨西哥城的雀巢巧克力工厂需要为游客搭建一座参观生产巧克力流程的参观室，rojkind建筑事务所聚集了一批专家为其构建了一所巧克力博物馆。
概念：一个有趣的可折叠的外形，来自于孩提时代的折纸“纸鹤”，或者是太空飞船，亦或者是四不像。这些看起来毫无规律可循的外观是设计师辛苦考察，感知和设计的结果。
While Nestlés chocolate Factory in Mexico City (located in Paseo Tollocan near Toluca) was in need of an inner pathway for visitors to witness the production of their favorite chocolates, a group of experts put together by rojkind arquitectos and Traqs suggested bigger plans for the company.
The concept: a playful folding shape that is evocative for kids, of an origami shaped bird, or maybe a spaceship, or could it be an “alebrije”? What might seem like a capricious form is the fruit of diligent design explorations and an intuition about what the place should express. The spectacular result is as firm as the faceted shapes which sustain it.
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http://www.jianzhu01.com/Museum1007270351.htm
光束音乐中心
原 名 称：Sunbeams Music Center
Napper建筑事务所和我们分享了他们设计的光束音乐中心，一个为英国慈善团体设计的项目，该慈善团体主要为各年龄段的残疾人提供帮助。该项目将第一次以这种方式提供一种新的音乐剧场中心，同时与周边环境紧密结合。光束音乐这个慈善团体开始与15年前，由当地居民安妮莫森发起：“使用音乐治疗的途径鼓励传达社会内涵，建立自尊，自信和提高生活质量，改变人们的生活。”
Napper Architects shared their design for the Sunbeams Music Center, a project for a ch arity based in England that works with handicapped people of all ages. The project will be the first of its kind as it will offer a new music therapy center that is closely linked with its surroundings. The Sunbeams Music Trust, a ch arity started almost 15 years ago by local resident Annie Mawson, “uses music in a therapeutic way to encourage communication and social inclusion, build up self-esteem, and self-confidence, and improve quality of life, making a real difference in people’s lives.”
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http://www.jianzhu01.com/Museum1007270350.htm
瓦莎学院戏剧和电影中心
原 名 称：Center for Drama and Film, Vassar College
Poughkeepsie, New York, USA
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http://www.jianzhu01.com/Museum1007270349.htm
美国明尼苏达大学韦伯音乐厅
原 名 称：Weber Music Hall, University of Minnesota
Duluth, Minnesota, USA
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http://www.jianzhu01.com/Museum1007270348.htm
格林奈尔学院Bucksbaum艺术中心
原 名 称：Bucksbaum Center for the Arts, Grinnell College
Grinnell, Iowa, USA
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http://www.jianzhu01.com/Museum1007270347.htm
克利夫兰艺术博物馆东翼
原 名 称：East Wing for Cleveland Musuem of Art
备受国际瞩目的RVA建筑事务所近期公布了他们设计的一个位于俄亥俄州克利夫兰的艺术博物馆东翼。博物馆目前正经历一个多阶段的整修和扩建期。RVA建筑事务所设计的这个东翼占地139200平方英尺，将历史上1916年艺术建筑和1971年的马塞尔布罗伊尔附馆结合起来，成为三个附属馆规划的第一个建筑。
Critically acclaimed international practice Rafael Vinoly Architects recently announced their addition to the Cleveland Musuem of Art (CMA) in Ohio. The museum is currently undergoing a multi-phase renovation and expansion project. RVA’s 139,200 sq foot East Wing addition, which unites the historic 1916 Beaux-Arts building and the 1971 Marcel Breuer addition, is the first of three planned wings.
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http://www.jianzhu01.com/Museum1007270346.htm
新西兰纽兰兹社区中心
原 名 称：Newlands Community Centre
这个项目是为居住在新西兰惠灵顿纽兰兹郊区的居民而建的一个社区中心。该中心位于一个小的郊区购物中心后部，紧邻一个宾馆（建在了该宾馆之前的停车区域）。CCM建筑事务所被委托设计一个满足纽兰兹社区需求的建筑物。
This project is a community centre for the people in the outer residential suburb of Newlands, Wellington. The site is at the back of a small suburban shopping centre and immediately adjacent a tavern (it is actually built on one of the taverns old carpark areas.) CCM Architects was commissioned to provide a design that met the aspirations of the Newlands Community.
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http://www.jianzhu01.com/Museum1007270345.htm
Slunakov生态活动中心
原 名 称：Slunakov Center for Ecological Activities
施工面积：1586平米
Constructed area: 1,586 sqm
捷克Olomouc 城市Slunakov生态活动中心是为一个题为“Slunakov，生态活动设施——教育生物——中心”的项目设计的，该项目位于摩拉瓦河流域，Olomouc城市西北部。该设施将被用来教育公众环境及其发展问题，支持激发公众环境保护意识。该建筑还被用来作为Litovelske Pomoravi自然保护区的信息中心，中心内部还支持一系列的相关活动。
Slunakov - Centre for Ecological Activities of the city of Olomouc was designed as a part of the project entitled “Slunakov, facilities for ecological activities - educational bio-center”, which is located northwest of Olomouc, in the Morava River valley. The facilities are to be used to educate the public about the environment and its processes and to support public environmental awareness. The building is also used as an information center and an entrance to the Nature Protection Area of Litovelske Pomoravi. The Center itself is used for a wide range of activities.
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http://www.jianzhu01.com/Museum1007270344.htm
序曲艺术中心
原 名 称：Overture Center for the Arts
Madison, Wisconsin, USA
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http://www.jianzhu01.com/Museum1007270343.htm
奥兰治县表演艺术中心
原 名 称：Orange Performing Arts Center
Costa Mesa, California, USA
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http://www.jianzhu01.com/Museum1007270342.htm
阿德里安娜克表演艺术中心
原 名 称：Adrienne Arsht Center for the Performing Arts
Miami, Florida, USA
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http://www.jianzhu01.com/Museum1007260341.htm
北卡罗莱纳州布卢门撒尔表演艺术中心
原 名 称：North Carolina Blumenthal Performing Arts Center
North Carolina, USA
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http://www.jianzhu01.com/Museum1007260340.htm
舒斯特表演艺术中心
原 名 称：Schuster Performing Arts Center
Dayton, Ohio, USA
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http://www.jianzhu01.com/Museum1007260339.htm
南海岸汇编剧院
原 名 称：South Coast Repertory Theater
Costa Mesa, California, USA
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http://www.jianzhu01.com/Museum1007260338.htm
吉隆坡城市中心开发
原 名 称：Dewan Filharmonik Petronas
Kuala Lumpur, Malaysia, Malaysia
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http://www.jianzhu01.com/Museum1007260337.htm
阿罗诺夫艺术中心
原 名 称：Aronoff Center for the Arts
Cincinnati, Ohio, USA
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http://www.jianzhu01.com/Museum1007260336.htm
麦迪逊当代艺术博物馆
原 名 称：Madison Museum of Contemporary Art
Madison, Wisconsin, USA
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http://www.jianzhu01.com/Museum1007260335.htm
国立现代美术馆
原 名 称：National Museum of Contemporary Art, Osaka
Osaka, Japan
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http://www.jianzhu01.com/Museum1007260334.htm
明尼阿波利斯中央图书馆
原 名 称：Minneapolis Central Library
Minneapolis, Minnesota, USA
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http://www.jianzhu01.com/Museum1007260333.htm
中部文化中心和博物馆
原 名 称：Chubu Cultural Center and Museum
Kurayoshi, Japan
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http://www.jianzhu01.com/Museum1007260332.htm
圣玫瑰园综合教堂
原 名 称：Holy Rosary Church Complex
项目面积：1586平米
Project Area: 1,586 sqm
圣玫瑰综合教堂包括一个讲演堂，行政厅，和宗教教育厅，是为路易斯安娜乡下的一个天主教区设计的。这是一次在神圣空间内对建筑形态，功能，光照和材料真诚的探索，一次动人和意义深远的研究。设计既不令人眼花缭乱也不死板，圣玫瑰园综合教堂表现了一种冥想的境界，化身为精神体验。
The design of the Holy Rosary Complex-comprised of an oratory, administrative building, and religious education building-for a rural Catholic Parish in South Louisiana, is an honest exploration of form, function, light and materials that results in an engaging and profound study in sacred space. Neither opulent nor austere, Holy Rosary Chapel presents a thoughtful meditation on sacred spaces and the spatial embodiment of spiritual experience.
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http://www.jianzhu01.com/Museum1007260331.htm
中国国家图书馆
原 名 称：National Library
业主：中国国家图书馆
占地面积：80000平米
竣工：2008 09
Client: National Library of China
Floor area: 80,000m²
Completion: 09/2008
德国KSP Engel und Zimmermann建筑事务所承接设计了北京国家图书馆面积77000平米的扩建工程。国家图书馆新翼将存储大约1200万的书籍供大约12000人每天使用。
本工程项目选址位于国家图书馆北侧。工程总建筑面积77,678平方米，其中国家图书馆二期工程为64,766平方米，国家数字图书馆工程为12,921平方米。国家总投资123,500万元。工程完工后，国家图书馆的馆舍面积达到约25万平方米，列世界第三位。
作为古典建筑结构的现代演绎，新馆追求的是文化和历史的密切关系。新馆给人的第一印象是水平伸展的体态，和耳目一新的简约风格，在这些外观之下，人们可以清晰地感受到四个基本要素：升起的基座和台阶、巨大的立柱，水平伸展的巨型屋顶和内院。新馆从水平方向可分为三段：基座内的传统式图书馆——中华文明深厚的基石；外型轻颖，表面光亮可鉴、让人感到悬浮于空中的“大屋盖”，代表着科技和文化发展新方向的数字图书馆；以及介于二者之间的通透的连接体——今天的人。
建筑物地下三层、二层为闭架书库，地下一层的中央部分是阅览区，也是中庭的底面，《四库全书》展示窗，在其中轴线上占据着主要的位置。底层平面东侧为学术交流中心和读者餐厅等配套设施，它们既为图书馆提供服务，又可在闭馆后仍能方便地独立使用。二层是整个建筑的主要入口层，人们沿大型台阶拾级而上，从东侧大厅的电梯、自动扶梯等到达不同的楼层，两侧为电脑检索，借还书柜台等。三层平面是四面通透的幕墙，人们可以走到基座的屋顶平台四面远眺，这里也是联系“历史”与“未来”的纽带，7.5米的层高为人们营造了宏伟开阔的气氛。处于“大屋顶”内的第四、五层为电子阅览、数字化图书馆等，中央阶梯型的中庭把历史、现在和未来联系在一起，上下贯穿，互相交融，是人们读书的最佳空间。
KSP Engel und Zimmermann recently designed a 77,000 square meter library extension to accommodate the existing National Library of Beijing. The new addition will hold approximately 12 million books and be used by an estimated 12,000 people per day.
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http://www.jianzhu01.com/Museum1007260330.htm
iaunig博物馆
iaunig博物馆
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http://www.jianzhu01.com/Museum1007260329.htm
纽约现代美术馆Afterparty临时装置
原 名 称：Afterparty P.S.1 2009 Installation
MOS建筑事务所设计的由茅草，圆锥形塔组成的建筑，日前在纽约PS1当代艺术中心开放。 所谓的Afterparty，入围了MoMA P.S.1 2009年青年建筑师竞争大赛。项目运用了来自印度尼西亚茅草棕榈纤维，将在2009年夏天被用作活动会场。该建筑包含酒吧区，提供树荫，座椅和水资源。
A few months ago we presented you the winning entry for this years YAP competition for the P.S.1 summer installation, awarded to MOS Architects (Michael Meredith, Hilary Sample) as we reported earlier.
To keep the courtyard fresh, a series of “hut” like structures conformed by inverted catenaries (part of an on going research by the practice) acting as chimneys: The faux fur that covers them collects heat from the sun, transfering it to the air inside the huts creating a chimney effect that keeps air flowing to cool the lower level.
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http://www.jianzhu01.com/Museum1007260328.htm
维多利亚Salburúa自然湿地中心
原 名 称：Salburúa Nature Interpretation Centre
项目年限：2002-2003
施工年限：2006-2008
项目面积：2000平米
Project year: 2002-2003
Construction year: 2006-2008
Project Area: 2,000 sqm
一个令人惊奇的地方：一块接近城市的自然湿地，之前人们将其变成了耕地，在过去几年里，这里恢复了原先的地貌；这是一个令人期待的项目：一个旅游中心，一个与湿地亲密接触的地点，一个城市和自然之间的连接点；强烈的“木材味”：木质作为自然和材料的协调，利用了时光的特征（亘久醇香）；一种你从未到达和尝试过的风险：喜悦与重力同行！
An astonishing place: a natural wetlands area close to city, formerly drained to transform them into a farmland, which were returned to their original condition during the last years
A suggestive program: a center for visitors, a place to make contact with the wetlands you will visit later on; the front door to the park, a threshold between two worlds, urban and natural
An intense “wood-smell”: as element of mediation with nature and the perfect material to take advantage of time (”the older the better”), wood arose from the very first moment as a desire
The opportunity to risk and try to arrive where you had never been: the joy of playing with gravity
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http://www.jianzhu01.com/Museum1007260327.htm
重庆图书馆(Chongqing Library)
设计师：美国Perkins Eastman建筑师事务所
博物馆和图书馆，公共建筑
位置：中国 重庆
项目年限：2007年
建筑类型：公共建筑
建筑面积：50000平米
预算：38.6美元/平米
Perkins Eastman
Museums and Libraries , Public Facilities , Selected , China, Glass, Library
Location: Chongqing, China
Project Year: 2007
Building Type: Public Assembly
Construction Area: 50,000 sqm
Budget: US $38.6M
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http://www.jianzhu01.com/Museum1007260326.htm
匹兹堡儿童博物馆
原 名 称：THE CHILDRENS MUSEUM OF PITTSBURGH
PITTSBURGH，PENNSYLVANIA
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http://www.jianzhu01.com/Museum1007260325.htm
艺术和教育中心
原 名 称：C.C.YOUNG：THE POINT
DALLAS，TEXAS
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http://www.jianzhu01.com/Museum1007260324.htm
布拉格国家技术图书馆
原 名 称：National Technical Library in Prague
总面积：11740平米
施工面积：51434平米
设计年限：2004-2006
项目期限：2006-2009
Site area: 11,740 sqm
Constructed area: 51,434 sqm
Planning year: 2004-2006
Project year: 2006-2009
该建筑地上6层地下3层。
地下有一个（技术支持）藏书馆和一个停车场。
一层和二层是图书馆主入口大厅，包括所有的补充设施——会议厅，展厅，咖啡厅，书店和寄存处。所有这些区域都围绕主入口大厅而设，该地不仅是为了来图书馆看书的人员准备，而且还为校内的学生提供了便利。这就是为什么该建筑有4个而不是1个出口的原因。设计师的设计理念是为学校，不单是图书馆，提供一个必须的公共空间，这个空间所有的学生都可以在这里聚集。
The building has three underground and six aboveground floors.
Underground there is book storage, technology, supply and a parking lot.
On the ground floor and the second floor there is the main entry to the library and all complementary facilities - conference hall, exhibition hall, cafeteria, bookshop and cloak room. All of them are around the entry hall which is the main place for meeting people not just from the library but from the whole university campus. That is the reason why the building has not one but four entrances to all sides. The idea was to give to the campus, not just a library, but a needed public place as well; where all the students could meet together.
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http://www.jianzhu01.com/Museum1007260323.htm
蜻蜓SCI Arc美术馆
原 名 称：Dragonfly SCI_Arc Gallery
蜻蜓SCI Arc美术馆 Dragonfly SCI_Arc Gallery
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http://www.jianzhu01.com/Museum1007260322.htm
避风港图书馆
原 名 称：Safe Haven Library
业主：避风港孤儿院
成本：4650美元
项目年限：2009 1
Client: Safe Haven Orphanage
Budget: 29.000 NOK (Approx. 4,650 USD)
Project year: January 2009
2009年1月，TYIN邀请15个来自挪威科技大学的建筑系学生参与到避风港孤儿院的工作组中。该工作组由Hans Skotte教授和建筑师Sami Rintala领导。目前，对于避风港孤儿院来说，最迫切的一个需求就是构建一所图书馆和公厕。
该混凝土图书馆以大块的岩石为地基。墙上贴满了冷却混凝土砌块，而正面开放的竹子提供了良好的通风。铁木构成了坚实的框架结构，并且孩子们可以在上面玩耍。
In January 2009 TYIN invited 15 norwegian architect students from NTNU to participate in a workshop at the Safe Haven Orphanage. The workshop was led by Associate Professor Hans Skotte and architect Sami Rintala. The most immediate needs at the orphanage was a library and a new sanitary building.
The concrete base of the library is cast on a bed of large rocks gathered on-site. Walls made of plastered concrete blocks cools the building during the day, while the open bamboo facade gives a good ventilation. Iron wood makes up the solid frame construction and serves as comfortable floor for the children to play on.
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http://www.jianzhu01.com/Museum1007260321.htm
Swissbau临时展出馆
原 名 称：Swissbau Pavilion(ETH)
Swissbau Pavilion(ETH)
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http://www.jianzhu01.com/Museum1007260320.htm
里斯本圣卡洛斯剧院
原 名 称：s carlos theatre
里斯本圣卡洛斯剧院
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http://www.jianzhu01.com/Museum1007260319.htm
Bengt Sjostrom星光剧院
原 名 称：Bengt Sjostrom Starlight Theatre
业主：岩谷学院
Owner: Rock Valley College
岩谷学院想为表演艺术者在星光剧场开发一个新的带有地方色彩的表演场地，取代现有室外场地。这需要对现有剧场进行扩充，并且安装一个屋顶围栏，这样表演者们就不会受到雨水降落的威胁。同时，学院有着强烈的意愿对现有户外场地进行维修。新剧场约135000平方英尺，草坪座位保证了100%的无障碍通道，同时将视觉和周边校园连接。
Rock Valley College wanted to develop a new regional facility for the performing arts at Starlight Theatre to replace an existing outdoor venue. Expanded facilities and a roof enclosure were needed so that performances could go on without the threat of rainouts. At the same time, there was a strong desire to maintain the sense of being outdoors. Encompassing over 135,000 S.F., the new theatre and lawn seating maintains 100% accessible pathways and strong visual connections to the surrounding campus.
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http://www.jianzhu01.com/Museum1007260318.htm
救世主教堂尖塔
原 名 称：Christ Church Tower
救世主教堂尖塔(Christ Church Tower) 伦敦 Boyarsky Murphy
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http://www.jianzhu01.com/Museum1007260317.htm
雷德蒙市政厅
原 名 称：Redmond City Hall
雷德蒙市政厅(Redmond City Hall)
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http://www.jianzhu01.com/Museum1007260316.htm
奥克伍德中心
原 名 称：Oakwood Center
Gretna, Louisiana
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009080710031455_9.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260315.htm
奥兰多公园多功能中心
原 名 称：Orland Park Crossing
Orland Park, Illino
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http://www.jianzhu01.com/Museum1007260314.htm
A.& M. Miskiniai公共图书馆
原 名 称：A.& M. Miskiniai Public Library
该项目背后的立意简单而富有象征意义：书本，知识的本质，传播文化和信息。该图书馆要求的一项功能是：对所有人开放，这就是为什么图书馆设计成透明形状的原因，在夜晚图书馆闪闪发亮。该建筑如同一本书及，遵循立陶宛第一书籍原则，邀请人们“带我走，阅读我。”
The idea behind this project was simple and symbolic at the same time: books, the essence of knowledge, communication and cultural tradition. As the function of a public library requires, it is open to everyone - and that is why the shape of a transparent cube, a shining body at night has been chosen. As if books follow the precept of the first Lithuanian book inviting “take me and read me”…
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http://www.jianzhu01.com/Museum1007260313.htm
哈姆生(作家)中心
原 名 称：Knut Hamsun Center
性质：哈姆生历史博物馆，包括展厅，图书馆，阅读室，咖啡厅和230个座的观众席
项目面积：2271平米
Steven Holl Architects
Location: Hamarøy, Norway
Program: Historical museum for writer Knut Hamsun including exhibition areas, library, reading room, cafe and 230 seat auditorium
Project Area: 2,271 sqm
Project year: 1994-2009
哈姆生中心位于北极圈内，靠近Hamarøy的Presteid村，在哈姆生长大的农场里。博物馆包括展览区、图书馆、阅览室、咖啡厅和报告厅。博物馆的设计概念是：建筑“体”，创造出一种耸立在无形战场中的感觉。
This center dedicated to Hamsun is located above the Arctic Circle near village of Presteid of Hamarøy and the farm where the writer grew up. The museum will include exhibition areas, a library and reading room, a cafe and an auditorium. The concept for the museum is “building as a body,” creating a battleground of invisible forces.
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http://www.jianzhu01.com/Museum1007260312.htm
丹麦Fuglsang Kunstmuseum博物馆
原 名 称：Fuglsang Kunstmuseum
这是一座区域性的艺术博物馆，由Tony Fretton事务所设计，容纳了Storstrom艺术博物馆永久性的丹麦艺术品馆藏（1780-1980阶段）。博物馆坐落在丹麦南部的Fuglsang Lolland，其外形与周围建筑一样具有抽象性和浪漫性，目的是与Fuglsang田园般的乡村环境和谐一致。
博物馆的立面也和其他乡村建筑一样采用了砖块，庭院西部的建筑刷成白色，而顶部则是灰色的砖石。
除了永久性艺术馆藏，这座2500平方米的建筑还容纳了临时展览的空间、一座商店、一座咖啡馆、一座学习中心、行政空间和收藏空间。各个展厅的大小和特色各不相同，与公共大堂也有所区别。
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http://www.jianzhu01.com/Museum1007260311.htm
肯特州城市健康中心
原 名 称：Kentish Town Health Centre
肯特州城市健康中心 Kentish Town Health Centre
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http://www.jianzhu01.com/Museum1007260310.htm
Provincetown艺术联合会博物馆
原 名 称：Provincetown Art Association and Museum
Provincetown 艺术联合会博物馆(Provincetown Art Association and Museum)
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http://www.jianzhu01.com/Museum1007260309.htm
波士顿学院现在艺术馆
原 名 称：Bostons Institute of Contemporary Art
波士顿学院现在艺术馆(Bostons Institute of Contemporary Art) 美国
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http://www.jianzhu01.com/Museum1007260308.htm
lisbon博物馆
原 名 称：lisbon
lisbon博物馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082110245835_6.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260307.htm
现代文学博物馆
原 名 称：Modern Literature Museum
现代文学博物馆（Modern Literature Museum）
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http://www.jianzhu01.com/Museum1007260306.htm
La Estancia婚礼教堂
原 名 称：La Estancia Chapel
位置：墨西哥 Morelos， Cuernavaca，La Estancia花园
总面积：60000平米
建筑面积：117平米
Location: La Estancia Gardens, Cuernavaca, Morelos, Mexico
Site Area: 60,000 sqm
Constructed Area: 117 sqm
La Estancia婚礼花园位于Cuernavaca城镇，距离墨西哥城一小时车程。花园有着墨西哥传统的巴洛克艺术风格，但其内部的这座教堂却丝毫没有继承这一传统，这与之前的帆布白色屋顶教堂有所不同。
这是一个位于热带地区的水晶教堂，似乎与周边环境不符。温室效应得效果似乎使得我们无法逃避。我们决定使用U形轮廓的玻璃窗格连接在一起作为一个独立的分隔膜，使得他们免受日光灼射，易碎受到伤害。
La Estancia Wedding Gardens are located in the town of Cuernavaca, an hour drive south of Mexico City. The gardens were conceived in a traditional mexican baroque colonial style but a chapel was never included in the program, so all previous weddings took place under a light canvas canopy roof.
A crystal chapel in a warm tropical climate seemed like a contradiction in terms. The green house effect appeared to be something we could not elude. We decided on using U-profiled glass panes that are meant to work together as a single membrane. To separate them as single auto-bearing units, to reduce temperatures during the day, made them fragile and vulnerable.
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http://www.jianzhu01.com/Museum1007260305.htm
圣亨利小礼堂
原 名 称：St.Henrys Ecumenlcal Art Chapel
圣亨利小礼堂(St.Henrys Ecumenlcal Art Chapel)
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009082510134051_6.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260304.htm
德国齐默恩社区中心
原 名 称：Community Center in Zimmern
建筑面积：1100平米
Construction Area: 1,100 sqm
该社区中心不仅承办该城镇的文化盛典活动，同时也承办体育赛事和季节性节日庆典活动。这种综合需求使得该社区必须满足灵活性，持久性和安全性三种性能。社区有500个观众席，一个青年俱乐部，社区办公室和医疗室。一层是入口大厅，主大厅在地下4米处，宽敞的走廊提供了去到各公共环节的通道，同时也可欣赏到整个中心全貌。
Built to house cultural events in a town with active club membership, this hall also hosts sporting events and seasonal festivals. A composite use required flexibility, durability, and safety. Seating 500, the project houses a youth club, offices for local officials, and the town doctor. The sectional resolution of the entrance at street level and the main hall four metres below, generates the space. A broad corridor provides access to public facilities, and provides an overview of activities taking place in the hall.
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http://www.jianzhu01.com/Museum1007260303.htm
犹太人社区中心
原 名 称：Jewish Community Center
ODA建筑事务所最近为纽约长岛设计了一个新犹太人社区中心。该地块现有一座1930年建的犹太人教堂，一个1948年建的学校中心，以及一个1966年建成的社区服务中心， 在此基础上事务所旨在构建一个社区中心，可作为“在这个中度保守的社区里的一个标志性的建筑物”。
The Office for Design and Architecture has designed a new Jewish Community Center for Long Island, New York. Sharing the site with an existing land mark synagogue from 1930, a school center from 1948 and a new wing of social facilities from 1966, the JCCs space was limited. Yet, the firm aimed to create a center that would serve as “an iconic sculptural statement in a moderately conservative community” even in the tight space.
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http://www.jianzhu01.com/Museum1007260302.htm
瑞士大使馆北京签证处
原 名 称：Visa section of Swiss Embassy in Beijing
现有面积：104平米
扩建面积：213平米
Existing area: 104 sqm
Extension area: 213 sqm
现有签证馆建于1999年，是一座坚固的混凝土砖体结构。它已不能满足逐渐增长的签证需求。设计师准备在现有工作面积的基础上进行扩建，构建一所全新的瑞士大使馆北京签证处。
设计理念是“通过十年看历史”。设计师保留了原先的砖结构，这见证了中国的变迁；同时利用轻量级玻璃幕墙进行扩展，透过幕墙仍可以看到原先的砖结构。两种不同的结构方式重叠在一起。
The existing visa pavilion built in 1999 is a solid building in concrete and brick. It cannot meet the increasing request of visas any more. We were approached to enlarge the working areas and provide a fresh representation of Switzerland in China.
The concept is to see the history through the decade. We keep the old brick building, which witnessed the accelerated pace of change in China; and extended it with a lightweight glass facade, through which the inside bricks still can be seen. Two kinds of architecture are overlapped in across time.
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http://www.jianzhu01.com/Museum1007260301.htm
Beth El宗教集会礼堂
原 名 称：Beth El
九座烛台流溢出来的光芒，象征着不变、统一、神圣的世界，该事物给与了建筑师设计灵感。设计师将不同的地形进行优化组合，设置了一个入口会车场和停车平台。电梯可以从这一层到达由现有建筑——社会厅，办公室和学校——以及新的避难所组成的庭院；同时，在现有建筑的立面增加了新的拱廊和整体结构相统一。该庭院是中心，连接各结构的中心，所有活动从这里开启。避难所大厅，位于庭院东部，共有2层，一个玻璃屋顶。
The menorah is the emanation of light, the representation of the unchanging and unified divine world. This object inspires the image for the buildings for Congregation Beth El. The plan optimizes the difficult topography with an entry turnaround and parking platform in the valley. An elevator rises from this level to a court formed between the existing structures—social hall, offices, and school building—and the new sanctuary; arcades added to the facades of the existing buildings unify the complex. The court is the focus, the connective space for the gathering of the congregation. All activities lead from this arrival court. The lobby of the sanctuary, on the east side of the court, is two stories with a glass roof above.
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http://www.jianzhu01.com/Museum1007260300.htm
白橡林教堂
原 名 称：El Roble Chapel
位于澳洲含羞草丛林中，57工作室设计的这个家庭小礼拜堂，为宗教冥想提供了一处安静和静谧的空间。这座小礼堂可容纳约40人，中心思想是“旨在通过与大自然进行沟通，提供真正意义上的宗教场所。”
Nestled into a forest of Australian mimosa trees, a small family chapel designed by 57 Studio provides a quiet and serene place for religious contemplation. The chapel can hold approximately 40 seated people and focuses on providing ” the proper sense of religious spaces…through its communication with the natural surroundings.”
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http://www.jianzhu01.com/Museum1007260299.htm
Ircam音乐研究中心
原 名 称：Ircam
Paris,France
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http://www.jianzhu01.com/Museum1007260298.htm
达贝乐基金会博物馆
原 名 称：Beyeler Foundation Museum
Riehen
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http://www.jianzhu01.com/Museum1007260297.htm
海伊艺术博物馆扩建
原 名 称：High Museum Expansion
Altlanta，1999/2005
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http://www.jianzhu01.com/Museum1007260296.htm
让马里吉巴乌文化中心
原 名 称：Jean-Marie Tjibaou Cultural Center
Noumea，1991/1998
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http://www.jianzhu01.com/Museum1007260295.htm
帕德里皮奥朝圣教堂
原 名 称：Padre Pio Pilgrimage Church
San Giovanni Rotondo,
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http://www.jianzhu01.com/Museum1007260294.htm
波茨坦广场
原 名 称：Potsdamer Platz
Berlin
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http://www.jianzhu01.com/Museum1007260293.htm
梅尼尔收藏博物馆
原 名 称：The Menil Collection
Houston
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090210543632_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090210543632_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090210543632_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090210543632_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090210543632_5.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260292.htm
三一圣公教堂
三一圣公教堂
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009090310000241_8.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260291.htm
里斯本belem中心文化纪念碑
原 名 称：centro cultural de belem
里斯本belem中心文化纪念碑(centro cultural de belem)
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http://www.jianzhu01.com/Museum1007260290.htm
太阳谷音乐厅
原 名 称：Sun Valley Music Pavilion
成本：3000完美元
Budget: $30 Million USD
太阳谷临时音乐厅位于太阳谷度假胜地西南部足球场边缘，设计灵感来自于周边自然景观，力求成为一个社区大型表演集散中心。
透过流动平滑的屋顶可看到天空和周围山脉，这个临时音乐厅由张拉膜组成，提供1500个座位，还有一个永久性的钢铁与木材索网膜组成的木瓦结构，提供了舞台和覆盖支援设施。
The Seasonal Sun Valley Music pavilion, located on the south western end of the soccer field at the Sun Valley Resort is inspired by its natural setting and is destined to become a community gathering place for performance events.
The sky and mountain are captured by the free flowing roof, comprised of a seasonal luminous tensile membrane covering 1500 seats and a permanent steel cable net with wood shingled structure providing cover over stage and support facilities.
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http://www.jianzhu01.com/Museum1007260289.htm
Herstedlund社区中心
原 名 称：Community centre Herstedlund
总面积：875平米
建筑面积：408平米
Site Area: 875 sqm
Construction Area: 408 sqm
Project Year: 2009
Herstedlund社区中心为新的居民区提供了一个集体活动框架结构，可容纳约600户的家庭参与。
该项目由Juul & Frost设计，设计理念来自于“森林和林间”。设计师们形容这个主题就像是，将设计作为一颗巨大的程式化的树栽种在了林间边缘。
建筑方案非常开放，与居民共同发展。社区中心将不同年龄段，不同时间段，不同类型相互结合，提供非正式会议，夏日庆典，足球，和特殊场合的正常饮食。
Community Centre Herstedlund provides the framework for joint activities for a new residential area, housing approximately 600 families.
The site plan, designed by Juul & Frost, is based on the idea of “the forest and the glades”. We elaborated on this theme as we designed the building as a large stylized tree at the edge of a glade.
The programme of the building had to be very open and with the possibility to grow along with the new inhabitants. The community centre should be able to incorporate many different ages and interests over time, and many types of communities from the informal meeting around an event, summer festival, a big football or presentation to the special interests and common eating.
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http://www.jianzhu01.com/Museum1007260288.htm
LLAN小教堂
原 名 称：STROLL AROUND LLAN CHURCH
LLAN小教堂 STROLL AROUND LLAN CHURCH
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http://www.jianzhu01.com/Museum1007260287.htm
贝斯E1犹太人集会教堂
原 名 称：Congregation Beth EI Synagogue
La Jolla,California,2008
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http://www.jianzhu01.com/Museum1007260286.htm
Beth Sholom犹太人集会教堂
原 名 称：Congregation Beth Sholom Synagogue
San Francisco,California,2003-2005
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http://www.jianzhu01.com/Museum1007260285.htm
坦帕艺术馆
原 名 称：Tampa Museum of Art
Tampa Bay,2007
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http://www.jianzhu01.com/Museum1007260284.htm
卢肯瓦尔德图书馆
原 名 称：Luckenwalde Library
卢肯瓦尔德图书馆
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009351039_8.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260283.htm
日本宗嗣大厅
原 名 称：Munetsugu Hall
这是位于日本 Naka Ward, Nagoya名古屋,由日本设计师Norihiko Dan设计的音乐厅，由于是在住宅区内，所以特别注意隔声方面的设计。天花板的大厅近6米高，地板的材料是曾经用于老房子梁设计上的,拥有200多年历史的日本赤松.最有特色的是音乐厅室内墙面凹凸设计,不仅增强了隔音效果,它的视觉感也是很让人享受的.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091009391155_10.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260282.htm
贝又拉大学图书馆
原 名 称：Biola University Library
La Mirada, California
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091013580432_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091013580432_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091013580432_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091013580432_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091013580432_5.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260281.htm
新阿姆斯特丹广场馆
原 名 称：New Amsterdam Pavilion
昨天下午，我们怀着激动的心情参加了由建筑师Ben van Berkel设计的新阿姆斯特丹广场馆的开幕仪式，该广场馆位于曼哈顿Battery公园外的Peter Minuit广场上。新阿姆斯特丹广场馆是为荷兰和纽约建交400年而献上的一份礼物；然而，该项目外形并未表现出这是一份礼物。同时，新馆也被解释为展现了这个城市的历史和未来。
Yesterday afternoon, we had the pleasure of attending the opening day of Ben van Berkel’s New Amsterdam Pavilion in Peter Minuit Plaza, just outside Battery Park in Manhattan. The pavilion is a gift from the Netherlands to New York in honour of 400 years of friendship; yet the pavilion does not attempt to physically manifest a representation of that relationship. Rather, the pavilion can be interpreted in different ways and speaks to both the history and the future of the city.
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http://www.jianzhu01.com/Museum1007260280.htm
中国革命历史博物馆
中国历史博物馆是中国国家历史博物馆。位于北京天安门广场东侧。中国历史博物馆的前身是北京历史博物馆。1912年筹建。1926年10月正式开馆。1929年8月改名为中央研究院北平历史博物馆。1933年4月改为中央博物院筹备处北平历史博物馆。1945年 8月恢复中央博物院北平历史博物馆旧名。1949年10月改名为北京历史博物馆。1958年8月国家决定建立中国历史博物馆。1959年9月建成，1961年7月1日开放。
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http://www.jianzhu01.com/Museum1007260279.htm
农业展览馆
作为传统的农业大国建筑一座专为展出我国农业方面取得的伟大成就和交流农业科技的专业性展览馆极有必要。此建筑的主要设计人严星华是当年十大建筑主设计人中最年轻的．也是唯一一位其设计的作品两次获选十大建筑称号的建筑师。(另一件作品为80年代设计的中央彩色电视中心) 全国农业展览馆作为首都十大建筑之一，其地理位置、规模、布局和风格均由周恩来总理亲自审定。1959年正式落成后，举办了建国后第一个全国性的大型展览－－建国十周年全国农业成就展览，开创了京城近40年的展览历史。从此，全国农业展览馆名震京华，令世人瞩目。
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http://www.jianzhu01.com/Museum1007260278.htm
中国军事博物馆
在北京天安门西面的长安街延长线上，风光秀美的玉渊潭南畔，矗立着一座金碧辉煌、气势巍峨的高大建筑，这就是闻名海内外的中国人民革命军事博物馆。它筹建于１９５８年，是向国庆１０周年献礼的首都十大建设之一。１９５９年３月１２日，经中共中央军事委员会批准，正式定名为中国人民革命军事博物馆（以下简称军事博物馆）。毛泽东主席亲自题写馆名，周恩来、朱德、邓小平、刘伯承、贺龙、陈毅、罗荣桓、聂荣臻、徐向前、叶剑英等党和国家、军队领导人多次审查展览内容，１０月１日开始内部预展，１９６０年“八一”建军节正式对外开放。
军事博物馆是中国惟一的大型综合性军事历史博物馆，占地面积８万多平方米，建筑面积６万多平方米，陈列面积４万多平方米。主楼高９４．７米，中央７层，两侧４层。大楼顶端的圆塔，托举着直径６米的镀金的中国人民解放军“八一”军徽，它凌空高耸，金光闪闪。高达４．９米的铜门，是用福建前线参战部队送来的炮弹壳熔铸而成的。正门上方悬挂着毛泽东主席亲笔题写的“中国人民革命军事博物馆”金字铜底巨匾。大门两侧竖立着陆海空三军战士和男女民兵两组英姿勃勃的汉白玉石雕。全馆有２２个陈列厅、２个陈列广场。陈列厅高大、宽敞、明亮。沿所有展览场地绕行一周，长达１２公里，就其规模而言，为国内外少有。伴随着国家改革和建设的脚步，在它的周围，建立起了中华世纪坛、中央电视台和西客站，把它衬托得更加雄伟壮丽。
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http://www.jianzhu01.com/Museum1007260277.htm
人民大会堂
人民大会堂位于北京市中心天安门广场西侧，西长安街南侧。人民大会堂是中国全国人民代表大会开会的地方，是全国人民代表大会和全国人大常委会的办公场所。是党、国家和各人民团体举行政治活动的重要场所，也是中国国家领导人和人民群众举行政治、外交、文化活动的场所。
人民大会堂的建设来源于1959年中华人民共和国建国十周年纪念，中国共产党、中央人民政府、国务院决定兴建十大建筑，展现十年来的建设成就。这些建筑追求建筑艺术和城市规划、人文环境相协调。人民大会堂为建国10周年首都十大建筑之一，完全由中国工程技术人员自行设计、施工，1958年10月动工，1959年9月建成，仅用了10个多月的时间就建成了。创造了中国建筑史上的一大创举。人民大会堂集中了当时全国各地的建筑材料，建筑工人加班进行建设，仅仅用了10个月就完成了从设计图纸到从内到外所有装修及设备的安装调试。
人民大会堂初建时称“万人礼堂”。1959年9月24日落成后，时任总理周恩来邀请一批专家进行参观视察，请大家给其起个名字。著名的桥梁专家茅以升在纸上写下“人民大会堂”几个字。后来“万人礼堂”被定为“人民大会堂”。
人民大会堂坐西朝东，南北长336米，东西宽206米，高46.5米，占地面积15万平方米，建筑面积17.18万平方米。比故宫的全部建筑面积还要大。人民大会堂壮观巍峨，建筑平面呈“山”字形，两翼略低，中部稍高，四面开门。外表为浅黄色花岗岩，上有黄绿相间的琉璃瓦屋檐，下有5米高的花岗岩基座，周为环列有134根高大的圆形廊柱。人民大会堂正门面对天安门广场，正门门额上镶嵌着中华人民共和国国徽，正门迎面有十二根浅灰色大理石门柱，正门柱直径2米，高25米。四面门前有5米高的花岗岩台阶。人民大会堂建筑风格庄严雄伟，壮丽典雅，富有民族特色，以及四周层次分明的建筑，构成了一幅天安门广场整体的庄严绚丽的图画。内部设施齐全，有声、光、温控制和自动消防报警、灭火等现代化设施。人民大会堂建筑主要由3部分组成：进门便是简洁典雅的中央大厅（只是门厅不设座位）。厅后是宽达76米、深60米的万人大会堂；大会场北翼是有五千个席位的大宴会厅；南翼是全国人大常务委员会办公楼。大会堂内还有以全国各省、市、自治区名称命名、富有地方特色的厅堂。
人民大会堂每年举行的全国人民代表大会、中国人民政治协商会议(简称两会)。以及五年一届的中国共产党全国代表大会也在此召开。目前，人民大会堂已向公众开放。
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http://www.jianzhu01.com/Museum1007260276.htm
上海音乐厅
黄浦区延安东路523号，始建于1930年，原名南京大戏院，是上海第一家放映外国影片的戏院，建筑属于上海地区少有的欧洲传统风格。1949年改名为北京电影院，1959年再更名为上海音乐厅至今，成为专业的音乐演奏场所。上海音乐厅于2003年完成向东南方向平移66.46米的动迁之旅。在平移后的修缮工程中，根据原来的设计风格，上海音乐厅新增的外立面得到进一步修饰，其内部在西南两方向新建部分结构，扩大舞台面积，增加地下室和隔音走廊。
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http://www.jianzhu01.com/Museum1007260275.htm
河南省工人文化宫
河南省工人文化宫于1956年建设，占地150亩，当时省工人文化宫在全国都很出名，里面设有电影院、足球场、篮球场、图书阅览室等设施。现称为五一公园。
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http://www.jianzhu01.com/Museum1007260274.htm
国家图书馆
原 名 称：NATIONAL LIBRARY OF THE CZECH REPUBLIC
Prague,2007
2007
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http://www.jianzhu01.com/Museum1007260273.htm
抗日战争纪念馆
位于1937年7月7日“七七事变”时的宛平县县署旧址之上，坐落在北京市西南的丰台区卢沟桥畔宛平城内，占地面积3万多平方米，总建筑面积近2万平方米，展览面积6000平方米，是全国唯一一家全面反映中国人民抗日战争历史的综合性大型纪念馆。抗战馆的一期工程始建于1987年，二期工程完成于1997年。“中国人民抗日战争纪念馆”的馆名是由邓小平亲笔题写的。
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http://www.jianzhu01.com/Museum1007260272.htm
中国国际展览中心
中国规模最大的现代化展览馆（ 1993 年为止） 。位于北京市朝阳区北三环东路静安庄。北京市建筑设计院设计。占地面积15万平方米，有17万平方米展览场地。结构体系分别有网架结构、钢筋混凝土结构及钢结构。拥有中国国内面积最大的7个展览馆，其中1号展览馆（主体馆），建筑总面积达5万平方米以上。
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http://www.jianzhu01.com/Museum1007260271.htm
中国剧院
总政歌舞团所属的中国剧院始建于1984年9月，十几年来，接待过许多国内外、军内外著名艺术表演团体，是首都北京重要的文化活动场所之一。
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http://www.jianzhu01.com/Museum1007260270.htm
首都图书馆
首都图书馆由北京市建筑设计研究院设计，是北京市市属综合性大型公共图书馆。它位于朝阳区华威桥东南侧，建筑面积3．7万平方米，高度49米，地上8层，共有17个阅览室，1000余个阅览座位，设计藏书量400万册。
首都图书馆的建筑造型借鉴了中国的传统文化，又具有新的内涵。它平面取1／4扇型，围合着中心广场，形成强烈的聚合力，正立面恰似展开的长卷，立面中央则为巨大的牌楼造型，颇具视觉冲击力。新首图的设计体现了以读者为中心的思想，主要部分为读者阅览室和书库，交通联系便捷。馆内还设有500座报告厅、多功能厅、展厅、书店等设施。
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http://www.jianzhu01.com/Museum1007260269.htm
清华大学图书馆新馆
清华大学图书馆新馆1991年建成，是清华大学建筑设计研究院设计的。新馆位于清华园的中心区，与1919年及1931年两次建成的老图书馆连成一体，成为校园中心最大的建筑。新馆建筑面积2万多平方米，为了与老馆和大礼堂协调，新馆把高大的中心部位后退，并置主入口于院内，丰富了环境系列，形成了一个典雅宁静有较浓厚文化学术气氛而富有生气的读书环境。
新馆设计充分遵循“尊重历史，尊重环境”的原则，在体现时代精神和建筑个性的同时，努力使建筑与周围环境和谐统一，相互呼应、浑然一体，在空间、尺度、色彩和风格上保持了清华园原有的建筑特色，红砖墙、坡瓦顶、拱门窗，精雕细刻，朴实无华，富于历史的延续性，但又不拘于原有建筑形式而透出一派时代气息。
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http://www.jianzhu01.com/Museum1007260268.htm
东方艺术中心
上海东方艺术中心(ShanghaiOrientalArtCenter)：上海东方艺术中心座落于浦东行政文化中心，是上海新一轮文化规划中上海文化“一轴”的东起点。作为上海重要的标志性文化工程之一，上海东方艺术中心由上海市政府和浦东新区政府投资10亿元兴建，总建筑面积近40，000平方米，由法国著名建筑师保罗?安德鲁设计。2002年3月26日正式开工建造，于2004年12月31日举行盛大的落成庆典新年音乐会，开始试运营。从高处俯瞰，东方艺术中心犹如五片绽放的花瓣，五个半球体依次为：正厅入口、东方演奏厅、东方音乐厅、展览厅、东方歌剧厅，外形宛若一朵美丽的“蝴蝶兰”。
2003年9月，上海东方艺术中心业主方首次在全国范围内采用市场招投标方式寻找管理者，保利文化艺术有限公司以其强大的实力和丰富的资源一举中标，随后联合极具实力、蓬勃发展的著名文化传媒集团——文汇新民联合报业集团，共同组建了上海东方艺术中心管理有限公司，全面负责上海东方艺术中心剧场及相关附属设施的管理和运营。这一京沪两地文化集团联手的全新管理机制在全国开创了先例，有利文化资源的共享，共同打造“中华牌”。
由上海市政府和浦东新区政府投资10亿元人民币建造的上海东方艺术中心坐落于浦东行政文化中心，是上海市委领导在不久前召开的上海市文化工作会议上提出的文化布局规划设想的上海文化“一轴”的东起点。东方艺术中心由1953座的东方音乐厅、1015座的东方歌剧厅和333座的东方演奏厅组成。
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http://www.jianzhu01.com/Museum1007260267.htm
天津古文化街
古文化街位于天津三叉河口西岸, 原是祭祀海神和船工聚会娱乐的场所, 1986年修建成包括天后宫及宫南、宫北大街在内的古文化街, 全长580米,两端有巨型仿古牌楼, 街道两边近百家店铺, 主要经营文化用品: 古旧书籍、民俗用品、传统手工艺品等, 有著名的杨柳青年画、泥人张彩塑、风筝魏风筝和刻砖刘刻砖等专卖店铺。天后宫为中国三大妈祖庙之一, 内设天津民俗博物馆, 宫前广场及戏楼常有民间文艺及戏曲表演。整个文化街富有浓厚的历史味、文化味和天津味。
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http://www.jianzhu01.com/Museum1007260266.htm
上海大剧院
上海大剧院位于市中心人民广场，南临人民大道，西沿黄陂北路，东临市政大厦， 占地面积约为2.1公顷，建筑风格独特，造型优美。它成为上海又一个标志性建筑，使人民广场成为上海名副其实的政治文化中心。
上海大剧院由法国夏邦杰建筑设计公司设计，总建筑面积为62803平方米，总高度为 40米，分地下2层，地面6层，顶部2层，共计10层。其建筑风格新颖别致， 融汇了东西方的文化韵味。白色弧形拱顶和具有光感的玻璃幕墙有机结合，在灯光的烘托下，宛如一个水晶般的宫殿。
上海大剧院有近2000平方米的大堂作为观众的休闲区域，大堂的主要色调为白色，高雅而圣洁。大堂上空悬挂着由6片排箫灯架组合而成的大型水晶吊灯， 地面采用举世罕见的希腊水晶白大理石，图案形似琴键，白色巨型的大理石柱子和两边的台阶极富节奏感，让人一走进大堂就仿佛置身于一个音乐的世界。
上海大剧院兼具歌剧、芭蕾、交响乐及综艺节目的演出功能。它共有三个剧场，大剧场1800座，分为正厅、二层、三层楼座及6个包厢。中剧场750座，小剧场300座。
大剧场的舞台设施也是世界一流的，它由日本三菱重工株式会社设计、制造, 分为主舞台、后舞台和左右两个侧舞台，可作平移、升降、倾斜、旋转等变换。
大剧场的建声要求极高，音响和灯光设备更具独特性能。音响系统选用美国 JBL专业设备 ，灯光系统采用比利时ADB公司的顶级产品。舞台设备全部采用计算机控制，能满足世界上级别最高的剧团的演出要求。
除了演出功能外，上海大剧院还有一个1600平方米的观光餐厅。此外，还备有贵宾厅 、咖啡厅、地下车库等配套设施。
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http://www.jianzhu01.com/Museum1007260265.htm
上海科技馆
上海科技馆是由上海市政府在新世纪投资兴建的第一个重大社会文化项目，以“自然、人、科技”为主题，以提高公众科技素养为宗旨，是上海重要的科普教育基地和休闲旅游基地。它位于花木行政文化中心区，世纪广场西侧，南邻世纪公园。2001年APEC领导人非正式会议就是在此举行的。
上海科技馆项目占地面积6.8万多平方米，总建筑面积9.8万平方米，展示内容由天地馆、生命馆、智慧馆、创造馆、未来馆等五个主要展馆和临展馆组成，总投资17.55亿元人民币。其中土建安装8.55亿元，首期展项5亿元，二期展项4亿元。
上海科技馆设有地壳探秘、生物万象、智慧之光、视听乐园、设计师摇篮、儿童科技园、自然博物馆等七个展区和巨幕影院、球幕影院、四维影院、太空影院及会馆、旅游纪念品商场、临展馆、多功能厅、银行等配套设施。
作为上海市最主要的科普教育基地和重要的精神文明建设基地，上海科技馆以“自然·人·科技”为主题，以促进全体市民科学文化素质、提高城市综合竞争力为宗旨，融展示与参与、教育与科研、合作与交流、收藏与制作、休闲与旅游于一体，以学科综合的手段及寓教于乐的方式，使每个来参观的观众能在赏心悦目的活动中，接受现代科技知识的教育和科学精神的熏陶。
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http://www.jianzhu01.com/Museum1007260264.htm
亚利桑那纪念馆
原 名 称：Arizona Memorial
亚利桑那纪念馆 Arizona Memorial
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http://www.jianzhu01.com/Museum1007260263.htm
天安门城楼（重建）
安门始建于明永乐十八年（1420年），建造时完全模仿南京的承天门，故命名承天门。明朝天顺年即1457年7月，承天门遭火灾，城楼焚毁。1465年明宪宗派工部尚书自圭重修承天门，由牌坊式改建成宫殿式，基本上有了现在天安门的规模。1644年，承天门又毁于兵火。第二年再次重修承天门，6年后竣工，从此正式改名为天安门。
具有550多年历史的天安门城楼，由于兵火战乱，长期失修，建筑结构已严重坏损变形，主体已严重下沉。新中国成立后虽经多次维修加固，但未能彻底解决问题。1969年河北邢台地区发生了6到7.5级强烈地震，使天安门城楼损坏变形更甚。1969年底国务院决定：彻底拆除天安门城楼，在原址、按原规格和原建筑形式重新修建天安门城楼。
天安门城楼结构复杂，工艺难度大。中共中央和国务院组成了由总参、北京卫戍区、北京市革命委员会等有关部门参加的“天安门城楼重建领导小组”。被指定承担这项任务的是北京第五建筑工程公司（现北京建工集团五建公司）。
北京第五建筑工程公司选派了一批根红苗正、政治可靠、技术过硬的精兵强将，其中大部分为党、团员，他们按部队编制，组成了木工连、瓦工连、彩油连、架子工连和混合连5个施工队，当时的八级木工姚来泉就是木工连的组长。
天安门城楼长66米、宽37米、高32米，要将这么大的建筑物整个罩起来，难度可想而知。如果用钢管搭架，需一个月。架子工人用杉蒿绑在一起，层层连接，用苇席搭起天棚，除留出送料的循环马道外，整个城楼被包裹得严严实实，丝毫不露。搭起这个堪称世界之最的“天棚”，仅用了8天时间，这在当时是绝无仅有的。
重建天安门城楼工程，自1969年12月15日正式开工，到1970年3月7日竣工，整个工期112天。这项工程仅琉璃瓦就制作了近100种规格，10万余件。在底座墙镶了一层砖，外墙打了50厘米水泥。重修的天安门城楼比原来“长高”了87厘米，这是因为天安门多年下沉，根据史料记载，可以说天安门恢复了原始的高度。重建的天安门城楼，完全保留了它原有的外形、尺寸和结构布局，并按9级抗震能力设防。东西卷棚和城台加高、女儿墙减薄、标语板更换、安装电梯，增设了供电照明、上下水、热力暖气、电话、电视广播、新闻摄影等现代化设施。据统计，有中央和全国21个省市的216个部门参与，施工高峰用工达2700多人，整个现场施工速度之快，质量之高，举世罕见。
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http://www.jianzhu01.com/Museum1007260262.htm
Kanno博物馆设计
Kanno博物馆设计
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http://www.jianzhu01.com/Museum1007260261.htm
海宁当代艺术中心
原 名 称：Herning Center of the Arts
项目面积：5600平方米
Location: Herning, Denmark
Client: Herning Center of the Arts
Project Area: 5,600 sqm
Project year: 2005-2009
丹麦海宁当代艺术博物馆由史蒂芬.霍尔建筑事务所设计，于2009年9月9日向公众开放。其包括三个完全分开的文化机构：海宁艺术中心、中西部服装部和socle du monde部。新中心有意成为一个综合视觉艺术和音乐的创新论坛，并为丹麦的日德兰半岛中心区域提供文化推动力。
景观与建筑物交相呼应，景观草堆和倒影水池与新建筑屋顶弯曲的几何图形想对应。建筑只有一层，包括了临时和永久展厅、150座的报告厅、音乐排练室、餐厅、多媒体图书馆和办公室。
The Herning Center of the Arts unites, for the first time, three distinct cultural institutions: the Herning Art Museum, the M idWest Ensemble and the Socle du Monde. The new Center is intended to be an innovative forum combining visual art and music. The design fuses landscape and architecture in a one-level building that will include permanent and temporary exhibition galleries, a 150-seat auditorium, music rehearsal rooms, a restaurant, a media library, administrative offices and an active landscape. The design for the center aims at “building the site”.
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http://www.jianzhu01.com/Museum1007260260.htm
儿童生态活动和教育中心
原 名 称：Ecological Children Activity and Education Center
施工面积：165平方米
设计年限：2006-2007
施工年限：2008-2009
24H > architecture
Location: Koh Kood Island, Thailand
Constructed area: 165 sqm
Design year:2006-2007
Construction year:2008-2009
该六星级的度假休闲地Soneva Kiri位于泰国海湾地区Koh Kood岛上。在这一独特的地理位置上，24H-建筑事务所设计了一系列具有地标性意义的生态结构，满足了设计要求的第六感官和生态功能。令人更加惊奇的是，儿童活动和学习中心的设计，为来访的孩子们提供了一个娱乐活动空间，同时提高了孩子们对生态问题的关注度。
The 6 star hotel resort Soneva Kiri is located on Koh Kood, an island in the Gulf of Thailand. At this unique site, 24H-architecture designed a series of ecological icons to contribute to Six Senses’ high ambitions in design and ecology. Most prominent is The Children Activity and Learning Centre, which will provide visiting children a wide range of entertaining activities as well as raise the level of ecological awareness with them.
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http://www.jianzhu01.com/Museum1007260259.htm
郑州国际会展中心
郑州国际会展中心是郑州市中央商务区三大标志性建筑之一，主体为钢筋砼结构，屋面为桅杆悬索斜拉钢结构。郑州国际会展中心由会议中心和展览中心两部分组成，建筑面积22.76万平方米，可租用室内面积占7.4万平方米。是集会议、展览、文娱活动、招待会、餐饮和旅游观光为一体的大型会展设施。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009091709130742_10.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260258.htm
圣帕特里克大教堂(St. Patrick‘s Cathedral)
圣帕特里克大教堂是北美地区最大的哥特式天主教堂，位于纽约罗马天主教大主教区，曼哈顿第50和51街之间的第五大道，面临洛克菲勒中心。
St. Patrick‘s Cathedral is the largest decorated Neo-Gothic-style Catholic cathedral in North America. It is the seat of the archbishop of the Roman Catholic Archdiocese of New York, and a parish church, located on Fifth Avenue between 50th and 51st streets in Manhattan. It faces Rockefeller Center.
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http://www.jianzhu01.com/Museum1007260257.htm
犹太社区中心
原 名 称：Jewish Community Center
Lifschutz Davidson Sandilands建筑事务所从众多强劲的参赛者中脱颖而出，获得了犹太社区中心设计竞赛冠军。该犹太社区中心占地30000平方英尺，着重表现艺术和是社区中心，旨在将“光芒，生活和活力带回街区”。这座犹太社区中心位于一条交通要道上，将创建“景观广场”，对面设置“卡姆登艺术中心花园”。
Against tough competitors, such as Rafael Viñoly, Allford Hall Monaghan Morris and Foreign Office Architects, the competition to design the Jewish Community Center was awarded to Lifschutz Davidson Sandilands. The 30,000 sqf JCC project will emphasize an arts and community center that aims to bring “light, life and activity back to the street.” Situated on a heavily trafficked road, the JCC will include a three story linear pavilion that will create a “landscaped piazza and relate to the Camden Arts Center’s gardens” opposite the site.
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http://www.jianzhu01.com/Museum1007260256.htm
墨尔本小型音乐中心和MTC剧院
原 名 称：melbourne recital centre & MTC theatre
墨尔本小型音乐中心和 MTC（墨尔本剧院公司）剧院是澳大利亚建筑事务所Ashton Aaggatt Mcdougall完成的最近的两个作品。尽管两个建筑是独立运作的，但是他们却在城市艺术区的同一块用地里彼此相连。左边是墨尔本剧院公司，而右边是墨尔本小型音乐中心。
MTC剧院拥被一个形象显著的、由白色钢管构成的几何图形立面覆盖。该图案从不同角度看都是美妙的三维图形。这种立面经过精心设计，在夜晚尤其好看：黑白的简单色系点缀在艳丽的一片红中间。几何图形包裹着门厅空间延伸到建筑内部。剧场自身被穿孔墙面围合，墙背后打灯，显出建筑的基本色调来。
The melbourne recital centre & MTC theatre are two of the most recent projects by the australian firm ashton raggatt mcdougall. while the buildings operate separately, they are connected together on the same block in the city’s arts district. on the left side is the melbourne theatre company and on the right is the melbourne recital centre.
The MTC theatre features a distinctive facade composed of white steel tubing arranged in geometric patterns that appears three-dimensional when viewed from the right angle. it was designed to look best at night and has a simple black and white colour palette accented with a vibrant red. inside the geometric pattern is continued through the lobby space. the theatre itself features perforated walls that are backlit to reveal a text motif.
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http://www.jianzhu01.com/Museum1007260255.htm
新苏格兰议会厅
原 名 称：New Scottish Parliament, Scotland
New Scottish Parliament, Scotland
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http://www.jianzhu01.com/Museum1007260254.htm
鄂尔多斯艺术博物馆
原 名 称：Ordos Art Museum
性质：博物馆
业主：内蒙古江源水工程有限公司
设计年限：2005-2006
施工年限：2006-2007
总面积：420平方米
建筑面积：270平方米
Project team： Tiantian Xu，Guillaume Aubry，Yingnan Chen
Program： Museum
Client： Ordos Jiangyuan Water Engineering Co. Ltd
Design year： 2005-2006
Construction year： 2006-2007
Site area： 420 sqm
Building area： 270 sqm
鄂尔多斯艺术博物馆是鄂尔多斯新市政中心的第一座建筑，它位于艺术和文化设施“公共走廊”沙丘沿线，占地29000平方英尺，包括展览和科研空间，建筑分布在一个高低起伏的地形上，表现出沙漠的特征。
Ordos Art Museum is the first building of Ordos’ new civic center on a stretch of sand dunes along the lake that is dedicated as a “public corridor” with art and cultural facilities. This 29,000 sq.ft. of exhibition and research space is distributed within an undulating form with a central span lifting clear off the ground, suggesting a desert viper winding over the dunes.
