最初的概念是一个明亮的、弯曲的、充满斜线的白色物体处于一个由地面、墙和屋顶组成的黑色盒子里面。利用材料的光滑与质感形成对比，利用几何形状的倾斜和正交形成对比。 建筑师: Dieguez Fridman Arquitectos & Asociados地点: Buenos Aires, 阿根廷项目组: Tristan Dieguez, Axel Fridman, Leonardo Buffa, Maria Carranza, Jazmìn Zang, Ana Sol Smud, Rosario Guiraldes, Belen Gandara联系人: Javier Ferreyra Ordoez, Sering S.A.结构工程师: Sebastián Berdichevsky照明顾问: Pablo Pizarro景观: Cora Burgin产品设计: Martin Wolfson, Iíhsiu Chen业主: Ayres建筑面积: 400 平方米年代: 2008摄影: Dieguez Fridman       该设计让商店内部空间重现城市空间所产生的感觉和知觉：惊奇、对比、意外、人移景变。就如同在城市中，随着人的运动，街景也会不断变化，带来新鲜感。在这个商店里，客人们也能在移动中发现环境的变化。移动的路线也不是单纯水平的或是垂直的，而是两者的结合。商店的特定的功能区域，如：展览区、试衣间、柜台、交款处与它们之间的分隔空间一样重要。就如同在城市中，各个部分之间的联系比各个部分本身还要重要。    最初的概念是一个明亮的、弯曲的、充满斜线的白色物体处于一个由地面、墙和屋顶组成的黑色盒子里面。利用材料的光滑与质感形成对比，利用几何形状的倾斜和正交形成对比。    该商店的几个要素与商店的传统模式有所不同。地面不是一个水平面，而有台阶和坡道。一部分屋顶是坡道的底面。试衣间好像一个镜子的迷宫，可以从不同的角度看到试穿的效果，把购物，服装和空间变成一种游戏。    通过与工业设计师和照明顾问合作，设计了定制的东西专门用来展示服装。。锌皮立面与相邻的上个世纪风格的建筑想协调，同时，在Palermo地区的城市景观中引进了一种新的建筑材料；立面上有一个斜线的开口，吸引顾客探索它的内部。                 原文：http://www.archdaily.com/19143/ayres-store-dieguez-fridman/ Architects: Dieguez Fridman Arquitectos & AsociadosLocation: Buenos Aires, ArgentinaProject Team: Tristan Dieguez, Axel Fridman, Leonardo Buffa, Maria Carranza, Jazmìn Zang, Ana Sol Smud, Rosario Guiraldes, Belen GandaraContractor: Javier Ferreyra Ordoez, Sering S.A.Structural Engineering: Sebastián BerdichevskyLighting Consultant: Pablo PizarroLandscape: Cora BurginProduct Design: Martin Wolfson, Iíhsiu ChenClient: AyresConstructed Area: 400 sqmProject year: 2008Photographs: Dieguez FridmanThe project seeks to reproduce in the interior of the store feelings and sensations generated by urban space: the possibility of surprises, contrasts, unexpected encounters, and changes of perspective. Just like cities are generally perceived in motion, and offers multiple surprises in any route, the store changes as people move inside it. Movement is never horizontal or vertical but both at the same time. The specific functions of the store such as exhibition areas, fitting rooms, counters or deposit are as important as the space that separates them. As happens in urban conditions, relations between parts are more important than the parts themselves.The initial concept is a bright white object that unfolds in curved and diagonal lines inside a dark box made out of floor, walls and roof. Materials and geometry define this play of contrasts between smooth and textured, diagonal and orthogonal.Several elements of the store move away from traditional models. The floor is not one plane, but a combination of steps and ramps. The roof is hard to identify between the folds of the ramps that become ceiling. The fitting rooms form a labyrinth of mirrors where clothes can be seen from unusual angles, turning the experience of trying on clothes into a game that involves shoppers, clothes and space.Through collaboration with industrial designers and lighting consultants, special elements were designed to display clothes and accessories. The zinc facade adapts to the heights of its’ turn-of-the-century neighbors, while introducing a new material on the urban landscape of the Palermo district; its’ diagonal openings are a suggestion of the space behind it and an invitation to explore it.