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http://www.jianzhu01.com/Museum1007260253.htm
重庆市人民大礼堂
重庆市人民大礼堂位于渝中区人民路学田湾，于1951年6月破土兴建，1954年4月竣工，是一座仿古民族建筑群，也是重庆独具特色的标志建筑物之一。建筑气势雄伟，金碧辉煌，是中国传统宫殿建筑风格与西方建筑的大跨度结构巧妙结合的杰作，以其非凡的建筑艺术蜚声中外。
整座建筑由大礼堂和东、南、北楼四大部分组成。占地总面积为6.6万平方米，其中礼堂占地1.85万平方米。礼堂建筑高65米，大厅净空高55米，内径46.33米，圆形大厅四周环绕五层挑楼，可容纳4200余人。
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http://www.jianzhu01.com/Museum1007260252.htm
雨花台烈士陵园
雨花台位于南京城南中华门外。乃城南中华门外一座高60米、宽约2公里的山岗。在汉末时称为“长陵”，又名“成子岗”或“石子纲”。三国孙吴时称为“聚宝山”，“玛瑙纲”，这是因山上生产五彩斑石而得名。据传说在一千四百年之前的梁代，有位云光法师在此室讲佛经，感动了上天，落花如雨，故称雨花台。
这里曾经是国民党政府的刑场，近10万革命先烈在此遇难。解放后南京人民为了缅怀革命先烈建成了雨花台烈士陵园。该园位于南京南郊，占地87公顷，园内植满青松翠柏，雪松、龙柏、水杉、玉兰等树木四季常青，郁郁葱葱。
广场南端的烈士群雕像由全国各地雕塑专家集体创作，于1980年落成，高10.03米、宽14.2米、厚5.6米， 塑造了九位象征着各族各年龄层次的烈士气宇轩昂、视死如归的壮烈形象，共179块花岗石的花岗山像装配而成，重达1300吨，是我国目前同类题材最大最重的花岗石雕。雕像矗立的位置是革命烈士北殉难处，周围松柏常青，象征着革命烈士的忠魂永垂不朽。
沿群雕环陵大道而上即可到达主峰山巅上雄伟的烈士纪念碑。碑高42.3米， 寓意为1949年4月23日南京获得解放。整个纪念碑由碑额、碑身、碑座三部分组成，碑额形如红旗和火炬，碑身正面为邓小平同志题写的碑名，纪念碑前方为纪念广场，建有倒影池，两端用花岗岩砌造了二面分别以汉、蒙、回、藏、维吾尔五种文字镌刻的《国际歌》和《中华人民共和国国歌》。 烈士纪念碑寓意无数革命者经过英勇奋斗流血牺牲，才赢得南京1949年4月23日的解放。
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http://www.jianzhu01.com/Museum1007260251.htm
苏州科技文化艺术中心
苏州科技文化艺术中心建于苏州工业园区金鸡湖文化水廊景区内，临水而筑，连接红枫林景观和苏州国际博览中心。环金鸡湖景观由美国易道公司整体规划，堪称二十一世纪苏州“人间新天堂”象征。在超过十五万平米的苏州科技文化艺术中心，集结了大剧院、电影城、演艺厅、商业中心、艺术大堂、绿化等项目功能，著名的“金鸡奖”评审基地也落户于此，这里必将成为世界级演艺界的交流平台、休闲娱乐购物的好去处、文化艺术的新地标。
这里的人们在饮食、时尚、生活、艺术中寻找品质。而苏州科技文化艺术中心正是这样一个集中体现这些元素的精华之地，它为生活加入了时尚的触觉、艺术的感觉、文化的嗅觉，创造了一种新的文化潮流。从清晨到日落，这里的每一天都能体验到一个崭新的开始。
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http://www.jianzhu01.com/Museum1007260250.htm
井冈山革命博物馆新馆
井冈山革命博物馆新馆于10月27日隆重开馆。矗立于井冈山市茨坪红军南路上的井冈山革命博物馆新馆，以井冈山的民居“围屋”为建筑主体形象，建筑设计大气新颖，气势恢宏，建筑面积20030平方米。下面就请网友跟随镜头细览井冈山革命博物馆新馆的20大亮点。
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http://www.jianzhu01.com/Museum1007260249.htm
郑州市二七纪念塔
二七纪念塔，位于郑州市二七广场，建于1971年，钢筋混凝土结构，是我国建筑独特的仿古联体双塔，它是为纪念京汉铁路工人大罢工而修建的纪念性建筑物。2006年被列为全国重点文物保护单位，中国最年轻的全国重点文物保护单位（建于1971年，距今仅有不到四十年的历史）。
为了纪念这次伟大的罢工运动和“二七”烈士，继承和发扬“二七”光荣革命斗争传统，1951年，在原“长春桥”旧址附近修建了“二七”广场，当时场内建一座15米高的木制纪念塔。1971年改修成现在的塔式。二七纪念塔，为双身并联式塔身，塔全高63米，共14层（包括底座三层），钢筋混凝土结构。塔式新颖、独特，雄伟壮观，具有中国民族建筑的特点。钟楼上高矗一枚红五星。塔内陈列有“二七”大罢工的各种历史文物、图片、文字资料。塔底层有地道穿广场与道口相通；“二七纪念塔”是郑州市的重要标志，也是国内外游客必游之地。
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http://www.jianzhu01.com/Museum1007260248.htm
中国出口商品交易会琶洲展馆
自2004年4月第95届起，中国进出口商品交易会全面启用中国进出口商品交易会展馆，同时在中国进出口商品交易会展馆和流花路展馆两馆分两期举办。
中国进出口商品交易会展馆首期占地43万平方米，建筑面积39.5万平方米，一、二层展厅13个，展示面积约13万平方米，室外展场面积2.2万平方米，于2002年底正式投入使用，是目前亚洲最大的会展中心。
广场面积超过2.2万平方米，以展览、展示、表演和大型集会为主要使用功能。绿化率高达48.7%，整体设计与自然和谐融洽。
以“亲近珠江”为主题的亲水公园位于会展中心临珠江边，跨度1.3公里，临江平均宽度66米，面积超过8万平方米。中部是将近4万平方米的带状开阔水域，在这条带状水域中还随意漂浮着9个椭圆形大小、形状不一的绿洲。东西两侧种植大片的台湾相思林带。漫步亲水公园，领略珠江的独特魅力。
中国进出口商品交易会展馆内在8米标高处沿东西走向贯通布置了一条长450米、宽30米的人流集散通道--“珠江散步道”。在间隔90米（单元体系）间布置电梯、扶梯及楼梯，4个竖向交通枢纽和与珠江散步道垂直的水平步行系统（终端散步道）。行人在展馆内畅通无阻。
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http://www.jianzhu01.com/Museum1007260247.htm
南宁国际会议展览中心
南宁国际会展中心占地面积850亩，是中国—东盟博览会永久会址，是由德国gmp设计公司和广西建筑综合设计研究院合作设计。主建筑设计独具匠心，构思巧妙，依山就势而建，显得气势恢弘。其主建筑一期工程于2000年9月28日破土动工，2003年10月23日正式启用，当年12月底通过竣工验收；一期配套工程于2004年4月10日动工，当年9月30日完成施工10月18日通过竣工验收；主建筑工期工程于2004年4月20日动工，计划于2005年6月投入使用；民歌广场一期工程于2003年7月1日动工，10月31日通过竣工验收，二期工程于2004年7月底开工，当年10月18日通过竣工验收。
南宁国际会展中心由主建筑、会展广场、民歌广场、行政综楼等组成，其中主建筑总建筑面积为15.21万平方米，由会议、展览和大型宴会厅三部分组成。会议部分包括会议中心、多功能厅、办公场所等，拥有14个大小不同的会议厅（室），有功能齐全的声扩设备、10+1同声传译系统、电视会议系统、公共广播系统、安防系统、计算机网络系统、新闻中心等，能满足各种国内国际会议、商务谈判和学术报告的举行；多功能圆形大厅使用面积3000平方米，能容纳1500人，是举办大型会议、展览、宴会、文化活动等的理想场所。大型宴会厅由能容纳1000人同时就餐的大厅、34个包厢和明档区组成，装饰格调高雅，环境舒适，是举办各种宴会的理想之地。展览部分有两层展厅，共有15个不同规格的展厅（最大展厅8100平方米），展览面积达4.8万多平方米，可容纳3360个国际标准展位和300多个非标准展位。行政综合楼建筑面积1.58万平方米，由办公场所、多功能展厅、展具加工间、仓储等组成，同时配有可容300人的会议厅。主建筑展厅加上可搭建110个展位的多功能厅、可搭建203个展位的行政综合楼多功能展厅和集会广场，展览面积达8万多平方米。
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http://www.jianzhu01.com/Museum1007260246.htm
陕西历史博物馆
陕西历史博物馆位于古都西安大雁塔西北侧，筹建于1983年，1991年6月20日落成开放，是中国第一座拥有现代化的设施的大型国家级博物馆，是中国“4A”级旅游景点的陕西历史博物馆，属国家“七五”计划重点建设项目。被誉为“华夏珍宝库”和“中华文明的瑰丽殿堂”。由一组雄伟壮观的仿唐建筑群组成，占地7万平方米，建筑面积5.6万平方米。馆舍布局呈“轴线对称，主从有序；中央殿堂，四隅崇楼”的仿唐建筑群体，连廊庭院，参差错落，典雅凝重，气势雄伟，堪称陕西悠久历史和灿烂文化的象征。 馆区占地 65000 平方米。建筑面积 55600 平方米， 文物库区面积8000平方米，展厅面积11000平方米。馆藏文物多达 370000余件，上起远古人类初始阶段使用的简单石器，下至1840年前社会生活中的各类器物，时间跨度长达一百多万年。
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http://www.jianzhu01.com/Museum1007260245.htm
延安革命纪念馆
延安革命纪念馆是中国最早建立的革命纪念馆之一。在陕西省延安市王家坪。1950年7月成立。初称延安革命博物馆，馆址在南关原陕甘宁边区交际处院内，1951年2月，文物陈列室正式对外展出。1952年纪念馆迁到城内凤凰山麓，并改为现名。
该馆馆藏文物有3.5万多件，历史照片5500多张，图书资料1.2万余册。其中，一、二级文物有1700余件，延安时期出版发行的报刊杂志100余种。还有毛泽东、周恩来、刘少奇、朱德、任弼时、林伯渠的藏书、手迹石刻及办公和生活用品。毛泽东长征时用过的手枪，转战陕北时骑的马(已制成标本)为该馆的独藏。怀安诗社的诗画原稿，也是珍贵的藏品。
该馆展出面积3200平方米，展线长 400米，展出革命文物1300多件，历史照片200余幅，还有图表、油画、雕塑、模型等辅助陈列展品，介绍了陕北革命根据地的创建和发展以及党中央在陕北13年的革命历史。该馆举办过“延安革命文物展览”、“延安精神展览”，并赴外地展出。
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http://www.jianzhu01.com/Museum1007260244.htm
秦始皇兵马俑博物馆工程
秦始皇兵马俑博物馆坐落在距西安37千米的临潼区东，南倚骊山，北临渭水，气势宏伟，是全国重点的文物保护单位。
据史书记载：秦始皇嬴政从13岁即位时就开始营建陵园，由丞相李斯主持规划设计，大将章邯监工，修筑时间长达38年，工程之浩大、气魄之宏伟，创历代封建统治者奢侈厚葬之先例。当时，秦朝总人口约2000万，而筑陵劳役达72万之多。修陵家用土，取自今陵园以南2000米的三刘村到县采石场部之间，有高5～25米的多级黄土崖。修陵园所用大量石料取自渭河北的仲山、峻峨山，全靠人力运至临撞，工程十分艰难。工程量之大可想而知,仲山,峻峨山下死尸成片,侧面显示了整个工程的残酷.
秦兵马俑以其巨大的规模，威武的场面，和高超的科学、艺术水平，使观众们惊叹不已。古城西安由于有了秦兵马俑博物馆，很快就成了我国最重要的旅游城市之一。国内外游人纷纷慕名而来。来我国访问的外国元首和其他贵宾，多数都要把参观兵马俑列入日程。
这批兵马俑的艺术史上具有很高的价值。兵马俑的塑造，是以现实生活为基础而创作，艺术手法细腻、明快。陶俑装束、神态都不一样。光是发式就有许多种，手势也各不相同，脸部的表情更是神态各异。从它们的装束、表情和手势就可以判断出是官还是兵，是步兵还是骑兵。这里有长了胡子的久经沙场的老兵，也有初上战场的青年。身高达1.96米的将军俑，巍然直立，凝神沉思，表露出一种坚毅威武的神情。那个武士俑，头微微抬起，两眼直视前方，显得意气昂扬而又带有几分稚气。那个身披锨甲，右手执长予，左手按车的武士，姿势动作显示出他是保卫的车士俑。
总之，陶俑具有鲜明的个性的强烈的时代特征。这批兵马俑是雕塑艺术的宝库，为中华民族灿烂的古老文化增了光彩，也给世界艺术史补充了光辉的一页。
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http://www.jianzhu01.com/Museum1007260243.htm
大连星海湾广场
星海湾广场，中心广场面积４．５万平方米，总占地面积１７２万平方米，为纪念香港回归而建于１９９７年６月３０日。
广场上的汉白玉华表，高１９．９７米，直径１．９９７米；华表底座附有八条龙、柱身雕有一条龙，寓意九州；顶端蹲有一只金光闪闪的动物，俗称"朝天吼"，高２．３米。"朝天吼"，传说是龙王的儿子，有守望习惯。这里取盼望之意。广场中心仿效北京天坛圜丘，由９９９块四川红大理石铺就。大理石上雕刻着天干地支、２４节气和１２生肖，外围是金黄色的大五角星，周边由汉白玉石柱托起五盏大型宫灯，柱高１２．３４米。广场四周，安放着按周朝图谱铸就的９只造型各异的大鼎，每鼎刻一字，组成"中华民族大团结万岁"。寓一言九鼎。
中心广场内圆直径为１９９.９米，外圆直径为２３９．９米，分别寓意１９９９年、２３９９年时，大连建市１００周年、５００周年。
从广场中央大道中心点往北行５００米，是会展中心；往南行５００米，是蓝色的大海。中央大道红砖铺地，两侧绿草如海，每隔２０米设一个航标灯造型的石柱灯，象征着中国正面对大海，走向世界。
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http://www.jianzhu01.com/Museum1007260242.htm
Broward图书馆
原 名 称：Broward Library
建筑类型：公共图书馆
结构：预制板，混凝土，玻璃幕墙
气候：热带
风格：现代主义
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Location Fort Lauderdale, Florida map
Date 1980 to 1984 timeline
Building Type public library
Construction System precast & site cast concrete, curtain wall
Climate tropical
Context urban
Style Modern
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http://www.jianzhu01.com/Museum1007260241.htm
Hyvinkaa教堂
原 名 称：Church in Hyvinkaa
建筑类型：教堂
结构：混凝土
气候：冷凉
风格：现代主义
Architect Aarno Ruusuvuori
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Location Hyvinkaa, Finland map
Date 1959 to 1961 timeline
Building Type church
Construction System concrete
Climate cold temperate
Context urban
Style Modern
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http://www.jianzhu01.com/Museum1007260240.htm
视觉艺术图书馆
原 名 称：Visual Arts Library
University of California,Berkeley,1999-
加州大学伯克利分校， 1999年-
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http://www.jianzhu01.com/Museum1007260239.htm
北京首都博物馆
新世纪北京市标志性建筑之一的首都博物馆新馆工程，由中法联合设计，位于西长安街延长线白云路上，建筑为地上五层、地下二层，总建筑面积为六万平方米，建筑工程预算投资7.8亿元，是新中国成立以来，北京市投资规模最大的文化公益设施。 简介 地址：西长安街延长线白云路 首都博物馆新馆结构：建筑为地上五层、地下二层总建筑面积：63390平方米占地面积：2.48万平方米建筑工程投资：7.8亿元动工时间：2001年12月建成时间：2005年12月正式开馆…
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http://www.jianzhu01.com/Museum1007260238.htm
卡尔加里国家音乐中心
原 名 称：National Music Center
Allied Works建筑事务所荣幸的被选中设计加拿大卡尔加里国家音乐中心。该事务所，由Brad Cloepfil建筑师领队，将有机会“创建一种新的公共机构”，将是加拿大第一个包含博物馆，教育中心和表演大厅的综合中心。
建筑共有5层，包含具有历史意义的爱德华国王酒店，占地80000平方英尺的坎托斯音乐基金会。这一项目标志着卡尔加里东村重建的第一阶段，一个位于城市中心心脏部分的新的音乐区域的诞生。
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http://www.jianzhu01.com/Museum1007260237.htm
Pedro Almodovar纪念碑
原 名 称：Pedro Almodovars Monument
成本：80000欧元
Location: Calzada de Calatrava, Ciudad Real, Castilla-La Mancha, Spain
Budget: $80,000
Project year: 2007-2009
纪念碑位于Pedro Almodóvar的故乡La Mancha省的Calzada de Calatrava小镇。
设计竞赛要求将 Almodóvar的出生地与他的电影工作结合起来，着力表现这片土地上的文化和景观。该纪念碑的意念是向这片土地致意，符合这里平坦的天际线，让纪念碑成为Almodovar的取景框。大地景观成为纪念碑捕捉的画面。
层叠的形式来自于相机镜头的形状，同时，这种形式也让人们走上纪念碑，举行集会。这里是一处景观，也可举行音乐会和小镇上每年一度的Almodovar奖典礼。
公园位于一座小山上，通向小镇的公路上能看见纪念碑位于注目的位置。红色是对Almodóvar的纪念，他以运用红色而出名。墙的纹理和形状令人回想起他的电影。
This monument is situated in the home town of Pedro Almodóvar, Calzada de Calatrava, in the heart of La Mancha.
The competition asked about to link the birthplace of Almodóvar with his cinematographic work, strongly market with the presence of the culture and the landscape of his land. The main idea of the project was, in consequence, to honor La Mancha, fitting in the monument the flat skyline, like it was a frame of an Almodovar´s movie. The landscape remain captive into the monument.
The stepped form of the structure is inspired in a camera focus, as well as its shape, resolving at the same time the accessibility of the monument to be used as a meeting point, a belvedere of the landscape, a place for concerts or the Almodovar´s awards scene that the town concede every year.
The park where it is situated forms a little hill, that let the monument to be seen from the road arriving to the town and to have a big prominence.
The red colour is a wink to Almodóvar, who recognize himself with this colour. The walls are textured wih shapes that remains his films.
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http://www.jianzhu01.com/Museum1007260236.htm
惠林顿动物园阶梯剧场
原 名 称：Wellington Zoo Amphitheatre
项目面积：500平方米
Project Area: 500 sqm
Project Completed: 2007
惠林顿动物园阶梯剧场是一个多功能的表演大厅。设计师面临的挑战是，在预算紧缩的前提下构建一个充满实力和象征性意义的建筑。最困难的部分是，项目技术的创新性——剧场开放式的后方设计，在技术上做到了简单，形态上优雅大方，或者开放或者关闭。
The Wellington Zoo Amphitheatre is a multi purpose performance space. The primary challenge was to create a powerful and symbolic building with a very tight budget. The most difficult – and hence innovative aspect of the project – was opening up the rear of the theatre in a way that was technically simple, robust and yet elegant whether open or closed.
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http://www.jianzhu01.com/Museum1007260235.htm
华盛顿国家教堂访客中心
原 名 称：Washington National Cathedral Visitor Gateway
项目年限：2007 5
项目面积：16072
Lighting Design: SmithGroup
Project year: May 2007
Project Area: 16,072 sqm
该建筑位于华盛顿大教堂前方，该教堂是一座20世纪初的哥特式建筑。访客中心位于教堂周边，占地59英亩，由Frederick Law Olmsted Jr设计。这是美国首都的一个标志，具有历史地表意义。
The site is in the foreground of Washington National Cathedral in Washington, DC, a towering neo-gothic structure designed at the beginning of the 20th century. The building occupies a critical position on the 59 acre Cathedral Close, designed by Frederick Law Olmsted Jr. It is revered as a major landmark in the Nation’s Capital and is a listed on the National Register of Historic Landmarks.
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http://www.jianzhu01.com/Museum1007260234.htm
闾山山门
闾山山门
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101310055144_7.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260233.htm
宋庄艺术博物馆
原 名 称：Songzhuang Art Museum
宋庄艺术博物馆是首个公共设施先进，被公认的当代中国艺术村，位于距离北京城郊45分钟的通州区宋家庄。到2008年位置，这里居住着大约4000多名的艺术家，这个博物馆为这些当代艺术家提供了一个艺术展示平台。
位于底层的展览空间被构建成为一个欢迎场所，可举办展览，活动和休闲项目；二层是一个比较封闭的艺术空间，有着自然光线和庭院光线。在这里，周边的景致不是主要的欣赏目标，艺术才是主要的景观。
Songzhuang Art Museum is the first public art facility built in this well-recognized contemporary Chinese art village 45 minutes drive out of Beijing city. With around 4000 artists living in Songzhuang area by 2008, this Art Museum provides a platform for local community.
The exhibition space is lifted up to create a welcoming horizontal flow with multi-purpose on ground level, to host exhibition, events and casual common area. The second level is rather introversive art space with only sky light or courtyard light. The surrounding landscape does not necessarily intrude; here, art is the view.
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http://www.jianzhu01.com/Museum1007260232.htm
“浮现”的景观
原 名 称：Emerging Landscapes
综合设计公司Klab建筑事务所的“浮现”的景观设计允许项目功能随着季节的变换而变化。该项目是为冬季准备的一个小型会议中心，来年夏天，可变换为儿童夏季露营地。
该项目位于希腊主要山脉Pintos中心附近的一个小城Karpenisi，处于众多山脉之中，该项目有着浓重的传统建筑色彩：石墙，屋顶建筑，以及最小限度的占地面积。将传统的建筑色彩保留，是设计师要考虑的一个问题，因此Klab建筑事务所将重心放在了景观设计上，加入了生态设计策略。
The flexible mixed use design of KLab architecture’s Emerging Landscapes allows the project’s function to change as the seasons progress. The project is a small convention center for the winter months, and switches to become a summer camp for children during the second half of the year.
Located in Karpenisi, a small city in the Pintos central mountain range of mainland Greece, the project is situated in a mountainous area that has a strong traditional architectural typology of stone walled and roofed buildings constructed with minimal footprints. Keeping this architectural typology in mind, KLab Architecture’s project has a minimal impact on the landscape, while implementing ecological friendly strategies.
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http://www.jianzhu01.com/Museum1007260231.htm
迪和查尔斯•威利剧院
原 名 称：Dee and Cha les Wyly Theatre
项目面积：7700平方米
Location: Dallas, USA
Project Area: 7,700 sqm
Project year: 2006-2009
雷姆•库哈斯（Rem Koolhaas）设计的迪和查尔斯•威利剧院（（Dee and Cha rles Wyly Theatre以下简称威利剧院）处于达拉斯表演艺术中心，将是人们走进表演艺术中心后看到的第一个建筑。从远处看，剧院就好像是漂浮在半空中，那是因为一层楼的剧院大厅都是由玻璃幕墙合围而成。一层楼以上，一根根竖直的哑光钛金属条修饰的外立面呈现出丰富的质感，看上去就像是凝固的瀑布。
相比起库哈斯其他风格激进的建筑，威利剧院的外观看上去却仿佛温和得多，显得并不那么库哈斯化。不过每一个走进达拉斯艺术中心的人，当看见威利剧院的外立面能像舞台幕布一样缓缓提升时，相信都会惊叹不已。
在威利剧院中，库哈斯完全打破了以往剧院内各功能性区域的布局方式。他让剧院大厅独占一层，而化妆间、排练室、办公室等区域则被放在二至十一层，地下一层用作停车场。这样，整个剧院的附属区域对核心区域（剧院大厅）形成的是一种竖直、立体的包围，而不是传统剧院中附属区域在平面上围绕舞台建设的形式。
透过玻璃外墙，观众既能看见表演艺术中心外达拉斯商业区的繁华，也能欣赏艺术中心内的自然美景，而剧院外的人则可以看见剧院内部的观众和演出。一时间，表演者与观看者的关系变得模糊不清。剧院内，舞台上的人相对舞台下的人是表演者，而从一个更大的空间看，剧院内的所有人相对剧院外的人又都是表演者，但同时剧院外的人又丰富了剧院内观众的舞台体验。这时， 你才会感叹，原来库哈斯还是那个随时都企图颠覆传统的荷兰裔建筑师。
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http://www.jianzhu01.com/Museum1007260230.htm
美国Weisman艺术博物馆
“魏斯曼艺术博物馆”坐落在明尼苏达大学的明尼阿波利斯校园内，是一个教学博物馆，专门陈列20世纪的艺术品和当代艺术品。对于盖里来说，这个博物馆是一个特别的工程。因为在许多帮助成就他的建筑明星的荣誉的博物馆中，这是第一个。
“魏斯曼艺术博物馆”靠近密西西比河，面积为47,000平方英尺的大楼是一种波浪起伏的不锈钢结构，看起来似乎要翻下河岸。学生们亲切将它叫做“锡人”（Tin Man）。
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http://www.jianzhu01.com/Museum1007260228.htm
菲米尼圣·皮埃尔大教堂
原 名 称：Saint-Pierrede Firminy Church
勒·柯布西耶，法国现代建筑的巨人，在50年的职业生涯中，他的大作遍及欧洲、印度、和俄罗斯和南北美洲。作为勒?柯布西耶为菲米尼城设计的一组建筑中的最后的一个收官之作，该教堂直到2006年都尚未完工，此时距他去世已经有整整41年。其锥型顶在2000年由法国混凝土生产商拉法基提供的一种叫阿基利阿（Agilia）的特殊的混凝土构建而成。法国政府同意为这个从上个世纪70年代起停工了的建筑的收尾工程买单，但前提条件是只能作为艺术中心使用，因为法国法律禁止政府在宗教项目上花钱。
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http://www.jianzhu01.com/Museum1007260227.htm
杭州良渚文化博物馆
这个博物馆收藏了一些有关良渚文化的考古发现, 建筑本身的特点是跟整个公园的融合, 而整个公园的特点是水.整个博物馆建造在一个人造的地形上, 而这块人造地形也经过了人为的雕塑, 专为访客规划了一条景观通道和步行途径, 而交通工具则另辟了一条桥梁式通道直通停车场和入口的庭院. ( Liangzhu Culture Museum Hangzhou, China 2003 – 2008 )
整个博物馆由四个建筑体构成, 四个建筑体的边长同为18米, 高度错落, 形成一种建筑中独有的雕塑形式. 而沟通四个建筑体的是一个景观庭院, 这里同时也是整个博物馆的动线起始点. 整个博物馆的动线在设计上尽量蜿蜒曲折, 在蜿蜒之间则通过一些景观空间进行衔接.
博物的环境设计则尽量融入水的元素中, 而整个氛围则不过, 力求融入周边环境和整个公园中.
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http://www.jianzhu01.com/Museum1007260226.htm
世博会委内瑞拉馆
原 名 称：Venezuela Pavillion for Shanghai World Expo 2010
委内瑞拉政府发布了2010年上海世博会委内瑞拉馆设计方案。方案由委内瑞拉的青年设计师主创，通过富有创意而又不失本色的设计，届时将呈现给参观者一个持续性、参与性和民主性的展示空间。
基于物质匮乏和生活贫困等社会问题尚未得到解决，“还不能企望成为最好的城市”这一理念成为了委内瑞拉馆设计方案的出发点。为此，委内瑞拉馆将主题定为“美好生活、美丽城市”。目前，委内瑞拉正在经历一场社会、政治和经济的变革，其目的就将各阶层民众融入社会生活。委内瑞拉馆将集中体现追求美好生活这一主题，就是希望将那些长期被边缘化的人融入社会。
在设计方案中，委内瑞拉馆体现了多元化、包容理念及公民意识，融合了委内瑞拉建筑设计元素，表现了委内瑞拉多彩多姿的建筑风格，展示了委内瑞拉团结和睦、爱护环境和热爱自然的生活方式。
委内瑞拉馆的建筑结构源于中国传统中象征好运的8字形，同时也象征着委内瑞拉国旗上新增加的第八颗星。展馆中，既有表现加勒比海岸殖民时期西班牙“城堡”的建筑风格，也有表现现实中成为边缘化屏障的非正规居住区“贫民区”。同时，还有表现土著部落少数民族民居特点的“萨珀诺·亚诺马米和丘鲁阿塔·耶瓜纳”土著部落民居。另外，城市以外的农村和农耕地区也在其中有所展示。最后，是以中心广场为代表的城市：玻利瓦尔广场至今仍保留着西班牙殖民时期的传统，现在依然是聊天、聚会和漫步的场所。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009101911075754_8.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260225.htm
南港婚礼纪念堂
原 名 称：South Harbor Resort
性质：婚礼纪念堂
总面积：1816.46平方米
建筑面积：779平方米
总楼层面积：1241.86平方米
Program: Wedding Hall
Site area: 1,816.46 sqm
Building area: 779 sqm
Total floor area: 1,241.86 sqm
第一眼看到这个婚礼殿堂，你就不会选择其他的地方了。该大厅位于日本广岛市南部。这是一个丰富的自然美景，该建筑面向大海，只有一条道路分隔，另一侧是四周葱郁的自然森林，确实是新人们结婚的一个完美殿堂。
From the first time that you see the Marriage Hall, you will want no other place for your ceremony.The site is in the south of the city of Hiroshima, in the prefecture of the same name. It is a place of abundant natural beauty; the site faces the sea, separated only by a road, and is surrounded on the opposite side by verdant natural forests.
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http://www.jianzhu01.com/Museum1007260224.htm
北京天文馆新馆
新馆于2001年底在天文馆原址上动工兴建的，总建筑规模20000平方米，已于2004年的第四季度建成开放。主要的公共开放设施有：数字化宇宙剧场、 3D动感天文演示剧场、4D动感影院、天文展厅、太阳观测台、大众天文台、天文教室等。宇宙剧场，容量200席座位。引进国外先进的数字化天文放映设备，它由大型图形工作站和ADLIP激光投影设备组成，能生动形象地演绎壮丽的星空景象和人类探测太空的壮举。3D和4D动感天文剧场，其容量分别为48席和 196席座位。
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http://www.jianzhu01.com/Museum1007260223.htm
Birkimörk残疾人驿站之家
原 名 称： Birkimörk Halfway House
总面积：1560.8平方米
施工面积：430平方米
项目年限：2006-2007
Location: Hveragerði, Iceland
Site area: 1,560.8 sqm
Constructed area: 430 sqm
Project year: 2006-2007
这座杰出的公寓住宅位于Hveragerði低地区域，一个有着1700人居民的小镇，距离冰岛首都Reykjavík东部45千米。公寓南边是一座著名的山脉，小镇就在这座山脉的环山路上，这同时也是冰岛一条非常重要的高速道路。2001年PK Arkitektar建筑事务所受社会事务部之邀为Reykjavík严重残疾的青少年设计一个便捷设施。由于该项目的设计取得了成功，因此工作室再次受邀设计一座类似的建筑。
The remarkable apartment housing is located in the lowlands of Hveragerði, a small town of about 1,700 inhabitants that lies some 45 km east of Reykjavík, Iceland’s capital. Surrounded by an eminent mountain range to the north, the town is conveniently located on the Ring Road, Iceland’s most important highway. In 2001 PK Arkitektar was invited by the Ministry of Social Affairs to plan a facility for severe handicapped youngsters in Reykjavík. The project demonstrated to be successful and therefore the studio was again commissioned to design a similar building.
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http://www.jianzhu01.com/Museum1007260222.htm
荷兰Muziekgebouw 音乐剧场
原 名 称：Muziekgebouw
位置：荷兰 阿姆斯特丹 Piet Heinkade 1
获奖年限：1997
施工面积：15000平方米
Location: Piet Heinkade 1, Amsterdam, the Netherlands
Year of encha rgement: 1997
Year of completion: 2005
Constructed area: 15,000 sqm
这座新的音乐厅位于荷兰阿姆斯特丹，是为两个音乐公共机构而建：Ijsbreker剧场是现代音乐剧场，BIMhuis剧场是爵士乐和临时演出剧场。丹麦3XN建筑事务所在1997年赢得了设计竞赛头奖。
该建筑包括一个混凝土体块，玻璃立面，一个巨大的厚混凝土平板屋顶，向着海港的方向延伸；玻璃体块，悬臂box和覆盖屋面，对建筑外部层次与内部空间和功能关系做出完美解释。
The new Muziekgebouw in Amsterdam is the location for two music institutions in Amsterdam: the Ijsbreker for modern music and the BIMhuis for jazz and improvised music. Danish 3XN Architects won the competition in 1997.
The structure of the building consists in a concrete volume, surrounded by a glass façade and covered by a roof slab, oriented towards the harbour and the station; These objects, the glass volume, the hanged box and the covering roof, explain already from the exterior the hierarchy and the relation between space and functions.
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http://www.jianzhu01.com/Museum1007260221.htm
伏尔塔瓦遗址公园
原 名 称：Kamyk Heritage Park
波兰Tamizo建筑事务所和我们分享了他们最近的一个项目，伏尔塔瓦遗址公园。该公园旨在通过不同建筑功能和形式组合，构建一个小型村落，彰显当代风格。
公园地块坐落在波兰一个名叫伏尔塔瓦的一个小村庄内。公园面积庞大，周边村落景观丰富，中央有2个小池塘。整体概念的主建筑以及竞赛的第一部分是一个酒店以及婚礼礼堂。
Poland based Tamizo Architects have sent us their latest project, the Kamyk Heritage Park. The idea of the park’s concept was to create a kind of small village with a few different buildings/functions which mix village with contemporary style at the same time.
The plot is located in a small village in Poland called Kamyk. It’s quite big and it’s located in a village landscape plot with two small ponds in the center of it. The main building of the whole concept and a first part of the competition was a restaurant/wedding house building.
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http://www.jianzhu01.com/Museum1007260220.htm
露天图书馆
原 名 称：Open Air Library
项目面积：488平方米
成本：325000欧元
KARO Architekten
Location: Magdeburg, Germany
Project Area: 488 sqm
Budget: $325,000 Euro
Project year: 2008-2009
露天图书馆成立于2005年，在德国东部一个废旧的中心区而建，现已成为一个公共干预区：建筑师利用啤酒集装箱，按照1：1的模型用2天时间构建了这座露天图书馆，图书馆的书籍来自于公众的捐赠。附近居民暂时接管了这座露天图书馆，现有藏书20000余册。室外空间设计在2009年6月向公众开放。
The open air library, we established in 2005 in an abandoned district centre in East Germany has been started with a public intervention, using beer crates as building material: On the fallow site of the former district library a 1:1 model of a possible Open-Air-Library has been build up for two days and the shelves have been filled with book donations. The residents took over the energy of the temporary project and opened up an informal district library near the site which now offers more than 20.000 books. The outdoor space as an addition has been designed together with the residents and opened in June this year.
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http://www.jianzhu01.com/Museum1007260219.htm
维多利亚考古学博物馆
原 名 称：Archaeology Museum of Vitoria
总面积：6000平方米
总成本：900000欧元
设计年限：2002-2003
施工年限：2004-2009
Francisco Mangado
Site: Vitoria, Spain
Total area: 6.000 m2
Total cost: $9.000.000
Competition: 2000. First Prize Project Contest
Project: 2002-2003
Construction: 2004-2009
我们习惯于把一个考古学博物馆作为一个藏满琳琅满目历史真迹的珠宝盒。但不是所有历史，至少科学历史专家，是不能一直离开研究室和插上想象的翅膀，更多的人是耗其一生在实验室研究。我们更喜欢一些能够勾起我们回忆的历史，这些从不结束，存在于每个微小或者巨大的发现中，在观察者的眼中，一双异想天开的眼睛，依赖于它想要看到的，而不是真正看到什么。正是由于这个原因，该建筑虽然是小方块，尽管密集，但外部却给人以很大的启发，并且内部空间充满神秘感。这个空间既不是一个单纯的组织空间，也不是一个漂亮的遥远的建筑；他可以通过一个微小的陶瓷片段唤起人们的回忆，这些碎片，是时间的记忆和复苏。
We like to think of an archaeology museum as a compact jewel box concealing the treasure that history has entrusted to us piece by piece. But not any kind of history, or at least not the scientific history of experts, which does not always leave room for imagination and almost always exhausts itself. We like to think of a history to call our own, and which never ends, because it lives on in each small or large finding, and in the eye of the observer, a whimsical eye that relies on what it wants to see, rather than on what it actually sees. For this reason, the small box, though dense and hermetic on the outside, must be suggestive and magical on the inside. The space within can be neither a mere organizing element, nor a beautiful but distant architecture; it must have the ability to evoke places and people from a tiny yet resilient fragment of ceramic which has managed to survive, and which speaks of the fragility of time.
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http://www.jianzhu01.com/Museum1007260218.htm
Tarnow小礼拜堂
原 名 称：Chapel in Tarnow
这是一个小型的木结构礼拜堂，位于波兰中部维斯瓦河岸边一个小村庄Tarnów里，由私人投资修建（这在波兰来说非常罕见）。该教堂是作为地方社区一个冥想和祷告的地方而建。完全由木材搭建，除了有一堵玻璃墙之外没有任何其他的窗户，这堵玻璃幕墙是祭坛的背景。在教堂内部，你可以通过遥望河流和遥远的地平线达到安宁。
It is a small, wooden church built on a high bank of Vistula River, in a small village of Tarnów, by a private investor (which is quite uncommon in Poland). The church serves as a place of meditation and prayer for the local community. It is constructed entirely of wood, with no windows except for one glass wall, which serves as a background for the altar. Inside, you can find your peace by looking through the wall at the river and the distant horizon.
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http://www.jianzhu01.com/Museum1007260217.htm
赫尔辛基大学校园图书馆
原 名 称：The University of Helsinki City Campus Library
项目面积：32000平方米
设计年限：2008-2010
施工年限：2010-2012
Anttinen Oiva arkkitehdit
Location: Helsinki, Finland
Project Area: 32,000 sqm
Design year: 2008-2010
Construction year: 2010-2012
新图书馆代替了之前的商店，位于赫尔辛基校园中央。它将为四个院系教职员和学生提供服务：艺术系，社会科学系，法律系和神学系。之前这些部门分别分布在13个不同的地方。该建筑将设地上7层，地下4层，总面积32000平方米。底层平面和地下一层作为商业空间投入使用，并且连接到地铁站。
The new library replaces a former department store in the centre of Helsinki.It will provide services for academic staff and students of four faculties:Arts, Law, Social Sciences and Theology. These services are currently provided in 13 different locations. There will be seven stories above ground and four below ground, a total of 32,000 sqm. On the ground level and one level below ground, building provides also commercial spaces and connects to the public metro-line.
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http://www.jianzhu01.com/Museum1007260216.htm
上海世博会俄罗斯馆
12个塔楼、“悬浮在空中”的立方体和充满童话色彩的内部装饰……这座形似“太阳花”的2010年上海世博会俄罗斯国家馆设计方案日前在沪公布(如图)。俄罗斯馆占地6000平方米，是上海世博会最大的自建馆之一。
俄罗斯展区总代表俄罗斯工商会副总裁弗拉基米尔·斯特拉什科在接受采访时表示，俄罗斯将以最大规模的外国自建馆标准参展上海世博会。以“新俄罗斯：城市与人”为主题，俄罗斯馆将力图表现俄罗斯对现代城市的美好设想以及中俄两国之间不可分割的联系。
塔楼“跳环舞”
俄罗斯馆的主要设计元素是太阳、生命之花、世界树，因为古斯拉夫人认为，世界起源于“生命之树”。建筑方案中融入了俄罗斯环舞，俄罗斯民族服装颜色白色、红色和金色等元素。俄罗斯馆主要由12个白金塔、位于12座塔楼基础之上的立方体和内部设施组成。12座红、金、白三色相间的塔楼呈环形，外表挺拔，线条不规则，好比著名的俄罗斯民族舞蹈环舞的“建筑版”。俄罗斯馆的主要部分是中央方形的展厅，立方体的外观幕墙是动感的。夜晚，在专业灯光和屏幕的辅助下将带给人鲜活亮丽的视觉效果。
构建童话殿堂
前苏联著名儿童文学家尼古拉·诺索夫认为，最好的城市应该是最受孩子们喜爱的城市。因此，俄罗斯馆将建造儿童梦想中的城市。俄罗斯馆内部设计理念来源于诺索夫的作品《小无知历险记》，将呈现一个充满童话色彩的儿童花园城。
展馆分为“花的城市”、“太阳城”和“月亮城”三部分。参观者将在馆内隐秘的小路上找到神秘的感觉，也会有不少有趣的发现。
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http://www.jianzhu01.com/Museum1007260215.htm
上海世博会印度尼西亚馆
印度尼西亚馆占地4000平方米，将以“印度尼西亚的生态，多样化城市”的主题，描绘印度尼西亚的文化、生活方式、经济增长、创造性、创新及人与自然的和谐相处。
洪浩表示，印尼将在世博园区内自行设计、建造一座面积达4000平方米的国家展馆，在配合上海世博会“城市，让生活更美好”的主题的同时，体现印尼文化的多样性，让世人看到一个不断成长和富有创造性的民族，充分反映了人与自然、人与人的和谐共存。希望上海世博会能为包括印度尼西亚在内的各参展方提供一个精彩展示的舞台，为来自全世界的游客留下难忘的美好记忆。
Mari Elka Pangestu表示，上海世博会将是迄今为止规模最大的一届世博会，预计有7000万人次来参观。感谢中国政府为筹办本次盛会所做的努力。能参加这届历史性的世博会，印度尼西亚感到自豪。
“印度尼西亚的城市是超过200个民族的大熔炉，这就是为什么印度尼西亚的城市能如此吸引人们来居住。印度尼西亚的城市在推动经济、文化、科学、艺术、创新和生活品质的发展方面，发挥了重大的作用。上海世博会印度尼西亚国家馆将表现让这个国家的人民团结在一起的多样性。同时，它也将向人们展示印度尼西亚在地区事务中的领导地位。因为我们是一个开放的国家，开放的社会，印尼国家馆将为世界打开一扇窗，让人们看到印度尼西亚在包括海洋在内的自然资源、文化及创意、投资、贸易及旅游等方面多样化的发展潜力。”Mari Elka Pangestu说。
据介绍，印尼馆顶部将有数根竹子穿墙而出，竹子具有透气性好、韧性强等特点，是印度尼西亚传统与现代生活方式相结合的标志。印尼馆将通过采用木头、竹子等一系列天然环保材料，展示印尼对自然资源的良性利用。
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http://www.jianzhu01.com/Museum1007260214.htm
南非马篷古布韦演出中心
原 名 称：Mapungubwe Interpretation Center
该文化中心位于两河流域的交汇之处，是由南非建筑师彼得里奇(Peter Rich)设计完成。在此次活动中，它获得了文化类别奖。多种多样的圆顶房间是主要的构成元素，构造及其重要的一点在于保护了该地区的历史，同时为游客们上了一堂本地生态课。当地居民有意制造用坚固的土磁砖建造房屋，并且，他们将在自己的村庄里延用这些建筑方法。
Mapungubwe Interpretation Centre is sited at the confluence of the Limpopo and Shashe Rivers. The Mapungubwe National Park celebrates the site of an ancient civilization linked to the Great Zimbabwe trading culture in the context of a natural setting that re-establishes the indigenous fauna and flora of this region. The Interpretation Centre is set on the side of a mesa, formed from the dramatic geological events that resulted in the Limpopo River changing its course from flowing into the Atlantic Ocean to discha rging into the Indian Ocean.
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http://www.jianzhu01.com/Museum1007260213.htm
巴塞罗那CAM FRAMIS博物馆
原 名 称：CAM FRAMIS Museum
项目年限：2007
施工年限：2008
面积：5468平方米
Architect: Jordi Badia
Project: 2007
Construction: 2008
Area: 5.468 m2
新的Fundación Vila Casas博物馆位于22区，巴塞罗那市政府促进此原先的工业区重建为一个轻服务行业。现在该地区主要是高层建筑，大量建筑面积住房服务/高科技产业。
建筑的处手法是对比，周围的花园，提供一个安宁的生存空间，隔开喧闹的、高速的城市。以硬地为主的花园有许多树木，道路曲折，美丽的常春藤会在未来遮蔽建筑和树木。这两个建筑物的建筑学保存价值不大，目前荒废着。两个建筑物的主要价值在于它们的地点，因为原先用于农业用途，它们比现有的道路低1.5米。
The new Fundación Vila Casas museum is located in the 22@ District, an area where Barcelona City Hall has promoted a full redevelopment of a former factory/heavy industry zone by substituting premises with light service industries. It is now primarily a high-rise, heavily built-up area housing service/hi-tech industries.
With “Can Framis” we aim to play on contrasts, with a surrounding garden providing a tranquil breathing space away from the hubbub of speed and time. The mainly-paved garden will have many trees and winding paths which will embellish the cloak of ivy which already covers the environs and in the future will enshroud the building and trees.
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http://www.jianzhu01.com/Museum1007260212.htm
学习中心
原 名 称：Study Center
位置：葡萄牙 Viseu Fontelo公园
该建筑在施工时采用了全玻璃外立面，在不影响公园整体规划的前提下，和周边自然进行和平对话，在路的尽头搭建了这座学习中心，并且未破坏周边树种以及整体植被。室内设计师考虑到内部环境与周边的互动关系，因此构建一个可循环的空间关系，将使得周边从一个公众嘈杂的环境变为一个静谧学习的环境。
The transparency of the building the construction material used, establishes a pacific dialog with the surrounding natural environment without compromising the purpose of urban planning, in relation to the end of the road. The implantation of the building is done without damaging existing tree species. The interior special organization took into acc ount a more effective relation with the immediate surroundings, and predicted that the circulation would be made from the most public / noisy area to the calmer /study area.
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http://www.jianzhu01.com/Museum1007260211.htm
儿童娱乐中心
原 名 称：Childrens Recreation Centre
总面积：5250平方米
施工面积：1521平方米
成本：2631000欧元
Site area: 5,250 sqm
Constructed area: 1,521 sqm
Budget: 2,631,000
儿童活动中心位于一个乡间小城镇里，在农业仓库中间。方案设计充分考虑了场地的特殊布局特征：建筑物只能由一个狭窄的小路进入。
建筑主结构遵从并强化了城市形式，成为城镇与儿童场地间的结合点或缓冲区。从街道看去，主体建筑由于是单一体量并完全被细致的瓦片所覆盖，它与其他建筑物彼此相处。另一方面，面向花园一侧还为孩子们设计了一系列形态各异的彩色小房子。
The childrens recreation centre is located in a small rural town in the mi dst of agricultural warehouses. The plan takes into acc ount the particular layout of the site: the building can be accessed only through a narrow path that stretches into it.
The main structure follows and reinforces this urban pattern, thereby becoming an articulation, a filter between the town and the domain reserved for chidren. Seen from the street, the edifice blends in with other buildings thanks to a single volume enterely covered with mechanical tiles. On the other side, small coloured houses of varying shapes open onto the garden designed for the children.
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http://www.jianzhu01.com/Museum1007260210.htm
克罗地亚Lapidarium博物馆
原 名 称：Lapidarium Museum
项目面积：780平方米
项目年限：2003
施工年限：2006
Project Area: 780 sqm
Project year: 2003
Construction year: 2006
克罗地亚Novigrad Lapidarium博物馆，收纳了中世纪的纪念碑，建筑雕塑以及教堂室内陈设品，这些都来自于附近的大教堂。
该博物馆位于公园内部，与教堂和居住区相毗邻。与伊斯的利亚海岸其他历史城镇相比，Novigrad城有着一些特殊细节，这里有着大面积的公园城市历史雕塑。这对这个建筑项目来说，是一个有意义的重要特征。
Lapidarium博物馆包括2个建筑块和一个停车场。建筑师对残留的原有建筑进行了改建和规整。六角形混凝土建筑象征着洗礼池，内部保留了石质的祭坛。矩形建筑按比例对圣坛进行划分，并且在内部进行展出。
Novigrad Lapidarium Museum houses the collection of early medieval monuments, architectural sculpture and church furnishings, which all come from the neighboring cathedral.
Building is situated inside the park bordered by the cathedral and residential buildings on the other sides. One of the specifics of Novigrad, in comparison with other historical towns on the western coast of Istria, is that it has a large proportion of parks inside the historical city structure. This condition has been recognized as significant for the project.
Lapidarium is essentially two black boxes and the park. The boxes reconstruct the original rooms of the remains. The hexagonal concrete box represents the baptistery inside which the stone remains of the ciborium are displayed in their original position. The rectangular box is proportioned in relation with the altar partition exhibited inside it.
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http://www.jianzhu01.com/Museum1007260209.htm
棱镜画廊
原 名 称：Prism Gallery
PATTERNS近期设计了一座三层楼高的文化中心，位于美国加州西好莱坞。这中心被称为是“棱镜”，将成为一个艺术试验的基础建筑，对南加州的艺术进行重新定位。建筑正立面首次完全脱离了树脂基复合材料聚碳酸酯，设计灵感来自柔软的形式，对细部进行了修饰和整形；建筑外观具有双重美学，表现其塑料的材质以及活跃的内部特性：它将在白天是一个沉着有光泽的外表面，晚上变为半透明的材质。
PATTERNS has designed a new three story cultural center for West Hollywood, California. The center, known as Prism, will become a cornerstone of artistic experimentation, carving a new niche for the arts in Southern California. The facade will be the first in the nation to be constructed entirely out of a resin based composite polycarbonate. Inspired by automotive design supple forms, streamlined detailing and plastic finishes; the façade has a dual aesthetic performance associated to its plastic materiality and responsive to the lively energy of its context: it behaves as a reflectively glossy surface during daylight and as a translucent skin at night.
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http://www.jianzhu01.com/Museum1007260208.htm
纽澳军团纪念馆
原 名 称：Anzac Hall
项目面积：3000平方米
Project area: 3，000 sqm
位于澳洲首都坎培拉的战争紀念馆是坎培拉的重要紀念性建筑，坐落于安斯利山山脉，位处紐澳军团紀念广场(Anzac Parade)轴线底端，隔着格里芬湖（Lake Burley Grffin）和国会大廈遥遥相对。紐澳军团纪念馆是该战争纪念馆于2001年新扩建的展展览馆，由Denton Corker Marshall设计，此案贏得2005年澳洲最高建筑奖──皇家建筑师学会奖(Sir Zelman Cowen Award)。
战争纪念馆建于1941年，是一座拜占庭式建筑，从空中鸟瞰，建物呈十字形，中间交叉处是高高隆起的圆顶紀念堂。按首都计书规定，扩建的展览馆须位于原纪念馆后方外，从轴线上往此看，还不得被看见。为此，新展览馆选择和原纪念馆的拜占庭式建筑有着强烈对比的极简开体，以地景建筑手法巧妙的將大部分的量镶嵌入土坡，地面层露出低矮的墙体，和一大片顺著地形、朝著原紀念馆方向笼起並涂上保护色的屋顶。
新展览馆和原纪念馆间以玻璃和纲制成的桥相连，新展览馆的地面层沒有独立對外開放的出入口，访客须经由原纪念馆后方的桥方能进入。新展览馆的扇形平面是以原纪念馆的圆顶为中心勾勒出來，扇形的两侧和內缘为直线，外缘为曲线。挑高二层的扇形展览厅，总面长达3000平方公尺。像洞穴般幽暗的展览厅里头置放著博物馆的大型收藏品，包括战机、连送工具、坦克、大炮等；观众由桥廊进入新展览馆，站在入口平台处，旋即将下方的展品尽收眼底。
新展览馆以如战机机翼的钢制曲面屋顶回应原纪念馆的铜制圆顶，並在临原紀念馆面以一道混凝土墙和原纪念馆的石砌墙体相呼应。该墙两端凸出于扇形厅的两侧，以一曲一直的双层墙形式延伸並渐收如刀刃。墙面上除了连通桥和机道细长的窗洞外空无一物，简单的外观像是为了衬托原纪念馆而设计的屏幕。
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http://www.jianzhu01.com/Museum1007260207.htm
韩国海军博物馆
原 名 称：ROK Navy Museum
项目面积：11000平方米
参赛：2009
施工：2010
Project area: 11,000 sqm
Competition Year: 2009
Construction Year: 2010
G.Lab是韩国一个合伙人事务所，他们获得了韩国海军博物馆设计的一等奖。该设计反映了“朝鲜海军动荡的历史，以及无论男女共同为之服务的坚定信念”。博物馆设计灵感来自于不可预言的海洋形态，G.Lab*事务所设计的海军博物馆再现了海浪起伏的状态。在室内设计方面，创建了一个相互循环的路径，同时在多重空间内也相互编织相互交叉。
G.Lab, a department of Gansam Partners in Seoul, was awarded first prize for their design of a Navy Museum in Korea. The design reflects “the turbulent history of the Korean Navy and the unwavering spirit of the men and women who serve this branch.” Inspired by the unpredictability of the ocean, G.Labs form for the museum is an undulating mass that folds. On the interior, the volume creates a circulation path which weaves and intersects in multiple spaces.
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http://www.jianzhu01.com/Museum1007260206.htm
知识树纪念馆
原 名 称：Memorial for Tree of Knowledge
布里斯班的M3Architecture事务所已经完成澳大利亚昆士兰州的树纪念馆。澳大利亚工党1891年在知识树纪念馆项目的所在地成立。2006年树死以后，为了纪念这颗有历史里程碑意义的树，在澳大利亚昆士兰州巴卡尔丁小镇设立了纪念物。18米高的立方体状框架结构，挂上木材，模仿死去的树在1891年的树冠形状。树的根部可以透过玻璃地板被看见。纪念馆的设计的合作者是建筑师Brian Hooper。
Brisbane practice m3architecture have completed a memorial to a tree in Queensland, Australia. Called Memorial for Tree of Knowledge, the project marks the site where the Australian Labour party is said to have been founded in 1891. The remaining parts of the dead tree are framed by an 18 metre-high cube-like structure of hanging timber batons, intended to mimic the shape of the tree’s canopy in 1891. Its root ball is displayed beneath a glass floor panel under this canopy.
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http://www.jianzhu01.com/Museum1007260205.htm
中国国家画院美术馆改造
项口规模：占地面积2万平方，建筑面积3万平方米
权威：体现在对传统的回归和尊重，突出文化品格，尊重东方文化艺术的属性，体会笔墨精神
专业；对交流环境和专业气质的控制，而不是博物馆性质，强调对作品和策展不同主题活动的适应，营造活跃、宽松的氛围
代表最高美术研究院，未必最豪华而是文化的高度自信下的高境界，对原有建筑尊重，大局观，靓点设计；对画院整体记忆的尊重；大的形态保留、部分空间调整，关注发展线索现场综合条件后续发展的可能性最补实的空间必保的设备；空调、滑轨、灯轨等基础设施，据实际条件的展览需要设计灯光选型；节能，控制运行成本。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111714013347_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111714013347_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111714013347_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111714013347_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111714013347_5.jpg博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260204.htm
中国文字博物馆
中国首座以文字为主题的国家级博物馆、国家“十一五”期间重大文化工程——中国文字博物馆16日在甲骨文发祥地河南安阳开馆。
中国文字博物馆入藏文物4123件、辅助展品1058件,其中一级文物305件,不仅涉及甲骨文、金文、简牍帛书、汉字发展史、汉字书法史、少数民族文字等多个方面,更反映了中国文字发展史基本脉络,被誉为“一部让世人领略中华文明的景观式文字大典”。
中国文字博物馆总建筑面积34500平方米,主体馆高32.5米,主体建筑采用殷商时期的饕餮纹、蟠螭纹图案浮雕金顶,展现殷商宫殿“四阿重屋”的建筑效果,不仅隐含了中国文字文化内涵,也显示了在中国文明发展长河中举足轻重的地位。中国文字博物馆主体馆金碧辉煌的建筑外观与错落雅致的外部环境融为一体,显示了人文与自然高度和谐的哲学内涵。
中国文字博物馆陈列展览分为基本陈列、专题陈列和特别展览三部分:“中国文字发展史陈列”是基本陈列,5个展厅全面展示了汉字起源、发展和演变历程;“一片甲骨惊天下”是专题陈列,展现了安阳殷墟甲骨文的发现、发掘和研究历程;特别展览部分是“故宫博物院院藏中国历代书法展”和“民族文化宫博物馆馆藏民族文字文物精品展”。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009111814004648_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/nopic2.gif博物馆2010-07-26
http://www.jianzhu01.com/Museum1007260203.htm
达拉斯Winspear歌剧院
原 名 称：Winspear Opera House
崭新的达拉斯Winspear歌剧院对21世纪的歌剧院进行了重新诠释和定义，打破了传统壁垒，使歌剧更加容易让广大的观众走近接触。为了应对气候不断变化的达拉斯，设计师增加了一个太阳能天蓬，置于一个全玻璃的60英尺高的休息厅上方。这种方式使得室内外建立了一种直接的关联，同时也提升了歌剧院的透明度。在天蓬下方，是一个步行广场，作为达拉斯歌剧院的主要公共空间，同时也是一个艺术表演区。
The new Winspear Opera House in Dallas redefines the essence of an opera house for the twenty first century, breaking down barriers to make opera more accessible for a wider audience. Responding to the Dallas climate, a generous solar canopy extends from the building, revealing below a fully glazed sixty foot high lobby. This establishes a direct relationship between inside and outside, enhancing transparency. Beneath the canopy, which forms an integral part of the environmental strategy – a shaded pedestrian plaza creates a major new public space for Dallas, defined by the mas terplan for the Performing Arts District. The mas terplan was designed by Foster + Partners and OMA with Michel Desvigne.
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http://www.jianzhu01.com/Museum1007260202.htm
教皇约翰保罗二世会堂田园中心
原 名 称：Pope John Paul II Hall
总建筑表面积：1048平方米
设计年限：2003
施工日期：2008
Total built surface: 1,048 sqm
Design year: 2003
Construction date: 2008
新建筑位于东墙边上，这里曾经是一座服务大厦。这次翻修是要为朝圣者构建一个新的主入口，以满足朝圣人流聚集，整堵墙向内凹进，构建一个室外新的公共散步道和聚集区。
新建筑包括两个元素：一个普通结构的大厅和一个圆柱状的门廊，共同组建一个新的修道院公共广场。该大厅外立面由单一的陶土砖包裹，组成一个像素化结构模式，使得光线通过像素块透入到大厅内部。
The new building is situated by the eastern wall, where service buildings were previously located. With this reconstruction a new major entrance for the pilgrims has been created at that part, and in order to accommodate the pedestrian flow the whole wall has been recessed creating a new public walk on the outside.
The new construction consists of two elements: a generic volume of the hall and a columned portico that creates a new public square within the monastery. The Hall is cladded in a single terracotta-brick surface with a pixelated structure created by the changing gap between the elements, bringing the light in the hall.
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http://www.jianzhu01.com/Museum1007260201.htm
Pavilion 21迷你歌剧院
原 名 称：pavilion 21 mini opera space
业主：德国慕尼黑巴伐利亚国家歌剧院
楼层面积：560平方米（总面积）
占地面积：1790平方米
高度：12.5米
长度：38.5米
宽度：25.5米
Coop Himmelb(l)au建筑事务所为德国慕尼黑巴伐利亚歌剧院设计了一座临时性可移动的表演大厅。该大厅将在2010年歌剧节期间投入使用，该歌剧节每年一次，歌剧节结束后，该馆将在不同的地方被重新整合投入使用。设计师的设计目的是“给观众一个宁静的欣赏环境”，表演厅明显降低噪音度，创造一个安静区，游客可以感受到歌剧声音的不同变化。
Coop Himmelb(l)au has designed a temporary mobile performance space for the Bavarian State Opera in Munich, Germany. The pavilion will house performances during the annual Opera Festival in 2010, and once that festival is over, the pavilion will be reassembled in various locations. Designed to “give the impression of a quieter environment,” the pavilion reduces the apparent noise to create a ‘zone of silence’ where visitors can sense a change in the soundscape.
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http://www.jianzhu01.com/Museum1007260200.htm
Waiuku教堂翻修和扩建
原 名 称：Waiuku Church
成本：150万美元
Location: Waiuku, New Zealand
Budget: $1.5 M
Project Completed: 2006
该项目翻修和扩建了一座1960年时期的“A字形”老教堂。教堂内空间被重组，以扩大座位数，添加一个休息室，厨房，办公室和会议室。新教堂设计力求对社区开放，达到邀请Waiuku地区居民的效果。新加的简单体块与老的“A字形”体量相穿插，两边有镶嵌彩色玻璃窗。
The project involved the refurbishment and extension of an existing 1960’s ‘A-frame’ Church. The church space has been re-organised to increase seating capacity and a new lounge, kitchen, office and meeting rooms added.
Design intent focused around the need to open the facility up more to the community, to create a building which is transparent and inviting to the public of Waiuku.
A second simple form intersects the existing dominant A-frame structure, with significant amounts of glazing to each side.
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http://www.jianzhu01.com/Museum1007260199.htm
萨格勒布文化亭
原 名 称：Zagreb Pavilion
这个婉言的文化亭最开始是一个建筑展示亭，它的资金来源于社会基金支持。该亭子的地理位置由组织者和生产商确定，同时他们也确保了财政支持。萨格勒布亭是一个城市中被遗忘的公共空间的确认，这在整个构建过程中非常重要。
The Serpentine Pavilion is first and foremost a display of architectural virtuosity and through that an affirmation of the society that supports and funds that display. The site of the Serpentine Pavilion is chosen by the organizers and the production and financing was assured by them. The difference between the Serpentine Pavilion and the Zagreb pavilion begins with the sele ction of the site by the architects as a way of affirming what they feel is a forgotten public space in the city, which they feel is the most important goal of the entire endeavor.
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http://www.jianzhu01.com/Museum1007260198.htm
爱尔兰Knocktopher修道院
原 名 称：Knocktopher Friary
爱尔兰Knocktopher修道院 Knocktopher Friary
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http://www.jianzhu01.com/Museum1007260197.htm
Roca美术馆
原 名 称：office of architecture barcelona: roca barcelona gallery
Roca巴塞罗那美术馆作为Roca旗舰馆，最近刚刚在西班牙向公众开放。
Roca巴塞罗那美术馆是该公司计划在包括马德里、里斯本和伦敦开设的一些系列展示店的第一个完工项目。每一个美术馆委托给不同的建筑师设计，以实现对Roca品牌的不同展示和诠释。在巴塞罗那，Roca委托了Carlos Ferrater的OAB事务所来设计这个建筑。该建筑的主旨在于成为城市的一个设计标志、展示Roca最有意义的藏品，并且向公众介绍公司的现在与未来。
roca barcelona gallery, is the new flagship showroom of roca which has just opened to the public in the spanish city.
roca barcelona gallery is the first completed project of a number of showrooms which the company is due to open in madrid, lisbon and london. each gallery is commissioned to different architects in order to display different approaches or interpretations of the roca brand. in barcelona, roca commissioned carlos ferrater’s OAB (office of architecture barcelona) to createa building which aims to be a city design landmark, showcase some of the most interesting pieces by roca, and introduce the present and the future of the company.
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http://www.jianzhu01.com/Museum1007260196.htm
约翰内斯堡Circa剧院
原 名 称：Circa Gallery
在约翰内斯堡，想象你可以有这么一个地方，在那里尽情欣赏音乐，电影，畅谈，自然历史展，艺术展…….。对于来自MAS工作室的建筑师Pierre Swanepoel而言，这样的一座建筑，正位于约翰内斯堡CIRCA，它将从功能上，结构上，内容上成为一座艺术文化殿堂。该建筑位于Rosebank西南部艺术区，设计师将设计集中在“艺术”主题上，希望构建一所灵活多变，多功能的建筑，这里配备了所有艺术形式的成套设施，可使观众接触到各种类型的艺术。
Imagine a place in Johannesburg where you can enjoy music, film, talks, natural history exhibits, and art…. From early on, it was evident to the architect, Pierre Swanepoel of studioMAS, that CIRCA was to be ‘the’ venue to go to, a place to enjoy the best contemporary art on offer in Johannesburg; it would therefore need to function as a cultural gathering place. Forming an art precinct in the north western corner of Rosebank, its design focuses on a comprehensive way of looking at art and in so doing, creates a flexible, multi-purpose building, that gives the visitor complete exposure to all types of art within the ambit of supporting amenities.
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http://www.jianzhu01.com/Museum1007260195.htm
加莱里亚艺术中心
原 名 称：GALERIA DE ARTE PATRICIA READY
面积：2016 M2
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http://www.jianzhu01.com/Museum1007260194.htm
Cisnera社区中心
原 名 称：Cisnera Community Centre
项目面积：497.55平方米
成本：417982欧元
Project Area: 497.55 sqm
Budget: 417,982
La Cisnera是一个位于西班牙Tenerife岛Arico镇上的小乡村，地处Tenerife岛东南部。
新的社区中心和周边环境结合，主入口沿San José Obrero教堂，位于小镇的主要广场上。
La Cisnera is a small, rural settlement that has grown up along a roadside in the upper reaches of the town of Arico, located in the south-east of the Island of Tenerife.
The new Community Centre relates to its surroundings, with the main entrance placed at the level of the towns main square, alongside the Chapel of San José Obrero, and the line of the rooftop extending along the road at an inverse angle until it merges with that of the enclosure wall.
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http://www.jianzhu01.com/Museum1007260193.htm
艺术和建筑博物馆
原 名 称：nanjing museum of art and architecture
史蒂芬.霍尔设计的南京艺术和建筑博物馆接近完成，博物馆位于南京附近的国际建筑实践展的入口处。博物馆变换自己的视角，从而探讨中国画的空间感、雾和水墨的奥秘。博物馆采用了平行透视的处理手法，上层的结构物展览空间悬浮于空中，顺时针转动，并让游客远距离欣赏南京城市景观。
即将举行的展览，主题是城市主义：史蒂芬.霍尔+李虎
史蒂.芬霍尔将展示4个项目：南京艺术和建筑博物馆的过程，加上北京hybrid项目、新近完成深圳-大梅沙万科总部办公室/万科中心——横向摩天大楼、成都的孔隙片块项目，这些项目是2003-2009年间建造的。开幕式将于12月7日下午6时半举行。
Almost nearing completion is the nanjing museum of art and architecture by steven holl architects
is situated at the gateway to the contemporary international practical exhibition of architecture
in the green landscape of pearl spring near nanjing, china. the museum explores the shifting viewpoints,layers of space, expanses of mist and water, which cha racterize the compositional spatial mysteries of chinese painting. the museum is formed by a field of parallel perspective of spaces and garden walls in black rammed earth over which a light figure hovers. straight passages on the ground move into the winding passage of the structure above. the upper gallery is suspended in the air, unwrapping into a clockwise turning sequence and provides a view of the city of nanjing in the distance.
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http://www.jianzhu01.com/Museum1007260192.htm
黄山书画院方案设计
黄山在国人心目中有着非常重要的位置，干百年来人们惊叹大自然的鬼斧神工造就的黄山奇石、云海、怪松、温泉。历代文人墨客从黄山中汲取灵感，创作以黄山为题材的书画作品，成为国画中山水画的代表作品，这些书画艺术对国人产生深远的影响，为黄山增加了深厚的文人艺术氛围。
从规划到建筑 室内 景观 家具 标识指示系统整体设计，充分考虑现场各种因素，不同使用人群的感受，通过整体设计：提高建筑的品质，使建筑融入景观成为黄山的文化景观组成部分。
纬度以当地的土地、山林、沟壑、温度、阳光、风、雨等自然条件来体现当地特有的地域环境，纬度以尺度、空间、结构体系、表皮形式及物理特征等一切建筑语言作为建筑规划系统，如地方民居形式，民俗民间艺术、结合植被等。形成一种适应现场的建筑思想，是基于灵活的、随机的，互动的东方式的新现实主义思想，不是一种风格。建筑单体月相似的方法，构成技术条件和当代文化，与国际接轨。把建筑的文化艺术方面的因素重新归零，从现在起一切问题以纬度为原则从头思考，把生活的关照放在首位，这是纬度建筑的出发点，也是纬度建筑的创作动机黄山的山石与云雾奇松，曲径通幽形成独特的黄山风景的记忆，徽州的经典民飞砂走石的片段也是黄山文化的一个组成部分，我们的建筑是将黄山的自然气象和人文气质的精神提炼出来，结合美术馆展览，艺术家创作，以及各方面贵宾的现场体验，整合出一个融入黄山的景观建筑。
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http://www.jianzhu01.com/Museum1007260191.htm
北京798菊香书屋改造
项目规模：建筑面积300平方米
在798的菊香书屋，我们把方形门口改造成窑洞的拱门再生产
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http://www.jianzhu01.com/Museum1007230190.htm
北京751及再设计广场改造
范围：工业区，文化区，区域再生，城市特色区域例如老城改造
定义：对工业来说是业态转化，对厂区环境来说是环境文脉的转换，对具体的设备 设施 建筑物等硬件来讲是这些生命的延续，对城市来说是对核心生产力的再设计，对城市特色资源的再整合
价值：一方面是物体本身的生命的延续，另一方面是激活人类的思想，从而达到促进当下女化创意产业发展全新空间
工作重点：保障生命延续，这 工作包括对工业环境，语言的生命力的表达，充分尊重原工业环境，对构成元素的基本语言充分理解之后的再设计
评价标准：对原有环境文脉的尊重态度使我们有机会从中领悟到这个环境生命的脉动拾起这里的记忆，理清其中的线索从不同角度发现具有新生力量的潜在因素 这 是进行再设计的基础和依据
工作方法：考古式的调查研究，文化判断与定位，业态整合及规划，有针对性的政策研究与管理：景观、建筑、环境、设备改造
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http://www.jianzhu01.com/Museum1007230189.htm
房中房
原 名 称：Haus im Haus
项目面积：1000平方米
竞赛年限：2003
Project Area: 1,000 sqm
Competition year: 2003
汉堡商会想把他们在阿多尔夫广场的新古典主义建筑更好的利用起来，2003年的设计竞赛中Behnisch建筑事务所获得了这个在证券大厅中扩建一个多层构筑物的概念，新的建筑表达了对老建筑的尊重。
设计方案由五层新建筑组成，占据了大厅的一小部分，保持了大厅的自身特色，为会员和访客准备的创业中心、咨询、展览、俱乐部和会议室等功能空间像雕塑一样分布其间。最上层通向一个大屋顶露台，从这里可以通过一系列拱形天窗看到汉堡城市的屋顶景观。
Hamburgs Chamber of Commerce required a more intensive use of their existing neo-classical building on Adolphsplatz. The brief for the 2003 design competition anticipated the introduction of several additional floor levels within the existing Börsenhalle and a structure which respects the fabric of the historic building.
The design proposal adds a total of five new levels which occupy a relatively small proportion of the hall in order to preserve its generous spatial cha racter. A business start-up center, consultation, exhibition, club and meeting room facilities for members, guests and visitors are arranged in a sculptural manner.
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http://www.jianzhu01.com/Museum1007230188.htm
塔卡尔某教堂
原 名 称：Church(ita)
项目面积：200平方米
成本：64700美元
这里接近智利卡塔尔市最荒芜的犹太人区——Villa Las Americas，该教堂就位于这里，也是此地唯一的一所教堂，但它同样是公共项目社会议程的一个部分。
因为预算成本非常低，因此教堂的设施和配置至关重要，以保证诸如会议室，小型图书馆以后的维修问题。
Next to one of the city of Talca’s harshest ghettos –Villa Las Americas- this Church in Villa la Paz serves not only as a place for religious cult, but it also embraces a social agenda in terms of a community program.
Because of the budget being extremely low only the Chapel could be built. Consequently its configuration is crucial to maintain and promote the social complementary program such as communal meeting rooms and small library.
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http://www.jianzhu01.com/Museum1007230187.htm
城市媒体空间图书馆
原 名 称：Urban Mediaspace
面积：30000平方米
参赛：2009国际竞赛一等奖
状态：2011-2014年施工
Area: 30,000sqm
Competition: 2009, 1st prize, restricted international competition
Status: Construction period 2011-2014
随着公共阅读的平台以一种空前快速的速度发展，今天，自然意义上的图书馆开始逐渐转换成带有研究性，聚众性，社会性的新型建筑，这种建筑能够承载未来甚至我们所不能预料的一些活动。
一个好的案例是由丹麦SHL建筑事务所设计的“城市媒体空间”图书馆，该图书馆将于2014年竣工。这个项目属于城市复兴项目，它同时给丹麦奥尔胡斯的码头地区带来了革新意义。
As the publishing/reading platforms are changing at an unprecedented speed (Web 2.0, eReaders and the Kindle, an upcoming “Hulu for Magazines”), physical libraries have the challenge to be a place for research, gathering, socializing… being built today, to house activities in the future that we don´t even know yet.
A good example is the ongoing “Urban Mediaspace”, a project by danish practice Schmi dt / Hammer / Lassen Architects which will be completed by 2014. The project is part of a large scale urban renewal project to regenerate the docks area in Aarhus, Denmark.
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http://www.jianzhu01.com/Museum1007230186.htm
二十一世纪博物馆
原 名 称：MAXXI Museum
启动时间：1999
竣工：2009
建筑面积：27000平方米
Year of encha rgement: 1999
Year of completion: 2009
Constructed area: 27,000 sqm
打开扎哈.哈迪德的官网，主页上显示了一个项目方案平面上的不同链接；这个项目就是罗马的MAXXI——二十一世纪艺术博物馆。这从侧面说明MAXXI在扎哈各项目中的重要性。最近，该博物馆经历了十年的设计与建造后终于向公众揭开了面纱。
在这次开放活动中，人们可以感受到纯粹而空旷的建筑空间，因为随后艺术品会在冬天完成安装和摆放。而正式开幕仪式定在2010年4月的某天，到时建筑会展示出一个更加丰富的形象。扎哈曾表示，该博物馆“并不是一个容器，而是一个艺术品营地”，在这里走廊和天桥相互叠加和连接，创造出来了一个具有生机的动感空间。
Opening the website of Zaha Hadid Architects, the home page shows the various links of the practice on a schematic plan; it is the plan of MAXXI, Museum of Arts of the XXI century, in Rome. This side-fact indicates the importance of MAXXI among the projects made by Zaha Hadid. The museum was recently completed, after ten years, and opened on preview to the public.
Archdaily was invited to the preview, so it was possible to experience the spaces while empty – the art collection will be installed during winter, the official opening will take place on April 2010 – and have a direct impression of the building. As dec lared by the architect, the museum is not a object-container, but rather a campus for art, where flows and pathways overlap and connect in order to create a dynamic and interactive space.
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http://www.jianzhu01.com/Museum1007230185.htm
哥本哈根集装箱展览馆
原 名 称：COP15 COP15 Pavilion
哥本哈根总体的城市发展目标是使歌本哈根成为一个可持续性城市发展的国际杰出例子。北部港口展览厅的开发也是以这种价值观念为基础。这个可持续性的由集装箱建成的展览厅由建筑设计公司MAPT同哥本哈根市相关部门共同合作开发。
这不是循环再用，而是上升循环方式
MAPT以摇篮到摇篮的方法为基础，在这项工程中运用了使用且扔掉的方法。这种构思非常简单：使用像旧的，空的集装箱这样的过剩产品并使它们再次具有某些价值。通过这种方式，不管这些材料最初的用途是什么，你都可以将一种可持续性的解决方法变成一种非常独特的方法。
The City of Copenhagens overall goal for the citys development is that Copenhagen will become an international, outstanding example of sustainable urban development. The same values form the basis for the framework of the North Harbour Exhibition. The sustainable container-pavilion has been developed by the architect’s office MAPT in collaboration with the City of Copenhagen.
This is not recycling; it is upcycling.
With its pavilion project in the North Harbour Exhibition, MAPT has based its approach on the cradle-to-cradle principle, consigning the use-and-throw-out approach to the graveyard. The idea is simple: take a surplus product like an old, empty shipping container and give it some value again. In this way you have a supremely sustainable solution which can quickly be made exclusive in spite of the materials’ original use.
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http://www.jianzhu01.com/Museum1007230184.htm
Roy McMurtry青年中心
原 名 称：Roy McMurtry Youth Centre
项目面积：20438平方米
Project Area: 20,438 sqm
这快地占地40英亩，之前是一片农业用地。周边都是独立式家庭住宅，这里是加拿大多伦多郊区地带。建筑对现有的一座女子监狱以及两座建筑物进行清理后，翻修成后来的青少年中心。项目一共增加了8座建筑物，为现有的192名青少年罪犯提供服务，其中有32个男孩和女孩，年龄从12岁到17岁不等。在超过300名的工作人员中，包括志愿者，家庭成员以及来访者。
The site is an existing 40 hectare institutional site which was initially surrounded by agricultural fields. The Surrounding Community is now single family, suburban housing outside the Greater Community of Toronto. The site was cleared of an existing women’s prison, with the exception of two buildings, which were maintained and renovated as part of the Youth Centre. Eight new buildings have been added to the site to provide services to 192 youth offenders, 32 girls and boys, aged 12 years to 17 years old. Over 300 staff members, volunteers and family members and visitors are included in the Immediate Community of the Youth Centre.
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http://www.jianzhu01.com/Museum1007230183.htm
“木网”展示亭
原 名 称：Woods of Net
类型：艺术，文化展亭
这个永久性的“木网”展示亭，为日本艺术家Toshiko Horiuchi Macadam而设，与结构工程师TIS合伙人事务所共同承办。
这个展示亭位于日本本州岛箱根露天博物馆，这是日本最受旅客欢迎的独特的开放式的博物馆。这个“木网”展示亭内收纳了博物馆40周年纪念活动的部分艺术藏品。
Now we present you Woods of Net, a permanent pavilion for japanese net artist Toshiko Horiuchi Macadam, in collaboration with structural engineers TIS & PARTNERS.
The pavilion is located at the Hakone Open-Air Museum, a unique open museum located in one of the most visited tourist spots in Japan. Woods of Net was added to the collection of art works as part of their 40th anniversary.
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http://www.jianzhu01.com/Museum1007230182.htm
乌德勒支大学图书馆
原 名 称：University library Utrecht
业主：乌德勒支大学
Client: Utrecht University
路易斯波拿巴宫殿建于1807年，位于乌德勒支历史城区中心部分，近些年，荷兰乌德勒支大学对这座建筑进行了一次彻底的重新设计和规划翻修。现在，乌德勒支大学图书馆中心最重要的部分以及入口处工程已经竣工。图书馆能够供应周边8.5公里的人群使用，有350个课桌，并且设有单独研究室。
设计以为教育和研究，为职员和学生，为大学和城市创造一个自然的聚会地点的概念为基础。在这里，学生和书籍处于中心的地位。建筑需要方便人们通行，具有透明感，有魅力，有代表性并能给人带来放松之感。在设计方面，设计师不仅使建筑具有了功能性和实用性，也突出了每个建筑的本质特征和其空间布局，每个建筑都有独特之处，同时它们也能起到相互补充的作用。材料，细节和颜色方案都是经过精心挑选的，它们创造出了建筑的统一性。设计师同样也注意到了各个建筑的内部装饰，例如学习桌和阅读桌，信息查询机，图书馆柜台等设施的设置。大多数的学习区域位于图书馆前部，书架和学习区域处于同一个角度，这是一种开放式的布局安排。这种布局使得整个图书馆非常的明亮且透明，它创造出了一种具有吸引力的让人可以勤奋好学的环境，在这里，学生们可以在书架边随意走动享受休闲时光，也可以在某些区域和朋友交谈。
The former palace of Louis Bonaparte built in 1807, situated on the Drift in the historic city centre of Utrecht, has undergone a total redesign over recent years. The first and most prominent part of the Universiteitsbibliotheek Binnenstad (University Library City Centre) and the main entrance to the Drift cluster on the Drift are now complete. The library accommodates an 8.5 kilometre collection and 350 study desks and carrels.
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http://www.jianzhu01.com/Museum1007230181.htm
“慢食”食物品尝亭
原 名 称：Slow Food
2008国家慢食节——第一个可持续食物大型庆典在旧金山梅森堡亭于五一期间展开活动。这个“食物品尝亭”由该地最著名的设计公司Sagan Piechota建筑事务所设计。设计师在活动前几日就设计安装好了泡菜腌肉和酸辣酱的展示亭，特别的，展厅的墙体是用腌肉汁罐制作而成，而天花板是用3000多个砖瓦罐悬挂在电线上制作而成。
Slow Food Nation 2008–the coun trys first major sustainable foods celebration took place over Labor Day weekend at Fort Mason San Francisco. Individual “Taste Pavilions” fabricated from repurposed materials were designed by the Bay Areas most celebrated design firms. Sagan Piechotas design for the pickle-and-chutney booth—assembled just days before the event—featured walls made of pickle jars and a ceiling composed of 3,000 mason jar lids suspended from wires.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2009122310405549_6.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230180.htm
Ingleside图书馆分馆
原 名 称：Ingleside Branch Library
这个设计获得了2002年旧金山公共图书馆设计国家竞赛奖项，施工于2009年9月竣工。该图书馆位于海洋大道上拐角处，设计包括一个主阅读室，儿童阅读室，活动室，工作人员空间和室外花园。为了遵循城市网格系统以及L形的设计方案，主阅览室和活动室共同构成一个中心庭院。室外包含两个主要建筑元素：一个鸡蛋造型的弧形空间和一个高大的天蓬屋顶。
This design for this branch library won a national competition held by the San Francisco Public Library in 2002 and construction was completed in September 2009. Located on an Ocean Avenue corner lot, the design consists of a main reading room, children’s reading room, community room, staff support space and an outdoor garden. Adhering to the urban grid, the L-shaped scheme allows the main reading room and community room volumes to flank and define a central courtyard. The exterior has two major architectural elements: an egg-shaped room and the high canopy roof.
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http://www.jianzhu01.com/Museum1007230179.htm
伊斯坦布尔SSM音乐厅
原 名 称：SSM Concert Hall
项目面积：2000平方米
项目年限：2007
Project Area: 2,000 sqm
Project Year: 2007
Constructıon Year: 2008-2009
在伊斯坦布尔，博斯普鲁斯海峡代表了欧洲和亚洲最大的鸿沟，并且，通过这里的船只必须保持大小相同的尺寸，周边用织物包围。事实上，这样的情形应该给予取缔和清理。但因为这个原因，对于此地的一座建筑来说，也许构建一座几乎看不到的建筑是最好的方法。
因此，设计师在构建“室内管弦乐队”音乐厅时，将其安置在博斯普鲁斯海峡岸边的一座校园博物馆内，设计师们知道，他们必须建造一座“无形”的建筑。它不应该被看到，除非被指出，提到或访问：他们决定建立一个地下结构。
The Bosphorus in Istanbul, which expresses most sharply the divide between Asia and Europe, is one of the places that must be preserved unchanged with the boats both large and small that go through it and the fabric that surrounds it. In fact, its surroundings should be slightly weeded out, thinned down, cleaned up. For this reason, it would be best if buildings to be constructed in this area be, to the greatest extent possible, composed, set back, and almost invisible.
Therefore, when we started working on a ‘concert hall for chamber orchestra’ in this area, to be located on a museum campus situated almost immediately on the shore of the Bosphorus, we knew that we had to design an invisible building. It should not be seen unless pointed out, mentioned, or visited: We decided to build a structure underground.
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http://www.jianzhu01.com/Museum1007230178.htm
圣本笃小礼拜堂
原 名 称：St. Benedikt Chapel
项目面积：17.1平方米
Project Area: 17.1 sqm
一座位于老科尔伯莫尔纺纱厂公园中由一个小型教堂，叫圣本笃教堂。游客们要进入到这个这个小教堂，要通过一个高大的入口，入口有一个小的钟楼：教堂钟楼与教堂的典型形象没有放弃，而是与现代精神的重新解释。
Standing isolated in a clearing in the mi ddle of the park of the old Kolbermoor spinning mill is the Chapel of St. Benedict.
Visitors enter the sacred space by passing through a tall entrance portal that contains the chapels small bell: the classic image of the church with its bell tower is not abandoned, but rather reinterpreted with a modern spirit.
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http://www.jianzhu01.com/Museum1007230177.htm
阿盟孔德斯市立剧院
原 名 称：CENTRO CIVICO Y TEATRO MUNICIPAL DE LAS CONDES
22000 M2
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http://www.jianzhu01.com/Museum1007230176.htm
歌剧节罗马采石场舞台
原 名 称：Redesign of the Roman Quarry disposed Opera Festivals
项目年限：2005-2006
施工年限：2006-2008
Project Year: 2005-2006
Contruction Year: 2006-2008
在一个罗马采石场观看节目对每一位观众来说，无疑是一次独特的经验，无论是古典音乐爱好者还是本地居民带着他们的朋友们作为业余爱好者来观看这一年一度的激情演出，这都是一次独特的体验。
在柔和的夏夜，露天表演或者演唱，远离城市街道的喧嚣，即便是一个不是特别懂得歌剧和充满激情的游客，也对这种形式无法抵挡。
A show in the Roman quarry doubtless is a unique experience for every visitor， whether it is the classical-music lover enjoying a performance of the opera festival or a local watching the annual passion play with his friends as amateur actors.
The playing and singing under the open sky on a gentle summer night， far away from the noise of the street is an experience that even the average visitor who is not too much into opera and passion plays will find overwhelming.
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http://www.jianzhu01.com/Museum1007230175.htm
新加坡MINT玩具博物馆
新加坡玩具博物馆位于Seah 街，面对历史建筑Raffles 饭店的边门。这里原来是一座店铺，只有5.5 米宽、27.5 米进深。新建筑的高度受到了规划法规的限制，所以只有5 层高。
博物馆的前后两边都是商店，为此需要控制自然光照能够进入到展厅中。博物馆对紫外线很敏感，如果暴露时间太久，展品会褪色坏掉。
为了解决这个问题，博物馆的立面采用玻璃。一系列26 块弯曲边角的玻璃板夹在铝板之间，从二楼延伸到屋顶。这样一来就可以通过玻璃边角控制进入展厅的阳光。弯曲变焦的玻璃形成了水晶般的立面，虽然简单，却富有动感，非常吸引人。这是一个外形简单的现代盒子结构，容纳了古董玩具。
博物馆内不是一个没有梁柱的空间，展区相互用扶梯和楼梯连接。展区布置很灵活，既可以形成小小的“玩具盒”，也可以与大块的空间并列。屋顶是一个开放式的平台，可以看到城市景观，也可举办活动等。
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http://www.jianzhu01.com/Museum1007230174.htm
和平鸽教堂
原 名 称：Dove of Peace
北京Sunlay设计事务所设计了新教教堂，位于内蒙古，该设计是土地的地形中找寻的灵感。该建筑位于鄂尔多斯山顶部，名为“和平鸽”，外形是一个拿着橄榄枝和抽象的现代鸟类轮廓。混凝土外墙，教堂的颜色粉刷成了周边道路的色系。
Beijing Sunlay Design Office designed a Protestant Church in Inner Mongolia that takes its inspiration from the lands topography. Set on top of a hill of Ordos， the scheme， entitled “Dove of Peace” gives its metaphor and poetry to the church by re-interpreting a contemporary and abstract silhouette of the bird carrying an olive branch. Made of concrete and with the facades finished in white crepi， the church’s form follows the adjacent curved road that crosses the site.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011211000753_9.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230173.htm
Lackenbach文化城堡
原 名 称：Schloss Lackenbach
施工年限：2007
Construction Year: 2007
这是一座古老的文艺复兴时期的城堡，位于奥地利布尔根兰州，业主请到品质优良的AllesWirdGut建筑事务所对这座古老的城堡进行翻修和重建，在现有基础上增加现代感的设计。设计的前提是，对主要区域进行重新构建。
设计师设计了一个新的入口大厅，对花园也进行了完全改建，并且增加了一个现代展览及活动场地，创建出一个和谐的氛围。
With subtle and well-tempered architectural interventions at Schloss Lackenbach， the history of one of the oldest Renaissance castles of the Burgenland is continued， and existing time layers were accentuated with contemporary design. The entire premises were restructured in their main areas.
The renovation of existing buildings， the design of the new entrance pavilion and the comprehensive redesigning of the gardens all produced individual solutions that added up to a harmonious ambiance for a contemporary exhibition and event venue.
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http://www.jianzhu01.com/Museum1007230172.htm
济州艺术博物馆
原 名 称：Jeju Provincial Art Museum
总楼层面积：7082平方米
建筑面积：4326平方米
Gross Floor Area: 7，082 sqm
Building Area: 4，326 sqm
济州岛的自然风光为艺术博物馆增添了文化底蕴。它位于汉拿山脉，通过对建筑材料的精心选择和从室内看室外的视觉效果，强调了周围的自然环境。
建筑的平面流线是环形，室外和室内都能展览。它的功能是研究，保护，展览，教育。它的基本几何形状是立方体，用立方体去容纳艺术品和室外的自然环境。简单和理性的形式可以敏感的反映光和自然。
The natural beauty of Jeju Island serves as a backdrop for the artistic cultural experience of this museum. Situated within the Halla Mountains， the design accentuates the surrounding natural environment through material selection and carefully designed views to the exterior.
The museum plan is designed as a circulation loop， creating exterior and interior exhibition space. The program of the museum is planned for research， conservation， exhibition， education， and exhibition.
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http://www.jianzhu01.com/Museum1007230171.htm
圣约瑟夫教堂
原 名 称：St. Joseph Chapel
位于乌德-盖斯特尔（Oud-Gastel）靠近维尔肯斯唯格（Veerkensweg）的圣约瑟夫教堂是上世纪三十年代末建成的。考虑到去教堂做礼拜的人在逐渐减少，高柏伙伴公司接受委托，开始调查邻近住宅综合楼莫兰韦德的配套服务中心重新安排在现有教堂内的可行性。
高柏在向纪念碑和历史建筑保护委员会 (Committee for the Preservation of Monuments and Historic Buildings) 进行全面咨询之后提出设计方案。设计的主要原则是尽量保存教堂内部的空间感和砌砖圆拱顶。高柏决定将新增的空间（类似一个办公室）像夹层一样部分安排在教堂内，部分安排在教堂外。在内部，会议室是最重要的功能区，被玻璃拱顶覆盖着。教堂的入口和地面层尽可以保持开放型的设计。在教堂的正面使用了双层落地窗，这样更多的阳光可以照进来，同时又与绿色的内庭形成呼应。
新增部分的建筑结构明显透出现代气息，并且不会让原先砖砌的教堂在外观上有逊色之感。贴锌的新入口在形状上与拱顶相呼应，这一形状决定了内部的造型。人们可以很明显地看出走廊是新增的建筑部分。除了木质地板外，走廊全部由玻璃建成，这样仍然可以看到原来的正面。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010011513213057_7.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230170.htm
里瓦斯-巴西亚马德里青年中心
原 名 称：Rivas Vaciamadrid Youth Center
项目年限：1834平方米
成本：2344502欧元
项目年限：2006
施工年限：2009
Project Area: 1.834 sqm
Budget: 2.344.502
Project Year: 2006
Construction Year: 2009
从一开始该项目就被认为是一个凸现“地下文化”的机会，这座建筑的设计力图全面展现马德里周边青少年的各种蓬勃朝气，特别是里瓦斯的青少年团体。
借助于适当的运用他们的语言和意见作为其中的元素，这个项目希望自己能成为一个特色鲜明的“青少年”交流媒介。这样，该项目团队通过一个开放分享的流程深入了里瓦斯所有的青少年团体，在这个流程中，中心未来的使用者与技术专家与政治家一起，贡献出他们的判断，他们的关注点，他们的梦想，以及他们的审美，来打造这座当代的“社交典范”。
From the beginning， the project was conceived as the possibility of making the “underground” visible， a construction devised as a radical manifestation of Madrid’s outskirts youthful spirit in general， and of Rivas´ youth groups in particular.
The end result of this process is a public structure with a punk spirit， intensely burdened with content and articulated around programmatic centres conceived as activity explosions， which are erected as meeting and exchange points of the emerging communities.
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http://www.jianzhu01.com/Museum1007230169.htm
锡拉库扎希腊剧院
原 名 称：2009 Greek theatre of Siracusa，Italy
Site: Greek theatre of Siracusa， Italy
Date: 2009
Type: Realized project
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http://www.jianzhu01.com/Museum1007230168.htm
立陶宛现代艺术博物馆
原 名 称：Lithuania，Vilnius
总面积：14000平方米
Lithuania， Vilnius
International Competition (Invitation)
Program: Modern and Contemporary Art Museum
Project: Massimiliano and Doriana Fuksas
Client: The Solomon R. Guggenheim Foundation
Total Area: 14，000 square meters
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http://www.jianzhu01.com/Museum1007230167.htm
顶点大剧院
原 名 称：ZENITH
总面积：8100平方米
2008 France，Amiens
Total area : 8100 m2
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http://www.jianzhu01.com/Museum1007230166.htm
雷恩都城博物馆
原 名 称：Rennes Metropole Museum
法国建筑摄影师斯特凡沙尔莫(Stéphane Chalmeau)与我们分享了法国建筑师Guinée et Potin设计的雷恩都城博物馆。
该项目是2006年举行的一个生态博物馆竞赛的获胜作品，它包括展览空间，接待和行政办公室，这些都被包裹在一个木制的“皮肤”里。
French architectural photographer Stéphane Chalmeau shared with us the Rennes Metropole Museum by french architects Guinée et Potin.
The project is the result of a competition held in 2006 for an Eco Museum， and it includes exhibition spaces， reception and administrative offices， wrapped in a wooden skin.
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http://www.jianzhu01.com/Museum1007230165.htm
萨尔瓦多公墓
原 名 称：CEMETERY OF EL SALVADOR. OVIEDO
面积：70092平方米
成本：1382385欧元
Project 1996 • Completed 1998 • 70.092 m2 • 1.382.385 .
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http://www.jianzhu01.com/Museum1007230164.htm
金山城堡博物馆
原 名 称：Museum of Kanayama Castle ruin
2009.5
性质：办公室 ，博物馆
面积：1676.89平方米
Kanayama Community Center
Ota city， Gunma， Japan
2009.05
museum， office
1676.89m2
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http://www.jianzhu01.com/Museum1007230163.htm
记忆博物馆
原 名 称：Memory Museum
圣保罗Estudio America建筑事务所近日完成了一座新的记忆博物馆，该馆位于智利首都圣地亚哥Matucana文化区。
该事务所具有圣保罗建筑背景，受到巴西现代运动派建筑师的巨大影响，如奥斯卡尼迈耶（Oscar Niemeyer），门德斯沙帕（Mendes da Rocha），丽娜柏巴蒂（Lina Bo Bardi）。反映到这个建筑上的结果是什么呢？那就是这样一个纯粹的体量。精心设计的结构悬跨在两个水池之上，格外吸引人。整体风格简洁朴素。
矩形体量之下是招徕参观者的灰空间，人们可以从这里穿过一个小门厅进入到这个三层高的集装箱展示空间里。观展流线沿外围展开，人们在观展的同时，也能透过穿孔铜板表皮获得完美的室外景观。
这是一个单纯的体块，建筑师把所有的重点放在了结构上，在两个基座建筑之上架起一个长悬臂体块，简单大方低调。
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http://www.jianzhu01.com/Museum1007230162.htm
三得利美术馆
原 名 称：Suntory Museum of Art
2007 01
性质：博物馆
面积：4663.23平方米
Minato-ku， Tokyo
2007.01
Museum
4，663.23 m2
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http://www.jianzhu01.com/Museum1007230161.htm
长崎县艺术博物馆
原 名 称：Nagasaki Prefecture Art Museum
2005 3
性质：博物馆
面积：9900平方米
Nagasak
2005.03
Museum
9，900m2
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http://www.jianzhu01.com/Museum1007230160.htm
东京农业大学粮食和农业博物馆
原 名 称：The
2004 03
性质：大学
面积：3465.15平方米
Kamiyouga， Setagaya-ku， Tokyo
2004.03
University
3，465.15m2
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http://www.jianzhu01.com/Museum1007230159.htm
海风公寓
原 名 称：Ocean Breeze Apartments
预算：1120万美元
Budget: US $11.20M
这座倍受期待的廉价老年人公寓终于完工，它位于美国加州圣莫尼卡14号大街1458号，被称之为海风公寓。前天，圣莫尼卡市的政府官员和显要人士参加了建筑的完工庆典，其中包括议员Richard Bloom、圣莫尼卡市住房和经济发展部的官员和MacFarlane Costa Housing Partners公司总裁Michael Costa(项目所有者)。该建筑于2006年2月就获得了建筑审核务委员会的批准，但是直到2008年秋季才开始动工。
公寓位于百老汇大街和14号大街的交叉路口上，占地面积7500平方英尺。公寓共4层，包括20间住宅，一楼还有 1800平方英尺的商业区，地上和地下都有停车场。住房单元的大小差不多一样，面积是600平方英尺，每层共用一条通道。每间房内都配有露天阳台。公寓的设计不仅具有密度住宅的优点，同时还解决了老年人对停车的需求。
这是一座V-A型的4层公寓，采用TJI建筑结构和经典结构墙设计。一层的商业区采用钢铁结构，来支撑14英尺厚的钢筋混凝土板。建筑外壁所使用的材料用水泥灰泥、波纹金属和不锈钢索。建筑师希望打破低收入家庭的住宅设计标准，提供一些更好的建筑设计。
The complex sits atop a standard 7，500 sf corner lot at the intersection of Broadway Avenue and 14th Street in the Braodway Commercial District (BCD) with the main entry off Broadway Avenue. It consists of 20-low income senior units on 4 above grade levels plus an 1，800 sf commercial component on the ground level. There are 16 subterranean and one grade level parking spaces in the project.
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http://www.jianzhu01.com/Museum1007230158.htm
墨西哥BC住宅
GLR Arquitectos – Gilberto L. Rodríguez建筑公司最近完成了墨西哥蒙特雷的BC住宅设计。
这个项目占尽了地利，它所在位置非常适合欣赏周围风景。南部是Chipinque自然公园，东部是蒙特雷市著名的马鞍山。沿着山道斜坡向上走，就能到达项目场址北部的入口。BC住宅拥有简单的几何外形，但是内部结构却要相对复杂些。建筑师的目的是在雄伟的群山之中建造一座轻盈的建筑。
建筑师并没有用色调作为建筑的主要表现形式之一，而是探索使用新型建材，如暗色花岗岩和白色混凝土。另外，建筑还大量暴露出钢铁元素。
绿色屋顶除了拥有与生物气候相关的功能外，还和当地景色融为一体，保护了马德雷山脉的自然环境。
BC住宅是一座可持续性住宅，建筑师分析了此地不同季节中的日照和主要风向，然后在住宅中设计了隔热系统，如含聚乙烯的双层墙、低辐射双层玻璃、雨水收集系统、灰水处理灌溉系统、太阳能板(主要用在泳池加热和花园照明上)、太阳能热水器、低能耗的热水供暖系统、朝南天窗和花园。
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http://www.jianzhu01.com/Museum1007230157.htm
三叶草住宅
原 名 称：Clover House
占地面积：117.44平方米
建筑面积：46.95平方米
总楼层面积：76.19平方米
Site Area: 117.44 sqm
Built Area: 46.95 sqm
Total Floor Area: 76.19 sqm
该住宅对现有挡土墙进行开发挖掘，构建了一个双层地下室空间，此外，还在底层增加了一个玻璃矩形平台，以增加居住面积。
这座建筑高4.6米，是为一个普通的家庭而建，构建出一个横向空间，类似于中国传统的窑洞，每个空间都有各自的功能，有一个私人的空间作为学习室，一个厨房和一个浴室。
A housing land development ground and the existing retaining wall were excavated to create space with double-height in the basement， and， in addition， a flat glass box was layered on the ground to accommodate the house space to dwell.
A cloverleaf hall with 4.6 meters ceiling height is a common space for the family， and following this space， some laterally excavated spaces lies， which looks like Yaodong， Chinese traditional underground houses， and the each space functions as a private room for study and kitchen and bathroom.
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http://www.jianzhu01.com/Museum1007230156.htm
鹦鹉螺房屋
原 名 称：Nautilus House
这座“鹦鹉螺”式的房屋（Nautilus House）位于墨西哥的Naucalpan，由Organica 建筑事务所设计，建成于2006 年，客户是一对有两个孩子的年轻夫妇。他们厌倦了传统的住宅，希望能够拥有一座融入大自然的住房。房子所在处的地势向上，南边、北边和东边都是高楼大厦，西边则可以一览广阔的群山。
经过无数次修改后，形成了一个鹦鹉螺式的结构。居住在其中似乎像蜗牛一样，从一个房间缓慢移动到另一个房间，颇似共生的化石住所。住宅中没有任何划分，在三维的和谐空间中你会发现第四维的动感，从楼梯盘旋而下的时候感觉就像软体动物趴在植被上。
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http://www.jianzhu01.com/Museum1007230155.htm
庭院里的住宅
原 名 称：House with Court
占地面积：181.88平方米
建筑面积：90.93平方米
总楼层面积：159.42平方米
Site Area: 181.88 sqm
Built Area: 90.93 sqm
Total Floor Area: 159.42 sqm
这是一个带庭院的复式住宅。庭院中间有棵树，使得儿童房和父母房保持了适当的距离。设计师特别的设计了一个巨大的玻璃窗户，如同艺术博物馆一样。由于住宅远离公路，地形和旗杆相似，因此通过不同方位的显示，住宅在正立面对城市展现出积极的一面。庭院内外通过滑动门相互连接起来，这是一个宽敞的空间。
It is a duplex house with the Court.
A tree planted in the Court keep a moderate distance between the child and parent households. I specially designed and put a big window such as the Art Museum. in the front and showed a happy expression positively to the town by displaying various things， since the house stands a little away from the road due to the flagpole like land shape. When facing to the Court， inside and outside the house are united by opening a sliding door that also creates a widely open space.
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http://www.jianzhu01.com/Museum1007230154.htm
Liiva住宅
原 名 称：Liiva House
总面积：1694平方米
项目面积：300平方米
Site Area: 1，694 sqm
Project Area: 300 sqm
该别墅位于爱沙尼亚Viimsi半岛靠近塔林的一座古老的渔村里。住宅的外形来源于海边堆叠的岩石。然而，更加坚固和传统的一面对着渔村街道。庭院更有表现力，充满野趣，开放，通透。
规划的关键问题在于蝴蝶型的冬季花园的主轴线。周边是爱沙尼亚传统的空间形式——客厅，厨房，卧室，客房，书房，以及桑拿房。
Villa is situated in an old fishermen village near Tallinn in Viimsi peninsula. The shape has been derived from sea side stack of boulders. More firm and traditional facade is exposed to the street. The courtyard is more expressive，wild， opened， communicating.
The master key of the plan solution is the butterfly tie shaped main axes of the winter garden. It is surrounded by the rooms which compose traditional Estonian home- living room， kitchen， bedrooms， guest room， study， sauna.
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http://www.jianzhu01.com/Museum1007230153.htm
洛杉矶住宅
原 名 称：LA Residence
面积：5300平方英尺
Project Area: 5，300 sq ft
该住宅周边都是具有不同历史风格的庄严住宅建筑，建筑自身是一座面积5300平方英尺的单户式家庭住宅，有着貌似简单的空间合成和体量组成。
L型的底层空间包括一个厨房和家庭空间，一直延伸到后院花园。宽大的平台和巨大的滑动玻璃门给予全年室内外生活的支持与鼓励。
Surrounded by stately residences in a variety of historical styles， this 5，300 square foot single family residence responds with a deceptively simple composition of volumes， voids， and screens. The L-shaped ground floor includes a kitchen/family room wing that extends into the backyard garden. Generously-sized terraces and large banks of sliding glass doors encourage year-round indoor-outdoor living.
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http://www.jianzhu01.com/Museum1007230152.htm
Flake住宅
原 名 称：Flake House
面积：22平方米
Project Area: 22 sqm
该Flake住宅，是一个游牧族的道路边住宅，设计师考虑将土地利用起来，利用圆木，调换出一个不同寻常的设计效果。这是一个充满诗意的居住地，一个“疯狂”的住宅，设计师将低技术与高科技相互合并。室内装饰流畅，与外部传统的圆木立面形成对比。
The flake house， a nomadic， road-gauged dwelling， has been conceived to clad the places wherever it lands， as to transpose theses in an unusual vision. A poetical shelter， a “folie”，that merges low-tech and hi-tech. The interior finish is smooth and stripped down as to contrast with the traditional look of the external log cladding.
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http://www.jianzhu01.com/Museum1007230151.htm
帽岛住宅
原 名 称：Hat Island Residence
Hat Island， WA
该度假别墅位于海滩，有两个独立的空间——一个空间用来吃饭，另一个用来睡觉。独立的卧室为主人提供了私密性，因此夜晚招待客人也不用担心打扰到熟睡的孩子或者父母。
This vacation retreat， located on an extraordinary beachfront setting， was designed as two separate buildings—one for living and eating， and the other for sleeping. The separate bedroom wing provides extra privacy， so late-night entertaining does not disturb sleeping children or weary parents
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http://www.jianzhu01.com/Museum1007230150.htm
Dabob湾住宅
原 名 称：Dabob Bay Residence
Olympic Peninsula， WA
这座Dabob海湾家庭别墅，集海水，森林，山脉景观为一体，靠近华盛顿胡德运河。建筑位于一座山脊的边缘，周边三面是峡谷。
Water， forest， and mountains converge at this family retreat above Dabob Bay， near Washington’s Hood Canal. The building is situated at the end of a ridge， surrounded by ravines on three sides.
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http://www.jianzhu01.com/Museum1007230149.htm
Fuoco/Liu住宅
原 名 称：Fuoco/Liu Residence
Seattle， WA
业主对翻修这座住宅有两个潜在的希望：一个是将他们1922年建的单层平方开放，引入更多的自然光和花园景色；另外一个是为主卧室套房找寻空间。
The clients had two potentially competing desires for this remodel: One was to open up their single-story 1922 bungalow to more natural light and garden views. The other was to find room for a master-bedroom suite.
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http://www.jianzhu01.com/Museum1007230148.htm
2842公寓
原 名 称：Apartment 2842
Seattle， WA
在这座上个世纪20年代的公寓住宅内，上层空间非常有限。因此设计师选择性的拆除了部分现有墙体以构建出一个新的开放性的有视觉连接的空间。
Space was limited in this upper-level apartment in a 1920s house. Selective demolition of the existing walls created new openings and visual connections.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113552831_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113552831_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113552831_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113552831_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113552831_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230147.htm
42街公寓
原 名 称：42nd Street Condos
Seattle， WA
这四个单元的公寓设计集中在私密度和每个单元的单个特色上，同时也要保证单个建筑的建筑效率。
The design for this four-unit condominium emphasizes privacy and the individual character of each unit while maintaining the efficiency of a single building.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113592350_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113592350_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113592350_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113592350_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042113592350_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230146.htm
SHIP住宅
原 名 称：SHIP
总面积：193.65平方米
建筑面积：63.27平方米
总楼层面积：111.54平方米
Site Area: 193.65 sqm
Built Area: 63.27 sqm
Total Floor Area: 111.54 sqm
该住宅建在一个高差3米的地块上。由于对周边开发建筑的堤防和挡土墙信誉度的关注，后建筑的地基就建在了天然地面上，作为支撑层更加可靠。钢筋外表面的体块被用作是公共空间，“漂浮”于挡土墙之上，这里可欣赏到美丽的风景。私人空间被安排在底层，这里氛围比较平静，远离道路，采用了结识的混凝土结构，并且平衡了上部的悬臂体块。
A residence built on a two-tiered site with a level difference of 3 meters. Because of the concern remained about the credibility of embankment and retaining wall built along the housing development， the foundation was laid on natural ground beneath the lower tier which was more reliable as the supporting stratum. The steel-made volume for public rooms floats over the retaining wall and above the upper tier for better view. Private rooms are arranged along the lower tier where the atmosphere is calm， at a distance from the front road， within a reinforced concrete structure which functions as a counterbalance to the overhanging volume.
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http://www.jianzhu01.com/Museum1007230145.htm
Barbadinhos公寓
原 名 称：Barbadinhos Apartments
面积：2051平方米
成本：2000000欧元
LocationLisbon
Date1995 – 2004
Build Area2.051 m2
Cost2.000.000
该项目旨在设计一座公寓，该公寓与Barbadinhos修道院相毗邻。项目地块狭窄而深，但考虑到太阳照射和可欣赏整个Tagus河流全景，设计师决定构建一排7个不同的公寓。
The project purpose was to design a set of apartments on a plot of land next to the Barbadinhos Convent. The plot’s shape， deep and narrow， the sun exposure and the opportunity of panoramic views to the river Tagus led us to plan a row of seven individual apartments.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214074936_10.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230144.htm
土楼
广东 南海
客家土楼民居是一种独有的建筑形式，它介于城市和乡村之间，以集合住宅的方式将居住、贮藏、商店、集市、祭祀、娱乐等功能集中于一个建筑体量，具有巨大的凝聚力。
将土楼作为当前解决低收入住宅问题的方法，不只是形式上的承袭。传统土楼将房间沿周边均匀布局，和现代宿舍建筑类似，又具有现代住宅所缺少的亲和力，有助于保持低收入社区中的邻里感。
将“新土楼”植入当代城市的典型地段，是对常规意义上城市建设想象力的额外激发。土楼与城市、绿地立交桥、高速公路的试验，是在探讨如何用土楼这种建筑类型去消化城市高速发展过程中遗留下来的不便使用的闲置土地。获得这些土地的成本极低，从而降低低收入住宅开发的成本。土楼外部的封闭性可将周边恶劣的环境的予以屏蔽，内部的向心性又创造出温馨的社区。
将传统客家土楼的居住文化与低收入住宅结合在一起，不仅是一个研究课题，更标志着低收入人群的居住状况开始进入大众的视野。这项研究的特点是分析角度的全面性和从理论到实践的延续性。对土楼原型进行尺度、空间模式、功能等方面的演绎，然后加入经济、自然等多种城市环境要素，在多种要素的碰撞之中寻找各种可能的平衡，这种全面演绎保证了丰富经验的获得，并为深入的思考提供平台。从调查土楼的现状开始，研究传统客家土楼在现代生活方式下的适应性，将其城市性发掘出来，然后具体深化，进行虚拟设计，论证项目的可行性，最终将研究成果予以推广，这样从理论到实践的连续性研究，是“新土楼”构想的现实性和可操作性的完美佐证。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042308385648_17.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230143.htm
6号住宅
原 名 称：House 6
总面积：890平方米
建筑面积：995平方米
Site Area: 890 m2
Built Area: 995 m2
巴西建筑师Marcio Kogan近期完成了他在巴西圣保罗设计的6号住宅。
Brazilian architect Marcio Kogan has recently completed the House 6 project in São Paulo， Brazil.
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http://www.jianzhu01.com/Museum1007230142.htm
M住宅
原 名 称：House M
面积：112平方米
Project Area: 112 sqm
该住宅座落在奥地利林茨pöstlingberg的一个斜坡上，建筑师充分利用建筑许可最大限度的将该地块利用起来，构建一个12*12米的立方体快。建筑两边都“与世隔绝”，因此绝对的保证了主人的私密性。
相反的，住宅南部和西部有着全立面的玻璃窗，西面可欣赏到多瑙河美丽的景色和阳光，知道深夜；住宅内部厚厚的窗帘阻挡了外部多余阳光的照射和热量。
Sitting on the slope of pöstlingberg in linz， the 12 x 12 meter cube takes full advantage of the lot by establishing itself as far into the north-eastern corner of the site as building codes permit. These two sides have a very hermetic appearance， thus preventing neighbors from looking in.
By contrast， the house opens itself toward the south and west with two all-glass façades. the west side of the building offers a magnificent view of the danube valley and receives sunlight until late in the evening; an externally mounted textile curtain guards against excessive sunlight and overheating.
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http://www.jianzhu01.com/Museum1007230141.htm
Torres住宅
原 名 称：Torres House
面积：5942平方英尺
Project Area: 5，942 sq ft
住宅位于高高的Sierra Madre山脉，试图追求一个与大自然亲密接触的环境氛围。谨慎地向街道开放，通过一个喷泉到达住宅，屋前有一株巨大的橡树，它枝叶繁茂，美丽异常，丽令人印象深刻。进入门廊，一个巨大的壁画般的门庭——由大理石，木材和钢筋构建——欢迎来访者的到来。
Set high in the Sierra Madre mountain range， the Torres House seeks to establish an intimate contact with the natural environment in which it is located. Discreetly open towards the street， the house is accessed by crossing over a fountain from which a huge oak tree emerges， impressive both for its size and its beauty. Once on the porch， a grand mural-like door -constructed of marble， wood and steel- welcomes the visitor.
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http://www.jianzhu01.com/Museum1007230140.htm
B住宅
原 名 称：B House
面积：1100平方英尺
Project Area: 1，100 sq ft
住宅有两个卧室，一个浴室——是为两所公共学校的老师而准备，这里可俯瞰日本熊本整个城市——建筑师希望通过系统设计及定向，这里的能源可完全实现自给自足。
住宅位于一个平台上，南部面向斜坡，这里住宅稠密，可俯瞰成色的森林，壮观的熊本城堡以及周边的山脉。建筑师将景观最大化，将被动太阳能加热系统加入混凝土楼层板，墙体开放，夏季可风穿堂而过。
This two bedroom， one bath home—built for two public school teachers on a hillside overlooking Kumamoto， Japan—is planned to become fully energy self-sufficient once all designed systems are phased in.
The house is sited on a terraced， south-facing slope in a dense housing neighborhood， overlooking orange groves and a spectacular view of Kumamoto Castle and surrounding hills. The building is sited for maximum views and passive solar heating of the massive concrete floor slabs serving as thermal ballast， and with opening walls facing the prevailing summer winds.
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http://www.jianzhu01.com/Museum1007230139.htm
Coa谷艺术和考古学博物馆
原 名 称：Museum of Art and Archaeology of the Coa Valley
总建筑面积：8121.31平方米
净面积：6243.28平方米
Total Built Area: 8，121.31 sqm
Net Area: 6，243.28 sqm
Coa谷的旧石器时代艺术也许是人类首次的艺术表现形式。该博物馆被认为是“安装的景观”。其单片集成电路三式外形是山谷的汇流的结果。它的物质性反映出两个不同性质：有形的物体以及当地石材的质地和颜色。
The Palaeolithic art in the Coa Valley is perhaps man’s first land art manifestation. The Museum is conceived as an installation in the landscape. The monolithic triangular form is a direct result of the valley’s confluences. Its materiality evokes the local stone yards and reflects two different natures: the concrete’s matter， and the local stone’s texture and colour.
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http://www.jianzhu01.com/Museum1007230138.htm
阿斯塔纳国家大剧院
原 名 称：Astana State Auditorium
该剧院——是世界上最大的剧院之一——是意大利Nicoletti建筑事务所参与的一项国际设计竞赛获奖作品。该剧院位于西伯利亚大草原中心地带，在哈萨克斯坦国家独立4年后建成，阿斯塔纳国家大剧院是哈萨克斯坦一座十年之久的新首府。
This auditorium – one of the largest in the world – was awarded to Studio Nicoletti as the result of an International restricted competition. Founded in the heart of the steppes only four years after the Independence of the Country， Astana is now a decade old new capital of Kazakhstan.
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http://www.jianzhu01.com/Museum1007230137.htm
2010年上海世界博览会城市最佳实践区宁波案例馆
根据2010年上海世博会主题演绎计划，城市最佳实践区是“主题呈现”的重要载体之一。以世博会的主题内容结构为依据，从城市人、城市、地球、足迹、梦想五个概念领域中选取关联较为广泛、同时又有利于展现当今世界上城市最佳实践主流的相关内容，形成城市最佳实践区的四个展示领域，即宜居家园、可持续的城市化、历史遗产保护与利用、建成环境的科技创新。
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http://www.jianzhu01.com/Museum1007230135.htm
上海世博中国航空馆
地理位置：浦西世博园区E片区
占地面积： 4000平方米
建筑理念：
天空飘来一朵洁白的云，带来天空对大地的呼唤。中国航空馆的建筑造型源于变幻的“云朵”，展馆外表覆盖洁白的膜材，柔软、光滑、圆润、朦胧，运用独特的建筑语义，将“云”的联想带入观众的眼帘，进而表现“飞”与“翔”的理念，表达人类超越地心引力的梦想，蕴藏着人们对美好未知世界的想象与探索的愿望，而航空事业注定成为人类追求梦想“无限”的载体。
参观体验：
中国航空馆将以生动有趣的互动体验形式，精彩演绎航空科技和航空服务的发展历程及其给人们生活带来的巨大变化。
参观者步入航空馆宽敞的预演大厅，一段真实的飞行体验就此展开。
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http://www.jianzhu01.com/Museum1007230134.htm
上海世博会荷兰馆
原 名 称：Dutch Pavilion for Shanghai World Expo 2010
荷兰的上海2010年世博会展馆十分特殊。这一次，展馆不是传统的模式：外面排长队，里面在演讲。荷兰馆是一条完整的街道。建筑师John Kormeling把它称为“快乐街”，以此对应中方提出的“城市，让生活更美好”的主题，建筑的分主题是：
- 城市文化多样性；
- 城市经济增长和繁荣；
- 创新城市环境中的科学和技术；
- 重塑城市社区；
- 相互作用城市和农村地区。
The Dutch submission to the 2010 World Expo in Shanghai is an exceptional one. This time around， it will not be the classic pavilion with long lines of visitors waiting outside and a presentation inside. The Netherlands is making its appearance at China’s world exposition along an entire street. The submission， entitled “Happy Street”， is the response by designer John Kormeling to the Chinese Expo theme “Better City， Better Life” and the sub-themes:
- Urban cultural diversity
- Urban economic growth and prosperity
- Innovation in science and technology in urban contexts
- Remodelling urban communities
- Interaction between urban and rural areas.
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http://www.jianzhu01.com/Museum1007230133.htm
上海东方艺术中心
原 名 称：Shanghai Oriental Art Center
由市政府和浦东新区政府投资10亿元人民币建造的上海东方艺术中心坐落于浦东行政文化中心，是市委领导在不久前召开的上海市文化工作会议上提出的文化布局规划设想的上海文化"一轴"的东起点。东方艺术中心由1953座的东方音乐厅、1015座的东方歌剧厅和333座的东方演奏厅组成。
总建筑面积近40，000平方米，由设计巴黎戴高乐国际机场的法国著名建筑师保罗?安杜鲁(Paul Andreu)设计。整个建筑外表采用金属夹层玻璃幕墙，内墙装饰特制的浅黄、赭红、棕色、灰色的陶瓷挂件。从高处俯瞰，五个半球体依次为︰
它们犹如五片绽放的花瓣，组成了一朵硕大美丽的 "蝴蝶兰"。建筑顶部安装了融入高科技的880多盏嵌入式顶灯，当美妙的旋律在音乐厅奏响时，灯光会随旋律起伏变幻，将夜色中的东方艺术中心变的璀璨奇异、充满动感。
安杜鲁不同凡响的设计理念充分体现下建筑内部。进入东方艺术中心，彷佛置身于郁郁苍苍的森林之中︰黑色花岗岩的地面，如同林中大地；一级级的台阶，如同上山之路；层迭错落的陶瓷挂片幕墙，以丰富变幻的色泽，寓意着森林中斑驳的树表；而高高低低地悬挂在空中的透明圆灯，似乎是清晨的林间，从湖面升起的气泡、从树梢落下的露珠……在宽敞的回廊里，伸向空中的钢架架构，象征着林中万木的树杈在刚劲地舒展，阳光透过特殊制作的玻璃幕墙照射进来，被过滤成一缕缕光束，轻柔地洒在“林间”。设计师的高明还在于，所有这一切都不是对自然景观的简单描摹，而是透过高度的艺术抽象，展示出森林里清新自由、生机盎然的超凡意蕴，让都市里的人们与大自然产生心灵的融合。
东方艺术中心是后现代建筑理念的一个杰作，她的整个设计体现了当今世界最前卫最有文化意韵的风格–回归大自然。在这样的环境里欣赏音乐艺术，是一种真正陶冶性情的享受。艺术的质朴与精巧，将在这里交织着喷涌而出……
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http://www.jianzhu01.com/Museum1007230132.htm
佘山圣母大教堂
位于松江县佘山上，故名。亦称佘山天主堂。包括中山教堂和山顶大堂两座。中山教堂建于1894年，山顶大堂1925年奠基，1935年正式落成。山顶大堂的设计者是葡萄牙籍的耶稣会会士叶肇昌，建筑具有罗马过渡时代的风格。钟楼高38米，堂的屋脊高17米，东西长56米，最阔处25处，可容纳3000余人。顶部圆穹上树一铜铸圣母托耶稣像。中山教堂建有圣母亭、圣心亭、若瑟亭等"三圣亭"。中山教堂到山顶大堂间，建造有14处苦路像。1942年9月2日，被罗马教廷敕封为"乙等大殿"，即仅次于罗马教廷大殿的第二等大殿，是中国天主教徒在东南沿海的主要朝圣地。
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http://www.jianzhu01.com/Museum1007230131.htm
孙中山故居纪念馆
孙中山故居纪念馆是以孙中山故居为主体的纪念性博物馆，坐落于广东省中山市翠亨村，在中山市区东南方17.6公里处，广(州)珠(海)公路主干道旁。北距广州约 100公里，南距澳门约30公里，隔珠江口水域与深圳、香港相望，陆地与珠海市毗邻。
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http://www.jianzhu01.com/Museum1007230130.htm
嘉定孔庙
嘉定孔庙始建于南宋嘉定十二年（1219年），素有“吴中第一”之称。孔庙内设嘉定区博物馆。门前为东西甬道，甬道东西均有牌坊，名为育才坊和兴贤坊，棉队孔庙大门的牌坊叫仰高坊。沿汇龙潭有石柱，柱顶上刻有姿态各异的72只狮子，用于代表孔子72个最优秀的学生。进们是潘池，在往前是大成门。大成们前有龟座7只，背负大石碑，记载着13世纪以来历代修建孔庙的情况。孔庙内设有“考场”，向游人介绍古代的科举制度。
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http://www.jianzhu01.com/Museum1007230129.htm
上海三山会馆
位于上海市南浦大桥桥堍中山南路1551号的三山会馆，是沪上唯一保存完好的晚清会馆建筑。它始建于1909年，由福建旅沪水果商人集资兴建，历时五年竣工。因福州城内有三座山：东南于山、西南乌石山（亦称道山）、北面越王山（亦称闽山），故由此得名“三山”。现大殿内和东西楼辟为上海民间收藏品陈列馆。
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http://www.jianzhu01.com/Museum1007230128.htm
静安寺
静安寺是上海市的著名古刹之一，相传始建于三国孙吴赤乌年间，初名沪渎重玄寺。宋大中祥符元年（1008年），更名静安寺。南宋嘉定九年（1216年），寺从吴淞江畔迁入境内芦浦沸井浜边（今南京西路1686号），至今已近780年，早于上海建城。清末，寺成现今规模。民国34年（1945年），书法家邓散木题额“静安古寺”，沿用迄今。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032311392431_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032311392431_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032311392431_3.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230127.htm
上海世博会演艺中心
位置：世博会园区浦东B片区，世博轴以东
面积：总建筑面积8万平方米
现状：建设中
后续利用：永久保留，成为上海国际文化交流中心
开工时间：2007年12月30日
计划竣工时间：2009年年底
世博演艺中心造型呈飞碟状，不同角度和不同空间会呈现出不同形态。白天如“时空飞梭”、似“艺海贝壳”；夜晚则梦幻迷离，恍如“浮游都市”。
建筑以西北侧卢浦大桥作为底景集中式布局，柔和的建筑形体融于滨江公园绿地之中；与世博庆典广场有机结合、形态交融；与万人庆典广场室内外互动、转换与衔接；与西侧的世博轴、世博中心和南侧的中国馆相呼应、相协调。
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http://www.jianzhu01.com/Museum1007230126.htm
上海世博会摩纳哥馆
原 名 称：Monaco Pavilion for Shanghai World Expo 2010
场馆主题：摩纳哥的今昔和未来，不断发展的城市国家面临的挑战
国家馆日：10月7日
展馆位置：C片区
概况：真实再现摩纳哥城市风景和特色动植物的老街、介绍闻名世界的摩纳哥F1大奖赛的视频短片和法拉利赛车展品等，引领参观者了解摩纳哥宝贵的历史文化遗产以及城市经济繁荣的发展历程。
建筑外观：展馆外墙环绕着蓝色灯光储水管。
展示内容：高清电影院可容纳250—300人，放映6分钟动画电影《摩纳哥，永恒之石》。可持续发展区展示摩纳哥生态保护措施，参观者可体验互动地球仪和欣赏Venturi Volage最新高端生态概念车。
以一级方程式大奖赛摩纳哥站比赛和007电影外景地而为人所知晓的欧洲小国摩纳哥公布了该国世博会展馆的设计、施工和布展方案。作为浓缩摩纳哥所有重要元素的“概念型建筑”，“岩石城邦”将展现“由岩石和璀璨光芒包围出一片美丽的海洋”。
上海世博会摩纳哥馆占地面积2000平方米，建筑高12米。步入摩纳哥馆，参观者将开始一段摩纳哥公国的探索之旅，了解其几个世纪以来令人瞩目的变化、宝贵的历史文化遗产以及城市经济繁荣的发展历程等。
馆内将采用运自摩纳哥境内的岩石打造上海世博会的摩纳哥展馆，展馆设计师马塞•洛茹利亚的创新设计既糅合了现代和传统元素，又包括了诸多新兴概念在内，世博游 客届时能在展馆内饱览摩纳哥著名的街道及海滩，“地中海”则会通过投射显现在12米高的展馆外墙上，当夜幕降临上海世博园时，游客们站在远处，即能凭借 “湛蓝色波浪汹涌”的“地中海外墙”很容易地找到摩纳哥展馆。
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http://www.jianzhu01.com/Museum1007230125.htm
苏黎世11剧院翻修
原 名 称：Theater 11
在不久的未来我们将会面临到上个世纪六七十年代的建筑会不在满足当代标准的功能和技术标准。现在，一个涉及到该问题的项目就是，对瑞士苏黎世Nord的一个剧院建筑进行翻修改建，为了继续运营，需要增加700个座位以及一个大的休息室。
In the near future we will increasingly be confronted with the problem of building fabric from the 1960s and 1970s that no longer satisfies present-day functional and technical standards. One project that tackles this problem is the refurbishment of a theatre building in Zurich Nord， which， in order to run it as a going concern， required an additional 700 seats and a larger foyer.
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http://www.jianzhu01.com/Museum1007230124.htm
2010上海世博会英国馆
英国馆主体建筑仿佛绿色城市中的一朵“蒲公英”，展示主题定为“传承经典、铸就未来”，分为“绿色城市”、“开放城市”、“种子殿堂”、“活力城市”四部分展示内容。其中，由６万根蕴含植物种子的透明亚克力杆组成的巨型“种子殿堂”，是英国馆的核心展示内容。英国馆预计4月下旬参与上海世博园区整体试运营，并于5月1日正式开馆。
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http://www.jianzhu01.com/Museum1007230123.htm
北京伊比利亚当代艺术中心
原 名 称：Iberia Center for Contemporary Art
北京伊比利亚当代艺术中心 Iberia Center for Contemporary Art
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http://www.jianzhu01.com/Museum1007230122.htm
上海民生当代艺术中心
原 名 称：Minshen Art Museum Up date
“外墙成片的灰色金属网墙面，更像是在避免一种明显的装饰动机和效果，架设这层网的真实意图之一，是确定一种我和业主都能接受的中间状态，比如说，这层旧建筑的外墙原本是水涮石，在常年酸洗车间的生产过程中被腐蚀了，表面色泽和质感斑驳丰富，我非常喜欢，希望可以保留不动。但是业主在将这个厂房改造成美术馆的意图中，首要的就是形式的改变，对于原本的外墙虽然也十分喜欢，但是不愿意保留。这层网是一种相互妥协的产物，即保留了老墙，又有了一层新的外墙。”
“原本被上一次改建增加了一层的楼板在入口处被重新切去了一跨半，约有9米X15米大小的空间，可以直接看到原来厂房高阔的屋架天花。剩余的10跨空间则保留两层空间，但是却像是在原有的厂房，一个现成的老盒子里又套了一个新做的盒子。其实和外立面一样，室内的改造也是围绕如何保留老建筑的墙面而又能满足新功能需要众多白色展墙而展开的，形式是老的，功能却是新的。其实这个建筑在形式上是不应有突出特点的，甚至应该是平庸的，只有这样，才能适合它作为一个传统型的美术馆的功能，把展品突出到第一位。”
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http://www.jianzhu01.com/Museum1007230121.htm
北卡艾尔莱花园玻璃瓶教堂
玻璃瓶和建筑看起来并不搭配，但是你接下来看到的可能就会让你吃惊。Minnie Evans玻璃瓶教堂是Vmwf（Virginia Wright-Frierson）在2004年建立起来，位于北卡罗来纳州威尔明顿市的艾尔莱花园。这是一个非常独特的教堂，它用的主要材料是玻璃瓶，但是这些玻璃瓶组成建筑却亦常漂亮。教堂中间是一棵树的雕塑，树上有鸟的造型，看起来栩栩如生。
Minnie Evans玻璃教堂为人们提供了一个花园休息处，教堂的形状、色彩都会吸引你走进来。
各种各样的玻璃瓶都宣扬了设计师对废弃物的重新利用。对于建筑来说，灯光和造型一直是主旨所在，而一些回收物体作为建材经常是建筑的另一大特色所在。使用回收材料的建筑，既环保又不浪费金钱，而且这种建筑也越来越多。
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http://www.jianzhu01.com/Museum1007230120.htm
托莱多艺术博物馆“玻璃大棚”
原 名 称：Glass Pavilion at the Toledo Museum of Art
建筑面积：7000平方米
占地面积：20000平方米
开业：2006
Built area: 7，000sqm
Site area: 20，000sqm
Opening: 2006
托莱多艺术博物馆被称为‘玻璃大棚’的新馆可媲美菲利普•约翰逊的‘天堂玻璃屋’。它坐落在城区西郊的一个高档社区，门罗街的南面是博物馆古典式的石头建筑，而北面一片绿树草坪中，便是那座可以媲美“天堂玻璃屋”的新馆。
这座玻璃大棚出自两位日本建筑师，梅岛和世和西泽立卫，他们以擅长使用透亮材质和偏爱自然光而知名，代表作是东京的时尚品牌DIOR旗舰店。
菲利普•约翰逊的“天堂玻璃屋”还只是一间住宅，而这座“玻璃大棚”则是一个名副其实的玻璃世界——用玻璃展厅来陈列玻璃艺术品，实在是一个别出心裁的创意——它拥有两间被称为Hot Shop的“玻璃秀”工场，另外还有5间彼此相连的圆形展厅，一个个带有流线形的圆角玻璃屋与整个博物馆的玻璃幕墙互相映射，透着光亮，带来一种美轮美奂的视觉享受。西边两间展厅陈列的是现代玻璃艺术品，北面三间展厅收藏的则多是历史珍品。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010032912040559_12.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230119.htm
日本和田艺术中心
这是一座为了展出现代美术的空间，并同时兼顾到市民的社区活动的现代美术馆。它位于日本青森县内十和田市的市中心，它沿着一条主要的街道而形成于长方形.这个建筑唤醒了街道，使他恢复了工作的生气从而面对城市。该建筑计划包括：演讲空间、工作室、咖啡厅、图书馆、社区活动公共空间和展览空间。
这个美术馆有一个显著的特征，即它的大部份艺术品是被明确地委任到这一个项目中并长期地展示在这里。反应在这个项目的计划里的是，独立的艺术品和那些通过大面积的玻璃形成的走廊连接在一起。我们假设不同的结构系统、光照环境和比例，并允许建筑和艺术工作进行近距离的接触。分散的盒子和走廊创造出了二级户外空间，这个空间可以用于展览或其它。此建筑就像一个小镇那样有趣，比如一个观光者从一个自由的房子到另一个自由的房子，在艺术的体块中体验都市的环境。
虽然各展览室是分散建造的空间.但它不是一种无关系的分离.它像聚落一样地连续和集合式的排列，从而创造出一组连续的风景。建筑被设计的更外向，并拓展了户外活动。建筑师认为，与其创作出一个大体块的建筑，不如发掘一种新的关系形式，并让它在城市街道内发展而蔓延
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http://www.jianzhu01.com/Museum1007230118.htm
法国富热尔图书馆
Stéphane Chalmeau 分享了他拍摄的法国Tétrarc 建筑师事务所设计的一个新图书馆。
富热尔图书馆采用了当代设计理念：图书馆是一个相会的公共空间，而不仅是一个图书储藏的地方。由于该建筑公共功能的特性，它通过自身的立面细部为城市贡献了独特的景观。
建筑是一个密实的体块，两层高。局部掏空引入室内自然光线和绿色景观，请参看下面照片。
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http://www.jianzhu01.com/Museum1007230117.htm
以色列Holon市新设计博物馆
客户：Holon 市政府
面积：毛面积4100 平米，净面积3200 平米
建筑师成员：Ron Arad、Asa Bruno、James Foster
客户代表：Hannah Hertzman
项目主管（客户方）：Jacob Eben
执行建筑师（以色列）：Sharon Ben-Shem、Waxman-Govrin Eng. Ltd
项目管理：Waxman-Govrin Eng. Ltd
结构工程师：Uri Harmel
灯光设计师：Noa Lev and Ran Troim
园林设计师：TeMA Landscape Arch. Tel Aviv
设计师小介绍：Ron Arad 于1951 年出生在以色列特拉维夫，就读于耶路撒冷艺术学院，其后又就读于伦敦建筑联盟学院。1981 年，Ron Arad 和Caroline Thorman 共同创办了设计工作室One Off。1989 年，他俩又创办了Ron Arad Associates Architecture and Design Practice 公司。1994年 - 1999年，Ron Arad 在意大利创办了Ron Arad 工作设计师，并开始进行了大量创作设计。Ron Arad 现在是伦敦皇家艺术学院的产品设计教授。
Ron Arad 始终坚持使用钢铁、铝和聚酰胺作为主材料，同时对建筑形式和家具结构进行重新构思，这也使得他成为现代设计的先驱者。除了他工作室的限量版设计，他还为很多大型国际公司设计产品，这些公司包括Kartell、Vitra、Moroso、Driade、Cappellini、Cassina、Magis 等。
Ron Arad 是以色列最著名的设计师。虽然他在20 世纪80 年代移居到英国，然后成为一位有名的设计师，但是以色列始终认识他是以色列人民的一份子。在几个月前的采访中，Ron Arad 说：“我并不是足球运动员，因此我并不代表任何人。我是一名以色列人，我出生在以色列。我说的依然是希伯来语，因为我始终和我的国家联系在一起，但是这并不表示我就是以色列设计师或者英国设计师。有一次，我偶然在电台中听到披头士的Penny Lane 这首歌，我想到不是利物浦，我想到的是我在特拉维夫的孩子。”
在一月底，一群设计界和建筑界的有名人士将会去以色列Holon 参观这座博物馆，以此表达对Ron Arad 的敬意。Holon 距离特拉维夫仅几分钟车程。这群人中包括灯光设计师Ingo Maurer、Moroso 公司的艺术主管Patrizia Moroso、著名的艺术家和设计师Havier Mariscal、建筑评论家Deyan Sudjic 等等。博物馆将于2010 年3 月底对外开放。
Arad 说：“项目的最基本目标是希望能设计一座建筑物，一座会印在国家邮票上的建筑物。其实，每个城市都希望想像西班牙毕尔巴鄂那样拥有一座Frank Gerry 博物馆，但是这种建筑物受到建筑外观的影响太多了。Holon 的设计博物馆由两个做成展厅的长方形建筑组成，两个建筑的的交叉处设有所有的公共区和服务区。”
Ron Arad 对这个博物馆寄予了高度期望，博物馆用了4 年时间建成。建筑立面被弯曲的条状Corten 耐候钢结构所包围。这个结构是雕塑、建筑、设计和艺术的融合体，它的纹理、空间结构和光学效果都让人耳目一新。
当游客们沿着这个蜿蜒的钢结构去往上层展馆，亦或是沿着蜿蜒的钢结构从大厅去往下层展馆时，他们都能体验到以此特殊的经历。展厅内会展出各种现代和历史设计，包括工业、时装、纺织、珠宝等等。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033111344040_20.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230116.htm
天津桥园桥文化博物馆
建筑面积：2220 平方米
业主：天津市环境投资有限公司
一座公园之中的博物馆。
它位于天津桥园公园的中心位置，处于主入口相对应的中轴线上。它是桥园公园的 “点题”主体建筑和区域标志。由于它所处的特殊场地，我们将它定义为“休闲型展示空间”，满足人们“看”的欲望：在“看展示”的同时，也能“看外面风景”。
三磊介入设计时，此项目的主体结构已施工完成。须在原有的结构基础上进行设计调整，重构建筑轮廓，使人们无论近观远眺，均能感受到建筑本体构思的起源－－开启桥。
我们将它设计为一个“散步建筑”，随人们行走的路线，外部与内部空间的转换，建筑与所处场地的空间关系随即在眼前展开，充满了丰富的变化，在空间的运动使我们的视觉系统不断的感觉期待与惊奇。插入建筑间的钢桥引导人们走近展馆，眼前展现的仍是满眼绿色；建筑底部被设计为多变的折面，形成被穿越的宜人灰空间；原有繁多的十六根结构柱被多手法处理，以达到减量与弱化的目的；呈折线而起的建筑体、U形围合空间、自内向外延伸的咖啡平台、室内外空间的框取渗透…，使建筑得以有机地契入场地。
对建筑的欣赏源于对它的体验。桥文化博物馆是可以被“通过”和“穿越”的，无论是在内部还是在外部：是与人们形成互动关系的建筑。建筑主体和陈列主题相辅相成，如同一个不可分割的整体。进入建筑内部，展览的交通以线性展开。通过动态的流线，折线坡道和台阶有机结合设计，以建筑自身作为展览结构承载，积极地引导着空间元素与展示的交织，引导参观者选择自己的观展路线，避免了传统空间的单调死板，同时也与建筑外部的空间形态相一致。
墙、窗以及从天窗注入室内的阳光所设计的黑白分明的影、窗洞透视出了室外的景色，建筑与自然相互协调，浑然一体；墙体在这里被虚化，一方面，利用墙体片段式的大玻璃窗将建筑外部形体引入内部，并提供开敞的视野，使外部绿色景观也如同被剪辑过的布景，穿插与内部空间之中，建筑内部空间成为公园景观空间体验的构成元素; 另一方面，建筑的通透性使人们从外部也能感受室内空间，从而达到建筑内外空间与景观品质、尺度以及使用方式上的协调，与公园一起组成有机体。
The Bridge Culture Museum is located at the centre of the QiaoYuan Park， Tianjin. Because of it special location， on the central axis facing to the main entrance， and it is supposed to be the landmark of the Bridge Park， this area is designed as a leisure and exhibition space in order to meet people’s needs of ‘pleasurable show space’.
The origin of our design concept is ‘operable bridge’. Steel bridge， folded surface， variable structural columns， U-shape enclosed space and extended platform， all of these create a ‘Building for Strolling’. This building is ‘accessible and passable’. It brings people exciting and surprised experiences because of the conversion between interior and exterior spaces. The steel bridge between the buildings leads people to the exhibition space， which is all green; the bottom of the building is multidimensional surface， which is accessible for people to go though; the sixteen structural column have been treated in different ways to distract people’s sight; the Z-shaped building， U-shaped enclosed space， the coffee break deck and the combination of the interior and exterior spaces， merged the building together with the site.
One can find attraction of the building though their own experience to it. The ‘accessible and passable’ Bridge Culture Museum is interactive for people both interior and exterior.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010033113560046_8.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230115.htm
大连新贝壳博物馆
原 名 称：Dalian Shell Museum
项目面积：18000平方米
Project Area: 18，000 sqm
大连新贝壳博物馆位于大连星海广场东南角，建筑面积约1.8万平方米，整个建筑为地上4层、地下1层。新馆外观形状如同一枚贝壳，十分漂亮。
新馆的外观设计方案构思贴近贝壳主题，将贝壳丰富多变的有机形态引入到建筑造型当中。主体展馆曲线形的屋盖层层叠叠，犹如一个静卧在海边的贝类。这个方案充分利用基地临海的地理位置优势，整个主体展馆向一端舒展高起，使得馆内参观者在休息区能够获得良好的景观视野，大面积的玻璃窗晶莹剔透，整个展馆犹如一组贝壳雕塑映衬在蓝天绿水之中。
贝壳博物馆新馆建成后，原来的城堡贝壳博物馆展品将搬入新馆，城堡贝壳博物馆原址计划引入五星级酒店。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040810422843_18.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230114.htm
Malmö现代艺术博物馆
原 名 称：Moderna Museet Malmö
项目面积：2650平方米
Project Area: 2，650 sqm
这是一个新的艺术博物馆，一个公共和文化建筑，这是一个难得的机会，为城市平衡发展和周边地区开发创建了一个新的结点。该博物馆位于Malmö，这是瑞士南边的一个城市，之前是上个世纪1900年始建的电厂工业建筑，建筑师开启了一个新的信息和试验为特色的艺术博物馆，对斯德哥尔摩博物馆也是一个补充。
A starting point was that a new art museum， a public and cultural building， represents a rare opportunity to create a new node within the city， the urban balance is changed and the neighborhood develops. In Malmö， in the south of Sweden， there was also the possibility to， starting from the industrial architecture of the former Electricity plant dating from the year 1900， create a new art museum with an informal and experimental character that would complement the main museum in Stockholm.
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http://www.jianzhu01.com/Museum1007230113.htm
上海青浦区新城建设展示中心
原 名 称：Shanghai Qingpu District Exhibition Center of New Town Construction
规模：10155平方米
根据地形特点，以简洁超长的线型配合周边的广场、湖面、电视塔、大路、操场等城市性大尺度，形成对夏阳湖的围合性边界。由外而内，以临路水体、休闲平台、青砖院落及凹入建筑的空间等层层递进的景观设计，表达出由城市公共空间到建筑内部的不同开放关系。通过对同一黑色石材的不同加工，赋予简明的体量以丰富细腻的细节。运用色调、密度、材料、空间等抽象元素，传达出江南传统气质。
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http://www.jianzhu01.com/Museum1007230112.htm
上海相东佛像艺术馆
原 名 称：Shanghai Xiang-dong Buddha Statue Museum
规模：5078平方米
上海相东佛像艺术馆设计理念一一内心丛林
内心：指在大都市的喧嚣浮躁中为现代人创造一处获得精神休憩的静谧场所。
内心：也指废弃的厂房大空间中的一个独特世界。
丛林：指传播和传承佛教精神的寺庙经院。
丛林：也指在室内空间中采用质朴野逸的形式语言，营造拾阶登高，低回路转，穿林过涧的山林景观的设计手法。
在具体设计中，考虑到此馆由旧厂房改建而成，故保留厂房内原屋顶珩架体系和重要墙面肌理，在大空间中局部加建一层作为办公空间和夹层展厅等，保留的大空间作为入口展厅用层层递升的方式与夹层展厅联系，让参观流线循环一体。建筑语言上以佛教精神为指引，借鉴了佛教文化遗址的造型语言，同时用当代材料来加以颠覆，力图用恰当的材料、构造、空间和色彩来传达当代语境下的蕴涵历史意韵的佛博物馆。
参观流线：由大厅进入到展区后，利用原大厂房的高空间，作平台及台阶曲折上升，在此放置大件展品，引导参观人流经此上至二楼夹层；在二楼参观完杂件展品后，进入木佛展示空间；出来后由楼梯再次回到一层，参观夹层下石刻展品；参观结束后通过一长甬道回到入口大厅及休息区。
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http://www.jianzhu01.com/Museum1007230111.htm
胡慧姗纪念馆
原 名 称：Hu Huishan Memerial House
19平方米
大邑安仁
胡慧姗纪念馆可能是世界上最小的纪念馆，由家琨建筑工作室设计捐建。胡慧姗是一个15岁的小女孩，2008年5月12日汶川地震时被埋，卒时不详。她生前喜欢文学，梦想成为作家。胡慧姗纪念馆以灾区最常见的坡顶救灾帐篷为原型，面积，体量，形态均近似于帐篷，外部红砖铺地，墙面采用民间最常用的抹灰砂浆，内部为女孩生前喜欢的粉红色，墙上布满女孩短促一生的遗物：照片，书包，笔记本，乳牙，脐带……，她的一生没来得及给社会留下多少痕迹，她不是名人，只是个普通女孩，是父母的掌上明珠。这里的纪念内容没有悲壮热烈和宏大喧嚣，只是关于一个花季少女的追忆。从一个圆形天窗撒进的光线，使这个小小空间纯洁而娇艳一一这个纪念馆，是为一个普通的女孩，也是为所有的普通生命一一对普通生命的珍视是民族复兴的基础。
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http://www.jianzhu01.com/Museum1007230110.htm
夏阳湖浦阳阁
原 名 称：Thumb Island
规模：16173㎡
业主：青浦新城规划局
合作方：上海中建建筑设计院有限公司、上海同济协力建设工程咨询有限公司、WHL环瀚
亚建筑设计咨询（上海）有限公司、上海科胜幕墙有限公司
项目组：马清运 陈展辉 黄嵘 Peter Sam
此项目位于一个上海青浦新城中心的人工湖之中，围绕夏阳湖是这个区域快速形成的一个市政中心。湖四周还会有更多更大的公共性建筑。马达思班的出发点是通过让建筑物消失而带来它更有影响的存在。这是中国景观的哲学，即人造景观和自然景观（物）之间形成空间和能量的连续流动。建筑物被视为成四周景观向湖中心的延伸的部分，从而形成一个绿色的半岛。这条绵延不断的绿带在湖中央标高加大，而且起伏变化，从而形成可以使用的不同高度建筑空间，同时形成湖四周的视觉中心。这种连续地景的思路体现在建筑内部流线的布置。它贯穿了所有的功能，并在不同的高度提供进入不同空间的可能。整个建筑被看成是湖中的一块巨大岩石，中间有各种岩洞、凿道，两侧切开后，这些空隙都因接纳阳光而变化了内质。使用者可随意选择要去的地方，包括岩石的顶部。它有树有草，是湖边景观的一部分。中国园林中的可观、可游、可居的风景哲学被融进此方案的设计当中。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010040913334952_10.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230109.htm
四川安仁建川博物馆（聚落）——文革之钟博物馆
原 名 称：Museum of Culture Revolution Clocks Jian Chuan Museum (Village).Anren，Sichuan
大邑安仁
3885平方米
设计中正视现实，把商业的成功视为博物馆的生存基础，把商业设置得到最佳满足后的建筑状况视为主体的基地现实条件。在商业弃用的地块核心插入博物馆，利用地块外围商业的纷杂与地块核心博物馆空间的静溢，分别极端化，使“世俗空间”和“神圣空间”形成鲜明对比，从而进一步强化商业现实和历史遗存各自的感染力，创造出独特的场所感。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041213494440_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041213494440_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041213494440_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041213494440_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041213494440_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230108.htm
芬兰赫尔辛基当代艺术博物馆
当代艺术博物馆位于赫尔辛基市中心地段，西测是国会大厦，东侧是伊利尔·沙里宁设计的赫尔辛基火车站，北侧是阿尔瓦·阿尔托设计的芬兰会堂。基地的挑战性来自于这里是不同城市格网的交汇处，临近纪念性建筑以及面向远处蒂罗湾敞开的三角形的基地形态。
"交错"的设计概念来自建筑构成与城市和景观的几何形态的交错融合。城市和景观的几何形态都是在建筑的形式上有所反映。一条含蓄的文化轴线以曲线的方式将博物馆与芬兰大厅联系起来，同时它也是一条"自然轴线"，将建筑与周围的景观和蒂罗湾联系起来。
赫尔辛基当代艺术博物馆的设计为人们提供了多种空间的体验机会。因此，展室空间的主要特征是半个矩形体量与一面弧形墙相结合，这样就可以为当代艺术的展示提供一种既宁静又生动的背景。这是一些很安静的空间，但不是静态的，它们因各自的不规则形态而被区分开来。
不对称性限定着空间序列中的行进方式，由此使整个设计成为一种有着轻微弯曲的"展览空间"。这些弧形展开的空间序列包含了一些既神秘又令人惊讶的元素--这是在那种典型的单一或双重正交的空间布置中所不存在的。因此，参观者可以体验不断变化的视角的连续性展开，这些视角将参观者的内部体验与"交错"的总体设计概念联系起来。
空间在形态和尺度上的些许变化来自建筑中柔和的曲线形部分，这部分的存在使水平的自然光线能以多种不同的方式进入到建筑内部。首先，弧形?quot;冰墙"使光线能穿透带有半透明隔热体的玻璃板，水平光线被偏转后沿建筑的中心部分向下投射，到达上部和下部的所有层。其次，带有天窗的弧形屋面为顶层下部的展室提供了另一种光的分布方式。建筑的曲线构成和交错的形态特点以及空间与光线的交织扭转使得25个展室均能获得自然采光。
该博物馆具有"艺术论坛"的作用，它是开放的，并灵活适用于各种舞台活动、表演、舞蹈、音乐和研讨会。首层的咖啡厅邻近花园及门厅，它的位置使其可以适用于一些非正式的活动，如诗歌朗诵、"圆桌"式讨论等。报告厅则配备有最先进的音像设备，它那由连续的玻璃构成的后立面，使人们在经过这座建筑时可以从外部的道路上看到其内部景象。
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http://www.jianzhu01.com/Museum1007230107.htm
Porciúncula de la Milagrosa教堂
原 名 称：Porciúncula de la Milagrosa Chapel
Daniel Bonilla 建筑事务所的最新项目，一个位于哥伦比亚La Calera地区的开放式教堂，周边绿树环绕。简单的几何造型为虔诚的空间增加了优雅的情绪是，作为自然特征，风和光创建出一个“和谐的氛围”。
Daniel Bonilla Arquitectos’s latest project is an open chapel in La Calera， Colombia that is gently nestled into the surroundings. The simplicity of the geometry adds a touch of elegance to the pious space， as the natural features of the environment， wind and light， create “an essential harmony.”
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http://www.jianzhu01.com/Museum1007230106.htm
华侨城创意园区
30000平方米
在高速发展的城市中，存在于深圳华侨城中产阶级居住区和迪斯尼乐园般的娱乐区夹缝中、建于80年代早期的旧厂房，渐渐成为都市残留物。它们虽然是深圳成长过程中典型的历史片段，但不可避免地要被埋葬。
2003年．何香凝美术馆决定将其中一个厂房改造为当代艺术中心。这个决定契合了开发商将这片区域逐步转变为混合的时尚社区的构想。美术馆的介入成为整个开发过程的起动点。美术馆、开发商、艺术家、策展人和建筑师都参与了置换与填充的规划思路的构想。规划策略是从在现有厂房中加入一个容纳新艺术中心的条形体量开始，一步一步添加和改造，来模拟城市的自主发展过程。厂房之间的空地将被画廊、书店、咖啡厅、酒吧、艺术家工作室和设计商店渐渐填满。这种填空，延伸、包裹、渗入到现有肌理，并用新秩序创造了新的城市空间体系和公共设施。这种规划用一种动态的、交互式的、灵活的框架，其社区能适应不断变化的城市新状况。土地价值在运作过程中提升到一定程度后，才将未改动的厂房建筑置换出来，再填充进新的建筑，最终形成一个完整的社区。这种拒绝一次性设计和开发的模式，让时间积淀出社区的厚度和底蕴。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041414355536_22.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230105.htm
大芬美术馆
大芬美术馆
http://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg23/2009060213443940_8.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230104.htm
唐山城市展览馆
22850平方米
如果说1976年的大地震对唐山的建筑史是一次无意的摧毁，那么，今天的城市化运动则是对唐山平庸的现当代建筑史的一次有意的抹杀。原唐山面粉厂便是这样的牺牲品。它位于大成山脚下，阻碍了山体和城市的联系。因此，当工厂外迁后，有计划将之彻底推掉，变成城市公园。
对于一个大多数建筑只有三十佘年岁数的城市，厂区中四幢日伪时期建的旧库房很值得保留。在多方努力下，它们和另两幢八十年代建的粮仓得以保存，形成一个山脚下的博物馆群。
这六栋平行的建筑恰巧垂直于山体，有节奏地将山引到城市。新加建的部分更加突出了这种天作之合。沿公园一面，每个仓库增添出一个钢结构门廊，让封闭的仓库具用一种开放性。这些门廊落在反射水池上，使旧建筑的美进一步放大。“人”字形仓库的屋面用“X”形钢结构来代替，形成的侧高窗使原先封闭的室内变成完美和标准的展示厅。
当山体滤过仓库走向城市时，通过了一系列有层次的园林和庭院空间，使游走在建筑群中成为很惬意的享受。对于很能享受平淡生活的唐山人而言，这个建筑群的气质和这个城市的精神是合拍的。在一个似乎一切都很平淡的城市，人们在这个公园里可以不经意地读到值得关心的历史残片，并从中找回对自己城市的信心。
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http://www.jianzhu01.com/Museum1007230103.htm
“华”美术馆
2620平方米
“华”美术馆的前身是建于1980年代早期的深圳湾大酒店的洗衣房。在高速发展的城市中，这座存在于华侨城西班牙风情主题酒店和典雅的何香凝美术馆夹缝中的旧厂房，因其单调的建筑形式早已成为不为人留意的都市残留物。厂房的所有权方考虑到其优越的地理位置，决定将其保留并改造为附属于酒店的艺术展馆：其设计既要突显个性，与两边建筑风格形成差异性对比，同时也要体现与两端建筑的关系及整体性。改造策略完整地保留了原建筑立面的窗墙体系，加建的立面通过包裹的手法，将单一的原始六边形通过复杂有机的组合形成由实至虚，由小到大，多层次渐变的三维视觉效果。从而在车辆由西至东快速通过的瞬间，形成强烈的视觉冲击力，通过立面结构的缩小放大，逐层递减，如同面纱般轻轻揭开，最终透出原建筑立面的戏剧性变化过程。
展馆的室内设计再次运用立面所含有的六边形元素作为基本平面形态，在进深方向上作拉伸，形成一系列折叠平面互相交叉、互相切入构成的复杂但带着明确功能元素的公共空间。这种表达形式改变了原本单调的立面几何图案，用三维方式生成新的室内空间，这种“突变”形式使设计产生了不可预料的惊喜结果。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508535830_7.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230102.htm
白云观珍宝花园
12684平方米
道教的重量级建筑群的白云观，现今是中国道教协会的总部所在。随着城市的折迁，包裹在密集民宅中的古老道观被剥离出来，失去了原先应有的环境依托，被迫与当代城市对话。
本项目地段是沿道观西侧和南侧的狭长的商业地块。然而西侧用地的三分之二已被规划为城市公共绿地．使两地块间建筑被隔断。面对地段的历史及现实的挑战，本方案立足于将当前的文化意识和古老的文明传统对接，而不是单纯用复古的语言来获得与旧建筑简单的和谐。设计沿两个轴线展开。对应于白云观自身的中轴线，是微折成“V”字型的约140米长的“放大影壁墙”，其立面元素是由道教八边形图案变形而衍生成的复杂幕墙体系，既有功能的合理性和视觉的美感，又有文化的厚度，从而以轻松又有力度的现代构图应对古观的凝重。
平行于白云观主轴线西侧，是一条曲折的轴线，它与白云观庄重的院落节奏感呼应，形成自由的和弦。有形的建筑被缩小为一个嵌入到人造山体的“珠宝盒”。这一和弦的伴奏使地块规划中的公共绿地成为了积极的纽带，不仅使两个地块有了内在的联系，还使整个新建筑成为将白云观嵌入当代城市的画框。
这个设计证明，在新都市建设背景下，历史文化在新建筑上的延续，需要有当代全局意识和对历史的敏锐观察。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010041508581743_7.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230101.htm
Bibliotheque Montarville-Boucher-de la Bruere
原 名 称：Bibliotheque Montarville-Boucher-de la Bruere
性质：博物馆和图书馆
现有面积：1700平方米
扩建面积：1470平方米
预算：340万美元
Project Architect: Martin Briere
Existing Area: 1，700 sqm
Extension Area: 1，470 sqm
Budget: $3.4 M
Montarville – Boucher la Bruère公共图书馆位于Boucherville市区中心，这是一个40000万人口的城镇，位于St. Lawrence河流沿岸，蒙特利尔岛的东部。这座建筑建于25年前，现在，这个市政图书馆需要扩建和对现有设施进行重新翻修，以便于它可以更好的发挥它的使命，为民众提供更多社会、文化和技术发展趋势等服务。
The Montarville – Boucher la Bruère Public Library is located in the downtown core of Boucherville， a town of 40，000 situated on the banks of the St. Lawrence River just east of the Island of Montreal. Built more than 25 years ago， the municipal library needs to expand and reconfigure its existing facilities so that it can better pursue its mission and provide services in accordance with new and emerging social， cultural and technological trends.
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http://www.jianzhu01.com/Museum1007230100.htm
美国西雅图大学圣·依纳爵教堂
原 名 称：Seattle University Church of St. Ignatius
客户：西雅图大学
SIZE: 6，100 sf大小：6，100平方英尺
圣.依纳爵教堂的外观，是一个极其朴素的混凝土建筑，看起来象盒子，盒子上面是渗着神秘色彩的镀锌顶罩。一个浅浅的可以看到倒影的池塘和高耸的钟塔把教堂与校园的其他部分隔开，教堂从一个类似停车场的平台上竖立起来，并用21块倾斜的混凝土墙板，使用象拼图玩具那样的方法装配成整个建筑，在建筑的接缝处有少量狭长窗户，混凝土墙板曾经被涂成罗马式的褐色，吊装混凝土时用的吊环被保留下来当作教堂的装饰。
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http://www.jianzhu01.com/Museum1007230099.htm
罗湖公共艺术广场
5593平方米
项目场地原先为罗湖区临近火车站和娱乐区的露天停车场，周边环境嘈杂。在这个项目中，建筑不是被动的执行者，而是与城市规划部门共同制订项目定位和经营策略，使得简单的停车场项目变成了一个区域的文化中心。它的功能包括室外公共艺术展示广场、室内艺术画廊、书店、艺术酒吧、艺术家工作室以及可容纳100辆车的半地下车库。
设计策略是引入与用地周围的城市内容具有最大差异的设施和空间形态来激发新的城市生活状态，进而提升用地周边地区的生活品质。在这片充满商业味的城市闹区，艺术是看似最格格不入的都市话题。最大差异地进行文化拼接才是潜在的最具影响力的城市策略。公共艺术广场的定位是力图在稠密的商业和居住街区中开辟高品质的公共活动空间，同时在单一的商业文化的包围之中植入公共艺术创作、展示、交流和教育的设施。于是公共艺术这一新的都市话题所提供的将不是一般的观赏性的休闲绿地，而是一个生动的城市生活舞台，一个公众触摸艺术的界面。
作为极端人工化的一种文化注入，公共艺术广场试图把艺术家的工作场所和作品重新置放到城市混杂的背景之中，去和当代城市对话。当代艺术需要城市的喧嚣，同时艺术活动又会默默地影响城市生活本身。
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http://www.jianzhu01.com/Museum1007230098.htm
Avelgem文化中心
原 名 称：Avelgem Cultural Center
面积：2370平方米
预算：3600000欧元
Project Area: 2，370 sqm
Budget: 3，600，000 euro
该项目坐落在一座小山村里，位于一个自然保护区边缘，靠近村落中心，另外一边与村里教堂相毗邻。
设计师的目的是构建一座简单的建筑。通过堆叠的功能和使用该土地的现有斜坡，可以做到这一点。这种方式儿可减少建筑占地面积，同时保存了露天活动的空间。
The project is situated in a small village. The site is on the border of a protected natural reserve on one side and near the village centre and community church on the other side.
Our aim was to construct a compact building. By stacking the functions and using the existing slope of the site we could do this. In this way the footprint of the building was reduced and space was preserved for open air activities.
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http://www.jianzhu01.com/Museum1007230097.htm
加州教育署总部
原 名 称：CA Department of Education Headquarters
CA Department of Education Headquarters
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011040831_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011040831_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011040831_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011040831_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011040831_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230096.htm
全国野生动物艺术博物馆
原 名 称：National Museum of Wildlife Art
National Museum of Wildlife Art
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011115138_6.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230095.htm
波士顿科学博物馆
原 名 称：Museum of Science， Boston
Museum of Science， Boston
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011134657_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011134657_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011134657_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011134657_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011134657_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230094.htm
海军陆战队国家博物馆
原 名 称：National Museum of the Marine Corps
National Museum of the Marine Corps
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042011145959_8.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230093.htm
Madan公园建筑
原 名 称：Madan Park Building
面积：3210平方米
Project Area: 3，210 sqm
该大厦位于葡萄牙阿尔马达Monte da Caparica地区，是一家科技孵化器公司的办公大楼。建筑的外形来源于不规律的地形以及对空间不同功能的需求。该地块面对两条对立的街道，因此一层中有不同的高度。设计师采用一个巨大的休闲室以及一条有纪念意义的楼梯将建筑两边相互连接。
The building houses an incubator for technology based companies and is located at Monte da Caparica， Almada. The form of the building results from a process in which the built mass is moulded and subtracted in response to the irregularity of the plot and the different functional requirements. The plot has two opposite street fronts， with a difference in levels of one floor. Connecting these street fronts a large lobby with a monumental staircase crosses the building.
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http://www.jianzhu01.com/Museum1007230092.htm
Belém文化中心
原 名 称：Belém Cultural Centre
面积：40000平方米
成本：152000000欧元
LocationLisboa
Date1989 – 1992
Build Area140.000 m2
Cost152.000.000
该文化中心位于里斯本最重要的地区，这里包含着纪念碑并且充满了各种象征符号，Belém文化中心是其中一个巨大的公共中心，由葡萄牙政府在20世纪投建。
Situated within an area that contains Lisbon’s most important monuments and is full of symbolism， the Belém Cultural Centre (CCB) is one of the largest public works projects undertaken by the Portuguese State in the 20th century.
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010042214205443_10.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230091.htm
明知大学Bangmok图书馆
原 名 称：Myongji University Bangmok Library
这座有着轻微弧形造型的大厦，旨在欢迎明知大学的学生团体们，并且尽量保持与周边居住区和其他大学设施的相互和谐。这座大厦最后被用来作为大学的图书馆投入使用。曲线形的外立面利用U型玻璃，U型玻璃不能够直接反射光，但是可以过滤日光，使得室内光线温暖舒适。
The massing started off with gently curved form which seeks to welcome the student body of Myongji University and harmonizes in its surrounding of residential area and other university facilities. The square mass was subsequently inserted to serve as the functional zones to contain the books. The curvilinear outer skin comes to life with U-GLASS， and the square mass is expressed with wood (IPE) that relates to the nature off books， paper， and bookshelves. U-Glass doesn’t directly reflect light， but filters light to create a warm and comfortable ambience; wood ages， similar to books， and archives the flow of time in its materiality.
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http://www.jianzhu01.com/Museum1007230090.htm
萨里山图书馆和社区中心
原 名 称：Surry Hills Library and Community Centre
面积：2497平方米+770平方米景观
Project Area: 2，497 sqm + 770 sqm of landscape
该项目位于萨里山心脏部位，是悉尼郊区市中心，社区中心以年龄差异为特征，有着不同的收入和文化背景。因此建筑师的设计也有所不同：住宅公寓，平台住宅，不同规模的商店和商业/工业区，通过维多利亚式建筑形式得以表现。地理位置非常局限，占地面积仅25*28平方米，三面临路：拥挤的街道，萨里山的主街区，向东的两个住宅和向南以及向西的街道。
This project is prominently located in the heart of Surry Hills， an inner-city suburb of Sydney whose community is characterised by a diversity of age， income and cultural backgrounds. The architectural context is also diverse: residential apartments， terrace housing， shops and commercial/industrial premises vary in scale though their architectural style is predominantly Victorian. The site is very constrained， measuring just 25 by 28 metres and bound on three edges by roads: Crown Street， the main street of Surry Hills， to the east and two residential streets to the south and west.
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http://www.jianzhu01.com/Museum1007230089.htm
"De Letterbeek"城市图书馆
原 名 称：City library "De Letterbeek"
新的公共建筑是对外开放和透明的。这是一个令人舒适的地方，同时也是一个灵活的工作场所，希望可以对未来发展有所预期。
This new public building is open and transparent. It is a pleasant attraction point and a flexible workplace that hopes to anticipate on future evolutions.
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http://www.jianzhu01.com/Museum1007230088.htm
伊珀尔市议会——公共与私营机构合作佳乐现场
原 名 称：Ieper City Council - Public-private partnership Picanol-site Polenlaan
伊珀尔市议会——公共与私营机构合作佳乐现场
Ieper City Council - Public-private partnership Picanol-site Polenlaan
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http://www.jianzhu01.com/Museum1007230087.htm
De Zande特殊青少年社区护理中心
原 名 称：Community Institution De Zande
在接下来的几年内，该特殊儿童社区护理中心将完成其全部的施工。总规划满足了非常高的设计标准：它不仅仅扮演的是一个校园的身份，起到了青少年社区护理的领军角色，同时在可持续性以及能源节约上，也起到主领角色。
In the coming years， the Institute for Special Youth Care will innovate its entire infrastructure. The masterplan will meet very high standards: not only will the campus play a leading role regarding youth care， it also has to play a leading role in building sustainable and energy friendly.
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http://www.jianzhu01.com/Museum1007230086.htm
南亚人权文献中心
原 名 称：South Asian Human Rights Documentation Centre
总面积：50平方米
项目面积：172平方米
Site Area: 50 sqm
Project Area: 172 sqm
南亚人权文献中心是一个非政府的组织机构，旨在研究文献和发布关于人权的消息。这是一个资源有限的小型办公室，文献中心还拥有一个实习方案，这吸引了来自印度和国外大学的学者们。因此它要求再建一个办事处，一个50平方米的空间，以施工效率和有效成本为重点。
South Asian Human Rights Documentation Centre (SAHRDC) is a non-governmental organisation which seeks to investigate， document and disseminate information about human rights. A small office with limited resources， the SAHRDC also runs an internship programme attracting scholars from universities in India and abroad. It required an office to be made on a 50 sqm plot emphasising spatial efficiency and cost effective construction.
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http://www.jianzhu01.com/Museum1007230085.htm
亚历山德拉展示中心
原 名 称：Alexandra Interpretation Centre
新的展示中心是一个多功能的3层建筑，作为一座沟通的桥梁横跨亚历山德拉大街和animated大街。项目包括展示空间，这里是爵士乐诞生的地方，有着丰富的音乐历史，还有一个图书馆，训练设施，商店和餐厅。通过建筑设计的表达，构建了2个城市广场，将住宅区相互连接起来，受到当度居民的喜爱。在阳光充足的天气里，你也许可以看到这样一幕，有人在广场上举行生日聚会，有人在广场上剪头发，如同电影里出现的片段一样。
The new Interpretation Centre is a mixed used 3 floor structure， conceived as bridge spanning over the animated and loud streets of Alexandra. The program contains an exhibition space to tell the story of the place， a jazz archive for the rich musical history born here， a library， training facilities， shops and restaurants. Through the design the building also generates two urban squares， places to be taken over to the resident’s liking， envisioned for both organized events like movie projections and the informality of street life. On a sunny day you might find someone getting a haircut or having a birthday party， or both， in the same place.
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http://www.jianzhu01.com/Museum1007230084.htm
波兹南大学图书馆
原 名 称：University of Poznan Library
项目面积：2062平方米
竣工：2005
设计年限：2005-2006
施工年限：2007-2009
Location: Poznañ, Poland
Project area: 2,062 sqm
Competition: 2005
Design year: 2005-2006
Construction year: 2007-2009
波兹南密茨凯维奇大学的波兰语和古典哲学院图书馆位于波兹南的心脏地带，此处十分靠近20世纪初的历史建筑——波兹南剧院和普鲁士帝国城堡。这个图书馆是玛伊乌斯大讲堂的扩展部分。（玛伊乌斯大讲堂：即皇室普鲁士殖民委员会，早先的“Hakata”建筑）这块基地被玛伊乌斯大讲堂和地区政府办公楼三面围合。
设计师是设计一个功能性的、现代的建筑，其形式上受到约束却适应历史功能和文脉。此外，设计师专注于将来使用这个建筑的学生的需求，这个设计反映他们的品位和需求。设计该建筑的困难在于：必须考虑到地块规划所要求的严格的面积限制和特殊的用途；同时，还要满足客户的十分广泛的功能要求。结果我们创造出是一个非常功能性的、也很有趣的平面。在没有丢失立意主题的情况下，十分谨慎的地开发出最多的有效面积。
Polish and Classical Philology Faculty Library of Adam Mickiewicz University is located in the heart of Poznan – in the close proximity to historical buildings from the beginning of twentieth century, in the immediate vicinity of the Poznan Opera House and the Prussian Imperial Castle. It was designed as an extension of the Collegium Maius – the former building of “Hakata” – the Royal Prussian Colonization Commission. The parcel is hidden at three sides by the Collegium Maius and by the building of Regional Government Office.
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http://www.jianzhu01.com/Museum1007230083.htm
洛杉矶郡立美术馆西翼
原 名 称：LACMA WEST
Los Angeles，CA
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010050711083458_13.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230082.htm
雅典新卫城博物馆
原 名 称：Acropolis Museum
面积 21000㎡
建筑设计 伯纳德•屈米（伯纳德•屈米建筑事务所）
合作设计 Michael Photiadis （ARSY事务所）
动工时间 2003年9月
竣工时间 2007年9月
新卫城博物馆的基地位置在卫城山丘南侧，距离帕特农神庙不到300m。展厅面积约14000㎡，配有完善的配套设施，力图为参观者历数雅典卫城的前世今生。数千件珍贵绝伦的文物静静沐浴在阳光下，不像很多博物馆会用钢化玻璃将文物包得严严实实，在这里参观者甚至可以触摸展品，从各种角度真正零距离欣赏展品。
设计将多余的线面省略至最简，刻意不使博物馆“纪念碑”化，而是致力于引导参观者将注意力完全放在这些无与伦比的展品上面。设计以可能达到的最大的明确性将功能需要转化为建筑语言。由于是建在地震带上，博物馆的设计也特别注意抗震。目前，这座建筑已经经历了两次较大地震的考验而安然无恙，
整座建筑中最为特别的是顶层的帕特农展厅，它被设计为一个长方形的玻璃盒子，7m高，面积超过2050㎡。这一层在下面两层的基础上向东扭转了23度角，使其与300m外的帕特农神庙平行正对，并根据复原图按原位置将神庙长160m的浮雕呈现给参观者。观者身在馆内，却可以毫无障碍地观赏帕特农神庙，今夕一时交错，仿佛置身于千年前的古希腊。
博物馆位于Makryianni历史区，距离他1000英尺的东南部是帕台农神庙。帕台农神庙画廊顶层提供了一个360度全景观景台，可欣赏雅典卫城。由Dionysios Areopagitou步行街进入到博物馆内部，可链接到雅典卫城和其他考古遗址内。
Located in the historic of Makryianni district， the Museum stands less than 1，000 feet southeast of the Parthenon. The top-floor Parthenon Gallery offers a 360-degree panoramic view of the Acropolis and modern Athens. The Museum is entered from the Dionysios Areopagitou pedestrian street， which links it to the Acropolis and other key archeological sites in Athens.
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http://www.jianzhu01.com/Museum1007230081.htm
利摩日音乐厅
原 名 称：Limoges Concert Hall
利摩日音乐厅 Limoges Concert Hall
法国 利摩日 2003-2007
Limoges， 2003-2007
该音乐厅的最小容纳量为600人，而最多可以容纳至8，000人左右，6，000人的容纳量最为适中。Bernard Tschumi没有考虑舞台前部装置，而是设计了这样一个舞台：表演场地大约260英尺宽，130英尺高而且没有舞台装置。光线由五只气球提供，这五只气球也起着装饰该音乐厅的作用。
Tschumi对该音乐厅的设计融合了两个独具匠心的声效层：外层是由聚碳酸酯材料制成，能够过滤光线并限定声音循环空间；内层由木质材料构成，在举行音乐会和其他活动时能增强亲切感。这种设计理念是为适应舞台场地而衍生的，因为该音乐厅位于城郊一大森林中的宽阔之地，周围是有着200多年树龄的树木。
Tschumi设计时考虑到了材料的耐用性和节能性，充分利用当地的木材工业，并在设计音乐厅空间声效层时使用了可循环材料。另外，由聚碳酸酯材料制成的外层结构和木质结构有利于自然光线的投入及空气的流通。停车场占地7英亩，绿草如茵，树木成行，能容纳1，500辆汽车。这都是景观建筑师米歇尔•戴斯威纳（Michel Desvigne）研发的科技功劳。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051116011244_11.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230080.htm
上海世博会深圳案例馆
原 名 称：Shenzhen case pavilion at UBPA， Expo Shanghai 2010
项目：2009.09-2010.05
面积：587平方米
Project: 2009.09 – 2010.05
Size: 587 sq. m
深圳馆以“中国梦想实验场”为主题，通过对大芬村这样一个城中村案例的声色提炼，来展现城市的变迁。这样一种以人的梦想与城市实践的跌宕讲述，是人文的，也是经济的；是城市的，也是个人的，它传递出直面城市现实的勇气。
深圳馆是一次深圳对中国当代精神的反思，它甚至带有对世博会的批判性，世博会就是技术崇拜，但每个城市最终拼的是文化，不是技术。
过去三十年，深圳依靠改革创新创造了成就、奇迹，成为中国梦想试验场；今年深圳在世博会上表现深圳普通人的面孔，深圳的激情、尊严和梦想；未来三十年，深 圳需要超越、发展，继续进行制度创新，成为中国梦想实验场。大芬村的入选，就是深圳三十年缩影，是一部城市愈合史的展示。
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http://www.jianzhu01.com/Museum1007230079.htm
上海世博会深圳案例馆
原 名 称：Shenzhen case pavilion at UBPA， Expo Shanghai 2010
项目：2009.09-2010.05
面积：587平方米
Project: 2009.09 – 2010.05
Size: 587 sq. m
深圳馆以“中国梦想实验场”为主题，通过对大芬村这样一个城中村案例的声色提炼，来展现城市的变迁。这样一种以人的梦想与城市实践的跌宕讲述，是人文的，也是经济的；是城市的，也是个人的，它传递出直面城市现实的勇气。
深圳馆是一次深圳对中国当代精神的反思，它甚至带有对世博会的批判性，世博会就是技术崇拜，但每个城市最终拼的是文化，不是技术。
过去三十年，深圳依靠改革创新创造了成就、奇迹，成为中国梦想试验场；今年深圳在世博会上表现深圳普通人的面孔，深圳的激情、尊严和梦想；未来三十年，深 圳需要超越、发展，继续进行制度创新，成为中国梦想实验场。大芬村的入选，就是深圳三十年缩影，是一部城市愈合史的展示。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210231039_42.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230078.htm
上海世博会德中同行之家
动一动胳膊，扭一扭腰……大楼、树木和城市设施纷纷拔地而起……仅仅用身体的轮廓和光影的变幻就能将城市生动描绘而出，这一大胆的创想如今不再是天方夜谭。在2010年上海世博会期间，参观者将有幸在位于世博园区C片区的“德中同行之家”里亲身领略这一高科技所带来的特殊体验与魅力，用身体语言创造出属于自己的城市。
此次“互动造城”游戏以“创造属于你自己的城市”为主题，将中国传统影子游戏与现代电脑技术相结合，观众只需在屏幕前摆出自己理想的造型，电脑智能程序便能根据造型的影子效果构建出城市的建筑物、树木，甚至是水电设施的轮廓，一座座城市社区随着千姿百态的肢体语言不断幻化而出。
“作为‘德中同行之家’在2010年上海世博会上展出的亮点之一，无与伦比的‘互动造城’游戏也包含着非凡的发展理念：一个由我们幻动的光影创建而成的城市。”德国外交部对华工作小组主任、大使芮悟峰博士谈及“互动造城”游戏时说道，“游戏参与者们不仅能携手体验这个非凡的游戏所带来的乐趣，还能在生动有趣的游戏中切身感受可持续发展的城市化进程”。同时，芮悟峰博士还真诚地邀请“德中同行”项目的官方合作伙伴光临引人入胜的绿色环保展馆――“德中同行之家”，并参与到这个精彩的游戏中去。
这项独具匠心的游戏由德国知名的亚琛工业大学开发设计，并与中央美术学院合作共同完成，充分体现了德中两国的文化交流与融合。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051210333233_7.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230077.htm
食盐博物馆
原 名 称：Salt Museum
景观设计师：Fabienne Méline
结构工程师：Cetel
Landscape: Fabienne Méline
Structure Engineering: Cetel
食盐工厂关闭于1962年，从中世纪以来一直是法国Salins-les-Bain市一个重要的生产基地。当2006年市政当局宣布复建这座食盐工厂的时候，已经准备将其转变为一个具有历史意义的里程碑，以期回复其原来的核心重要性，这不仅仅是具有象征意义，同时也属于城市规划的一部分：最近已被联合国教科文组织评为世界遗产，因此这里不仅仅是一个博物馆，对当地人来说，这里更是一个露天的历史博物馆。
Closed since 1962， the salt works in Salins-les-Bain have been an important productive site since the middle ages right in the centre of the French city in the Franche Comté. When the competition for restoration of the salt works was announced in 2006， the city authorities had already set the goal of transforming it into a monument to the history of local production with the aim of restoring its original central importance， not only symbolically but in the city’s urban layout: recently made a UNESCO World Heritage Site， the site is intended not so much as a museum of salt but an open-air museum of local history.
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http://www.jianzhu01.com/Museum1007230076.htm
2010年上海世博会阿尔萨斯案例馆
案例原型为法国阿尔萨斯布克斯韦尔高中的太阳墙，这是一个通过太阳能达成室内舒适性的节能环保建筑范例。
上海世博会上，该案例被建成一个缩减能源需求的展馆，南立面上的水幕太阳能墙体由电脑自动控上海世博会阿尔萨斯案例馆示意图制，可以随着室外温度和日照强度的变化自动开闭，既能遮阳降温，又能有效减少能源消耗。
太阳能微型啤酒厂——案例馆内有微型啤酒厂，利用光伏太阳能采集器提供的能源进行生产，参观者可以一览整个生产流程，还可以品尝刚酿好的啤酒。
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http://www.jianzhu01.com/Museum1007230075.htm
2010年上海世博会爱沙尼亚国家馆
展馆外形色彩斑斓，讲述爱沙尼亚人在绿色环保方面的独特理念和智慧。馆内通过“储蓄罐”、“数字笔记本”、互动触摸屏等，展示爱沙尼亚的历史、未来、旅游景点、商业机会及其在城市发展中的文化历史特色。互动触摸屏等，展示爱沙尼亚的历史、未来、旅游景点、商业机会及其在城市发展中的文化历史特色。
馆内有多个不同颜色的“储蓄罐”，每个“储蓄罐”代表不同的城市问题，如“为了新鲜空气”、“为了汽车停车场”、“为了绿色的公园”等。
参观者可为他们自己的城市寄送祝福，为城市管理者提供决策参考。
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http://www.jianzhu01.com/Museum1007230074.htm
2010年上海世博会城市主题馆
上海世博会设有五个主题馆(城市人馆 B片区、城市生命馆 B片区、城市地球馆 B片区、城市足迹馆 D片区、城市未来馆 E片区)，其中城市人馆、城市生命馆和城市地球馆三个主题馆位于浦东B片区的主题馆建筑内。展馆外形设计从“折纸”的创意出发，屋顶则模仿了上海里弄“老虎窗”正面开、背面斜坡的特点，显示上海传统石库门建筑的文化魅力。主题馆的南广场、北广场和下沉式广场将在世博会期间举办各类活动、庆典和仪式。城市足迹馆和城市未来馆分别位于浦西的D片区和E片区，两座展馆建筑利用原工业建筑进行设计改建，构成传统与现代相互呼应的崭新空间。
展馆外观
主题馆位于浦东世博园区B片区，占地面积约11.5公顷，总建筑面积达14.3万平方米，其中地上9.3万平方米，地下5万平方米，展览面积8万平方米，是世博会历史上规模最大的主题展馆。上海世博会召开期间，主题馆的东侧一层展厅将作为“城市人馆”；北侧为生命阳光馆和公众参与馆；西侧展厅将分割为“生命馆”、“地球馆”；面积约7000 平方米的中部多功能厅将作为入口大厅，连接各个展厅与功能区域。在2010年的世博园区里，主题馆充满了城市情怀和内在张力。带着上海里弄特征的“城市肌理”——均匀排列的坡顶、虚实相间的天井、错落有致的老虎窗，这些都被设计师提炼后运用在主题馆的屋面中；国内最大的双向大跨度无柱空间，也自豪地出现在主题馆内，25000平方米的超大展厅，可以让4架波音737飞机同时驶入。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051315015548_8.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230073.htm
上海世博会沪上-生态家
沪上·生态家是唯一代表上海参展2010年上海世博会的实物案例项目。“沪上”代表着这个项目立足上海本土，专为上海的地理、气候条件量身打造，项目由现代设计集团承担总承包商，联手同济大学、上海建科院等共同打造。比同类建筑节能60％以上，让“生态”二字名至实归，而“家”则代表着设计团队将给观众带来的感觉，是“生态技术”优化下的“屋里厢”生活的自在温馨和舒适。
根据流体力学“嵌”在整座建筑之中的“生态核”，将对四面八方的风进行“优化组合”，并通过植物过滤净化系统，使得四季室内空气保持畅通清新；“生态核”顶部设计开合屋面，在加强自然通风效果的同时，增大室内采光效果。屋顶安装的“追光百叶”可以跟随太阳角度的变化而自动转变角度，一方面起到遮阳作用，另一方面反射环境光，提高室内照度；在室内光线达不到照明标准时，窗帘百叶会自动调整，同时室内灯光会自动亮起，而其动力则来源于太阳能薄膜光伏发电板、静音垂直风力发电机等所产生的清洁能源；利用旧砖砌筑的“呼吸墙”的先进设计，为建筑墙面穿上一层“空气流动”内衣，可以降低墙面的辐射温度，起到调节室内温度的作用。
生态家中的两个电梯一个是势能回收电梯，在上上下下之间，所产生的“势能”不经意间被储存；另一个则是变速电梯，可以根据电梯乘客的多少来控制电梯速度。“聪明屋”的外表将种植容易拆卸更换的模块式绿色植物，使“聪明屋”如大自然般清新可人，这些植物不用人特别照顾，智能化装置控制的“滴灌”技术将根据植物所需的水量来进行有目的的“滴灌”，用最少的水资源将植物“喂”得恰到好处。
建筑材料源于“垃圾”。立面乃至楼梯踏面铺砌的砖，是上海旧城改造时拖走的石库门砖头。内部的大量用砖是用“长江口淤积细沙”生产的淤泥空心砖和用工厂废料“蒸压粉煤灰”制造的砖头；石膏板是用工业废料制作的脱硫石膏板。此外，木制的屋面是用竹子压制而成，竹子生长周期短，容易取材，可以避免木材资源的耗费。“聪明屋”的阳台制作也采取了“工厂预制、整体吊装”的方式，以把建造污染降到最低。
在“沪上·生态家”里，将分成“过去”、“现在”、“未来”三个板块，通过图片、影片、还有特殊互动方式，为观众进行“风能发电”、“光伏发电”等最前沿的生态技术的科普和体验。按照计划，届时还将有能炒1000多种拿手菜的“炒菜机器人”，能测尿酸的“健康马桶”、“乳腺癌家庭监测”等轮番上阵，让观众亲身感受未来人居生活。
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http://www.jianzhu01.com/Museum1007230072.htm
2010年上海世博会加勒比共同组织馆
场馆主题:不同岛屿 不同体验
荣誉日:7月17日
展馆位置:C片区加勒比共同体联合馆内
加勒比共同体组织是加勒比海地区的区域性经济合作组织。秘书处设在圭亚那首都乔治敦。展馆造型别致，布局巧妙，重点展示加勒比共同体组织1 5成员国独特的自然风光和经济成就。馆内通过多种方式展示碧水蓝天的岛风光、繁忙壮观的现代化港口、精美绝伦的稻草编织的手工艺品、儿童阳光般的笑脸，洋溢着浓郁加勒比风情。
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http://www.jianzhu01.com/Museum1007230071.htm
2010年上海世博会可口可乐馆
可口可乐馆为一座两层建筑，建筑风格讲求虚实对比和颜色变化，外立面简洁独特，所有的外墙均采用金属防风雨百叶， 刷成“可口可乐”的红色。可口可乐企业馆通过宣传上海世博会“城市，让生活更美好”的主题，提出节能、环保、技术创新和创建高品质生活方式的理念。
2008年05月19日中国2010年上海世博会全球合作伙伴可口可乐（中国）饮料有限公司正式向世博局递交了确认函，宣布将建企业馆参展上海世博会，并根据世博局的相关要求推进各项参展工作。这是继 上汽通用馆、移动电信、万科企业馆、国家电网馆、中国航天馆、中国人保馆、中国铁路馆、中国航空馆、石油馆和上海企业馆之后，第十一家确认建馆参展的企业。
可口可乐表示，将通过企业馆的形式，全方位表达可口可乐对“城市，让生活更美好”主题理念的独特理解，以及为实现这一主题所作的不懈努力。据悉，可口可乐的企业馆中，将展示可口可乐在软饮料生产过程中对环境保护所进行工艺研发和有益探索，同时，也将引导前来参观的游客现场感受企业馆所倡导和营造的积极、快乐的生活体验。
展馆为一座两层建筑，建筑风格讲求虚实对比和颜色变化，外立面简洁独特，所有的外墙均采用金属防风雨百叶， 刷成“可口可乐”的红色。
馆内展示分为五个主要部分：标志瓶户外展览、剧院、展示厅、贵宾休息室和公众体验区，通过巧妙设计和展示向大众推广健康快乐的生活方式环保意识。
可口可乐标志瓶及舞台是展馆亮点，为参观者提供独特的感官体验以及各种演出。在高大的可口可乐积极生活剧院中，一部特别制作的视频短片，使参观者深刻了解展馆主题
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http://www.jianzhu01.com/Museum1007230070.htm
2010年上海世博会克罗地亚国家馆
国家 克罗地亚
展馆类型 自建馆
展馆位置 C片区
展馆面积 2000平米
展现克罗地亚的历史文化以及对上海世博会主题“城市，让生活更美好”的理解。
克罗地亚于2006年8月正式确认参加上海世博会。
西班牙当地时间2008年9月8日上午，克罗地亚与上海世博会组织者在西班牙萨拉戈萨世博会克罗地亚国家馆签署中国2010年上海世博会《参展合同》。上海市政府副秘书长、上海世博局局长洪浩和上海世博会克罗地亚总代表Ivica Maricic分别代表双方签约。
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http://www.jianzhu01.com/Museum1007230069.htm
2010年上海世博会塞尔维亚国家馆
塞尔维亚国家馆主题为“城市代码”，设计理念来自编织技艺，编织图案上的一个个结代表了一个个模块。塞尔维亚国家馆夜间效果图
2010年3月28日公布的塞尔维亚国家馆展示方案以"时间机器"打造穿越时空的神奇体验。以时间作为主线，通过“时间机器”串联起城市的过去、现在和未来，带领参观者穿越时空，畅想更好的城市生活，并提供如何更好地利用“时间”的设想。这一“编织出来”的馆舍与创造力紧密相连，体现出各个城市元素或城市代码之间的相互联系和复杂性，隐含人是创造世界主体的观念。
展馆位置：C片区。
展馆在传统的塞尔维亚建筑基础上改造而成，造型极具现代感和空间感，外墙上大量的LED在夜晚呈现出绚丽的灯光，把展馆烘托得别样美丽。馆内设大厅、展区、休闲区等，以“时间”为重要元素，串联起众多有趣的展品，连接起趣城市的过去、现在和未来，带领参观者畅畅想更好的城市生活，并提供如何更好地利用“时间”的设想。塞尔维亚馆时间机器
馆内的“时间机器”是一个由飞轮、皮带组成的特殊装置，犹如一座运动着的“时间工厂”，“时间机器”会通过声音等方式提示参观者时间的变化。其他展示还包括“欧洲花园”和“塞尔维亚的脸”、反映塞尔维亚人生活的视频等，其中“塞尔维亚的脸”将表现塞尔维亚公民如何在城市中有效地利用时间，而“欧洲花园”则用概念化的方式，展示城市历史及整个欧洲的自然环境。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051316343656_6.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230068.htm
2010年上海世博会中国人保馆
展馆为前高后低的单层建筑，以中国人保“PICC”的英文缩写为原型建造，顶部呈倾斜结构，参观者站在高架步道上也能够浏览展馆的全貌。外墙运用红色和白色，和谐搭配世博标识的绿色，色彩绚丽，恢弘大气。展馆的内部包含“一轴两翼三区”，主要展示现代保险业的功能与作用。馆内设置大型互动多媒体装置，主要以投影的方式播出动画片和宣传片。
设计方案经过不断修改，不断完善，最终确定以PICC形象为展示主体――长50米、宽20余米、均高7.5米的单层建筑呈前高后低的姿态雄踞于黄浦江边，前后两个主立面及屋顶冠以鲜艳的PICC标志与世博标志，两个标志交相辉映、融洽和谐，充分运用“PICC”公司标识的红色和白色，和谐搭配世博标识的绿色。既展示了中国人保锐意进取的企业形象，又突出“PICC，让世博更精彩”的庄严承诺。主体色彩绚丽，恢弘大气。人保馆侧面效果图
配备功能齐全的视觉、听觉、触觉等高科技手段，运用声、光、电和多媒体技术，多角度、全方位地展示中国人保成立60年来的辉煌成就、品牌形象、文化理念，进一步阐释世博理念，展现保险业服务、保障人类城市生活，以及文明发展的宗旨和实践，让观者获得互动的乐趣享受。
中国人保馆是世博会举办至今首次有保险企业参展建馆。中国人保企业馆将不仅着力展现中国人保深厚的历史文化和内涵品牌，同时，也将代表整个中国保险业，向来自世界各地的参观者展现中国保险业的辉煌成就。
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http://www.jianzhu01.com/Museum1007230067.htm
Sant Mateu社区中心
原 名 称：Sant Mateu Social Centre
该建筑建在梯田上，就如同当地农民在半山坡建的保护泥土，防止泥石流的建筑一样。设计师一个重要的优先任务是用岛上居民几个世纪来构建农舍的材料构建一个公共建筑，以满足当地农业景观需求的目的。
The building is set on terraces， like those built by local farmers to prevent earth from being washed down the hillsides. An important priority has been to design a public building with the same materials used by islanders over the centuries for their farmhouses， and in adapting the local landscape for agricultural purposes.
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http://www.jianzhu01.com/Museum1007230066.htm
美国西部大提顿印第安人游客中心
提顿族(美国印第安人)的领域是美国西部景观中的一个非常特别的地方。提顿族建筑风格和山谷中的冰川历史都很容易被辨识出来。
大提顿游客中心位于灌木丛地的滨水处，在这里游客们可以看到蜿蜒的河流和连绵的山脉。
游客中心内有一个庭院，庭院中充满着提顿元素——这是一个安静平和的地方。庭院三面都设有木柱走廊，供游客遮荫乘凉。
穿过入口前厅，游客们就能到达一个光线充足的宽阔场地。这里有大量木柱，让人们回忆起这里的原生树林。为了回应静寂的庭院，室内的几何形也采用分裂设计。这些看似随机布局的圆木实际上已经很精心地安排了游客们的走向，特意让游客们穿过展厅。粗糙的壁炉是建筑物理上和精神上的中心。狭长的烟囱和混凝土基座组成了这个壁炉，它也是一个垂直的标记。
精心选择的建筑材料，让人们从内心上和提顿景观联系在一起。这座建筑的布局充满了感情，也不可思议的引起了游客们的共鸣。
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http://www.jianzhu01.com/Museum1007230065.htm
Mint博物馆
原 名 称：The Mint
面积：3381平方米
Project Area: 3，381 sqm
Mint项目位于悉尼最古老，最珍贵的历史遗迹之一麦格理街上，预备将其饭修成一座新的有意义的公共场所转化，形成尽可能多的特点，作为现代建筑来精心养护和调整遗产结构。这个项目旨在制定一个重要的基准：
1 当代建筑设计；
2保护并且将文物建筑活化再利用；
3 遗址与现代建筑真正融合；
4 利用环境遗产创建有意义的公共开放空间；
5 将敏感的文物古迹转换为可持续设计；
6 将考古学的阐释整合进来。
The Mint Project is the transformation of one of Sydney’s oldest and most precious historical sites on Macquarie Street into a new meaningful public place formed and characterised as much by the carefully inserted contemporary buildings as the conserved and adapted heritage structures. It is a project that seeks to set a new and important benchmark for:
• Contemporary architectural design
• Conservation and adaptive reuse of heritage buildings.
• The integration of authentic contemporary architecture within sensitive heritage sites.
• The creation of meaningful public open space and public places within heritage environments.
• The integration of sustainable environmental design into sensitive heritage sites.
• The integration and interpretation of archaeological remains
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http://www.jianzhu01.com/Museum1007230064.htm
2010年上海世博会城市未来馆
场馆主题:梦想引领人类城市的未来
吉祥物:城市未来馆以“太空海宝”作为视觉形象。
展馆面积:1.3万平方米
展馆位置:E片区
展馆位于E片区，馆内的展示以互动方式开始，邀请参观者畅想未来的城市，然后运用影片、书籍和雕塑等方式，展示历史上人们对未来城市的梦想、设计与实践，表明未来城市建立在今日挑战的基础上，并且畅想未来城市的各种可能，阐述推动人类进步永恒不变的精神元素。
走向太空去探索未知的世界，这是人类几千年的梦想，城市未来馆通过“太空海宝”这一视觉形象，传达出人们面对未来勇于探索、不断开拓的精神，以及开创未来美好生活的勇气。
位于世博园区E片区的城市未来探索馆为利用旧建筑改建项目，建筑层高为8层，总建筑面积达3万余平方米。
城市未来馆是“国内第一栋由老厂房改造成的三星级绿色建筑”，它运用了多钅茉础⑸ㄖ缣裟芄夥⒌纭⒎缌Ψ⒌纭⒔慈缺谩⒅鞫降脊狻⒆匀煌ǚ纭⒙躺ú摹⑺厥绽谩⒔峁辜庸獭氲继逭彰骱椭悄芑善教ǖ榷嘀旨际酰晌桓稣故拘履茉础⑿录际酢⑿吕砟畹木闷教ā?
将展示人们对于未来城市的畅想。追求美好的生活是人类一贯的追求，展望未来城市，一方面人类城市的种种现实、挑战和危机推动人们在思考中寻找城市的出路，另一方面人类不懈的创新能力和科技的飞速进步也把人们引向不可思议的未来城市。
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http://www.jianzhu01.com/Museum1007230063.htm
世博会德国汉堡馆
不需要从国家电网输入1度电，也不需要空调和暖气，却能四季保持室内25℃左右的恒温。这样一座“神奇”的房子，明年将出现在上海世博会的城市最佳实践区，它来自于德国的汉堡。
在世博会期间，这幢叫做“汉堡之家”的建筑会记录自己的能耗数据，为未来改进房屋节能技术提供参考。更令人期待的是，很多现有的房屋都可以通过改建，在一定程度上达到它的“神奇”节能效果。
汉堡市将给上海世博会带来一个新概念——被动房，这些房屋基本不需要主动从外界输入能量，就可以提供舒适的现代化生活环境，也称为低能耗房。
事实上，被动房通过空气置换，达到良好的隔热目的，从而不需要使用传统的暖气或空调。称其为“被动”，是指该建筑的主要能源来自于太阳能、人体和电器的余热。
虽然使用优质的隔热材料等原因，使得被动房的建造成本比普通房高5%~15%，但由于运行成本非常低，目前，已有6000多幢被动房在德国、奥地利、瑞士和意大利投入使用，包括办公楼宇、住房、学校以及工业用房等。
上海世博会城市最佳实践区汉堡馆就将是一幢被动房，融居住与工作功能于一身，它也将是中国境内第一幢获得认证的被动房。
被动房在湿热的长三角区域前景广泛，它每平方米的年均电耗仅50度，相当于德国普通办公楼的四分之一。
“汉堡之家”是一幢高约18米的红砖房，形如对着四个方向打开的“抽屉”叠放在一起，面积约2300平方米。
“汉堡之家”既提供内部展览空间，而房子本身也是展览的对象。它不依靠空调和暖气，内部就能四季保持25℃左右的恒温。
这主要是因为它的体积紧凑，保温效果和气密性良好，从而降低了冬季和夏季的采暖、制冷能耗。阳光、人体或室内电器等被动热源的余热，就能满足房内绝大部分的热需求量，汉堡政府称它为“具备生态学最高水准的可持续建筑”。
为减少空气流动影响温度，“汉堡之家”将控制参观人数，原则上每天的参观人数不超过200人。观众进入展馆，会感觉到自己就是一个生命机体的一部分，可以通过自身的能量对这个机体产生影响。
汉堡馆在世博会结束后可作为永久性建筑继续使用。
汉堡H2O：用低端科技节能40%
汉堡位于德国北部的易北河畔，是德国第二大城市，聚集着德国500强企业中的大多数。上海世博会城市最佳实践区汉堡馆的展出案例，以汉堡市“港口新城”中一幢名为“H2O”的建筑为原型。它是德国低能耗建筑的经典之作，取名为“H2O”一是因为建在水边，二指HOME TO OFFICE，意为商住混合。
H2O由一个旧厂房改造而成，设计者保留了原先的南面墙体，并延续使用厂房的红砖作为外墙。原建筑有很好的隔热层，天花板上布满了水管，这种低科技的方法却能起到很好的降温作用。整幢建筑的年耗电量低于每平方米100度，比一般办公室的能耗低40%。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010051913554945_10.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230062.htm
2010年上海世博会哥伦比亚国家馆
展馆外墙的“高塔”上布满各种蝴蝶装饰，别具热带风情。馆内设有“太平洋地区”、“加勒比地区”、“安第斯地区”、“奥里诺科河地区”、“亚马孙地区”等展区，通过多媒体视频、互动触摸屏、模型等从过去、现在和未来三个角度展现哥伦比亚的风土民情、自然资源及其城市的发展。
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http://www.jianzhu01.com/Museum1007230061.htm
世博零碳馆
世博“零碳馆”是中国第一座零碳排放的公共建筑。除了利用传统的太阳能、风能实现能源‘自给自足’外，“零碳馆”还将取用黄浦江水，利用水源热泵作为房屋的天然“空调”；用餐后留下的剩饭剩菜，将被降解为生物质能，用于发电。2009年12月22，世博“零碳馆”总协调人、主设计师陈硕在建筑工地接受了《外滩画报》专访。他告诉记者：“世博会结束，零碳馆将永远保留下来，我们会把它打造成中国首座零碳博物馆。”
从外形来看，零碳馆更像是两栋造型别致的“小别墅”，而不是展览馆。
零碳馆由两栋前后相连的四层楼建筑组成。两栋建筑外观一模一样，每栋房子的屋顶，各安装着11 个五颜六色的风帽，跟随风向灵活转动；房子朝南的墙壁采用的是镂空设计，以后会装上玻璃，自然采光；而房子的北面墙壁则被设计为斜坡状。“零碳馆”总协调人陈硕告诉记者，他们将在坡顶设置可开启的太阳能光电板和热电板，另外还将种上一种名叫“景天”的半肉质植物。“景天”不仅有助于防止冬天室内的热量散失，而且还能使零碳馆从周边各展馆中“脱颖而出”。世博会将在明年5 月份正式开幕，而夏季正是“景天”开花的季节。
除了外形独特之外，零碳馆还有一些“看不见的秘密”。陈硕告诉记者，在零碳馆的地下埋着一根细小狭长的管道，一直通向800 米远的黄浦江。在世博会召开期间，源源不断的黄浦江水将通过馆内的水源热泵装置，为游客送来徐徐凉风；在两栋房子中间的地面上，将会出现一个个一角硬币大小的小洞，它们是一套先进的雨水收集和回收系统，据初步统计，零碳馆收集的雨水和中水量将大于建筑消耗的水资源量。剑桥大学建筑环境硕士毕业的陈硕是零碳中心（中国区）总裁。零碳中心是一家有着英国背景的公司，公司创始人比尔·邓斯特（Bill Dunster）被英国媒体誉为“英国首席生态建筑师”。全世界首个零碳排放的社区—位于英国伦敦南部的贝丁顿零碳社区成就了比尔·邓斯特。2002 年建成的贝丁顿零碳社区又被称为“未来之家”，整个小区使用可再生资源产生的能源，就能满足居民生活所需，不会要向大气释放二氧化碳，以有效减少能源、水和汽车的使用率。
“ 2010 年世博会设立了一个城市最佳示范区，展示来自五大洲55 个城市案例。零碳馆的意义，就是将英国伦敦先进的零能耗技术和中国本土的先进节能技术展示出来。”陈硕告诉《 外滩画报》 。在他心中，还有一个更宏伟的目标 ：通过零碳馆，助推国内节能建筑业的发展。中国式“零碳住宅”
零碳馆的设计，并非单纯“抄袭”
贝丁顿社区，而是在设计时结合本地的气候特征加以优化，打造中国式的零碳社区样本。
“贝丁顿社区占地1 公顷，共有99套住宅，全部采用木头和砖作为主要建筑材料。在外国人看来，木头和砖是最环保的建筑材料， 但是，在中国恰恰相反。我们是一个森林资源匮乏的国家，木材本身就是稀有资源，再加上烧砖又会破坏耕地，我们只有另谋他法。”陈硕说。
记者在世博会浦西园“城市最佳示范区”内看到，正在封顶的零碳馆采用的建筑材料是水泥。“这可不是传统水泥，而是混合型水泥，其中含有50% 的建筑废料。”陈硕介绍，这种材质的水泥是对原本会污染空气的煤灰、煤矸石、矿渣进行“二次利用”，它的保温性也很好，能减少室外热渗透，吸收室内多余热量，稳定室内气温波动，使建筑主体冬暖夏凉。
将伦敦的零碳建筑“搬”进中国，设计师还需要考虑一个难题：伦敦即便进入艳阳高照的夏季，气温也才20多摄氏度，根本不需要空调。但是，在上海，尤其是世博会期间，空调却是必不可少的。
一开始，陈硕和其他建筑师的想法是提高太阳能发电量，但是提高太阳能发电能力，意味着增加太阳能光电板的面积。两栋房屋的楼顶面积是固定的，扩大电板的可能性很小。最终，陈硕有了一个主意：零碳馆位于黄浦江畔，何不采用水源热泵技术，利用黄浦江天然水资源作为空调冷却水？
“用江源水制冷，在全国范围内已有先例。但是用黄浦江的水制冷，据我所知，在上海，我们的项目是第一家。水源热泵是国外非常流行的零排放节能技术，在给空气降温的同时，还能缓解噪声、排热等问题。”陈硕说。
陈硕希望自己设计的零碳馆，不仅给人留下“高科技”、“节能”的印象，也会有“美观”、“有趣”、“舒适”的感受。“环保也可以是一种高质量、环境友好型的现代生活。”
零碳馆的“绿色餐饮”将会成为参观者的另一大看点。在零碳馆最北面，一套生物质锅炉被安置在一间单独的房间里。当游客用餐完毕，生物质锅炉可以把剩饭剩菜即时降解，转化成电能和热能。
这套生物能热电联产系统，它可以对餐厅内的一次性餐盘、叉子以及各种食物废弃物进行生物厌氧过程降解。降解完成后，最终余下的“产品”，还能用作生物肥，浇灌位于北坡屋顶的绿色植被。
在每栋建筑的三层和四层，零碳馆还特别设计了6 套零碳样板房，采用了通过征集得到的具有环保效应的建筑装修材料，每套零碳房都有不同的设计风格。“观众可以网上报名入住一晚，体验纯绿生活。”陈硕表示。
陈硕告诉记者，整个展馆的造价仅比同类型的普通住宅高15%。他说，目前已经有很多中国企业主动找到他们，要求实现节能减排，其中大部分是房地产企业。“目前，中国最大的专业住宅开发企业万科，已成为我们的合作伙伴，相信不久的将来，中国将会拥有自己的零碳社区。”
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http://www.jianzhu01.com/Museum1007230060.htm
2010年上海世博会马德里案例馆
案例名称:马德里公共廉租屋的创新试验目
案例主题:马德里是你的家
城市和国家:西班牙马德里
案例位置:E片区
在过去的十几年中，西班牙马德里市政府进行了欧洲规模最大的社会住宅建设，以“竹屋”和“空气树”为代表的可再生能源、新型环保材料、先进的生态技术以及有效的建造流程在建设中得到广泛应用。
上海世博会的“竹屋”保留了各种户型的居住单元，使每一个进入展馆的参观者都能享受到宾至如归的感觉。由于每个住宅单元竹质表皮的开启时间和方式都不同，建筑的外立面将始终处于不断变化之中，充满光与影的强烈效果，由此带来意想不到的奇妙景观。
是一瘁十边形的钢结构建筑，紧挨“竹屋”而建，顶部安装太阳能板，可以实现能源自给。“空气树”十边形的外立面装有显示屏，播放马德里和上海民众生活片断的视频。这种展示方式，将拉近两座城市、两种文化之间的距离。
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http://www.jianzhu01.com/Museum1007230059.htm
2010年上海世博会秘鲁国家馆
秘鲁馆展馆效果图秘鲁馆核心设计为一个用金属材料制作的占地25平方米的平顶金字塔。平顶金字塔是秘鲁最早的建筑之一，也是秘鲁早期文明的象征。按照设计，参观秘鲁馆的游客届时可登上平顶金字塔，通过6个巨型屏幕观看秘鲁的发展历程，了解秘鲁的古代与现代文明。
秘鲁馆划分为饮食和商业两大展区。饮食展区突出秘鲁美食走上国际化道路的特点，重点介绍秘鲁丰富多彩的传统烹饪艺术。秘鲁厨师在展馆进行现场操作，参观者可以品尝秘鲁葡萄酒和秘鲁的“国酒”皮斯科酒。此外，根据中国市场的消费需求，秘鲁馆推出首饰、工艺品等非传统产品参展。7月28日是秘鲁国庆日，也是上海世博会秘鲁馆的国家馆日，当天，两个舞蹈团通过沿海、高原和亚马孙三种不同风格的秘鲁展馆效果图音乐和舞蹈表演吸引观众。
可品尝以味道鲜美、品种繁多、独具特色而享誉全球的秘鲁美食。
以视频、图片等多种展示方式，呈现秘鲁的神奇魅力，如著名的历史文化遗产——位于库斯科的印加古城马丘比丘。
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http://www.jianzhu01.com/Museum1007230058.htm
2010年上海世博会远大馆
展馆名称：方向 远大馆
展馆主题：方向
建筑设计：Daniel X & LPO
展馆面积：3000平方米
地理位置：世博园E片区(浦西、紧邻企业馆广场)
造型亮点：生态极简主义建筑
远大馆是一个可以自由移动的场馆，一天之内就可以拔地而起。建设过程就像搭积木，一台吊车从平板车上吊装起特制的钢材、墙体泡沫板、管材、地板等配件，安装工人将其依次组装到预定的位置。现场没有挖掘机、水泥搅拌机，没有建设工地常见的扬尘。 远大馆是一座可持续建筑，墙、窗、通风三方面的“零容忍”隔热措施，使这座建筑冬天即使不用暖气也不会太冷，夏天的冷气只针对人体、照明和电器的发热，能耗大约仅相当于传统建筑的20%。 远大馆还是一座“会呼吸”的超洁净建筑。室内通风好，每小时彻底换气3次，比五星级酒店还多一倍。特别值得一提的是，由于采用带有静电除尘器的换风机，室外空气经过机器进入室内时，99.9%的尘埃和细菌都将被过滤掉。
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http://www.jianzhu01.com/Museum1007230057.htm
Aalen森林里的教堂
原 名 称：Chapel in Aalen Forest
性质：翻修
C18建筑事务所最近翻修了一座位于德国Aalen森林里古老的教堂，他们将其用来葬礼的客厅进行更新，这之前这里是由Karl Gonse于1954年设计而成。建筑师在翻修过程中，保留了现有结构，将重点放在了教堂的天花板处理上。
C18 Architekten restored an old chapel in Germany， up dating the originial funeral parlor designed by Karl Gonse in 1954. When approached to up date the chapel， the architects decided to keep the basic shape of the existing structure and pay particular attention to the ceiling.
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http://www.jianzhu01.com/Museum1007230056.htm
上海世博会联合案例馆2
上海世博会联合案例馆2
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http://www.jianzhu01.com/Museum1007230055.htm
上海世博会日本产业馆
展馆名称：日本产业馆
展馆主题：来自日本的美好生活
展馆位置：世博会浦西园区入口附近、原江南造船厂的老厂房内
造型亮点：对原江南造船厂船体联合车间老建筑的改建利用
日本产业馆位于上海世博会浦西园区入口附近、原江南造船厂的老厂房内，占地面积约4000平方米。日本产业馆的概念是“再利用、空间感、脉动感”，特别贯彻了对环保再利用的重视。展馆新的结构全部使用了可回收的脚手架，内部装修则采用再生纸纸管，就连工作人员制服也将使用循环布料。 场馆内将设置主题展示、单元展示、日本美食和纪念品。
日本产业馆的主题是“日本创意的美好生活——Better Life from Japan”，展馆方面表示，日本产业馆并不宣传政府的政策和传统，而是一直关注生活，着眼于未来。
进入内部装修阶段后，日本产业馆内将设立几处能为参观者带来乐趣的看点，观众将有机会看到来自日本的创意生活技术，包括“世界上最舒适的厕所”等。上海世博会日本产业馆代表堺屋太一表示，日本产业馆则希望展示日本最新的文化，所谓“J感觉”——清洁、可爱、舒适。
据了解，日本产业馆建造预算约为30亿日元，由16家企业和自治体联合参展。预计上海世博会期间，日本产业馆将吸引300万人次左右的参观者。
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http://www.jianzhu01.com/Museum1007230054.htm
2010年上海世博会西安案例馆
上海世博会西安案例馆示意图大明宫是中国唐朝的政治、经济、文化中心。20世纪50年代起，中国文物工作者开始了大明宫的考古发掘工作，力求在保护历史遗产的同时改善周边生态环境，提高居民生活水平。这对推动全球范围内文化遗产保护与城市生活的和谐共生具有典型的示范作用。馆内巨型弧幕电影与雾幕成像系统一起带领参观者展开一段奇幻的空中旅程，3D特效让人仿佛置身1 300年前的盛唐王朝皇宫中。参观者还可通过“自驾车漫游大明宫”、“大明宫探宝游戏”等互动系统，直观感受大明宫与中国古都西安的文化内涵。
唐?李华《含元殿赋》云：左翔鸾而右栖凤，翘两阙而为翼。根据考古发掘资料和建筑历史学家已有的复原研究，上海世博园西安大明宫的案例依照大明宫主殿——含元殿西翼的栖凤阁为蓝本，以唐代厥楼建筑艺术的代表“三出阙”形式为设计思路，由中国工程院院士张锦秋担纲设计，外形古朴雄浑。
作为2010年上海世博会唯一入选的大遗址保护案例，西安大明宫馆以唐栖凤阁1：1比例复原实体，基展区示意图地总宽15.7米、总长34.7米，基地面积920平方米，建筑面积739.4平方米，建筑主体高度达16.86米。大明宫馆案例将通过新技术、新结构、新材料的运用，建设成为一座全新功能的现代化展览馆，弘扬上海世博会“城市，让生活更美好”的主题，实现历史文化遗产保护与城市现代化建设和谐共生这一世界性课题。
大明宫遗址区保护项目是在国际古迹遗迹理事会指导下，西安市委、市政府实施的大遗址保护工程；展区示意图是“丝绸之路”联合申报世界文化遗产的东方龙头；是彰显古都西安人文魅力，保持城市个性特征，促进珍贵的文化遗产和城市记忆传承延续，体现历史文化遗产保护与城市现代化建设和谐共生。
在新技术、新结构、新材料的运用下，大明宫馆将被打造成一个全新功能现代化展馆。大明宫展馆内展区示意图的三维立体电影将带领参观者展开一段奇幻旅程，从唐朝大明宫开始，飞跃千年来到未来的大明宫国家遗址公园。参观者或上天或入地，随着节奏与镜头一起穿梭时空，见证唐朝大明宫的辉煌，感受未来遗址公园的精彩。在实物展示区内，参观者还可以通过高科技背投触摸系统切身感受到大明宫出土文物千年前的形态。
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http://www.jianzhu01.com/Museum1007230053.htm
2010年上海世博会中国铁路馆
中国铁路馆两侧方正空间以质朴的材质、理性的网格代表了城市印象，中间部位以全色LED灯光模拟铁路网，代表了作为城市纽带的中国铁路在城市发展中的重要性和先进性。建筑外观朴素自然，细部处理优美，营造了一个舒适宜人的博览空间，充分体现了铁路馆“和谐铁路，创造美好生活新时空”的理念。
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http://www.jianzhu01.com/Museum1007230052.htm
白金汉宫票务中心
原 名 称：Buckingham Palace Ticket Office
英国 伦敦 1995
价值：100000英镑
面积：50平米
London， UK 1995
value £100，000
Size 50m2
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http://www.jianzhu01.com/Museum1007230051.htm
塞浦路斯文化中心
原 名 称：Cyprus Cultural Centre
塞浦路斯 2012
价值：5600万英镑
面积：20000平米
Cyprus， 2012
value £56m
Size 20，000m2
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http://www.jianzhu01.com/Museum1007230050.htm
动态地球展示模拟中心
原 名 称：Dynamic Earth， Edinburgh
英国 爱丁堡 1999
成本：1350万英镑
面积：15000平米
Dynamic Earth， Edinburgh
Edinburgh， UK 1999
value £13.5m
Size 15000m2
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http://www.jianzhu01.com/Museum1007230049.htm
诺里奇信息网络中心
原 名 称：The Forum
英国 诺里奇
成本：2500万英镑
面积：20000平米
The Forum
Norwich， UK 2001
A vibrant， new Information Hub for the region.
value £25m
Size 20000m2
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http://www.jianzhu01.com/Museum1007230048.htm
格林德本歌剧院
原 名 称：Glyndebourne Opera House
英国 苏塞克斯 1994
成本：3000万英镑
面积：12000平米
Glyndebourne Opera House
Sussex， UK 1994
value £30m
Size 12000m2
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http://www.jianzhu01.com/Museum1007230047.htm
艾克渥斯住宅西翼
原 名 称：Ickworth House， West Wing
英国 苏塞克斯 2006
成本：370万英镑
面积：2000平米
Ickworth House， West Wing
Suffolk， UK 2006
value £3.7m
Size 2，000m2
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http://www.jianzhu01.com/Museum1007230046.htm
曼彻斯特艺术画廊
原 名 称：Manchester Art Gallery
英国 曼彻斯特 2002
成本：3500万英镑
面积：10500平米
Manchester Art Gallery
Manchester， UK 2002
value £35m
Size 10，500m2
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http://www.jianzhu01.com/Museum1007230045.htm
十和田市现代美术馆
这是一座为了展出现代美术的空间，并同时兼顾到市民的社区活动的现代美术馆。它位于日本青森县内十和田市的市中心，它沿着一条主要的街道而形成于长方形.这个建筑唤醒了街道，使他恢复了工作的生气从而面对城市。该建筑计划包括：演讲空间、工作室、咖啡厅、图书馆、社区活动公共空间和展览空间。
这个美术馆有一个显著的特征，即它的大部份艺术品是被明确地委任到这一个项目中并长期地展示在这里。反应在这个项目的计划里的是，独立的艺术品和那些通过大面积的玻璃形成的走廊连接在一起。我们假设不同的结构系统、光照环境和比例，并允许建筑和艺术工作进行近距离的接触。分散的盒子和走廊创造出了二级户外空间，这个空间可以用于展览或其它。此建筑就像一个小镇那样有趣，比如一个观光者从一个自由的房子到另一个自由的房子，在艺术的体块中体验都市的环境。
虽然各展览室是分散建造的空间.但它不是一种无关系的分离.它像聚落一样地连续和集合式的排列，从而创造出一组连续的风景。建筑被设计的更外向，并拓展了户外活动。建筑师认为，与其创作出一个大体块的建筑，不如发掘一种新的关系形式，并让它在城市街道内发展而蔓延。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052522205534_7.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230044.htm
天津美术学院美术馆
原 名 称：GALLERY OF TIANJIN ACADEMY
美术馆由4幢多层裙房和1幢高层塔楼组成，整体形象稳重而不失飘逸，细部处理简约又不乏精致，以质朴纯净的雕塑感表达出其高雅的艺术品质和丰富的文化内涵。紧邻城市干道的主入口台阶是面向公众的都市舞台，体现出美术馆作为公共建筑的开放性；延续上升的灰空间
序列以美院主楼穹顶为底景，完善了公众的视觉感受; 空中步廊在丰富空间层次的同时提供了人在建筑中游走的可能。
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http://www.jianzhu01.com/Museum1007230043.htm
欧内斯特科勒馆多功能馆
原 名 称：Ernest Koller Pavilion
建筑按照Ernst Koller的记忆而建，他是一个商人，发明家。BBK设计事务所设计的这个亭子是一个多功能的空间，可用作会议室，工作室，以及展示空间。设计的灵感来自于Koller，将作为一个创新空间，巴塞尔大学校园的学生们能够来到这里展开集体讨论和开发新的设计思维。
Built in memory of Ernst Koller， a businessman and inventor， BBK’s pavilion is a multipurpose space open to the educational community for meetings， workshops and exhibitions. The pavilion， in the spirit of Koller， will serve as a creative center where students on the Basel University campus can come together to brainstorm and design.
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http://www.jianzhu01.com/Museum1007230042.htm
剧场扩建
原 名 称：THEATRE EXTENSION
“11号剧场”在20世纪50年代建立于苏黎世奥勒冈，是用于音乐演出的剧场。针对现在混杂的城市状况，EM2N建筑事务所找到一种形式，既能坚定地维持它独立的姿态，同时也准确
地回应周边区域。对于这个尺度的扩建，预算相当有限，但是对于建筑师而言这个约束意味着一个使项目更加激进的机会。在建筑中，表皮的穿孔铁板和内部的清水混凝土显示了天然
未加工的工业美感。
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http://www.jianzhu01.com/Museum1007230041.htm
宋庄艺术公社
原 名 称：SONGZHUANG ARTIST VILLAGE
随着中国当代艺术家的激增，艺术家对居住和工作空间的需求也随之扩大。坐落在北京六环
以东的宋庄艺术家村就正经历着由于这种增长所带来的变化，20个面向鱼塘的艺术家工作
室应运而生。
按照工作室的居住和工作两种主要功能，每一个单元都包含两种不同的尺度与组合：工作部
分为6m高的简洁的方盒子，居住部分高3m，有一系列几何形空间容纳起居厨厕功能. 体量高
差决定了每个单元的工作和居住功能或在同层联系或通过楼梯联系。整个建筑立面采用压型
钢板，水平活动平面则是当地典型的红砖。
这20个工作室就像叠加在一起的集装箱，不仅和场地原有的工业气息相呼应，而且创造富
有张力的外形和独特的建筑空间。体量的虚与实，光与影，创造变化的室外交流空间，为艺术展示提供了更多的可能性。当地艺术节开放工作室时，这片区域可以为参观者带来多样的空间体验， 同时成为丰富的创作展览现场.
这个带有艺术创作和居住功能的建筑，何尝不是位于艺术村的一种另类美术馆?
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http://www.jianzhu01.com/Museum1007230040.htm
鄂尔多斯美术馆
原 名 称：ORDOS ART MUSEUM
美术馆有两条功能主线：公共展览线路和内部资料线路。展览的交通以线性展开，水平低矮的入口顺沿沙丘坡地的自然地形扭转，在高处则挑起远望考考什那水库，继而反转，以自身建筑作为结构承载，蜿蜒回落到地面展厅-既是公共展览流线的结束高潮，或又向下延续开始内部资料流线-作为出口与入口相互对望，整个公共交通呈现一个“8”字型的连续线路。建筑形体因此在沙丘上蜿蜒延展，与地形相互作用形成半围合的院落或广场。这个流线空间一路上跌荡起伏，根据高度和周边地势形成大小高宽尺度不同的横截面。沿路结合景观，空间和地势，或以尽端点式玻璃幕远眺水库，或以侧墙连续玻璃引入院落风景，或以顶部开窗围合展览内容。光线也因此多样化，光影和空间交织出特有的节奏。在这个节奏里，建筑空间内的艺术情景和外部自然风景交替呈现，参观者的心理空间在艺术情境，建筑尺度和自然风光之间弹性转换。
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http://www.jianzhu01.com/Museum1007230039.htm
社区划船屋
原 名 称：Community Rowing Boathouse
面积：30000平方英尺
预算：1145万美元
Project Area: 30，000 sq ft
Budget: $11.45 M
Harleston Parker奖每年都颁发给大都市波士顿在过去十年中构建的“单体最漂亮的建筑或者结构建筑”。今年，Anmahian Winton建筑事务所在构建了社区划船屋后的第一年就获得了此项殊荣，社区划船屋是一个有创新性和可持续性的生动设计。
自从开放以来，该项目享有前所未有的公众喜欢，受到来自社会各个阶层人士的好评，主要是由于其新颖的设计理念。
The Harleston Parker Medal is awarded each year to “the single most beautiful building or other structure” built in the metropolitan Boston area built in the past 10 years. Anmahian Winton has achieved this with its innovative and sustainable design for the Community Rowing boathouse in its first year of eligibility.
Since opening last year， the CRI project has enjoyed an unprecedented level of public interest and acclaim largely due to its innovative design.
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http://www.jianzhu01.com/Museum1007230038.htm
巴塞尔的中学食堂
原 名 称：Cafeteria Kirschgarten， basel， swiss
来自瑞士的年轻事务所HHF 将位于一楼的大厅装入了一个狭长的木头装置，即整个空间的地板、墙面与顶棚也都是木质的。但设计师并不仅仅是想在空间中植入个空有视觉效果的盒子，最重要的是，通过改造，室内的木头元素同样延伸到了户外的操场，将室内与室外的空间自然地衔接了起来，学生们可以坐在从室内延伸而出的木头阶梯平台上休息、交流。不
过，设计师为该空间装上了玻璃的立面，从外面望去，这个食堂还是非常修长的圆柱形结构。
对巴塞尔人而言，瑞士著名建筑师Hans Bernoulli 是非常重要的，他的作品如果需要改建或者修缮都需要履行非常严格的手续，不允许对原本的建筑进行破坏，Kirschgarten 学校就是这位大师的作品。不过，这一苛刻的规定也令设计师非常清楚地了解到，这次的改建只有很少的连接处是可以利用的。
虽然装置空间是木质的，但空间中的面板并不是原本的颜色，而是以深浅不一的灰色系作为主色调，这是艺术家Gido Wiederkehr 的创意，这样的颜色与深色质地的食堂家具显得非常和谐。这些桌椅也并没有使用传统的学校座椅，HHF 特别为设计了一套桌椅，这些椅子更类似于酒吧的椅子，可以叠放，而轻松的氛围也令学生们拥有一片自然而惬意的绿洲。
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010052811383839_10.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230037.htm
德国慕尼黑Brandhorst博物馆
原 名 称：Brandhorst Museum
2009 年6 月，德国慕尼黑的艺术馆区一座新落成的博物馆正式对外开放，一时间备受瞩
目，它就是Brandhorst 博物馆。2009 年底，刚刚开放半年的Brandhorst 博物馆就荣膺“2009年英国皇家建筑学会国际建筑奖 ”，足证博物馆建筑设计的精彩与成功。该博物馆由来自德国柏林的Sauerbruch Hutton 建筑事务所担纲设计。事务所负责人Matthias Sauerbruch 与Louisa Hutton 夫妇分别来自德国和英国，他们在中国并没有过工程项目，所以中国的读者也许会稍感陌生。其实Sauerbruch Hutton 在业界享有盛誉，设计活动兼及建筑、城市和艺术等领域，代表作有德国柏林的GSW 总部大楼、德国德绍的环保中心总部等。夫妇俩还作为客座教授执教于美国哈佛大学、德国柏林工业大学等世界名校。
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http://www.jianzhu01.com/Museum1007230036.htm
上海陈心懋画室
陈心懋为上海乃至全国当代著名画家。自20 世纪80 年代起就成为当时的新文人画派的重要代表，后来作品逐渐转向以水墨和综合材料为主的风格，以多变的、独具特色的当代方式表达、延续着浓郁的中国文人精神。
其画室位于上海市近郊一个村庄里，为几年前购买的农村宅基地，使用权30 年。由于土地政策很不稳定，画家不想投入太多资金。村里规划为每排东西向的行列，用地为南北长5m，东西宽14m，面积350m2。规定建筑占地为11.5m×11m，限高12m。与东西相邻建筑的间距为3m。除此之外还有一个很不合理的规定，就是院墙高度不能大于2m，并且不能用实墙，只能采用透明的钢格栅之类的材料。可能是出于对所谓欧美式花园洋房的盲目模仿，在治安状况并不是很好的郊区存在相当大的安全隐患。
画室的功能自然是以作画为主，同时有收藏、展示功能。所以画室是一个小型美术馆，同时也是一个生产画作的小工厂，还是画家及其家人周末休憩的郊区住宅。三者的结合形成了建筑的性格
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053012123751_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053012123751_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053012123751_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053012123751_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053012123751_5.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230035.htm
沃尔夫合作艺术中心
原 名 称：WOLFE CENTER FOR THE COLLABORATIVE ARTS
TYPOLOGY COLLABORATIVE ARTS CENTER
SIZE 98000FT2
STATUS IN GROGRESS
类型 合作艺术中心
面积 98000平方英尺
状态 正在施工
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http://www.jianzhu01.com/Museum1007230034.htm
奥斯陆新歌剧院
原 名 称：NEW OPERA HOUSE OSLO
年限 2008
类型 歌剧院
面积 38500平米
状态 竣工
位置 奥斯陆
YEAR 2008
TYPOLOGY OPERA HOUSE
SIZE 38500M2
STATUS COMPLETED
LOCATION OSLO
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http://www.jianzhu01.com/Museum1007230033.htm
KARMOY渔业博物馆
原 名 称：KARMOY FISHING MUSEUM
年限 1996
类型 博物馆
面积 500平米
状态 竣工
位置 挪威Karmoy
YEAR 1996
TYPOLOGY MUSEUM
SIZE 500M2
STATUS COMPLETED
LOCATION KARMOY
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http://www.jianzhu01.com/Museum1007230032.htm
SANDVIKA文化中心
原 名 称：SANDVIKA CULTURAL CENTER
年限 2003
类型 文化中心
面积 4200平米
状态 竣工
位置 奥斯陆
YEAR 2003
TYPOLOGY CULTURAL CENTER
SIZE 4200M2
STATUS COMPLETED
LOCATION SANDVIKA
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http://www.jianzhu01.com/Museum1007230031.htm
亚历山大图书馆
原 名 称：ALEXANDRIA LIBRARY
年限 2001
面积 80000平米
状态 竣工
位置 亚历山大
YEAR 2001
SIZE 80000M2
STATUS COMPLETED
LOCATION ALEXANDRIA
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http://www.jianzhu01.com/Museum1007230030.htm
谢赫扎耶德国家博物馆
原 名 称：SHEIK ZAYED NATIONAL MUSEUM
类型 博物馆
状态 竣工
位置 阿布扎比
TYPOLOGY MUSEUM
STATUS COMPETION
LOCATION ABU DHABI
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053108562438_9.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230029.htm
LITTEHAMMER奥林匹克美术馆
原 名 称：LITTEHAMMER OLYMPIC ART MUSEUM
年限 1994
类型 博物馆
面积 2700平米
状态 竣工
位置 挪威Lillehammer
YEAR 1994
TYPOLOGY MUSEUM
SIZE 2700M2
STATUS COMPLETED
LOCATION LILLEHOMMER
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http://www.jianzhu01.com/Museum1007230028.htm
索伯格类博物馆
原 名 称：PETTER DASS MUSEUM
年限 2007
面积 1350平米
状态 竣工
位置 挪威 ALSTAHAUG
YEAR 2007
SIZE 1350M2
STATUS COMPLETED
LOCATION ALSTAHAUG
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010053109031042_15.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230027.htm
国家911纪念博物馆
原 名 称：NATIONAL SEPTEMBER 11 MEMORIAL AND MUSEUM
年限 2011
类型 博物馆
状态 正在施工
位置 纽约
YEAR 2011
TYPOLOGY MUSEUM
STATUS IN PROGRESS
LCATION NEW YORK
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http://www.jianzhu01.com/Museum1007230026.htm
“达拉特国王阿卜杜拉二世”艺术中心
原 名 称：DARAT KING ABDULLAH II
类型 艺术表演中心
面积 12000平米
状态 竣工
位置 AMMON
SIZE 12000M2
STATUS COMPETITION
LOCATION AMMON
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http://www.jianzhu01.com/Museum1007230025.htm
阿卜杜拉国王知识和文化中心
原 名 称：KING ABDULAZIZ CENTER FOR KNOWLEDGE AND CULTURE
类型 文化中心
面积 45000平米
状态 正在施工
位置 巴林 Dhahran
SIZE 45000M2
STATUS IN PROGRESS
LOCATION DHAHRAN
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http://www.jianzhu01.com/Museum1007230024.htm
美国民间艺术博物馆
原 名 称：American Folk Art Museum
业主：美国民间艺术博物馆
面积：30000平方米
Client: American Folk Art Museum
Project Area: 30，000 square feet
美国民间艺术博物馆位于第53街，建筑高8层，两层楼高的中庭欢迎着来访者的到来。中层有一个小型的咖啡厅，可俯瞰整个中庭和第53街区。上面4层楼包括画廊空间，以及永久和临时展区。由于分区制的代码和地点的扩建，建筑同样也要扩展2层地下室以构建观众席，教室，博物馆办公室，图书馆和档案馆。
Eight levels tall on 53rd Street， the American Folk Art Museum welcomes visitors with a grand two story atrium. The mezzanine above， which has a small cafe， looks over the atrium as well as 53rd Street. The four upper floors contain the gallery spaces for permanent and temporary exhibitions. Due to zoning codes and the extensive program for the site， the building also had to extend two levels underground to hold the auditorium， classrooms， museum offices， a library， and archives.
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http://www.jianzhu01.com/Museum1007230023.htm
告别教堂
原 名 称：Farewell Chapel
面积：160平方米
Project Area: 160 sqm
教堂座落在村庄公墓中央，一块倾斜的地块顶端，以其周边美丽的全景为特色。教堂建筑结构根据不同的高度构建各组石墙，并且面对着现有公墓和墓石，同时来此游玩的游客们也可欣赏到这里动人的自然风光。
The location at the top of a small slope in the middle of the village cemetery is characterised by beautiful panoramic views of the surrounding landscape.
The architectural composition of stone walls of varied elevation which enclose the farewell chapel is designed so that it disables views towards the existing cemetery and tombstones， while orienting visitors’ views over graveyards to the previously mentioned quality natural landscapes.
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http://www.jianzhu01.com/Museum1007230022.htm
Elbe Philharmonic音乐厅
原 名 称：Elbe Philharmonic Hall
Elbe Philharmonic Hall是汉堡在建的大型文化建设之一，位于汉堡的HafenCity海港区。近年来汉堡市政府致力于“HafenCity”旧港区开发计划，此地区将会被改造成一个住宅与商业并重的多功能新社区，而Elbe Philharmonic Hall 便是其中的一个重要项目。
这个巨型音乐厅是由一栋旧仓库改建而成。仓库原本是存放可可豆的地方，后因港区迁移异地，变成废弃建筑。将新颖构思结合具有历史意义的旧仓库，打造一个新旧共构的建筑是设计师设计的重点。音乐厅外墙以不规则的玻璃拼成波浪起伏的形状，就像一个大浪一样漂浮在废弃的海港仓库上面，与身处的海港呼应。位于新玻璃建筑中的两个大音乐厅分别能容纳2150名和550名观众。表演大厅虽为常见的“鞋盒状”舞台，但设计师将乐队和指挥放在了舞台中间，接近100米高的大舞台可以举行古典音乐会、新型音乐会和流行音乐的表演。
而作为基座的旧仓库建筑，其三分之二被掏空作为停车场。
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http://www.jianzhu01.com/Museum1007230021.htm
蓝山大街青年发展中心
原 名 称：Blue Hill Avenue Youth Development Center
蓝山大街青年发展中心
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060114451553_6.jpg博物馆2010-07-23
http://www.jianzhu01.com/Museum1007230020.htm
哈佛大学新学院剧场
原 名 称：Harvard University New College Theatre
哈佛大学新学院剧场
http://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg9/2010060115064739_9.jpg博物馆2010-07-23
http://www.jianzhu01.com/A1007230969.htm
维达牧场棚屋(rancho dos vidas)
维达牧场棚屋(rancho dos vidas)
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http://www.jianzhu01.com/A1007230968.htm
ruskin地方镇公所(ruskin place townhouse)
ruskin地方镇公所(ruskin place townhouse)
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http://www.jianzhu01.com/A1007230967.htm
林业站（Forestry depot）
Prototype for forestry depots, using a modular system consisting of three parts with offices, garage and open shed High degree of prefabrication Garage in concrete for fire resistance purposes
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http://www.jianzhu01.com/A1007230966.htm
多层停车场（Multi-storey car park）
Squared timber sections, 40 x 60 mm,15m long
Non-insulated building envelope
Timber facade modules
Details exposed both internally and externally
All fixings to squared timber sections are concealed
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http://www.jianzhu01.com/A1007230965.htm
Castelletti
In un sinuoso contenitore architettonico inserito nell‘angolo di un edificio a "L" dalle forme rigorose e lineari, uno studio di architettura s‘affaccia su una piccola e raccolta piazza pedona-le. La peculiarity dell‘involucro, chiuso e senza aperture lungoi due lati rettilinei della costruzione retrostante, aperto e vetrato verso il fronte curvilineo, ha influenzato imprescindibilmente la definizione degli spazi di progetto. II volume, orientato a nord, non riceve mai la luce diretta del sole permettendo di mantene-re la trasparenza della facciata continua e consentendo, quindi, da fuori, un‘immediata percezione degli spazi interni. L‘ufficio si sviluppa su due piani di cui uno seminterrato. Di notte, con la luce artificiale, si trasforma in una sorta di lanterna che da vita all‘anonima piazza. Una bussola d‘acciaio inox, come in contrasto con il contenitore, permette I‘accesso alio studio. Quest‘elemento introduce, sin daM‘esterno, il calibrato equili-brio tra volumi pieni e trasparenti che caratterizza il progetto. In asse con I‘ingresso, la spina tecnica scompone la pianta in due ambiti separando I‘area operativa dagli spazi direzionali con I‘ufficio-biblioteca del titolare e la sala riunioni. Quest‘ultima, racchiusa in un parallelepipedo di vetro, si contrappone al vano dei servizi ed e preceduta da una pavimentazione in ciottoli che, abitualmente adottata in ambienti esterni, in questo conte-sto sembra evidenziare il dialogo con la citta. Interessante
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http://www.jianzhu01.com/A1007230964.htm
塞拉尼亚房子(serrana house)
塞拉尼亚房子(serrana house)
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http://www.jianzhu01.com/A1007230963.htm
简易房(simplicity)
简易房(simplicity)
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http://www.jianzhu01.com/A1007230962.htm
stabilized earth poll house
stabilized earth poll house
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http://www.jianzhu01.com/A1007230953.htm
越洋广场(PARK PLACE)
项目类型：综合
建设地点：上海
总建筑面积：202687m2
竣工年份：在建
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006122717105342_1.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230952.htm
亚历克休息处(alec‘s nest)
We thought thai if an inner structure ol a building is exposed in external shape nalurally. we would not need lo apply addilional decoration for faade any more. Since the indoor space ol this shop was limited, we intended spatial extensionto outside. Now. the inside space no more is isolated within closed square Irame.
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http://www.jianzhu01.com/A1007230951.htm
seizy
The element of ‘orientalism‘ as can be lell in SEIZY refers lo I he oriental feeling absorbed and embedded inside ol it. It signifies embedding of oriental spirit as tell by the Orientals, not ol reproducing tradition with classical pieces or patterns. Contrary to the general logic of a commercial space lo require the signature ol opened space and intense impression. SEIZY introduces the signature of closed-up entrance and stillness of being located in a recess. Here, the oriental spirit of showing ‘myself with discrelion. rather than with complete disclosure is evident. Unlike other places priding their striking colors and diverse as well as complicated systems, subile-colored pieces of lurniture are arranged in simplicity against Ihe achromatic-colored background.
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http://www.jianzhu01.com/A1007230950.htm
dodage
Kokage is a restaurant lhat introduces tine dining in a casual and easy way. It is one ot Ihe mosi representative high-trend restaurants, which was selected by an American magazine.
Travelers.‘ as one ol the most emerging reslaurants in the world. In Sinsadong Street in Korea, Kokage from Hong Kongserves unique cuisine in a distinctivelydecorated place. Overall concept ol Ihis restaurant rellects global Irend of modern Japanese suggesting comforl using brown color in general.
Kokage‘ means ‘shade ot Iree‘ in Japanese. The keynote ol ils interior decoration is natural almosphere by use of wood materials, modernity by use of glass, and brand new lighting technology. Slepping on purple stairs, you can see a huge gate that can be openedby lingerprint recognilion. And then, three isolated rooms; one wilh a large wine seller made of a single whole glass, beverage bar and sushi bar. an individual sola booth, and the main dinning floor.
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http://www.jianzhu01.com/A1007230949.htm
tani
The overall conceplol TANI‘ can be said lo be a nature-friendly space*. TANI‘ means ‘a valley‘ in Japanese. Determining its spatial designconcept.wethought of many words thai could come across people‘s mind when Ihey see Ihe word. Tree, stone, water, moss, fish, fog. flower, butterfly, snow, rain elc. And then, we mapped out a design process through valley. a comprehensive nalural environment and could find out a concept of time. Whenever you visil a valley, il remains Ihe same there, but it transforms itsell along with seasonal change. Hoping to reflect valley‘s images ol each season, we positively applied nalural materials.
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http://www.jianzhu01.com/A1007230948.htm
palseonsaeng
Pslseonsaeng is Ihe restaurant enjoying popularity wilh unique lastes and moods while new concepl ol Chinese restaurants emerge one alter another. This restaurant evokes the mood ot Chinese restaiiranls in the civilization era that you might lind in old Chinese movies. It was uncommon from Ihe heavy iron ring on the dark green wood door with red lamp hang. As you open Ihe door and step into it, you may be under illusion that you are in Shanghai in 1 930~-40‘s. Under slightly dark lighling. the restaurant is decorated in Chinese style such as wood round table, pictures and pots. One scene ol Chinese move will pop inlo your mind due to Chinese language you occasionally hear. Tables and chairs as well as all interior small ilems were imported trom China. Let atone Ihe interior, this Chinese reslauranl has produced ‘Chinese‘ mood with the exterior items such as lattice and door, as well as signboard ‘Palseonsaeng‘, which are imported trom China at cheap price. Red lamp and Chinese style wood chair on the exterior make Ihe mood more ripen.
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http://www.jianzhu01.com/A1007230947.htm
bico australia
The basic concept ol ihis project was a space in dynamic sense of space-lime. We pursued overall spafial concept with oblique lines made by combination of inclined walls in gateway tunnel. nol with horizontal and perpendicular structure. A structure on slanl wall of Ihe inside was projected on the laade giving slriking teeling and inducing customers. We planned irregular layout of items along with the flow ol organic movement lines, not on the display furniture attached to wall. The space created in the end ol long and narrow indoor lloor was decorated in blue to avoid monolony. This blue color finishing was intended to produce the image of outer skin ol reptiles. We put bare glass mosaictile in each repeating pattern ot reptile skin.
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http://www.jianzhu01.com/A1007230946.htm
sony wings,busan
The building due !o be occupied by Sony Wings in Busan was rather ol ordinariness with simple sandwich panel finish unlikelhe image ol luxury and differentiation with a touch ot comfort as requested by Sony. The building set deeply back from the front road was an element ol negativity from Ihe viewpoint as a slore lor exhibition. First ol all, the facade ol the building was covered with steel frames and panel signs. In addition, Ihelrontal section ot fhe facade was applied with wooden deck flooring and bench to promote the feel of stability for the passersby, fhus to promote inflow ol consumers into the premises. The image wall on Sony products situated inthe Iron! show window was designed to evoke customers‘ curiosity on the space inside. The window has been applied with Ihe transparent yet opaoue feeling to make the inside space barely visible.
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http://www.jianzhu01.com/A1007230945.htm
两居室(A Twosome place)
II was a unique project in which we introduced a modern concept of ‘recycling‘ along wilh European tradition. We utilized existing finishing materials while reinforcing inner structure. And, in order to creale an image of open-air cal, we used a single whole glass to enjoy moresunlighi and to see the inside from the outside and vice versa. And we also tried lo minimize inner walls. In sign system, Ihe emhiemalic images of Ihe simple graphic of faade and burgundy awning as a main brand color are continued to Ihe inside, which is harmonized with inlerior decoraiion acquiring a kind of unilormily.
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http://www.jianzhu01.com/A1007230944.htm
la sendai
The entrance seclion. which heightens Ihe atmosphere by being elevated Irom Ihe road surface, announces iis intense beginning with Ihe weightiness of its enlrance door. Previously designed lo be on the right side in an attempl 10 overcome archiieclurai limilalion of being restricied by a lixed Irame. ihe door has been placed on one side ol the front section. Therelore. the factors of convenience and recognition for a commercial lacitily have been enhanced. Passing Ihrough the entrance door, the opened hall area forthrightly soaring through Ihe height of 2 levels creates a sense of lension. Appropriately reflecting the designer‘s intention, this space has been enlirely applied with ink-colored steel panels. Only an oblique, long and thin line ol lighting is tilling up the space in solitude.
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http://www.jianzhu01.com/A1007230943.htm
kwangsoo‘s thoughts
This building is set back deep into the crude alleyways ol Shinchon, jusl becoming visible only Irom the entrance. The first task was lo establish a relationship among the surroundings and target buildings. Although hardly exposed, the deck, whichcould be used as a resting place for passersby together with Ihe wooden temporary wall standing on both sides of the building, resembles ‘Kwangsoo‘s Thoughts‘ , which generously accommodate Ihe surroundings.
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http://www.jianzhu01.com/A1007230942.htm
saem mool inspiration
The building is dressed up wilh mainly two lypesol materials. The lacade directly visible from the passageway is consisted ot gray colored zinc panel, creating a distinct conlrast with the rear pari adjacent lo Ihe backyard made up with reflective glass. As il to give a lace ol composure lo Ihe passageway by escaping the leel ol crowdedness, Ihe tacade is localed forward and slighlly blocked out in a closure.
On the conlrary. the rear section is widely opened up in the direction of Ihe backyard, providing Ihe leel ol openness. II seems thai Ihe arrangement ol zinc panels extended from Ihe facade into Ihe inside of the lateral face in an horizonlal line has been designed to overcome the plainness while Ihe feel of heaviness, lo some extent, absorbs Ihe surrounding scenes. Although failing to perform full lunclions as a window, the asymmetric lined window, which discontinues in the side elevalions of zinc panel and continues on Ihereafler. nol only indicates each level of the building. but also provides horizontal rhythm to the side elevalions otherwise overly simplified.
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http://www.jianzhu01.com/A1007230941.htm
wood & brick
This is an Italian restaurant/ deli operated in conjunction with a gallery in an exposed concrete building constructed with characteristic architeciural slyle. The signage of Wood & Brick‘ and the simple side elevalion with exposed concrete on Ihe oulside provide a louch ol modernism.
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http://www.jianzhu01.com/A1007230940.htm
boun posto
Via ‘floor making‘ with various leveling differences inside whilsl firmly maintaining indifference on the outside, ‘looking inside‘ through contrasting sizes ol internal spaces and ‘placing ol an inner court* resembling skin underneath the clothes, Ihis building has been inlended lo become a house wilh a warm heart. Repelitive bricks facing the road, entrance stairway as well as lerrace built up in between the repelitive bricks, entrance door intentionally lucked away from the door and the minimized signboard have been applied. Allhough every single element seems to reject the mechanism ol a big city, it is these very elemenls that enable the building lo stand on the equal level lo the road. The line of vision in the first level has been placed higher than the road lo maintain appropriate distance from it.
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http://www.jianzhu01.com/A1007230939.htm
艺术商店(do art.do shop)
The streels ol Insa-dong. are one of I he lew places in the inner cily ol Seoul thai are sfill ollering Ihe traditional sentiments ol Korea. As a space tor a designer‘s an located in one ol such streels. Ihegalleryof ‘doarf provides a space in which everyone can join in to appreciale. thus to participate in activilies of an. Ttie basement andthelirst level are used as a design shop, while the second and the third levels are as a gallery. Various architectural alternatives from a number of viewpoints have been soughl after in planning lor exterior renovation/ interior construction ol an old building. However, judgment on quality ol this space is a task lell for the passers-by and anisls wayfaring though ihese streels.
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http://www.jianzhu01.com/A1007230938.htm
ml建筑物(ml building)
ml建筑物(ml building)
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114441857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114441857_3.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230937.htm
lee,kyungmin foret
lee,kyungmin foret
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114460032_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114460032_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114460032_3.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230936.htm
青年公园-deok画廊(park young-deok gallery)
青年公园-deok画廊(park young-deok gallery)
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123114592235_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230935.htm
cat eyes
cat eyes
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115014034_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115014034_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115014034_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115014034_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230934.htm
ferragamo flagship
ferragamo flagship
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115041341_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115041341_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115041341_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115041341_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230933.htm
louis vuitton,seoul
louis vuitton,seoul
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115055246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115055246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115055246_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115055246_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230932.htm
gucci
gucci
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115083144_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115083144_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2006123115083144_3.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230931.htm
仿金字塔建筑(pyramid & abushimbel)
Symbolizing ihe ancient ruins ot Egypt, Abu Sim be I (Korean Reslaurantl and Pyramid (Restaurant} are Ihe unique commercial building altracling attention of visitors. Reducing Ihe size ot actual pyramid to 1/3, Ihis building has Ihe slope ot 43.5 degree like Ihe real pyramid. Unique sculpture such as sphinx and obelisk are placed around the enlrance of pyramid with beauliful background along the Namhan river, crealing exotic almosphere.
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http://www.jianzhu01.com/A1007230930.htm
冰屋之家(igloo house)
With ice and snows of Eskimo, extraordinary cafe is located near the cily. Taking the motive Iron ihe igloo thai you can see at North Pole, this cale is the unique space utilizing the beauly ol curve line with wire panel.
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http://www.jianzhu01.com/A1007230929.htm
杯形建筑系统(fractal building systems+rotor)
Fractal derives its name from a fractal, a random computer drawing based on mathematical formulas resulting in endless unpredictable forms. Being trendsetters in the world of design, Fractal Building Systems wanted a stand with aesthetic appearance, and ended up creating the now famous perforated profile called Fractal. At popular demand of architects and designers, Fractal continued to manufacture and sell new profiles. Since then Fractal has never stopped developing original designer materials. This stand for the 100% Design trade fair in London was a simple and striking demonstration of Blobb-profile and acrylic plates as construction materials. The "wobbly" stand made maximum use of the sculptural and colour possibilities of the materials, in a vibrant red, rounded space that was womb-like and high-tech at the same time.
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http://www.jianzhu01.com/A1007230928.htm
ferruccio laviani kartell
The aim of the Kartell stand at the 2003 Furniture Fair was to bring together all the best-known Kartell products and allow them to interact in a feast of colors, images and designs. Ferrucio Laviani once again abandoned all preconceived ideas to transform the space into a fantasy world that expressed the spirit of the Kartell brand, the perfect showcase for its products. The image of an infinite rainbow was used as the main design element, capturing the brand‘s free, happy, ironic and unconventional style. The stand was an open container crossed with rainbows, luminous colored platforms and words, with a background of palm trees, horses and a seaside town against a blue sky. The central area was populated by larger-than-life cut outs of anonymous people on their individual journeys around the world.
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http://www.jianzhu01.com/A1007230927.htm
cino zucchi architetti
"Lonely Living" is an event that explores the private and public spheres of today‘s "extended cities", where different lifestyles merge in a new and changing social landscape. The "urban nomad" is the new type of citizen that best defines this new condition, where the traditional private domain is being replaced by new ways of organizing individual space. The client-dweller for the Lonely Living pavilion was Gustavo Gandini, an environmentalist involved in battles to save endangered environments, the prototype involved scientist who frequently moves between an urban, academic environment, and a wild, primary one. The (con)temporary shelter took the form of a double shell that evoked tropical climates and environments. It consisted of an outer layer in the shape of an abstract cubic volume 4x4x4 meters made of recycled wood panels, and a tent-like interior. The use of natural materials and irregular shapes provoked an imaginative and emotional response to the structure and the environment. The external wooden cube was pierced at regular intervals by small holes and interrupted by larger round "windows" of different dimensions. The interior of the cube contained a few basic pieces of furniture - a bed, a bucket, a camp chair and a table. These were protected by a large tent made of stretch fabric, which articulated the single space into a series of smaller areas according to function. The rays of sunlight that passed through the smaller holes were filtered through this inner skin, creating fluctuating optical effects. The pavilion was a homage to life in the open, to the concept of nomadism and architecture conceived as an amplifier of natural phenomena. The exterior resembled an aerated box for the transportation of animals rather than a pavilion (in this case, a shy and savage King Kong - Gustavo Gandini being transported to the city and the Biennale spotlights).
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http://www.jianzhu01.com/A1007230926.htm
stefano colli
Arno Design, the company that has designed Sto‘s trade fair presence for over 10 years, was once again entrusted to design the company‘s stand for the Farbe 2002 fair in Munich, at which the revolutionary new Sto Color Fan was to be launched. Their brief was to allow visitors to experience the new Sto Color Fan, to encourage communication with the public, to express the brand‘s self-confidence, and to represent Sto‘s vision. The 700 m2 area was designed to represent a town, the environment that best corresponds to the market for Sto products. "Building cubes" were used as rooms for visitors to visit and learn about the products, a "main square" with a pool provided a meeting point, and "advertising spaces" were projected on colored areas of the transparent walls. The stand was both open and intimate, a feature that was appreciated by many visitors to the fair. The real pool in the center was a calm place that encouraged conversation and also afforded an overview of the entire stand. Close by, visitors were encouraged to touch a large model representing Sto‘s entire world of colors and structures. The exterior of the stand was gray and, other than the yellow house color, there was nothing to hint at the colorful interior - a "gray giant" that only revealed its nature to curious and interested visitors. Inside, primary color theories formed the basis of the stand, and four colors from the Sto Color Fan range - orange, wine-red, pink and mustard-yellow - were used to convey different moods and impressions in each of the spaces. The cube dedicated to the Color Fan included multi-media elements. Monitors on plain bases inside the cubes showed clips, collages and images full of light and color, and drawers in the bases contained items related to the corresponding color.
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http://www.jianzhu01.com/A1007230925.htm
lorenc+yoo sony ericsson
Designed as a monument within the 2002 CTIA Orlando Convention center, the Sony Ericsson Exhibit stands in stark white contrast to the visually hyperactive booths nearby. Its sinuous planes bend gracefully, spelling out the two capital letters of the newly formed company it represents. Simultaneously weighty and massive yet ethereal and fluid, the undulating minimalist S+E letters visually symbolize the two industry titans‘ prominent positions of strength and futuristic outlook. The shared geometry of the letters allows for interlocking of their forms along the centerline of the exhibit, so the S+E reads properly from each exhibit aisle.
Practically, the sweep of the two-level design accommodates the dual program of the exhibit: product demonstration and reception on the first level, and private conference on the second. Raised almost two feet above the convention floor (like prominent architectural precedents), the elevated floor gives visitors the impression they are entering a significant event space. The linear slotted ceiling above tightens the sense of space, creating a focused environment for previewing small electronic devices. Bound between the ethereal floating floor plane above and the curved sweep of the inside wall plane, visitors occupy a surreal environment of technology. Circular acrylic discs showcase high-tech devices against the curved wall behind, and bent planes with circular punches form demonstration counters. A white-green halo of light illuminates the space from the displays. A custom bent tubular rod "cellular wave" sculpture grows like a tree from a four-person circular ottoman below where visitors are encouraged to try phones out personally. Illuminated phone globes anchor the corners and 1960‘s styled Ball chairs allow visitors to retreat from the party inside.
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http://www.jianzhu01.com/A1007230924.htm
burkhardt leitner constructiv
Whether designing for Ulm‘s "Kornhaus" or the "Altes Rathaus" stand, the touring exhibition about the "Weisse Rose" anti-Nazi group (shown on these pages), the designers of this stand had to contend with a variety of ever-changing spatial conditions, each one unique to each new venue. For that reason, the exhibition walls were designed using the company‘s own "con-structiv CLIC" system. This system uses modules that can be set up either singly or back to back, and in variable heights. Flexible and modular, it is particularly suitable for changing and travelling exhibitions that benefit from short assembly and dismantling times, and low transport volume and weight. The uniform back lighting that forms part of the system means the modules are also independent of the frequently inadequate lighting conditions in many trade show venues. This modular-designed exhibition could be set up in new configurations each time, not only to fit flexibly into the allotted space, but also to explore different ways of communicating the theme. It was a good example of exhibition architecture as a dialogue between space and content.
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http://www.jianzhu01.com/A1007230923.htm
schmidhuber+partner/kms
The upper level took the informal feel of the lower information areas further, while keeping with the overall design and atmosphere of the stand. A bar called the "can smoke Bar" was located in front of a luminous blue screen surrounded by white cubes to sit on and upholstered brown chairs.
The relaxed atmosphere was an important element throughout the stand, encouraging visitors to explore and take their time, so that the stand became a kind of bubble that strongly supported the corporate identity of the 02 brand. This was enhanced by the relaxing effect of the dominant blue coloring, as well as the spacious areas that encouraged conversation.
The most striking element of the stand was the defining "Horizont" bubble-wall, a striking, luminous membrane filled with blue-colored air. On the inside of this membrane, upward scrolling text was used to display information and make special announcements, while the external surface displayed brand names and advertising. Its luminous nature attracted the attention of visitors, creating an association between the company and the stand‘s glowing blue appearance and leaving a lasting impression.
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http://www.jianzhu01.com/A1007230922.htm
ramon pico+javier lopez pensar la casa
The guiding concept behind this exhibition was to present to the public some examples of the ways that contemporary architects are approaching the idea of the house. The exhibition tried to bring the work of professional designers closer to the level of daily life, to strolls through the squares of childhood, children playing with pigeons in the plazas, and even the agitated ramblings of sleepwalkers. The display was conceived as a touring exhibition, and it is this travelling aspect that gave it meaning. For this reason, it was designed to be housed in a lightweight container that could travel to different public spaces within the province. The structure therefore had to be flexible enough to allow it to adapt to all its potential locations in public spaces. The design concept was to build a movable container, where the volume was a symbol of the modern icon of the home. It consisted of two principal volumes: a central cube with 3m sides, and a prismatic annex. Both volumes rose 1.9 m above ground level, ensuring that visitors could move through the square, and that the exhibition interfered as little as possible on an area‘s normal day to day life. The exhibition was supposed to visually stimulate pedestrians, but not to force them to enter the enclosure or have to walk around it. The first of the two structures remained fixed throughout the exhibition period, resting on metal supports. Wheels acenabled the second structure and the entrance door into the first to slide out of the way. The container opened up to reveal the exhibition during opening hours.
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http://www.jianzhu01.com/A1007230921.htm
arno design speedo
Speedo is one of the leading manufacturers of racing and fashion swimwear and beach clothing worldwide. The brand‘s success is based on their long experience and the company‘s philosophy of innovation. For the ISPO Summer 2001 fair, Arno Design GmbH designed a breathtaking ensemble with an emphasis on expressing the brand‘s unique identity. The colorful, bright and summery range was placed in a glossy white setting, suggesting a museum. Accentuated rounded forms introduced a dynamic element that evoked the high energy and speed of competitive swimming. The trade fair slogan was prominently displayed on curved, luminous orange and deep blue entrance elements in large white letters. An economical design was an important part of the brief for Speedo, so the challenge for the designers was to create an original and dynamic stand through clever use of a limited budget. One of the strategies used was to suspend dramatically folded translucent curtains made of a reflective material from the ceiling. These turned out to be one of the more sensational stylistic elements, and allowed the designers to use the whole permitted height of six meters. Shining like water, and floating above the rounded wall elements, the curtains were visible from a long distance and attracted attention to the stand. Gently pulsating and changing colored lights transformed them into illuminated sculptures symbolizing rhythm and movement. The stand area was structured according to clear principles, particularly Speedo‘s desire to separate its fashion and competition swimwear ranges.
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http://www.jianzhu01.com/A1007230920.htm
stefano colli husa hoteles
The brief for this corporate stand for a major hotel chain involved designing a central open space that could be used for meetings and information points, a bar, and enclosed office and storage space. The design centered around a suspended element that functioned as lighting, ceiling and signage support all at once. This idea took the form of a "hat" consisting of an opaque area concealing the power for visible fluorescent lights, with the brand labeling applied to its exterior.
A series of flexible strips made from translucent plastic hung from this external element, acting as a light screen and defining an "intimate" space for meetings. The floor area of the stand was 103 m2.
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http://www.jianzhu01.com/A1007230919.htm
deu i deu tafesa
In order to take advantage of a long and narrow site, the designers of this stand created two longitudinal facades, an exterior and an interior wall, on which products were displayed. The stand was quite simple and purist in terms of forms and colors. The designers decided to use only the color white and straight, perfectly defined lines for the stand structure. Products were displayed in niches, which separated and clearly framed each set of tables and chairs. The ceiling was covered using black material, making it seem to disappear and creating an illusion of infinite space. Lighting was one of the more spectacular elements, created using light projectors and colored filters for each of the different scenographies. The entire stand was white, but the lighting effects seemed to tinge the spaces with different colors. Using lights rather than paint for color meant that the color was in the air itself, and not just the walls. The lighting design ensured that the color of the products did not change by lighting them with very powerful points of white light.
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http://www.jianzhu01.com/A1007230918.htm
burkhardt leitner constructiv
For the sixth time, the Design Center Lagenthal awarded the Design Prize of Switzerland and organised an exhibition of selected works. For the first time, the exhibition of the 80 prize-winning works was created entirely using Burkhardt Leitner constructiv systems. The exhibition venue was an old farmhouse. Outside, constructiv PILA Petite was used for the cash desk and reception pavillion, while inside it was constructiv CLIC that was used for the 1500 m2 exhibition, from the stable level to the double-storey hay loft. The back-lit presentation modules contrasted impressively with the rustic surroundings, and created an attractive interplay of archaic beams and technological systems, of tradition and innovation.
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http://www.jianzhu01.com/A1007230917.htm
atelier markgraph+kauffman thelig & partner
As Europe‘s largest aerospace company and a leading global player in the aerospace and defence sector, the European Aeronautic Defence and Space Company (EADS) was formed by the merging of DaimlerChrysler Aerospace, the Spanish company CASA and the French company Aerospatiale Matra.
The concept for the new company‘s trade fair presentation was based on the central design element of the circle, a symbol of unity and identification. The wide reaching roof of the "Space Tower" generously drew together the various business sectors, brands and products of the original companies. Silver colored, aluminum lamellar rings grew from the base of the Space Tower to create a room-defining sculpture.
The finely tuned interaction between the various design elements ensured an easily identifiable corporate image. Architecture, graphics, lighting, exhibits and media presentations worked together to create an atmosphere conducive to dialogue and clear communication: EADS is open, inviting and appealing. The concept allowed for flexible re-implementation at a variety of trade fair venues. Stand elements can be easily adapted to different exhibition spaces depending on the conditions of the particular event.
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http://www.jianzhu01.com/A1007230916.htm
the gcgroup ag
Orange wanted a design that would transmit the message conveyed by its commercials, a tangible expression of their desire to connect people all over the world. The brief was both complex and tempting because it consisted of creating concrete images of the invisible, a challenge that led Patrick Gubser from the GC group, industrial designer Felix Keller and architects Roland Imboden and Stefan Zachleder to develop the concept of an inflatable dome. This idea embodied the precise feeling of buoyancy that the client wanted, but required a great deal of technical innovation and imagination to arrive at the final structure. The stand‘s success rested on the way it used the supple and sensuous white roof to add complexity to a simple rectangular site, with lighting, video installations and text all adding to the experience.
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http://www.jianzhu01.com/A1007230915.htm
artekstands gas natural
An artist who ignores the difference between natural growth and human construction will produce exactly the opposite of what he was looking for: instead of creating something as natural as a flower, the design will lack exactly that, the condition of being natural. An object produced by Nature is never unfinished: if it is inorganic, like stone, it is as it should be, and if it is organic, like a flower, then it is just as it should be at any given moment. This stand is not a butterfly, it is a place to make people working at Gas Natural feel light, natural, and able to soar.
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http://www.jianzhu01.com/A1007230914.htm
general graphics exhibits
The idea behind this project was to create a stand that would strengthen Monterrey‘s image within the electronic design automation (EDA) industry, provide product information in an attractive environment, and lead potential customers into suites for more in-depth information. The obstacle was an existing bulky stand that required extensive, expensive refurbishment, and would still have been in conflict with the company‘s promise to provide "Advanced Physical Design Software Solutions". The solution was custom rental that conveyed the brand message, for the cost of refurbishing and remounting the existing stand. The dolphins "playing" on the Monterrey logo suggested an ocean theme, and led the designers to create this sleek design of mesmerizing fluidity. Lights, sound and video were used to evoke an ocean environment, soothing underwater scenes that transformed into a high-energy montage of dolphins playing and jumping in the air. A custom soundtrack of pulsing, ambient sounds of underwater life combined with rippling lights from above alternated with the video presentations. The stand covered an area of 40 square feet, and consisted of a central box frame tower with a core that supported the state-of-the-art video and lighting equipment. Stretched translucent fabric for projecting the videos, and a semi-transparent black rim canopy for lighting control added to the underwater effect. Opaque wings around the screen were used to display company logos and other information. The product demo areas contained bubble-shaped graphics mounted on clear perplex, and inflatable see-through chairs also suggested bubbles or jellyfish under the theatrical lighting. One of the most important elements was the specially created video and soundtrack featuring underwater scenes, dolphins playing and jellyfish undulating.
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http://www.jianzhu01.com/A1007230913.htm
布鲁克纳画室(atelier bruckner)
Stuttgart-based design company Atelier Bruckner was asked to develop a design concept for Kodak‘s exhibition stand at Photokina 2002, held in Cologne. In keeping with its position as a market leader, Kodak occupied a floor space of 8,600 m2 at this internationally renowned photo industry trade show. The challenge for the designers was to create a stand with a strong brand identity but enough variety to keep visitors interested in exploring the large area. Atelier Bruckner based the design on two main concepts, creating a sequence of "frames" along a main corridor and different colored showcases on either side of it. Each of these offered its own characteristic world of images and design elements, like scenes in a play. The structure and sequence of the spaces suggested a story told in colors and images that perfectly illustrated the stand‘s motto - "Share Moments - Share Life". The stand was designed around a long, winding corridor that varied in width. Wide at some points and narrow at others, this pathway connected the two entrances to the hall. Rectangular shapes, like frames in a photo sequence, divided the corridor into separate "scenes", while brightly colored presentations containing information about Kodak‘s different business sections were placed along the left and right sides of this central corridor, covering the floor and walls. To make it easier for visitors to orient themselves on the showroom floor, a specific color was assigned to each of the different business sections. A bright yellow-orange unified the stand and gave it an overall coherent look, while the other colors used alluded to the palette of the previous year‘s Kodak stand.
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http://www.jianzhu01.com/A1007230912.htm
formpol ag century
The Century brand was present at the Basilea 2003 Jewelry and Watch fair with a new and totally redesigned stand. A considerably larger floor area allowed the company to expand to three levels and use the external area to stage events and as a bar. The main purpose of the new stand was to strengthen brand identity and create a space that mirrored the nature and high quality of the products. The design was based around an outer skin made of glass, creating an immediate association between the products and the architecture of the stand. This was further strengthened by the striking use of the design elements and colors of the Century brand. One of the main features was the third floor display area, where the opaque walls contained small openings through which visitors could view the products using binoculars and immerse themselves into the world of sapphire watches.
Another important element was the modular construction that allows the stand to adapt to different exhibition requirements. All components are easy to disassemble, ensuring that the stand will remain useful for several years. At the construction level, the centerpiece is the innovative, mass-produced rubber piece used to join the facade elements. These elements can be joined quickly and easily, allowing the designers to use frameless glass panels that can be arranged in many different ways.
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http://www.jianzhu01.com/A1007230911.htm
stefan zwicky
The aim of the CTC (Cycle Trading Company) stand at the 2-Rad 2000 trade fair in Zurich was to create a new image for the bicycle brand GT The design was based on the rotating arms of a windmill, which evoked the idea of a bicycle and worked well within the "island" characteristics of the stand. This concept translated into four enormous, brightly colored walls placed on a wooden podium in a rotating configuration. From the outside, these walls were a striking point of reference for the stand, while creating an intimate internal courtyard space. The spaces between the walls allowed visitors glimpses into the center of the stand from any angle, and invited them to approach and enter. The bicycles were arranged along the walls, while the inner patio featured the newest or star products.
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http://www.jianzhu01.com/A1007230910.htm
ogilvy & mather
WHEN venerable advertising firm Ogilvy & Mather decided to quit its traditional office in a west Los Angeles corporate tower, it was looking not just for a new place to work but for a new way to work. The agency, founded by the charismatic David Ogilvy and today part of the global WPP Group, wanted to shed its rather staid Madison Avenue-style image in favour of a more open, democratic and creative approach in which old hierarchies would be broken down.
This explains the choice of new location in an Eric Owen Moss building at Culver City - a modern development with an expansive glazed facade incorporating the entrance portals and high ceilings topped with exposed timber - and the appointment of hip young architects Russell Shubin and Robin Donaldson to fit out the 2,800 square metre (30,000 square foot] open-plan floor.
Given such a distinctive architectural shell, the designers faced a challenge to impose their own authority on the interior. Their idea was to avoid explicit city-planning metaphors seen elsewhere in ad agency offices in California and express Ogilvy & Mather‘s communal workstyle in a looser, more casual way. The scheme‘s narrative element is set up on entry to Moss‘s building with a perforated metal ‘time tunnel‘, 13.4 metres {44 feet) long and lined with LCD monitors showing agency showreels. which lakes visitors on a journey to the heart of the firm.
The project concentrates the workforce in the front portion of the building with facilities for client interaction in the rear, but in truth the entire scheme plays with notions of translucency and transparency. The time tunnel leads into a main work area of custom-designed desking, with ancillary features such as a library, production area and listening rooms zoned off by giant acrylic panels.
The industrial metaphors and the use of the framed words of the company‘s founder to remind people why they are at work - ‘We sell or get fired‘ - could make the scheme appear brutal.
But, in the same way as the raw-concrete floor is interrupted by carpeting to soften the factory effect, so the project as a whole balances authority with a lightness of touch to give Ogilvy & Mather a dynamic new image.
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http://www.jianzhu01.com/A1007230909.htm
DZ银行(DZ bank)
A STONE‘S throw away from the historic Brandenburg Gate in Berlin is a workplace that contains one of master architect Frank Gehry‘s most powerfully sculptural pieces of work. Not that you would know it from the outside. The planning restrictions that dictate that all new development in the area should refer politely to the gate, built in 1788, meant that Gehry was never going to do a Bilbao Guggenheim number in the new capital of Germany even if he had wanted to.
Instead Gehry‘s big branch office scheme for DZ Bank, a Frankfurt-based financial services company, hides its awesome sculptural secret away behind the discreet facade of a well-mannered modern building that provides 17,500 square metres (190,000 square feet) of office space as well as 39 apartments on the south flank of a sober mixed-use project.
That interior secret is a breathtaking object shaped, according to Gehry, like the skull of a fossilized prehistoric horse‘s head. Sited in the building‘s giant skylit central atrium with offices around the perimeter on three sides, the ‘skull‘ is at once inspiring and menacing, and it encloses within its fantastical form a unique womb-like conference room lined with strips of red oak.
Gehry‘s signature sinuousness, unfurling itself beneath a delicate lattice of glass and steel, is deliberately at odds with the rational plainness of the exterior. But this is a scheme of many surprises. Beneath the conference chamber, a scooped-out basement level contains a lecture theatre, cafe and foyer, itself enclosed by a warped-glass canopy that mimics the atrium roof.
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http://www.jianzhu01.com/A1007230908.htm
cellular operations
CALL centres have been dubbed the ‘sweatshops of the 21st century‘, so closely are they identified with high staff turnover, illness and absenteeism. This scheme for a call-centre company in Swindon totally reverses the trend with an imaginative environment designed to improve staff recruitment and retention.
The key to the project is the site in a semi rural Wiltshire park just 3.2 kilometres (2 miles) from Swindon town centre. Here architect Richard Hywel Evans has created a building with a spectacular curved glass extension that has become a local high-tech landmark. The organic form of this three-storey glass sweep mirrors its natural surroundings. It appears to ‘explode‘ from a crisply economical black box at the core of the building to snake around the site and rest against a base of polished boulders.
On the ground Floor, operators can break out from their tight workstations to rest in naturally lit soft-seating areas against the curving glass facade that gives views of a lake. On upper floors is space for accounts, management, storage and subletting.
To deal with the unusual planar angles at the glass ‘nose‘ of the call centre, client and architect collaborated to develop a slide-and-twist clamping solution based on a spider clamp made by automotive engineers. To avoid unwanted heat gain, they worked with a company that supplies jet engine blades to Boeing to develop a new system of blinds sitting on a solar tracking arm.
Call centres are often hot and noisy. At Cellular Operations, cool air is piped from the nearby lake to desks through a series of vents, and sound is dampened by the use of freeform spatial layouts that avoid reverberating surfaces. Uniformed lea ladies with old-style trolleys have been reintroduced as social catalysts in the work environment. Even the toilets were designed as a technological experience, complete with electronic taps, heat-senstive urinals, mosaics and fibre optics.
The new ￡6.2 million call centre had the desired effect, dramatically cutting staff turnover by transforming a sweatshop into a social landscape.
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http://www.jianzhu01.com/A1007230907.htm
上海五角场“彩蛋”
随着蓝、红、黄、绿色灯光的不停变换，上海杨浦五角场中心的“彩蛋”完成了闪烁霓虹的改造调试，并于近日正式亮灯。通过高科技手段改造，位于下沉式广场上方的中环线“彩蛋”景观灯已成为具有特殊造型的视频载体，也创造出新颖的夜上海灯光模式。
五角场环岛立交暨下沉式广场景观装饰工程由国内年轻艺术家仲松进行总体设计，全程艺术监理。已故视觉艺术大师陈逸飞先生担任艺术顾问。北京京冶建筑设计院负责工程设计。工程由杨浦区五角场市级副中心开发建设办公室（上海北岛置地有限公司）组织实施，上海绿地建设有限公司承建。
整个工程的长轴为100米，短轴为80米，呈椭圆形，以五条地下通道、九个地面出入口与周边道路及商业广场相连。广场由内到外依此布置中心地图、中央广场、绿化、水池、水幕及环廊。整个建筑以清水混凝土为基调，简洁、大气，极具现代感和艺术气息。环形水幕落差4米，伴随音乐变幻不同形态，扭动“身体”。在灯光映衬下亮丽、轻盈，使广场更添活力和灵性。近300米长自上而下喷射的倒挂音乐水幕在国内外属首例作品，控制系统采用中科院智能音乐喷泉控制系统专利技术。
在对于五角场环岛大型景观的建设中，设计师仲松谈到：“之所以要规划这个景观并将其设计成自然流畅的正椭球形的‘蛋状’，主要是考虑到‘线条’比较硬朗的高架道路以及在上面飞驰而过的汽车可能会破坏五角场周边的商业氛围，需要有一定的“缓冲”。同时，‘彩蛋’的‘蛋壳’几乎覆盖整个下沉式广场，这一半包围结构能够阻隔一定的噪音，使得从蛋身下走过的行人不受高架上汽车轰鸣的影响。”
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http://www.jianzhu01.com/A1007230906.htm
北京同仁堂股份有限公司亦庄生产基地
北京同仁堂股份有限公司亦庄生产基地
设计时间：2003年
建成时间：2004年
建设地点：北京市
建筑面积：25000m2
同仁堂创立于1669年(清朝康熙八年)．1 997年同仁堂股份有限公司成功上市。北京同仁堂股份有限公司亦庄生产基地建设工程项目是股份公司最大、最集中、最重要的生产基地。基地位于北京经济技术开发区内。
通过建筑形象体现同仁堂集团的高科技含量并反映出同仁堂丰富的历史文化内涵是项目形象设计的出发点。办公区整体的屋盖及突出于建筑外的柱列将高度、材料不同的办公、门厅、餐厅三部分纳入一个大的框架形态之内．使建筑形象完整、统一。生产区在如实地反映建筑内部功能的同时通过横竖相间的立面划分形式及材料的搭配与办公区取得协调．办公区与生产区交接处圆台形处理的展厅将两个不同的功能分区柔和而有机地结合起来．并且也为两条主要道路的转角处提供了良好的空间景观效果。对于同仁堂集团个性的表达，建筑中主要通过两种手法加以实现．首先在色彩上引入中国传统建筑中最具代表性的红色，通过穿插于建筑中的红色墙面体现同仁堂悠久的传统文化．也反映出同仁堂国药在中药领域中的尊贵地位。而入口处两颗红色圆柱与高科技点式玻璃幕墙的叠合更充分体现了同仁堂高科技含量、高文化附加值紧密结合的企业目标．树立同仁堂集团的标志性形象。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_9.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230905.htm
Le Cobusier建筑作品
Le Cobusier建筑作品
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http://www.jianzhu01.com/A1007230904.htm
HHSRYLE·COM商场和博物馆
HHSRYLE·COM商场和博物馆
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http://www.jianzhu01.com/A1007230903.htm
Teatro polifunzionale
Teatro polifunzionale
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http://www.jianzhu01.com/A1007230902.htm
Monadnock Building建筑
Greatbuildings设计的Monadnock Building建筑
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http://www.jianzhu01.com/A1007230901.htm
Oak Ridge新城镇总体规划
SOM建筑设计事务所设计的Oak Ridge New Town Master Plan
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http://www.jianzhu01.com/A1007230900.htm
nykredit
nykredit
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http://www.jianzhu01.com/A1007230899.htm
ogilvy & mather
WHEN venerable advertising firm Ogilvy & Mather decided to quit its traditional office in a west Los Angeles corporate tower, it was looking not just for a new place to work but for a new way to work. The agency, founded by the charismatic David Ogilvy and today part of the global WPP Group, wanted to shed its rather staid Madison Avenue-style image in favour of a more open, democratic and creative approach in which old hierarchies would be broken down.
This explains the choice of new location in an Eric Owen Moss building at Culver City - a modern development with an expansive glazed facade incorporating the entrance portals and high ceilings topped with exposed timber - and the appointment of hip young architects Russell Shubin and Robin Donaldson to fit out the 2,800 square metre (30,000 square foot] open-plan floor.
Given such a distinctive architectural shell, the designers faced a challenge to impose their own authority on the interior. Their idea was to avoid explicit city-planning metaphors seen elsewhere in ad agency offices in California and express Ogilvy & Mather‘s communal workstyle in a looser, more casual way. The scheme‘s narrative element is set up on entry to Moss‘s building with a perforated metal ‘time tunnel‘, 13.4 metres {44 feet) long and lined with LCD monitors showing agency showreels. which lakes visitors on a journey to the heart of the firm.
The project concentrates the workforce in the front portion of the building with facilities for client interaction in the rear, but in truth the entire scheme plays with notions of translucency and transparency. The time tunnel leads into a main work area of custom-designed desking, with ancillary features such as a library, production area and listening rooms zoned off by giant acrylic panels.
The industrial metaphors and the use of the framed words of the company‘s founder to remind people why they are at work - ‘We sell or get fired‘ - could make the scheme appear brutal.
But, in the same way as the raw-concrete floor is interrupted by carpeting to soften the factory effect, so the project as a whole balances authority with a lightness of touch to give Ogilvy & Mather a dynamic new image.
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http://www.jianzhu01.com/A1007230898.htm
DZ银行(DZ bank)
A STONE‘S throw away from the historic Brandenburg Gate in Berlin is a workplace that contains one of master architect Frank Gehry‘s most powerfully sculptural pieces of work. Not that you would know it from the outside. The planning restrictions that dictate that all new development in the area should refer politely to the gate, built in 1788, meant that Gehry was never going to do a Bilbao Guggenheim number in the new capital of Germany even if he had wanted to.
Instead Gehry‘s big branch office scheme for DZ Bank, a Frankfurt-based financial services company, hides its awesome sculptural secret away behind the discreet facade of a well-mannered modern building that provides 17,500 square metres (190,000 square feet) of office space as well as 39 apartments on the south flank of a sober mixed-use project.
That interior secret is a breathtaking object shaped, according to Gehry, like the skull of a fossilized prehistoric horse‘s head. Sited in the building‘s giant skylit central atrium with offices around the perimeter on three sides, the ‘skull‘ is at once inspiring and menacing, and it encloses within its fantastical form a unique womb-like conference room lined with strips of red oak.
Gehry‘s signature sinuousness, unfurling itself beneath a delicate lattice of glass and steel, is deliberately at odds with the rational plainness of the exterior. But this is a scheme of many surprises. Beneath the conference chamber, a scooped-out basement level contains a lecture theatre, cafe and foyer, itself enclosed by a warped-glass canopy that mimics the atrium roof.
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http://www.jianzhu01.com/A1007230897.htm
valtech
WHEN Valtech, a global e-business consultancy, moved from cramped offices in London‘s West End to a new space closer to the City of London, it wanted to create an environment that would facilitate the needs of its nomadic consultants and provide an effective place for training its clients.
Architect Harper Mackay sourced inspiration from Lewis Carroll‘s Alice in Wonderland. Throughout the three-storey office there are intentional juxtapositions and a use of the unexpected to create a sense of adventure and interest. Imaginative graphics or ‘photonwals‘ - project bold statements and provide drama in a space where contrasts are key. The designers have blended inside and outside by utilizing a decked courtyard as a part of the workspace and introducing visual elements, such as images of a forest, and daylight wherever possible.
Materials also break the mould, with blue corrugated polycarbonate used alongside honeycomb panelling. An orange reception desk running through the wall into the main workspace sets the scene on arrival and builds on the company‘s visual identity. Throughout the interior there is innovation and surprise, such as the frosted glass used to partition the space that also doubles as a scribble board, and the portable storage units, or ‘donkeys‘, that can be hauled around the space as needed.
Valtech uses the space as both a workplace and a training environment, so good facilities are needed for both nomadic employees and visitors. The space plan itself is innovative, creating a series of unconventionally asymmetrical spaces that articulates a distinctive circulation route through the building. The ground floor provides a nodal zone for consultants to use when they are in the office, with a variety of furniture settings serviced by advanced technology.
Much of the floorplate is given over to social spaces such as a self-service cafe bar complete with table football, and even a mini-stadium to watch sports events on TV. Technology includes a wireless local area network that allows consultants to ‘hot desk‘ and connect their laptop to the server from anywhere. Laptops can also be connected in a landscaped courtyard, making it an integral part of the office. This project is a good example of a flexible and agile space that provides a stimulating and effective nodal environment For a transitory workforce and a knowledge-hungry customer base.
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007020612330249_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230896.htm
cellular operations
CALL centres have been dubbed the ‘sweatshops of the 21st century‘, so closely are they identified with high staff turnover, illness and absenteeism. This scheme for a call-centre company in Swindon totally reverses the trend with an imaginative environment designed to improve staff recruitment and retention.
The key to the project is the site in a semi rural Wiltshire park just 3.2 kilometres (2 miles) from Swindon town centre. Here architect Richard Hywel Evans has created a building with a spectacular curved glass extension that has become a local high-tech landmark. The organic form of this three-storey glass sweep mirrors its natural surroundings. It appears to ‘explode‘ from a crisply economical black box at the core of the building to snake around the site and rest against a base of polished boulders.
On the ground Floor, operators can break out from their tight workstations to rest in naturally lit soft-seating areas against the curving glass facade that gives views of a lake. On upper floors is space for accounts, management, storage and subletting.
To deal with the unusual planar angles at the glass ‘nose‘ of the call centre, client and architect collaborated to develop a slide-and-twist clamping solution based on a spider clamp made by automotive engineers. To avoid unwanted heat gain, they worked with a company that supplies jet engine blades to Boeing to develop a new system of blinds sitting on a solar tracking arm.
Call centres are often hot and noisy. At Cellular Operations, cool air is piped from the nearby lake to desks through a series of vents, and sound is dampened by the use of freeform spatial layouts that avoid reverberating surfaces. Uniformed lea ladies with old-style trolleys have been reintroduced as social catalysts in the work environment. Even the toilets were designed as a technological experience, complete with electronic taps, heat-senstive urinals, mosaics and fibre optics.
The new ￡6.2 million call centre had the desired effect, dramatically cutting staff turnover by transforming a sweatshop into a social landscape.
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http://www.jianzhu01.com/A1007230895.htm
上海五角场“彩蛋”
随着蓝、红、黄、绿色灯光的不停变换，上海杨浦五角场中心的“彩蛋”完成了闪烁霓虹的改造调试，并于近日正式亮灯。通过高科技手段改造，位于下沉式广场上方的中环线“彩蛋”景观灯已成为具有特殊造型的视频载体，也创造出新颖的夜上海灯光模式。
五角场环岛立交暨下沉式广场景观装饰工程由国内年轻艺术家仲松进行总体设计，全程艺术监理。已故视觉艺术大师陈逸飞先生担任艺术顾问。北京京冶建筑设计院负责工程设计。工程由杨浦区五角场市级副中心开发建设办公室（上海北岛置地有限公司）组织实施，上海绿地建设有限公司承建。
整个工程的长轴为100米，短轴为80米，呈椭圆形，以五条地下通道、九个地面出入口与周边道路及商业广场相连。广场由内到外依此布置中心地图、中央广场、绿化、水池、水幕及环廊。整个建筑以清水混凝土为基调，简洁、大气，极具现代感和艺术气息。环形水幕落差4米，伴随音乐变幻不同形态，扭动“身体”。在灯光映衬下亮丽、轻盈，使广场更添活力和灵性。近300米长自上而下喷射的倒挂音乐水幕在国内外属首例作品，控制系统采用中科院智能音乐喷泉控制系统专利技术。
在对于五角场环岛大型景观的建设中，设计师仲松谈到：“之所以要规划这个景观并将其设计成自然流畅的正椭球形的‘蛋状’，主要是考虑到‘线条’比较硬朗的高架道路以及在上面飞驰而过的汽车可能会破坏五角场周边的商业氛围，需要有一定的“缓冲”。同时，‘彩蛋’的‘蛋壳’几乎覆盖整个下沉式广场，这一半包围结构能够阻隔一定的噪音，使得从蛋身下走过的行人不受高架上汽车轰鸣的影响。”
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http://www.jianzhu01.com/A1007230894.htm
东京一间美发店
东京一间美发店
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007092908552351_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007092908552351_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007092908552351_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007092908552351_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007092908552351_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230893.htm
北京同仁堂股份有限公司亦庄生产基地
北京同仁堂股份有限公司亦庄生产基地
设计时间：2003年
建成时间：2004年
建设地点：北京市
建筑面积：25000m2
同仁堂创立于1669年(清朝康熙八年)．1 997年同仁堂股份有限公司成功上市。北京同仁堂股份有限公司亦庄生产基地建设工程项目是股份公司最大、最集中、最重要的生产基地。基地位于北京经济技术开发区内。
通过建筑形象体现同仁堂集团的高科技含量并反映出同仁堂丰富的历史文化内涵是项目形象设计的出发点。办公区整体的屋盖及突出于建筑外的柱列将高度、材料不同的办公、门厅、餐厅三部分纳入一个大的框架形态之内．使建筑形象完整、统一。生产区在如实地反映建筑内部功能的同时通过横竖相间的立面划分形式及材料的搭配与办公区取得协调．办公区与生产区交接处圆台形处理的展厅将两个不同的功能分区柔和而有机地结合起来．并且也为两条主要道路的转角处提供了良好的空间景观效果。对于同仁堂集团个性的表达，建筑中主要通过两种手法加以实现．首先在色彩上引入中国传统建筑中最具代表性的红色，通过穿插于建筑中的红色墙面体现同仁堂悠久的传统文化．也反映出同仁堂国药在中药领域中的尊贵地位。而入口处两颗红色圆柱与高科技点式玻璃幕墙的叠合更充分体现了同仁堂高科技含量、高文化附加值紧密结合的企业目标．树立同仁堂集团的标志性形象。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007093010192735_9.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230892.htm
鹿谷洛克公园
鹿谷洛克公园
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007101514174239_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007101514174239_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007101514174239_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007101514174239_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007101514174239_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230891.htm
Le Cobusier建筑作品
Le Cobusier建筑作品
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http://www.jianzhu01.com/A1007230890.htm
HHSRYLE·COM商场和博物馆
HHSRYLE·COM商场和博物馆
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http://www.jianzhu01.com/A1007230889.htm
Teatro polifunzionale
Teatro polifunzionale
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http://www.jianzhu01.com/A1007230888.htm
Monadnock Building建筑
Greatbuildings设计的Monadnock Building建筑
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http://www.jianzhu01.com/A1007230887.htm
Moto Azabu
lein-dytham建筑作品－Moto Azabu
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http://www.jianzhu01.com/A1007230886.htm
Oak Ridge新城镇总体规划
SOM建筑设计事务所设计的Oak Ridge New Town Master Plan
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http://www.jianzhu01.com/A1007230885.htm
Maggie中心
Zaha Hadid设计的Maggie中心，是这位女建筑师在英国的第一个项目
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http://www.jianzhu01.com/A1007230884.htm
Worldwide Plaza
SOM建筑设计事务所设计的Worldwide Plaza，在纽约市的旧麦迪逊广场花园的前位置上被位于的全世界的广场, 包括一个整个的曼哈坦在第八 & 第九大街之间阻塞和第 49& 50 街。 这一个多使用合成物定义对西部的在较高的密度，东部的商业部门和克林顿的住宅邻近地区之间的一个转变。
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http://www.jianzhu01.com/A1007230883.htm
Pryzbyla 中心
Bohlin Cywinski Jackson设计的Pryzbyla 中心
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http://www.jianzhu01.com/A1007230882.htm
Rare Medium
Kearch设计的Rare Medium
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http://www.jianzhu01.com/A1007230881.htm
The Glen规划设计
SOM建筑设计事务所设计的The Glen规划设计。
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http://www.jianzhu01.com/A1007230880.htm
芝加哥河畔总体规划
SOM建筑设计事务所设计的芝加哥河畔总体规划（Chicago River Master Plan）。
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http://www.jianzhu01.com/A1007230879.htm
新疆国际大巴扎建筑群
对于我国城市建设雷同化,逐渐失去自身特色的现象，见仁见智，众说纷纭，但在乌鲁木齐来说可是致命的隐痛。作为一个少数民族自治区的首府，人们希望在乌鲁木齐的城市建设中体现民主地域文化，但真实的情况是这种需求在这两种夹注思潮的夹击下很难有存在的空间：一种是全球化、拿来主义、欧陆风、克隆风造成的建筑创作质量低下，新的千篇一律再现；一种是浮浅的理解民族、地域风格，符号和装饰滥用，形成了格调不高，平庸、低俗的建筑泛滥。
以上两种建筑思潮的病灶都来源于一点，即我国经济高速发展和国民文化素质的水平的低下极不相称。对于建筑，我们缺乏独立、自信的判断力和价值标准，这是民族自尊，人格字准的自贬。这种病态在一部分官员、业主、建筑师、民众中都不同程度地存在，所以建筑创作中对民族地域风格的追求处于进退两难的困境。这也是我在创作大巴扎建筑群之前的心态，尽管我也句“过欧陆式”的设计，也曾几次想写一篇“告别建筑”的文章。但遇到“大巴扎”这样的课题的时候，还是接了下来做一次再试一次的努力。
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http://www.jianzhu01.com/A1007230878.htm
Constructora contex 2004 智利
Constructora contex 2004 智利
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http://www.jianzhu01.com/A1007230877.htm
BIT中心
BIT中心
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http://www.jianzhu01.com/A1007230876.htm
Manshuin
Located 10 minutes by bus from Shin-Shirakawa Station, Nanko Koen (Nanko ‘south lake‘; koen means ‘park‘) is approximately 25 acres of lake, cherry trees, and red pine hills crowned by the superb Suirakuen Pavilion and Garden. The park was the first in Japan opened to the public. Prior to this, pleasure grounds had existed only for the nobility and samurai.
The Suirakuen Pavillion and Garden (admission charge) is a delight to stroll in, complete with waterfalls, rustic bridges, and "borrowed scenery" from neighboring mountains. Inside then pavilion itself, one may take in an abbreviated tea ceremony while admiring the reflections in the miniature lake.
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http://www.jianzhu01.com/A1007230875.htm
zenrosai kaikan
zenrosai kaikan
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http://www.jianzhu01.com/A1007230874.htm
Riverwalk Gateway
SOM建筑设计事务所设计的Riverwalk Gateway。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2007120409005234_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007120409005234_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007120409005234_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2007120409005234_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230873.htm
杭州南山路湖滨
杭州南山路湖滨的景观设计
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http://www.jianzhu01.com/A1007230872.htm
metropolitan edo tokyo museum
metropolitan edo tokyo museum 京都
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http://www.jianzhu01.com/A1007230871.htm
中航集团在京土地利用控制性详细规划
中航集团在京土地利用控制性详细规划
设计时间：2004年
建设地点：北京市
本规划以北京飞机维修工程有限公司(AMECO)土地利用规划为例AMECO位于首都机场1路东侧，地块西侧紧邻机场跑道，是北京飞机维修及配套附件维修的主要单位。
AMECO周边主要分布有国航飞行大队办公区和在建中的首都机场专机楼，由于业务性质的特殊，用地东侧直接与机场跑道相连．便于维修的需要，用地西侧隔道路绿化带与首都机场1。路相邻，道路绿化带种植高大落叶乔木．现已成林，有很好的景观效果。由于AMECO业务性质的特殊，多为大跨低层厂房．整个厂区内大量集中绿地较少。为提高对机场停机坪宝贵资源的利用率，故建筑密度较高，绿化率相对较低。
中国民航事业正处在一个高速发展的历史时期．航空业务运输量多项指标已名列世界第二位．并以14％-1 6％的年增长率快速发展．目前国内大多数机场的基础设施都已接近或超过设计能力．首都机场更是如此。在民航运输快速发展的同时．中国民用飞机的数量也将高速增长，飞机维修业务将日益繁忙．AMEC：0作为我国最大的飞机维修企业，将承担越来越多的维修业务量。
本次规划正是由于飞机维修的工业特点：
(1)维修机库必须近邻滑行道布置；
(2)维修厂房大多数是底层大跨建筑，尤其是机库．只能是单层大跨度厂房。
为充分利用现有紧张的土地资源．尤其是临滑行道的宝贵空间，本规划在满足消防、运输的前提下，尽量提高临滑行道机库维修区的土地利用率，适当降低绿化覆盖率．规划绿化率达到10％25。在其他地块则鼓励建筑向多层发展，尤其是厂房的附楼部分，适当提高容积率，以争取最大限度的绿化覆盖率．规划绿化率达到30％．
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http://www.jianzhu01.com/A1007230870.htm
新疆太阳城总体概念规划设计
设计时间：2003年
建设地点：新疆维吾尔自治区
总规划面积：18000hm2
城市人口规模：250000人
新疆太阳城以“500水库”为中心，以生态环境建设为基础，以产业开发为主题，形成乌鲁木齐、昌吉、米泉及周边地区新的产业集群区、生态人居的新区域。新疆太阳城定位于集大学城、展览、旅游、商贸、物流于一体的新兴乌鲁木齐卫星城，规划区18000hm2，城市人口规模25万人。
规划提出新疆太阳城空间结构一水多岸、两轴两城、两带两心、多中心、网络型、生态系统复合的城市结构。
新疆太阳城起步区规划用地360hm2，强调实现起步区生态化。环保化、智能化．资源合理利用．营造性感化目标及场所，实现起步区与太阳城的相互促进、相互交融、相互支持。
规划的设计理念将“太阳一水体一绿洲”的生态概念融入到规划设计的各个要素中．将象征时代特征的太阳．象征活力之源的水域和象征生命载体的绿洲有机结合，共同展示起步区的繁花似锦和太阳城的光辉前程。
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http://www.jianzhu01.com/A1007230869.htm
北京中关村航空科技园修建性详细规划
设计时间：2003年
建设地点：北京市
总规划面积：176000m2
获奖情况：国际设计竞赛一等奖
我们在详细的现状分析基础上，从空间塑造、开发策划、道路交通、景观绿化、航空特色、市政更新、远景规划等几方面进行了规划研究。在技术、经济、文化三个层面上进行规划探索。在中国传统文化中．内腔大而出入口小的空间模式被称作”壶天”模式，是东方人追求的理想空间，文人则喻之为“桃花源”。其空间历程主要有：通道狭洞开敞空间。航空科技园基地现状入口少且狭窄．周边建筑密集．成围合之势．恰与“桃花源”空间模式相仿。我们在规划中从基地东、南两处出入口引两条视线控制线通向基地中心，与两条规划道路形成一个曲尺形的开敞空间．用最少的空地达到最大的空间感受。
穿越整个园区，可以感受到“从封闭到开敞，再到封闭”的空间变化，通过对比．强化类似”桃花源”的豁然开朗的心理感受。
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http://www.jianzhu01.com/A1007230868.htm
北京经济技术开发区南部新区中心公建区
设计时间：2002年
建设地点：北京市
设计阶段：详细规划
获奖情况：北京市优秀规划设计一等奖
规划范围北至开发区北环路东延长线．东至规划的通惠排干渠．南至凉水河，西至京津塘高速路．规划总面积为13 23kin，规划用地跨越大兴区亦庄镇、通州区马驹桥镇、台湖镇等三个镇的行政区划范围。
生态为本底：整个卫星城坐落于北京地区第二道绿化隔离带中．路东新区南北分别为凉水河、五环绿化隔离带，东为农业用地．西为京津塘高速路绿化带．外围环境绿化良好：内部通过沿主干道(五横三纵)的60m宽度以上的带状绿化，将路东新区自然圈出六个建设用地组团．并在每个组团中安排公共绿地与绿带相连：鉴于用地整体低洼．在用地东南角集中安排滞洪用地．配合雨洪综合利用研究，在区内公共绿地与绿带中规划明渠水系．增加雨水回渗，减少市政管线投资。
典型工业组团规划：进行典f~T,_IkNN规划研究．每个工业组
团由城市干道包围．规模1 5—2 0 km。，约分为1 2—16个地块．内部设置货运环线和物流中转站．外围沿城市干道规划一个地块安排
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http://www.jianzhu01.com/A1007230867.htm
北京中关村环保科技示范园控制性详细规划
设计时间：2002年
建设地点：北京市
总占地面积：359hm2
总律箭面积：161．9hm2
中关村环保科技示范园位于中关村科技园区的西北部，属中关村发展区的海淀园组团之一，北邻规划中的中关村中医药园，南近温泉镇中心区，西接高里掌村、辛庄村，东襟北京百亭娱乐园，位于北京西山的东侧。中关村环保科技示范园的整个用地近似梯形，南北长约1 900m，东西宽近2000m。
生态——中关村环保科技示范园规划重点强调生态的概念，利用景观生态学的原理以及景观规划的理论对现有的元素进行重组和整合．以恢复和再现原有的湿地生态系统，形成一种原生的、自然的生态系统。这种生态系统不是臆造的，也不是创造的。
绿洲——生命之源、生长之洲。人类文明均发源于大江大河等流域．这些地区最显著的特征就是其三角洲地区经过河流的冲刷作用．孕育了丰富的自然资源。这里不仅仅是人类文明的摇篮(如尼罗河流域、两河流域、恒河流域以及我们的黄河流域等)，更是当代经济较为发达的地区(如纽约的曼哈顿，我国的珠江、长江三角洲地区等)。
研究这些地区的形态可以看到．三角洲地区的冲积扇区(绿洲)宛如漂浮在水中的水生植物的绿叶一样．与周边进行物质和能量的新陈代谢，暗含着旺盛的生命力。因而，“绿洲”概念的引入成为本次规划最基本的理念之一。结合水资源的利用．设置若干片园区可持续发展的自然载体．更是大地肌理的最完美表征。
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http://www.jianzhu01.com/A1007230866.htm
北京德胜新城
设计时间：2003年
建设地点：北京市
规划用地面积：13．38hm。
正对德胜门．是一条庄严笔直的大道——德外快速路。自然形成一条通向传统城门的庄严主轴线．为了强调这条主轴线，建筑序列沿道路两侧依次渐进排开。
1 本设计对K、L、M地块进行更深入的设计整合，并融八新的设计理念，对该地块的交通、绿化、环境．功能分区进行更深一步的探讨。
2 严格按业主要求及北京市规划部门有关意见进行布置．建筑物退红线10m．考虑和周边建筑物之间的日照问题，建筑高度满足控高要求，对古树进行有效保护，人、车、物分流。
3注重对实虚关系、广告标识、环境小品、灯光照明等控制引导，以期获得优良宜人的城市景观和城市空间。
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http://www.jianzhu01.com/A1007230865.htm
北京亦庄新城中心公建区城市设计
设计时间：2004年
建设地点：北京市
总规划面积：470hm2
总建筑面积：1323hm2
城市人口规模：700000人
北京亦庄新城中心公建区位于北京市区东南部亦庄新城核心部位。它作为北京近期发展的重点地区，高新技术产业基地和区域产业协调中心．是承接北京东南向发展的重要空间，而中心公建区恰是这一空间的神经中枢。
规划设计以打造国际化、生态化、疏朗开放、有机生长的城市公共服务中心为目标。
设计将控制性规划的强制性指标纳入城市设计导引，使城市设计的指导性具有控制性，保证了规划的实施。
规划打破城市中常用的指标均衡做法．采用“大疏大密”的手法优化公共开放空问：强调城市设计动态性，坚持交互式、多层次的协调，保持成果的先进性：提出明确审批程序．包括设计招投标、艺委会审议、管委会审定三个层次的管理过程．以制度保证实施的连续性。
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http://www.jianzhu01.com/A1007230864.htm
柏林Charite车库
柏林Charite车库 德国
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http://www.jianzhu01.com/A1007230863.htm
Aras Chill Dara
Aras Chill Dara 爱尔兰
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http://www.jianzhu01.com/A1007230862.htm
Point堡垒(Fort Point)
Point堡垒(Fort Point) 加利福尼亚
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http://www.jianzhu01.com/A1007230861.htm
汉堡内城河道滨水建筑
汉堡内城河道滨水建筑
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http://www.jianzhu01.com/A1007230860.htm
世界十大"古怪"建筑
出处：哈佛设计
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http://www.jianzhu01.com/A1007230859.htm
Fuller/Toms Loft
Design/Completion 1984/1987
New York, New York
Emily Fuller and Newby Toms
4,800 square feet
Wood floor, wallboard walls and ceiling,
sliding wood doors
The ideas for this project are twofold: first, to explore the question of scale; second, to explore the question of an internal insertion.
The site for this project is a loft in Lower Manhattan. The space is essentially a rectangular parallelepiped with a proportion of 40 to 100. The short side faces Broadway, a diagonal in the orthogonal street grid of New York. The idea is to insert a foreign body into the existing context in such a way as to produce a disorienting relationship between old and new. The intersection of the two geometries produces a condition in which neither geometry is dominant, thereby displacing and destabilizing conventional devices for orientation.
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http://www.jianzhu01.com/A1007230858.htm
Firehouse for Engine Company 233 and Ladder Company 176
Design/Completion 1983/1985
Brooklyn, New York
City of New York
13,500 square feet
Steel frame
Glazed and non-glazed block and aluminum panels
The building‘s design responds to its urban site, where an elevated rail line marks a shift in grid patterns, by incorporating these two grids within the structure. This two-story firehouse contains fire-fighting equipment, battalion chiefs offices, company offices, and sleeping accommodation.
The structural roof beam members of the superimposed grid contain red laser lights that symbolically illuminate the structure at night. In addition, a beacon of red light shines out when the fire engines are oii-call.
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http://www.jianzhu01.com/A1007230857.htm
Greater Columbus Convention Center
Design/Completion 1989/1993 Columbus, Ohio
Greater Columbus Convention Center Authority 530,000 square feet
The design for the Greater Columbus Convention Center is simultaneously suggestive of the railyards that once occupied the site, nearby highway ribbons, and overlays of delicate fiber optic cables that represent the information age. It reflects High Street‘s traditionally narrow structures with articulated facades that have been extruded away from the street.
The design also solves one of the most persistent problems in convention center design—diagrammatic clarity. Differences in forms clearly distinguish the various exhibition spaces and parts of the concourse. The strengths of the scheme are accomplished without relying on unsatisfying quotations from Columbus‘s past, or images typically found in "generic" convention halls.
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http://www.jianzhu01.com/A1007230856.htm
Groningen Music-Video Pavilion
Design/Completion 1990 Groningen, The Netherlands Groningen City Festival 2,000 square feet
As part of the 1990 Groningen City Festival, Eisenman Architects was commissioned to build one of several satellites to the municipal museum. Our project is based on the idea that the new video technology is revolutionizing the notion of the moving image. The structure of our pavilion is based on an analysis of the way a video image is produced on a picture screen. Visitors to our pavilion follow a path which is analogous to that of a scanning beam‘s path on a video screen. Thus, the visitors become part of the medium itself, passing in front of viewing screens and continually crossing through images, shifting position to form images in different ways, and running interference. The project alludes to the traditional auditorium in its sloping floors.
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http://www.jianzhu01.com/A1007230855.htm
大三角帆塔(Spinnaker Tower)
朴茨茅斯的最新地标是具有象征意义的大三角帆塔(Spinnaker Tower)，这个标志已从历史走到今天，为朴茨茅斯的海边景色锦上添花，并成为一个独特的“海上之窗”。这座塔坐落在朴茨茅斯港，高170米，在数英里之外可望见，它永久性地改变了朴茨茅斯的海岸轮廓。大三角帆塔的高度超过伦敦眼（London Eye）及布莱克浦塔（Blackpool Tower），是英国最高的开放建筑物，游客可乘搭内部快速电梯到达塔顶，或乘搭完全透明的玻璃观景电梯，欣赏迷人的海景。三个露天观光平台分别位于100米、105米及110米的顶层，大胆的游客不妨登上最高的平台上。
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http://www.jianzhu01.com/A1007230854.htm
College Dormitory, Mount Vernon College
dormitory in scale and materials to existing structures on the campus, the architects designed an abstract brick building whose campus side is brick, while its south and east elevations cascade down a hillside in twin attached "V" shapes, clad in slate and indented with balconies.
The building‘s two units contain housing for 48 students, and common rooms, seminar rooms, laundries, etc. Dormitory rooms, each with a terrace and a skylight placed over a desk, face away from the campus for the sake of privacy and have views of a wooded valley. Seminar and common rooms overlook the entrance quadrangle.
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http://www.jianzhu01.com/A1007230853.htm
Remodeling and Addition, Washington, DC
Design/Completion 1978/1981
Washington, DC
1,800 square feet
Wood and steel frame
Wood; fieldstone; stucco; slate roof;
clay tile and wood floors
Except for the size and character of the house, this would be a typical addition and remodeling for a growing family. The program called for an enlarged kitchen, a new family room, a second floor bedroom, a deck and a new swimming pool.
The intent of the design was to blend with and be sympathetic to the character of the house while still maintaining some level of abstract ion.
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http://www.jianzhu01.com/A1007230852.htm
4250 Connecticut Avenue, NW
Design/Completion 1980/1983
Washington. DC
The Prudential Insurance Company of America
Newark, New Jersey
391,000 square feet (including parking)
Reinforced concrete frame and flat slab
Brick on CMU back-up; standard curtain wall
with three colors of glass; tile floors; exterior
precast paving
Bii -:u isc this spec illative office building wiili ground level storefronts is situated at subway and bus stops, the design had to accommodate a bus station at grade and a basement automotive "kiss and ride" drop-off. The building‘s unadorned, modern-style and businesslike north and rear elevations give access to two levels of underground parking.
The building‘s street elevation of striped tan and rust-colored brick is designed in a n co-Art Deco idiom to recall nearby buildings along Connecticut Avenue. The complex contains two stories of retail space and live floors of offices. The low-lying, seven-story facade facing the avenue defers not only to small, neighboring 1920s buildings, but also to the adjacent low-rise modernist University ol the District of Columbia. The architects bent the building at its center to align its southern half with the adjoining university building, and to break down its great length. Setbacks further lessen its bulk. To differentiate the building‘s volumes, the architects carved out an oblong, meandering central courtyard separating a foreground from a background mass.
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http://www.jianzhu01.com/A1007230851.htm
United States Embassy Office Building, Kuala Lumpur
Design/Completion 1978/1983
Jalan Pekelling
Kuala Lumpur, Malaysia
US Department of State
80,000 square feet
Reinforced concrete frame with brick infill
"Shanghai" plaster; clay tile roof: enameled
steel sash; wire glass; tile floors
This United States chancery is essentially an "H "-shaped complex, stratified vertically. The most security-sensitive areas—communications and the ambassador‘s office, for example—are on the upper floors and to the rear of the building. Public areas, meanwhile, are limited to the first floor, where visitors are screened in a central lobby, sent left to the consular section, right to the cultural section, and straight ahead to the embassy officials‘ offices.
The building has a poured-in-place concrete frame with brick infill walls covered with "Shanghai" plaster, a material common in the area. To shade the windows, protect them from torrential rains, and give (he building local flavor, the architects added covered verandahs, wide overhanging eaves, balustrades, exterior stairways, tiled roofs, and lattice-covered openings. The complex‘s largest Continued
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http://www.jianzhu01.com/A1007230850.htm
街边条形建筑
受地域环境所限，东京有很多构筑在难以利用的地面上的小型建筑，如下这座就是，最宽处只有2.5米，最窄处60厘米的长条楔形，建筑的玻璃外幕墙被涂绘上竹子的图形，使之呈现出一片生机昂然
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http://www.jianzhu01.com/A1007230849.htm
小雨伞的大作为：Umbrella House
Umbrella House是 kengo kuma最新的概念设计。从外观来看，与其说它是房子，还不如说是一个帐篷。整个设计的基本元素是一把把雨伞，用拉链把雨伞的边缘接合起来就成了我们所看到的Umbrella House。雨伞搭出来的房子虽然不能作为久居之所，但如果旅行人士能用他们的雨伞搭起露营的帐篷的话，那他们的背包定会轻多了。
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http://www.jianzhu01.com/A1007230848.htm
U-dome：人类的移动避难所
U-dome是世界避寒中心最新设计的避难所。为了让避难所集质轻、运输方便、组装方便、结实牢固、耐寒耐热而且持久耐用等优点于一身，U-dome采用了最稳固的三角形作为基本元素和特殊的板料。三角形拼出来的拱顶不但牢固，而且能提供更大的空间。
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http://www.jianzhu01.com/A1007230847.htm
窈窕的S曲线食堂
由Cadilhe & Fontoura设计的位于葡萄牙Póvoa de varzim 的一所新小学食堂已经建设完成。整个食堂呈现S形流线。食堂主要靠四周的墙面支撑以外，但是由于房间开间较大，所以房间内还用了一些柱子支撑。房间外墙面以白色为主，辅以黑色窗框，简单大方、纯粹自然。
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http://www.jianzhu01.com/A1007230846.htm
迪拜世界岛
世界岛的概念来自于麦金德于1902年在英国皇家地理学会发表的文章历史进程中的地理要素。在这篇文章中，他把地缘政治分析推广到全球角度。麦金德认为，地球由两部分构成。由欧洲，亚洲，非洲组成的世界岛，是世界最大、人口最多、最富饶的陆地组合。在它的边缘，有一系列相对孤立的大陆，如美洲，澳洲，日本及不列颠群岛。在世界岛的中央，是自伏尔加河到长江，自喜马拉雅山脉到北极的心脏地带。在北极冰冻地带和南方连绵的山脉和沙漠的保护下，这片中心地带只有可能面对来自西欧的陆地入侵威胁。麦金德认为，由于古代落后的交通运输条件，这片心脏地带在过去不可能被一个单一强权所控制。由于人力资源与供给的困难，自古以来，自东向西或自西向东的连续军事扩张不可能实现。
麦金德认为，铁路的出现已经大大降低了一个单一强权主宰中心地带的难度。当欧亚大陆被密集的铁路网覆盖时，一个强大的大陆国家将主宰这片自东欧门户开始的的广袤土地。而这将是这个国家主宰欧亚大陆，进而主宰世界的前奏：
"谁控制了东欧就控制了心脏地带;
谁控制了心脏地带就控制了世界岛;
谁控制了世界岛就控制了世界。"
麦金德的上述结论假设了对于两大海洋强权-英国和美国的地缘政治噩梦。一旦德国或俄国控制了东欧，这将是这两大强国主宰世界的前奏。
一般认为，麦金德理论是导致第一次世界大战和第二次世界大战的原因之一。一些人认为，麦金德的理论为纳粹德国向东扩张创造的理论基础。然而，尽管二战中的纳粹德国控制了包括乌克兰在内的东欧大部地区，它却被苏联打败。解释之一认为，苏联可以把工业迁移到心脏地带之外的西伯利亚地区。然而，关于西伯利亚地区是否属于心脏地带却有争议。麦金德的理论也受到了另外两方面的挑战。一方面，空军的有效性使地域宽广的世界岛纵深地区面临威胁。另一方面，随着核武器的出现，世界岛的纵深对于工业的保护变得毫无意义。
然而，冷战的开始使麦金德的理论重受青睐。这主要由于苏联的崛起所导致的。
苏联从工业方面，科技方面和军事方面，完成了对心脏地带的控制。然而冷战的结束和苏联解体使麦金德的理论再次受到质疑。海洋对于国际商业与国际贸易的重要作用部分抵消了陆权论的影响。
无论如何，麦金德的世界岛理论和与其相伴随的陆权论思想仍然在二十一世纪具有重要的地缘政治意义。一旦欧亚大陆上的强权国家再次崛起，麦金德的理论将再受青睐。
今年9月开始填海并计划在2008年完工的世界岛将由250座面积从2.3万至8.4万平方米不等的小岛组成。这些小岛的形状经过精心设计,组成一个国家或一个地区的形状,投资者可以买下整个“美国”,也可以买下“欧洲”,可以安排土地作私人或商业用途,亦可按照自己的需要和喜好建造适当的建筑,但是建筑高度受限,以免破坏世界岛的“地图”效果。发展商预料,来自不同国家的投资者将会按照岛屿的位置在上面建造相应的充满各国特色的主题建筑,或者建造一些历史遗迹或建筑的复制品。每个岛屿之间都将有约50米至100米宽的水域相隔。各岛屿之间不提供陆路交通,完全依靠海上交通,以此确保各岛的独立性。岛屿开发商刻意将世界岛设计成与陆地不相连的“孤岛”群,好让岛上居民拥有一个远离喧闹尘嚣、清新脱俗的世界。整个世界岛占地5.5平方公里,当中包括约1平方公里的沙滩。工程预计耗资30亿美元。和棕榈岛一样,世界岛也是迪拜王储穆罕默德·本拉希德·马克吐姆大胆设想的一个创意。他对世界岛的开发前景充满信心,说投资者们一定会抢着来“瓜分”世界。
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http://www.jianzhu01.com/A1007230845.htm
迪拜棕榈岛
从高空俯瞰阿联酋的迪拜，依稀可见两棵巨大的棕榈树漂浮在蔚蓝色的海面上。仔细辨认，棕榈树竟是由一些错落有致、大大小小的岛屿组成。除棕榈树外，还能看到由300个岛屿勾勒的一幅世界地图。缩小的法国、美国佛罗里达州、俄亥俄州都包括在内，甚至原本冰雪覆盖的南极洲也处在当地的炎炎烈日之下。
然而，这一派奇特景象并非大自然的鬼斧神工，它是迪拜雄心勃勃的人工岛计划——棕榈岛工程的一部分。这项计划耗资140亿美元，预计将于2009年完工。届时，世界上最大的人工岛将完全浮出海面。
到20世纪90年代，迪拜所有的沙滩均被开发，发展遭遇瓶颈。为解决这一难题，迪拜决定建造人工岛，规模空前的人工岛修建计划——棕榈岛工程由此诞生。人们可以通过乘船、驾车甚至乘坐单轨火车到达棕榈岛。棕榈岛计划完成后，迪拜的海岸线将增加720公里。也许，到那个时候，世界地图上的迪拜版图要作一番改动了。
巨大的人工岛修建计划显示了迪拜誓与新加坡和香港竞争成为世界商业港中心，与拉斯韦加斯竞争成为世界休闲之都的决心。虽然棕榈岛计划4年之后才能全部完成，然而出人意料的是，绝大部分房产已被抢购一空，有些房产现在在地图上还是一片海水。
有环境保护人士指出，棕榈岛将破坏海湾海洋生物的栖息地。为鱼类和海龟提供食物的珊瑚礁、牡蛎栖息地、海藻等将被埋在岛下，其中阿里山棕榈岛以前属于一片海洋野生生物保护区。同时，棕榈岛将阻止和改变自然洋流，迪拜著名的天然沙滩将被侵蚀。
由于工程尚未完工，现在我们只能通过卫星来远望这两棵棕榈树（图为其中一张的卫星图）. 号称在建的世界第八大奇迹——届时，这座设计得类似大棕榈树的
填海工程是整个人工岛计划中最关键的步骤。工程的第一步要用货船把大量的沙子运到海上指定的位置倾倒,等沙子堆出水面就用一种特殊的纺织材料铺在沙子上,防止沙子流动,然后往上面倾倒碎石块,最后把体积较大的石块铺在上面,并用沙子填充缝隙。光是棕榈岛的建设就需要1亿立方米的沙子和石块。
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http://www.jianzhu01.com/A1007230844.htm
费城海军码头规划
费城海军码头位于市政大厅的南端，绵延3.5英里，前身是一个占地一千英亩的军港。
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http://www.jianzhu01.com/A1007230843.htm
北京环状混合建筑物
美国建筑师斯蒂文·霍尔（Steven Holl）设计的北京环状混合建筑物。混合式的建筑群，在第二十层楼建立了连接了八个塔楼的空中走廊。表达集体联系的愿望，而非建筑作为孤立的物体或私人岛屿，希望二十一世纪的空间一种新型的集体方式。该方案包含游泳池，运动室和网吧600多个公寓等各种的功能。
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http://www.jianzhu01.com/A1007230842.htm
弗雷德里克盥洗室（The Frederick Hundertwasser Toilets, Kawakawa）
弗雷德里克盥洗室（The Frederick Hundertwasser Toilets, Kawakawa）
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http://www.jianzhu01.com/A1007230841.htm
斯德哥尔摩设计
斯德哥尔摩设计周优胜作品Xile，一个灵活的隧道设计，由瑞典设计师Mats Karlsson设计。是塑胶产品，可用于室内或室外。
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http://www.jianzhu01.com/A1007230840.htm
台湾一卫生间
台湾一卫生间
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http://www.jianzhu01.com/A1007230839.htm
英格兰Gravesend公共卫生间
位于英国Gravesend的公共卫生间设计，外形像个尖尖的船头。根据政府规划，它建筑为当地的一个小的地标，为大众提供便利。
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http://www.jianzhu01.com/A1007230838.htm
Nowon Media Bowl-营造Nowon新街头文化
2002年的日韩世界杯之后，Mass Studies的建筑师发现首尔的市区文化有着很大的转型空间。为了实现首尔的转型，他们提出了Nowon Media Bowl项目。Nowon Media Bowl不只是一件艺术品，也不只是一个碗型的屏幕。正确地说，它是一个圆心，是未来人们活动的中心点。它的存在正好就成为了Nowon的新地标，并将影响以它为中心的一定范围内的人们的活动，从而形成一种新的街头文化，实现市区文化的转型。
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http://www.jianzhu01.com/A1007230837.htm
Sheepstable
Architects: 70F Architecture
Location: Muiderweg 8, 1351 GJ, Almere, the Netherlands
Project start: 2003
Project finished: 2007
Design Team: Bas ten Brinke (Project Leader) and Carina Nilsson MScA (Project Architect)
Commissioner: the City of Almere, the Netherlands, DMO NME, Hans Warrink
Contractor: Reimert Bouw- en Infra, Almere, the Netherlands, Ben van Nieuwenhuizen
Budget: 300.000 EURO (US $465.693)
Constructed Area: 400 sqm
Photographs: Luuk Kramer
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钢结构立体存车楼
钢结构立体存车楼
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海淀社区服务中心
海淀社区服务中心
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古典窗门
古典窗门
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古建筑墙饰
古建筑墙饰
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http://www.jianzhu01.com/A1007230832.htm
清美视觉--导示系统设计
清美视觉--导示系统设计
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http://www.jianzhu01.com/A1007230831.htm
深圳市宝安中心工业区规划
深圳市宝安中心工区规划
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http://www.jianzhu01.com/A1007230830.htm
清华大学饮食广场
清华大学饮食广场
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http://www.jianzhu01.com/A1007230829.htm
无声的阁楼(Silent Pavilion)
主建筑师：汤姆·昆迪 美国建筑师协会会员
项目类型：博物馆/画廊/展厅 正在建造中
LEAD ARCHITECT
Tom Kundig, FAIA (view bio)
PROJECT TYPES Museums/Galleries/Exhibits In Progress
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http://www.jianzhu01.com/A1007230828.htm
Top danmark, Ballerup
Address Borupvang, Ballerup
位置：丹麦 Borupvang, Ballerup
Size 10000 sqm
面积：10000平米
Year 1999-2000
建筑年限：1999－2000
Prizes 1998 1st prize in invited competition
奖项：1998建筑邀请赛第一名
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http://www.jianzhu01.com/A1007230827.htm
Vestas Vingefabrik
Address Vingevej， Nakskov
位置：丹麦 Nakskov小镇
Size 22000 m2
面积：22000平米
Year 1999-2000
建筑年限：1999－2000
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http://www.jianzhu01.com/A1007230826.htm
Arhus Havn Marinebygning
Address Østhavnsvej， Århus Havn
位置：丹麦，奥尔胡斯 Østhavnsvej
Size 710 m2
面积：710平米
Year 2000-2001
建筑年限：2000－2001
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http://www.jianzhu01.com/A1007230825.htm
半结构的O
原 名 称：Halftecture O
设计师：远藤修平
公共建筑
位置：日本 大阪市中央区
面积：580平米
建筑面积：103平米
Shuhei Endo
Public Facilities ， Selected ， Japan， Steel
Location: Chuo-ku， Osaka， Japan
Site Area: 580 sqm
Constructed Area: 103 sqm
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http://www.jianzhu01.com/A1007230824.htm
玻璃庭院
原 名 称：Glass Courtyard
Berlin， Germany Completed 2007
德国 柏林 2007年竣工
Building Area: 670 sq. meters (7，211 sq.ft.)
建筑面积：670平米
Structure: Steel structure with glass curtain wall cladding
结构：钢结构与玻璃幕墙熔覆
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http://www.jianzhu01.com/A1007230823.htm
Casa Retiro Espiritual
location: Seville， Spain
client: RODA S.L.
area: 280 sm
位置：西班牙 塞维利亚
委托：RODA S.L.
面积：280平米
• 1980 Progressive Architecture Award
奖项：1980年建筑进步奖
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http://www.jianzhu01.com/A1007230822.htm
皇后区家庭法院和城市机构设施（Queens Family Court and City Agency Facility）
Jamaica, New York Completed 2003
纽约 牙买加 2003年竣工
Lead Designers: Henry N. Cobb Ian Bader
主设计师：Henry N. Cobb Ian Bader
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http://www.jianzhu01.com/A1007230821.htm
莱佛士城（Raffles City）
Republic of Singapore Completed 1986
新加坡 1986年竣工
Lead Designers: I. M. Pei Ralph Heisel
主设计师：I. M. Pei Ralph Heisel
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http://www.jianzhu01.com/A1007230820.htm
Undercover Lab
Harajuku, Tokyo 10.2007
日本东京 Harajuku 2007.10
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http://www.jianzhu01.com/A1007230819.htm
荷兰北部地区(Web of North Holland)
荷兰,哈勒梅尔米尔
设计师：Oosterhuis.nl
Haarlemmermeer,The Netherlands
Oosterhuis.nl
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http://www.jianzhu01.com/A1007230818.htm
残疾人公共厕所(Public Restrooms for People with Disability)
Sao Paulo,Brazil
Antonio Gomes Junior
巴西 圣保罗
设计师：安东尼 戈梅斯
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http://www.jianzhu01.com/A1007230817.htm
高地上的厕所(Aurland public toilets)
设计师：Saunders，Wilhelmsen
公共建筑
材料：混凝土
位置：挪威
Todd Saunders & Tommie Wilhelmsen接手了这个肩负着让“厕上”重拾旧日灵感的任务。厕所，不同于普通的公共建筑。它是原始人的遮羞布的现代版，首先要满足“遮”。如果遮得太厉害，外面的天工造化就全部浪费了，如果为了贪恋外面的天工造化而全盘敞开，那还不如看四下无人时找一棵大树也能解决问题。设计师刻意将厕所选址在局部的高地上，下部用当地的石材修剪成扁扁的，层层叠叠垒起来。大块的石头之间留下的缝隙，让大自然有机可趁。壁虎、蜗牛、蚂蚁、蟋蟀都可以在这里暂住或常驻，深绿色的地衣也是石头的忠实粉丝。多年后，这里将和大自然完全生长到一起。高地上的厕所，开窗大胆了，没有了那么多后顾之忧。为了能延续人们在方便之后思维的短暂活跃，还刻意打造了屋顶平台，让客人站到更高的地方去发挥联想。
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http://www.jianzhu01.com/A1007230816.htm
内华达州克拉克县看守所
内华达州 拉斯维加斯
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http://www.jianzhu01.com/A1007230815.htm
伍德沃德研究所结构生物学研究中心
原 名 称：Hauptman Woodward Research Institute
Structural Biology Research Center
Buffalo, NY
AIA Western New York - First Award for Design Excellence
纽约 布法罗
美国建筑师协会纽约——设计荣誉一等奖
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http://www.jianzhu01.com/A1007230814.htm
马利柯帕郡刑事司法处
少年法庭及拘留处
亚利桑那，凤凰城
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009020315411554_8.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230813.htm
联合国石油加油站（united oil gasoline station）
洛杉矶
面积：20600平方英尺
竣工：2008
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http://www.jianzhu01.com/A1007230812.htm
门廊建筑
原 名 称：Edificio Portico
竣工年限：2005
占地面积：215000平方英尺
项目面积：20900平米
建筑高度：36米
层数：8
Madrid, Spain
Completion Year: 2005
Site Area: 215,000 ft2
Project Area: 20,900 m2
Building Height: 36 m
Number of Stories: 8
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http://www.jianzhu01.com/A1007230811.htm
鲁塔删除佩雷格里诺HHF瞭望台
原 名 称：Ruta del Peregrino HHF Lookout Point
State of Jalisco, Mexico, 2008
墨西哥 哈利斯科州2008
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http://www.jianzhu01.com/A1007230810.htm
Kirschgarten Mensa
原 名 称：Kirschgarten Mensa
in collaboration with Gido Wiederkehr
Basel, Switzerland 2006-2007
名称：Kirschgarten Mensa
位置：瑞士 巴塞尔 2006-2007
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http://www.jianzhu01.com/A1007230809.htm
邀请项目研究
原 名 称：Invited Project Study
Pratteln, Switzerland 2008
瑞士 Pratteln 2008
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http://www.jianzhu01.com/A1007230808.htm
数控农村经济发展中心
原 名 称：NC Rural Economic Development Center
Raleigh， North Carolina
Year completed:2007
竣工年限：2007
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http://www.jianzhu01.com/A1007230807.htm
格温莱特县看守所改建和扩建
原 名 称：Gwinnett Detention Center Renovation and Expansion
80000平方英尺
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http://www.jianzhu01.com/A1007230806.htm
女性东方接待诊断和惩教中心
原 名 称：Women s Eastern Reception,Diagnostic and Correctional Center)
1460个病床
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031214250752_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230805.htm
阿拉米达县少年司法中心
原 名 称：Alameda Juvenile Justice Center
379000平方英尺
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http://www.jianzhu01.com/A1007230804.htm
阿卜杜拉国王经济城总体规划
原 名 称：King Abdullah Economic City Plan
188英亩
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http://www.jianzhu01.com/A1007230803.htm
声学屏障
原 名 称：2006 Acoustic Barrier
Utrecht
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031814483131_16.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230802.htm
生动的电线
原 名 称：LIVE WIRE
SCI-Arc Gallery Installation
SCI-Arc大学画廊安装
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910513052_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230801.htm
密度领域
原 名 称：DENSITY FIELDS
密度领域
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009031910585435_10.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230800.htm
Snefjord马路驿站
原 名 称：Snefjord Road stop
这个马路驿站是个自相矛盾的概念。通常，猛烈海风从海上吹来，然而最吸引人的景观也是来自于此。最明显的响应就是，构建一个保护游客免受风力侵蚀的避风港，景观模块墙。
三个预制“板凳盒”建在了当地码头地区，其不同的方向允许访客根据太阳风和条件选择。
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http://www.jianzhu01.com/A1007230799.htm
西班牙“欧洲之峰”
原 名 称： Picos de Europa
西班牙建筑事务所Capilla-Vallejos给我们发来了这个伟大的建筑，有着惊人的木材和石料混合结构。是一个伟大的透明的创意。
欧洲之峰位于一个个巨大的石灰岩地形之上。千百年来，石灰岩层的水和冰的不断运行产生了壮观的峡谷，冰川，湖泊和冰碛。
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http://www.jianzhu01.com/A1007230798.htm
垃圾收集资源回收站
原 名 称：Rubbish In - Resources Out
垃圾收集资源回收站
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http://www.jianzhu01.com/A1007230797.htm
Ballast凉亭
原 名 称：Ballast Point
Program Amenities, shade structures
Location Balmain NSW
Floor are 460sqm
性质：遮阳结构
总面积：460平米
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http://www.jianzhu01.com/A1007230796.htm
NOAA卫星运行台
原 名 称：NOAA Satellite Operation Facility
面积：208000平方英尺
设施：人造卫星操作控制中心 办公室 计算机房 卫星控制台 会议中心 训练室 咖啡厅
设计：2001－2003
施工：2003－2005
Location: 4231 Suitland Rd Suitland, Maryland, United States of America 20746
Client: United States General Services Administration
Size: 208,000 gross sq ft / 19,323 gross sq m
Program: Satellite operation control center with office space, computer rooms, satellite control rooms, conference center, exercise facility, and café
Design: 2001 - 2003
Construction: 2003 – 2005
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http://www.jianzhu01.com/A1007230795.htm
奥斯陆报刊亭
原 名 称：CITY KIOSK SOLO
性质：新概念设计
状态：已完成3个
年限：2006
location: Oslo
program: New Concept for city kiosks/ MIX/Norgesgruppen
commision type : Direct Commission (2006)
status: 3 kiosks completed
year: 2006
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http://www.jianzhu01.com/A1007230794.htm
感情墙
原 名 称：Moodwall
媒体建筑设计组合——城市联盟最近完成了“感情墙”——一个位于阿姆斯特丹的24米长的互动小型装置。
“感情墙”位于一条行人隧道中，与路过的行人互动，，改善行人隧道的气氛，使人们感到有趣和安全。
城市交互式墙纸由位于带肋半透明墙后的2500个LED发光二极管做成。透明墙表面是曲线的，因而不适合涂鸦，曲面的透明墙还能提高可视性。
它横向延伸，使图像屏幕是更好地为贴近走入隧道的行人。隧道就不会变成一个无聊的地方。
Media architecture collective Urban Alliance has recently finished the Moodwall: a 24 meter long interactive light installation in Amsterdam.
The Moodwall is situated in a pedestrian tunnel and interacts with people passing by, improving the atmosphere in the tunnel and making people happy and feel less unsafe.
The interactive urban wallpaper is built out of about 2500 leds behind a ribbed semi-transparent wall. The curves in the wall make it less suitable for grafitti and improve the visibility of the content for the side.
The resolution is horizontally stretched so the images of the screen are better for the side so people are stimulated to watch the screen from outside the tunnel. This prevents the tunnel to become a hang-out spot.
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http://www.jianzhu01.com/A1007230793.htm
ArchitectureWeek 建筑设计欣赏
原 名 称：ArchitectureWeek
ArchitectureWeek 建筑设计欣赏
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http://www.jianzhu01.com/A1007230792.htm
北京出版发行物流中心
北京出版发行物流中心
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http://www.jianzhu01.com/A1007230791.htm
海滨Kopaszi大坝
原 名 称：Waterfront Kopaszi Dam
性质：体育 娱乐设施
（振兴一个废弃和污染河水净化海港）
Waterfront Kopaszi Dam (Revitalization of an abandoned and polluted river harbour area...)
T2.a_Turányi&Turányi Architects Ltd.
Budapest / Hungary
Programme Sport/Recreation
2009欧洲建筑密斯•凡•德•罗奖提名作品
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http://www.jianzhu01.com/A1007230790.htm
迪拜Za abeel公园观测塔
原 名 称：Za abeel Park Observation Tower
我们的朋友XTEN建筑事务所和我们分享了他们入围迪拜ThyssenKrupp升降机设计竞赛的作品。观测塔位于迪拜Sheikh Khalifa Bin Zayed大道上的主摩天大楼的中轴线一边，文化公园内部。
这个公园观测塔根据传统的伊斯兰几何图案中的装饰艺术而建的。其用意是为民事诉讼法塔建成一个净零能源大楼。
Our friends from XTEN Architecture shared with us their entry to the ThyssenKrupp elevator competition in Dubai. The observation tower is located in a cultural park just off axis from the main skyscraper boulevard in Dubai， Sheikh Khalifa Bin Zayed Road.
The site plan for the Za abeel Park Observation (ZPO) Tower is organized according to a traditional Islamic geometric pattern found in the regions’ decorative arts. The intention is for the ZPO Tower to be built as a net zero energy tower.
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http://www.jianzhu01.com/A1007230789.htm
纽约市高速公路线正式开通
原 名 称：The New York High Line officially open
2003年5月，Diller Scofidio + Renfro建筑事务所击败720家来自36个国家的设计机构，赢得了纽约市高速公路设计竞赛的最终设计权。六年多过去了，高速公路的构建已经转变为一个公共公园的建设，接近尾声。2009年6月8日，建筑师，政府，以及投资方观看了市长Michael Bloomberg的剪彩仪式，正式宣布三个部分的第一部分开通。新公园为市民提供了一个诱人的环境，摆脱了混乱的城市环境，同时也提供了一个在高架空间欣赏哈德逊河和城市地平线的机会。
In May 2003, Diller Scofidio + Renfro competed against 720 teams from 36 coun tries to win the infrastructure conversion project of the New York City High Line. More than half a decade later, the High Line’s transition to a public park is almost complete. On June 8th, architects, elected officials, and advocates watched as Mayor Michael Bloomberg cut the ceremonial red ribbon, officially announcing the opening of the first of three sections. The new park offers an alluring break from the chaotic city streets as users have an opportunity to experience an elevated space with uninterrupted views of the Hudson River and the city skyline.
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http://www.jianzhu01.com/A1007230788.htm
海德尔堡新消防局
原 名 称：New Fire Station Heidelberg
性质：运输 基础设施
Peter Kulka Architektur
Heidelberg / Germany
Programme Transport/Infrastructure
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http://www.jianzhu01.com/A1007230787.htm
宫殿大门
原 名 称：GATE AND CANOPY AT ASTIR PALACE
性质：宾馆 酒店
s p a r c h Sakellaridou + Papanikolaou Architects
Athens / Greece
Programme Hotels/Restaurants
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http://www.jianzhu01.com/A1007230786.htm
埃斯特雷拉公墓和礼拜堂
原 名 称：Estrela Cemetery
建筑面积：820平米
成本：57000000美元
项目年限：2000-2001
建筑年限：2002-2004
Constructed Area: 820 sqm
Budget: US $ 570,000.00
Project year: 2000-2001
Construction year: 2002-2004
墓地不带有旧类型墓地的巫妖气氛，而是全新的氛围。墙壁之间的阴影空间、天井、白色墙面等加强了沉默的感受。在一片橡树林中，公墓和殡仪馆小教堂一同构成两个封闭空间。橡树林成为围合的一部分，是一个停留之处，橡树在教堂的露台上留下阴影。建筑与外界橡树林景观有结构上的联系。建筑的室内材料采用湖边倒下的橡木。
The cemetery and mortuary chapel constitute an ensemble of two enclosed spaces, built in a holm-oak field. One of the holm-oaks becomes part of the enclosure, as an element of the cemetery anchorage, transforming the chapel patio into an important shadow space. This gesture acquires a structural significance, either in the dialogue between built and landscape, or in the ch aracter of the chapel interior space, built with holm-oak wood, recycled from the fell of trees in the new lagoon river-side.
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http://www.jianzhu01.com/A1007230785.htm
深圳市新市中心“市区设计”国际咨询中选实施方案
深圳市新市中心“市区设计”国际咨询中选实施方案
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009062311544140_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230784.htm
广州西汉南越王墓博物馆
广州西汉南越王墓博物馆
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http://www.jianzhu01.com/A1007230783.htm
越南奢华度假胜地
原 名 称：RMJM designs luxury resort on Vietnam
罗麦庄马国际建筑设计公司已披露设计得越南豪华新凯悦岘港渡假村，它的设计代表开发商是印度支那。岘港凯悦度假村位于越南中国沙滩，岘港，这是福布斯杂志命名之一的前10名最美丽的海滩，在世界上。
该度假村包括一系列的豪华住宅和五星级度假酒店， 200间客房的凯悦岘港渡假村。它被设计成类似于一个越南传统街道，与各建筑物排列，同时特别灵感来位于6公里外自古镇顺化。
International architectural company RMJM has revealed details of the luxurious new Hyatt Regency Danang Resort and Spa in Vietnam, which it is designing on behalf of developers Indochina Land. Hyatt Regency Danang Resort and Spa is located on China Beach, in Danang, which was named by Forbes magazine as one of the top 10 most beautiful beaches in the world.
The resort includes a range of luxury residences and a five-star resort hotel, the 200-room Hyatt Regency Danang Resort and Spa. It is designed to resemble a traditional Vietnamese townscape, with the various buildings arranged in clusters, taking particular inspiration from the historic town of Hue, located just six miles away.
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http://www.jianzhu01.com/A1007230782.htm
Jetsada Naruchit 规划设计欣赏
原 名 称：Jetsada Naruchit
Jetsada Naruchit 规划设计欣赏
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http://www.jianzhu01.com/A1007230781.htm
上海13层在建住宅楼倒塌
6月27日5时30分许，上海市闵行区莲花南路罗阳路口一在建楼盘工地发生楼体倒塌事故，造成1名工人死亡，无人受伤。目前，有关部门正加强周边建筑物的安全检测，确保群众生活不受影响。事故原因目前正在调查之中。
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http://www.jianzhu01.com/A1007230780.htm
墨西哥建筑细部欣赏
原 名 称：Mexican Buildings
墨西哥建筑细部欣赏(Mexican Buildings)
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http://www.jianzhu01.com/A1007230779.htm
步行街上悬挂的红色雨伞
原 名 称：Covered in Umbrellas
最初的想法是发人深省的：在智利塔卡尔一条新的步行街上使用400个红色雨伞悬浮空中，创造一个居民城市中的视觉印象，这种大胆的在公共场所展示的做法在之前是罕见的。
The initial idea was thought provoking: construct a covering using 400 red umbrellas (outside of their intended purpose) suspended over the new pedestrian mall in the city of Talca to create a visual impression of the inhabitants of a city in which it is uncommon to see daring displays in public spaces.
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http://www.jianzhu01.com/A1007230778.htm
Malinalco豪华温泉圣地
原 名 称：Malinalco Retreat
Malinalco豪华温泉圣地位于墨西哥城外的一个山谷中，这里两个墨西哥最高的死火山口。
Malinalco luxury spa resort is a project located two hours outside of Mexico City, in a valley between Nevado do Toluca and Popocatepetl, two of Mexicos highest volcanic peaks.
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http://www.jianzhu01.com/A1007230777.htm
西斯尔大厦上的玻璃阳台
原 名 称：Glass Balcony at Sears Tower
我们来自Crave设计事务所的朋友和我们共同分享了这组令人惊奇的公共玻璃阳台观景台。这个观景台的玻璃厚1.5厘米，承受力是5吨，高1353英尺，位于芝加哥。
正如你在图上看到的一样，主结构是阳台悬臂。
Our friends from Design Crave shared with us these amazing photos of the recently opened public glass balconies for public viewing. The 1.5 thick glass floor (which resists up to 5 tons) offers amazing views over Chicago, from 1,353 feet in the air.
As you can see on a picture after the break, the balcony cantilevers from the main structure.
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http://www.jianzhu01.com/A1007230776.htm
红十字应急住宅房
原 名 称：Red+Housing
我们来自OBRA建筑事务所的朋友和我们分享了他们近期设计的项目：红十字屋，一个应急住房原型，OBRA建筑师事务所接到邀请，通过参加在北京中国美术馆举行的应急建筑展览，即国际应急建筑设计展，来纪念四川地震一周年。通过在纽约的工作，我们寻求这样一个机会：即通过对临时应急建筑进行严谨的思考，来帮助世界上未来灾难的受害者们。
Our friends from OBRA Architects shared with us their project Red+Housing, an emergency housing prototype commissioned as part of CROSSING: Emergency Dialogues for Architecture to acknowledge the anniversary of the Sichuan earthquake, exhibition held at the National Art Museum of China.
应急建筑，是在世界任何自然或人为灾害区，为其开发未来可能用到的应急建筑的最初模型。从设计角度看，应急建筑只是建筑的一种极端形式。其范围包括几乎所有不持续条件，而其目标在于，当我们处于边缘条件下时，为我们创造一个可以暂时居住的环境。
Red+Housing是基于这样一个认识提出的：当处于生存边缘时，应采取果断准确的措施。根据定义，紧急事故会突然发生，并且需要快速的反应。然而，我们采取的措施会产生长远的影响。
Red+Housing建议综合这两者的优势：快速反应解决方案，如搭建军用帐篷，以及较为缓慢但考虑更加周到的措施，如涉及地方传统与用户结构的就近重建工作。
该设计作为正在进行的实施例而开发出来，该实施例融合了以下10点应急建筑内容。
01.普遍适用性
该模型促进了普遍应用性。其发展考虑了多个系列的简单修改，以便使其成为可用于世界任何地方的解决方案：为寒冷气候区增加绝缘材料和炉子；在热带地区去掉门窗；根据当地条件替换材料等。
02.有效性
该工程通过后张结构强度，材料利用很经济。穹顶的竹制竹制胶合板带支撑着围墙，通过同样的力，将穹顶直推向上。
03.经济性
该工程建议使用当地的廉价材料。这些材料随时可以更换，并且选择该材料的原因，是他们的性能，而不是其外表。当在不同地方施工时，变得稀少的材料，可用当地丰富的材料代替。
04.可运输性
所有部件可以折叠成扁平状，从而可以轻松地打包并运输。
05.易于组装
所有连接件均为简单的阳性/阴性摩擦粘结，可用最少的固定件固定。
06.可更新的材料
在中国，建议该工程几乎全部使用竹制胶木板，这是地球上最容易更新的材料。起表面结构，还可作为防水竹纤维织物。
07.数字预制
数字预制，使得该工程就其生产速度来说十分经济，并且由于其制造的精确性，使组装非常轻松。
08. 露天工程
十字形房屋尽管传统，但是并不重视双轴的对称性，这就使得它可以轻易同其他本土化、多样化的结构结合起来。
09.城市/乡村
十字结构的几何形状，如大批组合使用，即可提供无限灵活的中间空间，这个空间可以为一组房屋提供一个“城市”背景。类似地，如果房屋独立建造，十字结构的外部就创造了作为内部与外部之间媒介的空间，为人们提供了室外活动的条件。
10.使用的灵活性
十字结构的几何形状，使得房屋可以承载1，2，3或3个居住单元。
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http://www.jianzhu01.com/A1007230775.htm
行走的柏林
原 名 称：Walking Berlin
我们来自Fantastic Norway工作室的朋友和我们分享了他们近期的一个项目：“行走的柏林”，一个作为德国2009DMY国际设计节创建活动的一部分。
该工作室近最近的这个“行走的住宅”项目是一个人形模具，以旅游为目的，目的地是挪威西北海岸。由于该项目的概念来自于旅行，因此他们决定给与这些模具一些适当的旅行才是公平的做法。
该项目包括一组狭窄的高层模块，来欢迎来自挪威西海岸的客人。
Our friends from Fantastic Norway shared with us their project, “Walking Berlin”, an event created as part of their exhibition at the DMY International Design Festival 09 in Germany.
The walking houses are man-sized models of their latest architectural project: a tourist destination located on the northern west coast of Norway. As the project depends on the idea of travelling, they decided it was only fair that the houses got to do some travelling too!
The project consists of a group of narrow high-rise modules welcoming the guests of the Norwegian west coast.
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http://www.jianzhu01.com/A1007230774.htm
“P”型墙
原 名 称：P Wall
这个属于基于voronoi而发展出来的system
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http://www.jianzhu01.com/A1007230773.htm
Zentrum Paul Klee
原 名 称：Zentrum Paul Klee
Zentrum Paul Klee
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http://www.jianzhu01.com/A1007230771.htm
直落布兰雅山公园 亨德申波浪桥
原 名 称：Telok Blangah Hill Park
新加坡政府已经设计了一个伟大的计划，就是把全岛的公园给连接起来！到时候，游客多一个旅游新加坡的选择-用脚走完新加坡南至北，不是在马路旁，而是在公园里。
亨德申波浪桥也是新加坡最高的人行天桥。波浪桥全长274米，最高点离开路面36米,约等于12层楼高的组屋。桥身犹如后浪推前浪，有4个波峰和3个波谷，八米宽的桥身就在波峰浪谷之间穿过。拱起的波峰也是遮篷，遮篷下有长凳让游人休憩。桥身从花柏山向直落布兰雅山攀升，两端落差20公尺。全桥采取无障碍设计，没有梯级，设有扶手，桥面防滑，方便老人及坐轮椅者。
Located in Singapore, Telok Blangah Hill Park’s newest addition includes “a fly-over-like infrastructure” that reaches 120 feet above the forest floor. The walkways are a respectful way to view nature as they provide a place for viewers to unobtrusively admire the landscape.
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http://www.jianzhu01.com/A1007230770.htm
利特浦一区总体规划
原 名 称：Liverpool One Mas terplan
利特浦一区总体规划 Liverpool One Mas terplan
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http://www.jianzhu01.com/A1007230769.htm
迪拜框架
原 名 称：Dubai Frame
设计者是居住在荷兰的墨西哥建筑师Fernando Donis
迪拜是一个充满了象征物的城市，已不需要再增加一个，我们的提议是把他们全部框起来：把整个城市框起来。并非建立一个庞大的体块结构，该项目的宗旨是建立一个虚无的“空隙”，它尺寸为150米*105米，透过它可以看到不断发展的迪拜的现在与未来。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009081309314456_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009081309314456_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009081309314456_3.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230768.htm
艾瑞玛克统一服务洗衣店
原 名 称：Aramark Uniform Services
Chicago, Illinois
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http://www.jianzhu01.com/A1007230767.htm
葡萄牙鲁兹阿公墓
原 名 称：Luz Cemetery
建筑面积：820平米
成本：80000000美元
项目年限：1998-2000
施工年限：2000-2002
Constructed Area: 820 sqm
Budget: US $ 800,000.00
Project year: 1998-2000
Construction year: 2000-2002
更新一个旧的公墓不仅仅是改变死者的埋葬地，更意味着对过去时代的记忆和礼仪的一次整理。
旧公墓传统的几何学地形，地下悬空的那种方式现在被取代。设计师对临近的墓葬进行维修，并且作为一个元素，包括它们的朝向，光照以及投影都作为参观的一部分礼仪。旧公墓原有的四个角，现在被用来作为历史区被保护，并且作为新的平台，增加了排洪性能。24种确定的古墓类型得以维修。
To displace a cemetery means not only transporting it’s tombs but equally it’s memory and rituals consolidated over the times.
The old cemetery’s regular and geometric figure, which follow the ground pendent is reproduced. The vicinities between tombs are maintained as place recognition elements, as well as their orientation, in order to return light and shadow conditions, associated to visit rituals. The four quarters that organise the old cemetery structure and describe its growth history are preserved as platforms adapted to the new relief, which permit to drain pluvial waters. The 24 tomb types identified are maintained.
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http://www.jianzhu01.com/A1007230766.htm
英国最好的公厕
原 名 称：public toilet, according to the architects
家著名的英国建筑事务所提出了独特的设计方案，参与复兴传统的英国公共厕所的设计竞争。这项竞争是由英国皇家建筑师协会(RIBA)和英国广播公司4台(Radio 4)发起的。这项竞争是英国皇家建筑师协会成立175周年的庆祝活动的一部分。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009082110574944_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009082110574944_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009082110574944_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009082110574944_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009082110574944_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230765.htm
特罗斯蒂戈精灵之路——Trollstigen国家级旅游路线
原 名 称：National Tourist Route Trollstigen
景观设计: 挪威奥斯陆Reiulf Ramstad 建筑师事务所,
建筑面积: 200,000 平方米(景观面积)
设计年代: 2004-2010
建造年代: 2005-2010
该项目有助于游客更好的体验特罗斯蒂高原。建筑设计和建筑材料突出了那个地点的氛围和性格，并增强了游客的体验。设计特点是自然景观和人工建造物之间明确而清晰的衔接。雪融化的流水瀑布成为建筑的活跃因素，整个项目强化了场所的一系列独特性。
The project will enhance the experience of the Trollstigen plateaus location and nature. Thoughtfulness regarding features and materials will underscore the sites temper and ch aracter, and well-adapted, functional facilities will augment the visitors experience. The architecture is to be cha racterised by clear and precise transitions between planned zones and the natural landscape. Through the notion of water as a dynamic element –from snow, to running and then falling water- and rock as a static element, the project creates a series of prepositional relations that describe and magnify the unique spatiality of the site.
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http://www.jianzhu01.com/A1007230764.htm
伯纳姆亭
原 名 称：Burnham Pavilion
大卫伯纳姆在芝加哥市扮演了一个重要角色，据我们目前所知，他是美国芝加哥计划的作者之一，也称为伯纳姆计划，众所周知该计划从1909年开始，重塑芝加哥中部地区。今年，为了庆祝这一计划进行到百年，举办了2020年联合车站设计竞赛以及伯纳姆纪念碑设计竞赛。同样的，由UN工作室和扎哈哈迪德设计的2个纪念亭安装在了千禧公园，该纪念亭将对公众一直开放到2009年10月31日。
The figure of David Burnham has been very important for the city of Chicago as we currently know it, as he was one of the authors of the Plan of Chicago, also known as the Burnham Plan, which reshaped Chicago’s central area starting in 1909. To celebrate the centennial of this plan several events have been held during this year, such as the Union Station 2020 competition and the Burnham Memorial competition. Also, two pavilions by UN Studio and Zaha Hadid have been temporally installed at the Millenium Park (read our previous article about this), hosting multimedia exhibits on the future of Chicago. The pavilions will be opened to the public until Oct 31st, 2009.
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http://www.jianzhu01.com/A1007230763.htm
渔民休息亭
原 名 称：Bluepoint Sales Pavilion
面积：63平米
状态：竣工
Area: 63 m2
Location: Phuket, Thailand
Status: Built
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http://www.jianzhu01.com/A1007230762.htm
“草原之家”
原 名 称：Savannah house
建筑面积：570平米
Constructed Area: 570 sqm
“草原之家”它独特的特征是，为动物和使用者提供高效节能舒适的使用环境。可持续发展的理念不仅仅体现在充满活力的设计理念上，而且体现在材料上，包括未经加工处理的木材，芦苇草以及竹子。小心谨慎的筛选和应用适合的材料使得该建筑几乎是免维修的，操作方便，不污染环境。
The Savannah House, with its specific cha racteristics, is comfortable for the animals, user-friendly and energy efficient/effective. Sustainability is not only reflected in the energetic concept of the design but also in, plan and materials including untreated wood with FSC-label and grasses as reed and pressed bamboo. By carefully se lecting and applying the right materials the building is nearly free of maintenance, convenient for operating costs, but also for the environment. Less maintenance means even less annoyance for the animals, the public and less environmental harassment.
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http://www.jianzhu01.com/A1007230761.htm
布拉迪斯拉发广场BA_LIK小品设计
原 名 称：BA_LIK
施工面积：30.9平方米
成本：50000欧元
BA_LIK
Vallo Sadovsky Architects
Location: Bratislava, Slovakia
Construction: Radovan Kendereš - EBEN
Constructed Area: 30.9 sqm
Budget: 50,000
Project year: 2009
斯洛伐克建筑设计师Vallo Sadovsky为布拉迪斯拉发（Bratislava）公共广场设计了一个灵活的亭子式建筑。BA_LIK亭子由5个带有轮子的个体组成，这五个个体可以组合或分开形成展览或演出场所。
BA_LIK亭子位于布拉迪斯拉发的历史广场上，这种长长的可移动的方案设计适应了这个城市空间狭小的环境，小小的变化在城市背景中产生了非常大的效果。
灵活性和可移动性是这个亭子的主要特征，五个带有轮子的个体既可以使整个亭子组合起来，又可以使它们各自分开，以适应不同的活动需求。在夏天，它可以用来举办各种文化活动：演出、音乐会或摄影展。通过改变各个部分的组合形式，适应了音乐会和剧院式演出的不同场地需要。在没有特别演出时，亭子会形成一个现代城市家具，融合在广场之中。
亭子是Vallo Sadovsky Architects正在进行的研究的一部分，这个研究的重点是人们怎样通过使用小的建筑物体和家具来改变或影响城市的空间结构。
当然这个亭子中也有许多不速之客：无家可归的流浪汉会在此借宿，年轻人会在其中举行聚会，画家们会给它喷上许多图形。虽然他们并没有对这个亭子造成破坏，但是Balik亭子证明了城市官员们通常喜欢使用的安全策略是不可行的。
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009090910063246_11.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230760.htm
休斯敦市区总体规划和标志设计
原 名 称：Houston Downtown Mas ter Plan and Signage Design
Houston, Texas
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http://www.jianzhu01.com/A1007230759.htm
北京植物园展览温室
北京植物园展览温室由北京市建筑设计研究院设计，位于北京著名游览区香山脚下植物园区内，三面环山，景色宜人。展览温室区建筑面积1．7万平方米，主体建筑最高点为20米，地上为钢架玻璃结构，远望如一片树叶飘落在香山脚下。展览温室是建筑中的花园，也是花园中的建筑。它是建筑师、工程师及园艺师共同构建的艺术精品。建筑师在方案创作中从环境出发，以“绿叶对根的回忆”为构想意象，独具匠心地设计了“根茎”交织的倾斜玻璃顶棚以及曲线流动的造型，仿佛一片绿叶飘落在西山脚下，而中央四季花园大厅又如含苞待放的花朵衬托在绿叶之中，使整个建筑通透、轻灵，与周围环境浑然一体。
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http://www.jianzhu01.com/A1007230758.htm
Evolver观景木栈道
原 名 称：Evolver
由爱丽丝工作室设计并且第二年就投入建造的这座Evolver 观景木栈道，位于瑞士高等洛桑联邦理工学院，是一座木结构的建筑物，“它为游客欣赏周边的奇山峻岭提供了多方位的互动式观赏方式”。
该木栈道位于瑞士靠近Zermatt湖，螺旋形的结构是由24跟圆形木材框架扭曲720度搭建。游客行走其间，弯曲升降的拱形结构，给予了游客欣赏美景的不同角度。
Designed and built by second year students of the Alice Studio at Ecole Polytechnique Fédérale de Lausanne, the Evolver is a wooden alpine structure that “provides a more interactive way to take in the views of the glorious mountains – especially the Matterhorn.”
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http://www.jianzhu01.com/A1007230757.htm
南京大胜关长江大桥
二十八日，随着中国铁道部部长刘志军与江苏省委书记梁保华共同触摸水晶球，京沪高速铁路控制性工程——南京大胜关长江大桥的最后一根杆件迅速吊装安装到位，自动电焊机在最后一块桥面板合龙口迅速完成焊接施工，至此大桥顺利实现合龙，该桥以“四个世界第一”再次成为了中国桥梁建设史上新的里程碑。
大胜关长江大桥位于南京长江三桥上游一千五百五十米处，全长约九千两百七十三米，按双向六线布置，分别为京沪高速铁路双线、沪汉蓉铁路双线和南京地铁双线。其中，京沪高铁设计时速达三百公里，沪汉蓉铁路为客货共线，客车设计时速两百公里，南京地铁时速为八十公里。大桥合同造价为三十八点六亿元人民币，工期四十个月。
据施工方中铁大桥局集团公司总经理刘自明介绍，南京大胜关长江大桥具有体量大、跨度大、荷载大、速度高“三大一高”的显著特点，创造了四项“世界第一”。即大桥是世界首座六线铁路大桥，钢结构总量高达三十六万吨，混凝土总量达到了一百二十二万立方米，仅一个桥墩就有七个篮球场大；主跨三百三十六米，双跨连拱为世界同类桥梁最大跨度，为世界同类级别跨度最大的高速铁路大桥，能够确保万吨级船舶顺利过江；设计活载为六线轨道交通，支座最大反力达一万八千吨，是目前世界上设计荷载最大的高速铁路大桥；设计时速三百公里位于高速铁路大跨度桥梁世界领先水平。
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http://www.jianzhu01.com/A1007230756.htm
墨西哥Espacio C室内设计
原 名 称：Espacio C Mixcoac
项目面积：120平方米
Project Area: 120 sqm
Project year: 2009
C象征着空间，同时也是可口可乐英文的第一个缩写字母，同时也象征着培训，品质，承诺和创造力。该空间位于墨西哥Mixcoac行政中心墨西哥城西南部，分为三个独立的空间，同时也能组合为一个公共活动室，这些包含有：一个媒介室，快餐酒吧，纪念品商店，数据和电气连接以及储藏室。设计中也包含了可口可乐不同的品牌元素，以加强空间价值感。
The first training facility called Espacio C (C Space -C for the initials of Coca Cola, Training, Quality, Commitment and Creativity in Spanish-) is located at the Mixcoac Distribution Center on the southwestern area of Mexico City. It includes three separate rooms that can be joined together for common activities, a mediateque, snacks bar, souvenir store, data and electrical connections and storage space. The brief also required to include elements from the different brands of Coca Cola FEMSA and to reinforce the company’s values in the space.
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http://www.jianzhu01.com/A1007230755.htm
难波公园
原 名 称：Namba Parks
Namba Parks的场地前身是大阪球场，是职棒南海鹰队的主场，当南海鹰飞到福冈变成大荣鹰后，球场也失去功能，1998年完全废止后，砍掉重生为复合式商业城『Namba Parks』，并于2003年启用。
Namba Park难波公园是位于大阪传统热闹商业区的现代建筑，并非传统意义的公园，是一个购物中心与办公楼的综合体。从远处看去，Namba Park是一个斜坡公园，从街道地平面上升至8层楼的高度，层层推进、绿树茵茵，仿佛是游离于城市之上的自然绿洲，与周围线形建筑的冷酷风格形成强烈对比，成为嘈杂背景下的一处生动、温馨的街景。
入口处，呈现在眼前的是一个被岩石覆盖的空间，仿佛一个狭小的峡谷，诱惑着你向里面探寻。暖黄色到桔黄色逐渐过渡的条纹造型，如同沉淀层一般，而设计师精心设计和营造出不同的小湾、岩洞、河谷等探险般的空间感受，更让你常常有“柳暗花明又一村”的惊喜，为整个购物旅程增添了一抹神秘和新奇的色彩。通过“峡谷”内一条“8字形”倾斜上升的通道，便到了Namba Park的零售与娱乐区域。其中心区域是三层的“豪华购物广场”，内部质感华美、店面错落有致，并饰有草木植被和水景，让你仿佛并不是在商场购物，而是在森林中寻宝一般。经由不同楼层的一些特定区域，从“峡谷”可以直接通往室外的露台，这里的“空中花园”种植了不少漂亮的花草植物，植物每天成长，每天都在改变建筑的样子。商场内有不少餐馆和咖啡座，露天的位置就在丛林里，购物之后在这里享受一份舒适和静谧，相当惬意。登临高处俯视Namba Park，可以看到，开放的空间使公园与城市的街道、交通直接相连，斜坡与“山石”形成的层次感，使公园与周围的高层办公楼柔和地融为一体，为钢筋混凝土林立的城市里带来了一股清新的气息。Namba Park真的是一处奇妙、充满想象力的建筑，它不像传统购物中心那样，将顾客引入封闭式的购物区，而是将商业区、餐饮区与自然和开放空间完美地融合在一起，让你能够享受在公园中漫步、参观、购物、娱乐的多重乐趣，让购物成为一种“经历” 。
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http://www.jianzhu01.com/A1007230754.htm
杭州湖滨湖泊重建
原 名 称：Hangzhou Hubin
面积：1 平方公里
A Reconnection of City and lake
Location:Hangzhou,China
Size:one squre kilometer
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http://www.jianzhu01.com/A1007230753.htm
长滩海岸海滨重建
原 名 称：Long Beach Shoreline
面积：6英里海滨
Waterfront Redevelopment
Location:Long Beach,California
Size:6 miles of waterfront
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http://www.jianzhu01.com/A1007230752.htm
林肯路1111号（正在施工中）
原 名 称：In Progress: 1111 Lincoln Road
最近十年，迈阿密开始逐渐转变为一个丰富的文化城市。诸如迈阿密海滩巴塞尔艺术活动和一些近几年由国际建筑大师设计的建筑正在拔地而起。这其中有一个新的项目：林肯路1111号，由瑞士赫尔佐格和德梅隆设计事务所承办设计。
这个综合项目最近在奥尔顿和林肯路角上开始施工，这里是城市中最繁忙的一个步行区，这座大厦将包括住宅，零售空间和停车场。停车场位于建筑中央，是笔者见过的最好的停车场之一。
Miami has been changing a lot over this last decade, turning into a rich cultural city. Events such as Art Basel Miami Beach (the most important art event in the US) and buildings by international architects are part of this ongoing change.
One of these new projects in the city is 1111 Lincoln Road, a development envisioned by Robert Wennett and materialized by swiss architects by Herzog & de Meuron.
This mixed use project is currently being built at the corner of Alton and Lincoln, one of the most active pedestrian areas in the city, and it will include residences, retail spaces and parking. Parking takes a central space in this building, with one of the best views I have ever seen on a parking space.
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http://www.jianzhu01.com/A1007230751.htm
世界上最大的人造“冰山”
原 名 称：The Berg: The biggest artificial mountain in the world
德国建筑师Jakob Tigges预计在柏林设计一个新的富有远见的地标性建筑，他计划构建一座高1000米的，名为“冰山”的景观，这将变为一个以前从未在德国首都柏林出现过的新旅游景点。
German architect Jakob Tigges has projected a new and visionary landmark in Berlin. He plans to build a mountain of 1,000 meters high called “The Berg”, which would become a never-before-seen tourist destination in the German capital city.
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009111311085745_9.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230750.htm
法国里昂灯节
12月初，如果你有机会去往法国里昂附近的任何地方，都一定不能错过里昂一年一度举行的灯节。这个当地传统庆祝节日起源于150多年前，当时只不过是一个小小的民俗庆祝活动，而现在已经成为了一场全民狂欢的盛大庆典，其热闹的场景和绚丽的灯景绝对不容错过。
每年从12月8日开始，这座坐落在法国东部的城市就迎来了为期四天的灯节。这不仅是一次庆祝活动，更是一场视觉与听觉的盛宴，吸引来自世界各地的艺术家、城市规划师、灯光照明专家、活动组织专员……而今年的部分灯节设计作品已经提前发布，让我们可以先睹为快。
里昂市政厅内院闪烁着纠缠交错的激光网，山上布满五颜六色的彩灯，组成50朵巨大的发光花朵。圣尼斯埃教堂（Saint Nizier）的外墙上采用灯光投影和配乐的装点，别样生动。而里昂市的标志建筑——福维尔圣母大教堂(la Basilique Notre Dame de Fourvière)也被披上了彩灯的华美外衣，彩色灯光随着教堂的钟声有节奏地闪烁着。
里昂的灯节源于里昂本身丰富的历史根源，灯节点灯的活动是为了感谢圣母玛利亚。1643年里昂整个地区都笼罩在瘟疫的白色恐怖之下，市政议员承诺如果能够逃过这一劫，就向圣母玛利亚进贡。后来，里昂城果真免受这场瘟疫的侵袭，从那以后，每年的12月8日各家各户都会在窗外点燃蜡烛，庄严的游街队伍行进至福维尔圣母大教堂，点燃蜡烛并向圣母玛利亚进献贡品。而现在，蜡烛已经被电灯代替，成了真正的“灯节”。
除了谢恩、进贡和庆祝的意义外，里昂的灯节现在已成为了一场艺术盛典，每年吸引的游客高达350多万人，城市各个角落都遍布各种灯光作品展示。今年，当地的设计专业学生将协助从各地被邀请而来的500多名艺术家进行各种灯光装饰、视听设备的布置，以及参与街头戏剧表演等庆祝活动。
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http://www.jianzhu01.com/A1007230749.htm
浮塔
盘旋在热带花园上空的“浮塔(Floating Skyscraper)”如帝国大厦高度般的长度， 是一个综合建筑群，其功能包括公寓、酒店，以及万科集团总部办公室。会议中心、水疗中心和停车场都位于热带花园绿地下方，景观特点包括土丘下的餐厅和四百人座的报告厅。
此建筑看似曾经一度漂浮在较高海面上，如今海面已经退去，留下结构高高屹立在八个支撑腿上。在35米限高下抬起一个整体的结构以取代数个小结构体分别满足特定功能，使绿化空间最大限度地敞向地面层公众。
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http://www.jianzhu01.com/A1007230748.htm
Emirate广场
原 名 称：EMIRATE PALACE
Emirate广场 EMIRATE PALACE
迪拜
面积：166000 M2
ARCHIPLAN
2012
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2009113013502644_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230747.htm
都灵人行桥
原 名 称：Turin Footbridge
最近我们公布了位于意大利都灵Roche-sur-Yon的铁路人行桥，现在我们来自巴黎HAD建筑事务所的朋友们和我们分享了这个为2006年冬季奥运会而兴建的人行天桥。
We recently published the project Railway Footbridge at Roche-sur-Yon, now our friends from HDA_Paris share with us the Turin Footbridge, that was constructed for the 2006 Winter Olympics.
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http://www.jianzhu01.com/A1007230746.htm
ADMIRANT的入口建筑
原 名 称：ADMIRANT
面积：580平方米
2008 Netherlands，Eindhoven
1999
Area 3000 m2
Client Rond de Admirant C.V.
Program 580m2
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http://www.jianzhu01.com/A1007230745.htm
Zivilschutzzentrum当地志愿消防队
原 名 称：Zivilschutzzentrum
项目面积：2670平方米
室外空间面积：8400平方米
施工年限：2007
Project Area: 2，670 sqm
Outdoor Space Area: 8，400 sqm
Construction Year: 2007
2007年末，新的民事保护中心已完成了位于Innichen郊区提洛尔区南部的High Puster谷的建筑施工，该大厦是为当地志愿消防队提供，提供白十字紧急医疗服务和山地救援服务。
该项目位于村东边入口处，周边是一些小尺寸的单户式家庭住宅；该消防队是一个地标性建筑，具有里程碑的意义——是一个超大的3D明信片。
By the end of 2007， the new Civil Protection Center was completed on the outskirts of Innichen in the South Tyrolean High Puster Valley; the building accommodates the local Volunteer Fire Brigade， the White Cross Emergency Medical Service and the Mountain Rescue Service in a common structure.
The project responds to the location on the East-side village entrance and to the small-scale single family housing in the direct surroundings; it is an outpost of the village’s building area which， as is usual， sprawls on the fringes. The fire brigade training is a landmark – a frame for a panoramic view and a welcome sign – an oversized 3-D postcard.
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http://www.jianzhu01.com/A1007230744.htm
日本电信电话青山大楼改造工程
原 名 称：NTT Aoyama Building Renovation Project
日本 东京 港区 Kitaaoyama
2004 11
性质：零售 开放空间
面积：1221.89平方米
Kitaaoyama， Minato-ku， Tokyo
2004.11
retail， open sapce
1，221.89m2
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010012811542345_6.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230743.htm
水玻璃
原 名 称：Water/Glass
1995.03
类型：家庭旅馆
面积：1125.19平方米
Atami， Shizuoka
1995.03
Guest house
1，125.19m2
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http://www.jianzhu01.com/A1007230742.htm
St. Samson指挥所
原 名 称：Command Post in Saint Samson
摄影师Stéphane Chalmeau与我们分享了座落在法国Saint Samson的一座小型指挥塔，由设计师Bruno Pourveer设计。
Photographer Stéphane Chalmeau shares with us another building located in France， a small command post in Saint Samson by Bruno Pourveer.
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http://www.jianzhu01.com/A1007230741.htm
西大盈港双桥
原 名 称：Xidayinggang Twin Bridge
西大盈港双桥将是未来青浦地区开发扩建中一座最重要的地标性建筑。该项目的目的是提供一个象征性的合理的、便宜的，同时保持前卫的城市结构。由于结构规模，设计师建议最合适的解决方案是拱形组合。结合周边环境，河流的角度以及桥梁轴线，设计师设计了桥拱从一侧跳到甲板的一侧。
The Xidayinggang Twin Bridges will be the most important landmark of the future expansion of Qingpu. The objective is to provide the city for a symbolic structure， reasonable， inexpensive， and avant-garde at the same time.
Given the scale of the structure， we propose the combination of arches as the most suitable solution. In reaction to the context， the angle of the river and roads with the axis of the bridges， we make the arches jumping from side to side of the deck.
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http://www.jianzhu01.com/A1007230740.htm
农仓2.0升级版
原 名 称：Barn 2.0
性质：改建
项目面积：1000平方米
Project Area: 1，000 sqm
这是一个改建项目，将一个农仓改建为一处为木匠和修建者准备的柏林运行修复人员培训中心。该项目座落在柏林南部地区，18世纪是一片种植园。19世纪，种植园被改建成一处建筑，后来经历过两次扩建。在德意志民主共和国时期，建筑又被重新整修，原先的农仓被车库取代。
A farm estate was converted into a training centre for carpenters and restorers run by the Restoration Center Berlin. The estate， located in the southern part of Berlin， was founded as a plantation in the 18th century. During the 19th century the farmhouse was built on the foundation of a former building， being extended two times afterwards. During the DDR-times the building degenerated， at the access yard barns have been demolished and instead it has been occupied by garage buildings.
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http://www.jianzhu01.com/A1007230739.htm
大声展北京站夏日回廊
原 名 称：GIL bj Outdoor Gallery
大声展北京站夏日回廊 GIL bj Outdoor Gallery
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http://www.jianzhu01.com/A1007230738.htm
货板屋
原 名 称：Pallet House
为了响应21世纪可持续发展建筑的号召，来自维也纳大学的学生们搭建了这座小型绿色住宅，并获得了高迪欧洲学生建筑设计比赛第一名。这座建筑使用了800 块回收再利用的货板建成，建筑面积为60平方米。由于施工和拆迁简易快捷，这款建筑具备高度的灵活性，能适应不同的地点和场所。因其既美观又舒适的特点， 让它成为了环保主义者的首选居所。
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http://www.jianzhu01.com/A1007230737.htm
都市实践十年创作回顾展-地图
“东西南北中，十年的三个民间叙事”展览内容以简洁而不失基本内容和判断的历史大叙事为背景，各家十年各选取十个作品，并对之进行饶有趣味的分析和细读。同时，各家还提供了设计项目的草图、施工图、材料选择过程、细部节点大样、设计过程纪录档案等，为观者勾勒了一幅既创造时代，又被时代所裹挟的十年中国当代建筑史的清晰图景。[视频]
展览是由《建筑师》杂志、Studio-X Beijing主办，马达思班、都市实践、家琨建筑设计工作室的创作回顾展。
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http://www.jianzhu01.com/A1007230736.htm
樱桃山社区教会礼拜堂
原 名 称：Cherry Hills Chapel
Cherry Hills Chapel
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010042011085242_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010042011085242_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010042011085242_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010042011085242_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230735.htm
救生员瞭望塔住宅
原 名 称：Lifeguard Tower
项目面积：3400平方英尺，1600平方英尺屋顶平台
Project Area: 3，400 square feet; 1，600 square feet of open space on roof terrace
设计师Steve Lazar成长于海洋地区。作为一个渴望冲浪的手工艺家，他的灵感经常来源于海边的建筑物。码头，帆船，快艇，夏威夷岛屿，这些都是他设计灵感的来源。他设计的许多住宅都创造了一个田园牧歌般生活氛围。
该建筑包括三个梯形结构，一级高于一级。底部是居住空间，同时也可欣赏周边独特景色，顶部是一个1600平方米的屋顶观景平台，在这里可进行娱乐和餐饮活动，同时也可欣赏美妙的大洋海景。夜晚，该住宅塔有如沙滩上的一盏明灯，漂亮的照明效果通过多重的窗户和建筑结果得以充分表现。
Design/Builder Steve Lazar has grown up with the ocean his entire life. As an avid surfer and a craftsman， he has always been inspired by iconic seaside architecture. Piers， sailboats， custom yachts and destinations such as the Hawaiian islands continue to inspire his work. Many of the custom homes he has designed create the ambiance of an idyllic island adventure.
The architecture is comprised of three trapezoidal structures， one atop the other. From the base， the residence narrows as it reaches the “look-out” tower room that gives onto a picturesque，1，600-square-foot grass-covered entertainment and dining deck facing the ocean. At night， the tower glows like a beacon of light， as it is beautifully illuminated through multiple windows that surround the structure.
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http://www.jianzhu01.com/A1007230734.htm
gravitecture M
原 名 称：gravitecture M
项目工作人员：葵藤冈，田中麻美子
竣工时间：2009年3月
主要用途：售票巨台 公厕
结构体系：钢
规模：一层
地盘面积：1.124.000.0平方米
建筑面积：99.6平方米
总楼面面积：99.1平方米
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http://www.jianzhu01.com/A1007230733.htm
大卫梅勒设计的博物馆和咖啡馆
原 名 称：David Mellor Design Museum and Café
大卫梅勒设计的博物馆和咖啡馆
英国 Hathersage 2006
成本：400000英镑
面积：150平米
David Mellor Design Museum and Café
Hathersage， UK 2006
value £400，000
Size 150m2
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010052410245546_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010052410245546_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010052410245546_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010052410245546_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230732.htm
Delwara社区厕所
原 名 称：Delwara Community Toilets
面积：600平方英尺
Project Area: 600 sq. feet
Vir.Mueller建筑事务所为拉贾斯坦邦一个社区设计了一个厕所，这个地区位于印度郊区。公共卫生服务在印度非常重要，但该国严重缺乏这类设施。考虑到这一点，印度全国基金会要求建筑师创造一个原型，该模型可以分布在该地区解决这一问题，帮助村里的代尔瓦拉所有的家庭。
Vir.Mueller Architects designed a prototype for community toilets in Rajasthan， a rural area of India. Public sanitation services are vital in India， yet the country is severely lacking such facilities. With this in mind， the National Foundation of India asked the architects to create a prototype， with the hope that the model could be distributed around the area， helping all the families in the village of Delwara.
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http://www.jianzhu01.com/A1007230731.htm
TURRELL水塔
该水塔直径18英尺高35英尺，可容纳20人。以底层现有的一个水塔为基底，座落在一座山顶上，周围树木林立，可俯瞰整个索诺玛县。
The skyspace is 18' in diameter by 35' high， and accommodates twenty people. It incorporates an existing water tower on the lower level and is nestled in a hilltop stand of trees overlooking the Sonoma valley.
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http://www.jianzhu01.com/A1007230730.htm
MORILD -室外照明设备
原 名 称：MORILD-OUTDOOR LIGHTING INSTALLATION
年限 2004
类型 照明装置
状态 竣工
位置 挪威 希恩
YEAR 2004
TYPOLOGY LIGHTING INSTALLATION
STATUS COMPLETED
LOCATION SKIEN
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http://www.jianzhu01.com/A1007230729.htm
EGGUM旅游路线
原 名 称：EGGUM TOURIST ROUTE
年限 2007
面积 5500平米
状态 竣工
位置 挪威 LOFOTEN
EGGUM TOURIST ROUTE
YEAR 2007
SIZE 5500M2
STATUS COMPLETED
LOCATION LOFOTEN
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http://www.jianzhu01.com/A1007230728.htm
巴塔哥尼亚避难所
原 名 称：Refuge in Patagonia
面积：136平方米
Project Area: 136 sqm
该项目位于智利巴塔哥尼亚Aysén地区峡湾地带Melimoyu海湾上。当地与世隔绝的自然风光意味着来到这里只能搭乘轮船或者飞机。连绵的山脉和原始森林唐突的矗立在海前方。
项目的包括设计和构建一个位于海边的避难所，为游客们而准备，这也是自然保护区项目的其中之一。该项目在构建时受到了地理条件的限制。
The project is located on the bay of Melimoyu in the fjords of the Aysén region， Chilean Patagonia.
The isolated nature of the area means that access is only possible by sea or air. The mountains and the virgin forests end abruptly on the sea front. Clearings on the ground are almost non-existent， mainly just pristine forests which are very difficult to penetrate.
The assignment consisted of designing and constructing a refuge next to the sea for guides as part of the conservation project， SNP Patagonia Sur.The project was determined by the geographic conditions.
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http://www.jianzhu01.com/A1007230727.htm
George R.White体育馆和青少年中心
原 名 称：George R.White Gymnasium And Teen Center
George R.White体育馆和青少年中心
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http://www.jianzhu01.com/A1007230726.htm
法国河游客中心
原 名 称：French River Visitor Centre
占地面积：8700平方米
Site Area: 8，700 sqm
法国河标志着加拿大地貌的变迁，由冰川过渡到裸露的花岗岩。从源头往下，河流由一处断裂的花岗岩开始转变成一处巨大辽阔的三角州花岗岩岛屿和岩层。法国河被认定为加拿大第一传统航道，法国河担任着原居民与欧洲人之间的贸易通道，是内陆探险大陆的主要航线，称为“沃亚格尔高速公路”。
法国河标志着加拿大地貌的变迁，由冰川过渡到裸露的花岗岩。从源头往下，河流由一处断裂的花岗岩开始转变成一处巨大辽阔的三角州花岗岩岛屿和岩层。法国河被认定为加拿大第一传统航道，法国河担任着原居民与欧洲人之间的贸易通道，是内陆探险大陆的主要航线，称为“沃亚格尔高速公路”。
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http://www.jianzhu01.com/A1007230725.htm
Encomium
原 名 称：Encomium
这个混合建筑同时包括商业空间和建筑空间——一个画廊，办公室和一个公寓，是多伦多中央振兴计划浪潮的其中一首
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http://www.jianzhu01.com/A1007230724.htm
梯形商住综合楼
原 名 称：Trapezoid
建筑面积：19000平方英尺（约合1765.16平方米）
Project Area: 19，000 sq ft
这是一个具有综合功能的建筑，一层的商务区占地7000平方英尺（约合650.32平方米），上面八层的公寓合计19000平方英尺（约合1765.16平方米）。公寓的户型有多种选择。这个工程还力图建造一个远离街道的能为住户和商户提供服务的停车场，这一停车场将与周围建筑的风格保持一致。
Provide a mixed-use building with ground floor commercial space of 7，000 SF， with eight upper story apartment units totaling 19，000 SF. Residential areas are to have varied apartment layouts. Project is to have sufficient off-street parking for commercial and residential tenants and contextually fit into an urban area currently undergoing revitalization.
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http://www.jianzhu01.com/A1007230723.htm
第一大道南542号建筑翻修
原 名 称：542 1st ave south
原先的建筑是一个砖结构的仓库，在2001年的地震中被毁。设计师对现有建筑进行了翻修和重建，包括翻修具有历史意义的正立面，入口大厅，并且增加了一个4层
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http://www.jianzhu01.com/A1007230722.htm
水晶洗车房
原 名 称：Crystal Car Wash-NSW
水晶洗车房
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062113521447_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062113521447_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062113521447_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062113521447_4.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230721.htm
狗屋
原 名 称：DOGone House
建筑面积：11.25平方英尺（约合1.05平方米）
竣工时间：2009年10月
Building area: 11.25 sf
Completion date: October 2009
这个狗屋是为一个慈善救济活动设计的，它的建造基于一定的设计概念。它是用结实的材料建造的，还能为后院增添一些美感。这个狗屋的设计灵感来自火柴盒。像火柴盒一样，它也包含两个部分，外壳和里盒。外面包着的壳能起到保护的作用，里面的盒子则能提供一个温馨舒适的环境。这样的设计清洗也比较方便，当需要清洗时，将外面的罩壳拉开即可。
To design a dog house for a rescue charity event based upon a conceptual idea， constructed of durable materials， and to serve as an aesthetic attribute to the back yard. The idea for the house originated with a matchbox. Like the matchbox， it is constructed of two components: Outer Wrapper + Inner Box. The wrapper serves as the protective skin while the inner box is more intimate， offering a softer atmosphere for the dog.
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http://www.jianzhu01.com/A1007230720.htm
咖啡河监狱
原 名 称：Coffee Creek
咖啡河监狱
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216325454_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216325454_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216325454_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216325454_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216325454_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230719.htm
FCL佛罗伦萨监狱
原 名 称：FCL Florence
FCL佛罗伦萨监狱
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http://www.jianzhu01.com/A1007230718.htm
杰克逊青少年监狱
原 名 称：Jackson Co.Juvenile
杰克逊青少年监狱
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216361338_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216361338_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216361338_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216361338_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216361338_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230717.htm
下布基监狱
原 名 称：Lower Buckey Jail
下布基监狱
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216375034_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216375034_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216375034_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216375034_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062216375034_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/A1007230716.htm
迪尔里奇惩矫正监狱
原 名 称：Deer Ridge Correctional
迪尔里奇惩矫正监狱
http://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062308383143_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062308383143_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062308383143_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062308383143_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg29/2010062308383143_5.jpg创意文化建筑2010-07-23
http://www.jianzhu01.com/Gymnasium1007230344.htm
深圳福田区人民体育场
深圳福田区人民体育场
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022209301934_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022209301934_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022209301934_3.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230343.htm
体育馆
体育馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022710281935_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022710281935_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022710281935_3.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230342.htm
北京科技大学体育馆
北京科技大学体育馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008022809333944_13.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230341.htm
长春五环体育馆
长春五环体育馆
业主：
长春长顺集团
项目地址：
吉林省长春市
占地：
30,000 m2
规模：
10,000 座
设计时间：
1994年
项目状态：
1997年竣工
设计人员：
张宏伟
合作设计：
ANNAU Architect Co.
利用空间结构受力的最佳状态，创造出合理有效的空间。表达体育建筑力量的象征，竞技的动态。
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008031410122547_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008031410122547_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008031410122547_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008031410122547_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008031410122547_5.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230340.htm
沈阳奥体中心
沈阳奥体中心
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415200354_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415200354_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415200354_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415200354_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415200354_5.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230339.htm
北京盛世健身会馆
北京盛世健身会馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415214945_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008060415214945_2.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230338.htm
天津水上运动世界
业 主 天房发展
规划面积 65万平方米
建筑区位 天津市河西区
设计时间 2003年2月
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http://www.jianzhu01.com/Gymnasium1007230337.htm
高密体育中心规划
该高密体育中心位于高密行政中心东南侧，包括体育场、体育馆、游泳馆、体校、室外运动场地、广场等，规划的目标是使该体育中心成为高密市的标志之一，达到承办省级综合体育赛事、国家级单项体育赛事的标准。体育中心总用地约26公顷，总建筑面积约50000平方米。体育中心规划与高密市新区控制性详细规划及新的行政中心区规划紧密衔接，体育中心的轴线与行政中心区的轴线在市民广场汇合，形成完整、统一、和谐的城市空间。体育建筑在使用时突出的特点之一是交通量极大，因此在规划上除了考虑布局、空间、景观等问题外，尤其注重交通组织问题，合理解决了人流、车流、停车等方面的关系。在单体形象设计时，充分体现了当代体育建筑力量、技术的特点。
高密体育中心位于高密行政中心东南侧，包括体育场、体育馆、游泳馆、体校、室外运动场地、广场等，规划的目标是使该体育中心成为高密市的标志之一，达到承办省级综合体育赛事、国家级单项体育赛事的标准。高密体育中心总用地约26公顷，总建筑面积约50000平方米。
高密体育中心的规划与高密市新区控制性详细规划及新的行政中心区规划紧密衔接，体育中心的轴线与行政中心区的轴线在市民广场汇合，形成完整、统一、和谐的城市空间。体育建筑在使用时突出的特点之一是交通量极大，因此在规划上除了考虑布局、空间、景观等问题外，交通组织是需要特别注重的问题，要合理解决人流、车流、停车等方面的关系。在规划时，城市道路尽量不穿越体育中心内部，机动车停车场尽量布置在体育中心各出入口附近，减少机动车对体育中心内部的干扰。每个停车场都设有通往体育中心内的便捷的步行通道，使机动车交通和步行交通能快速方便地转换，同时保证体育中心内部步行系统的安全、便捷、快速、宜人，保持与各个单体建筑的联系。
在单体建筑中，体育馆是整个体育中心的标志性建筑。体育馆为能容纳3000人的乙级体育建筑，建筑面积约15000平方米。除了要满足其自身的功能要求外，体育建筑还要体现出当代体育建筑力量、技术的特点。体育馆的屋顶是最引人注目的，体育馆由于跨度巨大，屋顶的结构形式对建筑造型影响显著，屋顶的形式往往决定了体育馆的外观造型，优秀的体育馆的设计十分注重结构选型并力求作到建筑与结构的完美结合。在设计中，将屋顶设计为钢架与壳体结构的混合体，使建筑外观与结构形式统一，充分体现了体育建筑的高技术与力量，建筑造型优美，极具特色。另外，为了提高体育馆的利用率，在设计时充分考虑了进行体育比赛、集会、演出、健身等多功能的需要，并设置了群众锻炼、娱乐等辅助空间。
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008061414254353_11.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230336.htm
天津海河水上运动世界
天津海河水上运动世界
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http://www.jianzhu01.com/Gymnasium1007230335.htm
运动场多功能亭设计
Luis Porem Pires设计的在运动场使用的多功能亭子。亭子是在运动场上给运动员训练提供一些帮助。亭子外可以提供休息或者进行一些热身活动的设施，亭子内部空间作为商店可以供应一些水及急救药品之类的物品。
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008072308450037_7.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230334.htm
巴萨足球俱乐部新体育场
Foster + Partners竞标的巴萨足球俱乐部新体育场设计最终入围，外表面采用多彩的瓷砖片设计，具有梦幻般的效果，
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http://www.jianzhu01.com/Gymnasium1007230333.htm
天上飘落的银丝带-Homenkollen shi jump
丹麦建筑师julien de smedt赢得为2011年世界滑雪锦标赛设计跳台和光景台。建筑地点就在挪威奥斯陆北方的山丘上。新设计的跳台和观景台就向泛着银光的丝带一样，成为了奥斯陆的一大观光点。
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http://www.jianzhu01.com/Gymnasium1007230332.htm
可折叠， Flatpacked奥林匹克体育场
大规模赛事承办方都知道，减少新建项目和改进旧的场馆是最经济的。 那么，伦敦奥林匹克主委会最近有一个有可能抵销巨额建筑费的一个卓越的计划，并且肯定的是将会给那些设施陈旧的老体育场第二次生命。这个项目将应用于 目前已经折除大约70%的伦敦奥林匹克体育场，将拆除的部分打包整理编号收藏，计划到2016伦敦奥林匹克运动会时在拿出安装! 这个巨大的项目就是--- flatpacked预制体育场!
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http://www.jianzhu01.com/Gymnasium1007230331.htm
斯洛文尼亚Maribor足球场的重建
Slovenian 建筑师已完成了在斯洛文尼亚Maribor足球场的重建。
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http://www.jianzhu01.com/Gymnasium1007230330.htm
河南商丘体育中心规划
河南商丘体育中心规划
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208254730_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230329.htm
洛阳新区体育中心体育场
洛阳新区体育中心体育场
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208292741_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230328.htm
乔波冰雪世界滑雪馆
乔波冰雪世界滑雪馆
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http://www.jianzhu01.com/Gymnasium1007230327.htm
山东莱芜体育中心规划
山东莱芜体育中心规划
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208473931_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208473931_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091208473931_3.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230326.htm
洛阳新区体育中心规划
洛阳新区体育中心规划
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091609172634_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230325.htm
云南财贸学院游泳馆
云南财贸学院游泳馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008091708320043_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230324.htm
满洲里体育场
满洲里体育场
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409281455_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409281455_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409281455_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409281455_4.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230323.htm
青岛体育馆方案
青岛体育馆方案
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409361557_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409361557_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409361557_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409361557_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2008112409361557_5.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230322.htm
大西洋健康喷射机培训设施
原 名 称：Atlantic Health Jets Training Facility
竣工年限：2008
占地面积：27英亩
项目面积：217561平方英尺
建筑高度：105英尺
层数：2层
Florham Park, New Jersey
Completion Year: 2008
Site Area: 27 acres
Project Area: 217,561 ft2
Building Height: 105 ft
Number of Stories: 2
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009021613583849_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230321.htm
鄂尔多斯100号项目之20号
原 名 称：ORDOS 100 #20: Atelier Bow Wow
“森林的拱门下一种新的混合型生活方式”
座落在鄂尔多斯恶劣的气候环境下，卧室和小房间设置在一层，住宅周边设计了一个挡风庭院。
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http://www.jianzhu01.com/Gymnasium1007230320.htm
柔道跆拳道赛馆
柔道跆拳道赛馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108435239_7.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230319.htm
飞碟靶场
飞碟靶场
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108465248_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108465248_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108465248_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108465248_4.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230318.htm
澳门东亚体育馆
澳门东亚体育馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108485336_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108485336_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108485336_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108485336_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009040108485336_5.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230317.htm
塞尔维亚滑雪圣地滑雪跳台
原 名 称：Ski Jumping Hill for Serbian Ski Resort
我们来自塞尔维亚Djordje Pejkovic事务所的朋友为我们传来了这个近期正在开发的，有趣的项目。这个滑雪跳台坐落在塞尔维亚市中心Kopaonik滑雪胜地，紧邻科索沃边境。120米高的跳台由十字钢筋铁管构成，每个细部固定在相应的柱体上。甲板最上方是横向切断的一个观景台和咖啡馆。
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http://www.jianzhu01.com/Gymnasium1007230316.htm
加州大学洛杉矶分校Pauley体育馆
原 名 称：UCLAs Pauley Pavilion
NBBJ建筑事务所最近揭露了他们为加州大学洛杉矶分校Pauley体育馆做的新设计，将于2010年2月竣工，并且及时为2012-2013年的篮球比赛做出准备。经加州大学洛杉矶分校的决定，由于其强大的情感价值，故对展区进行翻修，NBBJ的设计包括新的酒店和大堂空间，以及新的设施，运动员的和额外的球迷座位。
NBBJ just revealed their latest design for UCLA s Pauley Pavilion, slated to begin February 2010 and be completed just in time for the 2012-2013 basketball season. Upon UCLA s decision to renovate the existing Pavilion due to its strong sentimental value, NBBJ’s design includes new lobby and concourse space, as well as new facilities for the athletes and additional seating for fans.
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009052511025534_8.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230315.htm
上海青浦区体育馆、训练改造
上海青浦区体育馆、训练改造
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http://www.jianzhu01.com/Gymnasium1007230314.htm
建邺体育大厦
建邺体育大厦
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009060313530433_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009060313530433_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009060313530433_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009060313530433_4.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230312.htm
托索斯巴西尔跑道和菲尔德的体育场
托索斯—巴西尔跑道和菲尔德的体育场
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http://www.jianzhu01.com/Gymnasium1007230311.htm
桂林市体育馆
桂林市体育馆
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http://www.jianzhu01.com/Gymnasium1007230310.htm
巴基斯坦伊斯兰堡体育馆
巴基斯坦伊斯兰堡体育馆
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009061513495548_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230309.htm
2014年巴西世界杯露天大型运动场
原 名 称：Stadiums for the 2014 World Cup in Brazil
尽管2010年南非世界杯还不到一年的时间，巴西已经开始准备他们2014年的世界杯。巴西获得比任何一个国家都多的世界杯冠军，所以我们希望能构建一个属于自己的特别的代表自己球队的运动场。以下是各个参赛作品。
Although the 2010 World Cup in South Africa is a little bit less than a year away, in Brazil they already started to prepare for the 2014 World Cup. Brazil has won more World Cups than any other co untry in the world, so they want to make sure their stadiums are as spectacular as their soccer team.
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http://www.jianzhu01.com/Gymnasium1007230308.htm
南非2010年世界杯足球城体育场
原 名 称：South Africa World Cup 2010: Soccer City Stadium
2010年足球世界杯还有不到一年就在要南非举行了。也许这是体育界最重要的国际竞技，我们将陆续为大家展示举行这场体育盛事的一些体育场地。
足球城体育场位于约翰内斯堡，最初建造于1987年。这里见证了一系列重大事件的发生，其中包括1990年纳尔逊曼德拉获得自由后举行第一个大型演讲。然而为了举行这次盛事，它已被完全的改造。本届世界杯的首场和决赛将在这里举行。
该改造由布格门建筑事务所（Boogertman Urban Edge and Partners）联合人众事务所（Populous）设计完成。它可以容纳94000名观众观看这场盛事。这个设计从众多的设计概念中获胜，其中包括灵感来源于约翰内斯堡已经不在的矿堆的概念、非洲城邦里的歌特拉（Kgotla，公共聚会的地方）的概念、非洲地图水平化展示（屋顶像个荒凉的星球，由热带树木支撑着，来展示南非的丰富矿产）的概念、南非国花山龙眼（protea）的概念。
最终，这个葫芦形（非洲当地的一种葫芦）或者更确切说，非洲瓦盆形的方案获胜，因为非洲瓦盆最具显著特征，使人们不由自主的与非洲大陆紧密联系在一起。这个葫芦形，或者非洲坩埚形的物体像个大火盆一样被放置在太高的底座上面。体育场坐落于像火坑一样的洼地中，看上去真像自然烧结而成。
The 2010 World Cup to be held in South Africa is less than one year away. Being perhaps the most important international competition in sports in the world, we would like to start featuring some of the stadiums that will host this magnificient competition.
Soccer City Stadium is located in Johannesburg and it was originally built in 1987. Among other important events, it hosted the first massive speech from Nelson Mandela after his liberation in 1990. However, it was completely renewed for the upcoming World Cup, becoming the stadium where the starting and the final game will be played.
Designed by Boogertman Urban Edge and Partners in partnership with Populous, it will allow for 94,000 spectators to enjoy the best soccer in the world. The design of the stadium was se lected from a series of concept designs ranging from acknowledgement of Johannesburgs disappearing mine dumps; the kgotla (defined by the tree) of the African city state; the African map as a horizontal representation, which included the roof as a desert plane supported on tropical trees set within the mineral wealth of Southern Africa; to a representation of the protea, South Africa’s national flower.
The calabash, or African pot, was se lected as being the most recognizable object to represent what would automatically be associated with the African continent and not any other. The calabash, or melting pot of African cultures, sits on a raised podium, on top of which is located a pit of fire. Thus the pot sits in a depression, which is the pit of fire, as if it were being naturally fired.
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http://www.jianzhu01.com/Gymnasium1007230307.htm
伦敦2012年奥林匹克运动会场馆
原 名 称：London 2012 Olympic Stadium
北京2008年奥运会刚过去一年多，伦敦2012年奥运会已经展开筹备工作。北京的“鸟巢”体育场给世界人民留下了难以磨灭的印象，因此，对于Populous建筑事务所来说，他们面临一个更大的挑战：设计伦敦2012年奥林匹克运动场馆。新的运动场将于2011年夏天竣工，可容纳80000观众。
为一个特殊的体育盛会设计场馆的挑战在于，要构建一个暂时性和永久性的结构。这就是设计师设计的宗旨和本质。为了达到暂时性要求，设计师尝试探索了许多完全不同的材料，结构和操作系统。每个组件需要一个可持续的方法，在体育盛事结束后可转换成一个长久可供未来使用的结构；整个过程将维修环节最小化。
The Beijing 2008 Olympics happened less than a year ago, but the preparations for the next games in London already started. Beijing’s Bird’s Nest made quite an impression for everyone who enjoyed the 2008 Olympics so Populous faced a difficult challenge in designing the Olympic Stadium for London 2012. The new stadium will be complete summer 2011 and will host 80,000 spectators during the Games.
The challenge in building a stadium for a specific event lies in creating a structure that is both temporary and permanent. This is the essence of our stadium. By embracing the temporary, we have been able to explore materials, structure and operational systems in a completely different way. Each component takes a sustainable approach that uses only what is needed for the event and then transforms to a long term future use; the whole process uses a minimum of services.
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009082710334144_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009082710334144_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009082710334144_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009082710334144_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009082710334144_5.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230306.htm
移动蜂巢体育馆
国家体育馆——鸟巢已经成为北京的地标建筑，同时也是2008年奥运会的主体育馆。虽然对于鸟巢的态度褒贬不一，但是不可否认这的确是一项极具创新意识的工程。我们今天为大家介绍的这款体育馆设计同样是“巢”，只不过这一次变成了“蜂巢”。
这个体育馆的主体框架由六边形可冲气模块组成，外表酷似蜂巢。90×60米卵形结构可以容纳3500人，中心区域面积为2000平方米。高度为10～17米。30个40英尺标准集装箱即可容纳下整个体育馆的全部部件。
整个项目组装需要花费2周时间，拆卸则只需1周。该项目将于明年首次投入使用。
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http://www.jianzhu01.com/Gymnasium1007230305.htm
Shahalap球场
原 名 称：Shahalap
Shahalap 球场
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http://www.jianzhu01.com/Gymnasium1007230304.htm
墨尔本矩形体育场
原 名 称：cox architects: melbourne rectangular stadium
墨尔本矩形体育场是考克斯(Cox architects)建筑事务所最新的体育设施项目，很快会在这个澳大利亚体育之都落成。2010年完工后，体育场将能容纳3万名观众，将成为墨尔本胜利足球队和墨尔本风雪橄榄球俱乐部的主场。该建筑的设计亮点是它立面上装配有数以万计的LED灯的、水泡形的生态园拱的运用。屋顶的灵感来源于布克敏斯特•富勒（Buckminster fuller)的网格球顶。并且其独特的悬臂设计能够给予下面的座位提供绝佳的视线。体育场同时容纳一个体育医疗设备和管理中心，以服务于该城市众多的体育组织。
仿生圆拱屋顶由钢结构支撑，在空档处并由传统的小支撑加固。然而该设计比较精巧从而比一般的悬臂结构节省了50%的钢材，但是施工过程中却需要脚手架来支撑。一旦小支撑就位，脚手架就可以移除，屋顶将能自己稳固支撑。 这种小支撑板有三种形式：玻璃、金属和天窗。次体育场还采用了更多的利于环境的设计，例如雨水收集、自然采光与通风，以及其他众多的可持续发展的材料选择。
the melbourne rectangular stadium by cox architects is the latest sports facility to go up in the sports capital of australia. the stadium will have a capacity of 30,000 spectators when complete in 2010, when it will house the melbourne victory soccer team and melbourne storm rugby club. designboom was lucky enough to get a tour of the building under construction back in july. the building’s key design feature is its bubble-like bio-dome which will be covered with thousands of LED lights. the roof is inspired by buckminster fuller’s geodesic dome and its unique cantilevered design will provide excellent sightlines while covering the seats. the stadium will also house a sports medicine facility and administration complex for many of the city’s sports organizations.
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http://www.jianzhu01.com/Gymnasium1007230303.htm
银溪体育俱乐部
原 名 称：Club One Silver Creek Sports plex
San Jose, California
http://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg25/2009091014102555_8.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230302.htm
大连实德大型露天体育场
原 名 称：Dalian Shide stadium
NBBJ最近为中国大连实德大型足球体育场设计了一组新的方案，通过远离构建纯粹的形式主义方针，方案描绘了一个体育建筑的新方向。这组有机的建筑方案给典型的大型露天体育场馆的构建带来了挑战，在围合的观众席周围，建筑外立面令人印象深刻。
NBBJs proposed design for the new Dalian Shide football stadium in China represents a new direction in sports architecture by moving away from the creation of a building based on pure form. The organic architecture of the building challenges the typical stadium typology to become more than an impressive skin wrapped around an ordinary seating bowl.
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http://www.jianzhu01.com/Gymnasium1007230301.htm
2014年仁川亚运会主体育场
原 名 称：2014 Incheon Asian Games Main Stadium
2014年亚运会将在韩国仁川举行。有韩国设计公司与世界顶级设计公司populous共同设计完场的主体育馆造型独特而精美，体育馆能容纳70000人。
新体育馆设计主要强调体育场的适应性，更重要是场地不使用后成为一个丰富的公共公园和绿色空间。该体育场已被提倡为“可持续场地的大型活动设计”新时代的描述，但该项目的可持续发展的功能尚未披露。确保旨在吸引成千上万的观众建筑物的环保责任，是一个具有挑战性的目标。
优雅倾斜的结构是为了反映传统佛教仪式、升卢武铉舞蹈。据建筑师Daekwon介绍：“公园建筑如舞蹈，创建动态移动的形式，阴和阳的对立互补的一个更大的范围是在室内大球场总计划的形式呈现，以及对周围形成的剩余空间，成为主要通道的建设。”“新馆场将连接到周围的公园用地，使它建设成为开放的，为市民查阅。这将是更易于操作和更受市民使用，确保其长期可持续性和提供一个仁川人民的真正的传统。”
The competition-winning design of the main stadium for the 17th Asian games in Incheon, in South Korea, illustrates a new level of sustainable design in stadia in Asia. The stadium will hold 70,000 people for the main event in 2014 and will reduce down to a single sided grandstand for 30,000 afterward as a People’s Park for the city of Incheon. The global architecture firm, Populous, formerly HOK Sport Venue Event, is designing Incheon stadium with local firm Heerim Architects and Planners.
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http://www.jianzhu01.com/Gymnasium1007230300.htm
世界妇女运动会运动员村
原 名 称：World Village of Women Sports
BIG建筑事务所与AKT，Tyréns and Transsolar合作赢得了女子体育世界村的设计奖，该世界村位于瑞典，Malmo，是一个占地约100000平方米，集研究，教育和女子体育训练为一体的综合中心。
该世界村提供了一个大面积的公众聚集场所，可以举办职业足球比赛，音乐会，会议，展览和跳蚤市场。在这个中心附近，有一个倾斜的建筑物，大大减少了复杂的视觉冲击带给附近社区的影响。
BIG, in collaboration with AKT, Tyréns and Transsolar, just won the competition for the World Village of Women Sports in Malmo, Sweden, a 100.000sqm complex for research, education and training of women’s sports.
The central space of the village offers a large area for public gathering, which can host professional football matches, concerts, conferences, exhibitions and flea markets. Around this space we find a series of sloped buildings, which reduce the visual impact of the complex to the adjacent neighborhood.
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http://www.jianzhu01.com/Gymnasium1007230299.htm
伦敦水上运动中心（正在施工）
原 名 称：In Progress: Aquatic Center
扎哈哈迪德设计的160米长的长波浪形伦敦水上运动中心屋架刚刚被架起降低到位，这标志着2012年伦敦奥运会奥林匹克公园最复杂的工程和建筑之一迎来挑战。这个重量超过3000吨的巨型钢桁架上仅用了三个混凝土柱支持，供大型比赛和跳水使用。屋顶呈现出拉升扭曲状的另一个目的是为了应对气候变化，雨雪风等对屋顶和运动中心造成的冲击。
The 160m long wave shaped roof frame for Zaha Hadid’s Aquatic Center has just been lifted and lowered into place, marking one of the most complex engineering and construction challenges of the Olympic Park for the London 2012 games. Weighing in at over 3,000 tons, the gigantic steel trusses rest on a mere three concrete supports to provide open space for the facility’s large racing and diving pools. The roof is also designed to stretch, twist and contract in response to the effects of snow, wind and changing temperatures.
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http://www.jianzhu01.com/Gymnasium1007230298.htm
俄罗斯索契冬奥会场馆设计方案
Asadov建筑工作室、Project-KS公司和Grado工程公司等提交了2014年俄罗斯冬奥会体育场馆的设计方案。这个名叫“雪地俄罗斯”（Snow Russia）的工程位于黑海岸的索契，计划将体育设施统一起来，因为“各种建筑没有一个共同和独特的面貌，奥林匹克中央广场也没有一个核心的建筑理念，不同的体育馆场也没有一个将它们联系起来的普遍概念。”
在现有总体规划的基础上，设计组提议“以冻雾为形式，表现夹着雪的旋风降临到奥林匹克场馆”，也就是用装饰性的铝质或合成材料（如Apolic）穿孔板覆盖在承重结构的边上。夜晚，LED照明将灯光投射在建筑上，形成灯海一般的“雪景”。
设计组还为奥林匹克标志作了备选方案，将奥林匹克五环和索契运动会的标志星状雪花结合在了一起。这个提案将提交给国际奥林匹克公司，但备选方案是否能影响正在施工中的场馆还未可知。
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http://www.jianzhu01.com/Gymnasium1007230297.htm
洛杉矶NFL运动场
原 名 称：Los Angeles NFL Stadium
由Aedas Sport设计的，这座有着75000座位的体育场，将是美国国家足球联盟第一座LEED认证的建筑，将是一个集奢华、梦幻、艺术为一体的世界娱乐之都。该项目预计在2013年赛季投入使用。无论是美国国家足球联盟还是业主Majestic房地产商，他们都希望该项目能够致力于环境进步的研究，使这座建筑成为最环保的体育场。Aedas Sport将这个独特的地形设计成一座山体体育场，减少了40%的钢筋用量和至少三分之二的座位可分层次构建。
Designed by Aedas Sport， the innovative 75，000-seat stadium will be the first LEED-certified building in the NFL and will capture the luxury and drama of the world’s entertainment capital. The project anticipates completion for the 2013 season. Both the NFL and the client， Majestic Realty， are committed to making a progressive statement with this building and are exploring a number of initiatives that will make this the most environmentally progressive stadium in the U.S. Aedas Sport has employed the unique topography of the site to build the stadium into a hillside， reducing the steel structure by 40% and allowing at least two-thirds of the seating bowl to be built on grade.
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http://www.jianzhu01.com/Gymnasium1007230296.htm
四川米易体育中心（提案）
原 名 称：Sports Center
项目位置：中国 四川 攀枝花 米易
年限：2009至今
阶段：项目概念阶段
预计竣工：2013
Architect: Studio Shift， Culver City， California， USA
Project Location: Miyi County， Sichuan Province， China
Year: 2009-current
Phase: Completion of Concept Design Phase
Anticipated Date of Completion: Spring 2013
加州Shift工作室为四川攀枝花市米易县设计了一座有3000个座位的运动中心，这是一个多功能中心，可进行大型体育比赛项目，诸如羽毛球，乒乓球和篮球等。主中心区与周边其他几个小型场地相连，例如有200座的网球场，跳水游泳馆，几个羽毛球场和乒乓球场。为了将各迥异的场地整合在一起，设计师设计了一个波浪起伏的金属层面，定义出建筑外部边界线，一直包裹到地平面。
Studio Shift’s 3，000 seat Sports Center in Miyi County provides a multi-purpose venue to accommodate sporting events such as badminton， table tennis and basketball. The main center is connected to smaller venues that feature a 200-seat tennis court， a diving/swimming pool， and several badminton and table tennis courts. To unite the disparate collection of venues， an undulating metal roof encapsulates the program and defines the external boundaries of the building as it wraps down towards the ground plane.
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http://www.jianzhu01.com/Gymnasium1007230295.htm
城市沙滩游泳池
原 名 称：Urban Beach
O + A建筑事务所设计了一个概念性的游泳池，位于荷兰阿姆斯特丹。该游泳池名叫“城市沙滩”，建筑师构建了一个诸如莫比乌斯环公社一样的效果。折叠使对象变得更灵活，建筑师认为这是一个多方面的活动的框架，如可以在夏季作为一个露天电影院活在冬季作为一个健身中心。
O + A have conceived a conceptual pool scheme for a river in Amsterdam. Entitled Urban Beach， the pool appears as a continuous band that is folded and lifted to create a mobius strip-like effect. The folding allows the object to become more flexible， and the architects see it as a framework for various programmatic activities， such as an open-air movie theater in the summer， or a wellness center in the winter.
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http://www.jianzhu01.com/Gymnasium1007230294.htm
布鲁斯体育场
布鲁斯体育场通过一系列铸造而成的地下狭道，从连绵起伏的地方一直延伸到体育馆的结构之中。它的屋顶设计就像是挂在桅杆上的帆，飘浮在空中，而后面的小山则成为北京图案。
因为没有现代计算机的帮助，这个体育馆的流向1外观，在澳大利亚设计史上没有先例。体育馆呈阶梯的看台是使用一种长6米的特制仪器绘制而成的。看台像井口一样垂直上升，所以即使在最高的看台上，也能让人看清表演者的一举一动。这是一项重要的工程，它激起了人们去考虑可能性和解决的方法，而把成规置之度外。
该文章摘录自中国电力出版社出版的《菲利普·考克斯的作品与思想》
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http://www.jianzhu01.com/Gymnasium1007230293.htm
国家网球中心
墨尔本国家网球中心从1985年始建，到1987年完工，这项工程共花去620万美元。它包括了一个拥有15000个座位的中央场馆，可回收利用的屋顶，一个6000座和一个3000座的小型场馆，一个室内网球训练场，公共的中央广场以及停车场。然而，它的文化特性方面的处理比功能上的使用问题更加困难，主要的原因是它坐落在墨尔本有名的亚瑞河岸边，同时也是中央公园最吸引人的转弯处。
该文章摘录自中国电力出版社出版的《菲利普·考克斯的作品与思想》
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http://www.jianzhu01.com/Gymnasium1007230292.htm
东京代代木国家综合体育馆
日本建筑大师丹下健三设计的代代木体育馆是60年代的技术进步的象征，它脱离了传统的结构和造型，被誉为划时代的作品。代代木国立室内综合体育馆的整体构成、内部空间以及结构形式，展示出丹下健三杰出的创造力、想象力和对日本文化的独到理解，它是由奥林匹克运动会游泳比赛馆、室内球技馆及其他设施组成的大型综合体育设施。采用高张力缆索为主体的悬索屋顶结构，创造出带有紧张感、力动感的大型内部空间。特异的外部形状加之装饰性的表现，似乎可以追溯到作为日本古代原型的神社形式和竖穴式住居，具有原始的想象力。这可以说是丹下健三结构表现主义时期的顶峰之作，最大限度地发挥出材料、功能、结构、比例，直至历史观高度统一的杰出才能。该建筑是丹下健三，也是日本现代建筑发展的一个顶点，日本现代建筑甚至以此作品为界，划分为之前与之后两个历史时期。
该体育馆包括一座游泳馆和一座球类馆，1964年落成，是为1964年东京奥运会而建的。两座会馆建筑都采用悬索结构，游泳馆的平面如两个错置的新月型，球类馆平面如蜗牛形。代代木体育馆采用新型结构，然而又被认为具有日本独特的造型风格，因而受到广泛赞誉。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Gymnasium1007230291.htm
2001 - 日本 - 札幌巨蛋
札幌巨蛋
攝影／簡照玲
座落地點：札幌，日本
建築設計：原廣司
完工時間：2001
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http://www.jianzhu01.com/Gymnasium1007230290.htm
藤泽体育馆
这座体育馆的形状好像泡沫一样由内向外扩张，在保持整体平衡平衡形态的同时，构成了膜状外壳。好像膨胀泡沫的空间设计，毫无疑问为需要广大面积的体育馆提供了一处理想的室内空间。然而它是一座真实的建筑物，而非泡沫，因此，需要将最初的形象转化成符合建筑学的原理的构造。这便要回到建筑学的本质上。
该文章摘录自中国电力出版社出版的《普利策建筑奖获得者专辑》
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http://www.jianzhu01.com/Gymnasium1007230289.htm
上海旗忠森林体育城网球中心
上海旗忠森林体育城网球中心象征着上海市的发展，它是进行国际性大型体育赛事的一流体育设施。
我们致力于将这座设施的开闭结构完美实现。牡丹是中国的国花，白玉兰是上海的市花。我们在这两种花的基础上，设计并提交了此次华美的国际赛事中心。上海是一个多雨的美丽城市，夏季日照比较强烈。主网球场的设计象征了中国之花，牡丹；而副网球场的设计象征了上海市花，白玉兰。本方案中的开闭结构极具代表性，其屋顶的开闭方式是至今为止世界首创的开闭形态。屋顶的开启完全演示了牡丹和白玉兰的开花形态。其开启时间为7分30秒，一次开启所需能源成本仅为1元人民币！当屋顶开启后，它可以遮挡周边的日照。这样，它就象大树的绿荫一样，形成一个清新的环境，使场内外的观众和人群心情舒畅。
主球场的可动屋顶有8片，副球场的可动屋顶有6片，它们是组成牡丹和白玉兰的花瓣。1片「花瓣」重达100t，每个花瓣都是在各自的支点上同时进行旋转。在花瓣下部，断面是倒三角形，平面为圆形桁架旋转，从而支持花瓣。各花瓣由4个部分与下部钢骨桁架相连接，是可动的，整体为悬臂梁形式。即使在台风掀卷时，它也具有充分的抵抗强度。关闭时，位于中央部的锁定销将起到固定作用。各个花瓣靠橡胶缓冲物闭合边缘，关闭时，相邻的缓冲材对顶从而形成了下部的导水槽，雨水可以通过这个槽向外排水。这些旋转驱动装置是具有相当的实践经验的形式。如果用特氟隆膜来做屋顶材料，在比赛时，会影响选手的水平发挥，所以，我们采用了金属(亚铅合金)屋顶。对于比赛选手来说，在我们这种开闭屋顶机能结构的环境下，他们可以比较容易进入状态发挥自己的水平。
夜晚，依然可以展现网球中心的华美。在灯光作用下，我们可以看到球场的斜圆形状的影子，好像悬浮着的两个圆盘。在其下部琳琅排列着小商铺、小餐厅等，他们生意红火热闹非凡。对于来到这儿的比赛选手也好，观众也好，作为国际性赛事的网球中心，花的网球场将成为他们美丽的惊叹的回忆。
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http://www.jianzhu01.com/Gymnasium1007230288.htm
德国慕尼黑安联足球场
德国慕尼黑足球俱乐部拜仁慕尼黑和慕尼黑1860将启用新的足球场Allianz Arena，这个足球场由瑞士的建筑设计师Jacques Herzog 和 Pierre de Meuron 设计（Jacques Herzog曾在苏黎士联合工业大学接受教育并在那里遇到了Pierre de Meuron。他们共同于1978年在巴塞尔（Bale）建立了Herzog & de Meuron建筑事务所。Herzog & de Meuron建筑事务所在伦敦、苏黎士、巴塞罗纳、旧金山和北京都有分支机构。）2001年他们获得普里策奖。
足球场整个外围用光滑可膨胀的ETFE材料（ETFE的中文名为乙烯-四氟乙烯共聚物。ETFE膜材的厚度通常小于0.20mm，是一种透明膜材）做成，并可以发出不同的光，红白或是蓝白的菱形让整个建筑看上去是一个LED大屏幕，透亮的顶看上去和体育场的墙壁分开。
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http://www.jianzhu01.com/Gymnasium1007230287.htm
佛山市综合体育馆
规划的佛山市综合体育馆，位于禅城区季华五路电视塔北侧，占地２２．３公顷，包括６０００座位综合体育馆、附属训练馆、全民健身广场、地下停车场等，投资约５．５亿元人民币。
建筑形态宛如三颗水珠滴在绿色的地面上。三颗“水珠”大小各不相同，分别设置主体育馆、副体育馆及健身中心。场馆之间通过连廊形成整体。建筑中引出人行天桥与对面文化广场连成一体。受中国传统建筑中的斗拱结构启发，体育馆由等高线形环梁层叠形成。自然光线可进入体育馆内，节省室内人工照明能耗。等高线形层叠屋面之间有可开启式窗扇，以增加室内外空气流通。传统的斗拱结构和高科技网膜结构共存。下部主体为钢筋混凝土结构，上部为钢结构。健身回廊周长约３６０米，供市民休息、遮雨，并设置促进锻炼的各种器具，围合整个广场。
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http://www.jianzhu01.com/Gymnasium1007230286.htm
阿利坎特国家体操训练中心
国家体操主教练中心是米拉莱斯第一件将自身创意转化为实际建筑的得意之作。在米拉莱斯和他从前的伙伴接到这一项任务短短9个月之后，主体工程的建筑就完成了，并且在1993年的国际冠军赛区中得以使用。
体操中心的整个外形大致呈三角形，所在的场地是不规则的，北部受一条蜿蜒的环山公路限制，南面是陡峭的山崖。在三角形的两条长边处，紧靠着建筑物的场地很平稳地上升到东侧边缘的尖角处，而西侧较短的边，则正好适合做已经存在的足球场的人工地面。从城市来到这个体操中心主要是通过围绕着中心背面的公路。中心上部采用悬臂式的情有屋顶，提供了一个很宽大的门廊，为在坡道处入场的人们提供了遮蔽。
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http://www.jianzhu01.com/Gymnasium1007230285.htm
Fontanals高尔夫球俱乐部
Fontanals高尔夫球俱乐部与周围外部环境密切相关，处在这个地区典型的环境之中：村庄、打谷场，周围的建筑都用当地典型的材料和建筑方式搭建而成。整个设计都是基于周围的景观来考虑的，这是开展和完善这个设计的关键。内在和外在的适应能力也值得关注。根据在旺季和周末的使用情况，以及其中餐饮空间和交流空间的使用情况等，整个建筑被划分成不同的段落。
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http://www.jianzhu01.com/Gymnasium1007230284.htm
Olympic Stadium, New York
The new Jets Stadium will be a 75,000 seat open air stadium and multi-purpose facility. The innovative design on Manhattan’s westside will incorporate sustainable design technology through use of solar panels, wind turbines, and hydroelectric technology to not only supply energy to the stadium, but also to the surrounding city grid. As part of the continued redevelopment of the westside, the stadium will be built on a deck over the west side railyards, adjacent to the historic Highline. Not only will the design extend and preserve the Highline, it will also have an extensive public plaza called the “woodland wedge” on the 34th Street side. In addition, the facility will improve development around the Hudson River, creating a new sports entertainment district.
All back of house facilities will be below-grade, and the stadium will be built of steel and recycled materials. In addition, the infrastructure will provide transportation facilities below-grade, and will create a new link in the mass transit system.
This unique multi-purpose facility, coupled with New York City’s attractions should become the most sought after convention facility in the country. The project could generate over three hundred events for the convention center in addition to the ten NFL games played per season. As New York City looks toward the possibility of a bid for the 2012 Olympic Games, the Jets Stadium design accommodates the required Olympic track and total patron capacity.
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http://www.jianzhu01.com/Gymnasium1007230283.htm
法兰克福体育场
法兰克福在德国是个很有特色和故事的城市。
法兰克福的体育场也非常有特色和故事。
首先，法兰克福体育场建筑在一大片森林中，因而得了“森林体育场”的美称。“旧森林体育场”始建于1928年，经历过1974年世界杯和1988年欧洲锦标赛。2000年，法兰克福市议会通过了在原址修建“新森林体育场”的提案。于是，一座全新的投资1.26亿欧元的“新森林体育场”耸立起来，新体育场共能容纳48000人左右，周围的森林仍然毫发未损。
我们对体育场外四根高高的水泥立柱产生了兴趣，印象中还没有哪座体育场有这样奇怪的构造。经介绍，这四根立柱是为体育场通风排烟用的，构思真是奇特。进入法兰克福体育场内部，看台座椅相当宽敞舒服，球门后还有国内见不到的“站席”。在“站席”上只有供扶靠的钢管，然后就是光秃秃的水泥台，不知道在这里站上90分钟看球是种什么滋味。设立站席一方面增加了观众人数，更重要的是可以推出很低廉的球票价格，从而让社会上各个收入阶层都有机会看球——是不是很人性化的考虑呢？
为了2006年世界杯，法兰克福体育场进行了重修，又多了一个非常有创意的设施。原来体育场四周都有遮挡风雨的白色顶篷，这次重修用半透明顶篷将原有白色顶篷连接起来，并在顶篷的正中央安置了四面大屏幕——这一设施有些类似于NBA赛场的大屏幕，但在足球场使用还是敢为天下先。采用了这种创新的帐篷式屋顶结构的法兰克福体育场也被该市市长范德雷克戏称为“世界上最大的敞篷汽车”。
法兰克福还与中国足球有一段不解之缘。1998年8月14日，杨晨代表法兰克福队在与杜伊斯堡队的比赛中首发出场，这是中国球员首次亮相欧洲顶级的五大联赛。1998年9月8日，又是杨晨在法兰克福与门兴格拉德巴赫的交锋中，打进了中国球员在欧洲顶级联赛中的第一球。然而杨晨在法兰克福的回忆也并不都是喜悦，随着法兰克福队战绩不佳降入乙级，2002年杨晨也终结了自己在法兰克福的四年之旅。
法兰克福市还有一处足球烙印最明显的地方，那就是罗马贝格广场。这里是法兰克福老城的中心，如今作为法兰克福的市政厅。 楼房的二楼有个皇帝大厅，是神圣罗马帝国皇帝举行加冕典礼的地方，现在是接待大厅，也是德国国国家足球队凯旋归来和球迷狂欢的地方。由于法兰克福是德国最主要的空港，每一次德国队出征大都在这里出发，如果获胜也会在这里归来，下飞机后第一件事情就是来到罗马贝格广场皇帝大厅二楼有徽章图纹装饰的露台上，接受球迷们的热烈欢迎并一起参与狂欢活动。
法兰克福机场是欧洲第二大机场，有连接世界各地的航班，是世界著名的交通枢纽城市。附近的“莱茵·美因机场”将德国与世界联系在一起，从这里出发可到达110个国家的300多座城市。另外欧洲实行欧元后欧洲中央银行就设在法兰克福，因此使得法兰克福成为世界著名的金融中心。高耸的摩天大楼多是各大银行的总部，中国银行、工商银行和建设银行也在这里设有分行。法兰克福证券交易所是德国最大的交易所，在世界证券业也有举足轻重的地位。此外法兰克福还是德国的著名展会城市，每年举办很多世界著名的行业国际博览会，如图书博览会、汽车展等。
按照我们的思维模式，高楼林立是一座现代化城市的标志，但欧洲人并不这么认为，他们更喜欢比较低矮的建筑和大面积的绿化。在他们看来，树林森林要比水泥森林重要的多。就像我们刚刚去过的德国第三大城市慕尼黑，市区里多是五六层的建筑，很少看见高楼大厦。而作为德国摩天大楼最多的城市，法兰克福被有些德国人揶揄地称为“德国最大的村庄”——这个有意思的称号，是不是也值得我们去玩味呢？
http://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006062014233538_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230282.htm
辛辛那提大学体育中心
辛辛那提大学体育中心
地点：美国．俄亥俄州
这个大学体育中心既可以认为是独立自由设计的也可以认为是配合环境而设计的。它的独特的。回旋镖”式的外形是受限于狭窄地段的结果，它被现存的露天体育场、竞技场、邻近的运动场和新建成的娱乐活动中心紧紧包围。这个建筑为观看体育场提供了很好的视觉平台，同时它引人注目的外表在体育场上也很容易被看到。
一个五层通高的中庭联系了北面街道和南面街道的入口，而且也成为体育中心各种常用功能的所在，包括顶层的体育办公室直到底层的训练室。运动员是这个建筑的主要使用者。它同时也包括礼堂、教室、学生俱乐部等功能设施。
建筑师伯纳德•屈米因地制宜，将其设计成独特的回力标形状。步入室内，一个五层通高的中 庭贯通南北街道入口，是运动中心人流的汇聚场所。这块动感十足的空间被室内设计师伊娃•玛道柯演绎成一个展示学校成就的“传承大厅”。各层走廊上方的金属吊顶上，是一幅幅呈现运动精神和学院理念的棕褐色壁画。这些精美的图案由数码印刷机直接印在金属面板上，就像一座满载学校荣誉的“悬挂式博物馆”，时刻激励着学校师生。吊顶板面和系统接缝的平整度和精密度之高，令原本拼接而成画面一气呵成、干净利落。
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http://www.jianzhu01.com/Gymnasium1007230281.htm
豪华体育场
豪华体育场
地点：法国，巴黎
这个位于巴黎市中心的体育场是用来承办世界杯足球比赛的，当然也可以举办运动会，规模很大，有80000个座位。座位中较低的台阶隐藏在一个类似土墩的基础的底部，然后上面是一个宽宽的走廊，再上面是由很多细柱子支撑起来的更高的台阶和半透明的屋顶。底部台阶是可以移动的，这些座位仅用于看足球赛，它们可以穿过田径跑道延伸到环绕球场的排水沟。
屋顶不是平的，而是弯的，就像一个半径1300米圆柱的底面。屋顶的坡度，跟上面台阶的坡度一样，向东倾斜。除了这些坡度的一致外，半透明的曲面屋顶覆盖在精密的钢构架上，并且一直延伸到上步台阶的盘旋碗。这种不对称可以给功能带来一些优势，比如抵挡凛冽的西风，两面都可以遮挡午后的阳光，还可以消除朝西座位的高度。
http://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006071416410447_6.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230280.htm
Pfaffenholz体育中心
建造地点：圣路易斯，法国
建造时间：1989～1993
这个体育中心恰好位于巴赛尔和圣路易斯之间的边界上，是在巴赛尔附近属于法国的部分。为法国和瑞士观众准备的人口都位于瑞士一侧。从体育中心的中点，一个大厅被分成了3个小健身房和一个体育馆。周围的走廊作为人口部分，在重大体育赛事时，这些走廊可以设置临时座椅。
在立方体玻璃大厅上，是一个很长的低矮的建筑，有着悬臂结构的屋顶。这是体育赛事的主要人口和基础结构。围绕大厅是一个为训练和残疾人设置的坡道，3个美式足球场地和一个室内全天候场地。
这个建筑的承重结构一部分是预制混凝土，一部分是现浇混凝土。大厅的外防护结构是大块的绿色玻璃板。通过特殊的印刷方法，这些面板可以将射人大厅的阳光加以柔和的过滤。
http://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072414422159_11.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230279.htm
鸟巢
国家体育场俗称鸟巢，位于北京奥林匹克公园中心区南部，为2008年第29届奥林匹克运动会的主体育场。工程总占地面积21公顷，建筑面积258,000㎡。场内观众坐席约为91000个，其中临时坐席约11000个。
国家体育场工程为特级体育建筑，主体结构设计使用年限100年，耐火等级为一级,抗震设防烈度8度,地下工程防水等级1级。工程主体建筑呈空间马鞍椭圆形，南北长333米、东西宽294米的，高69米。主体钢结构形成整体的巨型空间马鞍形钢桁架编织式“鸟巢”结构,钢结构总用钢量为4.2万吨，混凝土看台分为上、中、下三层，看台混凝土结构为地下1层，地上7层的钢筋混凝土框架-剪力墙结构体系。钢结构与混凝土看台上部完全脱开，互不相连，形式上呈相互围合，基础则坐在一个相连的基础底板上。国家体育场屋顶钢结构上覆盖了双层膜结构，即固定于钢结构上弦之间的透明的上层ETFE膜和固定于钢结构下弦之下及内环侧壁的半透明的下层PTFE声学吊顶。
国家体育场，被誉为“第四代体育馆”的伟大建筑，见证的不仅仅是人类21世纪在建筑与人居环境领域的不懈追求，也见证着中国这个东方文明古国不断走向开放的历史进程。 其设计新颖，配套设施完备，象征意义深远。
一、设计理念：
国家体育场坐落于奥林匹克公园建筑群的中央位置，地势略微隆起。它如同巨大的容器。高低起伏的波动的基座缓和了容器的体量，而且给了它戏剧化的弧形外观。体育场的外观就是纯粹的结构，立面与结构是同一的。各个结构元素之间相互支撑，汇聚成网格状 -- 就如同一个由树枝编织成的鸟巢。在满足奥运会体育场所有的功能和技术要求的同时，设计上并没有被那些类同的过于强调建筑技术化的大跨度结构和数码屏幕所主宰。体育场的空间效果新颖激进，但又简洁古朴，从而为 2008 年奥运会创造了独史无前例的地标性建筑。
（一）、基座
基座与体育场的几何体合二为一，如同树根与树。行人走在平缓的格网状石板步道上，步道延续了体育场的结构肌理。步道之间的空间为体育场来宾提供了服务设施：下沉的花园，石材铺装的广场，竹林、矿质般的山地景观，以及通向基座内部的开口。从城市的地面上缓缓隆起，几乎在不易察觉中形成了体育场的基座。体育场的入口处地面略微升高，因此，可以浏览到整个奥林匹克公园建筑群的全景。
（二）、屋顶：
体育场的空间效果新颖激进，但又简洁古朴。体育场的外观就是纯粹的结构，立面与结构是同一的。各个结构元素之间相互支撑，汇聚成网格状，就象编织一样，将建筑物的立面, 楼梯, 碗状看台和屋顶融合为一个整体。如同鸟会在它们树枝编织的鸟巢间加一些软充填物，为了使屋顶防水，体育场结构间的空隙将被透光的膜填充。由于所有的设施－餐厅，客房，商店和卫生间都是独自控制的单元，建筑外立面的整体封闭因而是非常不必要的。这使体育场有自然通风，是体育场环保设计的最重要的一个方面。
（三）、碗状看台：
体育场被设计成为巨大的人群的容器，无论远眺还是近观，都给人留下与众不同的、不可磨灭的印象。体育场内部，这种均匀的碗状结构形体将能调动观众的兴奋情绪，并使运动员超水平发挥. 创造连贯一致的外表，座席的干扰被控制到最小，声学吊顶将结构遮掩使得观众和场地上的活动成为注意焦点。在此，人群形成了建筑。
二、服务设施：
国家体育场除了基本服务及安全设施外，其绿色、科技、人文设施更是将绿色、科技、人文理念进行了完美的诠释。
（一）、绿色设施：
国家体育场设计大纲要求“国家体育场的设计应充分体现可持续发展的思想，采用世界先进可行的环保技术和建材，最大限度地利用自然通风和自然采光，在节省能源和资源、固体废弃物处理、电磁辐射及光污染的防护和消耗臭氧层物质（ODS）替代产品的应用等方面符合奥运工程环保指南的要求，部分要求达到国际先进水平，树立环保典范。
1、设计阶段：星光大道作为国家体育场的旅游景点，以少有的留手印的形式来纪念、表彰那些杰出的运动健儿，满足了人们与心目中的体坛英雄零距离接触的愿望。初步设想在国家体育场景观区设建文体明星手印大道。留印对象主要包括：国内外奥运会冠军得主、对中国体育事业有突出贡献的教练员、运动员、另外，也可包括少量与运动有关的文艺界明星。
2、施工和运营阶段：冠名权是指一个企业与场馆／设施／运动队建立合作伙伴关系，通过缴纳赞助费来专有使用与场馆／设施／运动队有关联的名称。冠名权交易对双方来讲是一种具有长远市场性目标的合作，同时对冠名企业来讲也可以简单的总结为是一个绝好的市场机遇，而另一方面对于场馆／设施／运动队来讲则是一笔可观的收入来源。
3、通过环境管理体系的建立和执行，改进国家体育场的建筑功能和性能，持久地贯彻绿色奥运的概念。
（二）、科技设施：
国家体育场设计大纲要求：“国家体育场的设计应充分考虑以信息技术为代表的，包括新材料和环保等技术的高新技术。在建筑、结构、建材、环保、节能、智能化、通信、信息和景观环境等方面，通过采用可靠、成熟、先进的高新技术成果，将国家体育场建设成为一个具有以人为本的信息服务、方便可靠的通信手段、先进舒适的比赛环境和坚实可靠的安全保障的特点的新型场馆。在设计中体现奥运场馆的时代性和科技先进性，使其成为展示我国高新技术成果和创新实力的一个窗口。”
国家体育场在设计和施工阶段在科技攻关和成熟技术应用上应用一批针对建筑结构、节能环保、智能建筑的科技成果，并针对结构特点带来的设计和施工难点实施科研课题的攻关。
1、以国家体育场建设对科技的需求为出发点，提高体育场建设科技创新能力，积累高科技应用于体育场的经验，使科技创新成为“三大理念”的动力和保障。
2、在设计和施工过程中，针对国家体育场建设过程中的若干瓶颈和焦点问题，重点安排一批科研攻关项目和课题，解决设计和建设中的难题。在各专业设计上重点应用较成熟并具有科技含量的技术，使体育场体现一流的建设和运营的科技水平。
3、针对钢结构设计关键技术成功的科研攻关，主要内容包括：
(1)焊接薄壁箱形构件研究；
(2)钢结构复杂节点研究；
(3)大跨度结构温度场研究；
(4)大跨度结构地震安全性研究；
(5)大跨度结构风振系数研究(风洞试验)；
(6)焊接薄壁箱形构件设计理论研究；
(7)弯扭构件设计理论研究；
(8)复杂节点构型研究；
(9)多个焊接箱形薄壁构件交汇节点研究。
4、针对施工关键技术成功的科研攻关， 研究内容包括：
(1)灌注桩基础工程施工技术研究；
(2)超长结构混凝土裂缝控制技术研究；
(3)双斜柱综合施工技术研究；
(4)空间弯扭箱型截面构件及多向微扭空间节点的加工制作技术研究；
(5)高强钢Q460厚板(100mm)焊接性能试验、焊接工艺技术研究；
(6)巨型马鞍型空间钢结构整体卸载技术研究；
(7)国家体育场钢结构负温焊接试验研究应用；
(8)国家体育场钢结构合拢技术的研究应用；
(9)国家体育场膜材及膜结构检验技术研究。
（三）、人文设施：
国家体育场设计大纲要求“国家体育场的设计应有利于普及奥林匹克精神、弘扬中华民族的优秀传统文化，并应充分考虑各类人员(包括残疾人和有行动障碍人员)的需求，建立适宜的人文环境。” 在体现人文关怀方面，设计对建筑功能、运营使用上做了细部设计以体现人文关怀。
1、人文设计
设计考虑各类人员的需求，溶入对残疾人和有行动障碍人员的需求，建立适宜的人文环境。
(1)重视观众席的观看效果设计；
(2)重视观众席安全疏散性能设计；
(3)残疾人与普通观众路线布局；
(4)重视消防设计；
(5)使用计算机模拟室内微环境；
(6)计算机模拟清晰室内音响效果；
(7)突出建筑物内人的功能要求，装饰上体现世界性的文化内涵；
(8)整个设施要为运动员提供理想的比赛和休息环境；
(9)重视媒体和新闻记者的工作条件及设施需求。
(10)国际化的标识设计，不仅是要符合人的一般习惯，而且要考虑到国际通用性。
2、人文施工
施工中“以人为本”， 细致地分析审定施工中的每一个方案，倡导工业化的装配作业，从降低劳动强度，工序中的每一个步骤，提出要采取的措施，中心思想是“以人为本”；生活上，如住宿条件及饮食等方面提供最佳的条件。
三、象征意义：
许多看过“鸟巢”设计模型的人这样形容：那是一个用树枝般的钢网把一个可容10万人的体育场编织成的一个温馨鸟巢！用来孕育与呵护生命的“巢”，寄托着人类对未来的希望。
整个体育场结构的组件相互支撑，形成网格状的构架，外观看上去就仿若树枝织成的鸟巢，其灰色矿质般的钢网以透明的膜材料覆盖，其中包含着一个土红色的碗状体育场看台。在这里，中国传统文化中镂空的手法、陶瓷的纹路、红色的灿烂与热烈，与现代最先进的钢结构设计完美地相融在一起。
整个建筑通过巨型网状结构联系，内部没有一根立柱，看台是一个完整的没有任何遮挡的碗状造型，如同一个巨大的容器，赋予体育场以不可思议的戏剧性和无与伦比的震撼力。这种均匀而连续的环形也将使观众获得最佳的视野，带动他们的兴奋情绪，并激励运动员向更快、更高、更强冲刺。在这里，人，真正被赋予中心的地位。
http://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_13.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_14.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_15.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_16.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_17.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_18.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_19.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_20.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_21.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_22.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_23.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_24.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_25.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_26.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_27.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_28.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_29.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_30.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_31.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_32.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_33.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_34.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_35.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_36.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_37.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_38.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_39.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_40.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_41.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_42.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_43.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072415222857_44.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230278.htm
2000年奥运场馆规划
面 积：600公顷
2000年悉尼奥运会选址于家林湾不仅为证明澳大利亚的体育事业提供了一个很好的机会，更是一次发展城市、复兴悉尼内部文化结构、回收利用大片废弃土地的大好时机。
奥运村的正式规划是1991年启动的。COX建筑事务所与PTW和HPA合作进行初期的主要规划：城市形态、建筑的形式以及对家林湾奥林匹克村的掌控。而COX事务所负责其中主要的体育场馆区的设计。这次规划发展了他们在规划堪培拉国家体育中心的建筑与景观时的心得，以小路网交通系统来连接各个场馆。从空中俯瞰整个场馆就像是原始土著居民梦想中的景象：在潮湿的地区里有很多小溪蜿蜒流过。
最后完成的项目比他们想象的要简洁，比起早先的概念草图，各种规模结构的混杂并没有那么错综。当然，在一些区域，如RAS展示区和运动员村，还是处理得比较复杂一点，以产生一种有生机的、令人紧张的气氛。
家林湾奥林匹克运动员村是建造在一片工业废地上的新住宅，它的主要作用是在2000年悉尼奥运会期间为世界各国的运动员提供舒适的住所。设计者本着可持续发展和综合考虑的原则，在设计细节上，公众和私人的空间被很明确地分离开，以满足更广泛的社会要求。同时，他们也注意把建筑和环境结合在一起，综合考虑了社会、文化和经济的因素。
http://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_1.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_2.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_3.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_4.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_5.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_6.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_7.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_8.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_9.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_10.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_11.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_12.jpghttp://www.jianzhu01.com/ColumnImages/ArticleImg11/2006072516361732_13.jpg体育馆2010-07-23
http://www.jianzhu01.com/Gymnasium1007230277.htm
乌特勒支大学教育馆
乌特勒支大学教育馆
http://www.jianzhu0